#people forget that this is the result of lawful good.

[cute-little-fly]

Again, the problem of this finale is that it was rushed. It is all reduced to that. We needed more scenes and more final and concluding remarks about the plots that needed to be concluded or at least given some closure. But, I will try to conclude something with the crums we had.

Piltover obviously opened the gates because they needed the muscle. But then, did you noticed how the councilors looked at Zevika at the council? At the end, everything was the same…I think that in this universe they will be the same, and Zevika maybe could join Ekko and try to fight to get the Undercity people’s voices heard and some basic rights but that will be about it. At least, from what I felt about the little they put about it in the ending… Also, I feel that what the final fight wanted to say is that when real danger arises people forget about differences and unite, but at the end, they give you the punch that after the danger passes it all keeps being the same… the prejudices and all of that… which is disappointingly realistic.

The enforcers are authority. There can be good people and bad people among them, but at the end, they are at the service of the greater power and good enforcers won’t make any difference. For me this message was conveyed through Maddie and Vi in different ways.

At the beginning Maddie seems like just one junior officer that joined the cops because she wants to make a difference, young and naive, all of that. She admiring Vi that acted upon herself to what she believed was right. But then, she is completely willing to be Ambessa’s spy, uses the power that gives her to revenge on Caitlyn and doesn’t really care that what Ambessa is doing might be dangerous to everyone. Like, is basically how easy someone corrupted can use police authority to oppress or for their own means no matter how naive and good intended they seem to be at the beginning. She didn’t cared about Martial Law, because she believed in authority.

Vi on the other hand was an oppressed person that did it because of guilt and to help Caitlyn. That didn’t resulted in anything good for them and just made everything worse. Vi said she always chose wrong. I think she regretted joining the enforcers. This is not precisely told, but I think you can do that interpretation and what her new Pitfighter Vi skin in the game says is basically that… for me that counts as a confirmation since now they say all of that is canon. Some people question that she keeps the badge and what that could mean, she still might be defending Piltover against barons and shimmer but by her own volition and not tied to the enforcers. But this lady thing is my guess, since they left that so open.

I don’t know what beliefs the people that made Arcane have, and is obviously a product of a big company that usually is not allowed to be that extreme in its political views… but, at the end, we have to remember that Arcane is made by a lot of people. We are able to interpret all what happened through different lenses because even if it can have biases is not a propaganda show.

It doesn’t matter that the creators are aligned with that message or not (I don’t think they all think the same). At the end, they showed nuance and we have many examples of police brutality or authoritarian in the show depicted as wrong. They don’t show Caitlyn and Vi going back to the police and Caitlyn won’t never ask that to Vi again and they don’t show them doing that at the end. If the show was a cop propaganda I think vi would have ended up as an enforcer again, the same as Cait. I wonder what they will do after this, but they ended it open ended for a reason.

Is it just me or did the Arcane finale completely forget about the dynamic of oppression between Piltover and Zaun? Why are the Piltover police suddenly being depicted as a relatively heroic force that will open the city gates to Zaunites after after two seasons worth of them being depicted as cruel and apathetic people of immense privilege who spare no mercy towards the Undercity? Is it just me or is the final season of Arcane totally contradicting its progressive messaging?

All I can think about is when the tides of war finally roll out of the shores of Piltover and Zaun, what will happen to Zaun?

[cosmicpuzzle]

Negatives of Mercury in Each House

Mercury in 1st House: Overthinker, mental overload, takes things too literally, impatient, not a good listener, interrupts while talking, opinionated, critical, argumentative, fussy with details, nervous.

Mercury in 2nd House: Does not keep promises, mismanages money, financial trickster, bad salesman, lies about money matters, stammering.

Mercury in 3rd House: Too much into details, information gatherer, thinks but not acts, cluttered mind, breathing and lungs issues, smoker, loses the big picture, media addict, smartphone addicts.

Mercury in 4th House: Unsettled mind, emotional issues, analyses feelings than feeling them, not able to settle at one place /city, frequent mover, shy outside home, nervous, anxious mother, tension at home, sibling quarrels, property troubles, documentation troubles.

Mercury in 5th House: flirtatious, casual lover, critical of children's education, too mental in love and expressing affections, takes risk with speculation, poor gambler, worried over children, micromanages children's life.

Mercury in 6th House: Argumentative, picks intellectual fights, overzealous in health matters, troubles with co worker, gossips at office/ workplace, criticizes others work, perfectionist, makes mistakes at work, skin eruptions.

Mercury in 7th House: changes partners frequently, falls in love then discards, trouble with contracts, marries for documents purpose(like spouse sponsoring a visa), mental relationships, not serious in love, experiments new partners, falls in love with 2 people at same time.

Mercury in 8th House: Secretive, schemer, cold, sarcastic, suspicious, corporate frauds, abuses through words, foul language, trouble through inheritance, relatives, nervous disorders like paralysis, respiratory illnesses, obsessed about death.

Mercury in 9th House: Fundamentalist, thinks too optimistically than practically, can't see immediate consequences, focused only on the big vision but doesn't take practical steps, questions religion and faith systems, cannot believe without proof.

Mercury in 10th House: Changes career frequently for promotion or increments, too smart and then deceives oneself, lies at work, thinks only about gain, not emotional, works only for results, no imagination or creativity at work, works as per the letter of law than to the spirit.

Mercury in 11th House: Makes more acquaintances than true friends, social climbers, makes contacts for sake of it, deceitful friends or deceits friends, financial mismanagement, greedy for profits, attracted to quick rich schemes, cheats others financially, lies to others.

Mercury in 12th House: Poor concentration, poor focus, dreamy, impractical, poor memory, lack of action, forgets important things, does not solve problems, not good with details, does not speak properly, not responsive to others, over imagination.

For Readings DM

I post more on my twitter/X page . Follow me for more short and interesting post over there. (Eventually may shift there)

Magha Sidereal Astrology🌙 (@maghastrology) / X (twitter.com)

[schraubd]

In the Image of God

A recent study found that Jews are the demographic group most accepting of trans individuals in the United States.

When certain Christians assert a religious freedom right to discriminate against trans individuals -- particularly, a right to misgender them -- their argument typically proceeds something along these lines:

1. They believe every individual is created in the image of God.

2. Part of that image is the person's sex (and by extension, gender).

3. In particular, a person's sex/gender is inalterably assigned by God from conception.

4. They are forbidden from lying or falsifying God's choice.

Therefore, they say, they are religiously obligated to refer to people by their chromosomal sex, regardless of how they identify or publicly present. This religious duty, in turn, is used to press against rules and policies which require respectful treatment of trans individuals (including refraining from deliberately misgendering them, deadnaming them, and so on).

What's interesting about this framework is that a lot of it actually resonates with how I view the relationship of my Jewish faith and trans individuals -- with some crucial alterations. To wit:

1. I believe every individual is create in the image of God.

2.  Part of that image is the person's sex (and by extension, gender).

4. I am forbidden from lying or falsifying God's choice.

The major distinction, of course, comes in prong 3:

3. A person's sex/gender is not necessarily or inalterably assigned by God from conception, but rather can be part of a person's own process of discovering who they are. Where such self-discovery leads to a person to conclude they are trans, non-binary, or any other identity that departs from the sex they were assigned at birth, they are not deviating from God's plan. They are uncovering their authentic self as God has created them.

The result of this process is part of God's image. Those who refuse to accept it are not cleaving to God's image, they are rejecting it.

God's process of creation is not, in my understanding of Judaism, a set-and-forget sort of deal. It is not a matter of passively being puppeteered by a divine hand. It something we do together -- we are partners in creation. To deny the results of that partnership is, for me, a denial of God's plan and practice just as much as it is for adherents of other religious views who adhere to a more static and calcified notion of the role of the divine.

And so for me, and I suspect for many Jews, the religious freedom obligation pushes in the other direction. Many conservative states have, or are considering, laws which require (at least in certain contexts) non-recognition of trans identity. For Jews (and others) who share my religious precepts, these laws would force me to deny -- to bear false witness to -- a key attribute of how God created some of my peers. I do not believe -- and this is a deep, fundamental commitment -- that God's "image" of trans persons was for them to be locked in a body or sex or gender identity that clearly is not authentically theirs. When they find their full self, they are equally finding God's image of themselves.

Consistent with my lengthily expressed feelings on the subject, I suspect that what's good for the goose will not be good for the gander. Despite the clear parallel, liberal Jews who assert religious liberty rights to be exempted from laws seeking to enforce by state mandate a transphobic agenda will not meet with the same success enjoyed by their Christian peers.

Nonetheless, there is value in promoting this sort of framework, and in unashamedly asserting Jewish independence from hegemonic conservative Christian notions of true religiosity. It is not woven into "religion" that God's image requires rejection of trans individuals' full selves. That is a choice, an interpretation of some religions or of some who call themselves religious. Other religions, other religious persons, have a different interpretation of how to respect and dignify the facet of God that is in every one of us.

via The Debate Link https://ift.tt/vlsH4T2

[444you]

manifestion guide for overthinkers and pessimists

MY MANIFESTION JOURNEY

*caution: mentions of personal limiting beliefs* you can skip through this if you want, but it’s mainly talking about my own journey and what i struggled with 🦋

for me, i’ve been heavily into law of assumption and law of attraction for about 7 years now. i tried many different manifestation techniques, i never found one that fit. i got into sammy ingram when she first made her youtube channel. she was one of my fav youtubers. not just because of her advice but i loved her personality. i binged her videos. she always gave good information but i knew for me, affirmations never helped. i always looked into the 3d, even when i knew i shouldn’t. anytime i saw a sign, i would freak out because i thought i would continue to manifest signs instead of my desire. i also overthought a lot and felt like if i had one opposing thought, that my manifestation wouldn’t come. the thing is i’m aware that this stuff doesn’t affect how your desires come in, but i still freaked out over it. this is just a few of the many issues i had. i tried scripting, water methods, subliminals. i even had a subliminal channel, people would get results but i never got any from my own or others. now i’m highly aware that i have limiting beliefs yall 😭 this is what is causing me to not achieve what i want. this is something that i’ve been working on for years and i know that i’ll gradually move past it.

WHAT IVE BEEN CURRENTLY DOING TO MANIFEST MY DESIRES

vision boards. i make them for multiple desires or specifically just one. if i want something to come fast, i put a 2 month time frame on it and then i also put the year. so say i wanted to manifest a car right now. , i’d make a vision board of my dream car. then i’d write a text that says “july - august 2024”. i had this strict belief that manifestations come in 3 days or less. however, i always put a 2 month time frame because i know i can easily get upset and doubt it. id make the collage of that i want on my phone. then i’d put it as my wallpaper for 3 days or more. i did this because i’d gradually look at it multiple times a day, this way my mind could be familiar with my desires. with this however, i can talk to my friends about my desires. i can have so many doubts and think the opposite but somehow it still works for me. but anyway, i’d look at it for a few days and then change it to something completely different, any wallpaper. i delete the vision board from my camera roll. (if you go to settings and wallpapers, it’s still there as a choice to view in the future) then i’d just forget about it. sometimes but no always, i’ll put a reminder to check my vision board after the timeframe i put it. so for the car example, i’d put a reminder after august. then i go back and see what manifested. at the end of the day, we all think differently. we all have different ways to manifest. and if you’re somebody like me who has a lot of limiting beliefs, don’t feel discouraged. i used to get upset that everybody got subliminal or manifestion results, but i eventually found something that worked for me. and you will too.

[lawqual1ty]

Heart drawings (Trafalgar Law x GN!Reader)

Pov: After finishing your duties you end up hanging out with Law during his work but end up getting bored which results in you adding a little something to your captain's skin.

Warning: too much fluff (go get some insulin), reader has (implied) ADHD symptoms

You had never been known to be a person that could sit still for long, whether it was moving your leg around or playing with something in your hand you had to always be doing something or else your brain would go insane, which got you to offer your helping hand in a lot of situations once you joined the Heart pirates.

However there would always be days, like today, that there was not much you could do even if you asked to, so you had to stick to reading or studying for the most part after you finished your daily duties.

You were in your room reading a few of the medicine books that your Captain , Trafalgar Law, had generously lent you for your free time, however well... You were struggling... And a lot.

"Wait... What was I reading...?" You grunted, this was the third time in a row you had read the words on the book only to forget seconds later what exactly you had read with great speed. You were getting irritated. You wanted to learn more about how to create different types of medicine so that you could help your crew but your brain was having a hard time concentrating, you rubbed the bridge of your nose with annoyance.

"I need a break..." You muttered as you softly closed the book, a light tap from the cover giving you the signal that you could head off.

You wandered around for a while looking for something to do, many of your crewmates were already hanging out with each other, chatting, drinking and some even helping out to clean the medical bay, you wanted to offer a helping hand in hopes of entertaining your inevitable boredom.

"hey, what are you guys doing?" You asked softly approaching Sachi and Bepo who were cleaning a few medical supplements, the latter turning to look at you.

"Oh, we were just cleaning and sharpening some of our usual tools in case we get an emergency" Bepo tilted his head slightly "Did you need anything Y/N?"

You smiled at the sweet gesture of Bepo, shaking your head slightly at his question "Nope, I was just wondering if you guys needed any help"

Bepo looked over at the different tools placed in display, seeming to think about your question a bit too much before turning to look at you with an apologetic look on his face "Not really... I'm so sorry"

He apologized as usual, his tone shifting to a more melancholic one making you chuckle nervously, you never enjoyed seeing him like this but he was just so sweet that you understood where this attitude of his came from, you shook your hands in front of you in a way of excusing yourself, almost as if the one that had to be apologizing should be you "No no it's okay, no need to apologize Bepo..." His eyes lit up with relief as you didn't seem mad at him for rejecting your help, it made you feel relieved yourself.

You sighed deeply with a soft smile "Anyway, good luck you too" Sachi smiled at you warmly as well as Bepo

"Thank you! We'll make sure that everything is right! Oh..." You were about to leave when Sachi's words seemed to try and stop you in your tracks "If you go see the captain tell him we are lacking some oxygen tanks".

Your eyes widened at his words, why did he think you were going to see the captain? Out of shock you just nodded with a soft but shy smile "Sure thing, I'll make sure to inform him once I see him" with those last words you waved at the duo and walked away.

A sigh escaped your lips as you kept walking, you didn't originally intend to see your Captain but now thanks to Sachi and Bepo you sort of had an excuse... Right? You made your way through the cold but oddly comforting halls of the Polar Tang, you had not been here for long but these halls had definitely grown on you... Maybe they weren't the best looking but the people around them made it feel like a home to you.

You finally arrived at the office door of your captain, you were a tad bit nervous to interrupt him but... You had a job to do so you might as well shake that nervousness off and knock, which you did.

"Come in..." A light husky voice invited you inside, you breathed softly.

"Please excuse me..." You muttered before placing your hand in the door handle and opened it, a light creak welcoming you inside to the sight of your captain with big eyebags under his eyes as he drowned in paperwork, he didn't even raise his eyesight to acknowledge you "Yes? What is it Y/N-ya?".

You took a deep breath before speaking.

"Sachi informed me that we are short of oxygen tanks"

"Oh right... Write it down on the paper list and we'll get some more on the next island..."

He didn't even budge, and honestly neither did you... You knew that after this interaction you wouldn't have much to do later which made you a bit sad... So you just stood there, staring at your captain for a bit. He seemed to notice it, after all an exasperated sigh escaped his lips, his grey eyes slowly rising to look at you with a piercing cold gaze "Anything else?" He spoke, cold and firmly, questioning why you were still there in the first place... That should have been the end of your interaction, informing him was the only reason you came in there after all, right? Then why didn't you respond...? Your mind started racing...

"Captain..." Before you were fully aware of your actions you took a step forward and spoke "Do you... Mind if I stay for a bit?"

You caught a glimpse of surprise in your Captain's eyes, those grey spheres seeming to warm up for a moment at your offer. But just as quickly as it appeared it went away only for his attention to shift back to his paperwork.

"I... I'm sorry..." You were quick to apologize, your voice wavering ever so slightly

"I didn't mean to--"

"Go on."

You froze "What...?"

"I said you can stay..."

His words snapped you back to reality, he was... Allowing you to stay, you had no space for words, you just nodded and moved a chair over next to his desk taking a seat politely next to him as he kept on working.

He didn't budge at all, if anything it seemed like his concentration increased thanks to your presence, the mere idea made you happy as you sat there next to him.

Unfortunately you started getting bored once more, as thrilling as it was watching your captain work through his paperwork with graze, not budging at all, it had gotten boring after a few minutes.

You started looking around finding yourself with a pen, you softly took it into your hands and started fiddling with it... Suddenly, an idea sparked in your brain. You took the cap off it and started scribbling in your hand, trying to see if the pen was smooth enough to draw on your soft skin, you smiled brightly once you confirmed your suspicions: it was a good pen and it drew a perfect black ray on your skin with ease.

Once you discovered this you started drawing on your hands, starting off with a skeletal hand to practice the location of different bones in the hand to less professional stuff like hearts and small animals. You were entertained by your own scribbles when all of a sudden you were interrupted by Law grunting and leaning backwards on his chair.

He had his left arm laid across the chair, his tattooed hand dangling in the air, while his right arm stroked his face with obvious frustration. You stared at him then back at the pen you were holding, slowly but steadily a smirk formed on your lips.

Without a warning you scooted closer to your Captain, he didn't even realize you were closer to him until he felt your hands take a hold of his left arm, he flinched but didn't move his arm at all... They say curiosity killed the cat ... And curiosity had definitely gotten to him as he looked at you take his arm with your hand and start passing the pen around his skin in delicate but firm traces.

"What are you doing?" He questioned with a furrowed expression

"Drawing" you spoke bluntly as you focused on the piece of art that you were doing in his arm "I got bored..."

Your response caught him off guard, his eyes wide as he stared at you for a bit. A small smile formed on his lips "I need to check your medical record..."

His soft tone was like a way of signaling you something...of what he really meant: he didn't mind you drawing on him... You looked over at him for a moment only to smile and return to your drawing, you didn't know much what you were doing you just followed your heart as you scribbled. Slowly but steadily the drawing took form into a star surrounded by wavy lines that formed what almost looked like a tattoo design, you even went out of your way to draw small hearts, a secret confession of your feelings to your Captain (not that he would notice... Right?) You leaned back with a satisfied smile as you looked at your work, you looked over at Law who seemed entranced into one of his books, he hadn't budged during your whole art process. Once you leaned back he hummed softly, his eyes never leaving his book at all "You done?" He asked politely, you nodded.

"Yeah I did!"

"Good... My arm was starting to fall asleep..."

You couldn't help but laugh at his snarky comment "At least you now got another cool tattoo"

He huffed with a slight smirk "Doubt it..." You acted offended at his words giving him a light push on his shoulder winning a soft laugh from him.

"You haven't even seen it!"

"I don't need to..."

"Oh come on... You have seen my drawings!"

A soft chuckle was the only response you got, it made you smile, although he acted as if he probably didn't like it you knew that he did... Or that's what you'd like to believe...

And trust me he did...

•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•

A few days after the drawing incident you were wandering around the Polar Tang heading to the kitchen to get something to eat as you were pretty hungry.

You waltzed around when a characteristic husky voice caught your attention in an instant, it came from the kitchen. Following the voice you peaked through the door finding your captain talking with Penguin about something you didn't quite catch, all you knew was that it was something serious judging by Law's and Penguin's expression.

You stood there for a bit waiting for the right moment to enter when all of a sudden you noticed a small detail on your Captain's left arm, your eyes widened and your cheeks flushed a light pink...

What did you see?

Well, you saw your drawing tattooed onto his arm... That was the only reasonable explanation as to why it still looked so bright and vivid, after all a few days had passed since you did it and unless Law had taken extreme care of it it should have already been at least a little bit vanished, just like the drawings you did on your own skin from that same day.

Penguin was walking away once he had finished speaking to Law, which was your signal to pounce.

You slowly made your way towards Law catching his attention once you were hovering behind him, he glanced at him over his shoulder "Y/N-ya...?"

His question was left in the air once you took his left arm rising it to your face, much to his surprise, you scanned the drawing carefully confirming your suspicions: he had indeed tattooed it onto his skin. You turned to look to a flustered Law with a bright smile.

"You actually tattooed my drawing?!" You asked in both surprise and excitement, Law covered his face with his hand, a blush creeping its way to his cheeks in an instant

"Shut up..."

You laughed.

Maybe you should draw on him more often when you get bored...

[l-in-the-light]

Trafalgar Law: fear of closeness and touch part 2, the extended edition

Writing another post about it, because I have a lot of thoughts I need to organize for myself. This time it will be more like my interpretation about Law and his relationships with people than about the touch itself. And also I forgot one of the most crucial scenes about the topic (because ofc I would forget something so important), so I will start with it:

The last touch he remembers from Flevance is hiding under the pile of corpses, cold dehumanized bodies, treated like trash. No one wanted to touch them, just like no one wanted to be touched by Law. How poetic that Law escaped Flevance with a death sentence while hiding among the dead, because he will be treated like he's dead to the world from now on.

This reminds me of a manga I once read, Shigeshoushi (The Embalmer). It's about a guy whose job is embalming the dead, and he is ostracized, feared and refused by people as a result. Contact with death and dead bodies is taboo in Shinto and folk culture of Japan in general. If you think it's a thing of the past, I reccommend to watch Okuribito (Departures), it's really good and this topic is at the heart of the movie.

Anyway, back to the manga, warning for spoilers. Situation escalates to the point when the only human touch the guy can get is that of him handling the corpses for his job and that really messes up with his mental health. His despair leads him to engage himself in risky situations just to get by, casual sexual encounters with strangers become the only form of intimacy he can get and he soon gets addicted to it, but it still lacks the emotional warmth and love he desperately craves, so it's never enough for him. Of course to even get those encounters he has to lie about his job and whenever his lie gets exposed and he is confronted about it, forced to listen to all those women blaming him, feeling disgusted by what he forced on them (it was never forced, but suddenly it's unwanted after they learn he embalms dead bodies every day), and it just triggers and deepens his trauma.

I wonder if you can tell where I'm going with this comparison. Law is definitely as starved for touch and love as the main protagonist is. Still, I don't believe Law would become hypersexual (tho that's just my personal impression, especially after he so blatantly refused Monett), but most importantly unlike the main character Law would definitely not desperately beg for the touch. It's just not how Law is, he doesn't like to impose himself on others if he absolutely doesn't have to. Not to mention he can't bear asking openly for help or for anything really, not after the Vergo incident. It was the last time he ever begged for something.

Law seems to be the type to neglect his own needs to the point that he makes stupid and reckless decisions based on his fear of losing people (callback to Wano and imprisoned Hearts). When people dear to him are in danger, his first instinct is to rush and help them unless he's completely immobilized. That's the level of "prioritizing other people's safety and needs" he believes in, he would do it every time, but he hates when people do it for him. Mostly because he deeply believes Corazon got hurt because of him, and Corazon gave him all that love Law was starving for. And Law believes Cora-san finally died for it.

Add his trauma of expecting people to not want to be touched by him into the equation. That's why he has problems expressing his own need for love (and touch) from that point onward. He acts so tough, doesn't allow himself to show weakness and will definitely never ask for love, he learned his lesson on that.

But what about Heart Pirates? They love him! He clearly protects and deeply cares for them, but in each scene he is with them, not counting Bepo, he keeps them at a distance. I do believe Law treats his crew more or less on equal terms, he favours freedom after all, but their relationship is restricted by his fear and makes it significantly more asymmetrical than the one Luffy has with his crew. I do think Penguin and Shachi are more important to Law than the rest of his crew, they're best friends, they've formed the Heart Pirates together, but he doesn't allow them to be on touchy feely basis with him. That's reserved for Bepo. Bepo is basically the last safe haven Law allowed himself to have up until Strawhats happened.

Law at Sabaody creates three new bonds with people: with two supernovas and Jean Bart. The latter he takes into his crew and I believe it's because Jean Bart has no other place to go, especially with Marines and Pacifistas running around the island. It's possible Law does it all the time and his crew (beyond the original four) got expanded because of that.

Law's bond with Kid started on a wrong foot, not only Kid judges Law based on prejudice and "bad rep" flying around about him, he also accussed him of lack of manners (triggering a flashback to Vergo), all in Law's hearing range. It's not really surprising later on Law doesn't want to owe Kid a favour by letting Kid take care of the Marines. Law clearly doesn't want to be indebted to someone who feels disgust towards him (I don't think Kid is disgusted by him, but that's what Law thinks at this point). And even after Wano it seems Law made sure that they're even, none is indebted to the other. For Law it was just a temporary alliance, he kept his distance, they didn't end up becoming friends.

Last new bond Law created was with Luffy. It started indirectly at first, Luffy was defending his fishman friend. Things said about Hatchan triggered a trauma response in Law ("Don't come closer! Disgusting! He will spread diseases!"), in my headcanon freezing him in the spot. But Luffy defended his friend and indirectly also Law by punching the Celestial Dragon, in similar fashion to Corazon defending Law by punching the doctors spouting similar prejudice about amber lead syndrome.

Law thanked Luffy for that and he felt safe doing so, after all what Luffy did was never directed at Law himself, but the gratitude must have confused Luffy to no end (Why is that guy thanking me? I didn't do anything for him!). Law didn't mind this bond at this moment exactly because it was so indirect, as a result he allowed himself to interact with Luffy and even took the first step, probably thinking it will lead to nothing. But he would never do it if not for Luffy's indirect impact on Law. If that's the expected level for casual bonds Law has set up, I doubt many occassions appeared for that before. It just shows he avoids people as a general rule, period.

But things changed after they left the auction house. Law is displeased with Kid, only telling him not to order him around and refusing to even talk with him, but his dynamic with Luffy is completely different, he doesn't feel bad about it despite being treated like accomplice in the whole Celestial Dragon incident.

He even allows himself to tease him a bit. There's no bad air between them. It almost feels like Law feels more emotionally available despite them being strangers, or rather exactly because they're strangers here and Law thinks they will also leave as strangers, which gives him the freedom to be more open.

They fought together, mostly by accident, but for Luffy that's enough to already feel a bit attached to Kid and Law. He declares he's after One Piece, implying from now on they will be rivals.

That doesn't earn him any response from Law. In fact, he just smirks and retreats without a word.

There are multiple possible reasons for his reaction here, but one of them is important right now: if Law said anything, he would acknowledge that bond, that of being a rival to Luffy. He didn't want it, in fact he wanted them to remain strangers, with no lingering attachments. That's why, when he got offered Luffy's friendship (disguised as rivalship, mind you), he turns back and retreats.

That's his answer. Later in Amazon Lily he also ends up retreating without even waiting for Luffy to say his thanks.

And how ironic that the next time they see each other it's Law who ends up extending his hand, not once, but twice: first by saving Luffy's life by risking his own, and second time by proposing alliance. I can only imagine Luffy's surprise: he got rejected before, but now it's Law himself proposing it! And what a funny guy he is, he doesn't need to offer friendship, because for Luffy they're already friends, after all didn't Law save his life? Law though just needed help, but wouldn't ask for it directly, because we know he never does that anymore, so instead he offered a bait. Frankly he didn't need to, Luffy would do anything he wanted him to anyway. Luffy ofc thought the alliance is a fun idea, but in the end he accepted it because it's Law who needed it to be an alliance, he wouldn't accept help otherwise. Also alliance felt impersonal and safe, without the need to be emotionally open.

There's so many seperate frames of Law just staring and thinking upon their reunion. He's conflicted. Also at this point their relationship changed, whether Law wanted it or not. He was there when Luffy lost Ace, saw him breaking down, definitely thought they now share something in common: they both lost people who were the dearest to them. I'm also sure he could see through Luffy's smile, he knew there's no way he would be already "okay" after just two years.

Unusual whimsical frame of Luffy. He closed his eyes, not listening to the words spoken, but instead listening to his own heart. He knows he needs to kidnap Caesar, that's what Law asked him to do, but Luffy doesn't just want to do what he's told, he wants to make sure the person he is doing it for is happy. It's a callback to Luffy's deepest regret: leaving Sabo with his family, assuming things would be better this way, without making sure first if that's something that would make Sabo actually happy.

Ever since Luffy does this double-check-for-no-regrets for all of his friends and crewmates. He follows Nami to Arlong Park and waits patiently in case she actually needs help. She questions Kyros' choice and goes to all the way to Rebecca to the castle just to ask her if she's really fine with staying seperated from her dad. And he does it here as well. Would kidnapping Caesar make Law actually happy, Luffy wonders. And probably thinks back to their previous encounter, in Sabaody, and Law's mysterious line after Luffy punched the Celestial Dragon: "Thanks Strawhat, you showed me something interesting". And Luffy found his answer and it's this:

Punching Caesar. Apparently Luffy did something right in Sabaody and he thinks it was about the punching, so he does it again now as well. Ofc he wants to punch Caesar anyway, but he does pause before doing that, he actually doesn't jump for it straightaway, it's AFTER he thinks about it. Luffy decided this is what would make Law actually happy, despite going against the plan. Luffy didn't believe following Law's plan will actually make Law happy, but punching his enemies will.

And yet Law doesn't look happy, but let's look more closely to his body languague. He turns around, doesn't declare his unhappiness directly to Luffy's face, he's making an emotional retreat again despite shouting. He's giving mixed signals. So was Luffy wrong?

Law is trying to hide his smile. Making sure no one notices. He's trying to maintain the distance and remain cold, but seems it's working less and less efficiently.

I will let you decide it for yourselves whether Luffy was right or wrong in the end.

There is more nuance about this I didn't even touch yet, for example the drastic gap between Marines fearing Law and calling him a monster, and Stawhats (minus Luffy), at first fearful and suspicious of Law, but it took them like 5 minutes to change their mind and trust him just like Luffy did.

In Dressrosa Law declares that, deep in his heart, he actually also wants to kick Doflamingo's butt. Luffy doesn't even act surprised upon hearing that. Of course, he knew already, Law didn't even have to say it.

While in Dressrosa Law attempts to break the alliance, send off half the Strawhats to safety and despite barely being able to move himself he takes care of Luffy in the final countdown. Almost like he already treats them like his own crew, keeping them safe. If you ask me, someone got attached. And the pinnacle of it is when Law shares with us that he aims to either live or die with Luffy (not die for him, unlike Luffy's own crew declaring in this arc). That's the best he could offer and he knows how much it's painful when someone dies *for you*, he wouldn't inflict that pain on Luffy again, not when he knows Luffy thinks of him as a friend.

And finally in Wano Law finally opens up more and lashes out at Strawhats, just like he did at Corazon. He no longer feels the need to emotionally distance himself all the time, or keeping it all bottled up behind a stoic cold facade and impersonal "alliance". That's how he shows his worry and affection, he considers them his responsibility in Wano.

He also admits for the very first time his fear of losing people. "The plan isn't worth anyone dying" (in this case - Zoro dying). He allows himself to trust and to be vulnerable.

If you think Law is torn about his growing connection with Strawhats, then you're thinking the same as me. He allowed himself to get attached and he didn't want to initially.

Is it really alright if I touch you too…? (ready to retreat his hand at any moment he senses it's unwanted after all)

His words are often rough and cold, but his actions speak for themselves. He trusts the Strawhats by this point, they're his second crew, and he would do the same for them he would do for his Hearts.

And now he has a problem, he gained more people he is afraid of losing. New friends.

[incorrect-koh-posts]

"Young Baldwin seems to have possessed a naturally strong constitution, and he was also gifted with undeniable qualities of character and a strong, lively intelligence. William of Tyre, who was his tutor, says that 'in his childhood he was very handsome, with a quick and open mind, and he rode very well, better than his forebears had done.' 'Never forgetting an injury, and still less a kindness,' he had 'a retentive memory, was well educated with an excellent memory for tales and a fondness for telling them.'

The child must have realized very early that his disease was incurable, and his reaction shows great strength of character. He wanted to forget and make everyone else forget, right up to the end, that he was sick. But by the time King Amalric died, young Baldwin's disease had made such progress that it was already beginning to show, and 'the people of the kingdom felt great grief when they looked at him.'

From 1175 onward, the regent and the barons of Jerusalem were able to count on an unexpected ally, and a more valuable one than might have at first been thought. At fourteen years the young King Baldwin emerged as an intrepid fighter, capable of leading his troops into battle and later on of commanding them personally in the field. He was seen at the side of the constable and the Count of Tripoli, riding at the head of his troops and taking part in raids and diversionary campaigns [...]. At the time the King was still too young to actually command his army, and his principal function was as a symbol and an inspiration for his men. They were all happier marching under command of their lawful King. Young though he was, he was like the flag, to be protected and followed through the thickest of the fight, and he was not afraid of personal danger. [...]

When he came to the throne, he had [...] been a leper for ten years, and although the disease did not begin to make rapid strides until puberty, it must, even in early adolescence, have weakened and exhausted him. It is unlikely that anyone would have dared to reproach him had he wished to consider himself an invalid, yet he behaved as though he were perfectly well.

He had been educated, as became a prince, by knights and masters of arms and also by churchmen [...], and these had not failed to teach him patience and prepare him for the harsh trial that was to be his life, and to arouse in him a sense of duty and pride in being, despite his infirmity, King of Jerusalem and Defender of the Holy Sepulcher. Whether as a result of education or temperament, Baldwin IV seems to have had little inclination to self-pity. The young King overcame his illness with all the determination of an adolescent who knows he is physically weak and is bent on proving to everyone, himself included, that he can equal and even surpass others. He may have been a king who had the misfortune to be a leper, but he was also a leper lucky enough to be a king.

He loved power because it was all life had to offer him, and he very early evinced a wish to govern by himself, and would not tolerate disobedience. A temperament of this kind can easily degenerate into tyranny and capriciousness in one so young, but Baldwin IV had a lively and precociously mature mind, and was sincerely concerned to do his best for the good of the kingdom; and this right up to the time when his sufferings began to drive him out of his mind. [...] Up to the last moment he wanted to be a king and a general, and he wanted to be obeyed. It was his way of clinging to life, and he was a terrible fighter."

- Zoé Oldenbourg, The Crusades (1966)

[dekariosclan]

I really love your version of Tav's acquaintance with Marina. And is it possible to hear about their relationship when Tav is already married to Gale (both for illithid and ordinary Tav)

Ps: personally, I have an idea that if Gale goes to visit his mother without Tav, since he can't, then Gale says that he will discuss his research with his mother. And as a result, he tells his mother for several hours about how wonderful Tav is and how Gail is now happily married. Marina listens to everything and nods approvingly)

Thank you more for your hard work💜

Oh, thank you for the lovely ask!!

Since we never get the pleasure of meeting Morena in-person, here’s what we know about her from Gale and Tara’s discussions:

Loves Gale and above all wants him to be happy

Doesn’t seem to care much about ‘social traditions’ or what people think—for example, doesn’t care that Gale chose to drop ‘Dekarios’ and change to using ‘Gale of Waterdeep’

Delighted with Gale being married

An excellent cook and makes a delicious batch of Hundur sauce

Outspoken/does not tolerate nonsense (her personality ‘packs quite a wallop’ per Gale)

Takes things in stride/not easily shocked (her son previously being with a Goddess, the fact that regularly she has Withers join her and Tara for tea, etc.)

Loves Waterdeep

Is adored by Tara, thus proving that she has a good heart just like Gale

Given all of that, I’m confident that Morena is a fabulous mother-in-law, whether Tav is sporting tentacles or not.

Ordinary Tav

The fact that Morena can see how happy Gale is means that Tav will never be anything but loved. You think Gale adores his spouse? Morena is a VERY close second, especially when it comes to singing Tav’s praises. Sometimes to such an extreme that even Gale himself finds it excessive! Especially regarding his past relationship with Mystra and how much better Tav is for Gale.

It is my personal belief that Morena was never comfortable with Gale’s pairing with Mystra, much less with it turning romantic, but that she tolerated it and refrained from commenting because by that time her son was an adult and claimed he was happy.

Now, though? Her laced gloves are off.

A typical conversation during one of their visits would be as follows:

Morena: *squeezing Tav’s hand* My son is looking so contented and happy, my dear! I cannot tell you how much it warms my heart to see it!

Gale: *smiling adoringly at Tav* Guilty, as charged.

Morena: There’s such a change in him from his past relationship with that utter—well—I shan’t say the word in polite company.

Gale: *looking slightly alarmed* Mother—

Morena: Of course, that temptress used all of her wiles to entrap him. Physical, incorporeal, magical. But I must say, Goddess or not, I always found her to be rather tacky! I don’t understand why my son was filled with such base desires for her!

Gale: MOTHER—

Morena: *patting Tav’s hand* Oh, but worry not my dear! the way Gale looks at you is BEYOND how he ever looked at her. Do you remember the last time you visited, and you helped carry several boxes of his books from the attic? All that exertion and physical work! Why, by the end of it he looked like he wanted to eat you for sup—

Gale: I BEG THAT WE CHANGE THE SUBJECT

You get the idea.

Morena treats Tav with all the kindness in the world, and does it happily; she will never forget that Tav quite literally saved her son’s life. She enjoys making Tav’s favorite dishes whenever they visit (which Gale proudly informs her of). And she especially enjoys telling Tav stories of Gale’s adventures and magical hijinks as a child, seeing how much Tav adores hearing about them (and sometimes, depending on the story, much to Gale’s chagrin.)

Illithid Tav

This one is easy: Morena’s relationship with Illithid Tav is exactly the same as described above for Ordinary Tav, no difference at all, save for ONE area that I shall describe shortly. Morena is just like Gale, in that her treatment of Illithid Tav is no different than if Tav were not sporting tentacles. All that matters is that her son is loved and happy. If it’s an Ilithid that can give her son the love he deserves, something that he has not been given from any of his past mortal lovers OR his past immortal lover, then so be it.

The only difference is that Morena is MUCH more protective of her Illithid family member and much more sensitive to what others think, if only to be ready to give them a piece of her mind if they dare to insult Tav in any way.

And if Gale AND Morena are in the vicinity when their beloved Tav is insulted?

Quite the spectacle. Numerous “How DARE you’s,” “What an INEXCUSABLE lack of decorum,” “I have half a mind to conjure a fireball and bake some manners into you,” (<- Gale only), etc.

Finally, if and when there are occasions where Gale visits Morena alone and Tav is unable to join, you are absolutely correct in that the discourse will inevitably end up being praise of Tav. And even Tara will throw in a compliment or two, given that Tav has taken to bringing her a treat of Beholder jerky or pigeon meat whenever they visit 💜

[goingbuggy]

Shanks' Savior Complex

A few months ago, I posted a joke tweet about Shanks’ savior complex and Buggy’s inferiority complex. While Buggy’s feelings of inadequacy are pretty obvious in the source material, Shanks is constantly evading serious analysis because of how little he appears in the manga and how nebulous those few appearances are. So, naturally, I was met with a lot of confusion. (What do you mean by ‘savior complex?’ Why Shanks specifically?) I thought I’d address all that now in one comprehensive, all-inclusive post.

Before I dive in, please note just a few things:

A SAVIOR COMPLEX is a pattern of unconscious behaviors. It is associated most often with self-sacrificial people – those who help others even at the cost of their own personal well-being, mental or physical.

Within the field of psychology, ‘complexes’ are just constructs. My goal is not to diagnose. Rather, this post is a conceptual analysis using the idea of a “savior complex” to better explore Shanks as a character.

Now that all that’s out of the way, let me begin!

For a character who is so significant in the grand scheme, Shanks is remarkably absent for the better part of One Piece. Really. He is so nonexistent, actually, that the first chapter of the manga is probably the most we’ve ever seen from him uninterrupted. This is for good reason, though; Shanks is the catalyst for Luffy’s entire journey. He owes a lot to Shanks: his devil fruit, his life, and even his dream, to an extent. Luffy learned a lot about being a captain from Shanks, and much of his advice – like picking and choosing your battles, for example – Luffy puts to good use later down the line.

So, considering his role as Luffy’s mentor, it’s fitting that Shanks’ character is defined by RESPONSIBILITY. He’s goofy, sure, but don’t let that devil-may-care attitude fool you – Shanks is a knowledgeable pirate, grounded by the weight he carries. His dialogue and actions throughout the first chapter reflect this. When Luffy demands to be taken out to sea, Shanks refuses, claiming he is too young. While the rest of his crew wax poetic about the freedom and joy of being a pirate, Shanks is the one bringing them back down to reality, telling them not to fill Luffy’s head with “crazy ideas.”

Those who know him best seem to agree. “The captain’s just doing what’s best for everyone,” Beckman states. “The safety of the entire crew and ship rests on his shoulders.”

Although Shanks is realistic, he is not a pessimist, and he certainly still values dreams. Let’s not forget: Shanks entrusted Luffy with Roger’s hat. Not only that, he asks Luffy to give it back when Luffy has become a great pirate – not if. Of course Shanks has hope for the future and the new generation. He's just also experienced enough to know the dangers and horrors of the current world, and curbs his own expectations as a result. Yet again, Beckman reinforces this when he talks to Luffy.

The future needs a strong foundation. Anything is possible, including what Luffy wants to achieve, but there are necessary sacrifices to make dreams a reality.

I believe Shanks sees himself as one of those necessary sacrifices.

Oda may not have envisioned Shanks losing an arm in the original draft of the story, but this decision sets a precedent going forward, for both Shanks as a character and the series at large. Sacrifice is at the core of One Piece’s identity; previously, I’ve discussed its emotional significance as an act of love. But sacrifice also serves as the foundation for the new generation. Corazón’s sacrifice, for example, enabled Law to outlive him and change the future. Toki and Oden’s sacrifices enabled their children and the Nine Red Scabbards to change the future. Queen Otohime, Fisher Tiger, Shimotsuki Yasuie… although these characters died without ever seeing the future they hoped for, their sacrifices are the foundation upon which their successors enact change.

And who do we also see facilitating the changing world, ensuring the “new age” succeeds?

Shanks.

Whenever Shanks reappears in the manga, it is usually on the precipice of a dangerous conflict, or at exactly the perfect moment to intervene in said conflict. Take Shanks visiting Whitebeard, for example; here, he attempts to navigate the growing tension between Ace and Blackbeard, which eventually results in the war at Marineford. Although he fails at convincing Whitebeard to stop Ace’s revenge quest, it’s clear that Shanks has a vested interest in balancing the current forces at play, including marines and pirates.

At Marineford, not only does Shanks intervene to stop the war, but he saves Koby, a member of the new generation who will undoubtedly change the future on the marines' side of things. His words also reflect my point about sacrifice as a foundation for change. As he stops Akainu, he praises Koby for putting his life on the line: “The seconds of courage you bet your life on creating, for good or bad, have just now greatly changed the fate of the world!”

This aspect of his character remains consistent in Film Red, too. Even though he has grown to love Uta as a daughter, Shanks still encourages her to stay behind because her singing brings happiness to a world where "peace and equality don't exist." Afterwards, when Uta causes the massacre on Elegia, Shanks shoulders all the blame, effectively hiding the truth to protect her. He sacrifices his own connection with his daughter for what he believes is the greater good. Note that Shanks’ own personal feelings on that decision are never explored or discussed; obviously, Shanks loved his daughter, and it's safe to assume he didn't want to leave her. But he set aside his own happiness and made the hard choice anyway. (Sound familiar? The "savior complex" alarm bells should be ringing in your head.)

Even as an emperor, Shanks sacrifices his own strength, influence, and reputation. His fleet is “notoriously weak.” The pirates within it even admit that they never would have survived this long without Shanks protecting them. This fleet is another responsibility weighing Shanks down, and yet he takes on that burden anyway for their sake. 

We don’t have the full context behind Shanks’ decision at Loguetown either, but it’s likely that his refusal to go Laughtale right away ties back to responsibility, too. We know whatever Roger said to Shanks the day their crew disbanded rendered him to tears. (Did Roger’s answer to his question change his mind?) We also know he regards Luffy as Roger’s successor, and claims Luffy acts just like he did as a kid. (Shanks "crowning" Luffy with Roger's hat also parallels Shanks' moment with Roger visually, placing them in similar roles.)

Given this, it’s possible that Shanks believed he could take on Roger’s legacy, but later realized he would not be the one to change the world. Roger might have even tasked him with finding the “true” successor, who will “turn the world upside down.” (Shanks’ fixation with the “new age” would also make sense in that case.) This is all speculation, but I thought I’d throw it out there anyway, because if this were true, Shanks would have sacrificed his own dream for the sake of the world. (Very fitting!)

But how does Shanks feel about his role in the bigger picture? The short answer: we don’t know, and I think that’s purposeful. Oda consistently draws Shanks looking wistful and resigned when it comes to his choices; although he has severed relationships and damaged his body, not once has he expressed resentment, anger, or sorrow. In fact, he's usually smiling.

Shanks also has his own monologue where he discusses the act of crying.

If you apply his advice to his own character journey, it raises a lot of questions. Does Shanks view his current sacrificial actions as “overcoming” his own tears from back then? Is that why we so rarely see him cry now? Considering how reserved Shanks is in expressing negative emotions, I think it’s possible. His emotional restraint could also be seen as “saving face” for the sake of others – something I’ve discussed before. That is my own interpretation, though, so take it with a grain of salt. 

Speculation aside, Shanks has shown time and time again that he prioritizes the future over his own life. His dedication to/fixation with the "new age," his role as a mentor, how he believes in putting his life on the line and "overcoming" negative emotions... these indicate a pattern of behaviors seen in those with savior complexes. Even if it's at the cost of his own mental/physical well-being, Shanks plans to facilitate the world as Luffy changes it.

Is the "new age" his dream, or did he sacrifice his real dream for the sake of the new age? Does that dream even matter to him, anymore? The reasoning for Shanks' motives is still unknown, but the answer must lie in whatever mysterious question he asked Roger – otherwise, why hide the context for his massive turnabout at Loguetown? Once the curtain is drawn back on that moment, I think we will begin to see Shanks in a new light.

[superawesome40]

Imagine this:

It starts with Bobby John. Dean can't let the baby go, he reminds him too much of Sam, way back when Sam was this age, and Daddy was always sad (or drunk), and when Dean tried to speak the words got stuck, and he could not make a sound. He can't let the baby go, so he doesn't.

Over time, they gather more. Bobby John, Ben, Joe and Ryan, Emma, Alex, Krissy and Aiden and Josephine, Magda, Claire, Jack. They find Jesse again, 16 years old and alone and scared of himself. They find Charlie and Kevin, and even though they aren't quite their kids, they treat them with the same care.

Somewhere in between the always rising tide of children, they find the Bunker. It's perfect - dozens of rooms for everyone to spread out, to have their own space. Bobby doesn't die, but he does move to the bunker "To keep an eye on ya' idjits,”. The modifications they make to the Bunker for his wheelchair are worth it to see the pride in his eyes. Linda Tran moves in, and she and Dean have an ongoing war over who's in control of the kitchen.

Of course, things aren't perfect. Chuck is still a problem, and eventually he must be dealt with. They win, but the cost is heavy. Cas and Jack are gone, and Dean... well he's as good as gone. He never leaves his room anymore, except to get a drink. Their dysfunctional family is mourning, both for those who they've lost and for themselves. Disappearing and coming back is much more traumatic than you'd expect.

Eventually, in an attempt to cheer him up, they convince him to go on a hunt. Just a small thing, a nest of vamps. They've killed a man and mutilated his wife, as well as taken their kids, two small boys. Someone (later, no one will remember exactly who) jokes that they can take in the boys. Sam and Dean leave, looking more cheerful than they’ve been in weeks.

They get the call a few hours later. Sam tells them over the phone, barely understandable through his tears, that Dean was hurt in the fight and that the doctors aren’t sure if he’ll pull through. Using the variety of cars in the bunker, they break a handful of laws and probably the sound barrier on their way to the hospital. Bobby pulls Sam aside and he explains, in detail, what happened. They wait for hours before a doctor finally enters the waiting room, asking for the family of Dean Fletcher* (Millie Winchester’s maiden name).

Dean survives, barely. Recovery is an uphill battle, and the damage done to his spine, muscles, and nerves leave him wheelchair-bound and in near-constant pain. Eventually, he’s able to move around for short periods of time using forearm crutches and leg braces, but it’s only after a few years and a lot of physical therapy. At the very least, the Bunker needs no new changes to accommodate him, having been updated for Bobby ages ago.

A year passes. The two boys from the vamp hunt are moved into the Bunker after their mother succumbs to her injuries in the hospital, and quickly adjust and thrive in the new location. Sam and Eileen quit hunting, permanently. They move to town, only fifteen minutes away, and visit every Saturday for family dinner. When they get married, Sam Winchester becomes Sam Leahy. Jody retires, and moves her hoard to the Bunker. They’ve got the room, after all. Donna follows not too long after. Miracle is officially trained as a service animal, to help Dean with his panic attacks.

One night, Dean can’t sleep. He hauls himself into his wheelchair and goes to the kitchen for a glass of water. He stops at the sight of three people sitting at the table.

The reunion is a tearful one. Dean cries from relief, and guilt, and of course the burning pain that rips through his back as a result of him temporarily forgetting he can’t stand and launching himself out of his chair. Cas also cries, sobbing apologies into Dean’s hair from where they are curled on the floor. Jack, pressed between the two of them and both overwhelmed and overstimulated, can only beg for Dean’s forgiveness. His dads wipe away his tears and press kisses to his cheeks, assuring him that he has nothing to apologize for.

The only one who doesn’t cry is Adam, sitting slightly stony faced at the table. Later, once the commotion of the reunion has died and Sam has been woken and summoned to the Bunker, the three sit down to chat.

Adam tells them that he’s not angry anymore, and begs them to explain everything to him, starting from the beginning. He is especially curious about their father, and realizes through their stories that John badly mistreated them. Dean invites Adam to stay in the Bunker, but Adam declines. He says that there’s a lot he needs to do, but hesitantly suggests that they stay in touch. Their relationship is tentative at first, but eventually he becomes a permanent fixture in the family.

Cas and Jack are filled in on what they missed. Dean pulls them each aside and apologizes privately for the things he said and did before the end. He assures Jack that he is part of the family, and always will be. He tells him he’s willing to be Jack’s dad, if that’s what Jack wants. Jack enthusiastically agrees.

He can’t quite bring himself to say “I love you” to Cas, but he says something along the lines of “maybe one day.” He also implies to Cas that John was extremely homophobic, and the combination of that and the sexual trauma he has experienced through his life (getting money for food/rent as a teen, Hell, Lydia) makes him hesitant now to form romantic relationships. Cas, understanding as always, agrees and comments on how he has improved at opening up, to which Dean replies that there wasn’t much else to do when he was trapped in bed and couldn’t escape Sam and his relentless therapy-talks.

Jack tells them as a group that he has decided there doesn’t need to be a God, and has stepped down after reforming Heaven. He says that he used his power for the last time to bring back Castile and find Adam. He confesses to his parents that the power is not gone, and likely never will be. He also says that he would like to grow up as human as possible, and promptly shrinks to the size of a toddler, much to the bewildered amusement of his parents. They discover that he no longer has his memories, and Bobby suggests that they may come back when he’s older, and that forgetting is his young mind's way of protecting itself.

As time passes, Cas and Dean open the Bunker to other hunters as a research facility and safe space to stay for a few nights. Neither of them hunt anymore, but they offer support and badly needed organization. With Charlie and Kevin’s help, they set up a system like the one Sam originally had.

When Eileen and Sam announce they are expecting, Dean is ecstatic. When they reveal the baby is a boy and that they are naming him “Dean II”, he cries for a solid hour. He’s the first, outside of Sam and Eileen, to hold the baby, who he affectionately nicknames “Junior”.

In the end, they are happy. They live together peacefully.

Would anyone be interested in reading this on ao3? I miiiight be planning to write this… also any suggestions/question/concerns are welcome! Also, if I missed any kiddos (canon only, please), feel free to tell me! I’m perfectly open to expanding their hoard.

Also, I cannot take complete credit for this story. Quite a few elements are inspired by foolondahill17’s stories, Dean Winchester’s half-way house for orphaned half-monsters (and humans), and the miracles ‘verse by the same author. Both are absolutely amazing stories, and I highly recommend.

*According to the Supernatural Wiki, Adam Glass wanted the actress Louise Fletcher to play Millie Winchester should she appear on screen.

[twig-tea]

Top 5 Couple Fights

Oooooooh this is fun! Thank you for a relatively easy category because so often the fights in these shows are unearned and it is very frustrating. I'm still limiting myself to 2023!

Wen and Alan, Moonlight Chicken

This fight felt real, it felt lived in, and it felt heartbreaking even though we only saw some of it. These two men love each other, but love isn't enough to keep them together, and that realization is as heartbreaking as the fight itself.

My Personal Weatherman

I am obsessed with the fights in My Personal Weatherman because the characters often don't know they're in one, or are in two different fights at the same time. This is all tied to how much I love how well the miscommunication is done in this show. These fights are legible based on what we know about these characters and what they've seen, even when they're completely unnecessary, and I adore that. Of course the best one is the ending fight and not just because Segasaki ties up Yo's wrists in his shirt.

Jack O'Frost

[Not enough gifs of this actual fight and I need to finish this list so this is what you get]. The fight at the very start of this show escalated so quickly, at first I wasn't sure about it even while I appreciated the performances and the intimate way it was shot. But when we get the backstory and we finally understand how much has been withheld and said vs. not said between them, and where their anxieties were rooted and the source of these big feelings, this fight makes so much more sense. This is a show that really benefits from being watched more than once.

La Pluie

[for some reason tumblr is giving me this link to Shan's blog rather than @liyazaki so tagging you, friend!]

Patts was pushed and pushed and pushed, and he lashed out in his insecurity, and when he asked for reassurance (this lineeee) Saengtai refused to give it to him and instead lashed out out of his own insecurity. This was a painful fight that was fully earned; all of the characters and their choices were legible even as they were infuriating. And it led to a critical awakening of Saengtai who was so caught up in his own sad boy narrative he hadn't realized how much he was hurting everyone around him.

My Beautiful Man S2

Kiyoi and Hira's communication issues continuing past S1 is very believable. I said elsewhere that Hira's work on his self-worth is more like a spiral than a straight line and that's very relatable and realistic. Kiyoi being hurt by Hira not valuing Kiyoi's feelings was such an important lesson for Hira to get more than once. Again, so earned, and resulted in the characters self-reflecting and moving a little closer to whatever a healthy relationship means for these two lol

Laws of Attraction

How much do I Love Tinn seeing right through Charn and Charn being big mad at him for Perceiving him so well? All of their fights are so good because they're about boundaries and mutual respect at their core, and they actually listen to one another and are based on how well they know one another (rather than what so often happens, when the characters seem to forget who the person they're in love with actually is). This barely counts as fight but I love it and it's my list so it stays.

Bonus entry that's only for me (shh stop counting the above):

Mr. Cinderella S2

Nobody but me and like 2 other people watched this show, but I'm actually obsessed with the couple fight in Mr. Cinderella s2 so thank you for the chance to rant about it on main some more. I need to start by saying: this plot is ridiculous and the ending sucks. But within this show, Dung and Khoa have an established relationship that has been tested in S1 and is being tested harder in S2, and to a point, they actually stand together and weather the storm, and it was rewarding to watch. And then slowly everything happening ("everything" here being an ABSURD amount of melodrama) starts to wear on Khoa, who sees himself as the one solely responsible for everything, and he unlearns some of what he learned in s1, he stops relying on Dung as his support, stops telling Dung what's going on because he doesn't want to burden him, and stops trusting Dung's word about what is happening. And so, when the jealousy plot hits, it's actually believable that Dung would be mad at Khoa, not for cheating, but for not respecting Dung as a partner in their relationship. It's well done, I wish so much that it were in a better show so that I could actually recommend anyone watching (I don't). I've seen this trope (assumed cheating) done so badly and so unearned in so many shows, this was so refreshing.

Extra bonus: Best couple fight scene of all time?

Gameboys S2

[I give up on gifs of this scene; have them upset for other reasons instead!]

What I love about the way they fight in this show is that, beyond it being earned etc. etc., the dialogue is so raw. They repeat themselves, they just yell over one another, they get rude, they try saying something to de-escalate and it gets worse instead. This is not a carefully crafted speech, or a single perfectly delivered devastating line; this is raw emotion. I recognize this fight, I've been in this fight, this is what I sound like when I fight lol And we see them really fight at least twice, and the way they fight in ep8 has changed as a result of the earlier fight is also SO good.

[sgiandubh]

Have nothing against Ashley, but how are things better? Only seen the gin on one bar. Rest are just her cocktail pictures. Where's the sales information, data? Where are cocktails featuring Sassy on their permanent menus? Still unsold bottles at local store here and nothing has been sold out for his small batch whisky. Do not see anything of an impact except nice pictures in bars and her comped trip to the UK. It's too expensive for an unknown brand, period. It's good but not great and nothing special that other more established brands do. The pop up was again directed to OL female fans. It's far too early to see any impact, unless you have P&L documents showing differently, do you?

Dear Nothing Against Anon,

Oh, here we go again: the pseudo-expert fuckwit, coming along with her corporate vocabulary, fake syllogisms and paltry logic, just in order to tearfully drone that sinister 'I hope that prick fails and disappears forever' dirge.

You sound just like those cowardly Fascist types who always start their worst bullshit rants with statements like: 'I am not a racist, but...' (proceeds with all the rest of the Klan's repertoire).

I wouldn't trust your perception of time, either. You want results, you want them NOW and you want them with a rabid vengeance you could surely put to a better use for the profit of more noble collective causes. But you seem to conveniently forget one simple, tiny detail:

She just started working for Great Glen Company's Sassenach Spirits subsidiary last May. For being less than three months in that company, she surely started to make a difference, taking things out of slumber, using her contacts and mapping out what clearly is an expansion strategy. What do you want her to do first? Change everything in 24 hours, preferably with a magic wand? Shouldn't she at least start somewhere and with something, first? She is doing exactly what I was expecting her to do, Anon: terrain work, in order to get a better feel of the market's fabric. And she is doing it the only right way - go where relevant people and relevant potential outlets are, talk to those people, make things happen.

As many, too many people in here, you are just judging based on what you see of her work on her and SS's social media accounts. While doing this, you also seem to conveniently ignore the amount of BTS work it takes - are you, by any chance, one of those incompetent corporate execs, always talking with great confidence about things they have no real grasp upon, Anon?

No, you aren't. Not even that. You are just another random moron, with a smattering of management accounting notions. You write absurd idiocies like '(...) unless you have P&L documents showing differently, do you? ', perhaps in the hope you'd intimidate me, or something. You probably have no idea of the fact that P&L (that is Profit & Loss, by the way) documents are mandatory for public companies only and issued on a quarterly and annual basis. And for your information, doll: a public company is a company using shares of stock in order to organize ownership. It may or may not be listed on a stock exchange, but the intention to have those shares traded is always present.

Until further notice, Great Glen Company is a private company, governed by US law. There is no legal obligation to issue the documents you so confidently mention.

And the pop up shop? Not really for mommies:

Now go play elsewhere. I have no time to further lose with people like you.

[lostinsaltburn]

BREATHE - AO3

Explicit - Felix x Oliver - AU

After his first year at Oxford, Felix needed a change, wanted a break, like a gap year or something. School was mundane and boring, rarely challenging anymore when his teachers never bothered to mark him down even when his assignments just had a front page to them. After all the talk Farleigh had about how lively the US was he just wanted to try it out, have a little taste.

Over the summer his interest in the gym had really heightened. His mother took note, proud of her little boy for focusing on his health and just having something he was passionate about that wasn't going to result in baby Felix's running rampant around Saltburn. With a mother's loving push she got Felix to enroll in a PT course.

It didn't take long for Felix to become absolutely infatuated with the idea, convincing his father, with his mothers help to buy him a high end gym in California. Thankfully he didn't have to run the place, his father meeting him in the middle by hiring an accountant and manager. The marketing and his own PT schedule would all be up to him though.

It had been incredible, the initial move, getting set up in his new apartment and dragging Farleigh along to work there too. New places, new people and some freedom to express himself sexually and openly was more then he expected.

The gym was high end, focusing on the clients in the neighboring law firms, apartments and offices. A fancy juice bar even available on site.

It felt nice, comfortable to rub shoulders with all these new people, to experience the differences between the circles. He understood now what his aunt had meant about the cold hearted English.

In the beginning he'd lost a lot of client's by partying all night and forgetting their early morning appointments. Eventually though his bread and butter clientele started to emerge and he got better at scheduling clients to the type of hours he wanted to work, forcing others to take the earlier clients.

Between Grindr and the gym clientele Felix was never lonely, his bed was never cold. His charm always wining out especially if someone got a little too clingy. Like most things though, even this had recently gotten a little boring, he wanted something different, wanted a chase, wanted to have to work for something. There was no fun in it anymore, it felt empty and easy and he liked a challenge. Everyone Felix met just fell in line behind his lead and it was starting to become a little frustrating, maybe Felix didn't want to have to lead all the time.

At the gym he had to take the lead in the marketing, in his group of friends everybody looked toward him to show them a good time, to herd them all to the next bar, to start the conversations so they could continue it. It was frustrating, reminded him too much of his friendship circle in Oxford. He just wanted someone else to tell him what to do now, he didn't want to make decisions for everything, to have all these expectations placed on his shoulders. He could have fun even if he was only following, he was sure of it, dreamed of it and in every dream he loved it.

Read more - A03 Link

[the-cypress-grove]

I saw your "So, you want to write vampires..." post, and I was wondering if you can do something like that for zombies? Completely okay if you cant though !!

So, You Want To Write Zombies....

I had intended to turn the "So you want to write BLANK..." into a series so feel free to make requests of different creatures or things to so I can prioritise what you will find useful. I haven't written about zombies in a while so this will be a little rusty. Tell me if I need to change or add anything. With that said, ONWARDS!

Origins

This is more important than with my vampire episode. Most zombie stories are usually set in or around the initial outbreak so it is vital that YOU know how it started even if your characters don't.

Potential Origins you might want to consider:

Experiment Gone Wrong: It was believed to be a cure until patient zero died and rose again.

Experiment Gone Right: It was a biological weapon deliberately created and released.

A Result Of Climate Change: Some sort of virus, bacteria, or fungus was trapped in the ice and, as the icecaps melted, it was released.

Magic: An option for if you're going for a more fantastical setting.

Virus / Fungal Infection: A classic, but a good one.

Aliens: It's a result of alien interference.

2. Build Your Zombies

There are many things to consider when your deciding what traits your zombies will have and a lot of that will stem from your origins. Do they just shuffle or can they run? Can they evolve or change? Can they speak? How is the infection spread e.g. is it by touch, by biting, is it airborne? Are they affected by the cold (with no body heat it might freeze them solid or at the very least slow them down)? Are they affected by the heat (this will speed up the rotting process maybe causing them to fall apart)? Do they congregate in groups? Is there a cure? Can it even be cured? How quickly will an infected person turn? Can they swim / move through water? Can animals be infected or can they carry diseases? What are the zombies senses like e.g. can they sniff people out? How do they hunt e.g. are attracted by noise, or smell?

All these will factor will determine how likely it is for your human character to survive.

Most importantly, what are you going to call them? In most media, zombies are never called zombies.

3. Themes

The zombie genre explores some of the most interesting themes (at least to me), as often the true monsters of zombie stories tends to be what humanity becomes when law and order is overturned. How far will people go to survive? Who are the true monsters; the zombies, or the people left behind?

4. Characters

Whether you have one human character or, more likely, you end up having a group, it's interesting to explore the pack bonding that occurs when these people trauma bond with each other. They go from strangers to a family unit willing to kill to protect each other.

Some things to consider:

Who is more likely to survive the initial outbreak? First responders will probably die first as they will be on the front lines during the initial outbreak. Most people in cities will die. Rural communities / those who live in isolation will be more likely to survive the initial stages.

Humanity WILL change: in order to survive people will become increasingly ruthless and selfish. This is an arc you may wish to explore through a character.

Who will be valued: doctors, vets, anyone with combat experience, will be highly valued by survivor groups. What skills will your groups need/look for? If your story takes place years/decades after the first outbreak are these skills taught and handed down or were they hoarded. What professions are more likely to survive your zombies?

Trauma: ALL your characters when exposed to your setting WILL be affected. They will all handle this in their own way. It is up to you to decide how they do it and how it manifests. Are they paranoid? Are they mistrusting? Do they try to drink to forget? Do they push others away because they lost people? Or are they clingy?

5. Setting

Your setting will have a great impact on your characters. Cities are likely to become overrun, rural communities are likely to last longer. In the cold, zombies might be slow or stop all together until they thaw. In the heat, they might rot quicker and fall apart.

If your story takes places years after the first outbreak it is likely most stores will have been stripped of their supplies by various groups.

Places where communities might form:

A bunker: is this the beginning where people are afraid? Is this later on when they need to leave when they are running out of supplies? Have generations lived down there?

A boat or a series of boats: it's mobile and zombies are not likely to be able to swim. How do they get their food? How do they get clean drinking water?

A prison: It's defendable, but how did they clear it out?

An old castle or fort: they're built for defence but how do they get supplies?

Hills / Mountain: the terrain makes it difficult for a hoard of zombies to navigate.

6. First Response / First Days

This will be where most stories begin. The response will depend on your selected origins. Who are the first to die? Who is more likely to survive? How desperate is your character to survive? How smart is your character? What is the government's response (do they want to help, will they send in the armies, or will they burn cities in an attempt to contain the zombies)?

Where does the outbreak begin?

How quickly does it spread?

7. Decay of Modern Society

All rule and law WILL breakdown, but how long does it take? This will happen quicker in some groups / people than it will in others. What rules will groups enact amongst themselves?

Have buildings become rundown and overgrown? Is tinned food still good? How have people adapted to their situation? Do cars still work?

8. Supplies

What are people eating? How are they getting it? What about clean water? Medicine?

All this will impact how long your characters will supplies and can add conflicts and dangers for your group. A zombie in a well will taint the water. A store that's been cleaned out will leave your character hungry, desperate, and irritable. If your character is diabetic, how are they getting insulin or NOT getting insulin. What about asthma? Can they find inhalers?

9. Dangers

Obviously, you have the zombies but there are other dangers out there.

Consider:

Other people within their group, other groups, or lone survivors.

The weather

Unstable buildings

Injuries and illnesses

Their own mental health

Eating the wrong plant

Animal e.g. roaming packs of starving dogs

REMEMBER; WHILE ALL WILL CHANGE, HUMANS WILL ALWAYS BE HUMANS. SHOW THE BAD, BUT ALSO THE GOOD.

[lovecanbesostrange]

I don't wanna add to an existing AAA post (x), because it's long already and I started to think about a tiny detail, so here it is, mostly for @isagrimorie

I want to know why the MCU Sorcerers have such contempt for witches. The way both Wong and Strange say 'witch' in Dr. Strange 2 was not great.

The general contempt for witches, well, I don't think we have a good sample size overall for that. But I can see a certain rivalry, because magic is so fluid and it can work for people in such different ways. The mythic arts are so vast and not a science to pin down. Even though there is so much overlap (just think about Jane explaining Asgard in science terms). And so we have witches, all down with nature, conjuring, divining, using resources from earth, all in very small communities of a little coven. And there are the sorcerer monks on the other side, more structured, focused on discipline, studying the arcane on a wider plane. And neither can claim to have a grasp on all magic.

Sorceres and witches could be seen like splinter groups of the same religion. Same basis, different interpretations, being at odds. While outsiders just say "sorry, you both believe in the same god use magic" and then everybody is offended, because "no, it's totally different!!!!!".

The contempt for the Scarlet Witch specifically is clear through the Darkhold and what Agatha herself tells us: “The Scarlet Witch is not born, she is forged. She has no coven or need for incantation. Her power exceeds that of the Sorcerer Supreme. It is her destiny to destroy the world.”

We just watched a fabulous show that highlights the power of a coven, finding your people. And the Scarlet Witch isn't even bound by that in her power. She is as powerful alone. And she can make the Sorcerer Supreme look like a little child, because as a reality warper she is not strictly bound by any laws of magic. Yes, Agatha's runes held her, but we've also seen how she learns to escape very sophisticated magical prisons. She can rewrite reality itself in bigger ways than even the sorcerers do; I love the scenery bending stuff in DS1 but while that takes skill, it's a parlor trick in comparison to what Wanda can do. And it's so scary how much of her magic is inside Billy, who shouldn't even exist at all. But he just turned a lie into actual magic.

Personally I would love if the bigger result from AAA would be that the Witches' Road is absolutely real now. I mean, Jen doesn't know, to her it is. Billy formed it all based on his imagination and fed by every single idea they had along the way, all of the impromptu stuff Agatha made up is a thing. And it would be amazing if this still lingers in the fabric of magic, that now if a coven gathers to sing the ballad, it could open again. The Road building itself and reading the ones who enter to form trials. And the funny thing is, tell that to a sorcerer. "Hey, so we have this one witch who made up a total scam, but there was this other witch with almost unlimited power who made this come true and now it's a thing. Write that in one of your sacred books. Don't forget to mention some of the stuff was made real because of the internet." Of course sorcerers would scream about this.

(Remember Derry Girls 2x01 Across the Barricade, when our beloved Catholic girls had their little weekend with Protestant boys? Make that witches and sorcerers. Ghost!Agatha can be Sister Michael.)

[sapphire-weapon]

Leon, in the intro to RE4make:

"September 30, 1998. It's a day I'll never forget. The cop inside me died that day."

---

Officer 1: So, tell me, Yanqui. Why did you come to this horrible place? As close to nowhere as I've ever seen.

Leon: Let's just say... looking for someone.

Officer 1: That someone must be very important, eh? The Chief gave the orders himself. "Help him," he said.

Leon: I'm sure you boys didn't come all the way out here to roast marshmallows.

Officers 1 & 2: (laugh)

Leon: (annoyed) Maybe you did.

Officer 1: You have a strange sense of humor. I'm gonna let you in on a little secret. Just between us. A lot of people have gone missing around here, and it's been that way for a while, now.

Leon: (still annoyed) Well, then. Should be just another day in the office, right?

Officer 1: Mmm... I mean, last week, there was a search for some missing hikers.

Leon: (sarcastically) I'm sure you'll do your best to help me.

Officer 1: (laughs)

[...]

Leon, much later in the scene: So much for helping me.

---

Leon, later in chapter 1:

(bitterly) "Gotta fix everything myself."

---

Leon tells Ada in RE2make that the reason why he went into law enforcement was to help people like Kendo and his daughter -- vulnerable people, good people, members of the community who are facing the worst moments of their life and need someone to help make it right.

And yet he says in the intro to RE4make that the cop inside him died that day. When we take that in context with what he told Ada about Kendo, what he means is that his desire to help people died that day. The belief that he could help people died that day.

His faith in humanity died that day.

Leon goes into his mission to save Ashley already expecting the two local officers that he's with to be completely fucking useless, and he gets immediately annoyed at the first hint that they are. His "So much for helping me" is said with a sense of "Why am I not surprised?"

He went into RE2make believing that people are generally good and that things will work themselves out.

He goes into RE4make believing that people are generally selfish and will take advantage of him, leaving him to work through any problem that arises on his own.

This is why he's so supremely pissed off at Ada when they meet back up again, and it's also why Ashley is so integral to his character arc. It's also why I've said in the past that Ada is a foil for Ashley in RE4make.

(NOTE: A foil is a character that is set up in the narrative to directly contrast with another one. Where one character is deficient, the foil character is strong, and vice versa. Where Ada is cold, Ashley is warm. Where Ada is physically capable, Ashley is defenseless. Where Ada is secretive, Ashley is honest. Where Ada is calculating, Ashley is impulsive. A foil does not necessarily exist to make one character seem better than the other; a foil exists to showcase two equals using a different approach and receiving different outcomes as a result.)

Ada is the genesis of Leon's cynicism. She's the reason why he expects less than nothing from people anymore -- the reason why he goes into every social interaction waiting to be screwed over. And she reinforces this throughout the narrative by trying to tear him down ("Leave the girl. She's lost no matter what.") or by keeping score ("Happy to help. Now you owe me.") -- which she takes even further in Separate Ways ("Don't worry, Leon. First time's free.").

In the six years since her initial betrayal, Leon has been forged into a weapon by the US government. The kind-hearted boy from RE2make who wanted to save the world now is more comfortable shoving a knife in the throat of an old woman than he is with carrying on small talk with people.

But weapons on their own are neither good nor bad. It's how they're used that determines that. Up until RE4make, Leon has been surrounded by extreme violence and senseless death (that's the point of changing Operation Javier btw), and he doesn't see a way in which his status as a weapon could possibly be used for good.

Until Ashley comes into his life.

If there was ever anyone who had a good reason to take Leon for granted and take advantage of him, it's Ashley -- but not only does she not do that, but she goes out of her way to make herself useful without expectation or strings attached. The only thing she ever asks for in return is a "thank you."

So, every time she gets that "thank you" -- every time she gets a real smile out of him -- she's returning pieces of his humanity to him. She's healing the hurts that Ada and the CIA inflicted on him so many years ago. She's showing him that there's still some good in this world, and it's worth fighting for. She's worth fighting for.

When Leon says: "This time, it has to be different..." he's not talking about his inability to save anyone in Raccoon City. That's a very surface-level interpretation. What he's referring to there is that Raccoon City destroyed his faith in humanity, ruined his image of himself, and poisoned his ability to create meaningful connections with people.

That's what has to be different this time. That's why the full line he says in the intro is: "If I could just forget what happened that night... the pain, even for a second... This time, it can be different. It has to."

RE2make took so much from him, but Ashley spent the entirety of RE4make giving so much of it back. But if she were to die in his arms in chapter 15, that hope and that healing would die with her. Her death would be a reaffirmation that everything that Leon wants or hopes for in this world isn't real, and that reality is nothing more than a series of random tragedies and chaos that results in suffering.

Ashley re-teaches him how to trust in people again, how to work as part of a team again, how to feel good about his own actions again. She teaches him how to hope again.

Ashley is the first person in six years to care about whether Leon gets or feels hurt by her actions. The most important line of dialogue spoken to Leon in the entire game is "Stay back! I might hurt you again..." as Ashley openly sobs over the mere thought of it.

Juxtapose that beside...

During the boat scene, Ada asks Leon in response to whether or not she's changed, after all of the damage she's already inflicted on him: "What do you think? Don't think too hard."

And so, in the ending, Leon answers: "I think we both know that this is where we go our separate ways."

Because, this time, things were different.

Because, this time, his partner was Ashley.