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brf-rumortrackinganon · 3 months

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That Eden specifically called them “William’s friend” makes me think it’s a Windsor who has friends in common with William, which is probably more likely Frederick or Gabriella, than the Yorkies. But as far as I know, the Kent branch doesn’t leak…except it was the Kent branch of Windsors that Eden referenced by name when he was talking about the crowded balconies. I think it’s from that side of the family.

I agree. A royal watcher on Twitter was oddly furious about the balcony this year and complaining that the extended family were being “disrespected”, particularly the Kents. (They weren’t this worked up the previous two years.) They’ve previously claimed to be friends with some of the Kents and tend to lose their temper very quickly whenever someone brings up Lady Amelia liking that IG post about turning BP into a gift shop. Various weak excuses such as it wasn’t her account (there’s screenshots, it WAS her handle) or suggesting she didn’t read the post first.

I think the source is a more distant relative who has absolutely no chance of becoming a working royal, and thus no chance of getting back on the balcony if it stays this way. Even if W doesn’t currently intend to have any of his first cousins, I think they do realise that there is always a small chance for them as he doesn’t have any other siblings like Charles. This is likely someone whose PR plays heavily on their adjacency to the BRF (e.g. Amelia - “the most beautiful royal”).

I agree - it’s someone whose career is heavily connected to the BRF, like Amelia and/or her siblings. And really, they’re the only ones it could be, from my perspective.

Since this topic seems to be generating some excitement from anons (going by my asks, the top 3 options are Frederick Windsor, Princess Eugenie, and Amelia Windsor). Let's dig deeper into it!

The Mountbatten-Windsors branch:

Peter and Zara couldn't give two shits if they're on a balcony or not, and their kids are too young to know what kind of "marketability" they have career-wise or attention-wise for being connected to the royal family. Not only that, their kids are very close to William's kids. They're in a pretty safe position as far as access and privilege goes. It's definitely not them.

Harry and Meghan. Well, there's a lot we could say here, but we're not going to look that deeply at them. All I'll say about them is this: Eden is not one of their usual sources when they leak, so I'm skeptical it's them but Harry does (or did) have a lot of friends in common with William so that's the most plausible "William's friend" excuse to me. But the guys who are legit still friends with William know better than to leak, so it wouldn't be those friends (like a van Straubenzee, Grosvenor, van Cutsem, or Pelly). It would be someone with a tenuous connection to William - maybe a friend of a friend who knows Harry better.

Beatrice is also close with William and she has her own career going for her. Edo also has his own career and he seems to be pretty financially set that Beatrice, and their children, probably have a super comfortable life and don't need the BRF as much. It's not her.

Eugenie is still a big question mark. She seems loyal to the crown for now and while she does have a chip on her shoulder, she does know which side of her bread is buttered. She is also probably fully aware that leaking about William guarantees a ticket of no return to Excludedville and after getting the invite to the Cousins Garden Party after being on the outs for a couple years, I don't think she's going to risk being "in," so I don't think it's her.

Louise and James have been raised with the expectation that they won't be working royals, not even part-time the way Beatrice and Eugenie were back in the day, so it's definitely not them or their friend circle (who are much too young to have friends in common with William).

Anne and Tim don't talk to the press, and neither do Edward and Sophie, like this. Andrew and Sarah do talk to the press and have leaked about the main branch before, but I don't think this is them. They wouldn't be quoted as 'William's friend' but - BUT - Eden had an exclusive from Sarah a couple days ago (about whether she and Andrew would remarry) and this nugget could've come up then, from Sarah.

The Duke of Kent branch:

The Duke and Duchess of Kent have never leaked or spoken to reporters, so I'm fairly certain it's not them. Besides, they're probably too old-school to think about going against the heir, and they probably raised their children (the Earl of St. Andrews, Lady Helen Taylor, and Nicholas Windsor) to be more ordinary than royally-privileged.

The bios for the Earl of St. Andrews and his wife (the Kents' eldest child/first son) on Wikipedia read like they enjoy the professional privilege that comes from being connected to the BRF but don't seem to be flaunting it. It's not them. And I doubt that they have friends in common with William. Edward and Andrew, sure. Not William.

Their children - Lord Downpatrick, Lady Marina, and Lady Amelia - are precisely the people who grew up with social media and thus understand how the power, access, and privilege of the BRF can further their work. Lord Downpatrick has a pretty successful outdoorsy/adventure-based travel company; he doesn't need the BRF. There isn't a whole lot known about Marina, but we do know that Amelia had/has a modeling contract and works in fashion. Marina seems unlikely to leak (since there isn't much about her), but Amelia is definitely a contender as Eden's source because much of her career is based on aesthetics and lifestyle - which she needs the BRF for.

Lady Helen Taylor, her husband, and their children. There's absolutely no easily-findable information about their four children. Even though they're the same ages as the Earl's children, and they'd be fully aware of the BRF's power with social media, the fact that they don't have Wikipedias and aren't very easily googlable hint that they're probably not the source.

Nicholas Windsor, hs wife, and their three sons. Not them. The sons aren't in the line of succession (owing to their Catholic baptisms). They have no use for the BRF because they wouldn't have had any privileges anyway.

The Prince Michael of Kent branch:

Prince and Princess Michael have complained about royal privilege before, but they also know - and respect - their places. They also wouldn't call themselves "William's friend" and I'm very skeptical that they have friends in common with William.

Frederick and Gabriella probably grew up without any expectation of royal connections and both seem to be in steady careers. They seem pretty tight with many of the Mountbatten-Windsor cousins - Eugenie is godmother to Frederick's eldest (which is odd to me but whatever), Frederick and Peter probably played together, Frederick's kids are the same ages as George and Charlotte, Lady Gabriella rode in the ascot carriage with Anne and Peter, and Lady Gabriella has been deputized by William before. It's definitely not Lady Gabriella, and I feel pretty confident saying it's not Frederick, even though he and his wife have spoken about being members of the extended royal family before (all positive, mostly about the time when Sophie was seriously injured in an accident, and Charles sent his personal chef to prepare meals for them).

Frederick's kids are too young to know any difference about what it means being related to the royal family. I do think Frederick enjoys the privilege of being related to the royal family and what it means for his career, but I don't think he cares from a publicity standpoint. Sure, he might like to go out on the balcony, but the guy's a finance executive. He doesn't need the balcony to help with his career.

The Gloucester branch:

It's not them. We don't even know a whole lot about them. The Duke and Duchess have three kids (Earl of Ulster, Lady Davina, and Lady Rose) and there's not much known about them. They enjoy the social aspects of being in the extended family but they wouldn't have had any expectation of using the BRF for career or professional connections.

The Margaret branch:

David Armstrong-Jones, Earl of Snowdon and his kids: I feel pretty confident saying it isn't the Earl since he doesn't really speak much to the press (that I'm aware of). His kids are the ages where they would be fully aware of what the BRF magic can do for them but I'm not sure. They seem to have a healthy relationship with the Elizabeth/Charles branch and I don't think they'd do anything to risk that. However, that said, Lady Margarita (David's daughter) does do some modeling work and she has her own art brands. I still don't think it's her because she was in William's wedding and if there's anyone who can profit off the royal connection, it's going to be her because all she needs to do is flash those photographs. She wouldn't complain about the balcony.

Sarah Chatto and her sons. It's definitely not Sarah. She has a safe and stable connection to the BRF and she strikes me as someone who doesn't want the attention. Her sons are of the same age who'd have grown up and know what social media could do for them, but they're not really in careers where they need publicity or the lifestyle for success; Samuel is an artist and Arthur is in the military.

So all that said, the top candidates for being Eden's source (for me) are Sarah Ferguson, Harry, Amelia Windsor, and Margarita Armstrong-Jones.

Since:

Sarah doesn't need any help getting attention for her career (or lack of it)

Harry doesn't use Eden, and

Margarita has the royal wedding pictures,

that leaves Amelia Windsor, aka the Kent branch. Who is in a publicity-hungry career, who likes social media content that criticizes the royal family, and who probably has the sour grapes of not having had any access or claim to fame with the BRF other than sharing the last name.

Also, another nail in the "it's not Margaret's side" theory for me is the Christmas walk. David and Sarah, and their kids, are often at the Christmas Walk and everyone is often being named by the press. I don't recall the Kent Windsors being on the Christmas walks recently and receiving similar treatment - so that's probably more sour grapes for whoever's the leak.

Oh, I forgot. I'm too lazy to scroll back up.

The PB branch:

Well, we know Camilla talks and talks and talks. But would she characterize herself as "William's friend"? I think that's a bit of a stretch for her.

Tom PB or Laura Lopes: Possibly. They probably do have friends in common with William, but they've never had access to or privilege from the BRF before, not even after Charles and Camilla made it official. So why would they care? I could see them caring from their kids' perspectives, but they've been around the BRF long enough to know that the affiliation to the BRF gets their foot in the door but any more than that only invites scrutiny in and they probably don't want that for their kids, and I think their kids are too young to understand the significance.

So for me, all roads lead back to Kents: it's either Amelia or Frederick, but I lean more to it being Amelia than I do Frederick.

Yes, I'm procrastinating some work stuff this afternoon. Gee, how could y'all tell?

#brf #in this essay i will #theories

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chaoticbardlady99 · 5 months

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Darling, Never Stop Haunting Me (Spawn Astarion x F! Ghost Reader)

Chapter Five: Nisi Pellis Nostra (SOS)

Synopsis: The Lich reveals his fate for you and your 'higher purpose' after a series of experiments that leave you feeling hopeless. The Spawn Monster tries to reassure you that everything is going to be okay.

CW: Mentions of gore, mentions of non consensual surgical-esque procedures on Ghosts, basically I've been watching a lot of Criminal Minds lately, being changed against a character's will.

Disclaimer- put together the picture for the banner, but I do not own any of the pictures. Birdie's 'image' is a stock image. I will not describe the readers body in detail- she is just merely on the banner for ✨drama✨. I believe the picture of Astarion is from @cheekylittlepupp . And then the symbol of Orcus in the back is a free image off the internet.

Likes, Comments, and Reblogs are always appreciated! Thank you for all your support and love!

Chapter 4 : Chapter 6: AO3

You know you have only been in the liche’s ‘care’ for a little over 24 hours now, but it feels like you have spent forever and a day down here already.

Yesterday he had performed multiple experiments on you by seeing how your body responds to various types of magic. You are extremely sore

It’s just you, Leon’s desecrated body, and the Spawn Monster. You’ve had a few exchanges with the creature as it tries to tempt you into conversing with it.

You want to, but it’s too confusing and makes you feel sick.

Aurelia had been Cazador’s first spawn and she had fought so hard to keep him from being angry with her while Astarion turned towards malicious compliance.

After Aurelia came Astarion and then Dalyria. Dalyria has always fascinated you with her brilliance and pension for medicine as well as modern tactics. She did not believe in the Gods nor that they would save her so she was determined to save herself.

Violet and Yousen became spawn within days of each other and fought like cats and dogs- neither one of them willing to be the Scratch of the duo and keep the peace. You did enjoy their pranks on each other (when they weren’t ridiculously cruel).

Petras had been maybe two, three decades before Leon- who only became a part of the coven a decade ago. Petras' dullness had driven Cazador, Astarion, and frankly, everyone mad. You have never met someone so dense in your entire existence, but at the end of the day, he was always good. He tried to keep his intentions as pure as possible and despite Astarion’s disdain for him, Petras did adore him and considered him his brother. He had been the hardest one to crack regarding Astarion’s location in Baldur’s Gate that day so many months ago.

“What does dick cheese mean?”

It’s a fair question that not even you can really answer- to be frank, you had kind of panicked when Leon had turned on you with his hackles raised. You just threw out some words to break up some of the anger.

You want to look over at the other siblings- you are desperate to be able to look over and see them all separated- somewhere far away and happy.

Somewhere safe where Leon’s grief could never- would never- touch them.

“I honestly don’t know,” you whisper, “I was just throwing out words.”

“It was clever,” the Spawn monster says, “it made me think of a STI.

“Which Leon has been for a while.”

You snort and look over, only to look away again. Your heart is truly broken for them. You will never complain about being stuck as a Ghost again- you are very very lucky.

Astarion will be devastated, despite what he would lead others to believe, he does actually care about the individuals he suffered alongside with in Szarr Palace. He will be especially upset to see Dalyria, the one he does consider a sister through and through, is gone. He will even grieve Petras who he pretends he is incapable of tolerating.

You shake your head- yes, he will grieve, but you will make sure he doesn’t fall to his knees and let life guillotine his heart. The survivors' guilt will not win- you will make sure of that- and if there is a way to save the Spawn, they will find it.

“Is it that bad?”

The sadness in their voice is still recognizable through the heavy slurred speech. You nod numbly. There is no point in lying.

“I’m sorry.”

“Whatever for!?”

This time you do look over and face your fears- looking her in her eyes (well Aurelia and Violet’s eyes). It’s odd how you can see how the five distinct personalities are still there all from a look or a change of posture.

A sudden burst of pain causes the creature to keel over and cry out- the stitches glowing with an angry red color.

The monster looks you in the eyes with tears.

“We’re a monster,” it says, “we should have stopped Leon the moment Yousen and Aurelia went missing. We suspected, but thought it was too good to be true. Leon couldn’t do this to us.”

You shake your head aggressively, trying to will your own tears away. This is not about you- you're not the one who has had your autonomy ripped away time and time again.

“You will not apologize to me for something out of your control,” you say softly, “Leon made his own choices. I wish they hadn’t involved any of you.”

“We know,” it says, “we appreciate it.

“And personally,” this time you know it’s Dalyria, “I am grateful to you for taking care of Astarion. You need to promise you will continue to take care of him.”

There is a finality in their voice that causes you to release a choked sob. They don’t plan on ever being saved or fixed.

“Birdie, you must do us a favor.”

“Okay?”

“You have to destroy us.”

“What!?” You hissed in surprise, “no!”

“Please,” it begs, pleads, a tear going down Dalyria’s face, “it hurts- he will continue to refurbish us like he has been doing. The remainder of our bodies- they have been scattered around. We will never be able to rest while he continues to resurrect pieces of us at a time.

“Last time, Petras was doing all of the talking until he became annoyed with Petras. That’s why his lips are stitched shut with silver- any talking will make his pain worse.

“Don’t leave us here to suffer.”

“But what makes you so sure I’ll be out of here anyhow? Maybe we can find a way to save yo-“

“No,” it says, “there is no way to undo what has been done.

“We can still feel his emotions to an extent. Half hysterical and racing to get here. Nervous, scared that he has lost you permanently. Cazador is dead, but our own connections are still there- faint, but there.

“Promise us that you will destroy us- every last piece.”

You take a shaky breath in- maybe you should also be concerned for your own survivor’s guilt.

“Okay,” you whisper, “I promise- if it has to come to that, but don’t give up hope.”

The sad smile is unsettling and full of rows of razor sharp teeth- you breathe unevenly and try to calm the galloping in your chest.

It may not matter that you know who they are- it’s still terrifying and unsettling to see them this way.

Clanging from down the hall- you can hear the Shadar Kai soldiers coming towards you. You wish you could turn invisible and hide, but whatever magic is around your cage is preventing you from being able to cast anything.

The lich walks into the room- an unsettling smile across his dead, rotting face. He stares into you as if he can see your entire existence. It’s been one whole day of not being bothered of him- you knew becoming complacent was a bad idea.

The Spawn monster protests and slams against the cage- trying to keep the Lich from reaching you, but it’s too late. Your body feels like jelly and you begin to unravel to the floor- your form is absolutely paralyzed.

“Leave her alone!”

“SILENCE!”

A ripple of red, angry magic goes through their body and the scream that echoes through the room makes you cry and your heartbreak. They just wanted to help you- you will find a way to help them. This will not be the end for any of you- you are determined to save yourself and them.

You may not be very big Birdie, you think, but apparently you are pretty strong for whatever reason and you know how to use Bardic Magic to an extent. You know how to use Vicious Mockery and you have a decent amount of cantrips like Firebolt and shocking grasp. You just need to break whatever hold he has on your body. You can do this Birdie- you badass bitch!

You continue to hype yourself up in your head as they carry you off down the hallway by your limp limbs- at least it doesn’t hurt.

You focus with everything you have in your body and begin to chip away at the grasp the liche has on your body.

“How very fascinating,” the lich muses as you are laid down on a stone slab, “you are rather strong and you think rather quickly on your feet for someone who died so young. I wonder what secrets I will find inside you…”

Gods no. This isn’t happening to you- the knife begins to cut into your abdomen like your skin is butter and it’s horribly painful- the blade coated in silver and silver itself. Even if you do regenerate (hypothetically you should) it’s going to hurt and take a lot longer than you would have hoped to heal.

You can feel the lich enforce his will on you and you are forced to lay there quietly- entirely unable to move and no matter how much you try to fight against his grasp- it doesn’t happen.

He pulls out each of your organs- inspecting them and it hurts. You can feel him put your heart in other, dead bodies- seeing if the body will come to life. It does- momentarily, but then you begin to choke and the body dies and your heart is returned to you.

You have never been touched before by anyone and now? Now you just feel violated. You stopped keeping track of what he was pulling out, putting in and out of other bodies before putting back in your own, and even scooping out ectoplasm surrounding your organs. It all feels unnatural and painful- you zone out.

You are there for hours- you know because you’ve been counting the seconds in your head- trying to focus on every passing second instead of the grubby, evil fingers tearing you apart and putting it back together.

You give up- unable to justify trying to live through this if this is the existence you are doomed to.

For once, you don’t want Astarion to come. You don’t want him to see you this way and you hope he’s turned tail and ran away instead of rushing into danger to save her. Your tears begin to fall again- the Lich pulling out one of your eyes, commenting how fascinating it is that you are still able to produce tears without it before putting it back in to mend it back together.

You drift off into a land where this had never happened. Maybe a different time period, an alternate universe, where you are playing at a Tavern, a young bard trying to make a name for herself. A beautiful, cocky Magistrate walks up to you with life in his cheeks and blue (or maybe green?) eyes.

In this reality, Astarion courts you, adores you, and neither one of you is horribly traumatized to get there. You live a happy life together, you go on adventures, own a home together, and maybe even one day have children together.

Your parents would have adored him- you wonder if his would have adored you?

“Lubanac is going to be most pleased,” the lich hums, “you are going to be the perfect little creature for the Morbid Maze. I know exactly what I am going to turn you into!

“Ah here it is,” the Lich menancingly smiles at you and your own scream of terror reaches your ears, “a Necroplasm! It will take another day since I have more tests to conduct, but you’ll be one of these beautiful creatures soon, my beautiful little Ghosty.”

It’s just a blob of ectoplasm and bones. You whimper and begin to shake.

“Oh no, no, no,” the lich strokes your face, “do not cry little one- you won’t even remember any of this once I change you.

“It will all be over soon,” he coos, “and in the meantime- you are doing an honorable service for our Lord Orcus and his priest, my leader, Lubanac. You will have a higher purpose once again- you will protect the morbid maze and fight alongside Orcus. What a boon- I’m almost jealous.”

It’s a fight not to continue crying- not wanting to give the lich more curiosities to poke around with or a reason to turn you earlier- so you do the only thing you can think of doing.

You fall asleep.

************************************************

You can feel all of your organs back in the right place within your body, but you feel entirely ruined to your core.

Astarion would never want you this way- used and rearranged, ectoplasm happily consumed by a lich who was constantly telling you every ‘fascinating’ detail he finds in your form as he worked. The lich at least gave you a bit more insight into your own condition- technically Donella did succeed in changing you, but she didn’t know how to resurrect you so that’s why you are stronger than a normal Ghost- you harbor some Spawn strength.

You went from being a Ghost, a Cat, a Person, and then a Science Project for a Necromancer. How fitting. Next? A necroplasm- unable to be saved or changed back to your original form.

“Are you okay?”

You look numbly in the direction of the Spawn Monster and their eyes look worried for you- your eyes are filled with angry tears, you can barely see them through your vision.

“No,” you choke, “I feel violated. I feel….

“I feel unworthy,” you whisper, admitting it outloud, “I feel disgusting.”

“We understand,” the spawn monster gives you a smile, “but you are going to get out of here and that will never happen to you again.”

You just shake your head, crying harder.

“I don’t know if I care anymore,” you sob, “I don’t want to go through that again- I can’t. He’s going to change me into, into-“

One of the creatures he showed you slimes by and it eats up the dripping ectoplasm on the ground like a starved dog- bones being stretched apart. The creature looks you in the eyes as if it knows and it lets out a wailing scream. You barely scoot out of the way in time before it’s limbs make it through your cage- a starving look in it’s eyes.”

“Shhhhh,” Dalyria’s voice soothes you, “you won’t go through it again- you will be okay. He’s coming as fast as he can.”

The spawn monster, as horrific as it is, leans up against the part of the cage that is close to yours- offering a hand. You crawl over and reach for it like a child- the creature, the remainder of people you care for, try to soothe you by running their thumb over your hand and keep telling you it’s going to be okay. That you are not allowed to give up any hope.

And that Astarion is on his way.

*******************************************************************

Author note: Likes, Comments, and Reblogs are always appreciated! Please let me know if you would like to be on the tag list! I am using the Ghostwalk campaign for NPCs, locations, etc. It is a 3e Campaign and doesn’t mirror 5e Ghosts. I have tweaked some of the ghost powers and such for the sake of the story, but if you would like more information on Ghostwalk and the City of Manifest, there is a PDF online that is free to download :)

Tag List: @n3rdybirdee @fandomarchiveilyd @dajeong @hotmesshobbit @godoffuckedupcats @bitchstarion @hereliesblackdragon @pebble-bb @preciouslittlebhaalbae @lavvyan @beepersteeper

Special thanks to @davenswitcher thank you for helping me brain storm 💜

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rabbitcruiser · 6 months

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Yukon River, Whitehorse (No. 2)

The name Yukon, or ųųg han, is a contraction of the words in the Gwich'in phrase chųų gąįį han, which means white water river and refers to "the pale colour" of glacial runoff in the Yukon River. The contraction is Ųųg Han, if the /ųų/ remains nasalized, or Yuk Han, if there is no vowel nasalization. In the 1840s, different tribes had different opinions as to the literal meaning of Yukon. In 1843, the Holikachuks had told the Russian-American Company that their name for the river was Yukkhana and that this name meant big river. However, Yukkhana does not literally correspond to a Holikachuk phrase that means big river. Then, two years later, the Gwich'ins told the Hudson's Bay Company that their name for the river was Yukon and that the name meant white water river. White water river in fact corresponds to Gwich'in words that can be shortened to form Yukon. Because the Holikachuks had been trading regularly with both the Gwich’ins and the Yup'iks, the Holikachuks were in a position to borrow the Gwich'in contraction and to conflate its meaning with the meaning of Kuig-pak [River-big], which is the Yup'ik name for the same river. For that reason, the documentary evidence suggests that the Holikachuks had borrowed the contraction Ųųg Han [White Water River] from Gwich'in, and erroneously assumed that this contraction had the same literal meaning as the corresponding Yup'ik name Kuig-pak [River-big].

The Lewes River is the former name of the upper course of the Yukon, from Marsh Lake to the confluence of the Pelly River at Fort Selkirk.

Source: Wikipedia

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claireofluxembourg · 9 months

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I have a PhD on Aristo Friends from the University of Cambridge lmaooooo

Can you share some of that knowledge lol? Do you know what happened to them after they all stopped partying and left the spotlight to start families? They're all so quiet I only thought Guy Pelly probably had to sell his nightclubs to be suitable to be Louis' godfather

Well, they're all married now, boring people in their 40's lmaooo

Guy and Lizzy are mostly in the USA.

I used to follow Zoe Warren on insta (because sometimes I do yoga for my menstrual cramps and anxiety) but she deleted her account a million years ago, however she has another site, Peachy with Zoe, I think she and Jakie divide their time between London and Hampshire, where the family business is (Jakie is involved in races, much like his grandfather, dear old Porchie was. They were the Queen's race managers)

Skippy and Lara are in the USA. He works as CCO of Afiniti. Lara is a Software Manager but idk where she works.

My husband Hugh is a Duke and a Billionaire and he does what Billionaire Dukes do. Billions. Soon to be married and not to me, how dare he.

Lady Edwina (Hugh's sister) and her husband live in London. She works on prison reform.

The Van Cutsems are all over the place. Edward married Tamara Grosvenor, Hugh's other sister (lol) and they have 3 kids, he’s King Charles' godson. Hugh married an Astor and their daughter Grace is William's goddaughter and their son Charles was Charles' page of honour. Nicholas is Louis' godfather and his daughter Florence is Henry's goddaughter. And last but not least William is godfather of George.

Thomas van Straubenzee (or Van) is in my honest opinion William's best friend. He married Missy Percy in what we consider one of the tackiest aristo weddings ever (her tiara was crooked and it was... well, interesting) but they divorced not long after. He remarried to one of George and Charlotte's school teachers and he's the godfather of Charlotte. Charlie as you know is Archie's godfather and possibly the only friend that's still on speaking terms with Harry. Their brother Henry had a car accident and died and they hold a Christmas Carol concert in his honour every year.

If you have questions about a specific Aristo let me know and I'll tell you.

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glouchyouchy · 8 months

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Hi! You may have noticed that I recently added a part to chapter III.1 ( chapter 7 numerically ), and may have wondered why I even bothered 😂 Well, several things were on l my mind that I wanted to resolve :

1.1) Show how Ezra ( in this story, at least ) is trying to keep a low profile in the world at large ( i.e. he wants to ‘stay dead or missing’ ) because he is far wiser now than he was as his teenage self, back when he was last in the known Star Wars galaxy. He doesn’t necessarily want to attract any attention to himself being one of the few surviving Jedi, for many reasons that you can glean from reading the fic ( 😁 );

1.2) Show how Ezra interacts with other people outside of his immediate ‘family’ ( i.e., Kanan, Hera, Zeb, Sabine, and even Kallus, Hondo, etc. ), particularly ‘ordinary’ folk who don’t have the desire or capability to be active in the larger conflicts of the galaxy;

2) Portray Peli the way I see her, since a) I absolutely ADORE her character ( from The Mandalorian and Book of Boba Fett ), b) I’ve mentioned her several times already throughout the fic and it didn’t feel right to not have her make what is essentially a ‘cameo’ in this story;

3) Flesh out how I would imagine the Phantom II would… Progress. 😊 Ever since I was young, I’d always been an enthusiast of impossible technology ( which is the main reason why I LOVE sci fi, steampunk, etc etc, and of course, Star Wars )… So this is a way for me to indulge that side of myself.

Well, speaking of indulging THAT… Here are some sketches of the Phantom II ( or rather, what I called the Phantom II.1 in the fic 😊 ). Ever since I saw this little Sheathipede that Sabine modified to fit the purposes of the Ghost crew, I’ve been OBSESSED at imagining how it could be improved to be more capable and be on par with the best starfighters out there.

I designed it to basically be sufficiently armed, agile, and quick enough to be competitive in a dogfight with any ship; be capable of functioning as a residence / base of operations for a lone, maybe a couple of ( very close ) Jedi; be a viable research / exploration vessel that can sustain its crew for very, VERY, long periods of time ( hence it being equipped by a refresher ( since sanitation and hygiene is key to comfort and health long-term; also, it functions as a water recycling facility for the ship ( from urine, waste water, even excess moisture from the atmosphere of the ship )), conservator ( food and water ), and utility room ( to fix broken or cobble together new equipment, fix clothes, fix the ship, etc )).

ALL VERY RELEVANT, since being in a completely new, hitherto UNEXPLORED galaxy is a major theme that I’ve delved into in this fic…

Hope this helps in visualizing what I have in mind! 😊 See you on February 14 ( it’s for the Sabezra event on that day, but I forgot what exactly it was called! ( UGH I’m so forgetful nowadays… having just turned 36 a week ago does that to your brain 😂 )) for the next update for my fic ( The Mandalorian and the Jedi ), in case you’re interested. 😊

Happy weekend to all,

glouchyouchy

[ EDIT : Finally managed to squeeze in the time to add this sketch ( the one I was talking about above ) :

I’ve always wondered if the ‘fin’ of the Sheathipede could possibly be used to conceal some hidden features / armaments… So here it is :) I imagined that it’d look cobbled together from parts lying around in Pelli’s hangar :) ]

#the mandalorian and the jedi fanfic #ezrabine #sabezra #sabine x ezra #ezra x sabine #sabine wren #ezra bridger #star wars rebels #star wars ahsoka #ART? More like a technical doodle of my impossible-tech obsessed mind 😂

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mooremars · 1 year

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Camelot 2023 Act 2 ramblings about the music and book and also the visuals again because turns out one post wasn't enough.

I still cannot possibly recommend anyone actually read this because it is so absurdly, comically long but I still needed to get even more feelings out.

Act 2, Scene 1: The castle courtyard one year later:

• "We shouldn't be alone together" like girl

• I love how she's almost exasperated by it

• When she fantasized about this all-consuming high-stakes love she probably didn't think about how exhausting it would be to actually live with it all the time

• Like having this conversation every single month does sound exhausting

• The way she's actively trying to drive him out of Camelot, Genny is so much and I respect it

• She's really doing her best in a way that involves truly torturing Lance, he should really do some soul searching about why he loves someone who treats him this way

• "I've trained dogs to chase you"/"And those dogs were fast.. the expression his bark is worse than his bite that wasn't my experience"

• Sorkin slightly breaking the tension of this scene which is so needed

• "You're not English"/"Neither are you"/"I think that changed when I became queen of England"

• I also feel like there is a lot to unpack in this exchange

• "And when would I do that Genny?"

• The angst in that delivery

• If Ever I Should Leave You is so gorgeous

• I think it was Sorkin who basically said that the show doesn't need magic because the songs provide enough magic on their own and this is the perfect example

• Jordan Donica is tremendous

• I knew him from Charmed and it took me a bit to place him but holy shit

• I may have actually seen him before, I'd have to check but regardless I need to be paying attention to literally any theater he does because I want to go

• This applies to all of them, who am I kidding

• Anyway, he's amazing here and I am probably underselling him in this post because I only saw him half the times and so my memories are much less clear

• And my reference is closing which was not him by this point

• And the outro music (? sorry I know nothing about music) is absolutely stunning

• This song is so romantic but also very shallow

• They're fulfilling a version of love that is all big gestures and big feelings but not necessarily substance

• Because they're trying to fill a void in themselves using the other and when you do that, you can't see the person as an actual person

• Just an extension of your unmet need

• Which is too bad because I think if they weren't, they might actually like each other

• But fuck is this song so romantic

• Every lyric is good, the way they're sung, I think I may for the first time have use of the phrase swoon worthy

• Specifically the end

• "I have a thrilling engagement. I'm giving prizes at the potato show. I'm eager to find out what the qualities of a prize winning potato are"/"I'll be at your side Ma'am"/"Thank goodness for that, those potatoes can be dangerous"

• The lines are so funny and her delivery is so heartbreaking, I am suffering

• I do just love Genny so much and she deserves happiness dammit

• "So the rumors are true, the chain of wedlock is so heavy in Camelot it takes three to carry it"

• Mordred coming out with the one liners immediately

• "He's willing to make any old man a knight I see"

• Pelli immediately threatening violence, beautiful

• The whininess of "I shall be busy tomorrow afternoon" and slapping the bench

• Fourteen year old edgelord Mordred

• Very interesting to have him be a year younger than Arthur was when he became king, really underscoring how young he was

• "I was raising by a mother with a fatally broken heart. Makes for a dark childhood"

• Like do we think Mordred is just trying to drum up Arthur's sympathies or is this actually true?

• "And when you speak to the king, you should remember you're speaking to the king"

• Arthur literally never insists on any manner of kingly respect but his son is a little shit that he hates, so he will

• Love that

• "Dispatch to the court, the king has a child he fathered out of wedlock. Problem solved."

• The blackmail just instantly failing is very funny

• Also would love to know how the conversation about this between Genny and Arthur went

• "I'm not ashamed of you. You don't embarass me though it's not for lack of trying."

• That's too generous, Mordred is embarrassing

• "It's always been my wish that you and your mother stay here where I can take care of you both"/"Stay where, in the servants' quarters?"/"In any quarters you like"/"Except the queen's"

• I wonder if Mordred is the one who feels this way or if he's just parroting back what Morgan has said

• "I was a boy when I met your mother"/"And my mother turned you into a man"/"A man named Merlyn turned me into a man"/"That's a new bit of palace gossip"/"No you idiot, he was my teacher"

• Obviously sarcastic Arthur is always a treat and specifically the facial expression and tone of no you idiot

• But just so curious about Morgan and Arthur because Arthur gets pissed at that whole turned into a man bit

• And he has been pretty chill with Mordred being terrible for this whole scene

• He's very much not comfortable with what Mordred is saying and this is the only moment where Mordred gets under his skin and like that is very interesting

• "In this place the law applies equally to everyone"/"Even the king and queen?"/"Especially the king and queen"

• You are literally watching the light bulb pop over Mordred's head and it's played perfectly

• Everyone in this cast is perfect

• The Seven Deadly Virtues has no right to be this funny

• "Making my Beelzebubble burst" is my favorite but really this entire song is great

• It's such a petulant performance and it's perfect

Act 2, Scene 2: The King's study

• Another amazing bit of scene change music

• The intimacy of them spending their evening playing chess together and talking

• Presumably this is just what they do on a lot of nights and I love it

• I feel like there's definitely potential in a their relationship through chess fic

• Someone please

• I firmly believe they are at like a full 50-50 split in terms of who wins

• "Are you really reading while you're chasing me around the board?"/"Sorry I didn't hear you, I was reading and chasing you around the board"

• And his okay in the middle like he knows he set himself up to get mocked

• Making fun of each other is one of my favorite love languages

• Also same structure as Arthur telling her it will seem that she's rooting for Lancelot to lose and she says that's because she is rooting for Lancelot to lose

• It's just a fun little dialouge thing that I enjoy Genny doing

• Makes her lines feel hers

• I love that Arthur has Merlyn's final warning on his mind so naturally he consults Genny

• And then it devolving into a philosophical discussion about what is and is not possible

• "I was 10,000th person to try, how do you explain that?"/"9,999 people loosened it"

• A perfect and funny line that becomes sweet and profound later on, I will never not love that

• "We have greatness in our grasp, humanity does, but for some reason every time we see it we assign the responsibility to some supernatural force. Or to god."

• You would think given the structure of the love triangle that Arthur would be set up to scoff at the idea that god has responsibility for human greatness in contrast to Lance being extremely devout

• And like I do think Arthur and Genny are actually on the same page but I enjoy that she gets to voice that thought

• This is the woman who first ran away and then threw prayer on top after as a little afterthought so yeah perhaps Genny is not the best catholic

• "Perhaps when he died, his soul transmogrified-"/"What did I just say?"

• Arthur immediately needling her and doing that stupid little hand motion on transmogrified

• They're adorable

• "I enjoy seeing you get riled up"

• This is what you say to a woman you're about to call your business partner? In that way?

• I don't know who to blame because I can't tell if the line or delivery is more of the culprit

• No it's the delivery, I have literally put in the audio as proof

• The audacity, I'm obsessed

• He's got it so bad

• Could've had this Genny

• Like Mr. Purity of Soul who thinks women can't possibly understand politics has absolutely never considered the concept of female pleasure, for sure has never heard of foreplay, and definitely believes the clit and g-spot are both myths

• I love Lance but proposition: there's no way that man is good in bed

• Everything else mean I've said about Lance has been out of love but I love Genny and she doesn't deserve mediocre dick

• And yet he's playing by Jordan Donica so it is also valid and understandable

• Sorry, I digress but gotta find the humor in the whole none of them get to be happy business

• But actually I really appreciate that even in this tragic narrative with big ideas and a lot of angst, they get to have fun and be fun

• Even as their relationship is about to hit its breaking point, you can still tell they're not just torturedly in love but they actually like each other so much

• "And while you're enjoying it, let me ask you this... how often do you write to her?"

• Genny is attempting to play it cool but boy is she not

• The little pause between often and write and then to her, oof

• It's so soft but like the hint is there

• The silence while Arthur makes his move on the board, ugh

• "I send a letter a week"/"Every week?"/"Yes"/"For how long?"/"Mordred's fourteen, he came to me when he was ten so four years"/"That's 208 letters"/"I have a responsibility there, I'm trying to do-"/"Do the chivalrous thing"/"Yes"

• It's so painful to hear their deliveries and realize they're having two separate conversations where they're both upset and they don't understand the other person is feeling the same

• Like Genny getting alarmed at 208 letters, Arthur getting frustrated and defensive about it and cutting Genny's last line off, and then Genny delivery of do the chivalrous thing like she's so tired

• It is so besides the point but how exactly was Arthur expecting the fucking soap opera and/or sitcom situation he's trying to create going

• Like his piece of shit kid, his ex who hates him, his wife that he loves whose feelings for him he doesn't have a handle on, and his bestie whose feelings for his wife Arthur definitely does know

• I know castles are very big but I don't think they're big enough to make that situation good for anyone

• "You've never asked me her name"/"Is it Morgan Le Fay?"/"How did you know that?"/"And she's a scientist"

• Genny has been holding this in for a whole year and she's finally ready to use it

• She says it like she's caught Arthur in some kind of lie which obviously she hasn't but I do wonder if she's had this conversation in her head enough times that she's already thinking the worst

• "He blames me for her condition. All the more reason why I want them both to be here at the castle. She needs care."

• That long pause before condition and the way he says it like maybe Arthur also blames himself

• And they're still playing chess throughout this whole thing as if they can pretend that this conversation isn't causing them both pain

• The sound of the pieces getting moved on the board while during the tense silences, yes

• And now we get to me being emotionally destroyed

• This scene is a roller coaster and the writing and acting of it is perfect in every way

• "We're more than king and queen, you and I. Don't you think?"

• He's so unsure, he's always so unsure it is torture

• The emphasis on you

• But also he does in some way recognize that she's upset about Morgan and he gets so close but spectacularly fails

• Genny is so hopeful on the "Yes, yes I do"

• Him stammering out and Genny trying one more yes to get him to come up with something

• And then that something is business partners

• In my brain I am screaming

• I have done nothing but make fun of Arthur for business partners (and friends) since I first saw this show and I will continue to do it now

• However I do think that for him, in the context of his experience being thrust into royalty, he is actually expressing a very romantic sentiment

• He meets Genny and tells her about Camelot and she doesn't think she's worthy of that

• But here he's affirming that she is, that she's his partner in this and he recognizes her worth

• They talk in the second scene and she mentions that as a princess she doesn't have friends

• And here he's telling her that they are friends, that she isn't alone

• And we see how uncomfortable Arthur is being treated as the king

• And he's trying to tell Genny that he cares for her as a person and not just the queen he traded for in a treaty

• He wants her to see him that way because if she sees him as just Arthur and not the king, then maybe he can tell her how he feels

• But also maybe it you are a man and your confession of love to a woman contains the words "I know this is an unusual thing for a man to say about a woman but" you have turned down the wrong path

• "Yes. Friends. And business partners"

• Her delivery is so ice cold, it's perfect

• The fact that she says this and even Arthur picks up on her tone and knows he fucked up

• Arthur trying to fix things and being interrupted

• His frustration with himself is so heartbreaking

• I am still screaming in my brain just louder now

• Pelli is great but also he is the cause of so many of Arthur and Genny's resentments and miscommunications, the man's a magnet for drama

• He's so funny in this scene trying to complain to Arthur and Arthur already knowing all of Mordred's bullshit

• And yelling dammit so many times in the most perfect way like me with every person who has ever annoyed me

• "Because England doesn't have a law against limericks"

• The fact that even though they're in the middle of this weird emotional mess, Arthur looks to Genny when he's talking about how Pelli's question is complicated

• His thinking buddy

• And business partner

• Also the idea that Arthur is so chill with the fact that he doesn't have the answer, that he's laying groundwork for future progress instead of assuming it will be accomplished by him

• Which is just inherently a concept I think I struggle with, that the world will not change in all the ways it should in my lifetime but the work now still has to be done

• So I like to see it

• Not going to write out another good Sorkin speech about ideas but I love this one too rest assured

• And we've had a nice little break, now we're back to chess and Arthur trying to force out something coherent and me screaming in my brain again

• I still can't get over the way they're still playing chess I'm sorry

• Genny saying "you're in check" with a different delivery every time to convey her emotional state

• The range

• Arthur just trying so hard to come up with anything again, I am personally suffering

• "What I feel-"/"I thought it was right on the money"/"Oh you do?"

• Then I think he says "oh okay" but I don't even know

• They were so close this is the worst

• Still chess

• "Do you regret being born a princess?"/"I'm confident that most people would gladly trade their problems for mine"/"But you're not talking to them right now"

• Firstly the show does an amazing job recontexualizing What Do the Simple Folk Do and everything around it so A+ for that

• But also Arthur is so empathetic in this moment

• "I know you're sad sometimes. That you miss whatever life you were searching for the night you ran from the carriage. The simple joys of maidenhood you called it. You do a good job of hiding it from the court but when you feel sad you-"/"can talk to my business partner?"/"Well I think I might be good at cheering you up"

• The delivery is so sincere

• He sees her pain and he cares so much

• He feels responsible for the life that she missed out on by marrying him

• And he wants to help

• In many ways, he is terrible at expressing his feelings but again in some small respects, he does absolutely knock it out of the park

• Even if Genny can't see it

• "If there was a tournament for cheering you up, I think I'd win"/"Oh as long as there wasn't a bird nearby"/"It wasn't just any bird, it was a white tailed eagle both times"

• The way they move from emotional conversations and annoyed miscommunications back to humor with such ease

• Arthur's bird obsession continues to be one of the best bits of characterization ever

• Genny making fun of Arthur's various words for peasants

• I love What Do the Simple Folk Do so much

• It's just perfectly constructed and the rhymes are pretty genius

• I love every single lyric

• And I love that this song gives Arthur and Genny a chance to be charming and reconnect after the second half of act 1 and the beginning of act 2 were so focused on Genny and Lance

• And then this scene has so much going on that it reminds you why they're the couple of the show

• I didn't need reminding because I'm trash for them but other people might

• All of the little jokes between the lyrics are so funny

• The delivery of "the very last thing you should have is encouragement" is so much funnier than on the cast recording

• Like what is this? So charming

• "My father used to say I sang like an angel who'd been blessed with a particularly pretty singing voice"

• I'm so glad this is at least on the cast recording

• She plays it so straight, it's so good

• This may be my favorite of the songs

• And the dance, they're so cute, the squeeling kills me

• I can't adequately express how much I need to find a bootleg so I can witness this again, the whole scene really but mostly this

• I cannot handle the way they say "Genny"/"Your Majesty"

• Fuuuuck

• The groan in the audience at "a letter from my mother", the pure expression of fuck Mordred

• "He's been waiting a long time."/"Yes"/"My mother was his first, you know"/"I had that sense, yes"/"They say you never fully get over your first love"

• Genny hates Mordred so much and she's right

• He's hitting her exactly where it hurts but Arthur can't even tell

• Also fascinating that Mordred can actually see the dynamic between Genny and Arthur and Lance so much more clearly than the people involved

• "You think you might possibly be spending the night?"

• Like her deliveries were getting more panicked but then this one

• Like she can't even believe what she's hearing and he doesn't even get it

• The long silence after Mordred says Lance has the queen's protection detail

• As people make mmms in the audience

• And then their last little exchange

• Ouch

• Genny telling Arthur what she herself actually needs to be told and Arthur having no clue

• "His queen's in danger"

• Mordred is the absolute worst and it's perfect

• The reprise of the Simple Joys of Maidenhood, so sad and I can't handle it

• I think this is her moment of just fully sitting in the idea that her husband doesn't love her and sees her so completely separate from that that he doesn't even understand why she's so upset to see him dash away overnight to see another woman

• And that he therefore doesn't and won't love her in the way she's singing about

• And thinking that she has the knight pining for her but it isn't enough and sets up her trying to make it enough

• She's grown so much since she first sang the song but she still can't fill the void of wanting this kind of love

• But also knowing that kind of love isn't enough

• I love her

Act 2, Scene 3: The home of Morgan Le Fey/Guenevere's Chamber/ Castle corridor - on that evening

• The into music to Morgan is gorgeous, perhaps my favorite

• It's hard to introduce an important character this late into the show and make them so memorable, even if they've been hanging over the narrative for a while now

• And still have them knock it out of the park but once again, this show is perfectly cast

• The tension of this whole scene is everything

• Morgan's laugh and then "Jesus christ it's the king of England"

• Immediately sets her up perfectly

• And we get something totally different out of Arthur

• I love their dialouge which I am once again trying not to just fully write out, I love their chemistry, I love how quickly their friendliness breaks down

• He does sound genuinely happy to see her at the beginning but as soon as he asks if she's feeling well, they start to cool

• I can't even pick specific lines because everything is such a vibe

• You feel the history and complication and the years apart where everything has changed for both of them and the way that she's the one person who knew him as just Arthur

• "I know exactly who you are"

• Like of course this one was gonna have a line reading that lends itself to multiple things but that's always good and I like it

• Genny ranting to Lance about the number of letters Arthur wrote to Morgan

• She finally gets to be pissed and Phillipa Soo plays it so well

• "Don't review my arithmetic in your head, it's 208"

• Even at her most angry, she still must make sure Lance knows she's right, very relatable

• "I questioned the king, we've all questioned the king"

• This adaptation has built in the knights discontent so well that it's believable that they've just been growing more resentful over time

• "Because one cannot legislate goodness Pellinore, which at the end of the day, is the mission of the round table"/"And what say you Sagramore?"/"Well tell me, when we're all equal will peasants live like knights or will knights live like peasants?"

• Their entire speech is amazing

• The knights growing angrier as they realize they're all on the same page

• The way that it all fits seamlessly into the story we see on the stage but there's also no denying it's about the time we're living in right now

• But again, not in a way where it feels out of nowhere or too heavy handed

• "I throw away the letters, I give away the money"

• I love the way she delivers her lines so dismissively

• I wonder how much of it is her feelings and how much of it is trying to hurt Arthur as much as he's hurt her

• "That part gets left out of the legend" I think is the first moment where Arthur gets under Morgan's skin just a bit

• Like I'm not sure what she wants/wanted from Arthur but maybe it was just that she doesn't like being erased from the story

• "What wife could possibly object?"

• I love her bitterness mounting leading up to this line and actually hearing her call herself Arthur's wife which is I don't think is something she does before

• "I admire the king's commitment to doing the right thing no matter what. That's what a man does, and god knows it should be what a king does."

• I love watching Genny justify her anger because on one level she knows it isn't fair to be angry

• That she really does admire Arthur's goodness and believes he's doing the right thing

• That it's not that he's going to see Morgan, that he wants to bring her to the castle, it's about his actions with Genny

• Or I suppose the lack of consideration of her feelings in maybe the most hurtful way where there was nothing deliberate, it just didn't even occur to him

• She's so hurt

• Everyone in this scene gets to be extremely mad and I love it

• "When he ran out of here, he didn't think it would trouble me at all. He didn't think the letters would mean anything to me. Or staying overnight. Mordred said his mother was his first true love. Business partner. He said it right in front of me as if I wouldn't mind"/"Do you?"/"No, of course not. It's just that it was the first time that it's been demonstrated to me that-"/"Your husband doesn't think of you as his wife"/"Yes"

• Everything is on her face and in her voice

• She's so hurt, so angry, so tired of not being loved

• And when she says of course it doesn't bother her, when she pulls back her feelings in front of Lance

• And her delivery of yes like something clicks in her brain, probably their entire relationship is flashing in her brain and she's building up evidence that it's true

• Lance has articulated exactly what she didn't know she was feeling

• And the music under it underscores each emotion perfectly

• Again Phillipa Soo is just emotionally devastating in this scene

• But also gotta go back to "Your husband doesn't think of you as his wife"

• Like right now I'm just thinking back to Arthur referring to Genny as French to Lance when they first meet and again when he asks her to tell Lance he's being invested

• While Genny in that scene and in the first scene of act 2 keeps referring to her country as England while Lance claims her as French like him

• I wonder if that distinction is one of the things that feeds into her (and Lance?) feeling like Arthur doesn't think of her as his wife

• That she's trying to keep proclaiming her loyalty and he keeps putting a border between them

• At least in her point of view

• While he's as always trying to show her that he sees and respects her as an autonomous individual and not a thing he owns

• Am I reading too far into this? Probably

• (You're not my homeland anymore, so what am I defending now - honestly that it took me this long to make a Taylor Swift reference is a marvel)

• Anyway back to this tremendous scene

• Part of me does wonder if Lance really doesn't know how Arthur feels or if he's in denial because it's easier for him if Arthur doesn't think of Genny as his wife

• Like he does make a point to tell Arthur in the last scene that he and Genny aren't together

• He's gotta realize in this scene how Genny feels about Arthur but curious about the other way around

• Or ya know, maybe he doesn't, maybe he's just as emotionally inept as everyone else in this show

• Don't really have a point, it's just an interesting thought

• How do so many versions cut Fie on Goodness?

• Like not only is it an amazing song but also it's sort of the whole damn point

• If you cut it, the ideals of Camelot are barely even a plot, it's all love triangle

• Also just want to take a moment to appreciate how gross the lyrics to this one are

• This is for sure my favorite sequence

• The intro speech to the song is perfect

• Them just getting worked up about how England is special, it is better, that they're the ones who should be listened to

• "Don't dare question our loyalty to the king"/"A king who encourages debate"

• Again I just love the knights' conflicted feelings about Arthur

• So it's easiest to shift all the blame to Genny and Lance

• This song is so good, this cast is so good

• "That day that I became king, my cousin gave me his tutor, a man named Merlyn. And Merlyn spoke to me of a great cause that I could lead. But I would have to stay unmarried until a young princess in France came of age"/"And you left me unmarriable, a woman with a child"/"I didn't know about the child until he came and introduced himself"/"You raise your voice to me? Have I displeased you your majesty?"/"Stop calling me that"/"I know all about the French princess-"/"The queen"/"and the grand cause-"/"great cause"/"I don't give a damn"

• This is a stupid amount of text that I've typed out but I love their back and forth here

• Arthur trying to justify himself and not wanting to take responsibility and them both getting angry at each other

• Morgan and her relationship with Arthur have been changed pretty drastically to the point that she's not even the same character and I like it and her so much

• I do wonder what the intent was here because I feel like you could read a lot of different things into their dynamic

• And to what that means about Arthur

• I mean I get the sense that she's maybe always been maybe a bit of an outsider, maybe always was a little more world-weary (or maybe not, maybe getting left pregnant while he became king hardened her)

• And maybe their power dynamic has been completely flipped but also maybe Arthur still has a hard time not letting it flip back

• Because like there's no doubt for me that for whatever reason, she was the one holding the cards originally and he doesn't know how to deal with her now

• Like I don't know if she's older or Arthur was always bad at love so she would have just been the more confident person but there's something there

• She obviously has a completely different point of view than anyone else in the show which I love

• And she gets under Arthur's skin so easily

• I guess because she's the one casuality of his great cause, the one wrong he can't right

• Also "stop calling me that" is so petulant teen

• And he was that when he knew her so of course it comes out

• "You seem quick to betray the king"/"I would die before I betrayed King Arthur"/"Yet here you are"/"I can't rise above being a man, a human man. I can't transcend it no matter how hard I try"

• My favorite Lance line

• Ugh it's perfect

• He's so tortured and so good at conveying that in his delivery

• He's getting some character growth

• Genny being both not wrong but also putting it on him so she doesn't have to think about her own behavior

• "My duty is to god, King Arthur, and the round table. I can best serve all three with my absence. It's a small price for one person to pay for a greater good"

• Ooh the self-loathing hits so good

• And Genny panicking because she's about to get left for the second time tonight

• The playing of If Ever I Would Leave You

• Because he is, or he's at least trying to

• To do the right thing

• Genny and Lance speaking French together, always good even thought I can't understand shit

• "No more talking"

• And the bed just being pulled out of the scene

• I just love how the song is interspersed with these scenes, this sequence is truly brilliant and the energy of it in the theater is truly unmatched

• "All the letters that followed-"/"All the letters that followed offered me room and board along with the cash. Imagine how moved I was by the chivalry"

• Ah mocking chivalry, a family pastime

• Again, I just love the way she goes in on Arthur's attempts to do the right thing over and over

• And again I don't know if it's because he wouldn't give her what she actually wanted or pure vengence

• "Guilty and alive once more" is probably my favorite line from the song

• "Let me ask you this question and I'm entitled to the truth. If there hadn't been a cause, a great case, would you have married me? No."/"I was fifteen years old that night and the next day I was king. I was anointed by the archbishop of Canterbury in York and those men think they put me in direct contact with the divine. There was a cause."

• Clearly in her mind he was never going to marry her but we know from Pelli that when he met Arthur when he was already king, he was still very much in love with Morgan

• More than 10 years (plus then a year that's passed in story) before this could be lots of different amounts of time but it could have been up to a few years into Arthur being king which is a long while

• So the answer was probably yes

• But he doesn't say any of that because his feelings don't matter, he's too focused on justifying his cause, that it was important enough to make up for her life

• And ya know Camelot is what's important now, Camelot is what he and Genny have devoted their lives to, he can't fail

• This is the scene where I just conspiracy board Genny and Arthur's relationship

• This is fine, I'm normal about this show, that's why I wrote all of this

• Either way I think it must really bother Athur that Morgan might think he's not a good man

• We saw it with Genny and the courtesans thing too

• Like obviously part of that was being in love with her but also I think it fucks with his self-image as a person who does the right thing which is his entire life

• And Morgan's the biggest crack in that in his mind which is why he gets angry pretty much constantly in this scene

• At least that's my theory

• I love that we get see him cracking a bit under the strain of being good and trying to rise above being a human being just like everyone else in this scene

• He's got a lot more moral fortitude than the rest of the characters so it just manifests as him getting to be angry and express it to another person for once but still

• He makes excuses, he gets mad, he won't accept that Morgan's version of events is also true and he can't force her to be okay with it

• I don't know, there's something nice about narrative not saying that making the choices of the knights or Genny and Lance is inevitable, Arthur does make the right choices but he still isn't perfect here

• "And I won't live in a spare room in a castle and be the used and discarded former mistress of a king... but I will be the mother of one"

• So like how much of Mordred's plans are Mordred and how much is Morgan?

• And you know used and discarded former mistress of a king is killing Arthur

• "And he didn't"/"What?"/"Put you in direct contact with the divine"/"That is made clear to me every day"

• Morgan did a good job of pretending indifference at the beginning but the more she lays into Arthur, the more hostile things get between them, it's so clear that if the opposite of love is indifference then they haven't managed to get over loving each other

• It's just soured and rotted but won't die

• More so for Morgan because she paid the price, she couldn't move on in the way he could

• "And I wouldn't want to see your face when you realize it didn't make a difference. There'll be greed and injustice and hate and horror. You can change the stuff but people stay exactly the same. No one whose opponent was human nature has ever won a fight. Human nature responds to-"/"Inspiration"/"Fear. And that's it"

• It's so cruel but also a great illustration of the ways that they're fundamental opposites

• "I don't forget anything"

• Another extremely loaded line delivery

• (Don't make an All Too Well reference, don't make an All Too Well reference, don't)

• The panic and realization of "he's not stupid" and the music that builds to it and Morgan's laugh ugh perfect

• The intro music to I Loved You Once in Silence is gorgeous

• Lance and Genny in white feeling guilty as hell is a good visual

• So much regret

• Just instantly

• I feel like the moment they've actually acted on their feelings, they know that it's not only a mistake but also that their feelings aren't actually what they thought

• Well maybe Lance doesn't quite have it yet in this scene but he gets there

• Not to repeat what I said about the first scene in act 2 but

• My take is that they intentionally deepened Arthur and Genny's relationship and Lance's character but not Lance and Genny's relationship

• They intentionally left it shallow

• That these are two people who are missing something and the easiest way for them to get that is to frame what they have as love

• I mean for Genny it's sort of obvious, she's married to a man she's in love with but that she thinks doesn't love her

• Lance makes her feel certain about his feelings for her and that's validating

• But Lance, I feel like I have thoughts but I'm not sure

• Lance has never been forced to reckon with temptation before

• And instead of facing that in himself

• He just makes Genny part of the list of things that define him

• A goddess on earth and a god above

• Along with the table

• And he can worship them all to avoid having to figure out who he actually is

• It's not him admitting he has a human weakness, it's a grand tragic love story that he can suffer for

• And suffering, well that's what lets him cope with whatever about himself he feels is so terrible that he needs to punish himself for it

• He's so terrified to look inward, so afraid of something in himself that he just finds his identity in other people and institutions

• And he can't hide behind that anymore because he's betrayed it all, every single thing

• I feel like this makes it sound like I don't like Lance and I very much do

• He's just particularly flawed because he's the only one who doesn't start the show knowing that about himself

• They all make choices out of self-loathing and fear of unworthiness but I do think Lance thinks consciously he's above that for most of the show even if subconsciously he knows he isn't

• He's the only one of the main three to not really finish his character journey within the confines of this narrative

• Arguably he only starts right now and finally realizes he's not the man he thought he was

• Again fic potential somone???

• Well that was a tangent

• Jordan Donica's performance of I Loved You Once in Silence is so heartbreaking

• "Lance I made a mistake. I'm sorry but you're a good man and I should have been nicer to you."

• I love that, I love that she takes her responsibility (even if she's already trying to cover up what happened)

• But also it's just the clearst indication that acting on her feelings killed them

• She doesn't need to push Lance away anymore to stop herself from doing anything

• I love that Lance tries to surrender peacefully

• He's willing to take responsibility not for his noble suffering anymore but because he is a good man and he knows he's done what he's been accused of

• And he only attacks because he has to

• Mordred's evil laugh

• Lance being slightly disheveled and grabbing Mordred's sword to fight off the guards and escape

• I don't have any kind of intellectual take, this is just a personal problem for me

• My jaw was on the floor when Lance started yelling back about coming for her if he survives

• Such a tense ramp up into Guenevere

Act 2, Scene 4: The trial/The Battle

• Guenevere has such amazing lyrics

• The entire "more than love met its doom"/"came the sundown of a dream" verse destroys me

• And I love every word of added dialouge, so correct to put it on the cast recording

• I feel I must explain my love for the staging of this song some more because it is so simple and I understand that some people are not into it but I so much am

• I love the way they close off the back of the stage for I think the only time in the whole show and it becomes claustrophobic all of the sudden

• Now Arthur is stuck in this little box in front of the audience while everything falls apart for him and that's what you have to look at so there's no getting away from how devastating it is

• We just get some full force Andrew Burnap acting and I love it, I think by now it should be clear that I would

• In other versions that I've seen, there's a lot more happening and we see Genny

• And we see Arthur see her tied to the stake and Lancelot show up to rescue her

• Which I do like in theory

• But we don't really see Genny have any actual role or even seeming to have any particular feelings about what she's done or what's about to happen

• Like she's about to die and I've yet to see a version where I have any idea if she's got a single emotion about that

• Despite the name of the song, I think this show decided this scene isn't about Genny, it's about Arthur

• It's about the consequences of his laws

• It's about the beginning of his new war

• Arthur screaming "Pelli I know" like we see him start to crack

• Oh to know who told Arthur and how he took it

• "Well do something"/"She's under arrest. She's been accused of treason"/"Arthur I understand that you're angry but"/"She's been accused of breaking the law. She has to be judged"

• The delivery of that last line, ugh

• He keeps it impersonal, it isn't about what she did to him or his pain, it's about the law

• The law they lovingly crafted together

• "What a magnificent dilemma: let her die and you're a monster, let her live and you're a fraud. Which will it be? Do you kill the queen or the law?"

• Fuck

• The delivery is so good

• Mordred is having the time of his life shrieking about Arthur's pain

• The killing the queen or the law bit seems to be mostly unchanged and it's maybe the best single line from the original book

• Although it went from kill the queen and your life is over to you're a monster

• Mordred has to know Arthur is in love with Genny, right?

• Maybe he just can't imagine Arthur could love a person more than he loves his ideals which I guess would make sense given Morgan and Arthur's relationship

• Arthur drawing his sword on Mordred!!!

• "Ooh careful your majesty, you wouldn't want to be barbaric"

• The fact that Mordred thinks that's going to work, that he can continue to poke at Arthur and he won't respond, he really does believe in Arthur's goodness doesn't he?

• "You are exiled from this court. Return and I will show you what barbaric looks like"

• Arthur screaming at Mordred with his hand around his throat is so intense

• It's so good

• Another gasp out loud in the theater moment

• Arthur is fully unraveling and I'm obsessed

• "I know my way out"

• It's such a teenage delivery and like Mordred is just a kid who feels abandoned by his father

• And as much as this is a tragedy for the three main characters, it's no less a tragedy for Mordred

• Aging down Mordred, also a great choice

• And again, just another stellar performance

• Every single person in this cast just knocked it out of the park in a way I never could have anticipated

• "Arthur please, I'm an old man and I know I'm ridiculous but for the love of god, it's Genny. She made a mistake, she knows that."

• I love that Pelli loves her too

• That he isn't judging her

• "She broke the law Pellinore. A law signed by the king. So say the people"

• He starts trying to be calm but then the fact that it's his law brings up the anger and then he breaks on so say the people

• He's written his own destruction

• And empowered others to take the decision out of his hands

• I love the dialouge in this scene so damn much

• "Neither you nor I nor god himself can stop this terrible thing that's been put in motion"/"What are you waiting for?"/"I'm waiting for what's inevitably coming next"

• The delivery of coming next...

• Like obviously he wants Lance to save Genny but he knows that no matter what

• No matter if she lives or dies, peace is over and the round table has been destroyed

• And he needs to prepare

• Also the way he frames what's happening

• It's not what Genny and Lance or even Mordred caused

• It's just what's been set into motion by all these tiny and giant choices throughout the show that have bubbled over into the death of Camelot

• "That's Lancelot du Lac out there and he's brought a battalion. Double the guard, triple the guard, those guards are going to die tonight"

• How many times can I just copy a bunch of text and write the delivery

• Because yup

• The lack of hope from Arthur is chilling

• Arthur getting dragged back into the war he worked so hard to end

• Just every line delivery in this scene is perfect

• Every lyric of the song

• Every acting choice

• And I love to see it visually

• Preparing for war isn't an exciting spectacle, it's tragic

Act 2, Scene 5: Outside Joyous Gard - on the eve of war

• The way they fade in on the eve of war just broke my heart every time

• I would love to know how much communication there was between Arthur and Lance and how

• Like how much of a role did Arthur play in the whole Genny not getting burned business?

• And the fact that his first question is whether they've been injured

• Even after everything, he's a good man who cares

• And Genny and Lance too, being willing to come back and die

• They're all good people who made mistakes but still good people

• "I assure you, if I thought it would end all this, I would light the fire myself"

• Absolutely brutal but like after he lays out all the death and rebellion that have already happened I guess brutal is fair

• Ya know, if I thought he meant it even a little

• "Lance, come morning some of your countrymen are going to be at the end of my sword. It's not personal, it's just my job. Stay safe Lance."/"I can't do that. And neither can you. Godspeed your majesty."

• I just love the idea of Lance and Arthur as these two people who love each other spearheading this war neither of them believe in

• It's so tragic

• Their goodbye is so understated which for Lance is like truly a great bit of contrast

• They've had enough big declarations, these few sentences just distill everything perfectly

• And then we come to Genny and Arthur, fuck fuck fuck

• The first time I saw this I spent like all of intermission and act 2 with a loop in my brain of but they love each other, right?

• I am unrepentant trash for them in this version as though that wasn't abundantly clear

• And Aaron Sorkin delivered for me so hard in this scene

• "Please let me die, Arthur"

• The pause before his name

• And now we get to the part where I start to get like teary-eyed in the theater

• "Two very powerful men did this to you... not Mordred and Lance, your father and me"

• That long pause before and me

• I love his whole speech, I almost typed it all out

• And they allow so much silence during it

• And the way he's like trying to hold it together but he can't by the end

• "You were treated like a queen but you were my hostage Genny, what the hell did we think was going to happen?"

• That he recognizes and actually admits the ways that his choices have harmed Genny, the unfairness in the entire situation he's put her through

• That he can see even through his own hurt and the enormity of what has been set into motion, his own responsibility for what's happened

• Like he's not right but he's also not wrong

• "And for it's worth, I've been in love with you this whole time"

• Not even looking at her so we have to see it instead ugh

• And then watch that long silence while Genny just like rearranges her entire view of their relationship

• "For what it's worth? Did you just say for what it's worth?"/"Well I thought maybe you'd like to know that. But I wasn't sure."

• Just smashing my heart into tiny little pieces

• After everything they've been to each other, after all they built together, he still doesn't even know if his feelings will matter to her

• While Genny is getting ready to lose her mind after for what it's worth

• They're so absolutely emotionally inept

• "You weren't sure? Why didn't you ever tell me before?"/"It doesn't matter"/"Why?"/"How could I? I'm the king of England. You'd have been forced to pretend you felt the same way"

• Again they are delivering lines in a way that is continuing to smash the little pieces of my heart into complete dust

• Like Arthur is again not wrong but not right

• His life is so lonely because of this crown he didn't want and his desire to actually be responsible with that power

• And even now he tries to get out of explaining that to her

• I love him so much is the problem

• And then her mmm like all the pieces are coming together in her brain that they've both been suffering for nothing and she is pissed

• I love her so much which is also the problem

• Incidentally, both of these things are also their problem so very relatable

• "Out of curiousity, if I had told you, what would you have said?"/"That I loved you from the moment I saw you, from the moment you spoke, from the moment you sang me that stupid song about the weather"/"It's not about the weather it's a metaphor"/"I know it's a metaphor"

• The way Genny overlaps him asking, she can't even wait for him to finish

• The way she says stupid song

• The way that she's like, I did fall in love with you over that song but also I still hate it and think it's dumb

• She says it with such contempt

• Icon

• Even standing before the wreckage of their lives, they still can't stop bickering about the song, I'm obsessed

• "I prayed every night that one day you would see me the way I saw you. And then you told me I was your business partner. Yes I was and I am in love with you"/"Just when you thought things couldn't get any worse"

• She prayed every night???

• For two years???

• That he would return her feelings???

• Fuck

• Like I don't know if I can convey how much them being in love with each other and thinking it's unrequited for two whole years ping pongs around my brain and just lights up all the synapses

• "Do you really think 10,000 people loosened that sword for me?"/"I do"/"So do I. That's a nice thought isn't it?"

• It is a nice thought

• I love the philosophy of this show, I love that there's no convoluted Arthur is actually the son of the last king so he was destined to be special

• These are just two people who though birth or circumstance ended up in this position of power and chose to do good with it

• Genny begging for just a little more time like the only reason I kept anything together was being in a theater but if feel confident that if I ever get my hands on footage of this show, I would have already been sobbing by this point

• "They won't let me let Lance save you twice so you have to go Princess Guenevere"

• Hearing him call her by her name is so deeply distressing

• Literally not once before in the show does it happen and it hurts

• And then they're playing Before I Gaze at You Again what an amazing choice

• Turning a love song she sang about Lance into this romantic moment for her and Arthur because theirs was the love story the whole time like brilliant

• That they chose the show's first love song and brought it back for Genny and Arthur being unable to leave each other without that hug and that kiss

• Like this song that is originally about the pain of unfulfilled love for the wrong person and then flipping it to the pain of fulfilled love with the right one

• I am so not okay

• Also people did very loudly applaud at closing when they kissed and I was so glad because truly in my head I was doing it every time

• "I love you"/"I love you too"/"God save the king"

• I mean these are some good last words to say to each other, I'll give them that

• The thing about the original version of the musical is that the ending was already a perfect concept

• Here it just feels more meaningful because they lay that groundwork about inspiring the next generation throughout

• Tom trying to con Arthur about his age is very funny

• This kid is so good and adorable

• "You're speaking to a king"/"I'm twelve years old"

• Like his comedic delivery, very impressive

• "And when did you decide upon this nonexistent career?"

• We get a solid 60 seconds of cynical Arthur and that's about it

• The entire concept of this kid being inspired by the stories of Camelot is just deeply moving and beautiful

• And just the entirety of Andrew Burnap's performance of that realization hitting Arthur

• I love a story that's about the power of stories

• People also applauded at the last show when Arthur says the stories were all true which I also just deeply love

• Arthur's I know exactly how you feel when Tom says he's not ready to be a knight and putting his arm around him, so cute

• "And you will return to your home alive"

• The way he says alive

• Like I think Arthur knows that he's not making it out of this

• Even if he would manage to survive the battle and Mordred, he knows his time is done

• But the the future is still there

• And there is about to be so much death

• Some of it from his sword or his orders

• And the rest of it of his men

• But at least this kid, he's going to live

• The reprise of Camelot... I just love it so much

• "I've won my battle, here's my victory"

• Not a new line but just such a gorgeous one

• The entire idea of the story of Camelot as a tragedy but a hopeful one just gets me

• It's such a beautiful conclusion that this version sets up so so well

• I love that we end on a speech again, just like act 1

• Also that last bit of music as they walk off, stunning

• I have attempted to track down as many older productions of this show as I can including the movie which was good but I am biased and I do sort of think Sorkin and Bartlett Sher and the actors and everyone else involved had the more interesting take on the themes and characters

• A Broadway musical is best when it has simple but impactful themes and big emotions

• And that's exactly what this version gave us

• The highest compliment I can give this show is that not only have I not stopped thinking about it, not only did I tell everyone I know to see it, not only did I want to see the show again (and again and...), but it also just made me feel inspired to see more theater in a way I haven't in a serious while

• I just love this show so much and I'm so glad there are some people here who can't get over it either

• This is what I have to offer, the longest possible unhinged rant and bad quality closing audio, that is all

#it is bad that i wrote all of this #but it's worse that I had to learn I vomited out more words than tumblr even allows #this is what Camelot has done to me #this and made me see just so much more theater than I have ever #still riding the high of watching this cast live apparently #This Barbie can't shut up about Camelot #maybe three is enough unhinged long rants about this show #I wouldn't put money on it but we can all hope #I think the only thing that can sate my soul is a proshot #or sate my soul like 50% with a bootleg #and 50% by casting everyone in this show in good new stuff #preferably produced by my friend's boss so I can maybe get a free ticket #I'm waiting for the most crucial moment to be that annoying friend who asks for a perk #Camelot Musical #the freedom I feel having this note off my phone though

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