#peak comedy if I do say so myself
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Sometimes I think about a Anarus (my Surana) as Inquisitor AU- she'd probably kill Varric for talking shit about Anders. 😅
(I imagine she'd end up killing Cassandra and Cullen - he's just a given that she'd kill him - too)
#( he is family to her. like Jowan is. )#( the real reason Leliana didn't tell Cassandra where Anarus is is because she knew it would lead to so many murders. )#( Anarus and Solas interacting would be peak comedy. )#( Inquisition learns that someone is trying to hire The Dark Wolf to steal their secrets. Surana reveals she is the dark wolf. )#( ''not a title I would whose for myself. Wolves are skittish timid animals- traits I would never associate with myself. Why appear weak?''#( is what she would have to say on the matter lol. )#( ''wow all of the mages here are really weak. - surana )#( ''what do you mean?'' - Solas )#( ''Well from what I can tell you all only have one specialization. it's kind of pathetic really.'' - Surana )#( ''hm. How may do you have?'' - Solas )#( ''4.'' - Surana )
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And my mom wonders where my siblings and I get our obsessiveness from…
#ra speaks#personal#vent ish#she’s just so. stressed abt things that while an important part of my identity aren’t a major complement of my day to day life like#do you. do YOU spend all day thinking about men and penises and sex??? no???#I feel like I just gotta. sit her down and have a solid ‘here’s how I experience gender and sexuality and ITS NORMAL’#still flabbergasted that my mom ended up being the homophobic one and not my republican boot kissing dad h#he was like ‘…do you not want me to call it [my Subaru] the lesbomobile anymore?’#he’s the one who notices that I dip when my aunts and uncles are on some homophobic triad#he’s the one who asks if I want him to say anything to them#(for the record I think him calling my car that BEFORE I came out/even realized I was gay myself is like. peak comedy right there.)#mom tho? moms so stressed abt me spiritually like ma’am I still want to join a convent some days I don’t think#my sexuality and identity means the same thing to me as yours does to you and like. that’s fine? everyone’s different? chill????
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one of my favourite underappreciatee gags in the guy is charlotte trying on multiple occasions to flirt with ted in the “oh no! my husband! please fuck me so i forget about my husband!” kind of way. Incredibly Blatantly flirting with him. and ted does not get it. not even once. he just gets so so pissed immediately and its so fucking funny.
its a lot more obv in the digi ticket because when she says “this has to be the last time-“ she fucking strokes ted’s chest with her finger as she does, and he still Does Not Get It and its so fucking funny. how often do you think this happens. do you think charlotte’s been like “oh ted we can’t, im a married woman” batting her eyelashes and shit and teds just like “fine ill go fuck myself” and storms off???? fucking peak comedy i love those losers
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OOOOKAYYYY yapping for upcoming TADC episode predictions/things I think would be neat💥💥
SO we know that this next episode is focused on Gangle, something to do with trying to figure out why her comedy mask always breaks and/or preventing it from breaking for once. We also know that this episode will be in the fast food place! (Spudsy’s yayyy)
Now this art came from a collab with Tower Records Cafe in Japan (so it’s official as far as what people are saying?)
Notice how Gangle looks more like a manager while everyone else is in matching employee uniforms. My theory is that Gangle will have to undergo the absolute joys of managing customer service (eye twitches in former Disney cast member) while the gang tries to keep her from breaking her mask. I think it would be neat if instead of some external force, it’s Gangle’s own stress that cracks the mask, eventually breaking it down completely. Then we get all her deep stuff woooo
OK THEN THE NEXT TWO EPISODES-
We’ve got this neat screenshot of a baseball stadium from the season teaser (which could be just a gag but I’d imagine it’s a hint for episode 5). We know that ep 5 will focus on Ragatha, then ep 6 on Jax. People have claimed that Goose said Jax will get what’s comin to him for being a jerk (I haven’t seen this but hey what do I know), and I think it would be neat if we saw that peak in these two episodes. Maybe in ep 5 the gang will compete in a baseball game, with Jax pushing Ragatha to her breaking point & she abstracts. Then the next episode he has to face the guilt of his actions & we can learn what his deal really is🤷����♀️ also I would just LOVE a baseball themed episode as a baseball girlie myself
ANYWHO ramble over, carry on
#tadc#the amazing digital circus#the amazing digital circus episode 4#the amazing digital circus episode 5#tadc episode 4#tadc episode 5#tadc theory#the amazing digital circus theory#Jax#gangle#Ragatha#tadc Jax#tadc gangle#tadc Ragatha#and tbh Ragatha seems the most likely to abstract imo#I think the only thing keeping her going is the thought of helping people#so if Jax gets under her skin about that/makes her think she’s never helped anyone in the circus then she’s done for#amore’s fandom ramblings#also erm WHERE IS KINGER IN THE CAFE ART HM-
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Propaganda
Mae West (She Done Him Wrong, I'm No Angel)— Legendary sex symbol. Like 500 vintage iconic quotes and double entendres. "Is that a gun in your pocket, or are you just happy to see me? " "When I'm good, I'm very good. But when I'm bad, I'm better" / "It's not the men in your life that count, it's the life in your men" / "I feel like a million tonight. But one at a time." , "Marriage is a fine institution, but I'm not ready for an institution. " / " How tall are you without your horse? Six foot, seven inches. Never mind the six feet. Let's talk about the seven inches! " Look the pictures don't do her justice just watch a compilation and tell me that voice doesn't do it for you
Flora Robson (Fire over England, Sarabande for Dead Lovers)— It's a testament to her power that despite an extensive film career, that a single role has cemented itself firmly in my mind as one of the best. That of Elizabeth I in Five over England
This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut]
Mae West:
Her voice! Her body! She was thick as hell and SO confident.
Mae West is often called the queen of the sexual pun or innuendo, she was an early sex symbol and a comedy icon. She also has a quote saying "When I am good, I am very good. But when I am bad I am better!" which is possibly the peak of hot girl energy ever. (Including the clip here)
for an era that didn't have much wiggle room when it came to women that studios wanted in their films, it's refreshing that she was in her late 30s when she skyrocketed to movie fame. she was also curvy and witty and raunchy, an absolute icon!
She is an absolute icon, the OG sex symbol. Every word from her mouth was an innuendo and she was proud of it. I guess one could say she slayed. She got Cary Grant his first acting role, as well. How could you NOT vote for someone who says such iconic stuff as "I do all my writing in bed; everybody knows I do my best work there" or "You only live once, but if you do it right, once is enough." SHE COINED THE PHRASE "IS THAT A GUN IN YOUR POCKET OR ARE YOU JUST HAPPY TO SEE ME?" I LOVE HER!!!
“I created myself and I never put up with sloppy work”-mae west
great short compilation of mae west mae westing:
youtube
She was a SEX GODDESS at a time when that was an extremely scandalous thing to be, and she worked it! She was sardonic, sarcastic, funny...and stacked! Favorite quote (from Night After Night, 1933): Random woman: Goodness! What beautiful diamonds! Mae West: Goodness had nothin' to do with it, dearie.
i personally love this silly production number from one of her lesser known movies
She was arrested for indecency and chose to serve 10 days in prison instead of paying the fine for the publicity, and she claimed that she refused to wear the ugly prison outfits so she wore her silk lingerie the entire time. Also one of the first historybound vintage fashion icons (although vintage for her was the Victorian era)
Flora Robson:
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hai i have a request for a mike fic, so i was thinking of a comfort/hurt type of thing and maybe like a “i didn’t know where else to go” kind of trope where reader shows up to his house in the middle of the night distressed and he comforts her
To All I Think is Safe
Mike Schmidt x Gender Neutral! Reader
Summery: After a family dinner gone awry, something guides you somewhere where your mind can safely wander in better memories than the ones you're making right now.
Tags: No use of Y/N, no specific pronouns for Reader, mentions of arguments, heavy disassociation, heavy nosebleeding, flashbacks, first kiss, date, fear of heights, fair date, author is fucking trying, fluff.
Notes: I think my bosses want me dead. Anyway, here's Wonderwall.
▪︎◇{¤♧■♧¤}◇▪︎
I can handle family. Who can't handle family?
The part of me knocking on the green door illuminated only by the orange streetlight a few yards away, trying to peak through one of the three window slots on the door to see if there's any sign of life inside of the modest house, praying that there is out of selfish desperation. That's who.
I hadn't called. Hadn't given notice. I'd been too caught up in the emotions of myself to do so, worried I'd be turned away if I had. The thought makes me feel ill now, my mind chastising me for such a self interested act.
For a moment I almost turn to leave, sure that no one is awake and that I've simply wasted the gas in the trip over here. But at the loud clunk of the door unlocking, I feel my heart jump and sink simultaneously as Mike peaks his head through the crack in the door, bags under his eyes and hair tossled from sleep.
"Hey," he croaked, blinking away the sleep as his tired face managed a look of surprise.
"Hey," I said softly, trying not to let my voice crack. But it does. "Is this a bad time?"
I don't know what gives my state away. Maybe it's how swollen my face is, puffy and burning from the overexposure to salt water. I can already feel the skin on my eyes balloning in a disastrously unattractive manner. Maybe it's the snot that's still on my face even after trying desperately to wipe it away, my problem being I'd run out of napkins in my car some time ago and hadn't replaced them, so I'd been resorted to just trying my best to sniff back the snot or use the arm of my jacket, which is now soaked and covered by my hand to conceal it, to wipe it away. God, it's fucking sticky and I feel gross. I don't understand why the snot won't just stop fucking flowing.
"Shit, you're bleeding," Mike says. His eyes widen as he steps forward, instantly dragging me into the house, down the hall and into the bathroom.
Oh. That's why my head hurts.
The white light is blinding and overstimulating in the small, disorganized room. One glance in the mirror and I can see the bottom half of my face is grossly smeared in the snot-blood combo running from my nose, my eyes bloodshot and more dry than a British comedy from all of the tears. I stare at myself for a moment, hardly even realizing Mike is yanking my coat off of me, stroking my hair and trying to ask me questions about what happened. I can hear his voice but the words are muffled, and even though my eyes are staring at him now, I don't know when I turned to face him or what I'm really looking at. I'm just staring at anything. My mother used to call it 'staring off into space.' It's actually a disassociation episode. The kind that can make me lose myself in other thoughts, making me distant from reality where I assume the worst of things.
I'm rational enough to know not to lean into him. If I throw myself into his arms I'll smear my shit everywhere and then he'll be grossed out and will have to play nice after I interrupted his sleep to beg for comfort that should come easily enough from my aforementioned mother, but clearly I'm adult enough now that I don't need coddling and I shouldn't have driven here and-
Am I saying this out loud? Because my mouth is moving and I'm trying to say something but I'll be honest, my head is in disarray and Mike looks worried. Me too, buddy. Me too.
My hands try to help his find a wash cloth in his closet, trying to be useful, but they're covered in snot and blood too and it's dried and horrid looking and I just feel like some sticky toddler that's wailing over nothing because that's what I'm doing, and I'm trying not to dissolve into a new wave of tears because my eyes really, really hurt and I'm gonna end up hiccuping and sobbing and I shouldn't even be here right now.
Mike's hands wrap around mine and he's trying to pull me somewhere. But he won't get out of my way, tugging me forward and blocking me like it's some game. Then I realize it's him he's trying to drag me to, and I try to push away, not wanting to get him dirty or let him fulfill some duty of pity just because he feels obligated seeing me in such a state. He's touching my hair and there's snot in that too and this is all just entirely too much, making me burst out sobbing once more as I try to hide my face in my arm, feeling all too vulnerable and alone while in a house that's not mine in any way, shape or form. But his arms feel nice around me, and he's guiding me to the bathtub and helping me lay down inside of it. When he pulls away I'm paranoid for a second that he'll turn the shower head on and wash me like a drunk, especially when he reaches for the shower handles. He presses a clean, white cloth to the spout and let's just a little bit of water out to wet the washcloth before turning the water off and coming closer to me, dabbing and wiping gently at the drying mixture on my face.
There's a long while of silence. Him carefully washing me, his touch gentle and caring as I feel the wet glumps with dried crusts fade away. The pounding in my head begins to dull to an overwhelming ache, making me shut my eyes as I softly groan. When I think he's done I dare peaking at him from under my lashes, trying to read his mind. His brows are furrowed, probably in disgust. Lips pressed together as he sits on the balls of his heels,, watching me carefully. Most likely he'll let me sleep on the couch and then kick me out in the morning. I'll be lucky if I get the "We should see other people" speech. I wouldn't blame him if my calls just couldn't connect when I get home, leaving me to wonder what could've been if I hadn't been so selfish.
I don't even know the time for fucks sake.
"I'm not crazy," I say in this broken voice that only a crazy person would have.
I don't know what's funny, but he's laughing. His hand reaches out to stroke my cheek, and he feels so warm. His callouses have this smooth texture to them. Working hands. It's the first thing I noticed when we held hands the first time. It was at some carnival thing, and Abby was with us. It was sweet under those neon lights. The rides always look so cheap, but there's something enchanting in that. It's what I focus on now as my mind finally begins to relax, allowing me the guilty pleasure of mentally slipping away into an actual memory instead of just static filling my mind and drowning everything else out unpleasantly.
"I know," Mike says softly, his thumb stroking the raw skin under my eye as he watches me with a gentle smile, one probably meant to hide his contempt. "You're okay."
The rides had these giant speakers built into them. And the workers would play songs from them, loud enough it was blaring in your ear on the ride but it was a reasonable volume when you were just walking around on the wet, overgrown and matted grass that curls around the giant cables Mike and I both had to be irritating about reminding Abby not to trip on, both of us looking down to watch for them more than looking at anything else.
"Do you wanna talk about it?" Mike asks gently. He's always so gentle. Well, not always.
"Ope, someone lost their drink," I said to Mike, pointing at a spilled lemonade on the dirt path that had been created by decades of the county fair foot-traffic.
"Five second rule," Mike said, his voice low and teasing in my ear, making me burst out laughing.
"That's fucking disgusting!" I exclaimed, looking at him incredulously. A mother passing by snapped 'hey!' At me, tugging her child harshly behind her as she glared. I blushed, covering my mouth with my hand at the outburst, which made Mike laugh just as hard as I just had.
I suppose I have to talk about it. I can't really just not show up at his doorstep in the middle of the night and not just explain myself. But my teeth feel cemented together, my throat full of glue that halts the words I could use to inform him of why I look like this. And my eyes are too tired to make contact with his. So I just melt into his hand, pressing it between my cheek and my shoulder. And he doesn't press any more.
"I always liked the rides that made me feel like I was flying," Mike said as we watched Abby spin round and round with some girl she often spent her days with. Lisa Something.
"Yeah?" I asked, turning to look at him, taking a drink from the giant lemonade that was not at all real lemonade and was instead some horrid sugar that's taking five years off of our lives mixed with whatever makes the color of the drink the same as construction workers glow-in-the-dark vests that I'm sure will have like, ten different studies on how it gives you some cardiovascular disorder from overexposure in twenty years. There's a waxy ring of chapstick around my straw, so it's easy to tell which one to drink from. Mike had gotten just the one giant drink and two straws, shoving them in with a smooth smile as he handed me the already sweaty, Pepsi branded cup to hold while we walked. I think he didn't know that I noticed the twelve year old boy who'd been five people ahead of us in line do the same thing with his date earlier, but it was a cute gesture nonetheless.
"Yeah. I don't know why, it just felt comforting. Wind fuckin' up my hair and shit," he said, hands shoved in his jean pockets as he watched the two girls, who are sticking their tongues out at us as they whirl by.
"What, like you were flying away from your problems?" I ask, genuinely guessing.
"Nah, I don't really think of it like that. Just felt like I was somewhere else for a bit. Could close my eyes and the only anxiety I felt was whether or not Genie there was gonna fucken drop me," he said, glancing at me and smirking as he points at the giant airbrushed painting of Genie from Aladdin on the side of the ride. That's definitely not licensed.
"Have you eaten?" Mike asks softly, coming a little closer to me as his other hand cups my opposite cheek. At that I shake my head, pressing my lips together.
"It was all just some giant fiasco," I said as I laughed while trying to aim my basketball for the hoop several feet in front of me. Mike's made like five goals in a row and is proudly holding a very cheap rainbow dolphin with lopsided eyes for me while he watches me struggle just to get one.
"What, your prom date?" He teased, leaning closer to my ear as I take a shot. And miss. Again. "Or this?"
I turned to him, glaring and trying to suppress my amused smile.
"The date was fine, my hair was horrid," I said, turning away from the man working the booth who was trying to convince me to try again.
"I always like your hair," Mike says softly, one hand stroking my hair as he presses his forehead against mine. God, why won't he just tear into me already? The anticipation is fucking killing me.
I open my mouth to respond, but I just hiccup instead. At that he gently helps me up, guiding me out of the bathroom and leading me into the kitchen where he promises a leftover bowl of chicken noodle soup has my name written all over it in the fridge.
There's a thousand insecure questions I want to ask right now. Does he hate me? Will he hate me? Is this just a prelude to an awful breakup? But instead I just cling to my thoughts quietly, not wanting an answer to anything. Reality fading in and out of focus.
The kitchen is quiet as he moves about, dishing out the leftovers and putting them in the cheap, stained microwave he'd had to buy when Abby blew up the last one with a pitiful attempt at making her own rice Krispy treats. He leans against the counter as we wait for the rattling machine to finish, neither of us really saying anything as my leg bounces wildly in anxiety.
"Are you okay?" Mike asks softly after a moment, tilting his head. His arms are crossed in front of him, which is normal for Mike but it still makes me on edge.
I try again to speak, but I can't. It feels like I'll just blow up again if I do. So I just shrug instead, not wanting to talk about the lengthy screaming match I'd managed to find myself in earlier that night.
The microwave beeps loudly, causing us both to start, Mike pulling the door open quickly to shut it up and take out the now hot bowl, hissing under his breath at himself for not grabbing a towel as he quickly moves to set it down in front of me. If I'd been in a better state I would've laughed at the admittedly comical sight, but I felt like I'd done enough at his expense for one night.
Once situated, there's long while of silence. No other noise except for my spoon clinking against my bowl as I eat quietly, Mike watching me across the glass table as he takes a few drinks from his clear glass of water, head on his large hand. A clock ticks in the other room, the hour later than I'd wanted to be when I showed up unannounced.
"I'm sorry," I finally say in a soft voice, my spoon scraping soundlessly against the maroon bowl. "I just didn't know where else to go."
He smiles softly at that, his hand reaching across the table for mine. The touch meant to be comforting instead sends me back into my thoughts, my body stiffening as my mind tries to distract me from my anxiety and doubt.
Our hands had been brushing against each other for hours as we'd walked. Both of us were too nervous to take the others, which is a bit silly since we were grown adults. But really we hadn't had any serious discussions yet. We were still in the dinners and texting phase, dancing around any serious 'what is this' talks until we felt like we would both have similar answers ready for any questions. The night had settled in solidly now, the fairgrounds only alive by the bright lights of the rides.
The grazing, however, had come to an end when the ferris wheel started clicking towards what felt like my untimely demise.
I fucking hate ferris wheels, fun fact.
I don't think Mike particularly likes them either, based off of how stiff his body was next to mine, his eyes trained dead ahead, his jaw clenched. I think he might break a tooth. Or maybe I'm projecting.
Abby and Lisa had been insistent on riding it, and had been even more insistent that Mike and I needed to ride something with them before the night was over. And even though we both looked at the thing with a pit in our stomach, neither of us felt ridiculous about being grown adults on that ride as opposed to all the others flooded with teens and kids dodging in and out, stomping in puddles of who knows what on their way to the next ride. So we gritted our teeth, handed over our tickets and got into the cart right behind Abby and Lisa, who wouldn't stop looking back at us with amused eyes, whispering into each other's each as they covered their mouths.
"My dad worked as a carnie," I blurted out as we hung mid air, halfway up the ride while they still loaded people in. "These things are fucken sturdy."
Mike didn't look at me. Or at least he didn't turn his head. I didn't either. His silence makes my anxiety a bit worse, wondering if my random fact had somehow irritated him, or if there was something I was supposed to do that I wasn't picking up on.
"... I'm gonna die to Creed," he finally said between his gritted teeth.
My brows furrow for a moment before I realize what song is playing, and then I'm laughing. Maybe a little too much, but that's the anxiety. Abby and Lisa are darting their heads around to look down at us, trying to see what's set me off, and Creed's taking One Last Breath on the blaring radio somewhere around us as they have been for the past however many months with the top song.
"I'm never gonna escape this, they play this way too much at work," I laughed. And he started laughing too, both of us white knuckled as we gripped the bar in front of us. Then we move up again, and the cart is slightly rocking, making me feel ill.
"That's okay," Mike says softly, his thumb trailing across my knuckles as I stare down at our hands. "I was missing you, anyways."
I look up at him, trying to read his expression, my head still trying to balance my focuses. There's concern in his eyes, obvious as he realizes how awful this particular episode is.
Abby is yelling something at us, but my head is buzzing with too much anxiety to hear her.
"Go away!" Mike yells back at her, waving his hand in irritation, then stopping as he realizes he's rocking the cart. He looked back at me anxiously, trying to smile. It just looked like he'd been shot instead. "Sisters," he said shyly.
"What's she saying?" I asked him, leaning closer to hear him better over the heavy guitar.
"Nothing," he insisted. "She's just being twelve."
I go to look up, only to feel his hand on top of mine, warm and strong as he grips it a little too hard for the first time, but I think that's out of anxiety too. No matter what, the first move makes me more dizzy.
"Your dad worked fairs?" He asked anxiously, obviously trying to change the subject.
"I should've called first," I say softly, leaning onto the table and pushing the empty bowl away from me as I lay on top of my arm.
"It's okay," he reminds me in a soft voice, rising from his chair while still holding my hand. "You're home now."
"Well, I'm at your home now," I hiccup into my arm. His arms wrap around me, guiding me up and into his warm embrace that I'd been longing for for what felt like hours.
"I thought you said you liked flying!" I laughed, terrified.
"Flying! This is sitting still while dangling above death!" Mike clarified. The carts began clicking again, and we now had an easier view of the two girls in front of us, making him gasp and yell out Abby's full name in scolding.
I see why he didn't want me to look up. Abby and Lisa are miming a make-out session while they giggle obnoxiously.
"Oh my God, I'm gonna fucking ground her," he groaned, covering his forehead with his other hand. His face is completely red, his body so stiff it feels like I could break off his arm with barely any pressure, and my own heart is slamming so hard against my chest I think it's visible.
One more click and we'll be at the top. Great.
He's looking down at me, I think he's trying to get me to refocus but I just can't. I've done my duties for the night, and now I'm stuck in this emotional pit of hatred and numbness as my mind tries to remind me of a better time that just makes me feel worse because Mike is speaking again and I just can't hear him.
"She's being a wingman. Really, she's just spotting a good opportunity," I rambled in Abby's defense. Mike glanced at me, then at the tweens in front of us.
"Yeah?" He asked, his voice nerve wracked.
"Oh yeah. Every little sister does it. I mean, it's partially based in torture, but overall she's trying to help," I said quickly, my breath shortening.
"Are you okay?" He asked, looking just as pale as me.
"I fucking hate heights, please distract me," I pleaded quickly, only to immediately feel his teeth click loudly against mine as he kissed me, his lips sweet with sugar and hands nearly breaking mine from his tight grip, Abby and Lisa whooping obnoxiously in front of us as we freeze in the moment. It's clumsy, certainly. And it's obvious on both ends how long it's been since either of us have done this. But it's an effective method, my mind beginning to refocus on the taste of the borderline awful lemonade fresh on his breath, his shaking hand moving from the bar to cup my cheek cold from the wind. My eyes widen in surprise, the music swelling around us and the lights somehow brighter as we rock above the rest of the fair in the squeaking booth.
When he pulls away, there's a soft smile on his face, his tongue quickly darting out to taste his own lips.
"... I like your chapstick," he said shyly, neither of us focused on the fact that we're now moving steadily in the ride, fully tuned in to the other.
"Thanks," I said softly, cheeks burning against his touch. "Strawberry."
There's a long second of nothing, and I'm vaguely aware of Abby and Lisa screaming "Can You Feel the Love Tonight?" And someone is trying to shush them. I know it's not Mike because he's staring at me like an idiot. Completely satisfied and dramatically more calm as he leans in for another kiss, this time pulling me fully into his embrace.
"You're home," Mike repeats against my lips, then moving to trail along my cheeks, his hands carefully cupping my face once more as his touch grounds me back in reality. "I'll be here when your mind gets back."
As my own hands graze along his soft, cotton shirt, I feel my pulse begin to relax. Doubt beginning to creep away as his lips trail along my jaw, slowly working to my neck. It's not a demanding touch. It's just comfort. And he'll keep doing this until I return to him like I always do, and then he'll keep doing it until we both fall asleep in a tight embrace under a dozen blankets, half of which will be gone by morning as we wake in a pool of sweat across the bed from each other, only to seek the other out again in wakefulness. And there will be answers for his questions, and I'll be fine.
I'm home now.
¤▪︎{♧}▪︎¤
I FINALLY FUCKING PUBLISHED SOMETHING. HOLY FUCK I'M OVERWORKED. (Fun fact, this was fucking hard because I was actively disassociating while writing the whole thing. Reader just like me frfr)
Taglist:
@cassiecasluciluce @gh0u1ishly @joshhutchersons-slut @schmidtsbimbo @sugarevans @wompwompwomp57 @jhutchissupercool. Thank you for your support pookies!!! <3
•▪︎Masterlist▪︎•
#josh hutcherson fanfic#josh hutcherson#jhutch#mike schmidt#mike schmidt smut#mike schmidt x reader#mike schmidt fnaf#jhutch1992#fnaf mike schmidt#fnaf mike#mike schmidt fluff#mike schmidt imagine#mike schmidt x reader smut#mike schmidt x you
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My opinion on New Helluva boss short "Mission:Weeaboo-boo"
Attention: There will be a lot of spoilers and my subjective opinion, so you can agree or disagree with me.
TW: S*xual harassment
So my first thing I didn't understood is...Why Emeberlynn still lives with her parents even she is canonically 20?
Okay, let's think that's she is a lazy one and still didn't went through a separation process.
But there's another thing:
HOW AN ANGELIC-MADE ACCESSORY( mean of protection?) CAME ON EARTH?
More though, Ember said that is official merch so it's supposed to be more of these, so how??
And then my most hated part started...
EMEBERLYNN THOUGHT THAT BLITZØ CAME HERE TO FUCK HER.
Seriously.
AND BLITZ IS VISIBILITY UNCOMFORTABLE WITH THIS.
And Emberlynn's behaviour shown and supposed to be "funny",Oh yeah! S*xual h*rassment and cognitive distortion of said/done things is DEFINITELY THINGS THAT YOU CAN JOKE ABOUT!
It reminds me of something...
Damn it,I hate this bird prick so much.
Also, Emberlynn calls Blitz "Blitzy-kun" just like Stolas calls Blitz "Blitzy"
But more is...That Ember hits Blitz for doing LITERALLY NOTHING!
It's very weird, especially for 20 year old person to do so. By the way, At first watch I skipped scene with files, I looked at her behaviour and thought that she is 16 or 17. Kinda reminds me of Vivzipop, who can't take criticism and acts like child even when she is grown ass adult.
Maybe it's another little thing but Blitzø talks here about someone didn't liked Lynn's 1ncest art and didn't liked it so that's why they hired Blitz, but isn't that IMP corp help already KILLED or DEAD person to kill their hatred ones?
I KNOW, Pilot is not canon anymore but still, how someone, who is probably still alive, get an IMP's phone number? And I don't think that's hell's media can be used in humans's world like "Sinstagram" or "Envee".
Conclusion: This episode(like any of HB other episodes) was pretty mid for me. I even cringed a bit an Ember's child-like behaviour. I think that writers and mostly Vivzipop tried to make an episode that mocks Vivzie's haters (In sneak peak Emeberlynn have the same setup and similar looking hair) but made it very poorly.
And the most problem is in the short it self! Most of missions and assassinations mostly moved to shorts and main show is slowly becoming a cheesy,bad written, rom com with not funny jokes, mostly about themes that supposed to be spoken about respectively but taken as another joke(Moxxie getting SA by succubi in episode "Spring break" and whole Stolitz drama)
But,what I Liked in new shorts ?
Maybe Emberlynn's sinner design, but she still says that she's found his billboard and screams, swears that she will be on his side. That's kinda stalkerish, don't you think?
I'll repeat that: It's only my opinion, you can disagree with it!!
EDIT: I read some comments, and you're right, maybe Emberlynn still living with parents because rent is expensive. My mistake, I apologise. I think it's me being with imposes thoughts that personally I must live on my own when I'll become an adult
And also comment about cringe comedy: I understand that it's a thin,but not for everyone, honestly I didn't liked it.
Sorry for making myself looking stupid
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Tell me about Rook if you don't mind
I honestly haven't paid much attention to anyone from pomefiore so I have a very basic idea on who Rook is and I would like to read someone's thoughts about him
HI HI THANK YOU I LOVE YOU /P
(also shout out to @natsukishinomiyaswife who asked me to talk about him in the comments of that post 💞)
OKAY SO. THE THING IS. it kinda annoys me when people are like "oh hes weird" "oh hes creepy" and i tend to get a bit defensive about it because YES!! YES HE IS!! AND THAT'S WHY I LIKE HIM!!
hes weird!!! hes weird and hes offputting!!! and he talks too much and hes overly theatrical with his emotions (while still hiding So much) and people think hes annoying!!!! and like- ME TOO!!!
i feel like i see myself a lot in him because im also too loud and too theatrical and too poetic in how i talk and dont always know how to interact with people in a "normal" way and people think im weird and annoying. except Rook is just so?? unashamed about it?? he just does what he wants and doesnt seem to care if people find him weird or creepy — he clearly respects Vil so much and would do So much for him, yet when Vil tells him that he's being weird or annoying Rook just. carries out with his thing. and i kind of love that. its so so very sweet to see somebody who just fully accepts his weirdness and embraces it and doesnt let anybody bully him out of it
kind of on the same topic — he always felt very obviously neurodivergent coded to me?? like he comes off as so obviously autistic that its basically canon to me. like, yes, hes often obvious to social cues but also. theres a moment in his Halloween vignette where he says that as a kid he didn't know how to express his emotions and he had learned it from watching theatre. or in one of his birthday vignettes when he says that once he focuses on something, it seems to consume him completely (not a direct quote but you get the idea shfjshf). and thats another thing that makes me like him more because — again, relatable
and while i do thing that the in-universe explanation for a lot of his more creepy behavior is a mix of him being very passionate about his interest and being obvious to/ignoring social cues (NOT saying that being autistic makes you act like a creep or anything YOU GET WHAT I MEAN). HOWEVER— i dont like him despite his stalker tendencies, i like him BECAUSE of them.
okay. listen. would a lot of the things he does be suuuper creepy irl? yes, obviously. but theres a lot characters that i like even tho i would probably hate them irl (cough, Vil, cough, Riddle, cough). and i do have a thing for characters who tend to get obsessive over other people — its good story potential!! its entertaining!!! i love watching him be a little weirdo and talk about hunting people its simply fun
AND THATS THE THING!! hes just entertaining!!! he has so many moments that are simply funny alright. i love when he's being dramatic when other characters are done with him when hes being so Out There. like,,, everything he did in book 6? peak comedy. that one vignette where he tells Malleus that he has hunted lizards but never caught a dragon? insane thing to do, so fucking funny. also him wanting to drink Vil's poison even tho there was No reason to do so whatsoever? unhinged. i love him so much
another thing (kinda related tho) is that while reducing him to his relationship with Vil would be doing him a HUGE disservice, it IS one of the things that drew me to him. it's just so interesting and tells a lot about who Rook is as a character and i feel like people missinterpret it a lot which is very sad. i love that Rook decided to change dorms simply so he can follow a guy around because he thinks said guy is pretty — again, insane thing to do, so fucking entertaining. i love how he talks So much about Vil and his admiration for Vil. but hes not blind in his devotion!!! hes by Vil's side because he choose to be and he could as well walk away if he choose to, Vil doesn't hold him on a leash. he can be harsh on Vil, criticise him and its BECAUSE he cares so much for Vil. he wants Vil to become even more brilliant, after all!! and Vil knows that!!! Vil knows that Rook is by his side On Conditions, even if he's not always sure what those conditions may be and id say he likes that. i mean, come on that man loves a challenge. and that's what makes their relationship so compelling to me! Rook is not a guard dog, the two of them are equals, theres a back-and-forth between them and yet Rook is always there when Vil needs him. okay i may have gotten off track a bit but i have A Lot of feelings about their relationship and i needed to get it off my chest lmao
ANYWAYS! i love his obsession with beauty and specifically, i love how it manifests. hes not focused on the "conventional" meaning of beauty, but instead hes able to find it anywhere. again — even if some of the things he fawns over others may find weird, it's actually so sweet that he's able to find beauty in things that other people may not even consider.
AND SPEAKING OF THAT — HES ACTUALLY SO SWEET!! like yes alright he can often be too blunt and say things without considering how they may impact other people's feelings, but i dont think hes unkind. there's actually so many moments where he's being sweet. like,, (in the main story at least, cant remember anything about any of the events dhfjsjf) he was basically always nice to Yuu. one of my favorite Rook moments is when he's comforting Deuce in book 5 (comparing him to a chicken in an egg no less which like. amazing). or the way hes always so supportive of Epel? i LOVE the whole part of book 6 when Epel discovered his UM. Rook was so proud of him!! i love that scene where Rook helped Epel with using it, it was so sweet
a smaller thing but his interests are so dear to me. like, yes hes a hunter and an archer but he also likes history!! and historical fashion!! and classical music!! and poetry!! and theatre!! idk there's something very sweet to me here (especially that i do happen to share a lot of his interests shfjshf). ALSO THE FACT THAT HE'S INTERESTED IN ARCHEOLOGY THATS SO SPECIAL TO ME. tho i DO also love that hes an archer, im always weak to archer characters
also hes one of the most queercoded characters in the game imo and as a gay bitch i have to appreciate that
okay i think im done thank you so much for the question writing all that made me feel very normal and sane 🫶
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#K-popaddock- Toto Wolff x reader
You know I love nothing more than K-pop! So what better than dance challenges with some of the drivers and even the boss man himself for some good fun in between races.
As a driver, you knew it had been stressful having to push the pedal to the metal every weekend but you loved it and wouldn't have it any other way. Everyone knew how much of a K-pop fan you were by the edits and dance covers you uploaded and they loved when you got the chance to show off your skills.
The Mercedes admin gave you the honour of creating some content for the Team Socials and the fans knew that in your spare time, you loved to dance especially to K-pop songs. So you started the #kpopaddock in which each race weekend you tried to do at least some challenges personal and fan-voted. So for the newest edition, it was time to see the other drivers on Grid show their moves and the poison was EXO Kai's Rover since it was the easiest and you knew most of the guys could pick it up well.
And so it began, it was enjoyable seeing the guys try their hand at the choreography. Charles and Carlos put their own flavour and comedy into the dance as you knew the C² would. Max and Daniel did the dance well and Lewis put his own style and improvised a dance to the song.
Now this was the moment that the fans would go ballistic over. It's a proven fact that Toto is a staple to the F1 internet and what better way to get the fangirls screaming than their fave principal dancing. The admin had him agree to do some content but he doesn't know what kind so it was time to break the news and document it.
"Hey boss man, I hope you're ready for your special challenge", you say smiling hiding your evil intentions on what your boss has to do.
'"I hope nothing too difficult and embarrassing.", the Austrian principal speaks with a hint of amusement.
"As we all know, you can party hard and dance so I want to challenge you to bust a move utilizing some k-pop choreo and the whole garage is going to be your personal cheerleader", the garage erupts into cheers and whistles with some taking out their phones ready to capture the moment.
Toto's face resembles a cherry with blood rushing to his cheeks but knowing Toto he's not one to refuse but I did have a stipulation if he did forfeit.
"Just so you know sir, if you fail to accept you must wear wolf ears for the remainder of today's proceedings. So choose wisely!", you say in giddy excitement.
You could hear him mutter in German at the mess he's about to enter.
"Don't worry boss, your dance will be cool and simple to complete and that song is 2PMs My house. Get your popcorn yall cuz this is finna be a show you'll never forget", you profess like an announcer at a circus saving the best act for last.
You begin to teach Toto the moves and he's a surprisingly quick study, its always nice to see the man you look up to have a little breather since race days always have him stressed and the cherry on the cake is that it gives the team a morale boost.
"You think you're ready Mr. Wolff?", you inquire to your commander.
"Yes, I hope I don't embarrass myself too much. I'm marvelled at you. Not only you're a great driver yet here you displaying another facet of your talent. Im quite proud of you.", he confesses after which he gives you a huge wolff hug.
NOW ITS SHOWTIME!!! With all cameras at the ready and baited breath, this was his debut and you placed the cat headband on him for good measure and then the music started.
youtube
It was such a huge moment that even some of the other garages came to sneak a peak at the powerful Wolff getting his dance on and in the end, he did pretty great and the crowd loved it. Some cameramen even documented it live. It was truly an ICONIC Toto moment! You didn't think Toto was able to move his hips like that but he proved you wrong.
You even sent the video to Mrs Susie so she could see her beloved husband in action and she LIVED FOR IT AS WELL as well as little Jack laughing at seeing his dad dance😊😂👌
"AHHHHHHHHH, yep!!!!! This is millions-worthy right here. THE FANS ARE GOING TO EAT THIS UP!!!!!", you say as you observe the footage.
"You did really good Toto, im proud of you. The ears stay on", you said running to prep for the day's races before he can rebuttal.
Bonus Clip
At the end of the day, you placed P4 and to celebrate you had one more challenge to do and it was a compilation of Lee Chaeyeon's Knock. You've been practising for all four levels of the dance and now it's time to bare the fruits of the labour. Dressed in your outfit, you proceeded to leave it all on the track for everyone to see!
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Hey! So we talked about Kuroko and Haizaki, and now I’m curious in your vision of other Kuroko interactions.
Not shipwise, since I know you only do kagakuro, but in terms of dynamics, what are your fav characters to write Kuroko with?
Lets say, top 3 GoM and top 3 non-Gom?
Oh my friend how you're letting me go nuts again.
May I suggest you get a cup of your favourite drink and maybe some snacks?
Also how do you expect me to choose...? Hmm okay, to make things slightly easier for myself I'll exclude Kagami of course since I've been talking about them a lot already and I also believe I've talked about Momoi at length at least twice in relation to Kuroko so I'll define GOM in the strictest sense for this, but I also won't count either of them as non-GOM haha. I hope that makes sense.
Okay, not surprisingly, I'm going to start with Aomine. I love writing him with Kuroko particularly because when he's at his worst they are absolute poison to each other and they don't really even know it for lot of the time or at least understand why, and that makes for peak relationships drama. (It's complex and I love it.) They have a particular way of feeding each other's weaknesses. When Aomine is stressed out, average Kuroko's communication style and philosophy actually makes him worse in the long run. Also Aomine at his worst makes Kuroko worse. This is because Kuroko's weaknesses at his most stressed resemble some of average Aomine's weaknesses (anxious, lonely and pessimistic) while average Kuroko's optimism and understanding actually give Aomine more room to spiral down because what he's subconsciously looking for is pushback and someone he can trust to practically force him to get it together and average Kuroko is always going to be too accepting for that. However. Here's the cool part. Aomine at his best has some of the strengths of average Kuroko (loyal, secure, taking care of others) which is why when he's getting better he's drawn to Kuroko's typical idealism and particularly when Kuroko is getting worse, Aomine actually steps up, and can empathise with Kuroko at his weakest because while it's a rock bottom for Kuroko it's all actually pretty mundane to Aomine and he can stay quite level-headed about it. Meanwhile Kuroko at his best can direct the same qualities productively as Aomine at his worst does destructively (confidence, independence, stubbornness), and that's why at his best Kuroko appears like he has got the answers Aomine has been looking for after all, because Aomine is actually looking for trust but he needs hard proof for it unlike Kuroko who at his average is just able to trust that things will turn out alright for no particular reason. This is in a nutshell why I love writing the larger scale of their dynamic. It just makes for such interesting plot twists.
Also it's so God damn funny sometimes. Like, I was writing a scene where Kuroko is pretty significantly sick and Aomine is pretty significantly enlightened and although it was a rather serious scene in my story, I just happened to come across a song from some musical that illustrates the inherent comedy of their practically reversed dynamic a 100%.
For contrast here's bit from Kuroko's POV when he had to take care of drunk Aomine:
I just find them hilarious to write and they bring me so much joy.
Then, I suppose the next one will have to be Kise. I just love how they poke at each other's insecurities and how incompatible their communication styles are. You're probably seeing a theme here? I just love it when characters' personalities collide in a way that causes a lot of friction and ultimately provides opportunities for growth, so long as both are eventually willing to go out of their comfort zone. Of course it's only so satisfying because there's so much they can help each other learn, which is true here as well. Kise and Kuroko can both be particularly annoying to each other, because Kise has this habit of putting the burden of interpretation of how serious he is on the other person and that really doesn't work with Kuroko so he's often particularly dismissive of Kise. And while Kise seems like he's bothered by it I think he actually finds it reassuring because it means that with Kuroko he can be as goofy, flirty, needy and attention-seeking as he pleases with zero consequences because Kuroko just deflects it. Obviously Kise actually doesn't want the kind of attention from his friends that he gets from elsewhere, so at his core he doesn't actually feel rejected by Kuroko, he feels quite secure. Meanwhile, I think Kuroko secretly likes the attention he's getting from Kise, because everyone needs some attention. Kise is getting too much so he finds Kuroko relaxing and Kuroko is getting too little so he finds Kise refreshing. And annoying. Because Kuroko actually craves direct and genuine interaction the most, and that's why Kise's way of avoiding it can get really tiresome for him, meanwhile Kise becomes instantly self-conscious and evasive when Kuroko attempts to get some unambiguously genuine expression of feelings out of him (unless they're on the basketball court of course where it's suddenly okay to let things go to your feels). So, as I want to develop their communication I end up writing stuff where Kuroko is quite fed up with their shallow interactions and attempts to get more under Kise's skin, which of course is way too much emotional work for Kise. But it slowly gets better, of course.
A lot of their interactions for me are also based on how Kuroko needs more of Kise's easy breezy "do things for the heck of it and don't think about the deeper meaning" attitude while Kise obviously needs the exact opposite and Kuroko is a great person to make him think about what things he's just doing because it's easy and provides instant gratification, and which things he would actually find meaningful in the long run. Kise has opportunities to make Kuroko less serious and Kuroko has opportunities to make Kise more so. I think Kuroko very much dislikes any shallow or vain feelings that he has and rejects them, but Kise can help him be more comfortable with that part of humanity, while Kise is scared of his deeper feelings, and Kuroko can help him with that instead. So both can find that the feelings they dislike in themselves or make them anxious still have their place and it's better to get acquainted with them.
It takes quite some time for them to get to a point they can understand this because it's obviously not fun trying to consciously work on your insecurities, but when they get there it's really satisfying.
Now I kind of feel like showing this development. So, here are three scene's from Kuroko's POV. Although two of them are with Kagami, but they are talking about Kise.
First one is a conversation on the phone.
About ten chapters later with Kise:
And then about 20 chapters later:
I just wanted to show you because writing this kind of development makes me so excited. (The sport they're talking about is quidditch/quadball.)
The third place is a really tough one because I enjoy writing Kuroko's interactions with every GOM and I think the reason I'm going to have to pick Midorima is actually not because I inherently prefer him, it's because his interactions with Kuroko naturally happen more because he lives closer than Akashi and Murasakibara. But this is how it is because the more I write interactions with characters the more I begin to like them. Kuroko and Midorima are a blast because of their completely opposing conceptualisations of the world. The funny thing is that they might not actually be as opposing as they seem, it's just that they are looking at the same thing from different angles and describing it in language that leads them to believe they disagree more than they do. Yes they also have completely different strategies to getting where they want but maybe it's not as stark as they sometimes seem to believe. This is where the most friction in their relationship comes from and I have done my absolute best to be fair about it, because I am so much more likely to see things in Kuroko's way and I despise horoscopes. So I think another reason I like to write these two so much is that it challenges my objectivity in a particular way.
Anyway, basically Midorima describes fate as something that is above humans while Kuroko basically says you can make your own fate, if you really simplify it.
But. I have these song lyrics in my mind...
"You can plan a pretty picnic, you can pick the perfect time, but you can't expect the weather to be fine".
That thought is still true for both of them. They would both agree to that from their different perspectives. So their views are not actually complete opposites. Just their reactions and how they deal with it, are.
As funny as it sounds, Midorima is actually uncomfortable with the 'supernatural' or abstract unseen realm of things, and that's why he's looking at sources outside of himself to control his thoughts about that which is uncertain. Meanwhile Kuroko can just casually be like "hey what if a meteorite hit the bench" and "cool let's go look for ghosts I've never actually seen one" because he doesn't fear the uncertainty. He is the uncertainty. For Midorima that is his pressure point. Kuroko gets strength from the thought that anything can happen because he feels familiar with and in control of the uncertain, so he believes he can work it to his advantage. For Midorima the idea that anything can happen is daunting because it feels like it pulls the rug from under him and his hard work. He just genuinely doesn't understand that realm of things, much like Kuroko just genuinely doesn't understand cold hard facts and numbers. And that's why they have trouble understanding each other, because they are always approaching things so differently even when they desire the same conclusion.
Anyway. I wanted to do something with Midorima that I felt canon didn't really do. I wanted his way of thinking to get Kuroko off guard and even question his view of reality a little. I wanted Midorima to be able to foresee something about Kuroko because of his strange relationship with fate and I wanted Kuroko to dismiss it because he thinks his way of thinking is above Midorima's. And ultimately Kuroko would be wrong. I thought this would bring more depth to their relationship.
I'm going to show you one key scene in that plot to illustrate some of the tensions in their interactions. This is Kuroko's POV and they are at Suutoku's cultural festival where Midorima is doing fortune-telling from tea leafs.
Alright, that's it for the GOM. I wonder if there's a limit with post length...
Then the others.
Well, there's Ogiwara. And he was not so discussed in depth in canon that I have definitely developed some of his personality on my own. He was obviously contrasted with Kagami and Aomine a lot and explicitly said to have some similarities but the way I see him, he is also similar to Momoi and Kiyoshi in a particular and pretty defining aspect, and that is that he can control the emotional atmosphere of the room. So, while Aomine and Kagami have a lot of physical presence, Ogiwara and these other two characters have a lot of social presence. But the way I see it Ogiwara is also the least manipulative of these examples, pretty chill in the way that he has less of an objective, like it's rarer for him to try to manipulate things to a particular end although he generally could if he wanted to. And I think that's because he mostly just wants everyone to be happy and to have a good time, which aligns well with Kuroko's instincts, so it's no wonder if their friendship was a pretty uncomplicated one before shit hit the fan.
There's actually very little conflict between them in canon that has anything to do with them as individuals. However that's also what makes the relationship kind of stagnant and less interesting because when there's no outside force, then there's nothing about them as people that makes them push each other enough to create the level of conflict and opportunity for growth as there is with some other characters. In some ways that's refreshing, but only as a breath of fresh air. Basically in a story it just makes for nice filler. There isn't enough meat to write for an extended period of time.
That's why, if I wanted to keep Ogiwara in the story in any meaningful way, I had to make something up, and I do enjoy what I came up with. A lot. One key aspect is miscommunication that is due to the fact that although Ogiwara is socially very smooth he doesn't quite understand that Kuroko is actually significantly less so, probably because Kuroko still has emotional intelligence and the ability to match a more a dominant personality (I mean this in a broad sense, not like dominating or something) in a way that makes interaction feel smooth, because the other person is the leading force whether they mean to be or not because Kuroko can pretty much just make it so. (Like in Kagami's case it's more like Kuroko is redirecting a lot of Kagami's emotions so he's not actually dominating it's more like he's Kuroko's 'material' unlike Ogiwara who actually means to lead the interaction.) So, Ogiwara has a habit of implying things, hinting at things, speaking with gestures and believing that Kuroko understands what he's saying, but actually the implications go completely over Kuroko's head. For example, their whole promise: Kuroko didn't understand that more than anything, for Ogiwara it was about staying in touch. Of course facing each other in a game was important and exciting in and of itself, but Kuroko took that way more literally than Ogiwara meant it, and became so single-minded about this one thing he thought his friend wanted from him, that he actually kind of forgot about talking, which led Ogiwara to misinterpreted it as Kuroko not missing their everyday interaction as much as he does. Because Ogiwara thought the implication of their promise was totally clear, while to Kuroko it wasn't. It takes kind of a lot to start seeing why things that are totally clear to one aren't so for another, so they repeat this miscommunication several times and it stretches out into the future so much that it turns out Kuroko's view of their childhood is in some significant ways different from Ogiwara's view of the same events.
Writing more of them together I also found that Ogiwara sees Kuroko in a quite different way from most people and can sometimes say stuff that other people probably wouldn't say:
I'm not saying he's right or wrong, and out of context it may seem like he's undermining the fact that Kuroko didn't have much options, but it's more complicated than that, just too much to explain here. I just put this here because it's interesting contrast to write someone with a little bit different perspective to some things, because his key points with Kuroko have been so different from that of the other characters in the canon timeline which Ogiwara was mostly absent for.
A character whose interactions with Kuroko I actually write way less than I would like is Furihata. Because they have similar temperaments in ways pretty much no other characters do, and I feel they would make the kind of friends who are perfect for peer support and venting to, if either of them could just be a little more proactive about it, but that's the difficulty with a similar temperament, isn't it? It's not just my fault, it's not just that the story is already so bloated from these other relationships, it's that both of them are also going to respect each other's space too much and are generally the type to just sort of let things in relationships develop in their own time. Obviously they both have a lot of drive to make things happen when they need to, but when they don't need to, they are both the type to be more likely to just sit back and watch things develop. So circumstances would need to force them closer to get closer. So far such circumstances happen here and there but not that much. Most often it's Furihata needing emotional support and Kuroko being there, because he has already gone through the same thing. This happens several times in my writing. It takes a while for things to turn the other way around because Furihata is more likely to seek comfort from someone, and Kuroko is more reserved in that way, but once Furihata grows aware of their similarities and differences he also makes more effort to make sure Kuroko knows he can be relied upon too, which fits quite well with Furihata's growth into a captain which is part of my headcanon too.
This is probably his sharpest moment so far, after Seirin's darkest moment in my story. (Kagami's POV)
Then there's Yagi who practically counts as an OC because I've invented like 90% of his personality but I love him so I'm going to talk about him. Yagi is sort of like if Aomine and Furihata fused in some ways. His insecurities come from lack of experience and skills but he reacts to them in a similar way as Aomine to his overwhelming skills, feeling like he's alone and no one can possibly help him. He's more even-tempered and timid, but his negativity comes through in a passive-agressive way and he basically needs someone to kick his butt at all times and he punishes people emotionally if they don't. You can imagine this creates some very intense conflict with Kuroko whose gentle approach to helping Yagi integrate into the team just... doesn't work AT ALL because he's an even harder person for Kuroko to be tough on than Aomine. Kuroko can kick butt when it's Kagami or another openly aggressive person as long as they are not being vulnerable. But Yagi is like... Nope. Nothing is getting through because he wants someone to boss him around but you're supposed to figure that out on your own and Kuroko wants someone who will tell him what they need from him. Match made in heaven right. Well, still it's not hopeless once Kuroko does figure out which string to pull (with the help of Aomine haha). But yeah, it's a minefield. (Not to mention Yagi also starts out as homophobic.) But they do develop when Kuroko realises that he needs something new to help him stay out of sight and Yagi is exactly that because he's radiating negative, passive energy as much as Kagami is radiating positive, active energy so when Kuroko uses both of them he has a double cover as the neutral point between these two energies. But what makes this difficult for Kuroko to figure out is that while Kuroko is technically using Kagami to hide himself he's not using Kagami in a sense that he would need to control him. Kagami is doing what Kagami wants, and Kuroko is using that which Kagami would be doing anyway. But Yagi isn't going to do anything unless someone makes him. It is when Kuroko realizes that Yagi is actually begging to be used, that the game changes. Despite of appearing otherwise Yagi has basically zero ego. He just wants to be useful but he wants other people to tell him how. (Akashi should have used someone like Yagi not Mayu lol.) This was difficult for Kuroko to get, because despite of being as team-oriented as he is, being a shadow was still always a sacrifice for him. Had he been able to he would have wanted to be more "normal". And he still does have enough ego to want to create something for himself and be in control even if it's in a less traditional more subtle way, and he mistakenly believed Yagi would want the same. But Yagi doesn't have that kind of desire. Kuroko is willing to sacrifice himself. Yagi enjoys it. Yagi is a "soldier". Well, in this case, Kuroko is the trickster and Yagi is the rabbit= the star of the magic show who isn't actually doing anything but who things are being done to.
Or...? (Kuroko's POV)
I just love to play with metaphors.
I don't have the best action writing skills to get the most exciting games out of this idea (and a lot of it is probably so out there that it wouldn't even work) but I am actually very proud of how it plays in the interpersonal and metaphorical realm of the story.
Okay. That's it for now. Looks like I didn't run out of space. I hope I managed to keep you interested.
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As a story writer, BNHA is an utter insult to story telling in general. And it sickens me that people literally praise it as peak story telling.
Other anime series like Death Note, Madoka Magica, and Dragon Ball has similar themes and character arcs and did them a MILLION times better than this series ever did!
I'm one who greatly values the rule of "show don't tell" and building up believable chemistry between the characters that I just don't get from this series.
1-A say they're connected and can work together as one but we never get any scenes of the class just hanging out and only talk about subjects that are happening right now. We don't know any of their likes or dislikes, their hobbies, what they like to do and more.
Izuku is forced to be miserable and alone so it can be misery for the sake of misery or played up for poor tasting comedy. And to be forced away from his first true friends to be with the Cash Cow Triplets because that apparent pairing makes the most money.
And that's... the saddest thing about the whole business nowadays.
Telling a good story isn't a priority anymore, it's adding things that'll make them the most bank.
Sorry for this rant I just wanted to get that off my chest.
Hi @theloganator101 👋,
I agree as someone who likes to write fics and read a lot of stories myself I do see where you are coming from.
MHA is built on a strong foundation, interesting premise, world building and loveable characters (eeehhh mostly...) yet as time has gone on really prominent cracks have begun to show in MHA.
Particularly, Hori's "tell don't show" method - an inverse of the good writers advice "show don't tell." For example - so many characters kiss Bakugou's ass, call him a prodigy, a "manly friend", a "hard worker", "the best", "has grown a lot" when with how this kid acts he should be LOATHED. By everyone, staff and students alike.
Aizawa is one of his most staunch defenders despite Bakugou being the type of student he should (from what we are told about him and see of his backstory) despise.
Kirishima is his self proclaimed best friend yet Bakugou is the type of person (from what we are told about him) he should also hate with a passion.
Shoto expresses the desire to be friends with Bakugou yet from his upbringing, he should instantly see Bkg is a POS (a mini Endeavor in a lot of ways) and hate him on principle - especially because of how Bakugou is still acting openly hostile and abusive to Midoriya.
Midoriya still calls him "Kacchan" which implies closeness yet Bakugou viciously bullied him mercilessly for year's. He should from what we see also loathe Bakugou or grow to do so yet he never does.
All of this creates a strong sense of cognitive dissonance and dissatisfaction throughout the story.
Class 1A say they are connected but are they really, and is Aizawa their defacto father figure? I would say no. Despite Hori telling us otherwise - he doesn't make the effort to SHOW us.
Class 1A can show they care what Bakugou feels like being rescued but hound Midoriya and drag him back to UA without a care in the clusterfuck that was Class 1A vs Izuku.
Class 1A can rightfully dunk on Mineta for all the times he acts a disgusting pervert yet look on as Bakugou takes his aggression physically, verbally and in an explosive manner out on Midoriya for the 100th time. Even Midoriya's friends (Ocha, Iida, Tsyu, Aoyama and Shoto) and his mentor All Might look on with a fond smile at the "rivals."
I am disgusted at the abusive mockery of a rivalry... a rivalry is Sasuke vs Naruto - or even Shigaraki vs Izuku not Bakugou (abuser) vs Izuku (his victim.)
There was a moment in the war arc, where Izuku shouted to AFO!Shig that losing their homeroom teacher, Aizawa would be the worst outcome of the battle. And, as it wasn't the argument of Eraser the tactical asset being lost that would be the worst outcome but him as a teacher, I was left thinking - Izuku, why do you think this?
Hori gave us no moments where a bond between Aizawa and the rest of the class was built up to see him as this defacto father figure to 1A - especially not with Izuku - in fact Hori did the opposite by making Aizawa behave like he has.
"Problem Child" - is not a fond nickname from Aizawa to Midoriya to me. To anyone who thinks it is I would like them to consider that it is coming from an expell-eager hardass of a Teacher who has never been shown to like Izuku.
Realistically, the repercussions of Aizawa's actions here written without plot armour, Midoriya would be an anxious wreck being called this by him and would be wondering when he actually will get the boot out of U.A.
So again, there's the cognitive dissonance and here's Hori's favourite "tell don't show"... UGH.
There's so so many other examples of this style of writing in MHA - all the simping for Endeavor, Aizawa and Bakugou done by other characters because we are meant to like them now.
Side note - Rei simping for Endeavor is just baffling to me and not in a good way like 🤮. It was such a poor narrative choice it made me wonder if this poor woman was actually being treated in that mental hospital or just brainwashed to be more ammendable to her abusive husband. What good Doctor would let their patients abusive husband's manipulative presents through? Fuck right off with that Hori.
With your concluding statement I agree - making a good story and concluding it at the right time isn't a priority anymore. In general, just look at the MCU. That francise should have naturally ended with Endgame yet Disney is still trying to drag it on to milk out the dollars until it becomes unprofitable.
With MHA, narratively it has gone down the toilet. Hori's heart isn't in it anymore and we can all tell. He (and his editors) placed Izuku at the heart of the cash cow triplets to bring them in the money. And it has worked.
So, Izuku will always be miserable with Bakubitch always around like a cancer sucking out all Izuku's joy and growing over what was meant as his story. I don't expect a happy ending for Izuku anymore. I just hope he isn't dead at the end of all of this and manages to save Shigaraki - which is the most I can hope for him at the moment.
To conclude, don't be sorry for the rant I responded with one of my own. :)
#mha critical#bnha critical#anti bakugou#anti bakugou katsuki#anti endeavor#aizawa critical#aizawa shota critical#Class 1A critical
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I made myself these little dress up dolls because everyone’s getting changed all the time, here’s the first batch, outfits pre-episode 13
Design notes under the cut
[part 2] [part 3]
Lincoln
* I would first of all like to thank Lincoln for being shaped like a model (long boy) and thus very easy to dress up
* I forgot that Link needed to tear off his sleeves to make Normal a diaper in lesson 14, so in lesson 11 he grabs a sweater when I assume he goes home between escaping the FBI and returning to school
* Lincoln is so comically tall the Teeny costume (which I just moved from Normal to Link and edited to match Link’s pose) only reaches his knees. It actually looked so stupid that I had to edit it to make the Teeny costume slightly longer in the legs
* Link has two roombas in his room, he’s a clean boy, he isn’t walking around Taylor’s house in his bare feet, he doesn’t trust like that, it’s sock time
Scary
* I actually originally planned for Scary to have more piercings, but I forgot to add them in lesson 1. Let’s just say her mom won’t let her go crazy on the piercings, from what we’ve heard in rad facts (wouldn’t let her get a tongue piercing or learn guitar) that sounds in character
* I wanted to do the Shit Garden logo on Scary’s shirt like one of those metal bands that only people who like metal can actually read, but I only have so much time and patience
* I want so badly to play with Scary’s hair more, but I haven’t really had the chance, I hope there will be more excuses to give her different styles in the future, I like the braided bun for fancy occasions a lot
* Big T-shirt and shorts are peak pyjamas, love it for her. Also, you don’t need to know how long I spent trying to come up with something for her shirt to say
Normal
* Don’t tell anyone but I kind of miss drawing Teeny’s big stupid head every day, it was easy comedy
* I did actually draw a Jimmy Buffet design on the shirt before scribbling over it, you can barely see if you look closely
* I don’t actually have anything to say about Normal’s dance outfit so I guess I’ll just take this opportunity to talk about my Normal design in general. He was the one it took me the longest to land on and I’m still unsure if I’m happy with him, I want his hair to be long enough to just sorta hang and be greasy, but not so long that it will get in his face too much and I still consistently fail on it
* Not much to say about his sleepover fit either. Froggy :)
Taylor
* I had originally planned for everyone to be wearing their bracelets on their left wrists but in episode 8 it’s mentioned that Taylor is wearing his on his right, at that point I think I had only drawn Taylor’s bracelet once so it was easier to just change his and let him be a special boy (also, they keep the bracelets on post-FBI because Taylor never really has an opportunity to take it off and the others wear theirs in solidarity)
*After Lesson 10, Taylor swaps out the crest of friendship from Digimon to wear his dad’s ring of swapping as a necklace, he tends to grab at it when his dad or the topic of betrayal comes up
* I hate Taylor for his dance fit. No longer my favourite son
* Not really a design note but I watched the Sailor Moon dub in three parts on youtube with my little sister huddled around our home computer after school, we’re real OGs
Hermie
* I finally decided to add the Joker makeup to my Hermie design, I found a powdery sorta brush to use for it so now he’s a true clown. Good for him I guess
* You may notice that I’ve tweaked my Hermie design and his colour scheme just a little bit. This is because white Hermie is dead and you know what? Good for him. I also made his hair a little wavier for Scam, you’ll start seeing the updated Hermie design (as if you can tell there’s a difference other than the very slight change in hairstyle) in lesson 16, because I drew the lesson 15 pages before episode 23 came out and I wasn’t going to go back and change them
* Stupid Joker tie. Hate it
* No sleepover fit for Hermie. Tragic. They need to have another sleepover and include him
#these are so much fun#love my kids#love their stupid outfits#dungeons and daddies#dndads#lincoln li wilson#scary marlowe#normal oak#taylor swift dndads#hermie the unworthy#doodly
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So i finished watching TDPI (and i have a theory on why it's so hated)
Yeah, it's actually been nearly a week since i watched the finale. Took me that long to scrounge up the motivation to write this post lol
I watched episodes 9-13 with my buddy @rockin-it-rusty again, and i have. thoughts.
Honestly, Hurl and Go Seek and Scarlett Fever were probably the highlights of the season. They're pretty funny episodes, where both Jasmine and Shawn's conflict is solved and Sky and Dave's relationship hits a brick fucking wall due to Dave's own character flaws. The set-up for the challenge is also pretty unique for an eating challenge and i like the comedy! Also Scarlett Fever having an actual antagonistic force is fun.
But i'll be real: I barely even remember anything from episode 11. And i don't remember much from episode 12, either. Doesn't help i wasn't the most concentrated on the episodes themselves, but the challenges and the character relationships weren't the most compelling/interesting to me. I'll say this though, Sugar and Sky's weird little alliance was fun while it lasted.
As for Lies, Cries and One Big Prize... God, the finale's mid. Im already not invested in Jasmine and Shawn's conflict, and im not gonna be invested in this either! But i think Skave's conflict is actually interesting here! Sky kissing Dave while having a boyfriend back home she wanted to break up with but forgetting to is interesting, and even Dave reacting very very badly to being rejected in episode 9 was fun to see. It's like. Oh my god. A relationship this season having some depth??? That i don't need to extrapolate myself?? There's three things that kill it for me though.
If you've been following this blog for a while, or hell have talked to me on Discord, you KNOW i am not a fan of straight, basic romance, and that's basically all that skave is for like half the season. Granted they have a better start than jashawn, who just blush at eachother once and then the plot happens, but that doesn't mean it's any less boring to me! The misscommunications are frustating because they feel completely artificial, and they only get compelling by Hurl and Go Seek. The episode Dave gets eliminated in.
The second thing that bothers me is that Sky leading Dave on in the finale (and that is what she's doing during the final challenge since she doesn't want to date him afterwards) is out of character for her. Her whole thing is winning honestly; she literally tells Sugar two episodes earlier that she can't cheat during the challenges or else they won't have an alliance because Sky's uncomfortable with that. Why would she be comfortable leading anyone on, even if it's for a victory then? It's still cheating! You could argue it's to push a contrast between her sportsmanship and her apparently being a disaster in relationships in that regard but i seriously doubt that's what the writers were going for!
The final nail in the coffin for me though is Dave's entire reaction. It's pretty funny how pathetic he is about it in episode 9, but his attempted murder of Sky is going just a bit too far? Especially since the worst he did earlier on this season was being a little bitch and being insistent. Would i belive he'd probably not react well? Absolutely. Would he try getting back at Sky? Oh, definitely, that guy's not well adjusted. Would he try killing her? I don't think so. I don't know, Total Drama makes you do crazy shit.
But yeah, those last couple of episodes have made me realise exactly why i belive Pahkitew Island seems so hated (and by extension why World Tour is so well liked) and i think it's because of it's ending episodes. The season's peak is reached at Scarlett Fever, to the point every episode afterwards just felt way worse, both in terms of entertainment and writing. Coupled with challenges i wasn't very into, relationship conflict that wasn't very compelling to me and eliminations that weren't very convincing (episode 12 would've been so much more interesting if Sugar had gotten voted out an episode earlier. Even if i love her character!).
Frankly the attempted drama in the finale just reinforces that impression of it all being... Artificial. Not in a "The Island Is Mecanical" kind of way, in a "The Writers Are Just Forcing This Conflict" way. Like it doesn't feel like a thing the story needed, or a conflict that arose naturally from the characters' dynamics with eachother. idk.
Endings both have a huge impact on how people perceive media, as well as a lasting impression on it; it's the reason TV shows can go from dominating Pop Culture to being hated and subsequently forgotten about in a matter of weeks or months if they're lucky. Pahkitew Island is at it's funniest and most entertaining during the middle of the season and it's end arguably contains the weakest episodes out of the entire season. Contrast that with World Tour, which outside of G1 bias has it's better drama and episodes later on since all the characters it flanderized and assassinated aren't there anymore but shush As well as having good moments earlier on. Hell, if you ignore the final two minutes, World Tour can be argued to have one of the best finales and im only not saying it's the best one because both TDI and ROTI exist and have a better one. While Pahkitew Island probably has one of the worst ones. The show kinda just... Ends. Dave probably gets mauled by a robot bear and Sky, Shawn and Jasmine are off the Island and that's that.
That, coupled with the lack of character interactions is probably why people don't tend to talk about this season, which is a SHAME because it's a really fun season, with really fun characters and actually good ideas! It deserves to be explored more, appreciated more!
And with no transition at all, let's talk about my character opinions!
Dave is. Yeah, it's a whole thing. Him being more insistent in episode 9 on charming Sky at the start feels a bit forced? but it's probably because i thought the "bet you still wish i was your boyfriend" line came a little bit out of nowhere for me? Feels like it came from an earlier draft, or the writters of the episodes before it didn't keep track of where his relationship/opinion on Sky was. I do think him taking the rejection awfully and being really pathetic all episode is really funny however, and it makes skave more interesting by default to me, so it helps!
...Ok, fine, i'll talk about the finale. I'll elaborate on this in Sky's section, but it doesn't do Dave's character much favors. He feels a bit more pathetic in that episode before the existence of Sky's boyfriend is revealed, and then the whole reveal happens and... yeah. Dude seems happy by Sky possibly dying. Just feel like that's a little too far? Compared to how he was before? Idk.
I'll talk about Max first over Scarlett because i have way more to say about her than him. He's still funny. My earlier post on him is still right. His elimination is hot garbage btw, dude should've gotten kicked instead of Ella
Now, Scarlett's actually interesting, since we've gotten to the twist; i really like her in concept as a villain that is antagonistic out of a lack of morality and not just. Being a piece of shit. Then again, the whole evil vilain twist in Scarlett Fever kinda sorta entirely goes against this. Genuinely think that Max just made her fucking snap and she tried to blackmail Chris into getting the million herself because she couldn't fucking handle being around this guy. She hates him
Jasmine's fine. It's nice to see her get actual screentime, but wow she spends 90% of it glued to Shawn and it kinda sucks since i don't think i have a great grasp on her personality due to this. When i'll rewatch the season to take more precise notes i'll try to pay way more attention to her character i guess? Her clear trust issues should've been explored, just saying.
Sugar's GREAT. Seriously, she's my favorite part of the show post Scarlett Fever and it's not even close. She's genuinely funny! I love seeing her do her own thing and be a menace, it's great. The show's super mean to her about it? For some reason? I think the writters were trying to treat her like the main antagonist but she really doesn't read like one to me. Girlie deserved that spin off she mentions in episode 9. Or i guess she technically got it since she appears in Dramarama. Maybe i should watch the episodes she's in...
Shawn, like Jasmine, is kinda there for me. I do think creating conflict between these two is a good idea, but the writters just lean wayyyy too hard into the Zombie Apocalypse Nutjob aspect of his personality in episode 11 especially, it just flattens him and it's pretty sad since he's got some interesting things about him, and the way he tries to make it up to Jasmine both time they're in conflict is cute. Wish they actually communicated more tho
Finally, Sky. Oh Sky, how i wish they treated you better. Listen. In theory? I don't hate the idea of Sky having a boyfriend back home she wanted to break up with. Perfect way of adding drama to a character that didn't seem to have any. The problem is the everything with the finale. The writters make her seemingly lead Dave on during the final challenge and while she was probably going to come clean before Dave interrupts her again (which is actually a good way of showing they wouldn't work out due to him not putting in the effort of listening to her), i don't think her doing that at all would be in character. Her whole thing of good sportsmanship and winning without cheating feels off when contrasted with this. Also, girl should've really just said to Dave that she was planning to break up with her boyfriend and not to the confessional camera. Doubt that would've stopped Dave from freaking out, but at least she'll have tried i guess.
SO. I'LL ASK AGAIN: DOES PAHKITEW ISLAND DESERVE THE HATE?
NO. No it doesn't.
I'd even consider it the most underrated season of Total Drama! It just... really got fucked over by circomstances and things out of it's control. This season was written at the same time as All Stars, by like 4 writers, with a whole new cast to flesh out and only 13 episodes to do so and seemingly less ideas. You can tell that by the end, the writers really didn't care and just wanted this shit to end - the final three episodes feel like first drafts, even moreso than the earlier episodes did. And it sucks! It sucks because this season had a whole lot of potential, and it either got wasted or crapped on by the fandom at large!
I just... I wish this season got treated better, is all.
Also why the fuck does Chef only get five lines. What was up with that
#cheese posting#string cheesing#tdpi#total drama#total drama pahkitew island#td dave#td scarlett#td max#td sugar#td jasmine#td sky#td shawn#skave#because i don't hate their dynamic and i talk about it alot in this post so might as well tag it#td chef#cheese opinions
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For the ask thing, can I perhaps send Kokichi [I love watching people argue over him, top comedy if I do say so myself]
Sexuality Headcanon: Kokichi, to me, is mostly gay. i say mostly because i think he'd be attracted to a woman once in a blue moon. she'd have to be pretty Special, though. (i think he had a genuine crush on Kaede in v3)
Gender Headcanon: whatever is funniest for the bit. like, legitimately, i don't think he ever tells anyone what he is, and everyone just assumes he/him, and he doesn't Correct Them because he doesn't care. gender shapeshifter. (he also Definitely Loves Breaking Keebo by confusing him about gender)
A ship I have with said character: i've really come around to Kokichi x Kaito after recently completing v3. i don't know that it's a Hardcore OTP for me but it's super thematically fascinating and i'd love to see it explored (IC-ly). Kokichi x Keebo is a little Cute too
A BROTP I have with said character: in some universe i think he and Miu are the most obnoxious, disgusting, and beautifully comical set of friends at Hope's Peak
A NOTP I have with said character: as an addition to the above, def Kokichi x Miu romantically. i get the Appeal but beyond the sexuality thing he treats her so disgustingly in the English localization i can't overlook that. dunno what it says about me that i think they'd be Hilarious Friends, though
A random headcanon: in a non-despair Everyone Is Here AU, DICE isn't real - he absolutely lied to get into HPA and did so successfully, which was enough to earn him his spot. his true talent is something like SHSL Fabulist, but he's not gonna Advertise that
General Opinion over said character: 🟪/10 small funni man that needs punting
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been reading your Lyanna and Rhaegar posts and I very much agree with you about them having a wedding. If we assume that those Kingsguard's weren't false Kingsguards like Jaime and weren't lying about them keeping their "vow" then the most logical explanation would be that Jon is legitimate. When Aerys died, they should have gone to protect their new King Viserys yet they refused to do so. The reason for staying in the ToJ must have been because whatever they're guarding there takes higher priority than Viserys.
What do you think will be for the future of Sansa and Jon then? They will be the second Stark and Targaryen union in the current story we'll see. Since Sansa is a bastard just like Jon that means Jon isn't a bastard at all. They're made to pose as bastards by a father figure or else people would have their head. Stone and Snow. She's a Stark, he's a Targaryen.
Hi, anon! Thanks for the ask.
Great point about Sansa saying she's a bastard just like Jon. If we take that as a hint of RLJ then what she says is actually the truth. She was made a bastard exactly like Jon yet in reality they were not at all. We also have a clue to what Jon might feel once he learns of his heritage.
He is not my father. The thought leapt unbidden to Jon's mind. Lord Eddard Stark is my father. I will not forget him, no matter how many swords they give me.
They might offer him the IT(made up of many swords) and the allegiance of noble houses(my sword is yours.) He will never forget Ned and Rhaegar could just fuck off.💀💀
RLJ parallel for Jon and Sansa for me would probably them having a secret wedding. I mean, the books already teased Sansa having one with a cousin. But unlike RL, jonsa will have a public wedding too much like Jahaerys I and Alysanne. Next I would say is Sansa as the Girl in Grey. I very much believe the theory that Lyanna met Rhegar again at the Inn at the Crossroads which is where another iconic kidnapping took place- Cat seizing Tyrion. It resulted in hostilities between two major Houses where the Starks didn't know the inside story. It would have looked like a kidnapping specially if we have hostile forces against Lyanna there which were the King's men. So Sansa/Lyanna would be fleeing kidnappers only to end up with a Targaryen for safety. The elements involved would be a tourney, a crime, a wedding, and a rescue by a knight. Jon disdaining princesses in towers only to end up rescuing an actual one is peak comedy imo. 🤡🤡
As he walked toward the armory, Jon chanced to look up and saw Val standing in her tower window. I'm sorry, he thought. I'm not the man to steal you out of there.
This could be interpreted as it is or could be that Jon is not the man to steal Val because he will steal another princess later. Jon, Sansa's brother, might also give her a bastard's head - Ramsay's. She already has Janos but she doesn't know that.
After my name day feast, I'm going to raise a host and kill your brother myself. That's what I'll give you, Lady Sansa. Your brother's head."
A kind of madness took over her then, and she heard herself say, "Maybe my brother will give me your head."
Jon vs Ramsay has been foreshadowed by Ghost defending a prize from a yellow bitch three times his size. The most recent one would be Chett, a leech man's son with lordly ambitions, being defeated by "Snow and his pet pig." Lady Piggy is Jon Snow's lady love. There's only one notable guy in the story using leeches and it's Roose.
He will know me. How could he not? She considered throwing herself at his feet to beg for his protection. He never fought for Robb, why should he fight for me?
Sansa's already considered doing before what Alys did.
Alys knelt before him, clutching the black cloak. "You are my only hope, Lord Snow. In your father's name, I beg you. Protect me."
UndeadJon will know her and will fight for her. Jon has failed twice to fight for his family - Robb and Arya. He will succeed on the third one.
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say more about Edgeworth and Gumshoe's dynamic, I'm intrigued 👀
Gumshoe and Edgeworth are both Peak Comedy and Peak Romance to me. I'm fully serious when I say I don't ship them, I tend to "ship" people who are good for each other and whom I could envision being a successful romantic couple. That's all to say, I don't personally make up scenarios in which these two are together, that is just how they are. Their weird queerplatonic tomfoolery is engraved in canon. As much as I joke about Will Powers yaoi or Miles Edgeworth having two hands to hold the updated autopsy report with, there is nothing my character analysis can do to erase or even lessen the impact of what they have.
With that said, there are some aspects of their dynamic that I think are very cool and funny and important but get no attention from the fans whatsoever. Like, take their six-year age gap. For any other two people it'd be negligible but with them it just fucking slays me. Or the fact that Edgeworth is Gumshoe's boss. Or actually two of these facts combined. Imagine running errands for a twink that should be calling you "sir" but you can't be mad at him because all the blood rushed from your brain to your boner when he called you "Detective". Imagine growing up so emotionally constipated that a middle-aged depressed bear with an overhanging threat of crippling poverty takes pity on you. Picture it with your mind. Take my hand.
I also think you could write so much angst with these two but the fans are sleeping on the most hard-hitting points. Do you think Edgeworth eventually grows self-conscious or even resentful of the class divide that clearly lays a ravine of distance between them, but he's neither emotionally intelligent nor socially competent enough to negate it? Do you think Gumshoe bears the burden of Edgeworth's guilt but can't allow himself to take a break to get over it and feels or even ends up being left behind as a result? Jokes aside, someday I hope I'll read an actual middle age crisis fanfic, but with the way things are looking, I just might have to write one myself.
Anyway uhhh. I think Missile fucking hate Edgeworth and bite him every time cheers
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