#patrice donnelly

[youwantedadog]

Patrice Donnelly and Mariel Hemingway in Personal Best (1982) dir. Robert Towne

[thejourneyofjay]

The Anatomy Of A Scene

Max Richter's "On the Nature of Daylight" plays over the opening shots of Arrival, giving the audience a foreshadowing of what is to come. This particular track is used in numerous films (I've seen it in at least six or seven, including Shutter Island and The Innocents), and is the saddest song in the world, in my opinion. Amy Adams has a major role in Arrival. In the last hour of "Twilight," a gloomy feeling rapidly permeates the whole movie. As the tale opens, we learn that Dr. Louise Banks (Amy Adams) has suffered a devastating loss: Massive pod-shaped vehicles suddenly drop from the sky and hover over 12 distinct locations on Earth.

No one can explain why. Nothing happens, in fact. Colonel Weber (Forest Whitaker), a member of military intelligence, visits Dr. Banks to ask for her assistance in investigating and communicating with whichever intelligence is behind the landing as governments around the world try to figure out what it means and as people in those countries react by looting, joining cults, and even committing mass suicide. She travels to the mission location with the renowned quantum scientist Ian Donnelly (Jeremy Renner). With the help of a cynical Agent Halpern (Michael Stuhlbarg), they suit up and board the ship in an attempt to make contact. Avoid giving too much away about the plot, other than the fact that it will make your day to see it unfold.

While it's Denis Villeneuve's (Prisoners, Sicario) and Eric Heisserer's (Lights Out) most inventive film to date, the pace is slower than one would anticipate from an alien invasion movie. For a film dealing with so many complex ideas, it doesn't waste any more time on explanation than is really necessary. Like a Rubik's puzzle in the hands of a virtuoso, nothing in Arrival makes complete sense until the last moments when everything clicks into place. I literally said, "Wow!" and was leaned forward in my chair. The movie was just too good.

Throughout BlacKkKlansman, there's a more fascinating idea floating about that, if addressed, might have resulted in a far more dramatic and terrifying film. At one point, Patrice and Stallworth argue over the positive or negative effects that movies about black people have on the black community. Lee sometimes leans on this connection between black filmmaking of the 1970s and his own depiction of black people in this film by using stills from his prior films as examples. Later in the video, Harry Belafonte addresses the BSU and discusses the lynching of Jesse Washington in Waco in 1916 and the impact that the publication of D.W. Griffith's The Birth of a Nation had on national attitudes toward black people, the revival of the KKK, and the ensuing horrific mutilations and murders. The President of the United States, Woodrow Wilson, saw the video at the White House, he informs the BSU students, and called it "history written with lightning."

We transition to scenes of Duke and his KKK chapter watching The Birth of a Nation, where they cheer and pump their fists like they're at a sporting event. Yet Wilson's words are the ones that stay with you. Hollywood has had a significant impact on how Americans see race, helping to cement stereotypes that persist even after the film has ended and find their way into policy debates, political campaigns, and the voting booth. It's hardly a stretch to say that the film accurately portrays the impact of The Birth of a Nation. When coupled with the topic of blaxploitation films and black heroes, the effect is dramatic.

BlacKkKlansman had a tremendous chance to disturb both cinema buffs and casual audiences, since it is more approachable than many of Lee's more recent efforts, by reminding people that it's not only overtly racist films with overtly racist intentions that are to blame. Pictures are captivating for a number of reasons, but when we partake in them blindly, they may do actual damage to actual people. The audience's own complicity in perpetuating stereotypes may be shown via a film's examination of that topic. The film settles for satire of Trump and the Klan, two targets that only a moron would overlook in 2018. It's not totally off base. The fact that its implications are so easy to deduce reflects just how transparent the situation is.

The release of BlacKkKlansman just serves to deepen our disappointment. And the fact that we are able to see through these tragic illusions brings us great joy.

[filmandimage]

Personal Best (1982) Robert Towne

[idasessions]

Movie for Friday

[skaterloaf]

Personal Best (1982) dir. Robert Towne 

In Bed (1892) by Henri de Toulouse-Lautrec

[clemsfilmdiary]

Personal Best (1982, Robert Towne)

3/6/20

[ninewheels]

The arm wrestling scene in Personal Best (1982):

[folddpstcrd]

Personal Best (1982) 

We may be best friends, but every once in a while we fuck each other.

[dustedmagazine]

Catherine Ribeiro + Alpes — N°2 / Ame Debout / Paix (Anthology Records)

These are most uncommon records. Let's get the common points of reference out of the way: Nico, Can. The career of Catherine Ribeiro + Alpes took shape and peaked in the same years as those artists. They were all working on the edge of possibility in the early 1970s. What they were making was part of the rock scene, though none were invested in rock as a sector of pop. They summoned chaos and surrendered to it. Ribeiro had, like Nico, been a mod 1960s model and peripheral actress (Goddard and Fellini respectively). And like Nico and Damo Suzuki, her singing pushes past the boundaries of reason. Her collaborator Patrice Moullet, like John Cale and Holger Czukay, came from conservatory training. Each made records with a forbidding throb that still sounds modern, though perhaps it is impossible to ever catch up when these kinds of spirits are unleashed.

If these albums are timeless, it's taken a while for their reputation to spread enough to warrant an American release. The lyrics are French, with a few dips into Portuguese, Ribeiro being the daughter of immigrants who settled in Lyon. The language barrier and distribution have been limiting factors. The mp3 blog era helped immeasurably, along with the rising interest in folky drone. Ribeiro and Moullet could make pretty music, dotting these albums with classical guitar interludes and cafe chanson. At their core, though, Alpes were about exploration, finding shapes and pacing songs that remain striking. Blots of noise erupt, tearing open the slowly boiling verses, with the bits of folky pop providing incomplete relief.  

The spirits unleashed do a lot to carry the listener past the barriers. Ribeiro comes at the songs through a variety of strategies, from reminiscence to shrieks. Her emotion, or lack of it, rides past linguistic comprehension. She can sing conventionally well, with a guttural lilt akin to Lotte Lenya or Edith Piaf. But lines delivered smoothly sit alongside experiments in what voice can do as an instrument and as a character. Over the 18 minutes of "Poem Non Epique" she devolves from simple distress into straight-jacket babbling. In "Paix ," she announces benedictions to the underdogs and afflicted. Talking more than singing, her delivery offers authority more than empathy, as if reading a scroll from the Vatican. Her stoicism is a presentation of resolve, reaching out to the retreating forces of 1960s optimism.  

Moullet, in charge of the arrangements, is equally radical, mixing freedom with discipline. A musical instrument designer, his textures sound just off enough from rock to become uncanny. The lead figure for "Paix" is a descending single-string scale with tone that sometimes feels like a bass guitar, sometimes like a Stratocaster. Sitting on the edge of amp distortion, it fizzes up to blend with an organ shifting between the ecclesiastical and acid rock improv. The driving rhythm doesn't come from a drummer behind traps. Moullet constructed motor-driven beat boxes that sound like bicycle derailleurs tapping congas. The effect is both regimented and alien. Rhythm machines appear intermittently across these albums. Many tracks lack percussion altogether, with beats derived from flamenco strums. There's ample use of wide stereo separation, but more than most of their progressive peers, it's worked into the melodic ideas, making higher and lower frequencies criss-cross space.  

Paix, the album, is their best-sequenced creation. Opener "Roc Alpin" hews close to the conventions of prog in 1972 — keyboard fanfares, mellotron-like orchestral washes, soaring vocals, and a plain 'ol drum kit bashing away. By closing 25-minute suite "Un jour...la mort" we are in a very different place: lonely guitar landscapes, proto-techno whorls, drone, caws of panic. 

Structure distinguishes all three albums in this reissue project, and the juxtaposing of the sublime with the ugly can be as fascinating as the sounds themselves. N°2 is partitioned with unaccompanied Spanish guitar and closes with a traditionally-styled Portuguese ballad. This austere classicism frames shocks and jolts. "Silen Von Kathy" thunders with kettle drums and Sabbathy doom. The shifts are like being lifted out of the water and dunked back in, taken from placid air to nearly drowning. Ame Debout launches right into the percussion engines and rabid growling. Lighter moments are fleeting, the classical guitar an aside to Ribeiro's most brusque eruptions — as in the two-part "Alpes," where a galloping rave-up ends with the sounds of riders trampled by horses.  

In the context of the 1970s, this music feels tucked away, distant within the Francophone world and hidden from the Anglo, as if lying in wait for our own time. It's similar to how Alice Coltrane's mystic yearning resonates now that it is free of the expectations of mid-century jazz. The last ten years have made the mixing of medieval and the motorized seem natural with the haunts of Demdike Stare and Shackleton. Circuit des Yeux walks the same line between composition and instinct, the pastoral and industrial. She produced a cover of a Ribeiro number to promote these releases. The long suites played on hand-constructed instruments matches the methods of Steven R. Smith, who turns out cult rock while hidden from the touring world. Ribeiro and Moullet's operations don't feel like footnotes to hippy outsiderism anymore. They are the work of guerrillas who have just come down from the hills, ready to ambush our senses. 

Ben Donnelly 

[thatmexisaurusrex]

Just Some Queer Books I Love

Just some queer books I love:

Date Me, Bryson Keller by Kevin van Whye

In Other Lands by Sarah Rees Brennan

The Chosen and the Beautiful by Nghi Vo

Girl, Serpent, Thorn by Melissa Bashardoust

Once Upon a Princess by Clare Lydon Harper Bliss

The Perfect Assassin by K.A. Doore

The Lady's Guide to Celestial Mechanics by Olivia Waite

Cemetery Boys by Aiden Thomas

Honey Girl by Morgan Rogers

Amberlough by Lara Elena Donnelly

Something to Talk About by Meryl Wilsner

She Drives Me Crazy by Kelly Quindlen

May the Best Man Win by Z.R. Ellor

One Last Stop by Casey McQuiston

Pet by Akwaeke Emezi

Six Angry Girls by Adrienne Kisner

The Henna Wars by Adiba Jaigirdar

The Prince and the Dressmaker by Jen Wang

The Falling in Love Montage by Ciara Smyth

Burn Our Bodies Down by Rory Powers

Felix Ever After by Kacen Callender

Not Your Sidekick by C.B. Lee

Perfect Rhythm by Jae

The Boy in the Red Dress by Kristen Lambert

Labyrinth Lost by Zoraida Cordova

The Care and Feeding of Waspish Widows by Olivia Waite

I'll Be the One by Lyla Lee

Snapdragon by Kat leyh

Every Heart a Doorway by Seanan McGuire

Clap When You Land by Elizabeth Acevedo

Rock and Riot by Chelsey Ferundi

Upright Women Wanted by Sarah Gailey

The Order of the Pure Moon Reflected in Water by Zen Cho

Of Fire and Stars by Audrey Colthurst

Escaping Exodus by Nicky Drayden

In the Vanisher's Palace by Aliette de Bodard

The Deep by Rivers Solomon

The Night by May Archer

How to Find a Princess by Alyssa Cole

Conventionally Yours by Annabeth Albert

Her Royal Highness by Rachel Hawkins

The State of Us by Shaun David Hutchinson

This is How You Lose the Time War by Max Gladstone

Spell Hacker by M.K. England

This Coven Won't Break by Isabel Sterling

Legendborn by Tracy Deonn

The Sound of Stars by Alechia Dow

Bonds of Brass by Emily Skrutskie

Faith: Taking Flight by Julie Murphy

Hot Dog Girl by Jennifer Dugan

Hani and Ishu's Guide to Fake Dating by Adiba Jaigirdar

Boyfriend Material by Alexis Hall

Court of Lions by Somaiya Doud

A Little Light Mischief by Cat Sebastian

The Afterward by E.K. Johnston

A Study in Honor by Claire O'Dell

Beetle & the Hollowbones by Aliza Layne

You Should See Me in a Crown by Leah Johnson

Cinderella is Dead by Kalynn Bayron

Once Ghosted, Twice Shy by Alyssa Cole

The Disasters by M.K. England

Scorpio Hates Virgo by Anyta Sunday

The Stars and the Blackness Between Them by Junauda Petrus

Once & Future by A.R. Capetta

Girls of Paper and Fire by Natasha Ngan

We Set the Dark on Fire by Tehlor Kay Mejia

A Phoenix Must Burn edited by Patrice Caldwell

Crier's War by Nina Varela

[mysticalhearth]

Les Misérables

Les Misérables - 10th Anniversary: The Dream Cast In Concert - October, 1995 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Colm Wilkinson (Jean Valjean), Philip Quast (Javert), Ruthie Henshall (Fantine), Judy Kuhn (Cosette), Michael Ball (Marius), Lea Salonga (Éponine), Michael Maguire (Enjolras), Alun Armstrong (Thénardier), Jenny Galloway (Madame Thénardier), Adam Searles (Gavroche), Hannah Chick (Little Cosette), Paul F Monaghan (The Bishop), Anthony Crivello (Grantaire), David Bardsley (Combeferre), Matt Cammelle (Feuilly), Jérôme Pradon (Courfeyrac), Peter Polycarpou (Jean Prouvaire), Darryl Knock (Joly), Mike Sterling (Lesgles), Nick Holder (Brujon), Tony Timberlake (Babet), Stephen Matthews (Claquesous), Keith Burns (Montparnasse), Michael McCarthy (Factory Foreman), Jackie Marks (Factory Girl), Gareth Snook (Bamatabois), Andy Reiss (Pimp), Peter Polycarpou (Labourer), Glyn Kerslake (Constables), Beverly Klein (Old Woman), Christopher Howard (Loud Hailer), Halcro Johnston (Farmer), Adrian Beaumont, Alasdair Harvey, Alistair Robins, Allan Hardman, Annette Yeo, Cameron Stewart, Charles Shirvell, Christopher Coleman, Claire Machin, Claudia Bradley, Cliff Brayshaw, Craig Schulman, Danny Coll, David Alder, David Arneil, David Delve, David Malek, David Shannon, Egill Olaffson, Ellen Jackson, Fenton Gray, Gerard Leighton-Duffy, Glenn Carter, Grania Renihan, Gyula Vikidál, Hadrian Delacey, Helen Hobson, Henk Poort, Irene Warren, James Barron, James Head, Jan Ježek, Jeff Leyton, Jerzy Jeszke, Joanne Redman, Jody Crosier, John Barr, John Owen-Jones, Julia Howson, Julia Worsley, Krzysztof Stasierowicz, Kurt Ravn, Linda-Mae Brewer, Lynden Edwards, Mario Frangoulis, Mark Turnbull, Mark White, Martin George, Martin Scott Warden, Matthew Gould, Matthew White, Michael Burgess, Michael Cantwell, Myra Sands, Neil Couperthwaite, Nicholas Pound, Nicola Sloane, Norma Atallah, Paul Baker, Paula Simpson, Peter Ledbury, Phil Cavill, Philip Cox, Rebecca Storm, Rebecca Thornhill, Reinhard Brussmann, Richard Burman, Rob Guest, Robert Marien, Sara West, Sarah Hay, Steve Balsamo, Susie Fenwick, Takeshi Kaga, Tommy Körberg, Tricia Deighton, Øystein Wiik NOTES: Features key performers from the original Broadway and London casts like Colm Wilkinson, Phillip Quast and Lea Salonga. Includes the encore performance featuring 17 Valjeans from various productions. Les Misérables - 25th Anniversary Concert Live At The O2 - October 3, 2010 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Alfie Boe (Jean Valjean), Norm Lewis (Javert), Lea Salonga (Fantine), Katie Hall (Cosette), Nick Jonas (Marius), Samantha Barks (Éponine), Ramin Karimloo (Enjolras), Matt Lucas (Thénardier), Jenny Galloway (Madame Thénardier), Robert Madge (Gavroche), Mia Jenkins (Little Cosette), Earl Carpenter (The Bishop), Hadley Fraser (Grantaire), Jonathan Williams (Combeferre), Owain Williams (Feuilly), Killian Donnelly (Courfeyrac), Alistair Brammer (Jean Prouvaire), Jamie Muscato (Joly), Edward Baruwa (Lesgles), Phil Snowden (Brujon), Stephen Tate (Babet), Tony Timberlake (Claquesous), Keith Burns (Montparnasse), Jeff Nicholson (Factory Foreman), Grainne Renihan (Factory Girl), Valda Aviks (Crone), Cameron Blakely (Bamatabois), Peter Polycarpou (Pimp) Les Misérables - Asia Tour - June 2, 2016 (Highlights) FORMAT:  MP4 (HD) CAST: Simon Gleeson (Jean Valjean), Earl Carpenter (Javert), Patrice Tipoki (Fantine), Emily Langridge (Cosette), Paul Wilkins (Marius), Kerrie Anne Greenland (Éponine), Chris Durling (Enjolras), David McDonald (Thénardier), Jennifer Butt (Madame Thénardier), Austyn Myers (Gavroche), Rachel Schier (Little Cosette) NOTES: On My Own, Upon These Stones, Bring Him Home and two angles of the same One Day More Les Misérables - Dallas - August 2, 2014 (SJ Bernly's master) FORMAT:  VOB (no smalls) (SD) CAST: Nehal Joshi (Jean Valjean), Edward Watts (Javert), Allison Blackwell (Fantine), Dorcas Leung (Cosette), Justin Keyes (Marius), Elizabeth Judd (Éponine), John Campione (Enjolras), Steven Michael Walters (Thénardier), Christia Mantzke (Madame Thénardier) NOTES: A great capture of Dallas Theatre Center’s inventively staged production of Les Miserables. The much-talked about production did not disappoint; the modernized visuals create many new layers to the show, and make you think about events and characters in a whole new way. Nehal, Allison, Justin, and Christia were probably my favorites, but the entire cast is so talented, it’s difficult to choose any as standouts. A very nice capture overall. There are a couple quick dropouts in act one, but no major blackouts. There is one head that can be seen occasionally, but it only blocks a small portion of the stage and only affects the action for about 20-30 seconds of the entire show. It’s filmed in 16:9, with a mix of wides, mediums, and close-ups. The sound is excellent as usual. Includes curtain call and playbill scans. Les Misérables - Duisburg - 1996 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Jerzy Jeszke (Jean Valjean), Hardy Rudolz (Javert), Cornelia Drese (Fantine), Deborah Dutcher (Cosette), Felix Martin (Marius), Sanni Luis (Éponine), Martin Berger (Enjolras), Tom Zahner (Thénardier), Anne Welte (Madame Thénardier), Willi Welp (The Bishop) Les Misérables - Dutch Revival - Spring, 2008 FORMAT:  MP4 (SD) CAST: René van Kooten (Jean Valjean), Wim van den Driessche (Javert), Nurlaila Karim (Fantine), Suzan Seegers (Cosette), Jamai Loman (Marius), Céline Purcell (Éponine), Freek Bartels (Enjolras), Gerben Grimmius (u/s Thénardier), Marjolein Algera (Madame Thénardier) NOTES: Complete show, Amateur capture A, Double dvd Les Misérables - Fifth National Tour - October 5, 2018 (hitmewithyourbethshot's master) FORMAT:  MP4 (HD) CAST: Nick Cartell (Jean Valjean), Josh Davis (Javert), Mary Kate Moore (Fantine), Jillian Butler (Cosette), Joshua Grosso (Marius), Paige Smallwood (Éponine), Matt Shingledecker (Enjolras), J Anthony Crane (Thénardier), Allison Guinn (Madame Thénardier), Sam Middleton (Gavroche), Cate Elefante (u/s Little Cosette), Matt Moisey (Grantaire), Monte J Howell (Combeferre), Tim Quartier (s/w Feuilly), Christopher Viljoen (Courfeyrac), Patrick Rooney (Jean Prouvaire), Gabriel Sidney Brown (Joly), Andrew Maughan (Lesgles), Felipe Barbosa Bombonato (Babet), John Ambrosino (Claquesous), Steve Czarnecki (Factory Foreman), Ashley Dawn Mortensen (Factory Girl), John Ambrosino (Bamatabois) Les Misérables - First Broadway Revival - November 11, 2006 FORMAT:  VOB (with smalls) (SD) CAST: Victor Hawks (u/s Jean Valjean), Norm Lewis (Javert), Daphne Rubin-Vega (Fantine), Ali Ewoldt (Cosette), Adam Jacobs (Marius), Celia Keenan-Bolger (Éponine), Aaron Lazar (Enjolras), Gary Beach (Thénardier), Jenny Galloway (Madame Thénardier), Jacob Levine (Gavroche), Drew Sarich (Grantaire) NOTES: A nice capture here of Victor as Valjean. The capture is a little on the dark side, but still enjoyable. Les Misérables - First Broadway Revival - February 17, 2007 FORMAT:  MP4 (HD) CAST: Alexander Gemignani (Jean Valjean), Norm Lewis (Javert), Daphne Rubin-Vega (Fantine), Ali Ewoldt (Cosette), Adam Jacobs (Marius), Celia Keenan-Bolger (Éponine), Drew Sarich (u/s Enjolras), Gary Beach (Thénardier), Jenny Galloway (Madame Thénardier), Jacob Levine (Gavroche) NOTES: A really nice video of the first broadway revival. Widescreen. Cleaned up nicely in remastering. And it has Sarich. Les Misérables - First Broadway Revival - May 12, 2007 (Matinee) (jstarz's master) FORMAT:  VOB (with smalls) (SD) CAST: Alexander Gemignani (Jean Valjean), Drew Sarich (u/s Javert), Lea Salonga (Fantine), Ali Ewoldt (Cosette), Adam Jacobs (Marius), Mandy Bruno (Éponine), Max von Essen (Enjolras), Gary Beach (Thénardier), Ann Harada (Madame Thénardier), Stephen Trafton (u/s Grantaire) NOTES: Filmed in widescreen (though encoded in 4:3, so there are bars at the top and bottom of the screen), this is a nice capture of some of the new cast members. Drew and Ann give great performances in their roles. The second disc also includes the first 15 minutes of the February 24, 2007 Evening show, filmed from the rear right orchestra. Les Misérables - First Broadway Revival - June 1, 2007 FORMAT:  VOB (with smalls) (SD) CAST: Alexander Gemignani (Jean Valjean), Ben Davis (Javert), Lea Salonga (Fantine), Ali Ewoldt (Cosette), Adam Jacobs (Marius), Marissa McGowan (Éponine), Max von Essen (Enjolras), Gary Beach (Thénardier), Ann Harada (Madame Thénardier) Les Misérables - First Broadway Revival - August 24, 2007 FORMAT:  VOB (with smalls) (SD) CAST: Drew Sarich (Jean Valjean), Robert Hunt (Javert), Nikki Renée Daniels (u/s Fantine), Ali Ewoldt (Cosette), Adam Jacobs (Marius), Megan McGinnis (Éponine), Max von Essen (Enjolras), Chip Zien (Thénardier), Becca Ayers (u/s Madame Thénardier), Brian D'Addario (Gavroche) NOTES: Some nice closeups/mediums. A nice capture of the new cast. Capture can be dark at times, but mostly in the darker scenes. Includes a technical difficulty when the Barricades first come out, the show is stopped and includes the announcement.. A- Les Misérables - Fourth UK & Ireland Tour - January, 2019 (House-Cam's master) FORMAT:  MP4 (HD) CAST: Killian Donnelly (Jean Valjean), Nic Greenshields (Javert), Katie Hall (Fantine), Bronwen Hanson (Cosette), Harry Apps (Marius), Tegan Bannister (Éponine), Will Richardson (Enjolras), Martin Ball (Thénardier), Sophie-Louise Dann (Madame Thénardier) Les Misérables - Hollywood Bowl - August 9, 2008 FORMAT:  WMV (HD) CAST: J Mark McVey (Jean Valjean), Brian Stokes Mitchell (Javert), Melora Hardin (Fantine), Michele Maika (Cosette), John Lloyd Young (Marius), Lea Michele (Éponine), Tom Lowe (Enjolras), Sage Ryan (Gavroche) NOTES: J. Mark McVey, Brian Stokes Mitchell, Lea Michele, Melora Hardin, John Lloyd Young, Michele Maika, Michael McCormick, Tom Lowe, Ruth Williamson. Juni's master filmed in widescreen and can be a little shakey at times in tight zooms. Nice to see the audience version compared to the Proshot one. A- Les Misérables - Japan - 1997

FORMAT: video |  TRADER'S NOTES: Looking for a replacement link CAST: Yuichiro Yamaguchi (Jean Valjean), Mayo Kawasaki (Javert), Hiromi Iwasaki (Fantine), Yu Hayami (Cosette), Kazukata Ishii (Marius), Minako Honda (Éponine), Kojiro Oka (Enjolras), Yukio Yamagata (Thénardier), Bibari Maeda (Madame Thénardier) NOTES: Yamaguchi’s first of fourteen year as Valjean. Les Misérables - Madrid - 1993 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Pedro Ruy Blas (Jean Valjean), Miguel del Arco (Javert), Gema Castaño (Fantine), Luisa Torres (Cosette), Carlos Marín (Marius), Margarita Marbán (Éponine), Enrique R del Portal (Enjolras), Francisco La Hoz (Thénardier), Connie Philip (Madame Thénardier) Les Misérables - Madrid Revival - July 14, 2011 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Gerónimo Rauch (Jean Valjean), David Ordinas (Javert), Virginia Carmona (Fantine), Talía del Val (Cosette), Guido Balzaretti (Marius), Lydia Fairén (Éponine), Daniel Diges (Enjolras), Enrique R del Portal (Thénardier) NOTES: Multi-Camera proshot Les Misérables - Netherlands - 1991/1992 (Pro-Shot's master) FORMAT:  VOB (no smalls) (SD) CAST: Henk Poort (Jean Valjean), Ernst Daniël Smid (Javert), Pia Douwes (Fantine), Marika Lansen (u/s Cosette), Danny de Munk (Marius), Vera Mann (Éponine), Uwe Kröger (u/s Enjolras), Filip Bolluyt (u/s Thénardier), Simone Kleinsma (Madame Thénardier), Maya Hakvoort, Peter de Smet NOTES: This video starts with the Les Mis flag and the last scene is a close-up. Les Misérables - Paris - 1991 FORMAT:  VOB (with smalls) (SD) CAST: Robert Marien (Jean Valjean), Patrick Rocca (Javert), Marie Zamora (Cosette), Jérôme Pradon (Marius), Stéphanie Martin (Éponine), Julien Combey (Enjolras), Laurent Gendron (Thénardier), Marie-France Roussel (Madame Thénardier) NOTES: Act 1 + finale of act 2. This is 100% NOT Louise Pitre playing Fantine Les Misérables - Second Broadway Revival - March 1, 2014 (Preview) (Highlights) (where is your red schaaaf's master) FORMAT:  MOV (HD) CAST: Ramin Karimloo (Jean Valjean), Will Swenson (Javert), Caissie Levy (Fantine), Samantha Hill (Cosette), Andy Mientus (Marius), Nikki M James (Éponine), Kyle Scatliffe (Enjolras), Cliff Saunders (Thénardier), Keala Settle (Madame Thénardier), Gaten Matarazzo (Gavroche) NOTES: First preview. It includes most of the show. Loud excited audience. Blind shot from stage right third row, with no zooms. Keala Settle sprained her ankle at some point between The Robbery and One Day More, resulting in her not being in One Day More and using a cane during Wedding Chorale/Beggars at the Feast. Les Misérables - Second Broadway Revival - March 8, 2014 (Preview) (SunsetBlvd79's master) FORMAT:  MP4 (SD) CAST: Ramin Karimloo (Jean Valjean), Will Swenson (Javert), Caissie Levy (Fantine), Samantha Hill (Cosette), Andy Mientus (Marius), Nikki M James (Éponine), Kyle Scatliffe (Enjolras), Cliff Saunders (Thénardier), Keala Settle (Madame Thénardier), Joshua Colley (Gavroche) NOTES: Audience was full of excitement! The last 20 seconds are missing from the very end due to battery issues Les Misérables - Second Broadway Revival - August 21, 2014 (SJ Bernly's master) FORMAT:  VOB (with smalls) (SD) CAST: Nathaniel Hackmann (u/s Jean Valjean), Earl Carpenter (Javert), Caissie Levy (Fantine), Samantha Hill (Cosette), Andy Mientus (Marius), Nikki M James (Éponine), Kyle Scatliffe (Enjolras), Cliff Saunders (Thénardier), Keala Settle (Madame Thénardier), Joshua Colley (Gavroche), Mia Sinclair Jenness (Little Cosette), Angeli Negron (Young Éponine), Adam Monley (The Bishop) NOTES: A fantastic capture of this lavish production. It’s refreshing to see different faces in the lead roles, and both Nathaniel and Earl carry the show well. Nathaniel’s vocals are powerful and he has a great rapport with Caissie and Samantha. A lovely capture overall with no obstruction. Look Down is mostly blacked out and there are a couple quick dropouts during The Bishop scene and Lovely Ladies, but the show is otherwise fully intact. There is also some washout in high contrast wide shots. It’s filmed in 16:9, with a mix of wides, mediums, and close-ups. The sound is excellent. Includes curtain call and playbill scans. Les Misérables - Second Broadway Revival - July 1, 2015 FORMAT:  MP4 (HD) CAST: Ramin Karimloo (Jean Valjean), John Rapson (u/s Javert), Erika Henningsen (Fantine), Melissa Mitchell (u/s Cosette), Chris McCarrell (Marius), Brennyn Lark (Éponine), Wallace Smith (Enjolras), Gavin Lee (Thénardier), Rachel Izen (Madame Thénardier), Sam Chuck (Gavroche), Joe Spieldenner (Grantaire), Weston Wells Olson (s/w Combeferre) NOTES: Act I begins at "The Runaway Cart" and nearly complete Act II. Some obstructions, but audio is quite good. Rapson's last Javert. Les Misérables - Spanish Tour - December 21, 2013 (House-Cam's master)

FORMAT: video CAST: Nicholas Martinelli (Jean Valjean), Ignasi Vidal (Javert), Elena Medina (Fantine), Talía del Val (Cosette), Guido Balzeratti (Marius), Lydia Fairén (Éponine), Manu Pilas (u/s Enjolras), Armando Pita (Thénardier), Eva Digo (Madame Thénardier), Samuel Gomez (Grantaire) Les Misérables - Tecklenburg - 2006 (1) (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Chris Murray (Jean Valjean), Marc Clear (Javert), Jana Werner (Fantine), Barbara Köhler (Éponine) NOTES: Different from the other video of this production; multicam proshot. Definitely a different performance too.  

Les Misérables - Third UK (25th Anniversary) Tour - June 20, 2010 (thewho's master) FORMAT:  VOB (with smalls) (SD) CAST: John Owen-Jones (Jean Valjean), Earl Carpenter (Javert), Madalena Alberto (Fantine), Katie Hall (Cosette), Luke Kempner (u/s Marius), Rosalind James (Éponine), Jon Robyns (Enjolras), Ashley Artus (Thénardier), Lynne Wilmott (Madame Thénardier), Jordi Clark (Gavroche), David Lawrence (The Bishop), Adam Linstead (Grantaire), David Covey (Combeferre), Owain Williams (Feuilly), Christopher Jacobsen (Courfeyrac), Rhidian Marc (Joly), David Lawrence (Lesgles), Carl Mullaney (Claquesous), Carl Mullaney (Bamatabois) NOTES: Act 1 starts at At The End of the Day, Act 2 starts at Drink with me. okay quality though blurry and shaky throughout. Les Misérables - Third UK (25th Anniversary) Tour - September 17, 2010 (thewho's master) FORMAT:  VOB (with smalls) (SD) CAST: Christopher Jacobsen (u/s Jean Valjean), Earl Carpenter (Javert), Madalena Alberto (Fantine), Katie Hall (Cosette), Gareth Gates (Marius), Rosalind James (Éponine), Jon Robyns (Enjolras), Ashley Artus (Thénardier), Lynne Wilmott (Madame Thénardier), David Lawrence (The Bishop), Adam Linstead (Grantaire), David Covey (Combeferre), Owain Williams (Feuilly), Peter Manchester (u/s Courfeyrac), Jamie Muscato (Jean Prouvaire), Rhidian Marc (Joly), David Lawrence (Lesgles), Luke Kempner (Montparnasse) NOTES: Barbican Center Theatre, London. First time in history two same productions of a major musical played in the same city. Les Misérables - West End - May 9, 1987 (House-Cam's master) FORMAT:  MP4 (SD) CAST: Martin Smith (u/s Jean Valjean), Clive Carter (Javert), Kathleen Rowe McAllen (Fantine), Jacinta Mulcahy (Cosette), Maurice Clarke (u/s Marius), Jayne Draper (Éponine), Martin George (Enjolras), David Delve (Thénardier), Myra Sand (Madame Thénardier), Cameron Stewart (u/s Grantaire) NOTES: Commonly mistaken as December 28, 1988! Martin Smith was part of the West End cast for 6 months starting December 1986, and the non-circulated first-generation DVD labels the date as 1987/05/09. Les Misérables - West End - December 28, 1991 (House-Cam's master) FORMAT:  VOB (with smalls) (SD) CAST: Stig Rossen (Jean Valjean), Paul Leonard (Javert), Jenna Russell (Fantine), Sarah Jane Hassell (Cosette), Daryll Winslow (Marius), Meredith Braun (Éponine), Mike Sterling (u/s Enjolras), David Hampshire (u/s The Bishop), Amanda Dainty (u/s Factory Girl) NOTES: Black and white. Audio is nice and clear. A more rare color version does exist. (Proof: https://youtu.be/KI_KHnLwk_k) Les Misérables - West End - May 6, 2006 FORMAT:  VOB (with smalls) (SD) CAST: Tim Godwin (u/s Jean Valjean), Cornell John (Javert), Kerry Ellis (Fantine), Julia Möller (Cosette), Hayden Tee (Marius), AJ Callaghan (u/s Éponine), Nolan Dark (u/s Enjolras), Barry James (Thénardier), Tracie Bennett (Madame Thénardier) NOTES: Taper’s comments: Amanda and Nolan are better than the principles and Tim sounds uncannily like JOJ (Home Counties accent not-withstanding). He first understudied in 1999, when JOJ was the principal, which may explain the similarity. About half of the Chain Gang song missing and filming starts in earnest during Valjean on parole. Other parts missed because of ushers include several random one-second cover-ups, part of the wedding and about half of Finale. Heads in the way sometimes block the action on the lower right of the stage, but they are shot around well. Vantage point provides some interesting views such as of Fantine during Lovely Ladies. Wonderful performances from the entire cast but especially then soon-to-be-Elphaba Kerry Ellis. Les Misérables - West End - September 19, 2013 FORMAT:  VOB (with smalls) (SD) CAST: Daniel Koek (Jean Valjean), James Gant (u/s Javert), Na-Young Jeon (Fantine), Samantha Dorsey (Cosette), Rob Houchen (Marius), Carrie Hope Fletcher (Éponine), Anton Zetterholm (Enjolras), Cameron Blakely (Thénardier), Wendy Ferguson (Madame Thénardier), Ilan Galkoff (Gavroche), Caoimhe Judd (Little Cosette) Les Misérables - West End - June 14, 2014 FORMAT:  VOB (with smalls) (SD) CAST: Daniel Koek (Jean Valjean), Tam Mutu (Javert), Na-Young Jeon (Fantine), Samantha Dorsey (Cosette), Dougie Carter (Marius), Carrie Hope Fletcher (Éponine), Anton Zetterholm (Enjolras), Cameron Blakely (Thénardier), Wendy Ferguson (Madame Thénardier), Carl Mullaney (Grantaire) NOTES: Final performance of the 2013/14 cast Les Misérables - West End - July 9, 2015 (Highlights) (musicalmania123's master) FORMAT:  MP4 (HD) CAST: Peter Lockyer (Jean Valjean), Jeremy Secomb (Javert), Rachelle Ann Go (Fantine), Zoe Doano (Cosette), Rob Houchen (Marius), Carrie Hope Fletcher (Éponine), Bradley Jaden (Enjolras), Phil Daniels (Thénardier), Katy Secombe (Madame Thénardier) NOTES: Highlights only. Most of Act 1 and first 20 minutes of Act 2. Les Misérables - West End - May, 2011 FORMAT:  MP4 (HD) CAST: Jonathan Williams (u/s Jean Valjean), Norm Lewis (Javert), Rebecca Seale (Fantine), AJ Callaghan (u/s Cosette), Gareth Gates (Marius), Samantha Barks (Éponine), Killian Donnelly (Enjolras), Martin Ball (Thénardier), Katy Secombe (Madame Thénardier) Les Misérables - West End - Spring, 2013 FORMAT:  VOB (with smalls) (SD) CAST: Chris Holland (u/s Jean Valjean), Tam Mutu (Javert), AJ Callaghan (u/s Fantine), Samantha Dorsey (Cosette), Jamie Ward (Marius), Danielle Hope (Éponine), Christopher Jacobsen (Enjolras), Cameron Blakely (Thénardier), Vicky Entwistle (Madame Thénardier) NOTES: Please make sure your copy isn't September 19, 2013!

[gaygerwig]

Watching the us olympic track & field trials & im like omg this is just like Personal Best 1982. But Where is sexy Patrice Donnelly!!!

[byneddiedingo]

Amy Adams and Jeremy Renner in Arrival (Denis Villeneuve, 2016) Cast: Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, Mark O'Brien, Tzi Ma. Screenplay: Eric Heisserer, based on a story by Ted Chiang. Cinematography: Bradford Young. Production design: Patrice Vermette. Film editing: Joe Walker. Music: Jóhann Jóhannsson. Like his film Sicario (2015), Denis Villeneuve's Arrival seems to be torn between two aims that don't merge comfortably. On one hand, it's a fairly conventional first-encounter sci-fi thriller, with plucky good guys at odds with the bureaucracy and the military, and an 11th-hour, 59th-minute rescue of the world from self-destruction. On the other, it's a provocative exploration of some big ideas about language and time and the nature of humanity. Villeneuve's natural inclination seems to be toward the latter, which may be why so much of the film is dark -- not just tonally, but visually, so that we only begin to see much of the action in full light toward the end. Cinematographer Bradford Young's cameras seem to be stopped down to the point that I often had trouble discerning what's happening. Presumably this gradual emergence into light is a metaphor for the illumination that comes to linguistics professor Louise Banks (Amy Adams) as she learns to communicate with the aliens and to understand not only why they are visiting the Earth but also what it means for her own life. It's a good, chewy film with some fine performances, and I welcome any sci-fi movie that makes its audiences work to comprehend its ideas. But I also wished for more exploration of those ideas, and how Banks and physicist Ian Donnelly (Jeremy Renner), our heroes, came to arrive at them. The film stints on dramatizing the process of discovery for the sake of building suspense and making some obvious points about media hysteria. It gets in a nice dig at conspiracy charlatans like Alex Jones, and even at certain cable news outlets, as when Louise tells her mother she shouldn't be watching "that channel." But I wanted more specifics on how the teams of linguists and mathematicians began to decode the language of the heptapods, a close encounter of the word kind. Still, any movie that valorizes thought is welcome in these days of comic-book-based blockbusters aimed at the gut.

[skaterloaf]

Personal Best (1982) dir. Robert Towne