#pat of silver bush

[lmmontgomerypolls]

poll submitted by 👤anonymous

* difficulty level: CURSED 🚫

** this poll is assuming everyone listed is age appropriate for each other and adults, with full acknowledgement that these couples can/do create timeline issues otherwise

[no-where-new-hero]

Throwing in my hat into the LMM Rankings ring with...

Favorite LMM Abodes

Top Tier: Homiest Homes I Want to Live In

The Disappointed House (Emily of New Moon). A home you've loved since you were a child but isn't your childhood home but a fantasy of being grown-up and independent. A home you do eventually share with the love of your life. But also a home you got to decorate exactly according to your taste because your wealthy older paramour bank-rolled the operation and understood about the necessity of cupboards. A home haunted by ghosts but they're friendly and familiar ghosts. No, it may not be homey to most, but it is because it so aptly feels like an extension of you.

Patty's Place (Anne of the Island). On the other hand, sometimes you just want to live out a kind of intellectual sapphic eden with some friends and your gal pal and your gal pal's cool aunt and a couple of cats. A home that welcomes men and romance *sometimes* and then the rest of the time it's books and fireplaces and chats and hijinks.

Green Gables (AOGG). This is in the top tier simply because I couldn't bear to put it anywhere else. It's the place where Anne finds herself, finds love and companionship, endures some of her most important experiences.

2nd Tier: Homes I wouldn't mind living in as long as I acclimated to rural life

New Moon (EONM). Emily may love skimming pans for cream and helping Jimmy boil pigs potatoes but such arts are beyond me. At the same time, I'm not afraid of cows. And the garden and graveyard and orchard are manor-house-level accessories these days, so I would feel quite grand living here.

Lantern Hill (Jane of Lantern Hill). At least Jane doesn't farm, and I think I could handle her kitchen providing I had her supply of kitchen gadgets. I have also toasted my face while broiling fish, so I'm aware of the housekeeping hazards.

Cloud of Spruce (Magic for Marigold). This is this high up simply because it's well known for its cats and has a cozy, contented air despite its denizens. It feels less real than LMM's other houses, but everyone dreams of living in a fairy house once in a while.

3rd Tier: Homes that are Characters (so does that mean being in them implicates me in the narrative?)

The Mistawis cottage (The Blue Castle). TBC is a Gothic romance to me simply because of how important the cottage is (though it's also a Bluebeard retelling apparently so!) to Valancy as a person. A little wild, a little reclusive, but open and giving to those it loves. I would love a Blue Castle but I personally could not stand the mosquitoes that would invade off the water.

Silver Bush (Pat of Silver Bush). It's been very well argued that Silver Bush is the love of Pat's life and that Pat exists more as the numen of her house than as a real person. The house gets its own "introducing" chapter, laid out without a character's intermediary. It's huge, overwhelming, a more parasitic version of New Moon.

Tansy Patch (Emily of New Moon). The fact that Teddy comes from a House (unlike Ilse, who just has a house, and Perry, whose Stovepipe Town above is vague and ambiguous) automatically makes him important. He comes from this shadowy place, but do its shadows follow him? And how far?

4th Tier: Picturesque

Ingleside (AOGG). I've seen the real house that Ingleside is based off of, and it's not aesthetically my cup of tea, but I've always thought it would be glorious to grow up in a big rambling, bustling, bursting-with-people house. But it lacks a bit of oomph in the narrative.

Wyther Grange (Emily of New Moon). On the other hand, the Grange packs a punch in its small inclusion. I would like to spend a night in the pigeon-haunted pink room, please and thank you.

Echo Lodge (Anne of Avonlea). The echoes and Miss Lavender seem good company, but I would not be able to hide away there for years and years (I'm always posting on this damn blog).

I know there are more I'm forgetting, but here's what I've got so far. Would love to know other people's rankings too!

[nerdyrevelries]

Castles in the Air

I'm extremely excited to announce that the game I've been working on for the past 4 years is coming to Kickstarter! Castles in the Air (CitA) is a tabletop RPG inspired by the novels of Louisa May Alcott and L.M. Montgomery. Players start as children with boundless dreams who will change over the years based on the relationships they form and choices they make. I think it's a really special game, and I'm looking forward to being able to share it with everyone.

For more information or to sign up to be notified when the Kickstarter launches on May 14th, please check out the game's page on the Storybrewers Roleplaying website. If that name sounds familiar, Storybrewers is the company that created Good Society: A Jane Austen RPG. I feel very honored that they reached out to me about publishing Castles in the Air. While Castles in the Air is a standalone game, its mechanics are inspired by Good Society, and if you like Good Society, I think you'll like CitA too as it allows you to tell similarly compelling stories.

I will be creating some blog posts talking about the literary inspirations for different parts of the game in the weeks leading up to the Kickstarter and during its run. I will be using this as a master post to keep track of all of them, so make sure to check back here or follow my blog if you are interested.

Blog Posts

Meg March: The Nurturer

Jo March: The Pragmatist

[the-moral-of-the-rose]

If anybody wanted to write a crossover between L.M. Montgomery's books, here is a little help with the ages of the characters (@no-where-near-hero maybe it will be a tiny help for your fanfic):

Anne Shirley - born on 5th of March 1865

Gilbert Blythe - born in 1862 or 1863

James Matthew "Jem" Blythe - born in July 1893

Walter Cuthbert Blythe - born in 1894

Anne "Nan" and Diana "Di" Blythe - born in 1896

Shirley Blythe - born in 1888*

Bertha Marilla "Rilla" Blythe - born in 1900*

Gerald "Jerry" Meredith - born 1894

Faith Meredith - born 1895

Una Meredith - born 1896

Thomas Carlyle "Carl" Meredith - born 1897

Jims Anderson - born in August of 1914

Emily Byrd Starr - born on 19th of May 1888

Ilse Burnley - born in 1888 (probably)

Perry Miller - born in 1887

Frederick "Teddy" Kent - 1887 or 1888

Dean Priest - born in 1865

Patricia "Pat" Gardiner - born in 1913

Rachel "Rue" Gardiner - born in 1919

Winnifred "Winnie" Gardiner - born in 1910

Sidney "Sid" Gardiner - born in 1912

Joseph"Joe" Gardiner - born in 1908

Hilary Gordon - born in 1911

Elizabeth "Bets" Wilcox - born in 1913

David Kirk - born around 1893

Jane Stuart - born in May 1918 or 1919

Valancy Stirling* - born 1883**

Barney Snaith - born 1877**

Cecilia "Cissy" - born 1886**

Olive Stirling - born 1884**

Gay Penhallow - born in 1904***

Nan Penhallow - born in 1904***

Roger Dark - born in 1890***

Donna Dark - born between 1894 and 1896***

Virginia Powell - born between 1894 and 1896***

Peter Penhallow - born between 1888 and 1890***

Margaret Penhallow - born 1872***

Brian Dark - born 1916***

Hugh Dark - born in 1887***

Joscelyn Penhallow: born between 1889-1892***

*In both Anne of Ingleside and Rainbow Valley Shirley is two years older than Rilla. But in Rilla of Ingleside, he turns eighteen few months before Rilla... it is pure chaos. Rilla was supposed to be nearly fourteen, according to the RV, in 1914, but she is nearly fifteen in RoI. So I apologize, but I had a lot of trouble here...

**The Blue Castle is the most difficult to place in time. It is set several years before it was published, and in my own opinion: before Tangled Web and Pat of Silver Bush. Why? Because of this reference: "This was before the day of bobs and was regarded as a wild, unheard-of proceeding—unless you had typhoid." (The Blue Castle). Bobs were already "in fashion" at the beginning of Pat of Silver Bush (so, in 1919, when Pat was six years old: it was said that Winnie wanted to have her hair bobbed) and in Tangled Web (which is set in 1922). Yet, the cars, motorboats and movie theaters were a rather common occurence in The Blue Castle's times. But... there might be an explanation. Valancy doesn't live on PEI, which might have been a little "behind" the rest of Canada, as far as modern technology went. It is my own personal opinion, but I think that it might be set just before the war, at the same time as the end Emily's Quest. I know that the clothes seem more "modern" in TBC, but Emily wore "a little sport suit" and dress that was described as followed "there was so little of it". Teddy and Perry both had cars, as sone of Ilse's cousins. I would say that the Blue Castle book might be set around 1912-1913. Still, the timeline is extremely elusive. Please, let me know, dear Blue Castle Book Club's members, what is your opinion? I think I have read some amazing discussion about TBC's timeline a long time ago, but if I remember correctly, everyone was certain that this novel was set post WWI (me included, until this very moment when I tried to place Pat and Tangled Web and remembered the "bob" quote). So I choose 1912 as the beginning of TBC, when Valancy was twenty-nine.

*** the ages of characters in Tangled Web:

"They were first cousins, who were born the same day and married the same day,--Donna to her own second cousin, Barry Dark, and Virginia to Edmond Powell--two weeks before they had left for Valcartier. Edmond Powell had died of pneumonia in the training camp, but Barry Dark had his crowded hour of glorious life somewhere in France." (Tangled Web).

"Virginia Powell, whose husband had been dead eight years and who was young and tolerably beautiful" (Tangled Web).

"Valcartier, Quebec was the primary training base for the First Canadian Contingent in 1914."

- from: https://www.warmuseum.ca/firstworldwar/history/going-to-war/canada-enters-the-war/training-at-valcartier/

So, from this I assumed that Virginia's husband died in 1914 (so Tangled Web is set in 1922-23). Gay is 18 at the beginning, so she would be born in 1904. If Donna and Virginia were 18-20 when they got married, they would be 26-28 (so still "young"). at the beginning. Peter was 14 when Donna was 8, so he'd be 32-34 at the beginning of the book (same age or a bit older than Roger). Hugh was 35 at the beginning. I guess Joscelyn was a bit younger- most of LMM's heroines are at least two years younger than their love interest. I'd say she might have been 20-23 when she got married, so she'd be around 30-33 at the beginning of the book. I would say Brian is about six years old - he doesn't seem to attend school yet, but is big enough to be sent to the harbour. Margaret Penhallow was about fifty at the beginning of the book.

So sorry that this post was rather long, but it was a great fun to write (even if it took me A LOT of time). Thank you for reading. Please, let me know if you agree. Any feedback will be very welcome!

[alwayschasingrainbows]

My little quest to find the most iconic dresses for Montgomery's girls.

None of the pictures is mine. They are all from Pinterest. They may be historically inaccurate. They are also not ideal :).

Valancy Stirling:

"She got a pretty green crêpe dress with a girdle of crimson beads, at a bargain sale, a pair of silk stockings, to match, and a little crinkled green hat with a crimson rose in it." (The Blue Castle).

"She had a little smoke-blue chiffon which she always put on when they spent the evening at home—smoke-blue with touches of silver about it." (The Blue Castle).

My idea of what Valancy's (borrowed) masquerade dress MIGHT have looked like.

"Once they did go to a masquerade dance in the pavilion at one of the hotels up the lake, and had a glorious evening, but slipped away in their canoe, before unmasking time, back to the Blue Castle." (The Blue Castle).

Emily Byrd Starr

On the left: "It is to be of shot silk, blue in one light, silver in others, like a twilight sky, glimpsed through a frosted window-pane—with a bit of lace-foam here and there, like those little feathers of snow clinging to my window-pane." (Emily Climbs)

On the right: "An arrow of rhinestones in her dark hair—she had hair that wore jewels well—lent the necessary note of brilliance to the new dress of silvery-green lace over a pale-blue slip that became her so well." (Emily's Quest).

On the left: "it was a pretty crepe thing, of a pinkish-grey—the shade, I think, which was then called ashes-of-roses—and was made collarless—a great concession on Elizabeth's part—with the big puffed sleeves that look very absurd to-day, but which, like every other fashion, were pretty and piquant when worn by the youth and beauty of their time." (Emily Climbs).

On the right: "I want you to wear harebell blue gauze over ivory taffeta for your bridesmaid dress, darling" (Emily's Quest).

Anne Shirley:

"Oh, how pretty it was—a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashionable way, with a little ruffle of filmy lace at the neck. But the sleeves—they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon." (Anne of Green Gables).

"In her light dress, with her slender delicacy, she made him think of a white iris." (Anne of Island).

Rilla Blythe

"Miss Oliver, shall I wear my white dress tonight or my new green one? The green one is by far the prettier, of course, but I'm almost afraid to wear it to a shore dance for fear something will happen to it." (Rilla of Ingleside).

Pat Gardiner:

On the right: "Pat slipped into the house and flung a bright-hued scarf over her brown dress with its neck-frill of pleated pink chiffon. She always thought she looked nicer in that dress than any other." (Pat of Silver Bush).

On the left: "Pat had on her blue linen afternoon dress...which, incidentally, was the most becoming thing she owned."(Pat of Silver Bush).

And bonus:

Robin Stuart

"She wore a dress of pale yellow taffeta, with a great rose of deeper yellow velvet at one of her beautiful shoulders. Jane thought she looked like a lovely golden princess, with the slender flame of the diamond bracelet on the creamy satin of her arm."(Jane of Lantern Hill).

"[M]other came in to kiss her good night, cool, slim and fragrant, in a dress of rose crêpe with little wisps of lace over the shoulders. Mother's blue eyes seemed to mist a little."(Jane of Lantern Hill).

"She wore a green dress the first time I saw her...well, if any other girl had worn the dress, it would have been a green dress and nothing more. On Robin it was magic ...mystery...the robe of Titania. I would have kissed the hem of it." (Jane of Lantern Hill).

Another bonus (because her style is so iconic):

Ilse Burnley

"Ilse in a yellow silk gown the colour of her hair and a golden-brown hat the colour of her eyes, giving you the sensation that a gorgeous golden rose was at large in the garden." (Emily's Quest).

"Ilse, a glorified shining creature in torquoise-blue taffeta, looking the queen with a foam of laces on her full bosom and rose-and-silver nosegays at her shoulder." (Emily's Quest).

Hope you enjoyed this little compilation:) Feel free to add more ideas!

[notwantedonthemoon]

Alright, so, I wrote something. I am remarkably proud of myself because I added drawings, and also memes. Please read my work solely for the memes. 

Here is an analysis on ASD (autism spectrum disorder) and how it presents in the novel, Not Wanted on the Voyage by Timothy Findley, and it goes over stuff like how: 

Several characters in the novel are, to varying degrees of intensity, autistic-coded. 

Several recurring themes in the novel would resonate very strongly with an autistic audience (me. I am the autistic audience) 

The various environments presented in the novel and their cultural differences are very interesting when used in an autistic reading of the book. 

Other books that I wrote about in this analysis are the Pat of Silver Bush books, the Emily of New Moon books, and Anne of Green Gables, all by L.M. Montgomery! I talk about how all three series have very, very autistic-coded protagonists. I love them all. 

This read would be useful if you’re looking for character analysis and an examination of the social structures in the setting of Not Wanted on the Voyage. It is published on two platforms, both with their pros and cons. 

The academia.edu link is here.

The many Medium links are here: An introduction.

An overview of NWOTV's setting.

Mottyl.

Ham Noyes (and Patricia Gardiner).

Mrs Noyes.

Lucy (and Emily Byrd Starr).

Hannah Noyes (and Anne Shirley-Cuthbert).

Concluding notes and sources.

On academia.edu: 

If you need to cite this article for whatever reason, it’ll probably be easier to cite this link instead of Medium! 

It’s! Colour-coded! 

Unfortunately, I did not split up my essay at all so if you read on here prepare for a good deal of scrolling.

On Medium: 

I could not figure out how to do colour coding on Medium. :( And they didn’t let me upload my colour-coded pdf.

On the bright side, the essay is split up into more manageable sections so it’s easier to read on here.

[EDITED] I HAVE SOLVED THE PROBLEM OF THE PAYWALL. The links attached in this Tumblr post all work. HOWEVER, the links attached within the articles are not as likely to work. (I tested them). I do not know how to fix that yet.

There are content warnings at the beginning of each section. Have fun! 

[maud-heroine]

How beautiful does Silver Bush look? No wonder Pat was crazy obsessed with it! I didn't know it was in front of the Lake of Shining Waters and that just makes it so much better. This is the house where Maud got married in 1911 too and she loved it very much, just like her heroine.

This is the greatest house in the world for fun. We have had so many jolly rackets here that the very walls seem permeated with the essence of ‘good times.’ From my earliest recollection a visit to Silver Bush is the greatest treat in the world. Each room has its memories.

— The Selected Journals of L.M. Montgomery, Vol. 1

source

[dandelionsandderivatives]

When i was a child, my parents' bookshelf held both Pat of Silver Bush and Mistress Pat. By the time I was in high school, Pat of Silver Bush had disappeared mysteriously, and so I read through Mistress Pat. I remember very little except that the main character really loved her house and that there were a lot of references to the earlier book.

This year, I discovered the L M Montgomery community here, and everyone kept mentioning the Pat duology and how it was somewhat creepy. I decided to see for myself, and I read Pat of Silver Bush this weekend.

Okay, I see what you all mean, and I can't tell if Montgomery was doing this intentionally. By the end of the book, I was getting pretty sick of Pat; her one true character trait is that she doesn't like things to change, and everything has to be in service to that. In the earlier chapters of the book it feels more normal (after all, Pat is a small child, and it makes sense that she feels some anxiety about big-to-her changes), but she's in her mid-teens by the time the book ends, and her main concern still seems to be "keeping everything the same" regardless of how it affects other people.

The other thing that stands out to me is that Pat, unlike the rest of the L. M. Montgomery heroines, has no interest outside her house. Sure, Valancy dreamed of having a nice home and babies, but she also wanted to learn about the woods and to have a cat and to read about the outside world. She has interests. While reading this, I felt a little unsettled that I disliked Pat so much, when the only offense she had committed was talking about wanting to give up her chance at a teacher's license and stay home. And then I realized the thing that was really bothering me about her is not that she liked to make cakes and keep house, but that she is only interested in cakes and keeping house as they pertain to keeping her childhood home exactly as it always has been. It really does begin to feel like Pat (the antithesis of Valancy) is owned by her house. I have no idea what she's like outside it, because it's her only frame of reference for anything.

So anyway, I think all of you who said that L. M. Montgomery was actually writing a horror novel were correct. Was it intentional, do you think?

[mzannthropy]

like the cintipede that had rheumatism in one av his legs but cudn't tell which

Okay but this is a funny line.

[redhairedanne]

Lucy Maud Montgomery - Pat of Silver Bush

[constantvigilante]

I love how LMM shows children's relationship with faith. The ultimate powerless trying to relate to the ultimate powerful, struggling not with the idea of that power (they're surrounded by things above their reach and understanding) but coming to grips with how to interact with it, and doing so with honest passion and fear. I love seeing adults be scandalized by it but what's more natural? And what do you expect? Adults pray for wicked things plenty, why wouldn't a child? It's actually more impressive that the kid knows it's wrong and decides against it, even if she was scared out of it.

What do you think she can tell God that he wouldn't already know, my girl? But what a great threat still. And from Judy as well: a very monkey's paw moment.

[lmmontgomerypolls]

poll submitted by 👤anonymous

* these characters would not be competing against each other, they’d be competing against other tributes from panem districts

** emily gif from @emilyofnewmoongifs, anne gif from google

[raspberryzingaaa]

Just remembered that Hilary didn't come say goodbye to McGinty before he died. >:(

[the-moral-of-the-rose]

A tribute to the cats of Montgomery's books.

Part 1. Anne Shirley (later: Blythe).

Rusty-the cat (the fighter):

"The animal was well past kitten-hood, lank, thin, disreputable looking. Pieces of both ears were lacking, one eye was temporarily out of repair, and one jowl ludicrously swollen. As for color, if a once black cat had been well and thoroughly singed the result would have resembled the hue of this waif’s thin, draggled, unsightly fur." (Anne of The Island).

"But, like Kipling’s cat, he “walked by himself.” His paw was against every cat, and every cat’s paw against him. One by one he vanquished the aristocratic felines of Spofford Avenue. As for human beings, he loved Anne and Anne alone. Nobody else even dared stroke him. An angry spit and something that sounded much like very improper language greeted any one who did.

“The airs that cat puts on are perfectly intolerable,” declared Stella." (Anne of The Island).

(He does get better looking though! He's said to become "plum and sleek" and his eyes heal!).

A fighter,

Independent,

Daring,

A survivor of an attempt of "chlorophorm murder".

Joseph-the-cat (a big fat softie that could fight if needed):

"Joseph, as the disgusted Stella said, looked like a walking rag-bag. It was impossible to say what his ground color was. His legs were white with black spots on them. His back was gray with a huge patch of yellow on one side and a black patch on the other. His tail was yellow with a gray tip. One ear was black and one yellow. A black patch over one eye gave him a fearfully rakish look. In reality he was meek and inoffensive, of a sociable disposition. In one respect, if in no other, Joseph was like a lily of the field. He toiled not neither did he spin or catch mice. Yet Solomon in all his glory slept not on softer cushions, or feasted more fully on fat things." (Anne of The Island).

"But Joseph rashly sat up and yawned. Rusty, burning to avenge his disgrace, swooped down upon him. Joseph, pacific by nature, could fight upon occasion and fight well. The result was a series of drawn battles. Every day Rusty and Joseph fought at sight. Anne took Rusty’s part and detested Joseph. Stella was in despair. But Aunt Jamesina only laughed." (Anne of The Island).

Joseph-with-a-coat-of-many-colors,

soft bean,

non-offensive,

sweet,

meek and gentle,

could fight if needed.

Sarah-the-cat (dignified queen):

"Sarah-cat gravely sat herself down before the fire and proceeded to wash her face. She was a large, sleek, gray-and-white cat, with an enormous dignity which was not at all impaired by any consciousness of her plebian origin. She had been given to Aunt Jamesina by her washerwoman.

“Her name was Sarah, so my husband always called puss the Sarah-cat,” explained Aunt Jamesina. “She is eight years old, and a remarkable mouser. Don’t worry, Stella. The Sarah-cat never fights and Joseph rarely.” (Anne of The Island).

"Rusty lowered his head, uttered a fearful shriek of hatred and defiance, and launched himself at the Sarah-cat.

The stately animal had stopped washing her face and was looking at him curiously. She met his onslaught with one contemptuous sweep of her capable paw. Rusty went rolling helplessly over on the rug; he picked himself up dazedly. What sort of a cat was this who had boxed his ears? He looked dubiously at the Sarah-cat. Would he or would he not? The Sarah-cat deliberately turned her back on him and resumed her toilet operations. Rusty decided that he would not. He never did. From that time on the Sarah-cat ruled the roost. Rusty never again interfered with her." (Anne of The Island).

Dignified,

Queenly,

Aloof,

A remarkable mouser,

Proud,

Ruler of the Patty's Place.

Such a queen.

Shrimp (best-family-cat):

"He seems to have recovered nicely from it," said Anne, stroking the glossy black-and-white curves of a contented pussy with huge jowls, purring on a chair in the firelight. [...] As for the Shrimp, Gilbert had called him that a year ago when Nan had brought the miserable, scrawny kitten home from the village where some boys had been torturing it, and the name clung, though it was very inappropriate now." (Anne of Ingleside).

Loves people,

good with children,

likes sleeping curled up with a member of his human family,

forgiving,

patient,

a little ray of sunshine.

Pussywillow (a little lady of the night sky):

"The Shrimp basked in the glow and Nan's kitten, Pussywillow, which always suggested some dainty exquisite little lady in black and silver, climbed everybody's legs impartially. "Two cats, and mouse tracks everywhere in the pantry," was Susan's disapproving parenthesis." (Anne of Ingleside).

Pretty,

Black and silver like a night sky,

Purring,

Dainty,

Sweet.

Jack Frost (a girl in hiding):

"Four years previously Rilla Blythe had had a treasured darling of a kitten, white as snow, with a saucy black tip to its tail, which she called Jack Frost. Susan disliked Jack Frost, though she could not or would not give any valid reason therefor.

"Take my word for it, Mrs. Dr. dear," she was wont to say ominously, "that cat will come to no good."

"But why do you think so?" Mrs. Blythe would ask.

"I do not think—I know," was all the answer Susan would vouchsafe.

With the rest of the Ingleside folk Jack Frost was a favourite; he was so very clean and well groomed, and never allowed a spot or stain to be seen on his beautiful white suit; he had endearing ways of purring and snuggling; he was scrupulously honest.

And then a domestic tragedy took place at Ingleside. Jack Frost had kittens!" (Rilla of Ingleside).

White and beautiful,

Clean and well-groomed,

Endearing,

Lovely,

Snuggler and purrer,

Mother of Dr. Jekyll and Mr. Hyde,

"Diabolical" cat according to Susan.

Dr. Jekyll and Mr. Hyde (a cat suffering from bipolar disorder):

"In his Dr. Jekyll mood the cat was a drowsy, affectionate, domestic, cushion-loving puss, who liked petting [...] When the Mr. Hyde mood came upon him—which it invariably did before rain, or wind—he was a wild thing with changed eyes. The transformation always came suddenly. He would spring fiercely from a reverie with a savage snarl and bite at any restraining or caressing hand. His fur seemed to grow darker and his eyes gleamed with a diabolical light. There was really an unearthly beauty about him." (Rilla of Ingleside).

Orange and handsome,

Either sweet, purring, soft and cute, either dangerous and scary,

Possesed (?),

Some kind of mental illness (?),

A kitten of Jack Snow,

Called Goldie in his kittenhood,

Renamed by Walter.

Part 2. Emily Starr.

Mike the First (the fluffiest softie) and Saucy Sal (a badass girl):

"Mike had such a cute way of sitting up on his haunches and catching the bits in his paws, and Saucy Sal had her trick of touching Emily’s ankle with an almost human touch when her turn was too long in coming. Emily loved them both, but Mike was her favourite. He was a handsome, dark-grey cat with huge owl-like eyes, and he was so soft and fat and fluffy. Sal was always thin; no amount of feeding put any flesh on her bones. Emily liked her, but never cared to cuddle or stroke her because of her thinness. Yet there was a sort of weird beauty about her that appealed to Emily. She was grey-and-white—very white and very sleek, with a long, pointed face, very long ears and very green eyes. She was a redoubtable fighter, and strange cats were vanquished in one round. The fearless little spitfire would even attack dogs and rout them utterly." (Emily of New Moon).

Mike: soft, cute, fluffy, darling, handsome, purring, fat, cuddly.

Saucy Sal: a badass, fighter, brave, daring, sleek, green-eyed, gorgeous.

Smoke (the Aristo-cat):

"Smoke was a big Maltese and an aristocrat from the tip of his nose to the tip of his tail. There was no doubt whatever that he belonged to the cat caste of Vere de Vere. He had emerald eyes and a coat of plush. The only white thing about him was an adorable dicky." (Emily of New Moon).

Aristocrat,

Dignified,

Member of cat caste of Vere de Vere,

Eyes like jewels,

Dignified,

Beautiful.

Buttercup (a tiny cat-cherub):

"Buttercup was a chubby, yellow, delightful creature hardly out of kittenhood." (Emily of New Moon).

Delightful,

yellow ball of fluff,

cute,

small bean,

adorable.

Mike the Second (a cute furry grey demon of the night):

"Emily’s furry kitten, Mike II, frisked and scampered about like a small, charming demon of the night; the fire glowed with beautiful redness and allure through the gloom; there were nice whispery sounds everywhere. [...] (Emily of New Moon).

A gift from Old Kelly,

Cute, furry,

Charming, plump,

Fluffy,

Rescued by Emily,

A forever kitten,

Gone too soon.

Daffodil - Daff - Daffy (a life-long friend):

“The kitten was a delicate bit of striped greyness that reminded Emily of her dear lost Mikes. And it smelled so nice—of warmth and clean furriness, with whiffs of the clover hay where Saucy Sal had made her mother-nest." (Emily of New Moon).

"Daff," said Emily wearily, "you're the only thing in the world that stays put." (Emily's Quest).

"Don't you wish—or do you!—Daff, that you and I had been born sensible creatures, alive to the superior advantages of Quebec heaters!"(Emily's Quest).

Fluffy,

Grey,

Cute,

Nice,

Adorable,

Emily's friend and companion of her lonely years,

Snored loudly in his sleep during his later years,

Followed Emily everywhere,

My personal favourite.

Part 3. Pat Gardiner

Gentleman Tom (an immortal cat):

"Gentleman Tom sat beside Pat, on the one step from the landing into Judy's room, blinking at her with insolent green eyes, whose very expression would have sent Judy to the stake a few hundred years ago. A big, lanky cat who always looked as if he had a great many secret troubles; continually thin in spite of Judy's partial coddling; a black cat . . . "the blackest black cat I iver did be seeing." For a time he had been nameless. Judy held it wasn't lucky to name a baste that had just "come." Who knew what might be offended? So the black grimalkin was called Judy's Cat, with a capital, until one day Sid referred to it as "Gentleman Tom," and Gentleman Tom he was from that time forth, even Judy surrendering. Pat was fond of all cats, but her fondness for Gentleman Tom was tempered with awe." (Pat of Silver Bush).

Ageless,

Troubled,

Mysterious,

Fascinating,

Full of personality.

Bold-and-Bad (a mad-cat ball of energy):

'"Bold-and-Bad", the kitten of the summer, came flying across the yard to her. Pat picked him up and squeezed some purrs out of him. No matter what dreadful things happened at least there were still cats in the world."

"Even Bold-and-Bad, whom ordinarily nothing could subdue, crouched with an apologetic air under the stove."

"Sure and I will, Patsy darlint. Ye nadn't be fretting over Bold-and-Bad. He's living up to his name ivery minute of the day, slaping on the Poet's bed and getting rolled up in me shate of fly-paper. Sure and ye niver saw a madder cat." (Pat of Silver Bush).

Full of energy,

Mischievious,

Living up to his name,

Bold,

Bad-but-adorable,

Brave,

Unstoppable,

Always young.

Part 4. Valancy Stirling:

Banjo (a devilish philosopher):

"Banjo is a big, enchanting, grey devil-cat. Striped, of course. I don’t care a hang for any cat that hasn’t stripes. I never knew a cat who could swear as genteelly and effectively as Banjo. His only fault is that he snores horribly when he is asleep." (The Blue Castle).

Grey devil cat,

has his own chair,

rules his kingdom of Barney's hut,

a graceful swearer,

dignified,

Good Luck (a wistful philosopher):

"Luck is a dainty little cat. Always looking wistfully at you, as if he wanted to tell you something. Maybe he will pull it off sometime. Once in a thousand years, you know, one cat is allowed to speak. My cats are philosophers—neither of them ever cries over spilt milk." (The Blue Castle).

Dainty,

Wistfull,

Charming,

Enchanting,

Clever,

Interesting.

Part 5. Jane Stuart

Two Peters (little cuties):

"The Snowbeams told Jane their cat had kittens and she could have one. Jane went down to choose. There were four and the poor lean old mother cat was so proud and happy. Jane picked a black one with a pansy face—a really pansy face, so dark and velvety, with round golden eyes. She named it Peter on the spot. Then the Jimmy Johns, not to be outdone, brought over a kitten also. But this kitten was already named Peter and the Ella twin wept frantically over the idea of anybody changing it. So dad suggested calling them First Peter and Second Peter—which Mrs Snowbeam thought was sacrilegious. Second Peter was a dainty thing in black and silver, with a soft white breast. Both Peters slept at the foot of Jane's bed and swarmed over dad the minute he sat down."

"First Peter was sitting on the doorstone when Jane came downstairs, with a big mouse in his mouth, very proud of his prowess as a hunter." (Jane of Lantern Hill).

Cute,

Soft,

Adorable,

Lil hunters.

Silver Penny (small but mighty):

"Ding-dong had brought her a kitten to replace Second Peter...a scrap about as big as its mother's paw but which was destined to be a magnificent cat in black with four white paws. Jane and dad tried out all kinds of names on it before they went to bed and finally agreed on Silver Penny because of the round white spot between its ears." (Jane of Lantern Hill).

Beautiful,

Magnificent,

Adorable.

Part 6. Marigold Lesley

Lucifer and Witch of Endor (a devilish married couple):

"Of course the cats were present at the festivity also. Lucifer and the Witch of Endor. Both of black velvet with great round eyes. Cloud of Spruce was noted for its breed of black cats with topaz-hued eyes. Its kittens were not scattered broadcast but given away with due discrimination. Lucifer was Old Grandmother's favourite. A remote, subtle cat. An inscrutable cat so full of mystery that it fairly oozed out of him. The Witch of Endor became her name but compared to Lucifer she was commonplace." (Magic for Marigold).

Gorgeous,

Soulful,

Fascinating,

Witchy,

Subtle,

Almost human-like,

Clever.

Part 7. Kilmeny of The Orchard.

Timothy-The-Cat (Sir Timothy - the real head of the family):

"They have no living children, but Old Bob has a black cat which is his especial pride and darling. The name of this animal is Timothy and as such he must always be called and referred to. Never, as you value Robert’s good opinion, let him hear you speaking of his pet as ‘the cat,’ or even as ‘Tim.’ You will never be forgiven and he will not consider you a fit person to have charge of the school."

"The other end of the bench was occupied by Timothy, sleek and complacent, with a snowy breast and white paws. After old Robert had taken a mouthful of anything he gave a piece to Timothy, who ate it daintily and purred resonant gratitude." (Kilmeny of The Orchard).

Dignified,

With Royal airs,

Sleek,

Black,

Stunning,

A family member,

A family pride and joy.

I love how every cat has its own little personality!

[alwayschasingrainbows]

Lucy Maud Montgomery, writing her female characters as the flowers (Tangled Web Readalong):

"Gay, wearing her youth like a golden rose, was so happy, so radiant, as if lighted by some inner flame."(Tangled Web)

"Ilse in a yellow silk gown the colour of her hair and a golden-brown hat the colour of her eyes, giving you the sensation that a gorgeous golden rose was at large in the garden." (Emily's Quest)

To be sure, Rilla was a slim, white-robed thing, with a flower-like face and starry young eyes aglow with feeling;" (Rilla of Ingleside)

"Anne, as she walked along. In her light dress, with her slender delicacy, she made him think of a white iris." (Anne of Island)

"You look like a pansy yourself, Jane...that red-brown one there with the golden eyes." (Jane of Lantern Hill)

"Roses white enough to lie in your white bosom, my sweet, roses red enough to star that soft dark cloud of your hair." (Emily's Quest).

"And I know you look just as much as ever like a creamy rose with gold in its heart." (Mistress Pat)

"Rich, golden-brown hair, elaborately dressed, with a sparkling bandeau holding its glossy puffs in place; large, brilliant blue eyes and thick silken lashes; face of rose and bare neck of snow, rising above her gown; great pearl bubbles in her ears; the blue-white diamond flame on her long, smooth, waxen finger with its rosy, pointed nail." (Blue Castle).

[notwantedonthemoon]

I gave Lucy and Ham a design update! Originally I only wanted to do Ham but Lucy barged into the room and no one can make her leave.

Design notes:

• I really was not satisfied with their original colour schemes. I know that Lucy was described as wearing a rose-coloured gown but she’s so purple in my head. • And Ham should be more red. He’s associated with red in the novel (and his brothers with yellow and blue- they’re the primary colour brothers) and that image of Misa Amane in the top left corner was my original reference for him, but he simply doesn’t look right to me unless he looks like a walking Valentine’s Day card. Misa Amane’s picture got to stay because a). I love her and b). I’m gonna talk about her later. • His hair also had to change- I’m probably going to redo Hannah at some point. I was thinking of saving Ham’s original reddish brown colour for Hannah instead, and I don’t want them to look too similar. So now his hair looks like a fox- which is fitting for his character and also very funny because his wife is terrified of foxes. • Don’t ask how the darker ends work without hair dye, we’re going off cartoon logic here. • I am now certain that Lucy’s height exists solely to torment me whenever I want to draw her next to someone else. I was in tears drawing this, wondering why Findley couldn’t have been happy with a six foot tall angel. • Lucy is seven foot five. I have no idea if I drew her tall enough or if I ever will.

The part where Misa Amane is relevant

�� Ham’s character felt like he was being set up for a much more important role than he actually got, and I was waiting for a twist or a character arc or something, but it never happened. This guy is determined to stay irrelevant forever. I saw a source somewhere describe Ham as less of a character and more of an excuse to introduce Lucy. It cracked me up so I had to include it in here. • Just to be clear: I do like Ham as is. He’s an entertaining and also very heartfelt character- one of his defining traits is just, ‘Loves Things A Lot’ (kinda reminds me of Pat of Silver Bush- everyone go read Pat of Silver Bush that book is fantastic). • But also: he could have been better. His character got 10 times more likeable to me when I realized that he kind of resembles Misa Amane from Death Note, so by that logic he’d be a better character if you just make him more like Misa Amane from Death Note. • Also: I only ever watched the Death Note musical and I know next to nothing about the anime. But I heard that Misa is pretty annoying in the anime? Shame. • The parallels are already there. Both characters have complicated relationships with death- Ham’s first action in the book is being forced to kill a lamb, Misa’s entire family got murdered- and then cheating death somehow; Ham spent his childhood nearly dying of like, plague or whatever, and a death god sacrificed his life to extend Misa’s time on Earth. They’re both characterized as being incredibly loving, with Ham defined by his “love of life so great that he could not bear to kill” and Misa being defined by her love for her family that drove her to pledge her loyalty and give away half her life to their unknowing avenger.

• If I were writing Ham I’d establish him as a character who is deeply loyal- to his family and to his values. He thought that that loyalty had to extend to his father be default- they’re family, despite their very very tense relationship. The sacrifice at the start of book one made him do an immediate 180 on that, and it was why he was so willing to throw his oar in completely with Lucy. • That 180 turn was motivated by an unbelievable amount of pent up rage and spite. In terms of general ideals I’d say Ham is pretty traditional and goes along with whatever’s popular because it causes less problems for him- the only principles he sticks firmly to are his scientific ones. He’s not like Lucy, who knows what she believes in and fights for it- him opposing Doctor Noyes is an emotional, reactionary decision, not based off of any deeper principles (other than the no-killing one) or self-reflection about his existing worldviews. • A lot of his development will be directly tied to Lucy, since she’s the more significant character out of the two. And being with Lucy would make him much more willing to make impulsive decisions; which actually isn’t very far from canon, Ham is pretty impulsive. When I first got to the two-day-engagement part of the book I was convinced that a love potion had to be involved somewhere, because I couldn’t wrap my head around the designated ‘logical scientist character’ making such a reckless decision. But then I got further into the book and Ham… runs into a burning building. Keeps on fumbling conversations by blurting out his opinion and immediately regretting it. So… he’s kind of just like that. That lines up. • For a scientist character he’s very emotional- which I like a lot! It’s a nice change of pace. Being a scientist doesn’t automatically make you more rational and reasonable than anyone else. Sometimes you can be a really good scientist and still have the emotional intelligence of a sea sponge. Ham strikes me as someone who doesn’t really ‘get’ emotions because he can’t logic his way through them like with most of the stuff he studies, so he ignores them until they explode ‘completely out of nowhere’. My conclusion here is that someone should hand him a book on mindfulness. • (The real question is why Lucy was down for the two-day-engagement; it’s not to survive the flood. She and Ham were engaged before Yaweh came up with the flood plan.)

• All this is setting Ham up as Lucy’s eventual closest ally and the most fiercely loyal friend she could ever ask for. He thinks the world of her and would do just about anything for her… but he wouldn’t kill for her. That’s a line he crossed once and wouldn’t ever again.

• And Lucy loves him. Of course she does. But sometimes she wonders if her friend’s loyalty is anything like her brother’s blind devotion to Yaweh. She doesn’t like that thought.

• In the novel their relationship is largely just. Very lacklustre, with no development or indication that they really care about each other. But since they’re such a blank slate I can do whatever I want with them, and what I want is Lucy the revolutionary and her aggressively supportive science bestie. • I like to think that Ham and Lucy’s relationship would be best described as a queerplatonic relationship- though they wouldn’t have the vocabulary to describe that exactly. I know that they’re married but… they really don’t have any romantic chemistry. I’m sorry to anyone who thinks that they make a good couple (if you exist. At all) but I simply do not see it.

• (If someone does have an interpretation of their relationship that is romantic I would absolutely love to see it. If someone has anything to say at all about this book I would love to see it.)