#past work

[jazmine-here]

Jazmine.

My name is Jazmine, a reemerging writer who tinkers with art. I was dubbed "Jazzy-B-Real" in my youth and "Otherwise_Uncolonized" in my young adulthood.

Jazzy-B-Real:

Otherwise_Uncolonized:

My experimental youtube page was "Constellations of Neverland" at one point. I've been offline since 2020. In 2024, I saw people online celebrating my middle school and high school art while wishing me well due to my disappearance. I'm happy to say that I am well after a rough post-Covid era and a lot of growing up. During Covid's reign, I had purged the internet of what I viewed to be carbon footprints, yet people have kept the light alive in some dust clouds.

I am eternally grateful to you all for retaining such light. As the blooming adult I am now, I've learned to view everything with balance—including the broken person I was—and there are lovely works that I dearly miss as a result. Those works are the "darlings" from my young life.

All in all, I'm in the heat of writing original work. You may see previews here. Thank you so much to those who have saved some of my fandom pieces:

[asikubi-soda]

昔の絵です

R: s, Sevrus...?

S: Shut up, what is it from a while ag

(First Kiss)

S:！？

R: @#/&(iT, it was soooft......!!!!What should I do... my heart...kiss...)

[lizziephilbrick]

Sunhead, 2022

[draconli]

Sorry for the lack of posts, lately! I have been busy with life and other things!

In the meantime, I will be posting some past Halloween art that I did for my workplace. A lot of these were made based on the October challenges!

(Also, I am thinking of planning on something for November and December. Maybe some holiday commissions?)

[kusattane9i]

Lain

[emilythedog661-tf2]

Hello! I was wondering if i can draw Emily with Soldier hanging out? I became a fan of your sfm posters and little comics, it's all always so fun to read with my friend. We specially loved the magic gnome one!

Sorry if this wasn't the place to ask this, have a nice day. 🌼

Sure! i love getting fanart and i'm glad you liked my stuff 😋 i also loved making my TF2 MLP Magic Gnome comic and i hope to do more like it soon when i can think of a plot 😋

[torturedlustxxx]

Retouched an album I did for some recovered photos I did from 2016, when my passion got fueled for longevity....

[myarmcanfly]

I have a dream snake from you, and his felting is getting a little funny. (He's like 3-4 years old) and I used him in a few cosplays. Is there a way I can fix him up?

Absolutely! If the surface is just looking a bit rough, you can take a pair of tweezers and pick off any bits of other fibers that might be stuck to him and then use a felting needle (I'd use a 40 or a 38 star needle) to gently poke the rough areas down. Take it slow to avoid the wires, and you should be just fine.

If there are chunks of color (or feathers, or paint) missing, or any wires you worry might be broken, you can email me with pics of the damage and I can offer more specific advice or possibly do a repair for you - it really depends on the problem. I'm always here to help! My email is myarmcanfly AT gmail DOT com

[mxalexgeorge]

Little Sally in Urinetown: The Musical at Krannert Center for the Performing Arts, November 2022

Urinetown, The Musical Mark Hollman, Music and Lyrics Greg Kotis, Book and Lyrics

November 3rd- 12th 2022 Colwell Playhouse

Photo credits: Darrell Hoemann

Production Team Director: J.W. Morrissette and Lisa Gaye Dixon Music Director: Justin M. Brauer Choreographers: Joe Bowie and Lisa Gaye Dixon Scenic Designer: Emilia Consalvi ,Katie Owen Costume Designer: Wesley Price Lighting Designer: Yingman Tang Sound Designer: Madison Ferris Dramaturg: Melissa Goldman Technical Director: Capri Agresta Properties Head: Sammy Boyarsky Production Manager: Terri Ciofalo Stage Manager: Kaitlyn N. Meegan Fight Director; Zev Steinrock Vocal Coach: Diane Robinson

Cast OFFICER LOCKSTOCK: Grania McKirdie PENELOPE PENNYWISE: Charlotte Howard-Check BOBBY STRONG: David Stasevsky LITTLE SALLY: Alex George DR. BILLEAUX: Noah Smith MR. MCQUEEN: Josh Graff SENATOR FIPP: Josiah Zielke OFFICER BARREL/BOBBY UNDERSTUDY: Anthony Maggio HOPE CLADWELL: Julia Clavadetscher OLD MAN STRONG/HOT BLADES HARRY: Patrick Jackson TINY TOM: Paddy Berger SOUPY SUE: Courtney Mazeika LITTLE BECKY TWO SHOES: Gabrielle DeMarco ROBBY THE STOCKFISH: Jonathan Kaplan CALDWELL B. CLADWELL: Jaylon Muchison BOY COP/UGC EXECUTIVE/OFFICER BARREL UNDERSTUDY: Jimmy Cone GIRL COP/UGC EXECUTIVE/HOPE CLADWELL UNDERSTUDY: Sophia Pucillo JOSEPHINE STRONG: Mary Jane Oken MRS. MILLENNIUM: Guinevere Brown BILLY BOY BILL: Jamal Turner Production Team continued Scenic Charge: Emma Brutman Hair & Makeup Coordinator: Chantel Renee Hair & Makeup Supervisor: Becky Scott Assistant Technical Director: Tara Kisacanin Assistant Costume Designer: Chantel Renee Assistant Lighting Designer: Sarah Goldstein Assistant Sound Designer: Jack Pondelicek Head Electrician : Nicolas Sole Audio Engineer: William Mixter Assistant Stage Manager: Mary Lewis, Shuyu (Tom) Zhang Assistant Dramaturg: Anishi Patel Assistant to the Director: Melissa Goldman, Maci Mitchell, Jacqueline Moren Head Carpenter: Hanna Bowen Production Assistant: Hadas Goldberg, Isabel Wang Costumes Craft Supervisor: Emily N. Brink Costume Crafts Technicians: Katie Greve, Mark Muir Wardrobe Supervisor: Chantel Renee Crew DECK CREW: Felix Crim,Morgan Lin, Avery Luciano, Heraldo Magana ,Jordyn Montgomery PROPS CREW: Mikail Herrera, Ashanti Norals WARDROBE CREW: Kashara Bennett, Gabriel McNabb,Luke Russell, Julia Trenary, Isabel Wang HAIR AND MAKEUP CREW: Fatma Ali ,Kara Howie SWING: Hadas Goldberg A2: Noah McLeod QLAB OPERATOR: Leoni Reilly SPOTLIGHT OPERATOR: Dajion Anderson LIGHT BOARD OPERATOR; Brian Runge AUTOMATION OPERATOR: Bronwyn Garrett STUDENT DRAPER: Carlee Ihde 

[charlesfstewart]

Care with Us - Griswold Home Care - Summer 2021

The Care with Us project is one of my favorites completed at Griswold. It was the first major video campaign the company had undertaken in a long time, and it was to feature actual caregivers from various offices in Maryland, Pennsylvania, and New Jersey. 

Throughout this campaign, I assisted with developing the concept, managed production with our partner John Sterling Ruth, oversaw rollout of the campaign to our franchise system, and worked with JSR and another firm to create different edits from existing footage to help extend the life of the campaign.

Additionally, I created and managed the process that led us to receiving First Place, Multimedia Campaign at the 2022 Aspect Awards, a senior care industry award. 

The concept of “Care with Us” is simple - we wanted to highlight the people that care for Griswold clients around the country; why they are caregivers, how they became caregivers, and what keeps them going. Managing talent across three states was a bit more difficult. However, the caregivers that were selected were thrilled at the opportunity to share their story, and help humanize caregivers more.

On the day of production, I worked with JSR’s crew and our talent to make sure they were comfortable on-camera, and oversaw the interviews being collected, directed b-roll shots, and shot behind-the-scenes content.

After production completed, we rolled out the assets package to the entire Griswold system. This included assets both digital and traditional, including; digital ads, brochures, posters, social media posts (graphics and videos), and more. On top of that, there was even a small OTT/CTV ad campaign that ran in the states Griswold operated in at the time.

One of the social graphics - I took the pictures of each caregiver in front of the white background. (Photo courtesy Griswold International LLC, Charles F. Stewart)

The video package included full frame 16x9 videos, as well as 1:1 square videos that were designed specifically for social media. In the social media tool available to Griswold franchisees, I created a library for owners and their staff to access and publish content to various social media pages.

In 2022 and 2023, we decided that the assets needed a refresh, and worked with JSR and Liam Nielsenshutlz, a local Director of Photography, to create new versions based on existing footage. You can see Liam’s work below:

In the beginning of 2022, we put together our package for the Aspect Awards, which I led the charge for putting together our presentation and collecting the necessary info. Receiving an award for a project like this was so gratifying, especially since the main focus of the campaign was on caregivers and why they continue to do what they do.

The Care with Us campaign let me do many things - getting back into production and on set, working with talent, creating a campaign package, overseeing the re-editing process, and rolling out the entire campaign to the Griswold system. Learn more about the entire campaign at the Aspect Awards.

Want to know more about working with me? Contact me today.

[wh4qe]

Art by 'Pollyanna' Iris Dee on IG

[jazmine-here]

Vanilla Girl

Stay vanilla. Stay sweet. There's nothing wrong with being a daisy.

Don’t ever try to “flex” for others by forcing your feet into a pair of glass slippers that aren't made for you. If you are uncomfortable with crafting a piece of work for a fandom, popularity, friends, or your audience, then stay true to yourself. Don’t put on the “cool girl” mask or attempt to maintain it if you have. Popularity may not always be guaranteed, but your relationship with your audience—the right one—will have longevity, purity, and beauty. Be yourself. Trust yourself.

Hello! My name is Jazmine!

I am a reemerging writer who tinkers with art. I was dubbed "Jazzy-B-Real" in my youth and "Otherwise_Uncolonized" in my young(er) adulthood.

Jazzy-B-Real:

Otherwise_Uncolonized:

My experimental YouTube page was "Constellations of Neverland" at one point. I've been offline since 2020. In 2024, I saw people online celebrating my middle school and high school art while wishing me well due to my disappearance. I'm happy to say that I am well after a rough post-Covid era and a lot of growing up. During Covid's reign, I had purged the internet of what I viewed to be carbon footprints, yet people have kept the light alive in some of my purer contributions. I am eternally grateful to you all for retaining such light. As the (late) blooming adult I am now, I've learned to view everything with balance—including the broken person I was—and there are lovely works that I dearly miss as a result.

Those works are the "darlings" from my young life. The less agreeable ones were the products of a lost soul grappling with darkness and negative influences in many forms. When I hopped online, I was too young and suffering from complex, subconsciously locked trauma that poured into so much of my work. Some fan works in my teen years were infested with "edge lord/lady" energy and "spicy content" that partially stemmed from that trauma while the rest came from me trying to wear "the cool girl" mask for an audience (gamer boys and adults) regardless of my secret discomfort, but I suppose much of it would've been called art therapy in another field. Never again will I entertain those things on a public platform.

All in all, I'm in the heat of writing original work.

Writing, Poetry & Artwork

I'll be posting my original stories, prose poetry, and standard poetry on my FictionPress.com with the occasional preview slapped on Tumblr. The account already has a small library. Much of what I write will also grace a website I'm building, so please stay tuned for it and the original novels I have in store. New artwork and fandom tributes will hit Tumblr, Twitter/X, DeviantART, and my personal website. Doing commissions for writing prompts and art pieces will also become a part of my activities with my audience.

My AO3 account for old 2014-2017 fandom storyboards like "My Dearest Cousin," "Indentured (Union of the Crowns)," "Carry Me Anew," and "The King" is back up as well.

༺Please read and review with your pretty thoughts! Thank you so much to those who have saved some of my fandom pieces:

[asikubi-soda]

I received a request that I should post a nostalgic illustration.

I remember that the way the colors were applied was unique. so I probably won't be able to paint it anymore🤣

[lizziephilbrick]

A collection of Pleiadian illustrations, 2018

[sirbluescreen-pincervere]

My Old Guard of Comics

Went through my collection of comics from yesterday's long past. Let me know if I should share these, or maybe I'll share the ones that aren't too terrible XD. Anyhow, see you all in 2025! Do your best to pincervere!