#paris 1927

[troquets]

André Kertész, Paris, 1927.

[mote-historie]

Pola Negri, The terrasse of the Café de la Paix in Paris, Hand-colored Photographs by Burton Holmes, 1927.

“I must urgently recommend that you spend your first leisure hour in Paris at the corner table of the terrasse of the Café de la Paix. It is a fact known and proved that … you have only to sit at this corner long enough, and a friend will appear in time.” - Burton Holmes, Travelogues.

Pola Negri born Barbara Apolonia Chałupiec[a] (Polish, 1897-1987) was a stage and film actress and singer. She achieved worldwide fame during the silent and golden eras of Hollywood and European film for her tragedienne and femme fatale roles. She was also acknowledged as a sex symbol.

[gacougnol]

Le vieux Paris qui va disparaître

L'auberge du Compas d'or, 70 rue Montorgueil Agence Meurisse 1927

[jenniedavis]

[postcard-from-the-past]

Cloister of the Alcobaça Monastery, Portugal

Portuguese vintage postcard, mailed in 1927 to Paris

[cnladies]

LI MENG 李梦 for Red Runway 1927 Fashion Show | Paris Fashion Week

Li Meng: more photos here Paris Fashion Week: more photos here

[pokecology]

LEGENDS Z BABY KALOS FANS YOU SEE WHAT THEY"RE DOING FOR US WE DID IT IT'S HAPPENING AFTER 10,0000 YEARS

[digitalfashionmuseum]

Black Silk Dress with Sequins, 1927, French.

Designed by Madeleine Chéruit.

MFA Boston.

[uwudonoodle]

Remembering the time I actually stumped Akinator. I've been chasing that high ever since.

[nelson-riddle-me-this]

September 2024 albums

[ozkar-krapo]

Mr. SAINT GRANIER, du Casino de Paris [p. G. Van PARYS]

"La longue Route / Charmaine"

(10" 78rpm. Columbia. 1927) [FR]

[classicdavinci]

The Judgment Of Paris (1891)

Solomon Joseph Solomon (English, 1860 – 1927)

[mote-historie]

Cartier Paris, Vanity Case, ca. 1927; Produced by Cartier (Paris, France); Manufactured by Henri Lavabre (French); Lapis lazuli, carved jade, carved ruyi, coral, diamonds, lacquer, mirrored plate glass, gold, platinum; 9.9 × 5.2 × 1.7 cm (3 7/8 × 2 1/16 × 11/16 in.);

Photo: Doug Rosa

Jeweled Splendors of the Art Deco Era: The Prince and Princess Sadruddin Aga Khan Collection features exquisite work from premier jewelry houses of Europe and America – among them Cartier, Van Cleef & Arpels, Lacloche Frères, Boucheron and Bulgari – dating from 1910 to 1938.

[akakay31]

So much for Legends Celebi or B3W3, lmao.

But for real, before anyone starts theorizing about ultimate weapons or ancient wars in Pokémon Legends ZA, there are a few important things to consider first:

1. The game will be set entirely in Lumiose City.

A bit disappointing, though Lumiose is already a big place, and it’ll only be bigger now that it’s the central focus. A smaller scope will also probably mean a higher-quality product in the end, too. Though it does makes me wonder how catching wild Pokémon will work within an urban city. Maybe the game will be more battle-focused, as opposed to the catching-focused Legends Arceus.

2. The game will (almost certainly) not be about the events of 3,000 years ago.

If it wasn’t already obvious by the limited setting, Legends ZA will most likely have little to do with the events of the ancient war and ultimate weapon. If it’s anything like Legends Arceus, Legends ZA will instead be set in a period based on the latter half of the 19th century, soon after the invention of Poké Balls. Anything set before this period would predate the invention of Poké Balls, and thus have to have drastic changes to its gameplay, which is something I just don’t see happening.

And we know that Legends Arceus is set during the mid-to-late 1800s because of the events it is based on, i.e. the Japanese annexation of Hokkaido in 1869, as well as the subsequent colonization efforts.

Similarly, we can guess that Legends ZA will be set during this same period because of the event it is seemingly based on, Georges-Eugène Haussmann’s renovation of Paris from 1850 to 1870.

For those unaware, Haussmann’s renovation was an urban renewal project, commissioned by Emperor Napoleon III, that included the demolition of old medieval neighborhoods, the annexation of surrounding suburbs, the construction of new sewers, etc. The renovation was extremely unpopular, what with the whole bulldozing thousands of houses and replacing them with standardized streets and buildings thing, resulting in Haussmann’s dismissal in 1870. However, work on his plans continued until 1927, and ultimately are what made Paris what it is today.

While Legends ZA likely won’t go too far into the nitty-gritty of the real-world events, knowing what the game will be drawing from is essential for any speculation on what we can expect to see.

In fact, using this same method, we can probably even guess what future Legends games will be like by looking for historical events during the mid-to-late 1800s period. Take Unova, for example, which could…

Oh.

Oh no.

[romanceyourdemons]

these days film is such an established cultural fixture that virtually every artistic and political leaning interfaces with film in some way, but in the 1910s-30s film was new and niche enough that it was generally associated with a single group in each film industry, and it’s interesting to see how that plays into the skeletons in the closet of the film world.

in europe, the birthplace of the moving picture, film was an intensely innovative artistic technology, and as such it was largely associated with avant-garde artistic groups. in italy that artistic movement was futurism, which, innovation- and masculinity-obsessed as they were, infamously threw their lot in with the fascists as a movement, and italian film made the smooth transition to being almost exclusively fascist propaganda, with cabiria (1914) standing as the unfortunate but indisputable gem of early italian filmmaking. by contrast, in germany the primary avant-garde artistic movement was german expressionism, which attracted many jewish, queer, and mentally ill artists, as well as many who sympathized or were artistically interested in them. as such, early german film experienced a hard reset in the mid-30s, with the traditions of early greats like metropolis (1927) transplanting wholesale to america as a new, more italian-style tradition of greats like the triumph of the will (1935) muscled into the void.

on another hand, in america, birthplace of the movie, film arrived on the west coast not as a new technology but as an entertainment technology, and as such it interfaced smoothly with the existing entertainment infrastructure, both on the artists’ and the audience’s side. vaudeville-trained audiences looked for newer and bigger visual spectacles, which could only be provided by a corporatized film industry with lots of capital and a willingness to cater to the lowest common denominator of audience interest and belief. as a result, the hugely innovative cornerstone films of the early american film world were largely either deeply conservative and bigoted (the birth of a nation (1917)) or fundamentally rooted in vaudeville and minstrelsy (the jazz singer (1927)).

on a third hand, china received film technology fully developed from europe and america the same way europe received printing from china in the 15th century. as a result, film was intrinsically western, smacking slightly of colonialism, and the only people who had both knowledge of and interest in filmmaking were paris-educated to some degree—in a similar way and to a greater extent than running a newspaper, making film was a behavior of anti-traditionalist leftists. i have not seen a single pre-1966 chinese film that is not consciously leftist, progressivist, feminist, and anti-traditionalist, and i’ve seen the names of some of china’s most significant revolutionary thinkers and actors in the credits. and so, put bluntly, this means that most of the pillars of early chinese film were hunted like dogs by three governments in a row before being posthumously rehabilitated in the mid 1970s. by that time most of the pillars of early european film were dead, blacklisted as fascists and collaborators, or retired in america, and most of the pillars of early american film were getting bit parts in the worst slop movies you’ve ever seen in your life. interesting stuff!

[postcard-from-the-past]

Fountain in Thoiry, Yveline region of France

French vintage postcard, mailed in 1927 to Paris