#panny art

[pannypunkpanda]

More dincobb—

I did this for my besties b-day

[chibifox2002]

If I have to immediately be emotionally invested in this then I'm forcing you guys to be as well noW LOOK AT THEM!!!

[cohapon]

May 2 was the birthday of my oc, Panny! This is a drawing I did then to celebrate and a little comic.

[2t2r]

Un artiste réalise la peinture d'un bateau sur une clôture censée le cacher [vidéo]

Nouvel article publié sur https://www.2tout2rien.fr/la-peinture-dun-bateau-sur-une-cloture-censee-le-cacher/

Un artiste réalise la peinture d'un bateau sur une clôture censée le cacher [vidéo]

[wally-b-feed]

Anthony Fineran (B 1981), Treacle Jam Panny, 2023

[lunasbians]

Also I drew @moringmark 's Jay and Panny between work stuff!

I haven't done lineless art in a bit, but I thought this one should match my Ayzee and Milan drawing from a while ago!

[iridescentinkangel]

CotL: Ophelia

So my friends @panny-lii & @grimmixxart got me into Cult of the Lamb. And I did end up making ocs. But I back tracked & decided they needed a new look. And the first one who got it was Ophelia here. 💜🖤💜🖤💜🖤💜🖤💜🖤

~Ophelia~

A young demi god who acts more like her father than her mother. Her fathers follows have deamed her "The Demigod of Chaos". As she tends to leave a trail of wreackage where ever she goes. She's a happy go lucky girl who loves the thrill of an adventure & having fun. Other than being a chaotic little gremlin, she also is quiet helpful when it comes to doing simple chores & tasks around the cults confinds. You will find that only a sweet smile is found on this girls face. Just...be careful if you piss her off. She get's scarrier when she's mad. 💜🖤💜🖤💜🖤💜🖤💜🖤

Art & oc: Me :3

💙💙Likes, Comments, & Reblogs are very appreciated💙💙

[nezumithewriter]

"After knowing all, I wonder, can you really say INNOCENT?"

"すべてを知った　僕はちゃん 赦せるかな？"

SQUIP MILGRAM RESEARCH PROGRAM DATABASE

girl the milgram obsession crossed over into squip rp. fuck it this is going in main tags idc

this is going to be a big fucking art project that will take years. i hope to god i stick to it

Arbiter by @jarofmayonassey

BG close up and other characters under the cut

close up on screen. Characters in order:

- Cobalt ( @s-q-u-i-p-a-s-k )

- Panni ( @nonbin-panni )

- Hades ( @056-hades )

- Lilith ( @pitiful-host )

- Developer ( @sq-3419-b )

- Desire ( @voice-of-desire )

- Rooni ( @squipperooni )

- Squippy ( @a-squip-named-squippy )

- Læzi ( @orange-i-love-oranges )

- Mokusei ( @ask-squip-hq )

[ach-thebrother]

panni stesi (23)

© Patrick Zachmann/Magnum Photos [*] Centro di detenzione di Takandja per migranti clandestini - Malta, 2009

[*]

Peter Brook [*]

© Antanas Sutkus [*] Vilnius, 1958

© Kees Scherer [*] Volendam, Holland

© Helga Stentzel [*] Clothesline farm animals graze the countryside - da "Playful Illusions"

Gino Danti [*] Donna che stende i panni (Cartolina inviata dall'autore a Vincenzo Balocchi - 1938)

https://www.timeout.fr/paris/art/patrick-zachmann-mare-mater

https://de-vince.tumblr.com/ [non più attivo]

https://bcnmar.tumblr.com/post/

https://www.tumblr.com/oldvision/

https://marckald.tumblr.com/

https://darkerangels.tumblr.com/

https://www.tumblr.com/gacougnol/

[pannypunkpanda]

Dincobb doodles

[ofmermaidstories]

as defining as canon (obviously) is to whether-or-not you’ll love something enough to make fanstuff for it, a really important link in the chain that gets you there is soaking up what other people are inspired to create for it.

the only reason i got into writing fic for my hero was because of tiktok. i downloaded it around the time of the panny, just when like, all the self-insert art was imploding? which introduced me to the concept of self-insert fic. it was those pieces, the tiktoks and the sexy art of hawks and like, the x reader fics i ended up finding that excited me enough to push me into wanting to make something too. it’s almost primal i think, taking inspiration from other’s inspiration. we all wanna play in the same sandbox.

i’ve just been thinking about it because part of the reason that the fascination i have for [another fandom] is simply because other people are creating for it. they’re making art and stories and some of it i love, some of it genuinely (genuinely) hurts my feelings, and some of it i downright hate lmao. but that all balls up into this bright golden ball of inspiration that makes me feel like i’m holding my heart in my hands. it’s the exact same excitement and wonder i had with my hero, back in 2020. idk if it’s just the nature of creation or that deep, deeply human need we all have to be apart of something but—whatever the reason, i think it’s just an important and needed part of the magic that makes us fans in the first place.

[fashionbooksmilano]

Jean Cocteau La rivincita del giocoliere

Peggy Guggenheim Collection

Kenneth E.Silver, saggio di Blake Oetting

Marsilio Arte, Venezia 2024 , 176 pagine, 20,5x26,8cm, ISBN 978124631676

euro 40,00

email if you want to buy booksinprogressmilano@yahoo.it

«L’opera di Cocteau ci lascia una sensazione perdurante di felicità, non perché escluda la sofferenza, ma perché in essa nulla è rifiutato, rimpianto o crea rancore. La felicità è un segno di saggezza, più affidabile di quanto si creda, e forse lui ne ha più di altri…» Wystan Hugh Auden, poeta

Brillante, sorprendente e poliedrico. È Jean Cocteau (1889-1963), artista francese che ha lasciato un segno come disegnatore, regista, scenografo, muralista, designer di gioielli e di abiti. La poesia, tratto fondante del suo inconfondibile stile, è caratterizzata da atmosfere mitologiche e circensi e da una scrittura spiazzante che accompagnerà sempre la sua infinità di creazioni nei campi più disparati. In occasione della prima retrospettiva in Italia dedicata all’artista, allestita alla Collezione Peggy Guggenheim di Venezia, esce per Marsilio Arte il libro Jean Cocteau. La rivincita del giocoliere di Kenneth E. Silver, con un saggio di Blake Oetting (Orfeo, due e più volte: i riverberi queer di Jean Cocteau). Lo spazio espositivo è anche un omaggio all’amicizia che legò l’artista a Peggy Guggenheim. Fu lui, infatti, a incoraggiare la giovane collezionista ad aprire nel 1938 la galleria londinese Guggenheim Jeune. Guggenheim ricambiò il sostegno ospitando più opere di Cocteau, all’epoca amico e consulente artistico di Marcel Duchamp. Da quel momento l’artista iniziò a frequentare la casa della mecenate newyorchese a Venezia, a Palazzo Vernier dei Leoni, innamorandosi della città. Guggenheim ribadì più volte che la parola era un mezzo di espressione che Cocteau utilizzava con virtuosismo da acrobata. La rivincita del giocoliere è un richiamo alla sua abilità di riuscire ad attraversare gli ambiti più disparati con uno sguardo trasversale, capace di cogliere e mettere in relazione l’estetica e la storia. Nel suo primo libro, La spaccata, lo stesso Cocteau si dice affascinato dagli artisti delle giostre e del circo, tanto che più avanti, a carriera avviata, inserirà due acrobati e un prestigiatore cinese nel libretto del balletto Parade, e il mago Merlino in I cavalieri della tavola rotonda. Fonte inesauribile di creatività e visioni, il genio di Cocteau si manifesta nei romanzi, tra cui Il libro bianco, in film come Il sangue di un poeta, con Lee Miller nei panni di una statura greca che prende vita, e nella Macchina infernale, rivisitazione dell’Edipo Re, solo per citare alcuni dei suoi capolavori. Cocteau stesso si racconta definendosi «una menzogna che dice sempre la verità»: nella sua opera si serve regolarmente del mito per presentare una storia e allo stesso tempo «riempirla di codici, costringendo il pubblico ad andare alla ricerca di ciò che è nascosto, come giocasse a nascondino».

05/05/24

[life-of-architecture]

Kraków Kościół Wniebowzięcia Najświętszej Marii Panny czyli Bazylika Mariacka foto z 18 grudnia 2019 i 15 lipca 2020

Wysokie na ponad cztery metry epitafium z czarnego marmuru dębnickiego, projektu Franciszka Placidiego, poświęcone dwudziestemu czwartemu archiprezbiterowi parafii mariackiej. Jacek Augustyn Łopacki herbu Kotwica (1690-1761) był doktorem filozofii i medycyny oraz fundatorem licznych przedsięwzięć charytatywnych i artystycznych. W młodości osobisty medyk kardynała Conti zanim ten został papieżem Innocentym XIII, potem w Krakowie leczył na równi magnatów i robotników. Pochowano go w tym miejscu zgodnie z jego własnym życzeniem.

Pragnę i nieodmiennie naznaczam, aby ciało moje bez żadnej odwłoki, zaraz in crastino śmierci pogrzebione było przy kościele Najświętszej Panny Maryi w Krakowie na cmentarzu w ziemi w tyle ołtarza Crucifixi przy murze kościelnym. fragment testamentu J.A. Łopackiego

Czemu się mam żalić, że chociaż dopiero przy zaczynających się żniwach, a już frumentum Electorum nieodżałowany Prałat grobowym na proch jest starty kamieniem, że usechł w oczach naszych tak ozdobny rozmaitym cnót Świętych kolorem, dosyć pięknego bo liliowej niewinności różowego wstydu, ten hiacyntowy kwiat flos decidit & decor. fragment mowy Jana Kantego Laskiewicza na pogrzebie Łopackiego

rysunek Stanisława Cerchy z 1902 r.

akwarela Stanisława Fabijańskiego z 1917 r.

rysunek Leona Kowalskiego z 1924 r.

akwarela Stanisława Janowskiego sprzed 1942 r.

Zdzisław Gajda, historyk medycyny, przytacza anegdotę o Łopackim: …były krakowskie odpusty u Panny Maryi okazją do swoistego widowiska: przychodziły tłumy opętanych, wzbudzając widokiem swych cierpień najwyższe politowanie, co równoznaczne było z rozsupływaniem mieszka. Otóż po głównych uroczystościach kościelnych wychodził archiprezbiter na plac przed kościołem w stroju pontyfikalnym, przed nim zbierała się gromada dręczonych przez złe duchy (…). Otóż Łopacki, jak to u dobrych lekarzy bywa, nie był w ciemię bity i miał dobry zmysł obserwacji, nie odmawiał tradycją przyjętego zwyczaju, ale podejrzenie miał. I pewnego dnia się przejadło. Wyszedł jak zwykle, modły odmówił, kropidło wziął, opętanych pokropił, a gdy spodziewanego skutku wszyscy się dopatrzyli, rzekł: A oszuści, a nicponie! A udawacze! Gdybyście byli prawdziwie opętani, nic by wam nie dało to moje kropienie, bom zwykłej, a nie święconej wody na was użył!

fragmenty dyplomu doktora medycyny Jacka Łopackiego wydanego przez Uniwersytet w Padwie w 1711 r.

portret Iacentego (Jacka) Łopackiego w siedzibie Arcybractwa Miłosierdzia, mniej niż 100 metrów od jego grobu

<><><><><><><><><><><><><><><

Kraków, Poland Saint Mary's Basilica taken on 18 December 2019 and 15 July 2020

Over four meters (14 ft) tall epitaph made of black marble, designed by Francesco Placidi, marking the grave of Jacek Augustyn Łopacki (1690-1761) of the Kotwica coat of arms, the 24th Arch-Priest of the St. Mary's parish, and also Doctor of Medicine and Philosophy, a philanthropist and art patron. In his younger years he was the personal physician of Cardinal Michelangelo dei Conti before the latter became Pope Innocent XIII; later in Kraków he kept treating magnates as well as laborers. He was buried on this site in accordance with his own wish.

I want and consistently make a disposition for that my body, with no delay [and] just in crastino of death, shall have buried in the cemetery next to St. Mary's Church in Kraków, in the ground behind the Crucifixi altar next to the church's wall. excerpt from J.A. Łopacki's last will

Why should I complain that though the harvest time has barely started, frumentum Electorum lamented Prelate already is ground by tombstone into dust, that a Hyacinth flower, so adorned with the color of various Holy virtues [that is] quite beautiful lily-rose innocent modesty, already wilted before our eyes, flos decidit & decor. excerpt from the speech of Jan Kanty Laskiewicz at Łopacki's funeral

[drawing by Stanisław Cercha, 1902]

[watercolor by Stanisław Fabijański, 1917]

[drawing by Leon Kowalski, 1924]

[watercolor by Stanisław Janowski, before 1942]

Zdzisław Gajda, historian of medicine, recounts an anecdote about Łopacki: …parish festivals at St Mary's used to be an occasion for a peculiar spectacle: crowds of possessed came arousing pity with the sight of their suffering, which resulted in loosening the purse strings. After the main celebration the Arch-Priest used to come out wearing the pontifical vestments to the square in front of the church and before him gathered a huddle of those tormented by evil spirits … Łopacki, as good doctors are, was no fool and had good observation skills, hence while not denying the tradition, he had his suspicions. And some day he had enough. He came out as usual, said the prayers, took the aspergillum, sprinkled the possessed, and as soon as everybody saw the expected result, he exclaimed: Ah, you frauds! Scallywags and impostors! If you were truly possessed, my sprinkling would help you nothing, as I have used ordinary, not holy water on you!

[pieces of Doctor of Medicine diploma of Jacek Łopacki issued by the University of Padua in 1711]

[portrait of Hiacynt (Jacek) Łopacki in the premises of the Archbrotherhood of Mercy, less than 100 m (90 yd) from his grave]

[nancydrewwouldnever]

Unknown Artist from Rajasthan, A Monumental Portrait of a Monkey, ca. 1700-1715, watercolor/paper (Art Institute, Chicago)

An inscription on the back of the painting states the monkey's name was Husaini, and he was the pet of Daud Khan Panni, a nobleman at the Mughal court.

[pbielik]

Czystokrwiste rodziny arystokratów w uniwersum "Panny Black":

[wraz z rodowym motto]

• Black (Wielka Brytania) - motto j. francuski

Tojours pur

(Zawsze czyści)

• Tolides (Grecja)

θυμηθείτε τον θάνατο

(Pamiętaj o śmierci)

• Ishikawa (Japonia)

自分の傷を誇りに思ってください

(Bądź dumny ze swoich blizn)

• Silva (Brazylia)

Nem todo material cria uma obra de arte perfeita

(Nie każdy materiał tworzy doskonałe dzieło)

• Ozdemir (Turcja)

Kan sudan daha kalın akar

(Krew jest gęstsza niż woda)

• Hossam (Egipt)

نحن الغبار والظل

(Prochem i cieniem jesteśmy)

• Deszczowscy (Polska)

Są dwa sposoby walczenia - trzeba być lisem i lwem

• Rodriguez (Hiszpania)

La manada cuida de cada lobo

(Wataha dba o każdego wilka)

• Valoise (Francja)

L'art est une philosophie de vie

(Sztuka jest filozofią życia)

• Badakhar (Turcja)

Sabır acıdır, meyvesi tatlıdır

(Cierpliwość bywa gorzka, ale jej owoce są słodkie)

• Cremonessi (Włochy)

La vita è una battaglia

(Życie jest walką)

• Cregence (Irlandia)

Is é an uair witching lár na hoíche

(Godzina czarownic to środek nocy)

• Pucey (Wielka Brytania)

Practice makes perfect

(Praktyka czyni mistrza)

• McKinnon (USA) - motto łacina

Si ad me respicias, mox post deum habeis

(Jeśli zmierzysz się ze mną, wkrótce będziesz mierzył się z Bogiem)

• Picquery (USA) - motto łacina

Non scholae sed vitae discimus

(Nie uczymy się dla szkoły, ale dla życia)

• Ambing/Le Fay (Wielka Brytania) - motto łacina

Amicus verus rara avis est

(Prawdziwy przyjaciel to rzadki ptak)

• Potter (Wielka Brytania)

If you want to be loved, be lovable

(Jeśli chcesz być kochanym, bądź godny miłości)

• Malfoy (Francja) - motto łacina

Sanctimonia vincet semper

(Czystość zawsze zwycięża)