#owning these would literally complete me as a person

[agirlinthegalaxy]

Hi! Fellow person with an English degree, along with working for an academic company that has a short college textbook about AI! One of the things that was discussed was hallucinations, which is incorrect information that AI presents as fact. Because the thing is, AI isn't capable of critical thought on its own. It takes in all of this information from the internet, but, as well all know, the Internet isn't inherently a trustworthy source of information and AI isn't capable of actually verifying this information.

One of the ways that we demonstrated this in our textbook is by inputting "Who won the 2022 presidential election?" This was using a previous ChatGPT model, but it actually would answer the question genuinely as if there had been a 2022 presidential election. Another way that I found personally is that I would begin discussing television shows and push it, and without fail, it always began making a lot of errors about obvious plot points and would be unable to keep it straight. Here's an input where I ask for an explanation of the finale of the Charmed (1998) series. (Spoilers for that ahead, but also the show ended nearly twenty years ago, so.)

While a lot of people probably don't know a lot about the show, here's the most relevant part: the entire Ultimate Power section is a complete fabrication because, while they exist, they're distinct characters with a completely different background. (And before anyone says anything, the point isn't about how recognizable the show is, it's about the AI literally makes up false information and presents it as truth when it's very easily disproved.)

Another way of illustrating AI's hallucinations is asking an either/or question, presuming that an event happens. Now, in full transparency, I have not read Dracula since 2021/2022, but I'm about eighty percent sure that this is an example of a hallucination. If not, my apologies, but I'm sure you can find a hallucination if you input it enough similar statements.

Beyond clearly just knowing what is accurate or not, AI also, like the previous OP said, doesn't know what is important. In many classes, when you're discussing some kind of novel, small details will of vital importance whether it about character, plot, or theme of the book. Demonstrated by one of my professors who asked us about the symbolism of the horse that Thomas Sutpen rode into town in the beginning of Absalom, Absalom only to very loudly proclaim that it was between his legs as a phallic symbol, which honestly was probably correct with the author William Faulkner being who he is. Side note, but he was a weird man, and I still don't like his works. If I was a student in that class today, here are the two different shortcuts I could have gotten.

(ChatGPT)

(SparkNotes)

Between the two, even disregarding that SparkNotes' summary is four paragraphs to ChatGPT's three (since the girl in the og Twitter post used three), SparkNotes just provides so much more information and detail. I'd argue that ChatGPT doesn't even summarize it efficiently anyways. So if you're just trying to cheat for class, ChatGPT still isn't a good option.

But I think the worst thing is that the people in the original Twitter convo aren't even reading for class. They're (presumably) reading for enjoyment, which makes it so much more bizarre to me. Because the thing is, and this is a rare one for me to say, you don't... have to read if you don't enjoy it? Once you've left school, very few places (unless you intentionally opt into it or have a very specific job) will make you read novels in your free time. Furthermore, I really can't fathom problems that ChatGPT solves that, say, an audiobook can't? Discussing these two specific instances individually:

If you're wanting to learn more about what Aristotle said in more readable English, baby, he's Aristotle. I can almost guarantee you that there is some kind of book out there, or even something online if you'd like to use the Internet, explaining his philosophy in easier to understand terms. Also with philosophy, I think that "main gist" can be a bit of a trick in of itself because it's designed to make you think critically about these ideas. Sometimes, the "main gist" is even the opposite of what they may seemingly be arguing because they're mocking it.

As for reading a book recommendation by a friend. ... girlie pop, you literally could just not read the book. I've gotten plenty of book recommendations that I've never read and my friends are not insulted at it. If it's a bid for connection, I'd argue that this is more insulting than simply not reading it because if you don't want to invest the time into it, that's fine but this weird shortcut way as if it's beneath your time is... oof. But especially if you want to discuss it, because AI will not include every beat and a lot of a novel is in the way it's written, the pacing or tension, etc. Things that an AI summary can't define out for you to have an actual meaningful conversation. That's something I do when I see a movie that looks halfway interesting but don't care enough to actually sit down and watch it. And even then, I'd never go back to that friend and act like I actually consumed that media; I'd probably just say that it sounds good because I still have not actually truthfully engaged with it!

This is a very long post, but I have a lot of thoughts and feelings about AI, especially in classes, literature, and media in general. Most of them are very negative, but I mean, please don't hand over your critical thinking of what you're consuming to artificial intelligence. Its intelligence is artificial; yours is not.

what is HAPPENING

[lame-cameoliob]

Kallus' motivations are so interesting

I just need to get these thoughts out so I’m throwing this ramble here:

Now, this may totally just be me thinking too much (fork found in kitchen) but I feel like when it comes to how we tend to think about Kallus’ characterization, the implications of Kallus’ experience on Onderon are very overlooked. 

So he goes to Onderon with “the boys”-- which, the term “the boys” has its own set of implications about how Kallus must have really cared for those troopers under his command but I digress– and on a patrol they’re attacked, yada yada, we all know the story. 

But Kallus becomes fully paralyzed. He doesn’t describe the extent of his paralyzation but given that he had to watch as his squad was “finished off one by one” it’s pretty fair to assume that he could not move whatsoever. The fear that any person would experience in that situation is completely indescribable, that is genuinely some shit straight out of a night terror. 

He is– as we know– spared (albeit we don’t get exact details (did the merc try to kill him but reinforcements arrived before he could? Did the merc think that Kallus was already dead? Secret 3rd option?)) and he makes a full physical recovery, but there is no way in hell that he is not coming out of that encounter with some crazy PTSD. 

There’s not a whole lot of info on Imperial mental health services but I don’t think it’s a longshot to assume that they are probably close to nonexistent.

So the empire now has… an ISB agent with field experience… with untreated PTSD… where said PTSDs inciting incident pertained to a Lasat… and they’re looking to make an example out of Lasan……….. Are you picking up what I'm putting down here…...?

If you aren’t; it is BY NO MEANS a wild assumption to say that the Empire– essentially– weaponized Kallus’ PTSD, given that he would be less likely to question the moral atrocities happening on Lasan since he was already biased against Lasat as a whole. 

Now, we don’t really have a solid grasp on what Kallus’ exact role in Lasan was since he’s  kiiiiinnnd of an unreliable narrator– I mean we’re given the line in Droids in Distress where he takes credit for giving orders during the siege, but Kallus routinely just runs his mf mouth whenever he’s throwing hands so it’s like…  that could either be the truth or a crazy exaggeration, we as viewers have literally no idea what’s going on there– but it goes without saying that Kallus is obviously not excused from his participation just because of (likely) untreated mental illness, but that is literally like the whole point of his character so like we all knew that

Now, after Lasan, Kallus does something really bizarre for an imperial to do; he accepts the borifle given to him through the Boosan Keerah, and even though he doesn’t know about the cultural significance of that, he still takes it upon himself to learn how to use this weapon. I think that literally any other imperial would have tossed that shit out on sight, so I think it does kind of imply that Kallus did have a good deal of respect for Lasat culture.

Now we can all recall how Kallus is so annoying and also batshit insane whenever he fights Zeb for the first season and a half of rebels, and ME THINKS that this is because he wants to prove to himself that if he were not paralyzed on Onderon, he could have saved the members of his squad. He had to sit by and watch them die, and I think that he just wants the vindication; now you may be thinking, But Emma, he beat the Lasat who gave him his borifle, why would he still be obsessing over this– say it with me now– he is mentally ill. No victory will ever be enough to prove this to himself. Point blank period. 

(edit:) He is for sure operating from a place of extreme predjudice and bias but I think it's worth noting that he’s not operating under the usual xenophobic imperial mindset that other species are automaticaly lesser than. (end edit) This weird obsession that he has in seasons 1 and 2 deels like it's mostly there because he wants to outwit and outfight Zeb (and the rest of the Ghost crew… but especially Zeb) (edit: Though it is 100% influenced by Xenophobia-- his mental illness and xenopobia DO coexist!!)

And after the Honorable Ones???? It’s literally never brought up again. He chills tf out so hard after that it is high key uncanny. And like, yes duh that is because– for writing purposes– that’s the beginning of his redemption and they want viewers to root for him as fulcrum, but it also implies that after finding common ground with Zeb, and understanding where he’s coming from and who Zeb is as a person, he realizes that he’s been CRASHING TF OUT for basically no reason. 

And he is SO QUICK to switch sides?? Like, he is fulcrum at least a decent time before the beginning of season three. The whole point is that the second he asks questions and delves deeper into what the Empires motivations are he is disgusted enough that he doesn’t just drop everything and disappear, no, he became a spy for the rebels because he wants to help. I feel like that just goes to show that, at his core, Kallus is a good person. A deeply confused, and hurt, and misguided person, but a good one. 

I dunno, this is just a really long winded way of saying that Kallus is the perfect example of an imperial pawn. Like the Empire is an incredibly effecient indoctrination machine that exploits people at every turn, especially their own soldiers, and I think that Kallus’ relationship with that indoctrination along with his own motivations is just super super interesting and I think about it literally all the time

[darlinluxx]

𝐎𝐏𝐏𝐎𝐒𝐈𝐓𝐄𝐒 𝐀𝐓𝐓𝐑𝐀𝐂𝐓 | 𝐊𝐀𝐍𝐆 𝐒𝐀𝐄 𝐁𝐘𝐄𝐎𝐊 ౨ৎ

request from : @erika-mon2-blog “Hi sweetie! I saw that you were accepting requests for Saebyeok, and I would love to ask you for one. I recently came across your profile and I'm in love with it! I'd love something along the lines of a sweet and clingy *reader* and a cold and unaffected Saebyeok; I know it's not a specific request, but I just want to see Saebyeok fighting against his cold attitude to please his favorite person. 😭🩷”

pairing : saebyeok x fem!reader

fluff

warnings : none

summary : you and saebyeok are complete opposites. i guess it’s true what they say : opposites attract

a/n : thank u sm <33 i literally just finished this fic as you sent me this lmao perfect timing !!

if you have any requests, feel free to message me <3

𝐓he chipped paint of your apartment wall is the same shade as the chipped paint of the subway station Saebyeok seems to gravitate towards. except here, in your little corner of Seoul, there’s a soft blanket draped over the worn couch, the aroma of jasmine tea lingering in the air, and the sunlight spills in, warm and inviting. the subway station? it’s cold, concrete, and constantly echoing with the anxieties of the city.

you hum softly, arranging the hydrangeas in a vase until they’re just so — a perfect, delicate dance of blue and purple. Saebyeok, on the other hand, isn’t about delicate dances. she’s more cold and quiet storms. and yet, somehow, you’ve found yourselves woven together.

you hear her before you see her. the jingle of the keys she pulls from her pocket, a small, almost involuntary noise that always makes your heart flutter. she’s in the doorway, silhouette framed against the hallway light, a stark contrast to the soft glow of your living room.

“hey.” she says, her voice low and a little rough, like gravel being shifted beneath the tide. she doesn’t look at you directly, her gaze fixed on the floor, her hands shoved deep in the pockets of her dark green jacket. it’s a gesture you’ve come to know well: the guarded posture of someone who’s used to fending for themselves.

“hi,” you say, your smile immediate and genuine. you leave the hydrangeas, walking over to her and pulling her in for a hug. your hands brush against the cold fabric of her jacket, a reminder of the world she moves through — a world so different from the one you curate within these four walls.

she stiffens for a moment, unused to the physical expression of affection, before relaxing, her breath ghosting against your neck. it’s a small victory, something you treasure.

“anything good happen today?” you ask, your voice light even though you suspect the answer might be in the negative. you know about the struggles; the constant search for her family, the need to survive. but you believe in offering her a soft place to land.

Saebyeok shrugs, a slight lift of her shoulders. “the same.” she says, which could mean anything, or nothing at all. you don’t press her. you know she’ll tell you when she’s ready, in her own time, in her own way.

instead, you lead her to the couch, tucking a soft blanket around her shoulders. you bring her the tea, the steam swirling around your face, a faint wisp of comfort in the stillness of the room.

“how was your day?” she asks, her eyes finally lifting to meet yours. you told her about your day. Saebyeok listens, her gaze intense as if she’s trying to decipher a complex puzzle. you suspect it is that for her; all the vibrant color, the soft petals, the open displays of merriment — it’s a foreign landscape.

she doesn’t comment much, but you can feel her presence, hear the subtle shift in her body as she adjusts on the couch, moving closer to you. in her quiet way, she’s here, present, with you.

later, as you’re both curled up on the couch, a book of poetry open in your lap, you lean against Saebyeok, your head resting on her shoulder. she runs her fingers through your hair, a habit she’s developed, a small gesture of intimacy.

you, with your bright colors and gentle nature, and Saebyeok, with her shadows and guarded heart, are an unlikely pair. but here, in this small apartment surrounded by soft light and the scent of jasmine, you understand why this works. you are her anchor, the bright spot in her storm. and she, well, she is the grounding force that keeps you from floating too far away, reminding you that there’s a strength in silence, in resilience, in surviving even the harshest of storms. and in this quiet intimacy, you know, with absolute certainty, that this love, two different worlds colliding, is exactly what you both need.

[crimsoncandy04]

Okay so little known fact about me, I'm a shifter and I frequently use both spiritual methods and substances to shift into other worlds, and like when I'm in the world of Genshin Impact I sometimes see the most messed up shit but I never tell anyone cause idk why, and today since my adventure was actually kinda sexy I feel like I should share some of the stuff I learned and experienced.

Especially because you know it involved my favorite man Scaramouche.

Okay so the tea was that basically contrary to popular belief in our world, Scaramouche is VERY much okay with being intimate with humans and it's actually hard to put into words why but it can basically be summed up as this, he secretly REALLY wants a family still. And in his mind, as long as he got someone pregnant (anyone it didn't matter who as long as he found them attractive enough), then he believed he could just make them immortal when he became a god and then have an undying partner and child (which he also never stated openly but it was obvious that he wanted this in particular because he was both curious as to what it would be like to be a husband and because he kinda felt like a woman would be easier to control and shut away from the world because she would have a kid to take care of anyway).

But there was one issue in this lesser known fixation of his, Scaramouche was actually frustrated because he believed he might actually be incapable of getting someone pregnant and was just shooting blanks basically.

My adventure kinda involved seeing what would happen if someone actually DID finally manage to be knocked up by him, and it basically went like this.

Scaramouche had a little bit of a reputation amongst the fatui maids to be someone known for having slept with and then thrown away a lot of different women over the years. And it was kind of an unspoken thing that if he suddenly started giving a girl a lot of things to do and kept trying to get her alone that he wanted to sleep with her.

No one among the staff would DARE say it out loud but it was kinda obvious that the harbinger wanted a baby out of someone because anyone who had been with him before always said that he'd do the same thing and would basically fuck a girl raw for hours almost every day and would also keep her close for about a month or two as he had doctors give her certain medicines and herbs and stuff to try and make her conceive.

If she was a failure after a few months then she was completely tossed out and sent back to the kitchens. And then within days Scaramouche would be stalking the staff again because it was easier to take a maid without anyone knowing than it was a soldier or nurse.

And if he likes someone he'd put on his superficial charm and start trying to lure them into his bed.

Also no one ever snitched because according to his past victims, Scaramouche was EXTREMELY generous in the sheets. However big into overstimulation and watching the faces of the girls he coupled with.

And a LOT of maids secretly tried to look more appealing with makeup and stuff when he was around because who wouldn't want to be spoiled by a hot rich guy who just wanted you to give him a kid in return for the best princess treatment in your life?

And oh my god did he almost seem to actually smile once as the story played out and I watched him get the news that one girl was finally a success.

And was there ever some hating ass bitches when the rumors of his successful impregnation started going around.

So basically this girl was treated like a freaking goddess.

Scaramouche literally paraded her around openly with the best clothes and jewelry and even her own damn mansion in some secret location. Literally she was his everything it seemed.

And it was crazy because he didn't love her as a person whatsoever. She could have been anyone because Scaramouche just wanted a family he could make permanent and didn't care what woman's coochie it came out of. Just so long as it was his and he could keep her controlled and hidden away safely with mora and nice things.

I saw more stuff but my mind is going blank as I recenter my spirit and sober up. I'm sure I could remember it later if I tried but basically yeah.

Scaramouche is very self serving and doesn't care about who he has to use to get what he wants or how. And he secretly still longed for someone to spend forever with him, so unbeknownst to most people, he was trying to get someone pregnant and then immortalize them and his offspring once he achieved divinity and became a god.

I just remembered part two of my shifting journey so let me update.

The story went on to what would happen to the girl after irminsul occurred and it goes as this.

Now feeling immense regret for how disrespectful and borderline cruel he was to some of his past partners, Wanderer actively tries in secret to seek out the mother of his child and learning where she was and what her perception of history had been altered to was heartbreaking.

According to her she was sold to the fatui by her family to work as a cook and pay off some debt, her life wasn't too bad until she was taken advantage of by what she remembered as just one of her male coworkers, after she was proven to be with child she ran away from the fatui and eventually just found herself in Fontaine. Then soon after that, Sumeru.

And that's where Wanderer finds her again. He knows the actual truth and eventually decides to come clean to this girl about what actually happened. She doesn't believe him but Wanderer is adamant about being the real father and vows to the girl to try and do the right thing by helping her with the kid.

At least.

She agrees but only because she needs the assistance and Wanderer knew how to be charming enough to earn her forgiveness.

After that he would finally get the family he envisioned but because he failed to achieve godhood, he knew he would lose them someday. And he personally believed he deserved to feel that loss so he would stay with the girl and actually try to get to know her as a person as a means of atonement and also to punish himself for treating this girl like an incubator at first.

[martinsharmony]

After I got a divorce I lost my job. I spent the better part of 2 years unemployed. I had to change careers because I couldn't find a job in my chosen field anymore.

I had been applying to so many jobs and written so many cover letters that I didn't know who I was anymore. I felt like I was just changing who I was to fit any job I applied to.

This thing? I can do that! That thing! Yes! That's me! Even if I didn't feel it was because I desperately needed a job. I would say anything to get it. Doing this was getting me no jobs.

I had a breakdown one day. I ended up writing a brutally honest journal entry of sorts about who *I* am. Warts and all. Basically it was a "fantasy" cover letter. One that I really wanted to send.

Here it is:

Who am I?

I'm tired of trying to make it appear that I'm something I'm not: World class, best in field, expert at everything. I'm taking a different approach. This is me, honestly. Hopefully I will be a good fit for your needs.

I love designing websites and graphics. My creative style is traditional and highly detailed, with a bit of whimsey thrown in. I have been told my designs are well suited for corporate projects (particularly internal). They are not cutting edge, but I think they are pretty good.

My technical knowledge varies. I'm expert at most Adobe products in general (particularly Photoshop), as well as Windows and PCs. My knowledge in HTML and CSS is a little bit behind the times (I'm transitioning from tables and CSS1 to HTML 5 and CSS 3), but I'm learning. I have used a Mac before but haven't for some years. I happen to love trouble shooting and I can do light tech support. There are a few programs which I do not have much work experience in per se, but I'm confident that given the chance, I will become expert. I'm not afraid to admit that I don't know how to do something and ask, or use Google to find out how.

I am loyal. Aside from the short term contract job I just worked, my average tenure at places of employment has been nearly 4 years, with the longest being over 8.

I am honest and take people at their word. I give them the benefit of the doubt and believe people and companies (managment) have good intentions. Taking advantage of people, talking people into things and "gaming the system" are not in my nature. I tend to be a bit literal.

I am easy going. I get along with most people and working with a team is one of my favorite things about working.

I am dependable. I have been called tenacious by a former manager. I do not leave tasks unfinished and I take responsibility for my projects.

I am motivated by deadlines. I once took the initiative to take control of a major compliance project in danger of missing its deadline and rescued it by completing many of the courses left unfinished and creating the rest on my own. It had a visibility of over 3000 employees.

I enjoy production and administrative work. I work well when I know what needs to be done and the task is not nebulous. I take direction well.

I can manage projects that I feel I have an ownership stake in or know a lot about. I even feel that I can grow into a leadership role and perform it well once I understand fully all the parts involved and the players. I don't personally believe in managing or taking charge of that which one does not know anything about (but I do realize that other people can do this just fine).

I am detail oriented and meticulous. I tend to catch things that other people miss. I read policies and guidelines and follow them. I once managed a complicated ongoing project that required immense attention to detail involving coordinating with 3 teams, the print vendor, multiple shifting deadlines and thousands of files. Deadline and resource management was essential.

I'm analytical. But I'm also creative. I believe this gives me a unique perspective on creative solutions for usability. I enjoy problem solving and research.

I'm not world class or the "best" at anything. Who am I to say that? I'm realistic. I try to do a good job that satisfies all the parties involved. I enjoy pleasing people and making them happy.

A short time later I applied to a job that was in a different field through the referral of a former co worker. I took that journal entry and turned it into a cover letter.

I figured what the hell. Might as well. I didn't expect to get the job.

I got the job.

The only things I removed were the phrases in pink, and I added this at the end:

I am a helper. I enjoy pleasing people and making them happy. I try to do a good job that satisfies all the parties involved.

Give me a call or email if you would like to know more. I look forward to hearing from you.

Have a great day :)

The lady that hired me eventually became my friend. Later on she told me my cover letter is what got me the interview. She said it really stood out. And when she met me, she liked me.

Reading this over again, most of these things are still true about me over 10 years later.

huge shout out to past me for making a cover letter template that i can fill in with bullshit fairly quickly. do you guys want it?

[eclipseberrycake]

Poly! MoonBerryCake x Reader

I took some inspiration from @huneybeen who wrote this first so please please dont hate me but I've been thinking about them for the past 3 days and I needed to word vomit.

...K thanks bye.

Divider Credit: @sister-lucifer

☁ The dynamic of this alone is something I'd like to touch on especially because it's so fun to me.

☁ I imagine if anything the reader would be a common toon, so that changed things. You have two mains, Astro and Sprout, and two commons, yourself and Cosmo.

☁ You and Cosmo probably meet first because of that. You get close because of similar interests and stay close during runs.

☁ To add an extra layer to this, imagine Distactor! Reader too? Licking my fingers at this.

☁ Cosmo thought he had just gotten a new friend! He loves giving them treats and using them as a taste tester and even taking naps together wherever possible! It's great!

☁ Until...it's not? Why are you taking off? Why do the trinkets hooked onto your belt look suspiciously like the ones Goob and Tisha are known to use? Why are you actively getting the Twisteds attention?! WHAT ARE YOU DOING?

☁ The first time he sees you distract is a little stressful for poor Cosmo. The second you're back in the elevator and it clinks shut, he is whirling on you and demanding an explanation.

☁ He's so exasperated that he's left speechless when you simply smile up at him, still high off adrenaline, while talking a mile a minute about how much fun that was.

☁....Are you insane?

☁ That being said, after the fact, Cosmo is literally your personal healer. He is constantly fighting Toodles the other toons for heals, not for himself, not really, but so he's never left with nothing to give you.

☁ That's probably when he realizes he has an initial crush on you. He's mid-way through using a med-kit on you, on a floor high enough he can see the running starting to effect you. You're sluggish and fatigued and can't chug pop fast enough. It makes his chest ache at the sight before he's swallowing his nerves and wrapping his arms around you.

☁ "You're doing great. Thank you for the work you do."

☁ Feeling you melt against him made every grueling floor worth it in that moment. The draining yank of his own health leaving him to go to you through every new treat was far beyond repaid. He would do it a million times over for you if only for a smidge chance at this moment again.

☁ The run was finished soon after that, and you were quick to express your thanks towards him after that. Safe to say, if you thought he was clingy before, that was nothing. It's like he literally took an invisible chain and connected it between you two and you just haven't found it yet.

☁ He's always there with a smile and a treat and a snuggle if time and twisteds permit.

☁ Now, some world building for ya. I imagine that the OG Twisteds of the mains you see, are the real mains until that research is completed. Then Dandy lets you purchase an...un-twist antidote or something and that's when they come back. It's fun to me >:(.

☁ Following this, most people are gonna assume Sprout comes first.

☁ WRONG. I got Astro first so guess whose coming back. Astro.

☁ When Astro comes back, he's evidently shaken by the whole ordeal. The mains probably didn't know the commons overly well unless they were explicitly paired together. Like Sprout and Cosmo in that one animation, or Glisten and Vee, etc. Astro isn't seen with any commons, as far as I know, so he's probably a little lost and feels like an outsider.

☁ While he's recovering he's banned from any runs. Point blank period. However, that means he's alone while the commons are all out scavenging for research.

☁ Guess who comes in? Guess :)

☁ It's you!

☁ Unlike Cosmo, there are other distracting toons. Tisha and Goob both are more than happy to take some shifts while you stay back to recover yourself. Unfortunately, there's only one Cosmo, so he's left going on the runs as a healer and leaving you behind. You always see him off though, giving him pecks on the cheek before he's stepping into the elevator.

☁ You take the time to wander through Gardenview, eyeing each room as you pass before blinking at the infirmary. The new toon was in there.

☁ Astro half expected you to just continue on, regardless of if he was there or not. He was fine on his own, even if it wasn't his favorite. It reminded him too much of when he was... Of before.

☁ But you poked the top of your head in the doorway, your eyes being the only part of you visible. He blinked at the action, making eye contact. Your head tilted at the action and his own mirrored it. It made you giggle as you disappeared back around the door.

☁ Despite it, Astro found himself smiling at the action. what an odd toon you were.

☁ He never heard your footsteps disappear however, stunning himself when you popped your eyes back in, gleaming with mischief. The rest of you stepped in right after, pressing a finger to your lips with a humorous little wink. "Wanna sneak into the kitchen and steal some cookies?"

☁ Needless to say, he found himself in the kitchen, sitting beside you with a cookie jar shaped like a suspicious, rainbow petal'd plant sat between you munching on cookies that looked a little too familiar for comfort.

☁ You filled the silence whenever something popped into your brain, talking about things you felt he should know for whatever reason. He now knew all about Rodger and Glisten and Teagan's tension, which he wouldn't have guessed, and all about Gigi's...problem with misplaced objects. He even knew about your own rumors that laid hushed in the walls, spoken like they were about someone else.

☁ "Yeah! People keep saying Cosmo and I are a thing but he's never asked so until then, that's a no."

☁ He hummed at the time, even if some part of him felt a bit relieved at the information.

☁ By the time he was cleared to go on runs, you were bouncing up and down by his side excitedly, trinkets clinking from where you had hooked them onto your waist, with Cosmo excitedly grinning behind you.

☁ He liked seeing you two like that.

☁ Now. Sprout. Mr. Seedly.

☁ He's last to join. Astro helps with this tremendously. When you're downed from a surprise Shrimpo attack, clutching your arm as Ichor pooled over, Cosmo is quick to try and jump in to help, only for a twisted clone of himself to turn and lock in onto him.

☁ As much as I love to proclaim "Distractor! Cosmo!" he's not actually a distractor. So, he has to run to lose the twisteds quickly before getting bit himself. This is where Astro comes in. Not only does he quickly re-energize both you and Cosmo, he is able to give you a momentary heal, letting you run off, air horn blazing, while hiding in the back to turn his attention to Cosmo.

☁ Whatever pieces you or Cosmo may lose, Astro picks up. Yet, not all of them seem to click into place just yet.

☁ When the elevator stills and you all hear the telltale steps, Astro is quick to grab your shoulders and spit all sorts of warnings. "Watch the tentacles. You'll know where they're going to appear. Don't try to test them. It's not worth it." "He's slow but don't take that for advantage. He will find a way to keep up." "Ignore every other twisted. We can handle them."

☁ Blinking, he watched you slowly nod before blinking and giving a much more firm acknowledgement. "Understood."

☁ When the elevators opened, Astro watched as you quickly got Sprout's attention, darting around a budding pile of ichor before sharply turning the other way. The reason why quickly became apparent when a twisted Teagan turned the corner, which Goob quickly took away.

☁ Nodding to himself, Astro found himself turning to face Cosmo, who looked terrified at the what just happened. Did he look that way when Astro was...That way with him? He hoped not.

☁ Frowning, he gripped his blanket tighter before letting out a breath, extending one of his hands through the opening towards Cosmo. The other looked at it with wide eyes before his eyes upturned to look at Astro's. "I'll stay with you the entire time."

☁ They had to follow you after all.

☁ They stayed a good distance away from where you and Goob were distracting (which was rather entertaining to watch actually), grabbing capsules wherever possible and tossing healing treats to you both as you passed.

☁ It was a rather seamless process actually up until the elevator timer began, sending the other toons of the squad running. Cosmo, who had been waiting for Astro to finish the last machine, seemed to halt before Astro was urging him forward, steeling himself to stay behind. "They'll run out of stamina before getting to the elevator. We'll be fine!"

☁ Albeit hesitantly, Cosmo did turn and run, finding safety next to Rodger while Astro stayed a ways away outside. Goob was quick to return, free of twisteds, but looking no less stressed. "They were far! Sprout cut off their exit!" Goob quickly explained, twiddling his fingers in front of him.

☁ Astro nodded before instructing him to stand in the elevator as well just in case.

☁ As the seconds ticked down, Astro was seconds away from stepping just far enough to remain out of Goob's range just in case when you came skidding around a corner. He could tell you were running on low as you kept looking back, narrowly avoiding Sprout's clawed grasp. Waiting until you were close enough, he let his power thrum along the ground, watching as you immediately perked up.

☁ Goob took this as a signal, or maybe you gave him one, as you quickly moved to push Astro forward, right into the awaiting arms as you continued towards the elevator. Just as the elevator began to close, you dove, making it just under the steel metal as it slammed shut behind you.

☁ You were panting as you laid on the ground, the entire elevator silent save for your heavy breaths and the sound of Dandy preparing for his arrival.

☁ Cosmo was quick to jump onto you, hurling threats of no more heals if you ever tried anything like that ever again. You took it with grace, gently resting a hand on his head as he cried into your shoulder. Your eyes angled back, catching his and extending your free hand. "You can't fool me. I know that scared you too."

☁ If Astro moved forward to take your hand, sitting close enough to you his knees brushed your shoulders.

☁ You had gotten what you needed though, evident with the glower Dandy shot at you, hidden behind a plastic smile.

☁ Getting Sprout back was harder than getting Astro back, admittedly. You had explained that when getting a main back, you kept most of the toons behind simply for everyone's sake. Distractors, Cosmo and fast extractors was where you drew the line.

☁ Which Astro understood. But didn't like. However, that being said, his power made him a valuable asset, which he used to argue his point. When you acquiesced, he nearly cheered, triumphantly trekking into the elevator with Cosmo by his side.

☁ To say this was like the previous runs, but on some sort of crack would be an understatement. It was fast. It was grueling. It was a thing of constant motion with machines constantly being done and the elevator a repeating pattern of opening and closing.

☁ There were no jokes like usual. There was no chatting. There was a new tension among the people in the elevator, simply waiting for the countdown before starting it all over again.

☁ Cosmo ensured he stuck beside Astro the entire time, remaining a rock the entire time while you were busy. They kept close enough they could rush to you should the need arise, and have a few times, but stayed within hands reach of each other.

☁ By the time they reached floor 24, with all of you tired and injured to some extent, the sound of his steps were both a welcome reprieve and a dreaded expectation.

☁ You were the one trusted with the serum, clutching it tightly as you glared at the elevator before you were turning to look at Cosmo and Astro over your shoulder. "Stay safe, please. Don't wait for me."

☁ It was a harrowing ask, but not one they could linger on as the elevator opened and you took off.

☁ But then the lights went out.

☁ And then they heard Sprout let out a shrill roar signaling he spotted you.

☁ Then they heard the snarling of Pebble signaling he too also spotted you.

☁ That was all they needed before the group of them dispersed, eager to complete the machines as quick as possible before you paid the price for their lack of action.

☁ One by one each ticked off before the elevator was reopening and they all rushed back to the elevator. Goob, Cosmo and Astro stood right up at the lip of the elevator, eyes darting for you. You appeared much quicker, both Pebble and Sprout on your heels as you did.

☁ You dropped a quick smoke bomb, loosing both of their attentions as you quickly rounded around a counter. Pebble let out a snarl as he ran off in the other direction. He didn't get far before hearing you move and it was like a movie.

☁ You moved, launching at Sprout with the Serum poised and ready while Pebble snarled, rushing to catch you. You managed to catch Sprout, digging the spout of the needle into his neck before being chucked off, making you scramble as you quickly darted back around the counter. Astro let his power thrum as Goob snapped his arms out, Cosmo catching you as you ran into the elevator while Goob's arms snapped back. The elevator snapped shut as Glisten moved to end the run and send the elevator back up, both you and Cosmo moving to where Goob cradled an ichor riddle body.

☁ You quickly let Cosmo do what he needed too, diverging to wrap your arms around Astro, who's eyes were locked onto Sprout.

☁ He spent the night with you and Cosmo, both of which he dragged out of your rooms to sleep in his that night.

☁ Sprout's recovery is quicker than Astro's, as he's a toon made for healing. He's up and bitching before any of you can stop him.

☁ Cosmo is his first stop, duh, they're canonically very close, with Astro a close second as he would know the other main. But you? Sprout's got no idea who you are.

☁ So he's a little stand-offish. He sees you interacting with Cosmo and sees you with Astro, and both seem to thoroughly enjoy your company, but he also saw you when he was a twisted.

☁ You were a dumbass if he had anything to say about it.

☁ You'd see someone way down a hallway and risk running into a wall to avoid them getting maybe even possibly spotted. He'd seen you eat enough chocolate bars to make him sake just to stay just in front of Pebble. He'd seen you slip on a stray jumper cable only to get right back up and do the same thing when you rounded around.

☁ He wasn't sure he wanted that rubbing off on him.

☁ But you stuck around. When Cosmo wanted to bake, you were the first to get a bit of the final product. When Astro wanted a nap, you were right there with a blanket, acting as a pillow while you napped with him.

☁ Even on runs, you were quick to come to his aid, taking back the twisteds once he'd gotten his aggro-tapes. All with a stupid smile.

☁ He kind of hated that smile.

☁ Man this is getting LONGGG

☁ Anyway, how would you and Sprout bond? Uh, the common denominators silly!

☁ You were injured on a previous run, bad enough to warrant bed rest decrees from both Cosmo AND Astro. Lucky you!

☁ Sprout had only been cleared for basic runs and this was another possible retrieval run, which you heavily protested against with not only you injured but your second healer still on probation.

☁ Still, they went on with it. You and Sprout were left in the infirmary, awkward silence settling between you. Neither of you knew what to say from there. Your buffers were gone.

☁ With a huff, you sat up, running a hand down your face before turning to face Sprout. Who was watching you.

☁ He watched you like a hawk, watching as you swung your feet off the bed and slowly stood like a shaky new born fawn. "Cosmo's not gonna like that."

☁ You snorted at him, falling back onto the bed only to try again. Sprout's eyes narrowed as he scoffed. "Astro's not gonna like it either."

☁ You snorted again, finally finding your standing before turning to look at him, narrowing your eyes at him. "Are you coming with me to get cookies or not?"

☁ ...well, he can't say he didn't warn you. He did follow you to go get treats, acting as a crutch along the way simply for the reason he didn't want to wait for you to hobble along.

☁ That was the only reason.

☁ By the time you both got to the kitchen, munching on treats, you had picked up a fun back and forth with each other, trading quips as you dug into the cookie jar once more. You pulled out the last cookie, offering it to him.

☁ He looked at it before shaking his head, only for you to roll your eyes and split it in two. He took it with a grumble, scoffing. "I made them I can make more."

☁ "Gonna make them with Astro's face again?" You shot back with a grin, nibbling onto your own half.

☁ He gave an affronted gasp before the ding of the elevator was making you both look over, Sprout giving you a hand to welcome back the group. They hadn't been gone very long, so it either went very well or not well at all.

☁ It turned out be neither. The run had been called as they were unable to fall into a rhythm and Scraps and Brightney had gotten into quite the altercation.

☁ Both you and Sprout find yourselves looked for Cosmo and Astro, only to find them chatting near the entrance, completely fine. There's a moment between you and hi m, where you both side eye each other before you're reaching out and shoving him. Without trinkets you two are practically the same speed, only he has you outmatched with stamina.

☁ Which was his only hope as he stumbled, not expecting the dirty play, watching you take off towards them. He quickly caught up trying to shove you only for you to dodge him with a laugh.

☁ He knew he should've distracted more. He had gotten complacent with Pebble and was now paying the price for it. He should've known you were a dirty filthy cheater. He should've guessed.

☁ In a last ditch effort he launched himself at you, making you squawk as you both rolled forward, giving both Cosmo and Astro little time before the two of you collided into them sending the four of you into a heap of undignified limbs and cackles.

☁ I spent that entire time just developing that omfg and its already long. sobbing.

☁ Anyway how y'all get together is gonna be TBD bc my head is hurty and my tummy is empty. ~<3

[mythalism]

there is a bit of a discourse on twitter about whether Mythal was a slave owner. What is your take on this? I’ve seen arguments that her vallaslin was a mark of honour and she “protected her people”. But also if that was the case, why would Solas remove his marks and propose to do the same to Lavellan?

I wonder if that’s another evidence of her character being sanitised in DAV compared to lore, revealed in DAI

it has genuinely never occurred to me that mythal would not be a slave owner. we know the evanuris practiced slavery. we know the only one who did not was fen'harel, as a result there is no fen'harel vallaslin. there is however a mythal vallaslin both presently and anciently, worn by felassan, abelas, and all of the temple sentinels at the least, and by solas himself once if you assume that is the meaning of cole's comment about him burning her off his face, which i do make that assumption. solas says mythal "was the best" of the evanuris, but that is an extremely low bar. we also now know that she was a driving force behind the war with the titans and their tranquilization and the destruction of the dwarven empire, and she admits to using solas as a weapon of war. i am not sure why any of these things would lead anyone to believe that she is morally above enslaving people. we have literally met the people she enslaved. whether or not they were "devoted" or "willing" (ew) is irrelevant in the context of her power as an evanuris.

i think perhaps dragon age was gearing up pre-veilguard to explore the vallaslin much more in depth however it ended up erasing it completely so we will never know. its possible that vallaslin had multiple meanings, and did not always denote enslavement but could denote enslavement depending on the circumstances. my own understanding pre-vg was that the vallaslin probably interacted with other factors, such as class/wealth, power, and personal favoritism, to varying degrees of personal and political agency so that not every person with mythal's vallaslin would have the same exact experience. solas's experience clearly was unique and we see that in the way that their relationship is presented in his murals, and how they continue to have a relationship even after he has removed his own (assuming thats the timeline and not that they just completely retconned him having vallaslin in the first place lol). but just because solas sees mythal in a forgiving light (sometimes, he goes back and forth, which does make sense considering his complex feelings about her) does not mean mythal was, objectively, that way. its pretty heavily implied that he had major rose colored glasses on for her, and its likely he only saw a certain side of her. we can probably assume that elgar'nan saw a very different one. we have a lot of different perceptions of her from different sources, and different literal fragments of her personality. we also know she changed quite drastically overtime and was corrupted from benevolence into retribution. it is difficult to say with certainty what she was like because the game does not tell us.

however enslavement is enslavement and i think we should be frank about it even if veilguard isnt interested in touching on it. "but she was a good slave-owner!" is a dangerous sentiment reflective of real life, anti-abolition arguments during the american civil war that revisionist racists and white supremacists still use today and i think people should take great care not to espouse the same, even in the context of a fantasy world.

[ugh-yoongi]

the great british fake-off | xmh

you thought the guy in the hawaiian-print shirt who seems physically incapable of being quiet would be the most annoying person here, so imagine your shock when it's xu minghao, who has seemingly decided you're the enemy and keeps sabotaging you. a baking competition for charity might have others on their best behavior, but what's a little sugar without some spice?

❆ pairing: minghao x reader ❆ genre: great british bake-off, holiday au; crack, fluff ❆ wordcount: 5.5k ❆ rating: e for everyone ❆ warnings: some swearing, minghao is a saboteur, idiots abound. ❆ credits: this netflix psd template for the banner. this recipe for the yule log; this recipe for the gingerbread house; and this recipe for the entremet. divider from here. this post for the divider. this was roughly edited by me, so any and all mistakes are my own. ❆ written for: the winter with you collab hosted by @camandemstudios. thank you for letting me participate! please make sure to check out the rest of the stories as they're posted. ♡ ❆ author's note: i had this rotting away in my wips since literally 2021, so even though it started as a completely different story, i'm so glad it's finally seeing the light of day even if it's not what i originally intended. (also, i know the banner says 12 contestants but the holiday specials only had a couple, okay. i forgot when i made it and i wasn't going back to fix it.)

The obnoxious one is wearing an aloha-print shirt.

He’s also extremely loud, his raucous, fake laughter filling every corner of the large warehouse you’ve been assigned to for filming. Makes a show of batting his eyelashes, throwing his head back every time someone cracks a joke that’s not even funny, comes up with nonsensical nicknames for the entire crew just to suck up to them.

“John Davies? Mind if I call you Joe?”

Joe doesn’t even make sense as a nickname for John, but John fucking loves it, apparently. Looks at the annoying guy like he just watched him string the stars in the sky.

But it’s the shirt—god, the shirt drives you absolutely crazy. He’s about to go on national television, be a household name, and some ill-fitting, charity shop Hawaiian print shirt is what he woke up and chose to wear. What’s his angle here? Appeal to the public with some sob story about only being able to afford second-hand clothes so that’s why he’s competing? Needs the money to care for a sick relative?

(The expensive watch on his wrist and his limited-drop sneakers tell an entirely different story, but you’re keeping that to yourself for now. No reason to play your hand so early.)

As much as you hate the shirt, you have to admit it suits him. The colors are garish and unsightly, just as obnoxious as he is, and you can’t stare at it too long because you start going cross-eyed. Looking at him feels about the same as stuffing your mouth with a bunch of sour candies: you get that same burn in the back of your jaw, same scrunched-up, grossed-out look on your face; have to squeeze your eyes shut to blink back tears.

You don’t even know his name, but you hate him immediately.

Your eyes scan the other contestants. None of them inspire the same level of animosity within you as the annoying one does; all of them nearly unremarkable. A variety of ages, appearances, backgrounds. You hear one say they’re a retired investment banker. There’s an accountant, a teacher, a fucking aerospace engineer.

And then it’s his turn to introduce himself. He clears his throat, speaks with an easy, practiced confidence. Completely void of nerves. Makes eye contact with everyone in your conversation circle. Gesticulates wildly as he speaks, immediately endears everyone to him.

“I’m Tim,” he says, and you nearly recoil at how honeyed his voice is. “But you can call me Tim. I’m thirty-eight, originally from a small town. Work as a…”

You can barely stand to listen to it anymore, each “Nice to meet you, Tim!” like another punch to the gut. How can’t these people see right through him? How are they falling for his bullshit? You should’ve known. Producers always throw in at least one bomb to up the ratings—a secret millionaire, someone rude and confrontational, a flat-earther. Even if you’re competing in a charity baking competition, of all things, it’s still reality television at the end of the day.

Just because the bunch of you are going to spend the next few days creating confections out of sugar, spice, and everything nice, doesn’t mean you have to be part of that ‘everything.’

Tim thinks he’s got this in the bag. Thinks he’s going to show up and win easily, the rest of you be damned, and even if you are typically a very nice person, you’re also highly competitive. There’ll be no rolling over done by you, and if Tim wants to play dirty—

Game on.

As you introduce yourself, you feel his eyes burning a hole in the side of your head. Probably because you don’t bother with the faux-humility the rest of the contestants have. Polite and charming but firm, just the way your mother had taught you. You’re not boisterous, don’t crack silly jokes to play up to the cameras the way Tim loves to do, and you know he’s scrutinizing you the way you’d done to him, trying to figure out your angle.

Well, joke’s on him—you don’t need one.

And you really, really hope it drives him crazy.

Except maybe the joke is on you, too, because you don’t account for Xu Minghao.

In true reality television fashion, the tent is boiling hot.

As if the universe itself had looked down on all of you and decided what you all needed was a heatwave uncharacteristic of this time of year, just to up the ante. Not even ten minutes in the tent and you’re all fanning yourselves and wafting air up your shirts. Which is great, really, because it isn’t like you need to use ovens or stand over hot burners. It’s not like you aren’t going to be soaking through your clothes with anxiety sweats, either! Sweat dripping off your brow into your eyes won’t matter because you don’t need to use them.

Everything’s going to be fine!

But everything is not fine. Not only has the universe gifted you with sweltering heat, it’s given you the work station directly next to Tim’s. You’ll have to feel his annoying, off-putting aura near you for the entire competition. There’s always the possibility of him bungling it and making an early exit, but you know that’s unlikely. Obnoxious he may be, you also know a strong opponent when you see one, and something tells you you’re going to be stuck with him for the long haul.

Think of the cats, you tell yourself. All of this is for the cats.

It’s not like you never would’ve returned here of your own volition. No, your first go-round with feel-good, competition-based reality television had gone fine. You hadn’t won, of course, because you wouldn’t be here again if you had, but you placed respectably in the top three. Became a fan favorite, too, which was arguably more lucrative than winning. People make a living on social media these days.

So, it’s not the competition itself that has you white-knuckled gripping onto the edge of your station. It’s the man at the one beside you, cracking all these stupid jokes about the weather and how it’s a horrible day for tempering chocolate, so he bets that’s going to be the first challenge!

You suck in a deep breath. Try to remember the breathing exercises from that one yoga class your sister had dragged you to. It had been about the same temperature then, too—well duh, it’s hot yoga, your sister had said, which was news to you, because you never would’ve signed up for something called hot yoga willingly. Still, you endured it, just like you’ll endure this, and a little sweat is not going to get in the way of you delivering a check to all those poor, sad cats without families.

“Psst, hey,” you hear from behind you. When you turn, a man is smirking at you as he finishes tying his apron around his waist—has to wrap the strings around twice, you notice, because only someone hand-picked by the gods themselves would have that shoulder-to-waist ratio.

You don’t really recognize him. Can’t recall his name or where he’s from; can’t remember what he mentioned doing for a living. Probably something artsy, if you had to guess—he definitely has the style and demeanor of a creative, with his trendy shag-mullet and the multicolored, glitter-y snowflakes decorating his nails.

You aren’t sure he introduced himself at all, but the confidence with which he holds himself—easy, like it’d take a national emergency to rattle him even a little—implies he doesn’t really have to. Most of the people here already know him, if you had to guess, and he gives the impression that he’s not fussed with impressing any of them.

If only Tim was so inclined.

You clear your throat, vaguely aware you need to respond. “Yeah?”

“Are you nervous?”

“Ah, I don’t think so? We’ve done this before, after all. We should be seasoned veterans by now.”

He smirks. “Should be,” he emphasizes. “Feels different when it’s for charity. Extra serious, you know?”

“Right,” you agree, taking a look around the tent. “Anything for the cats.”

There’s an immediate shift in the atmosphere. What was friendly and carefree is now tense; where a smile and a floral giggle sat on the man’s lips has been replaced with a crooked scowl. And it doesn’t make sense, all you’d done was agree with what he said, but then the producers are yelling something at the front of the tent, cameramen are rushing to their equipment, and a woman appears at your side and starts clipping equipment to your clothes, and there’s no time to question it. On your right, Tim’s laughing and joking around with some crew members like they’re old drinking buddies. It drives you nuts, has annoyance pricking at your skin, flushing your cheeks—

So much so that the woman at your side leans in and asks, “Should I get hair and makeup over here?”

“I—no, it’s fine.”

The unnecessary members of the production team scatter away after a loud countdown. Hair and makeup don’t come to wipe the sweat tracks from your skin. You already know Man Behind You is standing there looking perfect because he’s equally as attractive as he is mysterious. God truly has favorites, and this guy somehow made the top five.

You stare down at the instructions in front of you, confident in your ability to read but not so confident in your ability to make sense of any of it. And it’s your own recipe, which is the worst part. You’d typed this recipe yourself. These are your hand-written notes in the margins. You’ve conceptualized, tweaked, baked, and eaten this recipe more times than you can count, and now all you can do is thousand-yard-stare into the ether.

In the time since you were on the show, you’d somehow forgotten about the chaos. Not unlike that hormone women have that makes them forget about the pain and agony of childbirth, you reckon.

In addition to being one of the most bothersome people in history, Tim apparently doubles as a prophet.

Because it is a terrible day to temper chocolate, and you’ve got a bûche de Noël on the horizon that requires you to do so. You can pivot, maybe make some kind of buttercream, but a basic chocolate buttercream is not going to win you a world-renowned baking competition even if it is Swiss meringue. A child could make that.

You sigh. Push that wave of panic to the back of your mind. In a setting like this, you have approximately ten seconds to come up with a back-up plan and execute it and you wasted your time thinking, so you’re just going to have to temper the stupid chocolate and stick to your original plan. God, you have a headache.

But the show must go on, so you do too.

Step 1: Preheat the oven.

Easy enough. If nothing else, you can preheat an oven.

Step 2: Make the sponge.

Not as easy, but you’ve made so many sponge cakes throughout your life you could probably do it in your sleep. Whisk attachment on the stand mixer. Four eggs. Sugar meticulously weighed and added to the bowl. Sugar and eggs whisked together until the mixture is the color and consistency you’re looking for. Flour, cocoa powder, and salt sifted in. Metal spoon to fold it all together as delicately as possible. You won’t have a sponge cake if you beat all the air out of it, now will you?

“Good enough,” you mutter to yourself, staring down at the bowl.

At least you’d had the foresight to grease and line your baking tray, because the entire entourage arrives at your station just as you’re meant to be pouring the batter into it and sticking it in the oven.

“Ah, we meet again,” the group choruses, genuine smiles peeking through as if you’re old friends separated only by time and distance.

That’s the weird thing about being on television. For as long as you’re able, you exist within a microcosm of daily life. A world exists outside of your bubble, you know, but you don’t see much proof of it. All of your meals are eaten together; all of your conversations are had with one another. You share temporary living quarters and oftentimes too much of yourselves, and you’re thankful the show encourages teamwork and kindness because that’s the kind of thing that can grow sour if you leave it unchecked too long.

And then it just—ends.

Bubble burst, you all go back to your regular lives. You look back on that time fondly, but the friendships are thinned out by time and distance. Eventually it all starts to feel like a dream, except every now and then something breaks through the haze to remind you it actually happened: a stranger recognizing you at the store, a message on social media, the casting team contacting you to ask if you’d be interested in competing in a holiday special for charity.

“We certainly do,” you retort, smile matching everyone else’s.

All things considered, you are happy to be back. Even if the tent is crowded and far too warm, the atmosphere is unmatched, especially when it’s decorated for the holidays.

“What are you working on?”

You explain the general workings of your yule log: chocolate sponge, hazelnut liqueur cream filling, and chocolate icing to top it off. You aren’t sure how you’re going to decorate it yet—you’ll figure it out once you get there, depending on how much time you have—but you guarantee them it’ll look festive and professional.

Satisfied with your plan, they wish you luck and move on to the man behind you. It’s so great to see you again, Minghao, someone says, and you’re grateful they’ve spared you the embarrassment of having to ask for his name. It still doesn’t ring a bell, and you can’t recall what season he’d been on for the life of you, but he speaks with a patience and a gentleness that is so unlike Tim that you nearly drop to the floor in thanks.

But as the commotion of the tent reminds you, you don’t have time to waste thinking about Minghao. You’ve only been given an hour for your signature, and you’re going to need all sixty of those minutes if you have any hopes of presenting a finished product.

It doesn’t register at first.

It doesn’t register at second or third, either.

In fact, you’re sure you’re hallucinating when you open the oven door to pop the sponge inside and you aren’t hit with a blast of hot air. Room temperature. Perhaps a bit on the cooler side, if you’re being honest.

And that can’t be, because you know you preheat your oven. It was the first thing you did, because it’s always the first thing you do. It’s just… automatic, like opening your mouth to eat or washing between your toes in the shower. Instinctual. Not something that needs to even be considered, because it’s always the first thing you do.

No, this cannot be. Forgetting to preheat the oven is a rookie mistake and you’re not a rookie.

…Could it be?

Perhaps you were so caught up in the lights and buzz, the thrill of returning to the tent, that it had slipped your mind? Perhaps you’d pressed the wrong buttons and turned the wrong dials? While it’s not likely you’d somehow bumped into the oven and turned it off, nothing is impossible, so… maybe?

“Shit,” you hiss through your teeth. The producers are not going to be happy about your swearing. “Shit, shit, shit.”

“Everything okay up there?” Minghao asks from behind you. When you turn, he’s got a flour-dusted towel thrown over his shoulder as he nurses a cup of tea, and his composure in the face of your hysteria has your head spinning.

Your mouth opens and closes like a goldfish. Minghao is drinking tea without a care in the world and your oven isn’t even halfway to the temperature you need. “I—yes? No? I don’t know. I could’ve sworn I preheated the oven, but—”

“Don’t panic,” he offers, his top lip catching on the rim of his mug. “You got this. Work on something else while you wait.”

Something else. Right, you can work on something else. Both the filling and the frosting still have to be made, and quick mental math tells you there should just be enough time to get everything done if you’re efficient. Of course, that’s a big if, but that’s why you’d chosen a yule log, after all: sponge cake doesn’t need that long to bake, and anything can happen (and go wrong) in this tent.

So, you get to work on something else. Measure out a sheet of parchment paper, dust it with cocoa powder, and set it to the side. Decide to get to work on the frosting, because if one thing has already gone wrong, you don’t trust the universe to let you temper chocolate correctly.

The chocolate is halfway melted when the oven dings. A small harrumph of victory and you’re finally good to go, setting a timer for twelve minutes. Minghao offers you a discreet thumbs-up, fingers covered in something sticky you assume is marzipan.

Time flies after that. You get both the frosting and your filling made, and it’s only through divine intervention that your sponge cake comes out perfectly and with enough time to score and cool. When you dare a look around the room, everyone seems to be in a similar position as you: frazzled and covered in powdered sugar, making frantic trips to and from the refrigerators, chucking seized-up caramel into the trash and starting over for the third time with a pained expression.

A holiday special—it was supposed to be more laid-back, more for the vibes and festivity than actual competition, but it looks to you like everyone’s taking it just as seriously as your first go-rounds.

“Fifteen minutes!” someone calls, and your competitors fade out of focus. You’ve got a yule log to ice and fondant to roll out.

You make it by the skin of your teeth.

It isn’t perfect, of course, as few things on this show ever are, but it’s more than acceptable. It looks great and tastes even better which is all you can hope for. Much to your dismay, Tim also gets top marks, but it’s Minghao that shocks you all. His stollen wreath earns him a handshake and a lot of clandestine, private glares, but he’d been kind to you earlier, helped untangle that knot of pandemonium, so you return the thumbs-up he’d given you earlier with a smile that feels akin to getting away with murder.

Something is wrong.

On its own, this is not necessarily surprising. Gingerbread, tasked with bearing the weight of an entire house, can be fickle. On any other day you wouldn’t blame it if it wanted to rebel and go sideways, but the thing is—you’ve made gingerbread before. Tons of times. Another thing you could probably make in your sleep if you absolutely had to. So it doesn’t make sense when you look down in your mixing bowl and it just… doesn’t look right.

You tell yourself it’ll get better when you knead it. Maybe the color just looks off because it’s underworked, and a few good punches will set it straight.

But it doesn’t. The dough sits at your station like a sad, formless lump, giving you no indication it intends to become anything at all. Which is, admittedly, a problem. Your technical challenge is to build a gingerbread house—one complete with little windows and golden-toned nightlights, a scalloped roof dusted with powdered sugar to look like fresh snow, a working door!—and you’re far from an engineer, but you don’t think you can have a gingerbread house without gingerbread.

You sneak a peek at Tim’s station, where he’s well into measuring an immaculate-looking dough with a ruler. The contestant in front of you is in a similar place, too, so it’s with an oh fuck I’m doomed sigh that you turn around and hope to find a comrade in Minghao again.

“Hey,” you whisper, trying not to draw attention to yourself. “Does this look right to you?” You jerk a thumb in the direction of your dough-lump. Minghao, bless him, looks around you and tries his best to hide his grimace.

He does not succeed.

“Um. Well, no.”

You sigh. Place one flour-dusted hand on your waist and pinch the bridge of your nose with the other. “I can’t figure out what’s wrong with it. I’ve made gingerbread a million times.”

“Looks pale,” he offers. Of course, this is the exact moment he dumps his own dough—his beautiful dough, flawless chestnut brown—onto his station to knead it. “Was the sugar right?”

A strangled, disbelieving laugh escapes you. Was the sugar right—of course the sugar was right! Dark muscovado sugar. Everyone knows that's what you use for gingerbread, so of course the sugar was right because no one, both in their right mind and at this stage of competition, would use anything else.

Before you can respond, Minghao’s pointing at your jar of sugar. Your jar of pale, producer-supplied sugar, which even a blind person could tell does not resemble dark muscovado sugar.

A million thoughts race through your head at once, but it boils down to instinct, you think. Your brain had seen flour, butter, and sugar and went into baking mode, not stopping to take in the color of anything. Maybe a smarter, more perceptive person would put two and two together and get sabotage, but you don’t have enough time to play detective.

“Here, here,” Minghao says, hurriedly handing over his (correct) sugar. “It’ll be close, but you should have just enough time to redo the dough.”

You’re going to throw up.

In the end, a chunk of chocolate buttons is missing from the roof and the piping around the edges is far from your neatest work, but it’s passable. You already lamented your loss during the signature bake, because anything less than perfection was not going to win you much of anything, and you’re now 0-for-2 on showstopping, unbelievable, awe-inspiring confections.

Just like the devil, your fall from grace will be studied.

Overthinking isn’t going to get you anywhere, but you can’t help it.

You collapse sideways into a chair, immediately face-planting into the catering table. Everyone else buzzes around you—animated conversations that have your head spinning, words that jumble together and start to sound like nothing at all—but you’re a million miles away. One mistake is out of character for you, but two? It’s unheard of. Something you would’ve said was impossible if it didn’t happen to you just a few hours ago.

This is something you need to file away for later so you can think about it just as you’re about to fall asleep, horror and embarrassment there to keep you company when it keeps you awake until the wee hours of the morning.

A chill runs down your spine.

“Hi. Do you mind?” You startle. Bang your knee on the underside of the table. “Sorry,” Minghao apologizes, but he doesn’t look sorry at all. You shake your head. Gesture to the empty seat across from you as if to say it’s all yours. “I brought you some tea,” he continues, setting it in front of you. “I find it’s easier than coffee when you don’t know how someone takes theirs. Less chance of getting it wrong.”

You smile. Wrap your hands around the Styrofoam cup and delight in the warmth. “Thank you. This was very kind of you.”

“Seemed like you had a rough day.”

Groaning, you try to wave away his words. “Please don’t speak of it.” Minghao jokingly salutes you before miming his lips sealed. “Anyway. Let’s talk about something that is not reality television or baking or a reality baking competition.”

So, you do. Most of the talking comes from you, to be fair, but Minghao is a good listener: nods along, chimes in when appropriate, keeps the spit in his mouth where it belongs. You talk about your hometown and what made you apply for the show the first time. He tells you about growing up in Haicheng and all the things he grew up baking with his mother. You swap stories from your respective seasons; Minghao shares anecdotes with a straight face that have you clutching at your stomach.

Hours pass this way, and you end the night feeling like you’ve made an honest-to-god friend.

Xu Minghao ends the night feeling the guilt weigh him down like an albatross.

In retrospect, it is probably a bad idea to make another sponge, but no one can accuse you of learning from your mistakes.

“It’ll be a patterned joconde sponge with two mousse layers—chocolate and raspberry—and a raspberry jelly. Then I’m going to attempt to top it with chocolate and raspberry decorations.” The judges blink. Are you sure that’s a good idea? you know they want to ask, but this is a holiday competition for charity, so they’re trying not to be pessimists. “Anything is possible through holiday cheer,” you tack on, hoping your smile doesn’t look crazed.

They nod. “Right, right,” they say in unison. “Well, good luck!”

And then they’re off.

Determined to nail this, you triple-check your oven, which is preheating to a crisp 400 degrees; you double-check all your ingredients and confirm they’re correct; when you can spare the time, you watch your refrigerator like a hawk, making sure no one tries to sneak their own work in there and displace yours when you aren’t looking, but everyone’s engrossed in their respective showstoppers.

Tim’s planning a shadow box of sorts, with blown-sugar baubles and isomalt fire. Someone else is stressing over their three-tiered cake, asking the presenter if they think they’ve taken on too much. From what you can piece together, Minghao is making a three-dimensional house, also made from cake that he imported special pistachios for.

“Special pistachios?”

“Mm, from Iran. They have a better color.”

“Iranian pistachios! Can you believe it!”

But you don’t have time to worry about Minghao and his special Iranian pistachios. You have so much to do and not enough time to complete it. Your paste is in the freezer and the sponge is in the oven, but you’ve still got two mousses to make, a jelly to infuse, and little chocolate trees to create—and all of this wouldn’t be so bad if it wasn’t pointless, but you don’t want to disappoint the cats by half-assing it. They deserve your whole ass, and your whole ass is what they’re going to get.

The result is stunning—not necessarily in stature, but rather craftsmanship and effort. This is what you’re capable of. This is why you came back to the tent. For all your complaining and wanting to put your head through a concrete wall, there’s nothing like seeing the judges ooh and ahh when you present your work to them. There’s nothing like the ego boost of someone taking a bite and watching their eyes light up. There’s nothing like carrying your cake back to your station feeling proud of yourself.

“Great job,” Minghao says, a genuine smile stretched across his face. He also exceeds expectations, of course. Must be those special pistachios, you think, but your congratulations are also sincere.

Production makes a spectacle of judging, much like they always do.

The set is decorated to look like a winter wonderland, even though you’re still in the midst of autumn: a giant Christmas tree in the center decked to the nines with garland and baubles; warm, golden bulbs strung from every awning they could find; all the participants bundled up tight in festive sweaters and scarves all the way to your chins, cheeks and tips of noses dusted with red-pink blush to mimic the cold that’s nowhere to be found. Fake snow falls from the sky, and it doesn’t feel real, but it does feel magical.

One of the hosts catches you by the elbow, asks who you think is going to win. “Oh, I’d have to say Minghao,” you answer, because you’d rather die than give Tim the satisfaction. “His showstopper was incredible, but he was really great the whole competition.”

In the end, however, neither of them wins—it’s Jeon Wonwoo, three-tiered cake guy, who comes out of nowhere to claim first place. He’s bashful as he accepts his prize and says he’s going to donate the prize money to an organization that provides underprivileged kids with video game equipment. No one has a whole lot to say about that.

Once most of the hubbub dies down (and you give Tim a half-assed you did great, so sorry you didn’t win), you find Minghao near the refreshments table. He’s frowning around another mug of tea. “Alright?” you ask, helping yourself to some cider.

“For some reason, I’m no longer feeling very festive,” he replies, which is a very funny thing to say while wearing a hat with a little pom-pom on the top.

You roll your lips to keep from laughing. Sidle in a little closer and knock his shoulder with your own. “Ah, I know how you feel, but you really did do great. You were my pick to win, for what it’s worth.”

“Please don’t tell me that. It only makes me feel worse for losing.”

“Yeah.” You sigh. “Would’ve been nice to donate some money to the cats, but shit, if I didn’t know better, I would’ve sworn some dark force was sabotaging me. Like, come on—forgetting to preheat the oven? Using the wrong sugar? Not even a kid would’ve made those mistakes.”

Two things happen in rapid succession: beside you, Minghao goes very, very stiff, and you realize you had been sabotaged. And not by some dark, evil force, either. You were sabotaged by the very man standing beside you—the man you shared thumbs-up with and thought was your friend. The man whose cake you complimented and picked to win. The man who is now standing ramrod straight, as tense as a corpse, and the thought of sabotaging someone in a charity baking competition is so ridiculous and unbelievable that you just—

You just laugh.

At first, it’s a bark of stunned laughter. Then, the more it sinks in how absurd, how nonsensical all of this is, you can’t stop. Tears are rolling down your cheeks. You gasp for breath as your stomach begins to ache. People are staring, including Minghao, who sort of can’t believe what he’s seeing, but none of it does anything to deter you.

“Oh my god,” you wheeze, “I can’t believe it was you—”

Minghao groans. “In my defense, it was for the cats!”

This was not the answer you were expecting. It makes you laugh harder. “What do you mean it was for the cats?”

He swallows. Removes the mitten from one hand to run it through his hair as if that one tic was enough to distract you from everything that’s happened in the last sixty seconds. (It is.) “Listen, you told me you were going to donate the money to a cat charity if you won and I just—so was I, was the thing. I was also going to donate the money to a cat charity if I won—”

“Okay, but which one, though?”

“The Cat’s Paw-jamas.” Much to Minghao’s horror, this sets you off again. “What? What’s so funny?”

“Minghao,” you try to choke out, but you can barely breathe around the cramp in your stomach. “Minghao, that’s the charity I was going to donate to. Oh my god, you sabotaged me and I was going to donate to—to the same fucking place. Jesus Christ, this is some Gift of the Magi shit.”

Your saboteur, who has gone deathly pale, is quiet for a very long time. Every now and then he’ll open his mouth like he’s going to say something before it snaps shut again. When he does manage to speak, what comes out are mangled apologies that sound like gibberish, and you wave all of them away. “It’s water under the bridge.”

“I—I really don’t think it should be?”

“Minghao, it’s fine, trust me, this was just for fun—”

“No, I really insist.”

You sigh, good-natured and exasperated. Something about the fake snow has you feeling romantic and a little bold, so you turn, grab him by the lapels of his coat. “Please tell me if I’m misreading this, but if you insist, maybe you can start by taking me to dinner…?”

This was clearly not what MInghao was expecting you to say. Dazed, he recovers quickly, the corners of his mouth tugging upward in a half-smirk. “Dinner, hm?” You nod. “I think I can manage that.”

You smile. “Great. How do you feel about cat cafes?”

[calware]

Do you have any advice on how to write Dirk and Hal or know of anyone I could get tips from :0?

okay so first of all i want to say that i don't think that i'm really an 'authority' on the subject, or that anyone else really can be aside from andrew herself. but i do have some thoughts and opinions that i'm willing to share

#1 piece of advice is to reread the comic once in a while. or at least reread bits and pieces if that's too daunting or not feasible. the POV cam extension is really helpful for that because you can specifically reread just the parts where dirk is there (does not work for hal though iirc which is where the dialogue directory is the next best thing) anyway i suggest doing this because it's always better to have their canon depictions fresh in your mind so you aren't accidentally working off of purely fanon ones

i think this is more of just a writing tip in general but try to think about how much you intend to transform the character. and by that i mean how much you want to stick to canon characterization. no matter how far you go with it, your depiction should always be informed by canon, but you can go as far with it as you want as long as it's intentional. so for example, if you want to stay really close to canon characterization, go for it. but if you want to stick them in an AU, ask yourself how that will change their behavior, personalities, etc. and it you specifically want them to act differently than they do in canon, that's okay too as long as you justify it and make it believable to your reader. you don't have to be afraid of changing them as long as something happened to cause that change

i feel like these are the two biggest pitfalls people fall into, usually a combination of the two. either they just don't understand the character well enough to give a believable portrayal of them, they don't give the audience enough reason to believe their portrayal of them, or both. for example there are a lot of hal fics out there where he is evil and kills people for fun, which to me just tells me that the author didn't really get him. but the takeaway isn't that you should never make hal evil and kill people, just that you need to provide basis for the audience to believe that he would be evil and kill people while still feeling in-character for doing so. that's what i mean by intentionality, you need to understand why you make the artistic choices that you are making

i wrote down some common tropes (?) of hal writing i tend to see that are along the lines of "i see these a lot and they wouldn't be bad if the author just made them feel believable" if that's at all helpful. i can do some for dirk as well if anyone wants me to

3. avoid being reactionary. the homestuck fandom is so reactionary with its portrayal of characters, meaning that one mischaracterization will get popular, and people will complain about it and swing the complete opposite direction, leading to a different mischaracterization becoming popular. an example of this is everyone thinking dirk is the coolest ever, and then switching to think he's the lamest ever. just try to focus on your own perceptions of the characters based on what you read from the comic and what you agree with others on, don't form perceptions based on trying to break away from something else

4. this goes more for dirk than hal because hal isn't as popular, but just keep in mind that dirk isn't the main character. i think a lot of people attribute main character energy to him when they don't really have to. obviously if you write a fic about dirk, he's literally going to be the main character, or if he's your favorite character you're going to care about him more than the others. but that doesn't mean he's any more important, more special, more traumatized, more mentally ill, or what have you, than any other character. going back to the example from above, the people who treat him as both the coolest OR the saddest character are both portraying him as the Special Boy. when the reality is that they are all pretty special and he's not an exception

i hope that all made sense... if not feel free to ask and i can explain further if needed

[luniviravosshipper]

I used to be hesitant to accept this interpretation of his character arc’s ending. But I was looking at really old posts from way back when the fandom first started to emerge and apparently people have longggg speculated that Viren was depressed. Those analyses were definitely eye openers. And even though I’m not sure I agree with this interpretation still, the fact that you can so easily draw comparisons between his death and an attempt to ending one’s own life, and not only that by itself but alongside the evidence pointed out by fans of Viren actually wanting to possibly make such an attempt from the get go of the series… it might be telling of a lot of things the writers may have failed to consider or had simply ignored when making the final decision of how his death should play out.

(In case anyone is curious, I’ll try to find the specific posts I’m talking about later and reblog them.)

​At the end of the day, I think it’s just insane how hard the narrative seeks out to punish Viren (even at the expense of taking away a chance for real closure with other characters he’s wronged) and after giving us such a rushed complete 180 with his character in season 4.

What was it for?

Like for a show all about breaking cycles and such, Viren would have been and most certainly should have been the absolute, most perfect opportunity to explore that theme in depth and they completely threw it down the gutter because of some insistence that he was undeserving of a second chance when that’s literally contradictory to that one specific, central theme to the show that happens to fit him so much.

Anyways, but yeah. I’m still sour about the handling of his arc and his death. I’m only reblogging this now because season 7 didn’t help relinquish any of my hard feelings regarding him.

…And especially with how comfortable the fandom’s gotten with shitting on his character after the creators did.

(Yes, you don’t have to like him. No, I’m not a Viren defender or a defender of his past wrongdoings. And of course I don’t think all the choices made in writing him or his arc were bad or poor. I don’t mean this to sound targeted or bitter to any fandom member in particular because it’s not. But I still get agitated regardless when other people use their hatred of his character to refuse to look deeper into him and his writing at all angles.

Your hatred of a character and the narrative affirming it doesn’t mean it is deserved for the character to be relentlessly treated like garbage by the narrative to satisfy you. Please just don’t excuse poor writing or refuse to examine and consider—whether you end up agreeing or not—how some writing is poor just because you personally like and enjoy it.)

I mean, you can literally see how it’s clear the fandom has used their contempt towards his character to completely stand by the writers in how they decided to handle his arc with the example of the person speaking up in this reblog chain. (For the record, I’m not even saying that what the person above is saying is right. I’m not sure it was intended by the writers to prove that “karma is a bitch”. Rather, I just think that they made the mistake of accidentally writing it in such a way it could be very easily used by the fandom to fuel their misinterpretations of the show’s biggest lessons and ideals it otherwise argues in support of. And… that’s a problem. A really big one if you were to ask me.)

Okay, I have to get it out of my system. The thoughts I had on what The Dragon Prince did and why, deep down, it repulses me on a profound level. (I’ve shared these thoughts elsewhere but here’s my analysis on Viren’s arc and ending in season 6.)

The season begins with Viren waking from what was teased to be death (and viewers were left thinking he died for a year). He feels free and unburdened and has hope. Maybe things can be better, maybe he can change, maybe he can fix what he has broken.

Spoiler alert: He doesn’t even get off the starting block. From there it is a descent towards despair and his self-inflicted death.

After he wakes, he encounters his bloodied daughter Claudia. This shock smacks back to reality and he sees what he has caused. He realizes the cold truth: his daughter is better off without him so he leaves her despite her cries for him to stay. It is worth noting as he leaves, he openly acknowledges it may kill him—and he doesn’t much care if it does.

He goes back home to Katolis searching for anyone to talk to. He begs to speak to King Ezran and is denied and told he deserves “no mercy.” He reaches out to his son Soren in an attempt to reconcile, to apologize, and Soren accuses Viren of trying to manipulate him. Viren realizes he will receive no help or solace here as he’d hoped, and despairs.

His feeling of hopelessness is symbolized by the show panning to a fly trapped in a spider’s web about to be consumed. The abject image of being trapped with nowhere to go except death.

Next we see him, he is alone in his cell, penning a letter of his regrets, which is not that dissimilar to one's final thoughts in a suicide note. But he reconsiders. After all, this is self-indulgent pain to burden the living, so he burns it. His last thoughts and words gone.

It isn’t much after this moment Soren tells Viren the only thing he has of value to offer is his ability to do Dark Magic—the thing Viren has been running from, the thing he now hates, the thing that ruined his life. Throughout the show, dark magic can be allegorically read as a form of self-harm, done out of fear and trauma while causing lasting scars to the user. And Viren succumbs to it. He agrees. With the biggest expression of it: offering his own body to feed the spell. He stabs a knife into his own chest (reminiscent of Shakespearean suicide). And he dies.

What happened here wasn’t just a blaring example of a heel-face door slam where a character vying to change their life around and be better is coldly denied. It was also a suicide—a glorified one at that.

For a show supposedly about hope and forgiveness and breaking cycles, having a character who for three seasons is striving to walk a different path take his own life in an act of despair when he has nowhere else to go is... well. Sure is something. Nothing good in my world.

[protectorcraft]

mutual liked the gripe post which reminded me to write it. okay hi im pyxis and im gonna talk about a trope the isat community falls back on a lot in writing that bugs me okay thanks

this is gonna be long and probably annoying so im putting it under a cut. open at ur own risk. heavy spoiler warning thanks.

okay. how do i start this. a thing ive seen in quite a few fics and theories, and its that the islanders are directly- and purposefully- responsible for their own disappearance. usually i see it framed as "the islanders made themselves disappear/attempted to wish away knowledge of wishcraft because it was dangerous" and like. hm! i dont think so.

take this with a grain of salt as ur local cracker but considering the framing of the island's disappearance- abrupt, sudden, disastrous- something everyone was talking about- the disappearance definitely falls more in line with the metaphor of some sort of disaster or, as is a significant theme in the game, colonialism/imperialism and the subjugation of cultures.

this was- 100%- not the islander's faults, and blaming them completely misses the point of the matter.

while people can say wishcraft is dangerous- and really, it is, there's no getting around it- it also seems like it was an important piece of the Island's culture and based off the few islanders we meet, probably used fairly regularly in day to day life. siffrin, for example, literally uses it on the regular without even realizing it. the knowledge of how to do it properly is probably pretty ingrained into the average Islander's brain. to them, it's just a fact of life! i mean, literally all the scriptures we see on wishcraft (and astronomy) ingame are written in the Islander language. they were The Experts on this stuff. (not to mention that this proves the knowledge was in the general public's grasp, even if it required knowledge of their language to learn about)

so it just doesnt make sense that they'd wish something so important to them away like that- sure there was probably discourse amongst them about the dangers of these practices, but they would know enough to know attempt something as risky as, say, wishing away all knowledge of their country or any one big thing. not to mention wishcraft is weird- technically speaking, siffrin's wish probably wouldve had a lot less effect if all the energy of the failed wishes hadnt culminated into their successful one.

and before you bring up how op the kings wish is- remember that a good 75% of the game is exposing all the ways the other characters foil siffrin, including the king. the king, who supposedly made a wish to freeze vaugarde- but did he?

a lot of the king's dialogue, when he isnt gushing about vaugarde and how much he loves it, is about his grief surrounding the loss of his own country. when given the chance, he'll grasp at any opportunity to remember anything about it, even if its putting trust in the hands of a stranger who is literally here to kill him for help. its pretty clear to anyone with a brain that he's not being ingenuine about this.

and, see, siffrin's true wish was masked over by their other wish. its one of the game's big red herrings. yadda yadda yadda how do we know that the king's true wish was really the "preserve" vaugarde, huh?

"where are you going with this we've gotten wildly off track" no we havent! get fucked! i think the kings true wish was the remember his country- and, yknow, there's probably a fair few islanders remaining. probably yearning to grasp even a fragment of their lost culture, hoping and dreaming and wishing for answers. not unlike the king, perhaps? perhaps a culmination of half baked wishes being fueled by one, fully formed wish?

yeah, you get where im going with this.

so perhaps wishcraft isnt quite as strong as we assume it is? that the soul intent of one person isn't necessarily going to give you godlike power in most cases- mind we're not quite grasping the full scope due to loops. Whole Situation. but that's not why we're here.

if the Islanders had enough faith in the rest of the world to provide them with their wishcraft knowledge- then i doubt they wouldve wished themselves or their knowledge away. nobody would do that.

and if the rest of the world did, indeed, have access to that knowledge, then there's a fair chance some other group could be responsible. a group who doesnt even recall their own responsibility because it's been wiped from their memories.

like, idk.... a more on the nose version how colonizer countries bury their own history of misdeeds from the general populace?

idk man. idk. just feels weird to me that so many people seem to have immediately gone towards the Cultural Suicide route for some reason. you have to be willing to acknowledge that the isat universe is definitely not the perfect, pristine world you think it is. and maybe folks just need to be willing to acknowledge the actual brutality the metaphor is alluding to.

after all, an entire island- all of its peoples and cultures- disappeared.

[olderthannetfic]

https://olderthannetfic.tumblr.com/post/772134036909047808/tumblrcomolderthannetfic772021907545554944elsa#notes

That's fair. But this is mainly about someone who's completely shitting on any concept of ethnicity, culture, heritage, history and lived reality, and tries to make everything "a human-racial classification" to begin with. Same shit applies to latino and Asian. Do they mean East Asian? South East Asian? South Asian? West Asian? Literally none of them are the same. Even with "white" and "black" you're setting your ass on fire, you mean East, West, South, North White/Black? Do we even wanna start with Latino? Latino is probably even more so straddling a line between all that bullshit.

Hell, RACE doesn't make a lick of fucking sense because it's not actually "race" it's clearly 100% about ethnicity and even then it's more shallow than a puddle during a drought. Because even if we went with ethnicity it lacks any kind of intersectionality between identities. But we're just arguing within whatever the fuck the maker of those lists is doing every year.

Just as a sidenote, I know several Saami. That's why I spoke about them specifically. The one dude I know who used to be in my class, who's Saami has never considered himself anything but Norwegian and never really used Saami about himself, but does that make him any less Saami? He just IS a Saami, but he seems to think more of the location he's living. The other guy, he's like 40 year my senior, thinks of himself as a Saami, but his children are both Saami and ALSO half-Saami because of their mother. His children, slightly older than me, share that view about themselves, if you asked they'd probably just say whatever's more relevant to the question at hand. BUT!!! That's also just the people I know, and I also know that there are more Saami who consider themselves only Saami, regardless of their other parentage. 100% Saami, because it's none of anyone's business what their genetics are, they are Saami so deal with it.

Clearly this is 100% more complicated than whatever the fuck that list is making it, or any arbitrary race thinking, and it's complete bullshit to even include "race" when it's this poorly done and this surface level this crosses borderline offensive into straight up offensive racism.

The list is completely ridiculous because it actually tells us nothing. It's a completely arbitrary label slapped onto random characters, without any care what it'd actually mean in real life. Does a black person stop being black because they're also Latino? Or does a Latino stop being Latino because they're black? According to this list? This isn't a math equation where one cancels the other out, but according to the list it does. That's the problem, because it also perpetuates the idea that you can divide people into neat little boxes, and just ignore any kind of "complicated" intersections of a person's identity.

So for Elsa and Anna. Does their indigenous heritage from the second movie erase that they were/are also Disney Norwegian? Do they have the same view of themselves now? Or does one have stronger feelings towards one heritage than the other? Especially since they were raised completely without the knowledge of said heritage. How complicated is it to find out there's an entire half of your heritage you never knew, and now you're supposed to try and figure out how to handle that? Well who knows, because this is a question about identity that has never been answered, because only the people "living"* that reality can actually answer their own view on who they are and with what they identify as. *living in quotations because obviously they're just fictional. So the real answer would have to come from a creator of them. (Hell, just calling from the side, I'm mixed ethnicities, and I identify with both, but my sibling only identifies as one half, and really doesn't care about the other half/is ambivalent towards it. Does anyone have the right to override my siblings view about their own identity and what they want to be perceived as? Or what I want to be perceived as? That's why that list, and any comparable list or understanding of "race" or ethnicity are complete bullshit that should have been flushed long ago because it never includes the nuance of individual perception and identity.)

--

[pupmkincake2000]

So, I finished watching Arcane. I watched both seasons twice to be sure of my conclusions. I am not writing this to have a discussion, argue with someone or spread hatred towards certain characters. Basically, I am just expressing my opinion while the impressions are still fresh.

First of all. I think the series has not enough episodes, but not because I liked everything so much and want more, but because there was simply not enough time for the world exploration and the characters. I would add at least five episodes to each season to make things better.

I felt like the events were moving too fast, especially in s2. I can only praise the graphics, they are truly magnificent, also the action is divine, the dynamics, the movements, the special effects, the character desig... all of this is top notch.

But I have a lot of complaints about the rest.

Let's start with Vander and Silco.

Yes, I ship them. No, I don't think Vander is an abuser and a traitor, if you think otherwise, well, our opinions differ here. Vander is the best man of the show, you cannot convince me otherwise and he is probably the only man who I would have married in real life.

Vander is my sunshine, I love him and respect him, no matter what anyone says. And I sincerely wish for more characters like him in leading roles.

I really wanted more of their interactions. At least two more episodes to show their past, maybe their acquaintance and to expand on that scene in the river, which gave people a very strange opinion about their relationship.

Do I think Silco is good? No, he is selfish, he did a lot of shit and tried to kill the daughters of a woman who was his friend, he raised one of them to be a complete psychopath, lied to her… but in his own way he loved her. However, he still did a lot of shit. Do I hate him? No, I still ship him with Vander, but I don't think Silco's a good person. Do I think he's redimable? Maybe, but I hate when people use his past to redeam him, redemption is something you do now, past only explains how you became what you became.

Jinx. Despite everyone's love for her, I think she deserved everything she got. But I "admire" how the fandom is protective of her. A rough childhood in the past does not justify her behavior in the present. You may think otherwise, you may like her, but I do not, although I think she is a very bright and memorable character, but as a person, as a human being she clearly sucks. The part with Isha just popped out of nowhere and seems far-fetched.

Ekko. Ma boy! I love him, but there is a "BUT". Basically, Ekko is the one who started this whole mess. He was the one who gave Vi a tip about Jace's apartment, and basically, he is indirectly to blame for Vi's death in that AU and in our universe he is to blame for Silco tracking down Vander. That's all. But do I blame him? No.

Ekko and Jinx… well, I liked their dynamic and chemistry in the alternate universe. But I think they probably wouldn't have a future in the original one.

Vi and Caitlyn. Well… they just are. I find it hard to believe that two girls from literally different worlds could fall in love within only two days. Of course, I do not think that such romances aren't possible, sometimes you see two characters and that just becames so obvious for you, but I personally didn't have that feeling with these two. Again, I didn't have enough of their dynamic together. And also I can't be mad at Caitlyn for switched to Maddie. It did feel odd, tho. But she and Vi.. there was just one quick kiss between them, no love words, they didn't even have time to develop their feelings into a relationship. And then there was a sex scene. I don't hate this ship, it's bright and dynamic, but something was lacking between them for sure.

Jayce (whom I like the most in season 2) and Victor ship. This one is complicated. Let's start with the fact that I understand why people ship them. But… they didn't feel as a potential ship to me at all. Probably because I've seen enough of such ships and they don't surprise me at all. This is a ship of two friends, that's a common thing in fandoms. Two conventionally attractive guys, one of whom is built like a god. I like their dynamics individually, or as friends, but I will never argue with anyone that ships them, I will never say the ship has no right to exist or that they are "brothers" because someone said so. I don't care about them as a ship, but I see that people are inspired by it, and I don't see anything wrong with people considering them soulmates and lovers and I sincerely don't understand the hate towards the boys. I think it was obvious from the very first moment that peopple would ship them.

However, I will still add a fly in the ointment: I did not like Jayce's speech at the end of the series about Victor being perfect even with his imperfections he had…I just… Dude, are you serious? This imperfection is literally killing your friend and if what happened hadn't happened, he would have already died. His imperfection was causing him hellish pain, it is not even about the looks, bad habits like alcoholism and smoking, it's not even about physical limitations… it's about dying, for gods sake! So are you for real?

Maybe everyone sees this moment in their own way, but it was cringy for me to hear it, despite the beauty of the scene.

Vi and Jayce. I really liked their dynamic together, I would probably ship them, but alas. However, I liked their conversations, how they work together, I would like more moments with them, they would make great friends.

That's it, probably.

I'm glad that Mel will be in Nexus. And I also don't understand the hatred towards her, although I also don't think she and Jayce are a good couple, they should have remained just friends and colleagues.

[askhezureviews]

no spoilers/specifics but when you get to Ghostfuckers it becomes so obvious Brandon is doing the writing again

it's the closest helluva has gotten to its season 1 self in all of s2, and it's still not fantastic, if I'm being honest

there's only so much he can do to right the ship

ep11&12 ping right back into Goetia melodrama, because of course

OKKKKkkkk finally sat down and watched this episode!

Hey! Look, it's like, their first actual job in forever!!! They're actually going to the human world again, great!

I'm very relieved Brandon was brought in to rewrite this. I know some Viv fans were upset about the leaks, but I think it was actually a good thing these leaked and sparked enough outrage for Viv to cave in and change it because Millie unaliving herself for being a bad wife is completely inappropriate. I'd personally feel ashamed and embarrassed if I had wrote that. She claimed they had plans for Millie, that she will get her episode in season 2, but she didn't. Even with Brandon's assistance here, she really didn't. I'd say those leaks are proof she lied to her audience, however... at this point, Vivziepop is merely not self aware of her writing and doesn't comprehend the stereotyping she does to her own characters and their stories. So I don't think she lied, she's unable to comprehend that she isn't delivering on what she claims she will.

The episode establishes: -Blitz's business is now bankrupt. He has not paid his employees in over a month. -Wally Wackford knows IMP and hangs out with them?? / wants to hang out with them?? -Ghosts aren't real in Helluva / Hazbin universe -There's infestor demons that eat off angst I guess? First time we're ever seeing one

Seems like a good portion of this episode is a scooby doo reference. The montage scene was unnecessary, you could have cut it for time / budget.

~~~

Regarding Millie: She claims the most screen time, but this episode actually isn't about her. The main focus is on Blitz. It's Blitz's trauma, Blitz's pain, Blitz's melodrama, and she just happens to be on screen dealing with it. We get a small pinch of something, but I'll talk about it after this analysis:

Millie asks Loona to take care of Moxie for her. These two still haven't passed the bechdel test yet. The only thing I recall them talking about outside of the men in their life is when Loona takes a jab at Millie's age in season 1, which also isn't ideal.

Millie claims she "always has fun with Blitz" and that he is her "best friend" which is news to the audience. This is the first time they've ever hung out in an episode. "I've never had a real friend that I didn't wanna f*ck." But you DO want to f*ck her. Earlier in the episode, he had Millie punch a card he's used frequently. Unwavering loyalty in exchange for leaving Moxie and Millie alone on 1 date. In a single episode he seems to have changed his mind quite suddenly and I'm unsure why.

Millie's backstory is chalked up to "She left the farm to become a hitman in Wrath. The market for assassin's is actually inflated in Wrath, it's high competition, so she was in between jobs. Blitz finds her after she stole their kill, and offers to pay her double. She accepts (Even though he went back on this, he does not pay her double. In fact, she barely gets enough to survive between both her and Moxie.)" She's hired by IMP to do various assassin jobs, and then Blitz decides to move to a different ring and use humans as their new clientele. This is an extremely smart move for his business, because there's quite literally zero competition for this. Millie for some reason thinks she "won't fit in"(??? you don't need to?) because imps are only good for their muscle" This doesn't make sense for Millie to say here. If anything she should have been more insecure staying in Wrath BECAUSE she would be actively compared to the higher competition of her birthplace. Here, they've hit a gold mine.

"Blitz, you made me realize I could be anything! Not just a simple farm girl or underpaid goon." But you are. Millie IS a simple farm girl and underpaid goon. Assassins are extremely common jobs for imps in wrath. She has not subverted people's expectations nor does she have a unique job to that of an imp.

"My mom said sweat, blood, and hard work washes the tears right off!" - Okay now THIS is the first piece of Millie development we have received in perhaps ever!! This implies that Millie's mother/family were emotionally unavailable to her as a child. That whenever she was upset/miserable, she was taught to bury her sadness with work. Which indicates she's a workaholic who probably needs therapy / has trouble expressing emotions properly. This would be a direct cause/effect action that shaped her into who she is today. This is an actual real Millie moment, and it comes from a passing comment. I don't think the writers caught on to what they did here, but THIS is good Millie development! THIS is a genuine character trait that is all hers!

~~~

Some stuff that did get a genuine chuckle out of me:

"I should have been a theater critic, I have objectively correct opinions!"- Moxie , It's also nice to see Moxie attempting to be the brains of the operation again, trying to solve their financial crisis, even if there's no way to save it.

"Your husband is still a little fuckable." - That actually made me laugh too despite the context being a little confused

Anyhow, overall the episode felt like it could have been 15 min long. They should have shortened it. We didn't really get much Millie backstory or character development. Instead of being insecure about her womanhood due to stereotypes(bad wife), she's now insecure about her race/species due to stereotypes (inbred brute). It's still not the best, but it's better than the leaked storyboard. Otherwise the entire episode was basically Blitz wanting to fuck a ghost. Also Blitz's trauma... again. Felt like filler you could frankly delete.

[take-care-of-it]

I think one of the big splits in the fandom ie curly is how they choose to interpret Anya’s “I told you.” line. On how long ago she told him, if she told him explicitly or through implication, etc. All factors that would lead you to different opinions about the guy.

Me personally, I think Anya explicitly told him about her assault either soon before the events of the game or the night of the dead pixel conversation, after we’ve cut away. My interpretation is that Curly, explicitly sleep-deprived, fired, and possibly hallucinating, (wrongly) did not prioritize this knowledge and was genuinely taken off guard by the pregnancy thing until Anya reminded him.

Especially given that Curly is privileged and is explicitly shown to have blind spots regarding this fact, I think it’s not something he forgets maliciously. Rather, through systemic and subconscious personal misogyny, he slots it lower down on the list of priorities than it should’ve been. I can see him thinking of it as a problem that “only” effects one member of the crew, not seeing that not only is this line of thinking bad for its own sake, but also that it is a wider spanning issue that affects the whole crew. Someone who can rationalize violating someone’s autonomy so completely in one scenario can and will do it in others, something we tragically see as the events of the game play out.

I also don’t think Curly simply didn’t believe her when she told him, both the first time and the reminder. I think he DOES believe her. But after her reminder, I could see him being afraid of “ruining Jimmy’s life.” Not only is this a classic line of thinking with systemic misogyny, but Jimmy absolutely would blame Curly. We see him guilt trip Curly over less multiple times.

Speaking of, I think he’s also afraid of Jimmy’s reaction in general. When he does take action, it’s to placate Jimmy. And I don’t think it’s this moment of “curly 100 percent agrees with what he’s saying”, you’d have to be ignoring literally all the surrounding context to miss how much he’s panicking. He’s trying to calm Jimmy down. He thinks that his complacency will stop Jimmy from taking drastic action. He is, tragically, wrong. Something Anya might’ve been able to tell him, but I think people forget that she takes the same strategy, especially post-crash.* It works until it doesn’t.

*(There ARE differences between the two of them is circumstance. Curly is in a role of power, and they’re in a situation pre-crash that hasn’t devolved so entirely as the one the crew is in post crash. Not to mention, while both of them hope Jimmy will suddenly realize he’s a jerk and work on himself, Anya explicitly knows this. She explicitly both knows that Jimmy’s a jerk and that she is afraid of him (for valid reasons.) She’s also aware of her strategy’s limited life span due to the whole gun self-defense conversation. Her complacency is kind of a second-to-last resort for her, and she’s driven to it by the extenuatingly awful circumstances of the situation. She is achingly aware of her own situation at all times.)

While it seems that curly hasn’t really come to terms with any of those ideas. It seems more subconscious for him. I think he isn’t even aware consciously that he IS afraid of Jimmy. It might even be something he’s willingly ignoring, considering just how quick he does believe Anya once he’s reminded.

I don’t think Curly’s inaction is due to malicious intent. Nor do I think he doesn’t believe Anya. The points the game is making about systemic misogyny don’t need either of these things to be true for them to land. Especially in how capitalism and the system itself enables it. The reality is, coming forward professionally with assault allegations is usually unrewarded within the system, sometimes actively punishined. But it’s still worth it. It’s still the correct thing to do, even if it isn’t easy. Having Curly’s situation be complicated, having him be sympathetic, and still having him be wrong only strengthens the games themes. I prefer it over interpretations that make him and active helper to Jimmy AND interpretations that seek to absolve him entirely.

[fayromance]

Thinking about the age symbolism and human sacrifice in two of Alice's stories — Arcanum & ATHWTU

In season 3 of Arcanum there was a whole subplot about young beautiful women being sacrificed and left in the woods in the "Sleeping Beauty" state. Their bodies later would be used to make the Immortality Potion. All those women were 27 — Selena's own age. In fact, it was one of the demands of the sacrifice — that sacrificial woman should be exactly 27 years of age. Also the person who was supervising this whole process of selecting victims is Josephine — an older woman who holds all the power in that small town and everyone's terrified of her (sounds kinda similar to someone we know from ATHWTU, doesn't it?)

And now in And The Haze Will Take Us they keep bringing up the fact that Lada is 18 (as well as her now deceased twin, Vereya) and the symbolic significance of it: Lada starts hearing the Call at this age, same as Ozar who started having visions at 18; the High Priestess says Lada reminds her of herself at that age.

Lada turned 18 the night of the Spring Equinox, the same night her sister mysteriously died. And all the hell broke loose in that village after that — with the Sacred Oak losing its foliage, the Leshy luring people in unusually close to the village and, finally, an all-out attack by Koscheis. What's more, the previous attack which decimated the village's population (and left my poor boy Volot an orphan 🤧) also happened 18 years ago — the night the girls were born.

Furthermore, Novak's father willingly left the village and stepped into the Haze (taking his young son with him) exactly 18 years ago

All of this makes me think there's some sort of cycle in this village that happens every 18 years: Koscheis attack the village and the priests have to resort to human sacrifice to appease the gods and gain their protection. If Novak's father (who was a priest himself) hypothetically sacrificed himself and his child by walking into the Haze, this might be the reason the attacks have stopped for 18 years.

But now the cycle started again and a new sacrifice is necessary. The High Priestess practically won't shut up about having to sacrifice one human to save many.

Now, going back to Volot stabbing Lada in this update... What if this is a vision of the future where Lada becomes that sacrifice under certain circumstances (like her stats, relationships, special choices)? And with her blood spilled, the cycle will be complete — for another 18 years.

That being said, I really, really hope it doesn't come to this. Even on the Reality path where Lada seems to be very loyal to the gods and ready to give up a lot to win their favor. It will literally crush my soul — having to see how my beloved Volot kills my precious girl 🥺💔 And although I believe he won't hurt her if you improve romantic or friendly relationship with him, it would still hurt to see that on other paths

PS the ease with which the High Priestess speaks of human sacrifices, makes me think she's done this before. Probably to her own sister that she lost when they were young and now seems to mourn (which is another parallel to 18-year-old Lada and Vereya). Honestly, if I had my way, we'd go ahead and liberate the village from this woman's fanaticism and tyranny 😑