#over-the-rhine

[taestell]

Top: Stephen Shore's photograph of the corner of 15th and Vine in Cincinnati's Over-the-Rhine neighborhood, made on May 15, 1974.

Bottom: My photo of the same location 50 years later, made on May 12, 2004.

[handeaux]

Frank Frayne’s Fatal Shot Echoed Through The Decades In Over-The-Rhine

When Frank I. Frayne’s troupe rolled into Cincinnati back in 1882, there was scant indication that he would precipitate the darkest night in Cincinnati theater history.

Frayne managed an immense production bankrolled by New York impresario Harry Miner. It was really big. Frayne’s show was so big, it was advertised as a “combination.” That was a term the biggest circuses used to describe their organizations. The “circus” meant only the acts in the sawdust ring. Add a sideshow with various freaks and a traveling zoo and you had a combination. That’s what Frank Frayne brought to Cincinnati. An advertisement [28 November 1881] gives a fair inventory of Frayne’s traveling ensemble:

“During the week and Wednesday and Saturday Matinees, Harry Miner’s Frank I. Frayne Combination and Dramatic Artists, and the Wonderful Acting Dog Jack, the African Lion Emperor; also the two Performing Bears Bruno and Chio. Monday, Tuesday, Wednesday and Wednesday Matinee, “Mardo, or, The Nihilists of St. Petersburg.” Thursday, Friday and Saturday and Saturday Matinee, “Si Slocum.”

One year later, in November 1882, Frayne was back in Cincinnati at the Coliseum Theater on Vine Street with the same two melodramas, but this time his menagerie was enlarged by the addition of a small pack of hyenas. Jack the Dog still got star billing. The Coliseum Theater up on Vine Street was the jewel in Hubert Heuck’s chain of theaters here and in various Midwest cities. It was formerly a beer garden but Heuck converted it into a theater and opera house at no small expense.

It appears that “Mardo” was Frayne’s personal adaptation of a play by Oscar Wilde, “Vera, or The Nihilists.” Frayne’s script has not survived, but the newspaper reviews suggest that it was a ton more exciting than Wilde’s drama. Here is the Enquirer [28 November 1882]:

“There are any amount of desperate actions, dastardly threats, fire scenes, murders, &c., and the lovers of this style of drama will see almost a lifetime of sensation in each act of “Mardo.” The dog Jack is a show in himself and acts his part with the best of the cast. During the play we see the Nubian lion, the ferocious hyenas and the wrestling bear, and these, together with a very passable cast, make it impossible for “Mardo” to be at all dull.”

Frank Frayne himself was fairly well known. He was a sharpshooter at a time when that was a popular stage act. Among his contemporaries and competitors were Annie Oakley and her mentor and husband, Frank Butler. Frayne found enormous success incorporating his rifle tricks into the context of various melodramas in which he portrayed heroic men of action forced to shoot their way out of diabolical predicaments.

Frayne’s second Cincinnati offering, “Si Slocum” was written especially for Frayne by Clifton Tayleure, a successful Broadway producer. The plot is inconsequential, but involves Frayne as Si Slocum, a poor but honest rancher whose lands are coveted by the nefarious scoundrel, Vasquez. It is doubtful that Tayleure envisioned all the zoological extravagances and sharpshooting folderol Frayne piled onto his script. In the course of five acts, Slocum kills a lion, gets rescued by his faithful hound, shoots a pipe out of a ranch-hand’s mouth, plugs a half-dozen playing cards, shoots a bear, scatters the stage with random crockery and saves his wife several times. Somehow, the hyenas made an appearance as well. This stuff sold tickets back then. The Coliseum’s 2,000 seats were occupied the entire week of Frayne’s residency.

The role of Slocum’s wife was played by 25-year-old Annie Von Behren, an up-and-coming actress who was at that time Frayne’s fiancée. Brooklyn-born Miss Von Behren had an extensive theatrical resume before she took on the role of Ruth Slocum. She was thoroughly familiar with the Coliseum Theater, having performed for a couple of years among the stock company of that venue. She later joined a traveling troupe that took her to New York, where she met the widowed Frank Frayne, joined his combination as leading lady and won his heart.

At a critical scene in “Si Slocum,” Vasquez has Slocum cornered, with a dozen bandits drawing a bead on him. Vasquez announces that he likes Slocum’s “pluck,” and offers to free Slocum and end their feud if Slocum can shoot an apple off his wife’s head, while facing backward and aiming the shot with a mirror. Frayne had performed this trick shot hundreds of times over the years.

For reasons never fully explained, Frayne’s trick shot failed, and he sent a bullet through Annie Von Behren’s brain. Frayne screamed in terror as he rushed to his fiancée’s side. The curtain dropped immediately as the audience sat in petrified silence. Theater manager James Fennessey sent H.M. Markham, the actor appearing as the villain Vasquez, to the front of the stage to calm the audience. Markham nervously informed the crowd that the dead Annie von Behren had sustained a slight injury and they should collect a refund on their way out the door.

The next day, Coroner John Rendigs conducted an inquest, at which Frayne appeared. Some witnesses claimed Frayne’s rifle malfunctioned and that, in particular, a screw broke as the gun fired, dropping the rifle barrel downward. Some suggested the cartridge was defective. Other witnesses questioned why Annie was not wearing a metal cap under her wig as she usually did. The coroner declared the death accidental, caused by a bullet fired without criminal intent. Frayne announced he would never return to the stage but did so within a year, reviving the role of Si Slocum. Soon after, he married a woman named Margaret Thompson, who wisely refused to go on stage in his act.

Another victim of the Frayne shooting was the Coliseum Theater itself. Robert Heuck, son of Coliseum owner Hubert Heuck, explained [Bulletin of the Historical and Philosophical Society of Ohio - Volume 20, No. 4, October 1962] that the theater had to be renamed as a result of public opinion.

“The court decision declaring [Frayne’s] innocence was not taken lightly by a great many people in Over-the-Rhine. The show was only closed November 30th and December 1st, however; the receipts for the 2nd and 3rd were light. The court decision was so unpopular that it was thought best to change the name of this new theatre. In fact, it was called just that, "New Theatre," for some time. In 1883, the name of the New Theatre between 12th and 13th on Vine was changed to Heuck's Opera House, and the former Heuck's Opera House at 13th and Vine was re-named ‘People's.’ Of course, it's confusing! Many accounts relating to actors and plays of those earlier show days are in error for lack of understanding of this gobble-de-gook.”

The rechristened Heuck’s was renamed again in 1930 when it became a movie theater known as the Rialto. The building was demolished and the site is today a parking lot.

[ur-boys]

Northernmost OTR BRT Station

Upon arrival at OTR it was mostly quiet apart from the hum of power tools in the distance. It felt abandoned in a sense since there were so many vacant/under construction buildings. The area felt a little unwelcoming but as our group walked down the street nearing Findlay Market it began to feel more colorful and happy. Within these few blocks we walked, the whole atmosphere of the area had changed. I feel that 3CDC is doing good work to spread this “vibrance” all throughout OTR and hopefully soon the whole area will look similar to the Findlay Market block.

Wade, one of our group members, made this illustration of the future stop location and surrounding assets.

The new BRT station will be towards the bottom center.

Depiction of Vine Street, close to proposed BRT Station, with Findlay Park close by.

Findlay Park, with some slides and a small playground, ripe for change into an actually useable park/playground.

Schwartz’ Point, a Jazz bar, and surrounding remodeled buildings, north of future BRT station.

An interesting intersection, not a 3-way or 4-way, but a 5-way intersection.

Findlay Street, the southern cross street boundary of the BRT station.

Findlay St., with 3CDC signs as far as the eye can see.

A long street with historic and beautiful housing to boot

Location of BRT Station site along Vine Street.

Looking north at future site of BRT station.

Who knows why one would need a private alleys, only those who bought it know

Looking south from Findlay Street, future BRT station just north.

How can we improve the BRT station's connection to the unused properties nearby and other existing assets?

What design qualities do you feel are most important to have for true BRT generally?

[ajl1963]

Driving For Deco 2024 - Cincinnati Part Two: 20th Century Cincinnati Vintage Modern Expo

[ultralowoxygen]

Back Entrances by Travis Estell Via Flickr: Cincinnati, OH. August 21, 2023. Shot on a Bronica RF645 and Kodak Gold 200. Developed and scanned by The Darkroom.

[dogsaver-blog]

15th and Republic by Travis Estell Via Flickr: Cincinnati, OH. July 26, 2023. Shot on a Nikon F6 and Kodak Portra 160. Developed and scanned by The Darkroom. Metadata added using Meta35.

[dlartistanon]

Elves and dragons go hand in hand

[herrscherofreasons]

mini durin deserves actual friends in the outside world than that puppet incel

PUPPET INCEL KLASDHNLKNDA??????????

[genderaffirminghouseofpain]

silence ruminating on the past

[monards]

sorry im so insane over rhinedottir's teacup being white and gold while containing a dark blue liquid. Sorry im insane over her hiding her imperfect and 'darker' qualities within a light and inherently pleasing outer layer. Sorry I am insane over her masquerading as perfect when she's filled to the brim with nothing but imperfection

[postcard-from-the-past]

Bridge over the Rhine river in Worms, Rhineland-Palatinate, Germany

German vintage postcard

[cincinnaticindy]

[rhineposting]

it's incredible how a fnaf shitpost visual novel fangame has one of the most engaging and well written bases for romance than anything else I've watched or read in the last five years or so. and it's mutually toxic zombie yaoi.

[aresmarked]

Rhine fam prompt? I'm absolutely here for that

What about Saria and Ifrit thinking about a gift for Silence's birthday while she is gone for another affair? So they can still celebrate it when she's back! Time for Saria to try to show care and Ifrit helping her with it

"She's being flooded with gifts these days."

"All the more reason we gotta get her something meaningful, something from people who actually wanna get her something and not the Columbian head honcho of, of ethics."

"That's not her title, Ifrit." It's an absent-minded reminder, though, followed by a beat of silence before, "She has a good scarf, but some accessories to match might be nice."

"Oh! Like a hat, or something?"

"Yes.... And it'll make a good math lesson for you."

"What?"

There's the smallest trace of amusement present at Ifrit's dismay. "You want this to be meaningful, right? Well, a handmade gift should be the perfect piece. And your control's fine enough, that I think you can manage it."

"Ohhh, fine... what do we need?"

"Yarn. And to pick some patterns."

[mothergold]

i’m thinking about my selfships today and how they’d celebrate <3

[gold-rhine]

ARLECCHINO DRIP MARKETING!!!!!

https://twitter.com/GenshinImpact/status/1767128392535867610

i know i've seen! not the hugest fan of that pose tbh and her face looks kinda weird. im glad we already saw her in game, so its not "is he ugly???" ayato drip situation