#over a year later and i make something for this fandom again

[delta-piscium]

messy eater (:

(click for better quality)

(saw this post and couldn't move on until i made it into steve covered in blood)

[newobsessionweekly]

She's my wife

Main masterlist | The Rookie masterlist

Tim Bradford x wife!reader Fandom: The Rookie

Summary: You are Tim's wife and join him to the station for the day, looking for a Metro recruit.

Fluff

A/N: I loooove this, I start to love writing fluff. Thank you for this request. I have so many ideas and I don't know where to start. Also, I'm looking forward to your requests. Thank you for your support and your feedback is more than welcomed and appreciated! Have a wonderful day, bubs and enjoy this story! Lots of love

Warnings: None, pure fluff, not proofread yet

Requested: Yes! Words: 3.8k Photo not mine, credits to the owner @renegadesstuff !

The familiar scent of stale coffee and printer ink hits you as soon as you step through the doors of the station. It's been years since you last set foot in that place, but the memories come rushing back with startling clarity. The station hasn't changed much—it's still a hive of activity, with officers rushing to and fro, phones ringing off the hook, and the occasional burst of laughter echoing through the halls.

As you make your way through the bustling room, you can't help but feel a pang of nostalgia. This place holds so many memories for you—the late nights spent poring over case files, the adrenaline-fueled chases through the city streets, the quiet moments of comradery with your fellow officers. It feels like a lifetime ago, yet the memories are as vivid as ever.

You pause for a moment to take it all in, your gaze sweeping over the familiar surroundings. The bullpen, with its rows of desks and cluttered bulletin boards, holds a special place in your heart. It's where you once stood as a training officer, guiding rookies through their first days on the job.

Tim Bradford was your favorite and a handful from the start—a troubled rookie who struggled to follow orders and grasp the basics of the job. You remember the frustration of trying to teach him the ropes, the countless hours spent drilling him on the rookie book, only for him to push back and resist at every turn.

You remember the determination in Tim's eyes, the way he refused to give up even when the odds seemed stacked against him. And despite his rebellious nature, there was something about him—a spark of raw talent and an unwavering sense of loyalty—that set him apart from the rest.

But amidst the nostalgia, there's a sense of purpose driving you forward. You're here on official business, after all— you were sent there to find a new recruit to join Metro. And while part of you wishes you could stay lost in the memories of the past, another part knows that you have a job to do.

You're greeted by familiar faces at every turn. The joy radiating from your former colleagues as they see you again warms your heart, and you can't help but return their smiles with genuine affection.

Among the crowd, you notice Tim watching you from across the room, his expression a mix of confusion and curiosity. You shoot him a reassuring smile, silently promising to explain everything later.

Lucy stands beside Tim, a look of bewilderment on her face. "Who's that?" she whispers to Tim, nodding in your direction.

Tim's brow furrows for a moment as he studies you, then he turns back to Lucy with a shrug. "That's Y/N," he answers simply. "She works with Metro."

Lucy's eyes widen in surprise, her gaze darting back and forth between you and Tim. "What's she doing here?" she asks, her curiosity piqued.

Tim gives a nonchalant shrug, trying to downplay the situation. "No clue," he replies, though a hint of curiosity lingers in his tone. "Maybe she's just passing through."

As Tim watches you from across the room, a wave of warmth washes over him. Seeing you here, in the midst of his workplace, brings back a flood of memories—of late-night patrols, of shared laughter, of the bond you forged as rookie and TO. Despite the hustle and bustle of the station, his attention is drawn solely to you, his heart skipping a beat at the sight of your beauty.

It's an understatement that he adores you. He loves you with every breath, every heart beat and he couldn't get enough of you. Since you were recruited for Metro, he missed you every shift, longing for you to make his duties more bearable.

There's a softness in his eyes as he approaches, a smile tugging at the corners of his lips. Despite the secrecy surrounding your relationship, seeing you there fills him with a sense of comfort and belonging. In that moment, surrounded by the chaos of the station, all that matters is the connection you share—a bond that transcends the boundaries of your professional lives.

"Hey there," he greets you warmly, "What are you doing here?"

Seeing him there, in his element, reminds you of the journey you've taken together—from a rookie and his training officer to partners in both crime and love.

You return Tim's smile with one of your own, your eyes twinkling with mischief. "Oh, you know, just thought I'd drop by and say hi," you reply casually, purposely avoiding his question. "How's your day been?"

There's a twinkle in your eye as you meet his gaze, a silent acknowledgment of the love and understanding that binds you together. Despite the complexities of your situation, there's an unspoken agreement between you—a shared understanding of the sacrifices you've made for the sake of your relationship.

Tim chuckles at your playful evasion, rolling his eyes. "Smooth as always," he replies, though there's a hint of amusement in his tone. "But seriously, what are you doing here?"

You feign innocence, batting your eyelashes at Tim with exaggerated sweetness. "You know I can't tell you." you tease, knowing full well that your response will only fuel his curiosity further.

Tim lets out a mock sigh, shaking his head in amusement. "Fine, keep your secrets," he says with a playful grin. "But just remember, I know where you sleep at night."

You laugh at his playful threat, leaning in to give him a quick peck on the cheek. "Wouldn't dream of it," you reply with a wink, before turning your attention to Lucy, who's been watching the exchange with interest.

A curious expression played on her face as Tim takes the opportunity to introduce you. "Officer Chen, meet Y/N," he says, gesturing to you with a fond smile. "She's a pain in the ass sometimes, but if you ignore her, she's ok."

"Nice to meet you, Lucy," you say, your tone friendly and inviting as you offered Lucy a warm smile, extending your hand in greeting. "I've heard so much about you."

Lucy returns your smile, her curiosity piqued. "Nice to meet you," she replies, shaking your hand. "How do you know Tim, if you don't mind me asking?"

You glance at Tim with a mischievous twinkle in your eye, a playful smirk playing at your lips. "Oh, you know," you reply cryptically, earning a raised eyebrow from Tim. "We go way back. Let's just say he owes me a few favors."

Tim lets out an exasperated sigh, knowing full well that you're enjoying teasing him. "Don't listen to her, Chen," he says with a chuckle.

"You should listen to me if you want to survive him." you winked at his rookie " I created the monster and I'm the only one who knows how to defeat him."

Tim's eyebrows shoot up in mock indignation, his lips curling into a playful smirk. "Hey now, watch it," he retorts, feigning offense. "I'll have you know, she doesn't need any help from you."

You laugh at Tim's exaggerated reaction, shooting him a knowing look. "Oh, I'm sure Lucy can handle herself just fine," you reply with a wink, earning a chuckle from Lucy.

"Wait–" the rookie began as realisation hits "You are Tim's TO?"

You glanced at your husband, smiling brightly as he put his grumpy expression on, "Guilty as charged."

As Lucy's eyes widen in shock and excitement, she can barely contain her enthusiasm. Her mind is racing with questions as she tries to process the realization that she's standing face-to-face with the legendary training officer.

The rookie turns to Tim, her expression incredulous. "You never mentioned her before!" she exclaims.

Tim crossed his arms above his chest, a hint of irritation creeping into his voice. "Because my life is none of your business, Officer Chen," he retorts.

She faced you with a barrage of questions, her enthusiasm didn't wane, "What was Tim like as a rookie? I heard he wasn't so keen on following orders, is it true?"

You smiled at her, starting to like her more and more. She's definitely giving Tim a hard time. What you know from Tim and seeing her so curious and exited, you knew she has what it takes to be a successful cop.

Before you can respond, Tim interrupts, his irritation growing by the second. "Alright, that's enough, Chen," he barks, his tone firm and commanding. "Shop, now!"

"Yes, sir."

Lucy's excitement fades as she reluctantly obeys Tim's orders, shooting you an apologetic look before hurrying off to prepare for the patrol. As she disappears from view, Tim lets out a frustrated sigh, the grumpiness lifting slightly as he turns back to you.

"She seems nice," you comment, nodding towards where Lucy disappeared. "She's a good kid."

Tim sighs, running a hand through his hair as he considers your words. "Yeah, you're probably right," he admits, his voice tinged with uncertainty.

You reach out to gently squeeze his hand, a reassuring smile playing on your lips. "I know, and I know that sometimes a little kindness goes a long way," you say gently. "She'll appreciate it in the long run."

As Tim gazes at you, a mixture of admiration and gratitude flickers in his eyes. He's more than just a grumpy, hard-to-please man—he's a devoted husband, a dedicated cop, and a man who carries the weight of the world on his shoulders. Despite his tough exterior, there's a vulnerability in his gaze.

The sun filters through the windows of the station, its golden rays dance across Tim's face, casting a warm glow that accentuates his rugged features. He appears even more handsome in this moment, his chiseled jawline and piercing gaze illuminated by the soft light.

His sandy blonde hair catches the sunlight, creating a halo of golden warmth around his head. His eyes, usually sharp and focused, soften in the gentle light, revealing a depth of emotion that takes your breath away.

As Tim searched your face, you're bathed in a soft, ethereal glow, the sunlight highlighting the delicate contours of your face and the warmth of your smile. Your eyes, a mesmerizing shade, sparkle with mischief and warmth, drawing him in like a moth to a flame.

He peaked around at the officers, everyone minding their business, before he leaned in, his warm breath caressing your skin, sending shivers down your spine. His hand gently cups your cheek, his touch tender yet possessive, as if he never wants to let you go. You feel the soft brush of his lips against yours, a gentle yet insistent pressure that ignites a fire deep within your soul.

As the kiss deepens, you feel his other hand slide around your waist, pulling you closer until there's barely an inch of space between you. His touch is electrifying, sending waves of pleasure coursing through your body as you melt into his embrace.

His lips move against yours with a hunger that matches your own, each kiss a testament to the love and longing that burns between you. There's a raw intensity to his touch, a desperate need to be as close to you as humanly possible.

For a brief instant, time seems to stand still as you respond eagerly, your heart racing as you lean into the kiss, savoring the warmth of his embrace. Despite its brevity, the intensity of the moment leaves you dizzy with desire, longing for more even as you reluctantly pull away.

Before the moment can linger, Tim's attention is drawn to something behind you. With a quick glance over your shoulder, you realize that Lucy is watching from afar, a curious expression on her face, sided by her mouth forming an "o" shape filled with surprise.

Tim's lips curl into a wry smile as he leans in to murmur in your ear, his voice barely above a whisper. "Looks like we've got a little shadow," he says, amusement dancing in his eyes. "She's gonna be a pain in my ass all day!"

You laugh softly at Tim's comment, shaking your head in amusement. "Well, you did sign up for this when you became her TO," you tease, a playful glint in your eyes. "Just be nice, okay? She's just curious."

Tim rolls his eyes at your advice, but there's a hint of affection in his gaze as he gazes at you. "Fine, I'll try to play nice," he concedes with a grin. "But no promises if she starts asking too many questions."

As your husband heads off for patrol with Lucy, you find yourself seated across from Sergeant Grey in his office, the familiar surroundings offering a sense of comfort amidst the chaos of the precinct. His office is tidy yet lived-in, with stacks of paperwork neatly organized on his desk and a few personal mementos scattered about—a photo of his family, a commendation plaque from his years of service.

Wade offers you a warm smile as you settle into your seat, "Y/N, it's been a while. Think the last time I saw you was at your wedding?"

You nod in agreement, "It hasn't been that long. But you know Metro, it keeps me busy."

"Well, it's always a pleasure to have you around." Sergeant Grey's words of praise for your time as an officer at the station warm your heart, "You were one of the best we had," he continues, sincerity evident in his tone. "It's a shame to lose you to Metro."

As the conversation progresses, you take a deep breath before broaching the subject of your visit. "Sir, I'm here on official business," you explain, your tone serious. "Metro is recruiting, and I'm here to find the best officer for the job."

Grey nods in understanding, "I see. And do you have anyone in mind?" he asks, leaning forward slightly.

You hesitate for a moment before responding. "Actually, I do," you admit, your gaze meeting his. "I think Officer Bradford would be the best fit for Metro."

He considers your words for a moment before responding. "I have to say, I agree with you, Tim would make an excellent addition to Metro."

There's a hint of hesitation in your eyes as he speaks, and you can tell that he senses there's more to your recommendation than meets the eye. "Is there something else on your mind, Y/N?" he asks, his tone gentle but probing.

You paused, choosing your words carefully before responding. "Well, sir, it's just... I'm not sure if it's appropriate for me to recommend Tim," you admit, your voice tinged with uncertainty. "I don't want it to seem like a conflict of interests."

You found yourself grappling with a mix of emotions. There's a deep-rooted sense of pride your work, coupled with a genuine desire to see Tim succeed in his career.

"Trust me, Y/N, Officer Bradford's qualifications speak for themselves." he leaned back on his chair, "Don't worry about it. I'll handle it from here. We both know you and Tim keep your private life apart, and I'll make sure Metro knows this decision is based solely on Tim's achievements."

Sergeant Grey's words sink in, a rush of relief floods through you, washing away some of the anxiety that had been gnawing at your nerves. It's comforting to know that your integrity as an officer won't be called into question, that your personal connection with Tim won't overshadow his merits.

With a grateful smile, you nod in appreciation, the knot of worry in your stomach loosening with each word he speaks. "Thank you, Sir."

"Now go find your husband!"

In the dimly lit interior of the shop, the tension between Tim and Lucy was palpable. Lucy's curiosity burned bright, fueled by suspicions and unanswered questions.

"So..." Lucy ventured, breaking the uneasy silence. "I saw you and Y/N kissing, back at the station. Is she your girlfriend?"

Tim's jaw clenched at the inquiry, his gaze fixed on the road ahead. "That's none of your business, Chen," he shot back, his tone gruff.

Lucy persisted, undeterred by his dismissive tone. "Come on, Tim," she pressed. "You can't just brush this off. I obviously know there's something going on between you two."

But Tim remained stoic, his frustration simmering beneath the surface. "I said it's none of your business," he repeated, his voice terse.

Lucy gaze lingered on him, studying his face. She couldn't read anything but irritation caused by her intrusion into his private life. She searched his hands, no sight of any ring, so the possibility of you being his wife dropped.

"Do you like her?" she insisted.

"What's the proper procedure for securing a crime scene?" he replied to her question, avoiding giving any details about you.

"Come on. You can't avoid this forever. Are you and her just colleagues, or is there something more?"

Tim's irritation simmers beneath the surface, his frustration mounting with each passing moment. He had hoped to avoid this line of questioning, to keep his personal life separate from his professional one. But Lucy's relentless curiosity had pushed him to his breaking point.

"What's the recommended procedure for securing a firearm during an arrest?"

She couldn't shake the feeling of defeat, knowing deep down that Tim wouldn't give her the answers she sought. Despite her best efforts to uncover the truth about Tim's relationship with you, she found herself hitting a dead end.

"I saw the way you look at her. You have feelings for her?"

"When searching a suspect, what areas of their body should you prioritize for pat-downs?"

"Fine. I'll shut up."

Confusion clouded Lucy's thoughts as she struggled to make sense of the situation. She couldn't understand why Tim was so guarded about his personal life, especially when it came to someone who seemed to hold such significance to him. It left her feeling unsettled, a nagging sense of curiosity gnawing at her.

As he focuses on the road ahead, he can't help but feel annoyed by Lucy's persistence. He knows she means well, but he's not ready to share the intimate details of his relationship with the woman he loves. He just wants to focus on their job, to keep their partnership strictly professional.

As lunchtime approached, the bustling street food area near the station came to life with the sound of chatter and the aroma of sizzling food. Amidst the crowd, you found an empty table, enjoying the inviting atmosphere, with colorful umbrellas providing shade from the midday sun as you waited for Tim.

Your husband approached the table where you were seated, a sense of defeat hung heavy in the air, exhausted from all of his rookie's questions. A small smile tugged at the corners of his lips, as he leaned down to press a soft kiss to your forehead. The warmth of his touch sent a shiver down your spine, a tangible reminder of the connection you shared.

As the conversation turns to you, Tim leans in with a curious glint in his eyes. "So, what were you doing at the station earlier?"

"Metro sent me to find a recruit," you confess, your gaze meeting Tim's.

His eyebrows shoot up in surprise. "And did you find one?"

Angela rises from her seat, flashing a smile, "I hate to break up the party, but duty calls. I'll catch you guys later."

You nod understandingly, bidding her farewell with a wave as she heads off to resume her patrol.

You return your attention to Tim, a small smile tugging at the corners of your lips. "Yeah. You."

Tim's eyes widen in disbelief, his expression a mix of shock and excitement. "Me? Are you serious?"

Nyla's figure blended into the bustling crowd as she disappears down the street with her rookie, leaving you and Tim alone.

You give him a knowing smirk. "Dead serious. They've been considering you for a while. Sending me down to the station was just a formality—a test, to see if I was ready for a promotion or something."

"You're getting promoted?"

"Uh-huh."

"That's awesome, babe. I'm proud of you."

As the lunch break comes to an end for Tim, he and his rookie prepare to go on patrol again. They stand by the patrol car, gearing up for their shift.

"Lucy, you're driving," Tim says, tossing her the keys with a grin. "Show me what you got."

Lucy's eyes light up with excitement as she catches the keys, nodding eagerly. "You got it, Officer Bradford. Shotgun!"

While Tim is in the shop, double-checking some equipment, you lean over the car door, catching his attention. "Hey," you say softly, a hint of concern in your voice. "Be safe out there, okay? And have a good time."

Tim gives you a reassuring smile, placing a hand over yours on the door. "Always am, love. Don't worry about me."

Just as the car starts to move, you lean in closer, your voice barely a whisper against the noise of the street. "And Tim... I'm pregnant."

Tim's eyes widen in surprise, his heart skipping a beat at the unexpected news. You placed a playful kiss on his cheek, before the car pulls away, you watch Tim drive off with a mixture of excitement and fear.

You were scared of his reaction, delivering him the news this way gave you time to process and turn all the possible scenarios upside down.

He meets your gaze one last time before the car disappears down the street, a rush of emotions flooding his mind—joy, excitement, and a touch of nervousness. But above all, there's a deep sense of love and gratitude for the life you've created together.

"Did you get your TO pregnant?" Lucy asks, her tone a mixture of surprise and incredulity.

Tim's jaw tightens, a flash of irritation crossing his features at the inappropriate question. He takes a deep breath, gathering his composure before responding firmly.

"She's my wife," Tim states, his voice leaving no room for further inquiry. "Now, shut up and drive."

He reaches up to where his uniform shirt collar meets his neck, pulling out a small chain with a wedding ring and some dog tags hanging from it. It's a subtle gesture, but one that holds immense significance—a symbol of the most important moments of his life, from fighting in Iraq and Afghanistan to marrying you.

Lucy's eyes widen in realization, a flush creeping up her cheeks as she realizes her mistake. Without another word, she focuses on the road ahead, her cheeks burning with embarrassment.

Meanwhile, Tim sits back in his seat, his mind still reeling from the unexpected turn of events. Despite the initial shock, a sense of pride and excitement fills him at the prospect of becoming a father. And as the patrol car speeds through the city streets, Tim's thoughts are consumed with thoughts of the future.

[monimccoythings]

Like Father Like Daughter

I have so many WIPs from different fandoms and this Wolverine fic ideas just keep coming and coming... I appreciate so much the support I've been shown, I don't look at the notes because it shows in activity that is 99+ and I get anxious lol. Logan has a nasty temper but is really fun to write.

Living with an ill-tempered man like Logan wasn't always easy, but living with him and his variant's teenaged clone turned adopted daughter who had the exact same temper as him, was proving to be quite the challenge.

As anybody would expect, those two were constantly butting heads at everything, be it food, curfews, or, just as they were doing at this very moment, Laura's choices in fashion.

The girl had chosen some shorts and black leggings, with black sneakers, and a crop top that was way too short for an old fashioned man like Logan to approve, to hang out with some friends she had made at her new high school. Barely sparing a glance at her outfit, Logan had snapped at her to go back to her room and change into something more appropiate, which Laura took it as well as any teenage girl that had spent part of her earliest teen years dressing and doing what she pleased in the void would. And then the screaming match had begun.

"NO CHILD OF MINE IS GOING OUT DRESSED UP LIKE THAT."

"IT'S JUST A SHIRT, IT'S NOT A BIG DEAL."

You let out a quiet sigh. You knew daughters were supposed to rebel against their parents, but having two superpowered beings at each other's throats at all times wasn't the great idea the universe thought it was. You knew they loved each other deeply and would kill for each other, but sometimes they were way too much alike.

"Sweetie, listen to Daddy on this one, he just wants what's best for you."

How the fuck had Wade gotten in and embraced your husband's muscular arm without anyone noticing. With a low growl, Logan pushed him away. Laura did not seem too pleased with him either.

"FUCK OFF, YOU AREN'T MY MOM!"

Wade covered his mouth and let out a shocked gasp that honestly was worthy of an Oscar nomination. You quietly thanked him for his presence, maybe that would help relieve the tension in the room. Laura turned at you, imploringly.

"Tell him he's just overreacting. Please."

You sneakily looked at your husband, who seemed to be red with rage, his lips pulled back in a feral snarl that clearly was a display of dominance, knuckles pressed against the wooden table so tightly that you started to fear for the well being of the furniture. His muscles were so tense he looked like he was going to burst out of his shirt, by the way the veins in his neck were swelling.

You didn't want to disrespect his authority over his daughter, but you also didn't want to make Laura direct her hate at you; you loved that girl and her attitude as if she was your own child. It seemed they needed some consesus, and you guessed you'd have to be once again the bigger person here.

"Laura, your father is just worried about you. If you want to wear that top, then you'd have to put a jacket on. And we want you back home by eleven."

"But my friends-" She started to protest, but you quickly cut her off.

"Eleven and that's more than your father was willing to give you."

She bit her lip, considering her options. With a huff, she stomped back towards her room to get that jacket. She slammed the front door on the way back out, not even bothering to say goodbye. Teenagers.

The living room got quiet. Really quiet. You could only hear Wade munching on some popcorn he had gotten from God knows where. Logan was fuming, not at you of course, but at his unruly adoptive daughter's behavior. He stormed towards your shared bedroom and slammed the door close hard enough, it made the pictures on the wall tremble. You sighed.

Well that went well.

It wasn't until half an hour later that he cooled off and decided to come out. You were cleaning up some dishes while Wade sat on the couch watching some cartoons. It made you smile, it was like you had two children running around.

You felt your husband's stubble and nose nuzzle against the back of your neck, as he embraced you from behind, his massive hands covering the entire expanse of your fourth month pregnant belly. "Feeling better now?" You casually asked.

His teeth nipped at the skin on your neck leaving a burning feeling that only his tongue could soothe. "I don't know what to do with her, she seems to fight against everything I do or say." His deep rumbling voice sent shivers running down your spine.

"Deep down she knows you love her. And she loves you too, even if she is too 'cool' to admit it." He let out a bitter chuckle, massaging your belly while leaning his chin on your shoulder, his sideburns made you tickle.

"I just hope this little one doesn't give us that much trouble."

"Hey, however they come out, we will love them the same, because they are a part of our family." He kissed your cheek and you leaned back into his embrace.

"Yes, our family." You let out a laugh at the sudden extra weight on your backs. Looks like Wade had gotten tired of the tv and had decided to join you into your little embrace.

"Wade..." Logan started warningly, carefully prying his hands away from your belly.

*SNIKT*

[am-i-the-asshole-official]

I (26, NB) dropped a long-term friend (23, not disclosing gender, I'll call them X) for being a proshipper, and now they're trying to get in the way of my other friendships.

A little more than a month ago, an old friend from when I was an itty bitty teen on the internet (we met when they were 12 and I was 15 or so) messaged me on twitter asking if we could share discord since they're more active on that platform, and they missed hanging out. Ok, no prob!! I missed talking to X and life was going kinda icky for me at the time. We exchanged discords and started talking more frequently, before we would talk through twitter dms maybe one day every few months, and we went from almost no contact to talking every single day. It was like being a teenager again; we still shared similar interests and we really fast clicked over old and new fandoms we were in. We talked about college and how they're starting to get the hang of their new job but needed support, talked about our family lives, etc., and in general I felt really comfortable and happy to be chatting again with someone I've known for so long. We were inseparable for weeks.

However... of course, as adults, and having known each other for YEARS, we started talking about fandom ships and fics we enjoyed. We didn't have the same taste in pairings, but that was okay. Until it wasn't anymore.

I shared my NSFW twitter with them, and they followed me. A few minutes later X told me, "I see you have "proship DNI in your bio, I just want to let you know that I am a pro-ship and enjoy some things in fandom that you might think is gross. I hope that's okay."

I was kind of weirded out, and told them that as long as they didn't like anything that would be criminal in real life, that's fine. They told me they *did* enjoy things in fiction that they "wouldn't condone in reality" and even though they "don't talk about it publicly" they still wanted me to know. For some reason. ?? Even though they KNOW that I have an irl history of abuse as a kid, they still told me this.

I was so fucking uncomfortable and really, really sad, and honestly I felt betrayed? I stepped away from my account for like, an hour before messaging them back and saying I didn't want to continue talking to them anymore. That I didn't know they were that kind of person and I'm not comfortable being their friend. I didn't read their response to me because I soft-blocked them.

While I was getting over that and trying to move on, a few days later I was talking to another mutual friend of ours when they asked if I was still friends with X. I got chills remembering how I broke off with them, and said no, we weren't talking anymore. That they were the kind of person that made me really uneasy and uncomfortable to be around. The mutual friend, I'll call R, said that X was "feeling kind of down about losing a friend recently" and talked about it in a discord server they share. X didn't mention my name but R wondered if it was me who dropped them since I was really touchy about boundaries online. I freaked out a little thinking about them talking about me, and asked what else they said, and R told me "not much, just that they felt sad but it was your choice in the end because you two were different" and I don't know why but it left a bad taste in my mouth. Were they trying to make people seem like I was the bad guy or something?? Idk.

I told R the reason why I stopped talking to X, and that X is a proshipper who likes things like inc*st and rape, and R wasn't as supportive as I thought he would be, saying that he understood how I felt but if X was being honest and open about their interests, it probably meant they trusted me and didn't want to "lie" to me. I don't understand how that's even relevant if X is a fucking proshipper. I don't want their trust in the first place if that's who they really are, and I felt betrayed that someone I knew for so long was hiding that for me until we were bonding again. R basically dropped it there and said "idk then" and I told him I was going to shut off my notifs for a bit. I really don't want to talk with him again right now especially since he didn't seem THAT bothered by X being a proshipper who's into really criminal shit.

Since then, friends of mine who are also friends with R (because he's a friend of X still, for some reason), haven't been replying to me as much anymore and I'm super sensitive to noticing these things, at first I told myself it was nothing, but there's an obvious decrease in our interactions. I can't help but think that X actually said bad stuff about me, and R didn't want me to know, or maybe X convinced R that I was a terrible person or something. I still haven't read X's reply to me because I genuinely do not want to interact with them ever again, but for the past few days I've been so angry and hurt by my other friend's actions that I can't help but want to blame them, since this all started when I left them.

AITA for dropping a friend because their interests made me SEVERELY uncomfortable? I don't know what to do.

What are these acronyms?

[mercuriians]

connect (with you)

synopsis ☆ kuroo’s walls come down after the game with karasuno.

content info — some hurt/comfort with our beloved nekoma captain because he deserves all the love in the world 🙏 SPOILERS for the dumpster battle movie so beware. reader is mentioned to be kenma’s sister a few times.

author’s note — just wanna say hi to the haikyuu fandom :) hope u enjoy this short drabble i wrote, i’ll probably make it look pretty later. lmk if you wanna see more kuroo x kozume!reader in the future.

your lips are on kuroo’s before the locker room door even has a chance to close. his skin is soft and familiar, his kiss eager yet vulnerable. something compels you to reach up, circling your arms around his neck as you pull him closer, tighter, until you’re sure that his warmth has become your own. the sound of his breathing is the only thing keeping you tethered to the ground as your mouths meet again and again. no words need to be spoken.

after years of being together, and even more years of being friends, you know tetsurou like the back of your hand. as if he’s perpetually been woven into your spirit, etched into your heart since the day he moved into the house next to you and your brother’s.

you know that the cheery grin he shot his teammates, the reverent bow he gave to the crowd, and the meaningful hug he shared with daichi at the end of the match were all borne out of three things—his sworn responsibilities as the captain, his earnest respect for karasuno, and the addictive rush of adrenaline.

the moment he left behind the arena’s blinding lights, though, the high seemed to wear off.

yet an aching feeling stayed with him.

when you pour your heart out on the court and play until your muscles feel like they’re on fire, when you devote hours of your precious time towards practicing—towards smoothening out every crack within your blocks, every blemish within your serves, every falter within your receives—and when you imagine the game countless numbers of times in your head until it feels like a memory, there’s a certain type of pain you feel when it’s all over. it’s a sadness that’s inevitable, and yet one that stings so profoundly and uniquely that it becomes a bittersweet moment you’re bound to remember for the rest of your life.

just one more second, one more chance— you think to yourself in a flurry of desperation. because as foolishly selfish as it sounds, nobody ever truly wants the game to end.

that feeling of wanting to remain frozen in the experience is something you yourself are all too familiar with. volleyball, after all, was what gave birth to the connection you now so deeply share with tetsurou.

you suppose that’s why you’re able to pinpoint the exact moment his shoulders start to shake.

pulling away from the kiss, you feel your heart plummet into your stomach before you can even see the tears trickling down his face. something you’ve come to learn about tetsurou is that he rarely ever cries, so when he does, it only makes the sight that much more impactful. wordlessly, you pull him into you once more.

the way your arms firmly, comfortingly wrap around his tall figure conveys a simple but invaluable message that resonates throughout the empty room— “i’m not letting you go.”

quietly, he sobs. you let him.

you barely notice your nekoma jacket becoming damp with his tears. when his crying slowly starts to recede, you break the silence, voice soft and tender. “you were amazing out there, tetsurou,” you whisper. “and there’s three things i want to thank you for.”

withdrawing by the tiniest sliver, just enough so he can meet your patient gaze, your boyfriend tilts his head slightly in the way he always does. his fingers subconsciously trace patterns across the small of your back. “what are they, baby?” his voice is quiet and a little hoarse. really, it’s a miracle that you manage to block out your own shadows of sadness.

“one,” you whisper, fingers reaching out to gently wipe away his tears, “thank you for being the best captain this team could ever ask for.”

“two,” you continue, leaning in to kiss away the tears that remain, before a small smile pulls at the corners of your lips, “thank you for helping my brother fall in love with volleyball.”

“and three,” you breathe out, your vulnerable gaze meeting his own, lips inching towards his once more, “thank you for being as strong as you’ve been, and for carrying the world’s burden on your shoulders when none of us could.”

when you finish your heartfelt confession, tetsurou’s hazel eyes glaze over with a fresh wave of tears—this time, however, it’s for an entirely different reason.

and this time, he’s the one that kisses you first.

[r-2-peepoo]

I just saw a really stupid take from a Star Wars fan (I know, absolutely unheard of! (heavy sarcasm)) so here is a reminder:

People who ship clones with Jedi are more than aware of the power dynamic. That’s a huge part of what makes them interesting. If we were to to ship Cody with basically anyone else other than Obi Wan, it probably wouldn’t work as well because Obi Wan is precisely the last person who would ever want to pressure him or cross his boundaries.

The Jedi were totally screwed over and backed into a war that goes against so much of what they stand for and on top of that, now they have an entire army of brand new humans to lead. All of those brand new humans are totally unique and just experiencing the world for the first time, even though they’re all mature adults too. It’s a totally screwed up situation which puts so much added pressure onto the Order, so we throw romantic feelings on top of that and we’re not supposed to find that absurdly compelling?

Obi Wan is literally defined by his empathy and his kindness. The reason shipping him with Cody works so well is because there is no one who represents what the Jedi are meant to be better than him. Goodness is at the core of his character. There would never be a day that he didn’t value Cody’s wellbeing over his own feelings. Not to mention that they’re both so dedicated to their beliefs and responsibilities that a relationship is never even realistically an option while the war is going on.

Codywan is about the yearning. It’s about them both knowing they have feelings for each other and not being able to do anything about it because they are fighting for something much bigger than themselves. It’s about the infamous “after the war” conversation that they never got to have. It’s about them meeting again on Tatooine years later, finally on equal footing and completely alone in the galaxy, bonded together by their grief.

That’s why people love Codywan. The suggestion of anything otherwise is just an insult to the hard work all the artists and writers have put into making some of the most incredible fanfiction and fanart and fanon lore I’ve ever seen in any fandom ever.

P.S.— the portrayal of something in a piece of media doesn’t equal the condoning or promoting of that sort of behaviour. I thought we’d long since established that. Let’s use our brains here.

[fluentmoviequoter]

What I Didn't Know I Had

Requested Here!

Pairing: Tim Bradford x fem!pregnant!wife!reader

Summary: You get shot, and Tim nearly loses something he didn't know he had.

Warnings: angst, r is shot, fluffy comfort and soft Tim at the end

Word Count: 1.7k+ words

Masterlist | Tim Bradford Masterlist | Request Info/Fandom List

“I’ll catch up,” you tell Tim.

He nods once and tunes out Lucy as she walks beside him. The bullpen is crowded because of a busy day in Los Angeles, but you have something more important on your mind.

“Angela, can we talk?” you ask as you approach her desk.

“Of course,” she answers. “Is everything okay? Baby okay?”

“Yeah, yeah, we’re good.” You lay your hand over your not yet existent bump and smile. “I’m ready to tell Tim, but I want to surprise him with the pregnancy announcement. He’s not… conventional, right? So, I just wanted to ask if you had any ideas for how I can tell him, how I can make it special?”

“Not conventional is certainly a good description of Tim Bradford,” Angela agrees playfully. “Honestly, you know better than I do what he’d consider to be special. I think you should tell him sooner rather than later.”

You nod and look over your shoulder toward Tim. He deserves a memorable announcement; it’s his first child and he’s going to be an amazing father, so you want to make sure he knows that.

“Blue and pink target practice,” Angela suggests. “Nothing like a gun range jump scare.”

“I’ll keep that in mind.”

Wade yells your name, and you thank Angela before you return to the crowd of police officers. He says your name again before he adds, “Bradford, Nolan, and Chen, we’ve got a domestic call off Wilshire. Take care of that and get back here. ACH!”

“Anything can happen,” Lucy murmurs. “But it’s never fun.”

“ACHBINF,” Nolan agrees.

“Are you okay?” Tim asks as he falls into step beside you.

“Yeah, I’m good. Love this time of year when we have to send two cops to a call and two cops to protect the others,” you reply.

“Hey, what’s it like being married?” Lucy asks as you enter the garage.

“Depends on the marriage,” Nolan answers. “Why? Are you getting married?”

“Not today,” Lucy answers. “Just curious.”

“Nolan’s right,” Tim agrees. “It depends on the marriage.”

“I love being married,” you tell her. “But it’s nothing to rush into.”

“I just want to meet someone,” Lucy groans. “And you guys are no help.”

“Yeah, I married my partner,” you say, winking at Tim.

“And Nolan’s divorced,” Tim points out.

“Okay!” you announce. “Before this gets worse and turns into a competition of who has or had the better marriage – because it’s me and Tim – we need to go.”

“Yes, ma’am,” Lucy agrees. “ACHBINF.”

Tim grunts as he slams the car door, and you smile. As long as that isn’t his response to your pregnancy announcement, you’re amused by his grumpiness.

“There’s nobody here,” Tim says as he looks through a dirty window.

“This is the address. They said they were watching the argument from across the street,” you explain. “So, it’s either a setup or a prank.”

“Bradford!” Nolan calls as he moves out of the yard. “There’s a black SUV moving slowly toward us.”

“Tell dispatch, and get through to Grey,” Tim demands. “Stay down.”

You move with Tim, staying low as you move toward the shop. The black SUV is several houses away, but it only rolls a foot or so before it stops for thirty seconds, then moves again.

“Option 3, someone’s trying to steal a stick shift and can’t drive it,” you joke.

“It’s never that easy,” Tim replies.

“ACHBINF?” you ask.

“Don’t,” Tim murmurs as he watches the car. “We need to make contact before they get close enough to do something.”

“I can go through yards and come up behind them.”

“No, we don’t know what the back looks like. Nolan, where are you and Chen?”

“Behind the shop,” Nolan answers. “On the other side of the street from you.”

“Stay in position,” Tim radios.

A shot fires somewhere nearby, but it echoes so you can’t tell where it originated from.

“The car’s a distraction,” you and Tim say together.

“Backup is two minutes out,” Lucy calls over the radio. “We don’t have time!”

“I’m shooting at the SUV,” Tim tells you. “Cover me.”

You trade places with Tim and press your back to the shop as you cover him. Before you can alert Tim of movement beside the house you were called to, someone fires again. You feel the sting of the bullet against your vest but rise to your knees and return fire. Tim notices your movement and lowers beside you. When the shooter drops his gun and tips back, Tim rushes to him as Lucy and Nolan run to stop the black SUV. You lean back against the shop and run your hand over your uniform. It’s tinted red with blood when you pull it back, and you gently press your fingers against your side. The bullet missed your vest by less than an inch, and your first thought is that the bullet may have gone in sideways.

“No, no, no,” you whisper as you press your hands to your lower stomach.

With the pressure, your bleeding increases with nothing to stop it. Tim rounds the corner of the house with the shooter in handcuffs but pushes him to the ground when he sees you. You’re losing blood quickly, and Tim sees your hands in the wrong place, which immediately concerns him. If you didn’t tell him you were shot and are causing it to bleed more, you must be in shock or hemorrhaging.

“Nolan, get over here!” Tim radios.

He kneels beside you and presses his hands to your side as you try to force a hand under your vest.

“Get me an ambulance!” Tim demands. “Officer down!”

“Tim, I’m pregnant,” you blurt out. “You have to make sure the baby is okay.”

Tim shakes his head and tells you to stay calm. Nolan loads the shooter into the back of his shop and tells Tim the ambulance is approaching.

“Promise you’ll make sure the baby’s okay,” you repeat.

She doesn’t know what she’s talking about, Tim thinks. That thought only increases his worry because you’re losing blood and not making any sense.

“What happened?” the paramedic asks as he approaches your side.

“GSW to her side,” Tim replies.

Your eyes flutter closed as they wrap your side, and you don’t mention ‘the baby’ again. Tim asks the paramedic which hospital you are going to and follows your ambulance in his shop. As he drives, he wonders where the “I’m pregnant” announcement came from. It’s something he wants but hearing it because you were losing blood causes his hands to shake. He reminds himself to focus and control his emotions as he parks and runs into the emergency room entrance.

“Office Bradford?” a doctor asks.

“Yes, sir,” Tim responds as he stands. “How is she?”

“She’s perfectly fine. The bullet was through and through with very little tissue damage, so we cleaned and stitched the wound, and she’ll be free to go after some observation. And the baby is perfectly safe as well, Officer.”

“Baby?” Tim repeats. “She’s pregnant?”

“Oh, I’m sorry, I assumed you knew. Yes, sir, she’s about seven weeks pregnant. You can go in if you��d like.”

“Thank you.”

The short walk to your room feels like a marathon, and Tim’s mind races with each step. You should have told Tim; you have a dangerous job, and he needs to know. Tim takes a deep breath before he opens the door and steps into your room.

“You really meant that,” he says.

You look up and tug your bottom lip between your teeth before you release it to speak. “Yeah, I did. I wanted to surprise you, and I was going to do it later today, but… you know.”

“You have to tell me this stuff,” Tim says gently. “I didn’t know. And I- if something had happened, I wouldn’t have known. I’m supposed to keep you safe, but I can’t do that if I don’t know.”

“I’m sorry,” you apologize. “Surprise?”

Tim rolls his eyes as he takes your hand. He lays your joined hands over your stomach, avoiding your stitches.

“I was terrified,” you whisper. “There wasn’t a way to tell where it went, and if I’d lost-“

Tim shushes you gently and sits on the edge of your bed. He moves a hand to your jaw and brushes his thumb over your cheek.

“I get it. The doctor told me the baby was fine, and it suddenly crashed down on me. That fear that I could’ve lost something I didn’t know I had hit me, even after I knew you were both okay.”

You nod and turn your chin. Tim kisses you softly, and you whisper another apology against his lips.

“What do you need?” he asks.

“A hug, mostly,” you say lightly.

“I was hoping you’d say you were ready to get out of here.”

“Oh, we’re both very ready to get out of here,” you agree.

Tim helps you get comfortable on the couch after you arrive home, and you twirl your wedding ring around your finger. He returns a moment later, and when you pull your knees up to give him room to sit beside you, he huffs. Carefully, he lifts your ankles and lays your legs back in your original, comfortable position. Tim lays with you rather than sitting beside you, and you happily turn into his arm. He drags his fingertips along your spine, over your shoulders, and back down. His other hand lays against your side, and he drops his hand to where your baby is growing.

“You’re getting soft,” you murmur.

“Just for you two. And we both need this,” he replies.

“I have an appointment next week, and I want you to be there.”

“I’ll be right here,” he promises. “Can’t trust you to tell me anything important,” he jokes.

You try to push him away, but Tim grabs your wrists and carefully pulls you with him as he rolls. He barely manages to catch both himself and you as he nearly falls off the couch.

“Surprise?” he asks, repeating your earlier comment.

He kisses you before you can say anything else, and when his hands wander to your stomach, you know that you were right about what a great father he will be.

[captainsophiestark]

Don't Believe Everything You Read

Anthony Bridgerton x Reader

Masterlist - Join My Taglist!

Written for Fictober 2024!

Fandom: Bridgerton

Day Three Prompt: "I know you better."

Summary: A wannabe Whistledown is posting some awful rumors, but luckily for Anthony, his wife knows him well enough that she doesn't believe them.

Word Count: 1,247

Category: Angst, Fluff

Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.

I sighed, tightening my hands on the book I was reading and trying to refocus on the words. I'd been having a nice, peaceful morning in Bridgerton house (a truly rare feat) until Eloise and Benedict had started some commotion near the door to the sitting room.

I'd married Anthony almost a year ago now, but I still hadn't learned how to block out his siblings quite as well as he did.

I managed to finish another paragraph before the commotion at the door distracted me again. I glanced at the pair out of the corner of my eye, and found them having a whispered argument, both glancing in my direction every few moments. I sighed. The rest of my story would have to wait until later.

Slowly and quietly, so as not to draw too much attention from the Bridgertons by the door, I makred my page in my book and set it down on the couch. I stood, drifting over toward Eloise and Benedict. Eloise had something in her hand, and it seemed to be the genesis of hers and Benedict's hushed argument. I got a little closer and recognized the shape and style of a scandal sheet.

Eloise and Benedict had gotten steadily more heated in their argument, and when Eloise flailed the paper in my direction, I snatched it out of her hand.

She and Benedict both whirled in my direction, but I'd made it halfway across the room before either of them got a chance to take the paper back.

"Don't read that!" Benedict shouted, chasing after me.

"You have a right to read it, but you might want a bit of a heads up first-"

I cut Eloise off by darting well out of their reach and reading one of the headlines of the scandal sheet.

Viscount Bridgerton Stepping Out On His New Wife?

I snorted and rolled my eyes. I quickly scanned the rest of the article, which went on to talk sensationally about all these rumors surrounding Anthony and a mysterious new mistress. Not a word of it was believable, of course, and at least one of the reports of Anthony strolling at night with a strange woman was just me, wearing new clothes the rest of the Ton hadn't seen yet. I barely made it to the end of the article before I started laughing.

I looked up to find Eloise and Benedict looking at me warily. I just shook my head.

"This is certainly no Lady Whistledown, is it?" The pair raised their eyebrows at me, still tensed like they were worried the laughter would turn to tears. I rolled my eyes. "Oh please, both of you. I know Anthony, I know this is ridiculous. Clearly whoever's writing this nonsense has too much free time on their hands. Or maybe not enough, since they couldn't come up with anything more realistic than this."

"So... you're not upset?" asked Eloise.

"No, El, I'm not. I know the man I married. This," I waved the paper around in my hand, "is just funny."

She and Benedict let out massive sighs as one.

"Well, that's certainly a relief," said Benedict. "I suppose Eloise and I were getting worked up for nothing."

"And likewise, you interrupted my reading for nothing," I said. "You're welcome to stay if you're quiet, but otherwise, I appreciate the laugh, but would appreciate more the return of my peaceful reading space."

"You have chosen the sitting room as your peaceful space," Benedict said. "That might not offer you the highest chance of remaining undisturbed."

"You make a fair point, but you also seemed to want to keep this scandal sheet from me completely, so I think today I can kick you out."

"Fair enough. Eloise?"

"I was supposed to meet Penelope before I found the scandal sheet with the mail. I'm already a bit late," she said with a wave over her shoulder as she headed out of the room. Benedict gave me a teasing bow, then followed his sister out of the room.

I sighed, then settled back in to my original place on the couch. I made it through another few pages before the door of the sitting room went flying open, the door making a loud bang as it slammed into the wall. I jumped and whirled around to find Anthony, looking like an absolute mess as he crossed the room in just a few strides before sliding to his knees before me. His hair stuck up at all angles and his clothes looked disheveled. He took my hands in his and started speaking before I could get a word out.

"My love, it's not true. Not a word of it. I love you, you must know that. I would absolutely never, ever go behind your back, would never even dream of spending time with anyone else-"

"Anthony, my god! Take a breath, what are you talking about?"

"I saw Eloise. She told me you'd read the scandal sheet sent out this morning. But you must know, it was a lie."

"Did you happen to wait for Eloise to tell you my reaction before you raced in here?"

"No. I worried... I didn't want to waste a moment before speaking with you. I promise, I would never do that to you. There's no one else and there never will be-"

"I know! Anthony, believe me, I know." I slid to the ground along with him, chest to chest as I kept his hands held tight in mine. "You think I'd believe some ridiculous wannabe Whistledown telling me you're a cheater? I know you better. I know you best. I know you would never do that to me, that I can trust you, no matter what. Even if Whistledown herself had reported it, I wouldn't have believed a word."

"...Truly?"

"Absolutely! We're rock solid, Anthony. I honestly wouldn't have married you if I didn't trust you."

He sighed, all the tension easing from his body as he slumped forward, wrapping his arms around my waist and resting his head on my shoulder.

"I cannot tell you how relieved I am to hear that."

"I'm glad we got your worry cleared up quickly," I said. "Although, if you had paused to talk to Eloise for another moment, she could've told you I started laughing the minute I read those ridiculous reports."

Anthony picked his head up to look at me, pulling me closer to him as he did.

"I'm much happier to have heard it from you directly. Especially since it means I can do this."

He leaned in, a grin on his face, and kissed me. I ran my hands up his back and into his hair, but pulled away after just a moment. Anthony moved to follow me, but I put a hand on his chest to stop him.

"Anthony, we are in the sitting room! Anyone could walk in on us at any moment."

"Good. Then they'll know the rumors are just that, and that nothing could ever come between the two of us."

"Anthony."

"Fine. This is an easy fix as well."

With that, he stood, picking me up and carrying me out of the room. I laughed, not even bothering to mention my book that now lay forgotten on the sofa. Anthony and I had other plans for the rest of our morning, it seemed, and I couldn't say I minded them. Anthony and I were happier than I ever thought we could be, and nothing was going to interfere with that, especially not some ridiculous gossip rag.

****************

Everything Taglist: @rosecentury @kmc1989 @space-helen

Bridgerton Taglist: @cherrybb-ily

[imthebadguyyy]

so high school

pairing : bradley 'rooster' bradshaw x reader

fandom : top gun

synopsis : being in love makes you feel oh so high school!!

series : the tortured poets department

warnings : smut

a/n : loved loved loved writing this!! happy reader

you couldn't quite tell what it was about bradley 'rooster' bradshaw that had you hooked. but something just did. the world of naval aviators was close knit, and you had been friends with phoenix and fanboy for as long as you could remember, even graduating top gun together.

it wasn't until many years later that you received a letter, asking you to go to fightertown san diego for a special mission. thats it. thats all they told you.

so before you knew it, you were cruising down the coast in your bike, hair whipping in the breeze, trying to find the bar phoenix had told you she would be at. you spotted it soon enough, glimmering brightly near the shining sea, and you parked and made your way inside.

it was packed full of other aviators, you spotted phoenix, hangman, coyote, payback and fanboy playing a game of pool and making snarky remarks at each other.

"cherry!" a cheery voice called you, and you offered your best friend your sweetest smile. "hi phoenix! i missed you" you laughed, pulling her into a hug, that she reciprocated, kissing your temple affectionately.

"cherry!" fanboy said, wrestling you into a tight hug to rub your head affectionately as you pretended to be annoyed, swatting at his arm.

"didn't know you were here too hon" phoenix said, offering you a bottle of beer.

"yep, got the call to ride at dawn" you said dramatically, sinking into a chair, shaking your jacket off your shoulders, draping the black leather jacket over the back of the chair.

"well if they're calling in the big guns guess the mission must be important" pheonix teased, affectionately rubbing your shoulder again.

"cherry, meet bob, phoenix's new backseater from leemore" payback said, gesturing to a quiet man with glasses who was eating peanuts in the corner. "hello, I'm bob" he said, smiling at you and shaking your hand. "I'm y/n, cherry" you smiled.

just as you were about turn to greet coyote, the door opened and a man clad in a hawaiian shirt walked in, aviators hiding his eyes, with a slight swagger to his walk as he walked in, sliding his glasses slightly lower down his nose as he greeted phoenix . he had the most perfect looking moustache you had ever seen, and for a split second you wondered how it would feel brushed up against every part of you.

you bit back a giggle as phoenix hit him in the stomach with her pool stick, that instantly had his eyes snapping to your face.

bradley didn't know what hit him as he looked at your face. well, apart from phoenix's poolstick. he felt like all the wind has been sucked from his lungs as he looked at you, drinking in your pretty eyes and curved lips, plush and full, seeing the way your hand was wrapped around a cold bottle of beer. he felt his heartbeat speed up so fast he had to steady himself on his unsteady feet. you looked ethereal.

"and who are you?" he asked, taking his aviators off to tuck them into his pocket as he leaned against nat's shoulder, offering you a smile that had your heart beating way faster than it should have.

"y/n, cherry" you smiled, extending your hand for a handshake. bradley grabbed your hand, pressing a delicate kiss to the back of it that had a warm flushed heat creeping up to your cheek.

"I'm rooster, bradley" he said, sinking into a chair next to yours.

"nice to meet you" you smiled at him, draining the last of your beer. "can I get you another?" he said, already getting ready to stand. "thats okay rooster, I'll go get one myself" you hurried to get up as well, but he just took you by the elbow, leading you to the bar. "please let me. what sort of a gentleman would i be if I didn't buy a pretty girl a drink?" he smirked mischievously and you forced down a smile, hiding it with an eye roll.

"please, nat talks about you and I know for a fact how much of a ladykiller you are" you said, smiling at the woman behind the bar who introduced herself as penny. "put it on my tab, penny my dear!" rooster called and earned a smile from the woman.

"damn, phoenix is destroying my shot before I even had a chance huh? he sighed, only a little resigned. "but I promise, I'm not like that anymore, I'm older and wiser now" he said, looking at you hesitantly. you couldn't help but laugh, seeing the sincerity in his eyes.

"I'm just messing with you" you giggled, accepting the cold beer gratefully and clinking your bottle with his.

you found yourself lost in conversation with him, laughing and chattering like long lost friends. you told him all about knowing nat and fanboy, about your hobbies, what got you into aviation. he spoke about his love for music, his love for aviators, and surprisingly, about his dad.

he watched the way your eyes softened, not in the way that people did with pity, but with understanding. and you reached for his hand, giving it a squeeze. "I'm sorry that happened to you bradley" you said, voice as delicate as a feather. "thank you" he said, stroking a hand over your thumb.

"hey,wanna see something cool?" he asked, already leading you over to the piano. "you gonna play a song bradshaw?" you laughed, choosing to lean against the piano as he settled into the seat. you recognised the opening notes of great balls of fire.

bradley's voice was as warm as whiskey, rough around the edges and ragged in a way that took your breath away and made a little something spark in between your thighs.

"kiss me baby!" he sang, throwing you a cheeky wink that had phoenix nudging your side. "that feels good, baby" he smirked, letting his tongue wet his lips as he watched your body twitch a little.

"I'm off to love you like a lover should" he crooned, fingers dancing across the ivory keys as you hummed along.

after he finished, you watched him get swarmed with people, and whooping and cheering for him, before the chants of "rooster! rooster! rooster! rooster!" filled the room and you clapped along before slinking back to the bar.

"hey whered you go?" bradley's warm voice made his way over to you. "just wanted a moment and another beer" you said and he grinned, already passing you a cold one again, letting his fingers brush yours again.

"cmon, let's go on a drive" he said, gently tugging your hand and paying his bill quickly. "thanks for that, by the way" you said, beaming up at him gratefully. "anytime pretty girl" he said, leading you put to where a beautiful Bronco was parked.

"thats a beautiful car" you said, stopping to admire it. "whose is it?" you continued, staring curiously. "it's mine" he said proudly, grinning when you gasped. "it's so pretty!"

"thank you, it's my baby" he said, and you felt your heart flutter. "come, let me show you the sights" he said, getting your car door for you in a way that had you feeling a little ooey gooey on the inside and had you thinking "isn't that sweet?"

and as you drive off into the night, the moon illuminating the sea, you felt oh so high school.

the hard deck was buzzing with energy, music playing in the background as the squad enjoyed a rare night off. you, bradley and the rest of the team were gathered around a large table, laughter and banter filling the air.

"hey, cherry, can you grab me another beer?" bradley asked with a playful grin, his eyes twinkling.

"only if you say please," you teased back, giving him a mock-serious look.

"please," he replied, drawing out the word and giving you an exaggerated puppy-dog look that made you laugh.

as you headed to the bar, nat nudged you with her elbow. "you know, Cherry, you’re not fooling anyone, especially me" she smirked.

you raised an eyebrow, pretending not to understand. "what do you mean?"

phoenix gave you a knowing smile. "come on, it's so obvious you have a crush on Rooster. the way you two flirt, it's like watching a rom-com. and as your best friend, you know I can read you like an open book" she said, leaning across the bar to grab your three beers.

your cheeks flushed a little, but you couldn’t help but smile. "Is it that obvious?"

"To everyone but you two, apparently," phoenix said, chuckling. "just go for it. You two are great together."

meanwhile, back at the table, the boys were giving rooster a similar hard time.

"rooster, man, you are so into cherry," jake "said, shaking his head. "the way you look at her, it's like you're in the notebook or something."

"yeah, dude," bob added. "It's written all over your face. you look like a little kitten with a ball of wool" he said and analogy made the other pilots roar with laughter.

rooster tried to play it cool, but he couldn’t help the grin that spread across his face. "what can I say? she's special."

as you returned to the table with the beers, you noticed the boys smirking at rooster, who was giving them a playful glare. you handed bradley his beer, your fingers brushing briefly, sending a small thrill through you.

"thanks, cherry," he said, his voice softening a bit, reaching up to pinch your cheek playfully.

"anytime," you replied, your heart fluttering.

phoenix gave you a knowing look, and you felt a rush of warmth. surrounded by friends and filled with a sense of joy and possibility, you knew this was just the beginning of something truly special between you and bradley.

and that feeling made you feel like a high schooler, feeling oh so high school.

training and day to day encounters with bradley became the norm, and he found himself actively seeking you out more and more.

"hey cherry" his voice rang sweetly in your ears as he plonked himself down next to you. "hey rooster" you greeted back, settling comfortably into the chair, waiting for maverick to come and start the training session.

"looks like we're paired up for today's exercise" he said, trying to dim the bright grin that graced his face, drinking in the amused look in yours.

"sure looks like it" you grinned back, laughing when he pumped his fists in the air. "excited much?" you joked, leaning slightly into his shoulder. "oh, very. it's not often i get to fly with a wingwoman as beautiful as you, pretty girl" he cooed, fingers dancing across the loose strand of hair that had fallen out of your bun and tucking it back in.

you felt your breath hitch and your heart speed up like a train, feeling the warmth radiating from his body as he leaned in slightly closer, eyes trained on yours, gleaming in the sunshine. you leaned in as well, torso moving forward as your eyes fluttered ever so slightly. bradley felt his heart hammering, palms sweating slightly as he repeated a mantra of "holy shit this is actually happening" repeatedly in his head.

just as your noses brushed, a sharp voice cut the tension in the room, and you jumped back as if you had been scalded. you felt your body heat up as the grinning faces of hangman and coyote and maverick came into view, making you shoot away from bradley to keep a respectable distance between you two.

"well, well, what do we have here?" hangman’s teasing drawl filled the space, a smirk playing on his lips. phoenix elbowed him in the ribs, rolling her eyes at his lack of tact. "damnit bagman, couldn't you have waited for a second?" nat's voice reached your ears and you tried your hardest not to simply evaporate on the spot.

maverick raised an eyebrow, a knowing smile tugging at the corner of his mouth. "did we interrupt something?"

coyote chuckled, shaking his head. "looks like we did."

bradley's hand remains on your shoulder, a reassuring touch. you couldn't help but feel a mix of embarrassment and amusement at the situation.

"har har guys, why don't you move it along now cmon" rooster said, dramatically gesturing to the door.

a chorus of laughs and giggles embraced you, with natasha stopping to stoop by your ear and say "never seen you look so captivated cherry" and giving you a playful wink which you returned.

"well...where were we?" bradley said, after ensuring the squad had truly left. "i believe you were about to kiss me?" you said in a hushed whisper, reaching for the zipper of his flight suit, standing up to pull him flush against you.

you let your body sink against the tiny podium mav used to give his motivational speeches, letting bradley's weight sag into you as he leaned closer, and closer and closer...

right until his breath was warm on your face, searching your eyes for the same desperate adoration he felt and he saw it there in full reciprocity.

"god, will you kiss me already?" you whined, tugging him forward by the collar.

bradley turned to you, his eyes filled with a mix of determination and vulnerability. he took a step closer, his gaze locking onto yours. "I've been wanting to tell you something," he said softly, his voice steady despite the emotion behind it.

your heart raced as you nodded, body high on the palpable tension, waiting for him to continue. "ive felt this way for a while now," he confessed, taking your hand in his. "and I can't keep pretending it's not there." he continued, breath in ragged gasps as he inched so much more impossibly closer to you.

before you could respond, he gently cupped your face with one hand, his thumb brushing over the swell of your cheek. the world seemed to slow down as he leaned in, his eyes never leaving yours. you closed the distance, your lips meeting in a soft, tentative kiss, charged with sweet emotion.

the first touch sent a shiver down your spine. it was sweet and slow, as delicate as spun sugar, both of you savoring the moment you had been waiting for. bradley's other hand moved to your waist, pulling you closer as the kiss deepened, the other still grasping your cheek.

his lips were warm and inviting, and you lost yourself in the sensation, your arms winding around his neck. his mustache, his oh so perfect mustache brushed against your top lip, in a messy kiss that felt so good you couldn't breathe. his hand crawled up your back to rest in your hair, cradling your head in his hand while yours continued to grip his collar and his chest tightly, tongues now clashing as the kiss grew more heated.

just as bradley let his hand down to squeeze the flesh of your ass, the sound of footsteps and a horrified "oh!" had bradley breaking apart from you, eyes never leaving your heaving form as he glanced over his shoulder to see an extremely flustered bob.

"oh shit rooster, I'm sorry i-" he began, stammering and stuttering as his glasses began to slip down his nose from the nervous perspiration gathering on his nose.

"bob, just leave" he murmured, going back to your lips as he let his mustache brush your lip in a way that had you giggling.

"right! right! I'll leave god rooster I'm sorry-" he continued rooted to the spot, eyes widening at the way bradley's lips trailed to your neck.

"bob?" you called sweetly, ignoring the way rooster smirked against your neck. "yes cherry?" he said, still stuttering.

"as much as I like you, please fuck off and let me makeout with rooster in peace" you said firmly, and he was scurrying out like a mouse.

bradley laughed against the skin of your neck, pressing one last smacking kiss to the juncture between your shoulder and neck, before leaning up to peck your nose.

"darling, let me take you to dinner" he begged, grasping your hand in his own palm.

"when?" you asked, still heaving to take deep breaths of air. "now. today. an hour, god, I'll just go shower and change and I'll come and pick you up and we can go now, today, now" he said, punctuating each word with a soft kiss to your lips.

"okay" you breathed, slowly backing away to just admire the man before you. "pick me up at 7 then" you said, pushing him away with a smirk, before walking towards the door, hips swaying purposefully. "and maybe tonight, you'll get to kiss more of me" you winked, and made your way out.

rooster sunk back into a chair with a groan.

god, you made him feel like a lovestruck teenager, giving him butterflies

it all felt oh so high school to him.

bradley bradshaw had planned the perfect first date, and as the sun began its descent, casting a warm glow over Fightertown, you found yourself eagerly anticipating the evening ahead. he had picked you up right on time, his charming smile and easy confidence immediately putting you at ease.

he drove you to a secluded stretch of beach, the sound of the waves creating a serene backdrop as he unloaded a large picnic basket from the trunk. "i thought we'd do something a little different," he said, his eyes sparkling with excitement. "a beach picnic seemed like the perfect idea. you mentioned you've never had one before" he said, a note of shyness in his gaze.

"i love it," you replied, genuinely touched by the thoughtfulness of the gesture.

he spread out a blanket on the soft sand, arranging the picnic essentials with meticulous care. as you sat down, you couldn't help but admire the beautiful scenery—the ocean stretching out endlessly, the sky painted with hues of orange and pink.

bradley handed you a glass of sparkling champagne and raised his own in a toast. "to new beginnings," he said, his gaze meeting yours with a sincerity that made your heart skip a beat.

"to new beginnings," you echoed, clinking your glass against his.

the evening unfolded with an easy, natural flow. bradley had packed an impressive spread: fresh fruit, gourmet sandwiches, cheese, and even a couple of your favorite snacks, and to your mirth, a whole container of cherry candy. you both talked and laughed, sharing stories and learning more about each other.

at one point, he playfully fed you a strawberry, and you couldn't help but laugh at his antics. "you're really going all out, huh?" you teased.

"only the best for you," he replied with a wink, his tone light but his expression serious.

as the sun dipped below the horizon, the sky turned a deep, velvety blue, and bradley lit a few candles, their gentle flicker adding to the romantic ambiance. you found yourself inching closer to him, the warmth of his presence and the sound of his voice creating a bubble of intimacy that felt both exhilarating and comforting.

he glanced at you, his eyes soft and filled with an emotion that made your breath catch. "you know, I've wanted to do this for a long time," he admitted, his voice low and earnest.

"really?" you asked, feeling a flutter of excitement.

"yeah," he said, reaching out to gently brush a strand of hair from your face. "there's something about you, cherry. from the moment we met, I knew you were special."

your heart swelled with happiness as you looked into his eyes. "i feel the same way, bradley."

he smiled, a slow, genuine smile that lit up his face. "im glad," he said softly.

as the night continued, you sat together, sharing quiet moments and watching the stars appear one by one in the sky. It was the perfect first date, a beautiful beginning to what you both hoped would be a wonderful journey together.

bradley couldn't remember the last time anyone had left him so simply awe struck and feeling like a teenager in love the way that you had. he knew the moment he set eyes on you in the hard deck that you had stolen his heart in every sense of the phrase.

so flash forward to three months after your first date and there you were, pressed up against his body, leaning into his warmth with one of your ankles looped around his own, both your feet propped up on bradley's coffee table. his house had practically become yours, you spent more time there than at your own pathetic little rented apartment.

bradley inhaled the scent of your perfume, bergamot and oak, vanilla and of course cherry. he didn't know how much he loved the scent of cherry till you came into his life like a cherry scented whirlwind.

it was a Saturday night and that meant neither of you had to go into work the next day. he had asked you to come over to his place after a few drinks at the hard deck. he had cracked open a nice bottle of red wine and had ordered in some of the burritos you loved so much, topped of with that spicy salsa you loved.

a bowl of nachos sat between the two of you, and the burritos waited on the table for you two to stop gazing lovingly into each other's eyes.

the classic 'american pie' was playing softly in the background, but neither of you could really pay attention. your fingers traced over his muscled thighs, absent mindedly tracing your initials on the exposed skin, his denim shorts giving you more than enough room to gently trace the skin.

his arm was around your shoulders, gently tracing mindless circles on the exposed skin of your shoulder, and occasionally dropping kisses to the skin as well, letting his tongue dart out to earn a giggle from your pretty lips.

"ya having fun pretty girl?" he asked, brushing a loose strand of his hair back. "mmhmm" you nodded burrowing into his chest in a way that had his heart singing.

"i love how stupidly interesting this movie is" he confessed, and you laughed, affectionately kissing his nose. "i do too, it's the perfect movie to unwind to" you agreed, settling into his chest again as you took a sip of the cabernet he had poured you.

he adored these little moments with you. how he would love to have them with you every damn day. he wanted you to just be with him for ever and ever.

of course, the both of you had forgotten about the iconic scene in which vicky finally...achieved new highs. bradley's eyes went wide as he choked on his wine, watching as the explicit scene played out on tv, feeling your body tense beside him and your breathing quicken as she reached her peak on screen.

he felt red hot arousal course through his body, and the fact that your perfectly plush body was resting against him in a way that was just right was not helping him. his pants were becoming uncomfortably tight around his groin.

he heard you gulp beside him, eyes blown a little wide as your eyes shifted to his face, flushing a little when you saw he was already looking at you.

"sweetheart i hope that doesn't make you uncomfortable?" he asked, stroking your cheek in concern. he missed the way your thighs pressed together, but he did hear the whimper that left your lips.

"oh darling..." he cooed, thumb stroking your cheekbone. "you want me to do that to you pretty girl? want me to eat your pretty pussy?" he asked, smirking when you whimpered again softly, turning so you were both face to face.

"answer me darling " he said, moving the glasses away to pull you flush into his lap. you tried to stifle your sigh of pleasure when his large hands grabbed your hips, settling you snug against him.

"please?" you asked, hands trailing down his muscled chest. "please what, pretty girl?" he asked, hands reaching to the back of your shirt. "please can you eat me out, lieutenant bradshaw?" you cooed, feeling confident as you rolled your hips on his.

"fuck baby girl" he grunted, making quick work of undoing your bra and flinging it off off you, hands going slowly up and down your sides. "I'd love that" he groaned, slowly setting you down flat on the couch and resting one knee between your legs. he dragged your top off, and you hissed when the cold air graced your nipples, hardening them to peaks.

his eager tongue descended upon them, flat of it pressing against the sensitive buds and sucking them between his lips to flick at them in a way that had you gasping and gripping his luscious hair in your hands, chest arching high.

he bucked up into you then, hands holding your hips still as he stiffens against you. "you’re fucking sexy, ya know that?" he said "so. fucking. sexy." he punctuated each word with a flick of his tongue, teeth grazing the nipple and sucking it, letting his saliva coat it before pulling it, making you hiss in pleasure.

although it took him seconds, it felt like an eternity, as bradley travelled down the valley of your breasts, down to your stomach where he stopped, and licked slow circles around your belly button until you shuddered almost continually. his tongue dipped into your belly button and your foot jerks. his mouth travelled lower.

he took a minute to settle down, settling down to his knees in front of the couch, to become eye-level with your clothed cunt, while maintaining a cozy sort of closeness. once again, he gently stroked the waistband of your panties, and, with expert hands, eyed the pale blush pink colour of your underwear.

"i don't know if i tell you often", he moaned into your thigh with squinted eyes. "but you’re the prettiest fucking person ive ever seen" he said, biting the flesh of your hip. "prettiest fucking thing ive ever seen" he repeated, and your heart began to thud at an irregular pace against your chest as you watched the special show.

"tell me you want me baby" he asked, stopping his movements and panting on his knees. he looked like such a fucking angelic mess in that moment, voice raspy, chest heaving and hands gripping the flesh of your hips.

"i need to hear you tell me you want me and need me" he begged, slowly drawing your knees apart.

"please roos, i need you so bad! i want you!" you acquiesced, desperately reaching for his hand, which he immediately linked with your own.

"now, i have only one rule" he murmured pressing another kiss into your skin, this time even lower. he tilted your hips up just a bit higher, so they’re level with his nose; eyes just barely peeking over your mound. he inhaled sharply.

"you have to be as loud as you can or i stop. just please, fuck, please don’t hold back on me" he whispered, stroking your knuckles on the hand in which your fingers were entwined, his cheeks pink in the sparkling lights.

and with your nod, he’s dove in. you felt his tongue slip out, softly licking at your already swollen clit, and you realized this feeling was unlike anything. it was heaven and it's hell, it was sanity and insanity, and you loved it. your chest dipped hard with every aggressive rise, and the more it obscured your view of rooster, the more you adjusted yourself so that way it doesn’t. you wanted to see him.

his mouth wrapped around your clit and he gently sucked at it, his chin grazing your hole as his tongue explored the unfamiliar territory. he moaned out loud in surprise of how fucking sweet and tart you tasted.

"fuck sweet girl, you taste like cherry candy" he grunted, his own hips grinding against the coarse material of the couch.

he continued with his ministrations, pulling soft moans out of you. it was a melody, a harmony. a symphony of low groans and raw moans and desperate whines leaving your lips. each and every noise; every perfectly composed addition giving way to how your pleasure builds. "fu—oh, my god, roos!" you managed to gasp out, remembering his rule, head pressing against fluffy yellow cushion he had given you.

he’d barely touched you. hadn’t even quite moved on from your clit, and yet? you were a fucking mess. your breathing, uneven, your heart erratic. it was a dizzying experience everytime he sucked on your clit.

he alternated, tightening the control on his lips or flattening his tongue, lifting your legs to rest them on his shoulders.

your legs felt heavy against his shoulders, knees buckling from the pleasure. the noises that came from him are pornographic, to say the least. obscene and dirty, muffled by your puffy lips. it was wet, and it sounded like heaven.

"you’re doing great, pretty girl. so fucking good" he growled into your pussy, lapping at your juices.

then suddenly he was mouthing at your cunt, tongue dipping into your aching hole with fervour, trying to learn what made you feel good, what made you jerk, what made you tick. about your reactions. about your ethereal sounds. as much as his brain could take. he made you absolutely melt into putty with his experienced touch.

an unexpected high-pitched moan escaped your swollen mouth, and your breath caught in your throat. "holy shit! rooster! bradley! ah—fuck, just, you’re…right there" your hands clutched the leather between your fingers, and you were pretty sure you had ripped a hole in the velveteen couch.

a familiar warmth was beginning to pool in your tummy, fingers running through his hair in response, scratching at his scalp and pulling his hair roughly.

the veins in his arms began to strain and protrude and you almost came right there on the spot. you yanked on his hair again, and with a loud groan he jerked up into you. a dangerous glint gleaming in his eyes as he shot up to meet yours and he lifted himself off of you. "you’re playing a dangerous game, darling" he whispered, fingers trailing down your thighs.

his tongue swirled along your ribs, the place where you’re most ticklish, and it revealed his new favourite sound in the world - your laugh. over the curve of your breast, covered with hickeys and bites, and then finally right above your heart. where he lived, where he loved and could be loved. his home.

he snuck back down, fingers slipping into you, pressing against your g spot before his tongue began to suck harshly on your clit.

the familiar band of pleasure began to build in your belly and you whined in desperate pleasure. his tongue began to suck on the little pearl harder, and soon you were thrashing above him as the band snapped and you came all over his pretty face.

"thats it darling, nice and slow, come for me" he murmured, licking you through your orgasm. "mm-ah! roos!" you groaned as the sensitivity grew between your legs.

bradley stood up panting, moustache gleaming with your sparkling juices, and his tongue picked out to lick it away, the sight so obscenely perfect.

"you're my new favourite thing to eat in the world, sweet girl" he cooed, pressing his lips to yours in a delicate kiss.

gasping and panting, you kissed his back, gently stroking his hair. "thank you, that was amazing" you breathed, giggling when he sunk into you and the both of you descended into the plush couch.

"don't thank me baby girl, it's a pleasure to give my girl the best head of her life" he said, cracking a grin when you hid your face in his chest.

"god I adore you. i love you" he said, breathing the scent of your perfume again. "I love you too baby" you whispered, kissing his nose.

"c'mon, let's get up and cuddle now" he said, scooping you up and throwing you over his shoulder. you squealed in laughter as he tickled your side, hanging over his shoulder, playfully swatting his butt as he made his way up the stairs.

this was the kind of romance you'd only read bout in high school.

the hard deck was alive with its usual blend of laughter and lively conversation as you and the squad gathered for another fun night out. the air was filled with the familiar buzz of camaraderie, and everyone was in high spirits. but tonight, there was a special gleam in bradley's eyes that you couldn't quite place.

as the evening progressed, he excused himself and made his way to the old upright piano in the corner of the bar. you watched curiously as he sat down, his fingers lightly grazing the keys, testing the feel of the instrument. the room began to quiet down as people noticed him at the piano, a sense of anticipation building.

he looked up and caught your eye, his expression softening. "this one's for you, cherry," he said, his voice carrying across the room. a few murmurs of surprise and interest rippled through the crowd as he began to play a slow, romantic tune.

the familiar notes of heaven by Bryan Adams began to play.

as the melody filled the bar, you felt a warm blush spread across your cheeks. bradley's playing was beautiful, each note filled with emotion. his eyes never left yours, and it felt like the rest of the room faded away, leaving just the two of you connected by the music.

when he began to sing, his voice was smooth and heartfelt, the lyrics speaking of love and longing. it was clear to everyone that this was a song from the depths of his heart, and the dedication to you made it all the more special.

"and baby, you're all that I want,

when you're lying here in my arms,

im finding it hard to believe,

we're in heaven,

and love is all that i need,

and I found it there in your heart" he crooned softly to you and you felt an overwhelming love settle in your heart for the man at the piano.

the squad couldn't resist teasing. jake leaned over to phoenix and bob, a playful grin on his face. "hearts are breaking in the world tonight," he quipped, eliciting a round of chuckles from the group.

"yeah, looks like rooster's got it bad," phoenix added, giving you a wink.

bob nodded in agreement, smiling warmly. "It's like a scene out of a high school movie."

despite the teasing, there was an underlying sense of genuine happiness from everyone, seeing how much bradley cared for you.

as the song drew to a close, bradley's final notes lingered in the air, and the room erupted into applause. he stood up and walked back to you, his gaze never wavering.

you met him halfway, feeling a rush of emotions. "that was beautiful, baby" you said, your voice soft with gratitude and affection.

he smiled, his eyes shining with sincerity. "I'm glad you liked it, cherry. It was all for you."

as the squad continued to tease and make light-hearted comments, you and bradley shared a look that said it all. in that moment, surrounded by friends and wrapped in the warmth of his music, you both felt like high schoolers in love, caught up in the sweet, innocent magic of the night.

rooster had invited the entire squad over to his place for beers n barbecue, but it was just an excuse to play grand theft auto with the boys. nat and you had just rolled your eyes and decided to play monopoly.

rooster kept glancing over his shoulder towards the two of you, smiling when he saw you laugh, throwing your head back and exposing the skin of your neck to him. he inhaled deeply when you bit your lip, teeth sinking into the flesh in concentration.

he groaned as hangman shoved him in the shoulder to make him lose in the game, and he stood up to head to the kitchen.

"baby you want a beer? nat, what about you?" he asked, walking over to you to drop a kiss to your shoulder.

"please" nat groaned, looking up from the board. "cherry's been kicking my ass at this stupid game for an hour" she said, making you laugh as you picked up the bowl of nachos you had been sharing to refill it.

"I'll be right back babe" you said, taking your empty beer bottles and following rooster to the kitchen.

"you having fun?" he asked, dragging you to him by your belt loops and dropping a kiss to your forehead. "i am! i missed spending time with nix" you said, kissing his cheeks and walking over to check the apple pie you had put in the oven.

rooster bit back a groan as you bent at the waist to check it, and before you knew it he was pulling you in, pressing your front against the counter. his fingers slid to the front of your jeans, slowly zipping them down.

"bradley! what in the world are you doing!" you hissed, hands settling on top of his own. "our friends are literally right there playing GTA!" you exclaimed, gasping when his finger slipped into the band of your cotton panties.

he dipped his finger to your clit, smirking when he felt the wetness on your clit. his fingers began to rub deft circles and your knees buckled, a soft whimper leaving your lips when his lips dropped to your ear to nibble on the shell.

"my my, you're a dirty little girl aren't you? getting fingered in the kitchen while our friends are in the next room?" he purred and your head dropped into his shoulder.

"fuck baby.." you moaned, and he sucked a hickey into your neck.

"god i love seeing you like this" he groaned, fingers speeding up against your clit, thumb settling on it, slipping one finger in at a time, pressing against your spongy walls, taking in the symphony of your moans.

"fuck I'm so close" you whined, pressing harder against his fingers. "cum for me darling, cum all over my fingers" he said and you came undone with a shudering gasp, chest heaving.

"hey cherry I'd like my beer cold please!" pheonix's voice cut the air and you almost jumped out of your skin.

rooster laughed as you heated up against him, pulling the zipper of your jeans back up before leaning back against the counter to lick his fingers, that had you playfully glaring at him.

"hey, bradshaw! you just died in the game man!" hangman's smug voice cut in, and the both of you laughed and pulled away.

"I'll see you again later honey" you said, kissing his cheeks. "love you" he said, nuzzling into your cheek.

"Jesus, get a room!" payback exclaimed as he stepped into the kitchen, looking for more popcorn.

"let them be! they're so cute together!" phoenix said, walking in, with her arms crossed. "cherry, babe. it's been fifteen minutes. are you brewing the beer from scratch?" she joked, walking over to the fridge to pick up the beer herself.

"sorry, she got distracted" rooster grinned and you nudged him in the side. natasha grimaced and payback pretended to gag.

"you're like two horny teenagers" fanboy commented as he walked in too.

"what can I say?" rooster shrugged. "she makes me feel oh so high school" he smiled.

you sighed dreamily, watching bradley's pretty shirt flutter in the sea breeze. he had taken you out to a cute restaurant on the beach, which had outdoor seating and was decorated in quiet finesse.

the ocean's edge had been a charming and elegant beachside restaurant known for its stunning panoramic views of the sea. as the sun had set, casting a golden glow over the water.

the sound of waves gently lapping against the shore had provided a soothing backdrop to the evening, along with the rhythmic hum of the Bryan Adams song playing in the restaurant.

soft candlelight had flickered on your table, illuminating the beautifully set plates and the fresh, exquisite dishes prepared with locally sourced ingredients. the ambiance had been both romantic and serene, perfect for an intimate dinner with rooster, where every detail had been crafted to enhance the dining experience by the sea.

the candlelight danced in his eyes, which were filled with warmth and a hint of mischief. you both leaned in close, sharing quiet laughter and soft, playful touches. your conversation flowed effortlessly, akin to two teenagers in love, filled with lighthearted teasing and genuine curiosity about each other's lives.

rooster's hand occasionally brushed against yours, sending a pleasant shiver up your spine. you found yourselves lost in his eyes, which reflected your own dreams for the future. there was an innocence and purity to your interaction, each smile and glance brimming with affection. the way he looked at you, with unguarded admiration, made you feel like the most important person in the world.

bradley leaned in a little closer, his expression turning slightly more serious but still filled with warmth. "you know," he said his voice soft and earnest, "i've been thinking a lot lately."

"oh? about what?" you asked, a hint of curiosity and amusement in your voice.

"about us," he said, his eyes locking onto yours. "about how much I love spending time with you, how much you mean to me."

your heart skipped a beat, and you felt a warm flush spread through you. "i feel the same way, bradley."

he took a deep breath, gathering his thoughts. "I've been thinking... I don't want us to just have these moments in between missions and busy schedules. I want more of this. More of you."

you felt a flutter of excitement and anticipation. "what are you trying to say?" you asked, excitement and anticipation bubbling in your chest.

he reached across the table, taking your hand in his. "i want you to move in with me," he said, his voice filled with sincerity. "I want to wake up next to you every day, to come home to you. I want us to build a life together, not just in moments but every single day."

your eyes welled up with tears of happiness. "bradley, are you serious?"

he nodded, a smile spreading across his face. "I've never been more serious about anything in my life. I love you, and I want us to be together, always."

tears of joy streamed began to well up in your eyes as you squeezed his hand. "I love you too, bradley. yes, I would love to move in with you." you exclaimed and he laughed, tilting your chin to capture your lips in a tender kiss.

"one day," he whispered, kissing you softly, "I'm gonna put a ring on your finger" he promised, eyes boring deep into your own.

you felt your heart hammering again, melting into a puddle of warm, happy goo.

"I'd want nothing more" you whispered back.

you could so get used to this. because being with bradley just felt oh so high school.

a/n : here we go! the first of the tortured poets department project! i hope you enjoy reading it as much I loved writing it!! as always, comments, likes, reblogs, feedback etc is always appreciated!! 🤍 also this is my first top gun work so please!! be kind!!

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[rafesproperty]

| i have no idea where he came from, but i know i love the hp fandom so much cuz like damn thanks now i got another comfort character

Theo Nott x Reader

+ his friends x reader <3

some of these are angsty bc let’s be real, a relationship with him wouldn’t be a happy sailing all the time

» masterlist

🐍 theo mr. possessive nott — he’s not very talkative, not very outgoing, not very showing, until someone tries to lay a hand on you

“i fucking hate it when he looks at you,” he says every time someone looks at you. he lost a lot as a child, he’s over-protective and overly needy when it comes to you, because finally he has a person he feels love towards — he doesn’t want to lose you too.

so someone even thinking about becoming close to you? no.

🐍 gets into fights a lot… like a lot

🐍 doesn’t know how to handle his anger so he’d often take it out on you (ends in either unfortunate fights or fortunate make outs, or both)

🐍 either rly chill or rly angry

🐍 he loves his friends, wouldn’t ever say it out loud, of course, but he’d die for them, or kill for them, they are his family — super happy you get along with them well <3

🐍 sometimes a bit too well — you and mattheo could tease him for the entire day and say stupid shit and jokes and he’d grow extremely annoyed over it (he loves you both)

🐍 mattheo being super protective over you whenever theo’s not there, he’s like a brother to you

🐍 trusts his friends around you buuut will kiss you every now and then just to remind everyone 🙄

🐍 the train ride to school at the beginning of the year goes like this; theo, mattheo, blaise, draco, enzo and you, but the cabin’s only made for four people, so it’s you on theos lap and enzo squeezed between mattheo and draco because you all refuse to separate… you all listen to dracos complains the whole time

🐍 you and him couldn’t care less about dracos fights with potter and his friend group; theo genuinely does not give a fuck and finds it a waste of time, and you don’t mind the potter group that much so you just don’t participate and often disappear to spend some time together in the forest

🐍 both of you see thestrals and come to deep forest spots to just sit in the grass and watch them

🐍 he notices a lot of things — notices when you are cold and will give you his jacket, scarf or his school robe, he notices it when you go quiet, and just makes sure he’s there with you until you are okay again, he notices when someone makes you uncomfortable and he’ll make sure to make their day a living hell, notices when you like something, when you mind something, when you sound happy or really sad, usually knows what to do to help you

🐍 neither of you is a fan of parties and it usually ends bad if you end up going; theo gets too wasted OR gets himself into another fight, and you don’t handle big groups of people well

🐍 he doesn’t actually enjoy parties at all, he just goes for his friends and status… and you just go for him

🐍 blaise being the hero and distracting you with jokes and his witty remarks so that you wouldn’t focus on the big loud crowd and the fact that theo disappeared somewhere (enzo is clueless and tries to drag you to dance with him — blaise almost punching that guy bc he’s just so dumb)

🐍 theo having the audacity to get mad at you after he returns with a bloody nose and a split lip and seeing you laugh at blaises jokes

“yeah whatever, spend the night with him for all i care”

🐍 you end up crying, he ends up finding you after like five minutes after he said that bc the guilt was eating him alive (also he didn’t want you to spend the night with blaise and he did, in fact, care)

🐍 jealous makeout that night and later on just laying in bed, while you both stare at the ceiling and play with eachothers fingers and hands, and explaining to him how him leaving you alone in a big crowd made you feel anxious and how blaise actually helped a lot, and him agreeing on not going to parties any time soon

🐍 already called you “my girl” “mine” “my baby” a lot but uses it a lot more after that party, especially during heated moments

🐍 might sound ironic but he gives off extremely calm energy when you get to know him, that guy that gets into fights and has bruised knuckles all the time and gives everyone a death glare, is the calmest person you’ve met when you are alone with him

🐍 he likes books — reading together is a big quality time and comfort for him <3

🐍 book shopping dates where he’ll get you the books you want

“oh, i’ve read this, it’s a classic in muggles world,”

“oh,” you keep reading the back of the book for a while, “it sounds interesting,”

he smiles and just takes it from your hands to get it for you, and does this every single time you look at a book or talk about a book

🐍 staying up late in the slytherin common room reading and talking and listening to the fireplace

🐍 he likes to lay on your chest

🐍 you like to wrap your arms around him, and he loves it when you do that, makes him feel safe

🐍 tired studying sessions where you both go “screw it” and lay in bed, cuddle, make out and play with some silly spells like letting your patronus run around (the only happy memories he uses are with you and his friends)

🐍 sneaking off at night just bc it’s thrilling to make out in dark halls full of ghosts

🐍 getting caught and losing house points only to do it again the next night

🐍 astronomy tower dates sound cool at first but everyone goes to astronomy tower to have dates, so eventually you find your own secret spots

🐍 he’s horny 24/7, it had to be said

🐍 doesn’t know how to talk about his emotions so he’ll either show it by being affectionate physically or by protecting you all the time

🐍 will just grab you and start kissing you passionately whenever he feels like it

🐍 you missed so many classes because of him… but oh well

🐍 definitely has a thing for risky makeouts, the danger of getting caught and getting in trouble turns him on

🐍 does that thing where he’ll put a hand on the table corner just so you wouldn’t accidentally hit yourself

🐍 stands in front of you whenever there’s a bigger group of people (especially after what you told him after that one party, he just does it subconciously now)

🐍 mattheo knows too and they’ll just both shield you with their bodies

🐍 switching ties together <3 it doesn’t matter, the student ties are all the same but it’s the feeling that counts

🐍 wearing his scarf as well

🐍 stroking your thigh in class, during dinner, lunch and breakfast in the great hall, mf will sometimes leave a little peck on your neck and have no shame

🐍 doesn’t care about other people, at all, he’s careless when it comes to anyone beside his few friends or you, makes you feel special <3

🐍 he has a lot of mental breakdowns, especially from all the death eater stuff, and won’t allow you to comfort him (eventually he will, but it’s hard for both of you — takes him ages to open up to you)

🐍 yeah, death eater bf — it’s not always easy

he even tried to push you away when it came down to it, but he just couldn’t, so now he tries to keep you away from all these things as much as he can

🐍 he’s good at potions, helps you out a ton

🐍 “hey nott, pair with me?” cuz they all know he’ll save their asses in potions assignments

🐍 “nah I’m with y/n” automatically 🥰🥰

🐍 again, library dates sound cool until you realise everyone goes to study dates in the library, so you’ll end up borrowing books and studying in your room together, undisturbed

🐍 with that being said, there’s usually not much studying…

🐍 “hey, uh— about yule ball,”

“yeah i don’t really care,” he’d mumble while reading a book.

“oh...” your voice would drop. his eyes would look up and study your expression. he’d end up asking about suits and which one to get later that day.

🐍 yule ball actually being a lot of fun <3

🐍 idk but like matching all black outfits to yule ball with his friend group >>>>>

🐍 he’d eventually get bored of the event and drag you out to the quidditch stadion to sit on his lap in the cold night and make out. he’d mumble how perfect you look and how lucky he is, and he’d make sure you feel good (skilled fingers bf)

🐍 ron tried to flirt with you once and he broke his nose

🐍 a guy from ravenclaw tried to flirt with you once and he broke his whole face

🐍 neutral on PDA — he doesn’t see the appeal but he also doesn’t care about others so if he feels like kissing and touching you, he’ll kiss and touch you

🐍 you’re not like him, if someone tries to flirt with him, you don’t go around breaking peoples faces and yelling, rather you shut off and drown in anxiety, he notices so he keeps his role of the “mean guy thats friends with other mean guys” and straight up tells the girl to fuck off (holds your hand right after and shows a bit more PDA that day)

🐍 he doesn’t smile much, which only makes his smile prettier. you love it when you make him smile or chuckle

🐍 holding eachothers hands a lot — it’s just a reminder that you are both there, whether it’s in class, during lunch, watching quidditch, walking down the hall, he likes to feel you are there with him

🐍 his friends just call him nott and people that he’s not close with call him theodore, so you calling him just theo feels somewhat special, and it makes him feel warm inside

🐍 does a thing where he’ll stare at you calmly and make you blush and go “whatt?!” and he’ll just chuckle and say “nothing, my girl’s just pretty”

🐍 all six of you hanging out around the castle or the forbidden forest at night and him squeezing your hip or leg whenever it’s really dark so others wouldn’t see

you teasing him back by pretending something scared you and hugging him real close and ‘accidentally’ brushing your body against his

you both end up frustrated as fuck

🐍 doesn’t say i love you often but when he does he really means it

i love him sm it’s not even funny anymore.

also do ya’ll think lorenzo knows he’s now completely out of nowhere a face of some random slytherin character? 😭 like that thought of him finding out is just funny to me idk

[moonxknightx]

♡˗ˏ✎*ೃ˚ : FORBIDDEN INTENTIONS: :;

╰┈➤ ❝ [PAIRING] ❞ Old!Stepdad!Logan Howlett x F!Reader

・❥・GENRE: i don’t even know what to call this genre tbh….

˚୨୧⋆｡˚ ⋆FANDOM: X-Men

ੈ✩‧₊˚ WARNINGS: Age Gap: Significant age difference between characters, Manipulation: Themes of manipulation and deception, Romantic Tension: Intense romantic and sexual tension, Mature Content: Contains mature themes and emotional intensity. Family Dynamics: Complex and potentially distressing family relationships.

˚₊· ͟͟͞͞➳❥SUMMARY: You thought Logan, your mother’s husband, was a blessing for her in her later years. But after her passing, you discover he married her to get close to you. Now, as Logan’s relentless pursuit of you unfolds, you’re torn between feelings of betrayal and an unexpected, unsettling attraction.

Based on this request.

YOU DIDN’T HATE LOGAN. In fact, when your mother introduced him into your life five years ago, you were almost relieved. After all, it had been just the two of you for years, and seeing her with someone in her later years seemed like a blessing. She deserved to be happy, and Logan seemed to care for her.

At least, that’s what you thought.

You were in your early thirties, and your mom—well, she was getting older. Logan was retired from whatever military past he had. You knew he was more than just a regular guy, but she never really told you much about him beyond that. Still, there was something about the way he looked at you, something… intense.

“Good to see you, kid,” he said gruffly when you visited home that weekend from university.

“I'm not a kid, Logan,” you corrected him, smiling as you placed your bags down. “Master's degree, remember? I'm practically a professor by now."

He raised an eyebrow, not bothering to hide his amusement. “Yeah, sure. But you’ll always be the kid to me.” His voice was rough, like gravel under boots, and there was always an edge to it, something that made your skin prickle whenever he was around. Still, you brushed it off as just him being… well, Logan.

~

Your mother had taken ill shortly after you started your master's program, and you made the journey back home every few weeks to check in. Logan was always there, looming. He never gave you much space, but it was the way he looked at you that had started to make you uncomfortable.

One evening, after your mother had fallen asleep early, the two of you sat in the living room. The TV was on, but the noise was nothing but background to the silence hanging between you both.

“So, you still seeing that guy from your class?” Logan asked suddenly, his eyes not leaving the TV screen, though you knew he wasn’t really paying attention to it.

You blinked, surprised at the question. "What? How do you know about that?”

He shrugged, finally glancing over at you. “Your mom mentioned it.”

“Uh, no, actually,” you said, shifting a little in your seat. “It didn’t work out. We weren’t really… compatible.”

“Hmph,” Logan grunted, his lips quirking slightly. “Good.”

“Good?” You echoed, confused. “Why is that good?”

He leaned forward, resting his elbows on his knees, his gaze suddenly piercing as he looked at you. “Guy wasn’t right for you.”

Your heart skipped a beat. There it was again, that intensity. His eyes seemed to bore into you, not in the way a father figure would watch over his stepdaughter. No, there was something else, something darker.

You swallowed hard. “Logan, what—what do you mean by that?”

“You’re smart, kid,” he said lowly, leaning back against the couch. “You can figure it out.”

“I—” The words caught in your throat, and you stood up abruptly. “I should check on Mom.”

~

Months passed, and your mother’s condition worsened. Logan had become a constant presence in your life, more than you ever wanted or expected. You started to notice how often he would drop by your apartment in the city. Always with an excuse—"Just passing through," or "Wanted to make sure you’re doing alright."

It was unnerving.

“Logan, you don’t have to come all this way just to check on me,” you told him one afternoon as you caught him lingering by your door again.

He leaned against the doorframe, that familiar smirk tugging at his lips. “Sure, I do. Can’t have you out here all alone, can I?”

“I’m an adult,” you snapped. “I can handle myself.”

He chuckled softly, his eyes trailing over you in a way that made your stomach twist. “You can try. But that doesn’t mean I’m going anywhere.”

~

Your mother passed quietly in her sleep one cold winter evening. The grief was sharp, cutting through you like a knife, and while you were thankful she no longer had to suffer, the loss left a deep void in your heart. Logan was there at the funeral, of course, standing stoically beside you.

“She loved you,” you murmured through tears, staring down at the casket. “She really loved you, Logan.”

“She did,” he agreed, his voice low and steady.

You turned to him, something breaking inside of you. “What am I supposed to do now? She was everything.”

He stepped closer, his hand resting on your shoulder. “You got me.”

The words felt wrong. He wasn’t the comfort you needed, but he was all you had left.

~

Weeks passed after your mother's death, and Logan stayed around. No matter how much you tried to distance yourself, he was there. At your apartment, waiting when you returned from class, sitting at your usual café, casually slipping into your life in ways that you could no longer ignore.

One night, after a particularly long day of classes and work, you found him waiting in your kitchen.

“How the hell did you get in here?” you demanded, your heart racing as you dropped your keys onto the counter.

He shrugged. “Door was unlocked.”

“Bullshit,” you spat. “I locked it. Logan, you can’t keep doing this.”

His expression darkened, and he stepped closer. Too close. “I’ve waited long enough, kid. Your mom’s gone. There’s nothing stopping us now.”

Your blood ran cold. “What are you talking about?”

“You know exactly what I’m talking about,” he growled, his voice low and dangerous. “You think I stuck around for her? For all those years?”

You took a step back, your mind reeling. Logan's gaze was locked onto yours, the truth crashing into you like a tidal wave. Every warning sign, every lingering look, the possessive edge in his words—everything suddenly made sense, but it was too much. Your heart raced as the room seemed to close in on you.

“You didn’t—” you stammered, your voice barely a whisper. “You didn’t stay for her?”

He didn’t flinch, didn’t bother pretending anymore. Instead, he stepped forward, his presence filling the small space between you, suffocating. "She was a means to an end. I stayed for you."

The weight of his confession hung in the air, and you felt a shiver run down your spine. You wanted to scream, to push him away, but the raw intensity in his eyes pinned you in place

“Logan, this isn’t right,” you managed, your voice trembling. “She was my mother. You were her husband.”

His lips curled into a smirk, one that made your skin crawl. “Your mom knew what she was getting. But she’s gone now. You and I… we don’t have to pretend anymore.”

You shook your head, stepping back until your back hit the counter. "No, this is insane. There’s a huge age gap, Logan. You’re—you're like sixty, and I’m—"

“Thirty-two,” he interrupted, his voice deep and rumbling. “You’re an adult. Hell, you’re smarter and more capable than most people I’ve ever met. And you think I give a damn about age? I’m older than you know, sweetheart. I’ve seen and done things you can’t imagine.”

You swallowed hard, your mind spinning. Everything about this felt wrong, but at the same time, Logan had always been a larger-than-life figure in your world. There was something magnetic about him, something that pulled you in even when you didn’t want it to.

“This is twisted,” you whispered, trying to find your footing, to regain some control over the conversation. "I... I need time."

Logan’s expression softened—just a little. He stepped back, giving you space, but his eyes never left yours. "Take your time," he said, his voice low and gravelly. "But I’m not going anywhere. Not now. Not ever."

~

In the weeks that followed, you tried to distance yourself from him, to process what had happened, but Logan was relentless. He never pushed you physically, but he was always there, lurking at the edges of your life. His presence was inescapable, a constant reminder of the tension that simmered between you both.

You thought about moving cities, quitting your master’s program, anything to put more space between you, but you knew Logan would find a way to follow. He always did.

One night, as you sat in your apartment, your mind racing with thoughts of escape, there was a knock at the door. You didn’t have to guess who it was.

When you opened the door, Logan stood there, his expression unreadable. For once, there was no smirk, no cocky attitude. He looked... tired.

“What do you want, Logan?” you asked, your voice tight with frustration.

“I came to talk,” he said simply, stepping inside without waiting for an invitation. “You’ve been avoiding me.”

“I wonder why,” you muttered, crossing your arms. “You dropped a bomb on me, and you expect everything to be fine?”

He sighed, rubbing a hand across the back of his neck. “I never expected it to be easy. I knew what I was doing wasn’t… conventional.”

“Conventional?” You let out a bitter laugh. “Logan, you married my mother just to get close to me. Do you have any idea how messed up that is?”

“I didn’t plan it that way,” he said quietly, his voice more vulnerable than you’d ever heard it. “But once I met you, I couldn’t shake it. Your mom was lonely, and I knew I could take care of her, make her last years happy. But it was always about you. From the start.”

Your breath hitched at his confession. There was a part of you that wanted to scream at him, to tell him how wrong all of this was. But another part—one you didn’t want to admit existed—was drawn to him. You hated it, but it was there.

“Logan,” you began, choosing your words carefully, “this isn’t something I can just accept. You manipulated my mother. You’ve been manipulating me. How can you expect anything between us after that?”

He took a step closer, and this time, you didn’t move away. His eyes softened as he looked down at you, the weight of years behind them. “Because we’re the same, kid. You know it as much as I do. You’re not scared of me—you’re scared of how much you feel this too.”

You felt your pulse quicken, his words cutting through every wall you’d tried to build. "Logan…"

He reached out, gently brushing a strand of hair behind your ear. "I’ve waited long enough. I’ll wait as long as you need. But don’t think I’m gonna give up on this. On us."

His touch was surprisingly tender, and for a moment, you let yourself lean into it. You hated how good it felt, how much you craved that connection, even if it came from him.

“Maybe…” you whispered, your voice barely audible, “maybe I need more time.”

He nodded, his gaze never leaving yours. “I’ll be here when you’re ready.”

With that, Logan turned and walked toward the door, leaving you standing in the middle of the room, heart racing, and mind reeling. You watched him go, knowing that this wasn’t over. Not by a long shot.

And maybe, just maybe, you didn’t want it to be.

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Also do we need a part 2?

[lxkeee]

TWO SIDES OF THE SAME COIN

-PART NINE

Pairing: Lucifer Morningstar x Seraphim Angel! Fem! Reader

Fandom: Hazbin Hotel

Genre: Angst (for now)

Warnings: family trauma/lore

Notes: TSOTSC finally reached 20k words, yippee!

PART ONE | PART EIGHT | PART TEN | NAVIGATION

Azrael looked at the female angel beside him, noticing the lovestruck expression on the girl's face. He looked at her with a deadpanned expression, lips pressed together in a thin line.

Azrael's deep black eyes followed her line of sight, landing on a light blond haired short male angel with rosy spots on his cheeks, Lucifer. Azrael grimaced, watching as Lucifer talked with Michael, Lucifer's twin brother.

Azrael can hear a satisfied sigh left [Y/n]'s lips, Azrael still doesn't know why the girl is so lovestruck with the guy. Lucifer's curiosity is a looming threat, everyone in the high council of angels can feel it but they can't do anything about it as the said angel hasn't done anything yet.

Azrael sighs, grabbing the cloud pillow off the couch so he could sit beside her, the cushioned seat sinking as he sat down. He nudges her, catching her attention.

“I still don't understand what you see on that guy.” he deadpans at her and [Y/n] rolls her eyes at the taller male.

“Do you want me to take out my 50 slide presentation again on why I like him so much?” [Y/n] asked with a raised eyebrow and Azrael flinched, raising his hands in defeat.

“No, thank you.” He mumbled, shuddering as he remembers the time she presented those slides to him, which he still didn't understand why she liked the boy so much. He was zoned out during all of the presentation.

Azrael sighs, chest heavy and tight. He doesn't understand why. The thought of his best friend getting married to someone else hurt for some reason.

“Make sure you won't regret it, you're getting married to him soon.” He deadpans and [Y/n] just laughed, “I won't. He won't do anything to hurt me.” she said confidently.

Azrael rolls his eyes playfully, “You seem confident with that statement.”

[Y/n] scoffs playfully, “Because I know him.”

“Do you really know him?” Azrael retorts back, raising an eyebrow at her. [Y/n] flinches slightly, Azrael is right. She's still 25 years old and so is Lucifer, they're both very young. They still have lots to learn about each other.

It doesn't matter, Lucifer loves her and she loves him back. They have an entire eternity to know each other.

With a long exhale, she turned to look at Azrael, “Maybe I may not know him entirely but I will be able to.”

Azrael just sighs, shaking his head, “Whatever you say [n/n], but if he does something... Don't tell me I didn't tell you so.” he chuckled and [Y/n] rolls her eyes playfully at him, nudging Azrael playfully.

“Hey, I know him. He's my best friend and we've known each other the moment we existed.”

Azrael scoffs playfully at her words, “Who knows? People change.” he says, crossing his arms over his chest. [Y/n] avoided his gaze and turned to look back at Lucifer who seems to notice her.

Lucifer gave her a wink and a charming smile, sending her a kiss to her way causing for her to blush and giggle.

Azrael rolled his eyes at the scene.

“They do and I hope he changes to become a better version of himself.”

After getting married to Lucifer, life felt good. Lucifer treated her so well, bringing her flowers everyday, giving her affections in every chance he gets.

Everything was fine until God created the first ever humans, [Y/n] knows how much of a curious man Lucifer is, naturally, he went out to observe them.

It created cracks in their relationship.

Lucifer began to go home later than usual, occasionally forgetting to give her affections.

And their topics—his topics have now shifted to God's newly created creature, a woman named Lilith.

[Y/n] had to endure the pain and heartache as she listens to her husband talk so fondly about the woman, complimenting Lilith in every possible chance he gets.

But nevertheless, [Y/n] remained to have confidence in him. Choosing to trust him, he is her husband after all. They've been together for many eons, she knows him.

Does she?

No, she doesn't.

Especially on what she's currently witnessing, [Y/n] hid between a large tree in the garden of Eden. She had the urge to check up on Lucifer, her instinct was screaming for her to do so.

Her nails are buried in the bark of the tree, ichor flows out of her fingertips as she tries to prevent a sob from escaping her lips. The wooden sensation of the wood against her fingertips, the stinging pain of the scratched skin of the tips of her fingers is what she felt.

With the additional sensation of the aching feeling that came from where her heart lies.

Warmth slid down her cheeks, bringing her gold covered fingertips to feel her skin.

Tears, the tears never seem to stop running down her beautiful yet sorrowful face.

Her eyes locked on to her husband, Lucifer—who looked at Lilith with so much affection in his eyes as he held the woman's hand.

‘Why... Why is he looking at her like how he used to look at me...?’

[Y/n] asked herself repeatedly in her mind. Each word got louder and louder on her mind, and each time she did, pain became more apparent to her internal voice as she asked herself in anguish.

‘Move... I need to leave... Move [Y/n]!’ she cried to herself, her mind screaming for her to leave. To save herself from even more heartbreak.

Yet, she remained still. Eyes fixed on the two.

Her hands slapped over her mouth to prevent sobs from escaping her plump and soft lips, eyelashes fluttering and glistening with tears. Warm sunlight filtering through the strands of her eyelashes, making the redness around her eyes more prominent.

Dull [e/c] eyes blankly staring at the two—her husband and a different woman.

Despite its dullness, her eyes were filled with anguish.

Tired, dull, and swollen.

No longer bright, hopeful, and happy. It's now filled with sorrow, and unimaginable heartache. Something an angel like her shouldn't feel. Yet, Lucifer Morningstar made that possible.

[Y/n] watches as her husband caresses Lilith's face, so affectionately.

Something she didn't experience from him lately.

“You're so beautiful.”

She heard him mutter to Lilith with a voice that carried so much emotion, it was enough to shatter her heart to tiny million pieces.

Finally gathering enough strength, she finally released herself from where she stood. Finally allowing herself to move, flying away swiftly and discreetly.

A single feather was what was left of where she once stood.

She arrived at her shared home with Lucifer, quickly locking herself inside their bedroom.

Her body slouches against the door as she slowly slides down to the floor.

Painful sobs left her lips, shoulders shaking as she buried her face into her hands.

‘No, no, no, no, no... I must be seeing things... Lucifer can't just fall in love with someone that easy...’ she laughs to herself, voice cracking and trembling as she did so.

Shaking her head as she desperately tries to make herself believe her own words.

“This must be a misunderstanding, that's right... I'll ask him when... When he comes back...”

She says to herself, voice lowering to almost a whisper.

‘That is... If he comes home...’

She thought sadly, supporting her shoulder on to her knees, burying her face into her arms. Strands of her hair falling off to the side of her face,  framing the heartbreaking picture of the face that belongs to a heartbroken angel.

‘He can't just... Leave me like that... He can't just break our vows.’

She thought to herself, her hands rubbing her sides for comfort.

She only has herself to comfort herself, her husband isn't here after all.

“When he comes back, the two of us will have a proper and mature conversation... I hope.” she says to herself weakly, picking herself up from the floor. Knees tremble from the weight of her emotions, chest filled with pain and heartache. She can barely breathe, she wonders if she was still breathing.

She felt like a walking corpse.

Wiping her eyes with the sleeves of her dress, the soft material of her dress providing comfort to her swollen and aching eyes.

She dragged herself across the room, finally approaching the full length mirror just by their closet.

She can see how much of a mess she is. Eye bags underneath her eyes, tear streaks evident on her cheeks, her hair a mess. Pale skin and chapped lips from severe dehydration from how much she cried.

‘Is that me...?’ She asked herself, finally processing what she's seeing, finally coming to the realization that the figure in the mirror is her own reflection.

She can barely recognize herself, she doesn't look like that. She doesn't remember looking so tired and so... Sad and pathetic.

‘This wouldn't do, I don't want Lucifer to see me like this..’ she thought to herself sadly, the face of Lilith flashing in her mind.

Lilith, the first ever human woman. Of course, someone as beautiful as her would be someone Lucifer would fancy.

[Y/n] couldn't help but compare herself to the woman. Lilith has bright and blemish pale skin, hers were a sickly kind of pale.

Lilith has bright and hopeful eyes, hers are dull and sad.

Lilith has a beautiful and blemish free face, hers are tired and dark bags are underneath her eyes.

[Y/n] shakes her head, getting rid of the negative thoughts that filled her mind.

“Stop that, Lucifer loved you just the way you are.” she says to herself, yet doubt was evident in her voice.

‘Loved. That's right, he probably doesn't love me anymore.’

She shakes her head once more, ‘Stop that, he hasn't told us that yet... So I shouldn't say something like that...’

‘I'll just clean myself first, make myself presentable. In case he ever comes home.’

She says to herself, dragging herself to the bathroom to freshen up.

He never came home that day.

She lies on their shared bed, coming to that realization as the clock finally hit one in the morning. The bed was cold and lonely, the warmth that was usually beside her isn't present.

Closing her eyes, allowing the tears to glide down her pale cheeks, the tears staining the pillowcase of her pillow.

Past memories flash on her mind, memories of where Lucifer and her were still happy and in love.

“You are my best friend, the love of my life... I am so lucky to be called yours.” Lucifer says to her, kissing her forehead.

They were still teens in love, young and stupid but in love.

“You are so cheesy, stop saying cheesy things you're making me flustered.” she giggles as he twirls her around, bits of the clouds around them fluttering due to their movements.

Lucifer giggles, dipping her effortlessly and presses his forehead against his, “But it's my job to make you flustered, darling.”

She giggles, pink dusting her cheeks, “I love you, Lucifer.”

“I love you too, darling.”

She cried herself to sleep that night.

She sat on the couch of their living room, the early sunlight filtering through the large windows of their home, giving their home some warmth. The warmth makes her forget the coldness of her skin and the numbness of her heart.

Her head whipped to the sound of the door being opened, lo and behold, her husband finally came home.

Her eyebrows furrowed, eye twitching. She was aching to snap at him but she took a deep breath and calmed herself down.

“Lucifer, where have you been?” she asked softly, voice cracking and trembling in each syllable.

Lucifer flinches, jumping slightly from surprise. He was surprised to hear his wife's voice. He didn't expect her to be awake so early in the morning.

He gave her a nervous smile, “Darling, why are you awake so early?” he asked, [Y/n] just continuously tapped her feet against the marble tiles.

“Enough of that, I know you have been spending time with that human.” she says softly and Lucifer's eyes widened, avoiding his wife's eyes because of guilt.

“It's part of my job, love—”

“Stop lying to me, Lucifer Morningstar.” she snaps, eyes glaring at him, “I didn't know telling her that she's beautiful is part of the job? Might I also include... Caressing her face? Was that part of the job? Tell me, Lucifer...”

“Are you tired of me...?” she asked softly, and Lucifer's eyes saddened.

“No, no, no... I can never be tired of you...” he says softly, he's unsure if he's lying to himself or not. But he desperately tries to believe that he's not tired of her. Yes, he still loves her... Right?

He doesn't know the answer to that.

“Then why...?! Why are you spending the majority of your time with her?!” she screamed, her voice filled with anguish as she grips her hair. She swore she ripped some strands but she's too much in pain to care.

Lucifer's eyes widened, surprised by her outburst.

“Because I'm trying to make her feel better because Adam hasn't been good to her and I hope you can find it in your heart to care for her just a little.” he says softly, remembering the things Lilith told him, how Adam was mean to her.

[Y/n]'s eye twitch, the nerve. Why would she care about her?

“Why would I care about her?!” she asked angrily, and Lucifer frowned, “Because I care about her.” he says honestly, annoyance evident in his voice.

“Morning, noon, and night I care about her, yet you cannot spare a single sympathy for her.”

[Y/n] was taken aback, the first time sensing such hostility from him. Her husband defending another woman when all she ever asked from him is his time, some time for her.

“I'm just asking why you're spending so much time with her! I am your wife, Lucifer... I need you too!” She exclaimed, her voice cracking in anguish, “You're barely home anymore and it's getting unbearably lonely in our house, I missed you so, so much... Please.. I need you.”

“For heaven's sake, [Y/n]... Lilith just existed and she's scared and confused and Adam is also not treating her right! She needs someone.” He sighs, blue eyes looking at tired [e/c] ones, he would've asked for her forgiveness for his tone, but he was blind with the sense of duty towards Lilith. He couldn't think straight. Neither of them can.

“So stop being selfish, I'll come back when you have cleared your head, okay...?” he says softly yet a tinge of sharpness in his voice, turning around to leave, his heels clicking against the marbled tiles in each step he took.

The sound of the door clicking as he closed it brought her back to reality.

Her legs gave out as she fell into the cold hard marble floor, kneeling like heaven's first ever sinner. Her sin? Falling in love with heaven's most beautiful angel.

Blinking, she tries to process what just happened.

She and Lucifer just had their very first fight, and she doesn't know how to process it.

‘Azrael was right, I really don't know him at all.’

She thought to herself sadly, wiping her tears with her wrist before a broken sob escaped her lips once more.

She was left alone crying to herself in an empty, cold, and lonely house.

Days passed by, both Lucifer and [Y/n] were ignoring each other, unsure how to approach the other.

[Y/n] remained unmoving in their bed, all alone and cold. It's been so long since she last took care of herself.

“I feel so tired and weak... Heaven's... I feel like I'm about to pass out.” she murmured weakly, turning around to look at the empty spot of her shared bed with Lucifer, to see the said man to be nowhere in sight. He hasn't been home for a few days now.

‘I am so tired... Maybe I should rest for a bit...’ she thought, her eyesight blurring from the lack of sleep, she kept waiting for Lucifer's return but the man was nowhere in sight.

She sighs sadly, her eyes drooping without notice.

She passed out.

She doesn't know how long she was asleep but the moment she woke up she was in Azrael's house, the man told her that she was asleep for days.

And also told her about the fall of both Lucifer and Lilith.

She still couldn't wrap her head around it, refusing to believe it.

Azrael sighs, taking a seat at the edge of the bed of where she was lying down.

“It's true, he and Lilith gave the apple to Eve... I'm afraid work is going to get much harder now that evil exists.” he spoke softly, eyes saddened as he looked at the downcast female.

He's wondering if this is the right time to tell her...

“And another thing... [Y/n]...?” he calls out softly to her, she looks at him with not a single light on her eyes.

“What is it...?”

“You're pregnant.” he says softly, [y/n]'s eyes widened.

“What...?”

[Y/n] gasped loudly as she sat up on the bed, her head whipping around to look at her surroundings.

She's back in her room, weren't she in hell before?

Her breathing was uneven, placing a hand over her chest to calm her fast beating heart.

‘Why now...? Why did the memory have to come back now...?’

Tears were cascading down her cheeks, pitiful sobs leaving her lips.

“Mom...?” a soft male voice calls out, the door to the room opening, the head of Xavier peeking through the small opening.

The boy's eyes widened when he saw his mother crying on her bed.

“MOM...?! ARE YOU ALRIGHT?! ARE YOU HURT SOMEWHERE?!” he asked, immediately rushing to his mother's side, kneeling beside the bed.

[Y/n] shakes her head slowly, “I'm alright, I just got a bad dream...” she admitted softly, small hiccups leaving her lips.

Xavier's [e/c] eyes softened, grabbing a clean handkerchief from his breast pocket that he hasn't used yet, using it to wipe his mother's tears away.

“Do you wanna talk about it...?” he asked softly, his hands gently dabbing the soft cloth on [y/n]'s face, making sure to dry her tear stricken face.

“A little bit...” she says softly, smiling gently towards her son. Her eyes saddened even more, Xavier really looked like Lucifer.

“That's alright, don't pressure yourself mom.” Xavier spoke softly, standing up so he could sit at the side of the bed, leaning down to give a kiss on his mother's forehead.

She nodded and took a deep breath, “I dreamt... About your father.” she says softly and avoids her son's eyes.

Xavier's eyes widened, his shoulders dropping but decided not to speak and allowed his mother to talk.

“I dreamt of the past, how happy me and him were used to and now... I don't even know anymore.” she laughs bitterly.

Xavier's hand clenched slightly before relaxing, “It's not your fault mom...”

“I know.”

Xavier sighs softly, “Mom...?” he calls out softly to her, [Y/n] hummed.

“I think we need to talk about him now, it's a long overdue topic.” he says softly to her and she flinches but sighs.

He's right, she's been avoiding this topic for so many eons. It's time to talk about it.

She sighs softly, “You're right... I think we should.” and Xavier smiled, proud of her. He always has been.

[Y/n] remained seated on her bed, thumbs playing with each other. Xavier has already left to do his usual routine around the house.

Their conversation about Lucifer has already ended, she told him everything about what happened. Told him why she loves him so much and what he did to hurt her.

She told him how she and Lucifer were together for how many years before marrying each other, she told him the things that he did that made her love him.

And she just can't let go of her feelings for someone that she loved for so many eons. It's not that easy.

Even after all these years, she can't forget.

[Y/n] sighs softly, her hair cascading down to her face, framing the shape of her face perfectly. She turned her head to the side to look at the window, she could see the large backyard forest-like garden.

Knock, knock, knock.

Her head whipped in the direction of the knock, she turned to look at the door to see Michael standing and leaning against the door frame lazily.

Her eyes widened ever so slightly, “Michael... What are you doing here??” she asked softly and Michael sighed as he entered the room and closed the door behind him.

“I came as I heard what happened, are you alright?” he asked worriedly, taking a seat at the edge of the bed. [Y/n] smiled and nodded, “Yes,I feel slightly a lot better now.”

Michael smiled though, his eyes still held a tinge of worry in them. He sighs, “[Y/n]... Do you want to stop this mission and let someone else do it?” he asked her softly and [Y/n]'s eyes widened.

“I am perfectly capable of doing this, Michael... Don't worry too much about me.” she says softly and Michael sighs once more.

“I'm just worried for you, everyone is.” he says sternly and [Y/n] frowns, “I know but I can assure you that I'm fine with doing this...”

Michael sighs once more, clearly already used to her stubbornness.

“If you say so,” he says softly before looking back at her once more, “—but if it's suddenly too much for you, don't hesitate to tell me okay?” he says sternly to her.

[Y/n] giggles softly, a small smile on her face, “Yes,I'll keep that in mind.”

Michael smiled and gave her a single nod, “You better.”

Michael's eyes widened, snapping his fingers as he seems to remember something, [Y/n] tilted her head at him, confused.

“I just remembered, Gabriel said she was gonna visit later.” he says deadpanning and [Y/n]'s lips tightened into a flat line, she gave Michael a deadpan, “Yay... I can't wait.” she says unenthusiastically.

Michael laughed softly and ruffled her hair, “I'm sure it wouldn't be too bad.”

“She's gonna lecture me again about how men are shit.” she says deadpanning at him as she remembers the times Gabriel kept on lecturing her about how Lucifer was just a man.

“That is so real, love that for her.” Michael says, nodding.

“Michael, you're a man.” [Y/n] says with a small smile while shaking her head with her eyes closed.

“Am I?”

[Y/n] turned to look at Michael... Who's now a woman now. She deadpanned at him, “Really?” She asked sarcastically with a small smile, Michael laughed out loud. His laughs reverberated around the room.

“I think I look gorgeous as one.” he says sassily, flipping his long blond hair behind his back.

[Y/n] giggled and Michael smiled, proud to make her happy.

“You're so silly, try wearing a maid dress next time.” she suggested playfully at him, giving him a wink.

“Don't push your luck.” he says deadpanning at her and she just laughs, holding her hands up in defeat, “Okay, okay... I won't.” she says in-between giggles.

He smiled and ruffled her hair, “Alright, alright... You seem to be feeling much better now,” he says standing up, giving her a small smile, “—I'll head out first, I still have some work that are needed to be finished.” he says with a long sigh.

[Y/n] giggles, “Alright then... Don't push yourself too much okay?” she says softly, her eyes looking at Michael with worry.

“I won't.” he says and she deadpans at him, “I know you're lying.”

“Shush.”

“I'll see you later, [N/n].” he says with a smile, [Y/n] smiled at him, “I'll see you later, Michael.”

“It's Michelle.” he says sassily once more, flipping his long blond hair dramatically making [Y/n] cackle, “Right... Michelle.. lmao.. I'll see you later, Michelle.” she says in-between snickers.

“Laterz girlfriend~” Michael says sassily as he left, transforming back to his male form as he did so.

[Y/n] was left alone in her room, but this time... She was laughing thanks to Michael.

© LXKE 2024; please do not steal, translate, or repost my works as your own.

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[lovelytsunoda]

beautiful girl (stay with me) | jake 'hangman' seresin

summary: the three lit jack-o-lanterns in their bay window shouldn't have been the lightscape to their sweetest, purest intimate moments, but hey, what happens on halloween stays on halloween.

pairing: jake 'hangman' seresin x girlfriend! reader

warnings: 18+ only, smut ahead! jake is a tender lover, fight god, not me, for he made the man and his mother raised him well!! sex on a couch. could be considered slightly exhibitonist but i dont really think so. two people in love wanting to make each other feel good.

author's note: i know this makes it two jake fics in one collection....but i saw this prompt and literally no drivers came to mind??? i feel real burned out with f1 right now and part of my rebrand is to establish myself as a writer for other fandoms that i enjoy, even though i know that f1 will always be my ride or die <3

as the last of the nights trick-or-treaters (this group mostly rambunctious high school students trying to make the most out of their last eligible free candy year, she guessed) descended down the interlock driveway, past jake's pickup truck and around her petite volkswagen, she began to bring the pumpkins inside, setting them down in her bay window. jake had already drawn the drapes, and was all to ready to lock the door.

they were barely able to go ten minutes along in their movie before the doorbells rang to interrupt, and while it irked them both greatly, y/n was more than happy to hand out little bars of twix and mars and kitkat to the neigbourhood children.

"they're gone." she said softly, fighting a yawn as her eyes found the little digital clock next to the flat screen television. "they stayed out later this year. weren't we finished by ten last year?"

jake rose from the couch, wrapping his beefy, warm arms around his girlfriend and holding her close, swaying softly from side to side. "they're getting smarter. when i was that age, i knew that the later i came, the better my chances of getting to run off with the whole bowl of chocolate were."

"so what i'm hearing is that you never stopped being a menace?" she laughed, lightly scratching the back of his neck with the tips of her press on nails. they were designed to look like blood dripping down her fingernails, but it had been a fight to keep them on all night.

"oh, babe, i've always been a menace." jake grinned, leaning in to kiss her softly.

call him insane, but fall always turned jake seresin into a sappy man. something about the way that the leaves changed color and his girlfriend looked cute in scarves and plaid.

"you look radiant this evening."

she raised her eyebrows. "i'm wearing beetlejuice pajama pants and a crop top with no bra, there's a zit on my chin and i only brushed my hair once today."

grinning, jake kissed her forehead before cupping her face in one of his large hands. "you always look radiant to me, y/n."

"you're such a sap"

"only for you, darlin'."

he kissed her again, broad smiles on their faces as he took her bottom lips in his, hands trailing over the fluffy material of her pants in order to sturdily grip her thighs and lift her into the air. she laughed into the kiss as he spun them around, his arms tucked behind her thighs to keep her in midair as he strode towards the couch, gently placing her down among the mountain of halloween pillows that were strewn across the furniture. a pumpkin shaped pillow from ikea found it's way behind her head, providing skull support while she stared lovingly into jake's blue-green eyes.

"i love you." he breathed, resting his forehead against hers. "happy halloween, beautiful girl."

"i love you too, jake." she giggled, pulling him in for a kiss. "happy halloween, my love."

with every kiss, she felt herself sinking further into the plush couch, jake's body gently rubbing against hers. her legs falling open, allowing the pilot to settle between her thighs. his touch was warm and comforting, and the living room had become quite the sensual environment: the dim lighting allowed the three pumpkins that were still lit to glow brightly from their place next to the bay window, and the orange fairy lights rimming the tv stand blinked calmly in the distance. the end credits of 'halloween ends' played soothingly in the background, 'don't fear the reaper' filling the space.

he nuzzled her neck, the cold tip of his nose sending shivers along her skin.

"how did i get so lucky?" he murmured, softly kissing her pulse point, one arm curling under her back and around her waist. "you are my everything."

she keened into his touch, back arching as she let out a heady moan.

"keep it coming, pretty girl. you know i love to hear it when i make you feel good."

his hands slipped underneath the waistband of her pants, strong hands tracing the outline of her festive panties.

black with orange jack-o-lanterns, if you must know.

"jake." she giggled, squirming under his touch. "baby, your hands are so cold."

jake winked at her. "i think i can fix that." he slid off the couch, striding over to the armchair by the flat screen, grabbing the tv remote from the coffee table on his way, switching the channel from the movie they had just finished to a stingray station playing soft rock. he grabbed the plush blanket from the back of the chair, stripping out of his t-shirt and moving back to the couch, footsteps heavy with purpose.

kicking off his slippers, he returned to his rightful place between his lovers legs, now bare as she dropped her velveteen pants to the hardwood floor. he unfolded the blanket pulling it around their bodies and over their shoulders.

his bare chest was warm against her clothed one, her nipples popping up underneath the ribbed fabric and standing to attention.

"better?"

"much."

"good." he spoke softly, brushing her hair out of her face before bending to kiss her again. one hand skirted over and up her thigh before deftly pushing aside the seat of her panties.

his ministrations were gentle, toying with her entrance. she giggled, squirming at the sensation when he slipped his pointer finger inside.

"atta girl. don't get shy on me, baby. i wanna see you."

there was a faint blush on her cheeks, her arms coming up to loop around his neck. her breathing was heavy as his finger darted up towards her g-spot, eliciting a small moan from the woman underneath him.

"feelin' good, sugar?"

"very." she beamed, leaning up to kiss him, hips canting towards his knuckles.

he kissed her forehead, eyes scanning her face and committing every detail to memory: the faint blush, the sweat beginning to form on her hairline. that sexy part of her lips, the steady rise and fall of her chest.

jake seresin was in love, truly madly and deeply.

"are you ready for me, princess?"

"always" she hummed, fingers brushing through his hair. "make me feel good, lieutenant."

jake smirked. "i will never ever get tired of hearing you call me that. just so you know."

"good." she beamed, leaning up to kiss him. "because i'm never going to get tired of saying it."

still kissing her softly, jake reached under the blanket, under his plaid flannel pants, pushing them down messily until they were gathered around his ankles and driving him absolutely mad with the thought that he would have to stop showering his girlfriend with love and attention in order to properly take them off (so obviously, he just decided to let them keep annoying him), so he could withdraw his aching member.

her thighs were coated in her slick juices, spilt everywhere from how messily jake had been fingering her and covering the seat of her panties. they were sticky and slick at the same time as jake pulled them down her legs, offhandedly casting them over his shoulder, where they landed on the arm of the couch with a wet thump.

he only teased her a little bit, rubbing the head of his cock over her entrance a few times before sliding in gently. her body welcomed him, fitting around him like a glove. she gasped in pleasure, arms tightening to pull him closer as her legs slid up his body and over his torso, her slightly dry toes caressing his spine as she settled in against him.

he closed his eyes and took a deep breath, mentally counting to ten. "my god, darling. you feel fucking incredible around me. this right here, this is my happy place. just you and me, skin to skin."

she laughed softly, thumb caressing his cheek. he keened under her touch, nuzzling deeper into her hand.

god, he could be such a softie sometimes.

"need a minute, tough guy?"

"i always need a minute, babe. you just feel so good that if i don't collect myself, this won't last very long."

his thrusts were slow and gentle, but deep as he filled every part of her, taking his time to make sure she felt as good as possible. he pushed her legs higher up his body, adjusting the angle in a way that rewarded him with a moan of his name.

"jake, oh god." she moaned, tugging gently on his hair. "you feel so good, baby. making me feel incredible."

"that's my sweet girl." jake smiled, kissing her neck as his hands massaged her thighs, hips still moving slowly, but with force and purpose. he could feel sweat dripping down his blonde locks of hair, falling, falling, falling to his lover's shirt, soaking into the fabric.

the plush blanket would soon feel too warm, body temperatures rising as he rocked into her. her fingernails scratched at the skin on his neck, moans exchanged into heated kisses as her hips canted upwards, trying to meet his thrusts.

"atta girl. take what you need from me, darling. that's what i'm fucking here for. to make you feel so so good." jake growled, nipping at her bottom lip. "i fucking live for it."

neither of them were quite sure how much time they spent on the couch that halloween night, baptizing it in their love. somewhere along the line, they lost the blanket, and jake was finally able to kick his pants off all the way.

and once they were certain nobody was outside and could peer in, they shifted positions, jake's back against the couch with yn perched on top of his lap like some kind of angel, her head pulled back as she whined, little ah, ah, ah's that made him feel weak in the knees while she rode him slowly, his hands placed gently on her hips to guide her.

"fuck, jake." she moaned, fingers trailing down to play with her clit. "i think i'm gonna come."

jake sat up straighter, pulling her body closer to his, pressing his naked form against hers, holding her tightly as he started to grind against her, his movements meeting hers.

"atta girl. almost there, come on baby. i've got you. jake's got you." he coaxed and cooed, doing his best to get her there.

she gasped, burying her face in his neck as she felt the feeling start to overwhelm her, the band in her stomach snapping. she moaned his name, almost falling limp in his arms as his fingers took over her movements, easing her through it to the best of his ability, feeling her release wash over his thighs. he came with a small groan and a curse, gently thrusting his hips up and allowing himself to spill inside of her.

god, he could get high off this feeling. (and it had taken them a while to get there, conversations riddled with little anxieties before she had agreed to let jake hit it raw, something he vowed never to take for granted. because her trust and her comfort meant everything to him.)

they kissed softly, a silhouette in the moonlight and the soft pumpkin glow, his thumbs gently drawing shapes on her skin. "hey pretty girl, why don't we go have a quick soak in the tub, i'll spot clean the couch, and then we curl up in bed and cuddle for a bit?"

she beamed, curling up against him. he was still technically inside her, which was slightly awkward now that his dick had softened, but he still wouldn't trade this soft moment of intimacy and love for anything.

"sounds magical."

yeah, this was definitely jake's best halloween ever.

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[petday]

I make fandom art I make porn I make stuff that makes me miserable and I make stuff that makes me happy and I follow all the advice online but still nobody likes my art. I know it's good art and im not insecure about my talent level but no matter what I post or where I post it, nobody wants to like or interact with my art at all. I know people see it I know people are scrolling past without acknowledging what I make and it fucking sucks. I don't have friends to share stuff I make with and nobody online cares clearly. What do you do when nobody likes you or what you offer.

Good question. This response involves some of my history. I try to talk about my experiences at a comfortable distance. But please skip to the 'Solutions' part if you're bored.

My thoughts below:

It's painful. I have a lot of memories of high intensity pain due to no one engaging with me, at school and online. 'If I live in the same world as others, but it still feels like I am in a world with just myself, what is the point of trying to make things? Sure, I will feel better about myself as I grow, but I've still got no one to grow with, so I am just talking to myself. Amusing myself is fine, but I want to reach a level of fun above amusement, a level that others seem to reach so naturally.' 

In fact, maybe you are less 'outward' with your emotions, but as a child and teenager and young adult, there was a lot of screaming and crying and thrashing about 'not being granted the ability to make things others will seriously engage with me about.' 

(The pain remained after making a few friends during teenage years. The pain's attitude shifted slightly to accommodate this new life change of gaining friends. Much later, even after I became an artist with a large visible number of 'followers/people interested in something you make', the pain shifted its shape around this life change again. "People make bad assumptions of me because I have a big visible number in my profile and most websites do not give me the ability to hide that number." Summary: If your pain/frustration still remains after you gain a friend or find people who engage you, don't beat yourself up. Emotions don't work in such a way that the outcomes you desire are only guaranteed to make you happy and no other emotions will rise.)

Although I loved to look at art on websites since I was a child, one may assume I enjoyed the community aspect. I did, but only as a spectator for the vast majority of the time, since age restrictions and the harsh attitudes that exist to 'prevent the weak from touching the strong' was present in many of the sites I visited. Similar to how children get frustrated when another child cannot keep up with their play, but the child that is 'left out' can still enjoy watching other kids play from afar. It makes perfect sense to me these feelings will always exist in the world no matter what 'social media' websites people invent.

Anyway, two solution attempts in succession I tried over long-term:

1. My first attempt at a solution was immersing myself in a fantasy world I created in my mind and I held my imagination in high esteem. "I know my imagination takes influence from the things I read and admire, so it's not such a lonely world anyway." Creating episode lists of imaginary cartoon episodes and such, so dedicated to something I hardly told anyone about. It felt good. But my friends had original characters too, and they could describe their personalities and dynamics to others naturally and quickly, likely due to their earlier experiences with 'communicating ideas to others.' I was quiet and envious. Although it was fun to play with the imaginary characters in my head, I decided to take another step. Of course I could not simply go back in time to gain the similar social experiences my friends had. But I could use that desire to 'go back in time' to 'go forward in time' and gain the experience.

2. Engage in others first. Because I spent a long time in my imagination, I felt more secure about myself, so I wanted to extend the feeling of 'caring about my own work' to 'caring about others' work on an equal level.' The internet allows you to assess people before engaging to see if your compatibility might be okay. If someone had posts that resonated with me, I tried to say 'hello, I like what you posted/I like your drawing because [...]' Even if the contact ended there, it was a good practice. Gently communicate with people over time. Especially since I am sure there are people who rarely receive questions about their artworks who would love someone to engage with them as well. Of course do not do this in a 'pity' sense – you have to genuinely find something that 'touches your heart' and if the artist seems to not get much curiosity in regards to their art, you can go ahead and try to express your curiosity to them. Keep posting whatever you like, but if you engage with others, you may find someone engaging with you without even expecting it, and that is fun.

(I think society should practice finding genuine value in things they like even if they see nobody has touched it. Not pity, but removing the "does anyone else like this? If I see no one else liking this, it must be a bad thing to like, so I won't engage" attitude. Some of my favourite artwork has maybe 5 visible 'bookmarks/favorites' on an art-focused website.)

[hypewinter]

You know Duke doesn't get nearly as much love within the dp x dc fandom as he deserves. That man has as much potential as the rest of them and to prove it, I give you the following scenario we see a lot of:

Danny as Duke's brother

Danny reincarnates because after a long time as a full ghost, he wants to experience living again. The only problem is that he reincarnates to some pretty crappy parents. They never wanted him and they make it blatantly obvious. Luckily, Danny's best friend and his family are incredibly nice. They celebrate his achievements when his parents are too drunk to care and let him sleep over all the time. One day Duke's parents make the sleepover permanent and Danny never has to go home again (it isn't until years later he learns the Thomas's persuaded his parents to give up their parental rights).

Thus begins Danny's life as the second Thomas son. And honestly life starts going pretty good for Danny. Who knew having healthy and loving parents would do such wonders on Danny's development and mental health? But then tragedy strikes. Their parents disappear and the two are placed in foster care. Duke reassures him that everything will be fine. That they'll stick together no matter what. But Duke keeps disappearing at night. He claims he's looking for their parents, but he never lets Danny go with him (This is to protect him). And suddenly all of Danny's unprocessed trauma from this life and the last comes flooding in and he gets this intense urge to keep Duke in his sights at all times. So he becomes Duke's shadow.

He sneaks out after Duke and gets back before he does. He makes sure to keep just the right distance so that Duke doesn't notice him but he can also jump into action if need be. Anytime Danny loses sight of his brother, he panics. He practically goes feral until Duke is in his sights again. Danny is determined to keep his brother safe. He doesn't want to end up all alone anymore. He wouldn't be able to handle it.

As time passes, Danny begins to believe this will be their new routine. Him constantly chasing after Duke. Constantly worrying if this is the day he'll be left all alone. And things only get worse. Because it turns out their parents were jokerized and there's nothing to be done about it. So Danny's hope that one day he could get his perfect little family back in dashed on the rocks. Then Bruce Wayne comes and offers to foster them and Duke agrees but Danny silently doesn't.

He knows who Bruce Wayne really is. He knows that he's training his brother. He knows that he's taking Duke away from him. He knows there's nothing he can do about it. So Danny sinks even further. He stops following Duke around. Then he stops going outside all together. He starts pushing everyone away (that way it'll be easier when they eventually leave him).

Meanwhile on Duke's end, he notices his brother pulling away. He noticed for a while actually. He just thought that Danny was having a tough time during this transition period so he gave him some space. But then Danny keeps shutting people out and so he starts taking things a little more seriously. Duke starts trying to coax Danny out of his room. He tries to get him to talk about his interests again. But all he gets is angry lash outs instead. Finally Danny says something that makes Duke angry and a massive confrontation ensues. This of course leads to a heart to heart confession time and finally Danny opens up. He spills everything and the two brothers embrace in a tearful heart to heart. We end with Danny slowly starting to interact with the others at Wayne Manor (And getting some much needed therapy too).

Whether Danny joins Duke on patrol is up to you