#outstanding really

[eybefioro]

Wait a minute...

I knew I recognized that from somewhere lol

[crowlixcx]

A bullet catch, lovely.

[god-i-hope-so]

Everyone at Harbor knows that the few times Tommy brings his own lunch/dinner and that it smells extra good, it means he spent the night at Evan's. And they all try to get him to bring extra portions so they can have their share.

Everyone asking him if he goes to see Evan at the end of his shift so they know if they have to put some pressure on Tommy so he brings something on his next shift.

Maybe we need an episode with a Station Chef contest or whatever.

[aflawedfashion]

Maura & Jane | Rizzoli & Isles 1x06

[ruby-red-inky-blue]

watching Liam O'Brien do a spectacular fantasy!German for dozens of episodes has impressed me so much and yet nothing could have possibly prepared me for the man starting to sing, of all the songs, "Laurentia, liebe Laurentia mein"

the immersion! if you reached to the very back of my memory there'd be like ten folk songs there and this one, which we used to have to sing at 7:00 in the morning on choir retreats while doing squats for all the weekdays, would definitely be there. it's a silly ditty you've heard somehow exclusively in childhood, it's a little game song for children. If all else was tainted by your later life that song would probably survive, it's perfect

[bumblingbabooshka]

I hate when Chakotay is watered down to be Janeway's yes man because their disagreements are actually very interesting. [A lot of rambling analysis of this debate in particular below]

Chakotay in Parallax is very interesting in that he has to navigate a lot of different dynamics. Balance a lot of plates while being watched keenly by everyone around him. Immediately preceding this scene we see him ask B'Elanna for her opinion on the bridge - both as a chance to show her knowledge in his bid to make her chief engineer (because she wouldn't get a chance to otherwise as Janeway has clearly indicated that at this point she views B'Elanna as a troublemaker who won't be considered for the position) and because he just thinks she's a better engineer than Carey and wants the best possible chance of them succeeding. Janeway sees this as unacceptable. Carey is the chief engineer and so he should be called and Chakotay NOT asking for his opinion is an insult to Carey, Janeway, and might make the crew doubt Chakotay (and by extension the Maquis') loyalty to the Starfleet crew.

At this point it seems that to Janeway integration ["They're not your people"] means the path of least resistance, specifically tailored towards the Starfleet crew. She wants Chakotay by her side to keep the Maquis crew calm but also seems unwilling to consider them for important positions aboard the ship. Though she says that the Maquis are not Chakotay's people, not his crew, she certainly doesn't seem to consider them hers [Compare this to later instances where she stresses 'our' crew, here she simply says they aren't Chakotay's: Whose crew are they? Are they crew at all?]. This less leaves the impression of "We need to be a cohesive team" and more "You're not in charge here." She essentially accuses Chakotay of playing favorites. In her mind Chakotay's actions are not conducive to integrating the crews which would (again, in her mind) mean the Maquis being docile and accepting, obedient and content - not making trouble for the Starfleet crew. Chakotay counters Janeway's accusation with one of his own: That he IS trying to integrate them into the crew but her not allowing the Maquis any opportunity to prove themselves or succeed, not showing any trust in any of them (except, implicitly at this point, him) is making things difficult. At this point the Maquis crew are ready to mutiny on his word at any time. He knows this for a fact. Aside from that looming threat (the threat being that tensions are high and if nothing changes and they remain high there might be a mutiny even without his word) - Chakotay knows these people and trusts them. Though Starfleet and Janeway think of the Maquis as a violent bunch of criminal terrorists, Chakotay and a good number of the Maquis joined because they believed in the cause they were fighting for. These are people Chakotay knows WILL fight fiercely for what they believe in and conversely, AGAINST what they perceive as injustice. Even if they're not in the majority - they're used to picking fights which seem impossible to win. At this point Janeway admits that she ISN'T making it easy for Chakotay to integrate the Maquis - specifically talking about practical concerns; how she doesn't feel she can let Maquis crew have roles of importance on the ship because they lack the ability to hold them. "They don't have the discipline, they don't have the training," - asserting that they just aren't prepared for any such roles and it doesn't have to do with them being Maquis specifically. Ostensibly, she's treating them as she might treat anyone unqualified for the job.

Chakotay maintains that some of them, like B'Elanna, have the ability to be trained - challenging her point by saying that IF they're trained there's no reason for any Maquis member NOT to be given a more prominent role on the ship. He isn't suggesting they just unqualified people important jobs. If the problem is that they aren't trained, let's train them. These people have the ability to succeed if you give them the tools they need and a fair chance, he insists. Janeway then switches gears and her argument becomes not "The Maquis are untrained so they can't be given those jobs" but "The Maquis crew are unworthy of those jobs when compared to Starfleet personnel" saying that it'll cause insult and upset among the Starfleet crew if any member of the Maquis were to be promoted above them. Again, her idea of integration is based more on Maquis subservience to the Starfleet crew than it is the two crews working together. (Not that I believe she looks at it that way, it's just where her 'path of least resistance' leads) - though she accuses Chakotay of being too focused on "his" crew, she is admitting here that she believes her real crew are the Starfleet officers aboard, not the Maquis. She also admits here that the system she wishes to maintain (and is asking Chakotay to enforce) is one where there will ostensibly never be any chance of a Maquis crew member being promoted because no Maquis crew member will ever be more qualified, more worthy, than a member of Starfleet. We can see how it'd be difficult for Chakotay to convince his crew to remain calm under these circumstances. There's also Tuvok's behavior toward him at the beginning of the episode where the Vulcan nearly goes over Chakotay's head and when he doesn't do so (as Chakotay reminds him that HE'S the superior officer, the First Officer in fact,) Tuvok acts as if him backing down (partially) and conceding (partially) to Chakotay's authority is a favor to Chakotay.

Tuvok in this conversation is downright insubordinate to Chakotay. Despite Chakotay being the first officer, he doesn't take what he says seriously, argues that his own opinion on what should be done should be followed rather than Chakotay's, lectures the first officer about his conduct, and then almost seems to threaten him with a report. In Starfleet's rigidly hierarchical rules, acting like this to a superior officer (ESPECIALLY the first officer) wouldn't be tolerated and Tuvok knows this perfectly well. He isn't a rebellious character and clearly in other episodes adheres to these Starfleet hierarchies and codes of conduct very strictly. He values them highly. But Chakotay, a Maquis, shouldn't be First Officer. Why should he be given respect for a title he didn't earn? [Affirming Janeway's argument about how Starfleet officers won't be eager to follow a Maquis senior officer] Even though Chakotay tells Tuvok off for it ["I don't have to explain myself to you"] he doesn't threaten to put Tuvok on report or explicitly mention his insubordination. It's unclear if this is Chakotay's personality or if he just doesn't feel he CAN do that. Tuvok is one of the three most senior officers aboard and very close to Janeway. Chakotay has to think of the optics of any situation at all times - we see seconds after this conversation that rumors have already started swirling around B'Elanna being relegated to quarters that've fanned the flames of mutiny. Though we know Tuvok has personal reasons for behaving the way he does toward Chakotay (which he later admits), I really don't think it'd be out of the ordinary for this to be how most Starfleet personnel would treat the Maquis if they weren't outright hostile: Like they're only pretend crewmen. To a lesser extent we even see this with Janeway: In the following staff meeting, she clearly doesn't consider B'Elanna a viable option when Chakotay brings her up and almost ignores the suggestion entirely.

It also, again, leaves Chakotay in an impossible position. If he doesn't protect and fight for the Maquis crew, they won't ever be considered a true part of the crew and dissatisfaction will likely spread among them. Dissatisfaction which the Starfleet crew will then use to further label the Maquis as insubordinate, uncontrollable, unfit. Not to mention that if he doesn't advocate for them, he might lose their trust. However, if he DOES try to help the Maquis crew advance the Starfleet crew will view this as 'favoritism' and will further distrust him, won't respect the people he puts forth as worthy. Janeway seems to be intent on not advocating for any of the Maquis crew and also seems unwilling to ask that the Starfleet crew grant leniency. She implies that the Maquis crew need to learn to get in line and keep quiet and it seems almost like [we must remember the optics] she has Chakotay as the only Maquis in a position of power to facilitate that. Chakotay recognizes and pushes against that, saying that he won't just be her token Maquis - there only so she can point to him and say "See? We don't discriminate against the Maquis here." effectively a tool used to shut down any arguments of unfair treatment and a tool to quell the Maquis if any talk of mutiny DOES arise. In this model, Janeway can just tell Chakotay to calm them down and they'll listen because they trust him. She also doesn't have to really listen to anything he says: A token First Officer has no authority; his words don't hold weight. [Chakotay isn't Maquis anymore, they aren't his crew anymore - ok. What is he then? What are they? Nothing, without respect.] This plan seems untenable, as much as Janeway frames it as sensible: "I can't make it easy, Commander. Surely you can understand that," and alternatives as impossible "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" - in the long run, how would this be sustainable? In any power structure, you cannot expect a group of people you're unwilling to grant trust or agency to obediently follow you forever. This proposed form of 'integration' in which the Maquis are kept on the bottom rung and told intermittently to stay there quietly by the only one of them granted permission to stand at the top would never be sustainable - especially with a group like the Maquis who again, were founded on the belief that its members should fight against inequity and are already on the verge of mutiny.

I specifically find the statement "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" to be interesting because personally I'd say that being forced together for the rest of almost everyone's natural life is a pretty good reason to ask people to adapt and Janeway does understand this but only applies it to the Maquis - the Maquis are the ones who have to adapt, not Starfleet. The only thing the Starfleet crew have to do is tolerate their presence on board.

At this point Janeway again claims that if Chakotay can show her a 'qualified' Maquis candidate she'll consider them. I believe this is true but we already know that Janeway's standards for qualification will likely not fit the vast majority of the Maquis and Chakotay ignores the claim in favor of putting forth B'Elanna again, firmly. Janeway predictably dismisses her as unqualified and Chakotay disagrees, arguing that he knows her. He's worked with her. He KNOWS that B'Elanna can excel at the job even if she doesn't meet Starfleet/Janeway's qualifications. He doesn't value those qualifications over what he's observed about her - just as he didn't value Carey's title over what he knew about the gap between his and B'Elanna's abilities. Then, Chakotay switches gears. He admits that Janeway's right - he does view the Maquis as his crew but that's because Janeway (almost self admittingly) doesn't and if he doesn't, who will they have? [What kind of captain, kind of man, would he be?] "You're going to have to give them more authority if you want their loyalty." "Theirs or yours, Commander?" Janeway frames Chakotay's words pointing out the flaws in this plan which I outlined earlier, as almost a threat (if she doesn't have Chakotay's loyalty it'll most definitely mean mutiny). Chakotay asserts that it wasn't a threat, he's only trying to help by telling her how the Maquis crew will react to what she's telling him. "I'm sorry you can't see that" - not an apology for what he said but that she isn't willing to budge, not willing to listen to him and acknowledge that she might be as biased towards her crew as he is towards his. Chakotay is trying his best to acclimate his crew but if Janeway isn't willing to do the same, to talk to her people as he's talking to his, then this will not end well and that isn't a threat. It's just the reality of the situation. He then asks permission to leave, showing he is willing to observe Starfleet protocol (just as when he asked permission to speak freely), and Janeway lets him go, exhaling at the intensity of their debate when alone in her ready room.

[bcbdrums]

FINISHED.

All 113 chapters. Finished.

I loved it.

[zagreuses-art]

Chapter 1: Putting the commander to bed (also posted here on AO3)

I am starting a series of sketches based on scenes from "Putting the Commander to Bed" by Judin on AO3, which is a fantastic fic that I have been rotating in my head since I first read it. I hope to do one for each chapter, and maybe a full illustration for my favorite chapter. We'll see how it goes!

[ID: a pencil sketch that had been digitally colored showing Vetinari leaning over a sleeping Vimes and resting a hand on his neck. Vetinari sits on the edge of the bed, Vimes is turned away from him and looks troubled, the room is in shades of blue with highlights of orange from the light coming in from a crack under the door. Vimes's armor is discarded on the floor. End ID]

[rabbits-of-negative-euphoria]

I am returned! Crazy things happened on hiatus, and here is a play-by-play:

Spent the bulk of September with our dogs at my great-aunt's lake cottage (which is a 15-hr drive from here), due to the abundance of birthdays this month.

Shortly after arriving, I got a cold from my sister, which as per usual, turned into bronchitis, which lasted the entirety of the vacation (I still have the cough).

Around midnight on the eve of our departure, I had a gallbladder attack (first one since early spring).

Except it was way worse. Like, I couldn't breathe, couldn't speak, couldn't even cry.

Called 911, got in the ambulance, and the pain suddenly vanished in the space of a minute.

The wee mountain hospital didn't have imaging equipment beyond a CT scan and the Dr. was like "If the pain is gone, you shouldn't expose yourself to that much radiation" (which I appreciated)

My labs were normal, so we conclude this must've been the passing of the gallstone. Big, if true.

I take hydrocodone and we all go to sleep.

In the morning, my mom and sister pack my stuff for me and my parents and I drive the 15 hours back home so that dad can make it to a job interview the next day.

During the last 45 minutes of the journey, my mom's very very old & frail chihuahua experiences a sharp decline in his already poor constitution.

I'm knocked out on hydrocodone, but my dad is up all night with the dog, and in the morning, he takes him to the vet to be put down.

My mom is devastated, this dog was adopted to be her bedside companion during chemo twelve years ago.

My dad's interview goes well.

I still have bronchitis.

Two days later, my sister (who stayed longer at the lake house to clean up) drives back to her home in Southern GA, but for hurricane Helene reasons, the highway is closed and she gets lost.

She finally makes it home to find her power is out, for hurricane Helene reasons (it's still out)

Three days later (last night), I have another brutally painful attack (clearly I'd NOT passed the stone), so my parents drive me to the ER.

Am able to get an ultrasound there, which confirms I still have either many gallstones or one huge one, but my labs are still normal.

Unfortunately, this makes sense because I underwent some rapid drastic weight loss after my attack in the spring.

ER Dr. thinks my pain is instead being caused by gastritis for genetic reasons (which reminded my mom that as a teenager she passed out at work from gastritis).

He prescribes me a trio of gastritis drugs.

I'll be going to a trusted functional medicine doctor next month because my dad got the job (an amazingly good job, praise God) and we can afford it at last. My hope is that this Dr. can point to causes beyond genetics for the gastritis and also get rid of the stones once and for all, even if that means going on Ursodiol.

My dad's new job requires him to move to the Middle East in three weeks.

Oh, and my personal Instagram account (which was about to become the cornerstone of my small business) was inexplicably terminated during my hiatus and I have no means of getting it back besides writing to the state Attorney General.

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[gemkun]

i really hope mr reca is as batshit insane as the trailer made him out to be

[dribs-and-drabbles]

Other bls:

Person A: "Can I kiss you?" Person B: "Yes."

I Feel You Linger in the Air:

Jom: "You have a really sweet mouth." Yai: "How do you know? Have you tasted it?" Jom: "Well, I'm going to now."

[nowerewolves]

Your honour, I have a crush on her!! 🗣🗣🗣

To celebrate my unhinged binge of my favourite new podcast Canada By Night, please have @delborovic's character Val Miller!!

[crehador]

brother crab's winter 2024 parting thoughts: majo to yajuu

GUIDEAU MY MOST BELOVED SHE/HE/THEY GUYGIRL OF ALL TIME I LOVE YOUUUUUUUUUUUUUUU

I MUST ONCE AGAIN STRESS THAT THESE ARE THE SAME GUY:

ok so first

banging beginning and banging finale to this season, the show as a whole as some really fascinating worldbuilding (the most fascinating of which we only got to in the final minutes of the final episode) so i really hope we get another season sooner or later

the middle was a little less memorable to me but at no point did i feel overly disappointed or bored, it wasn't always outstanding but it was consistently enjoyable and entertaining to me

but now back to guideau

GUIDEAUUUUUUUUU WHAT A CHARACTER!!! i will be using his pronouns interchangeably bc it is what she deserves uwu (tho tbh i do not think guideau would ever give a single fuck about pronouns and that is a huge part of what i love about them)

it's almost a shame that one of my favorite guideau scenes only came in the last episode, he's pissed at a witch who fed her some stew that she can't stop thinking about and wanting more of

so she confronts the witch all like "UNDO THE SPELL YOU PUT ON ME" and the guy he's traveling with has to gently explain to them like "guideau... do you think you maybe just... liked the soup..."

speaking of the guy

looove his eyes, love the way eyes in general are drawn in this series in fact. also love his voice morikawa-san absolutely killed it and i'm thrilled we will continue to hear him this season in the omegaverse anime (lol but no seriously)

ashaf is overall such a striking character to me, not just in terms of his appearance but his whole demeanor and everything. i feel like we haven't even scratched the surface of who he really is or why he's like that yet, so i hope we get more story to flesh that out

i think ashaf and guideau work so well together as the main pair (not necessarily in a romantic way, bit more on that later) because their personalities are just perfectly complementary. it made the middle... i dunno, detour? to phanora feel a bit, i dunno, just misplaced. i actually really enjoyed phanora and johan too, but their story just felt more like an ova and less like it belonged smack in the middle of this season? anyway

absolutely obsessed with the final scene of the season where ashaf says there's still one thing he wants to teach guideau, and that that's love. LIKE HELLO??? ironically this actually made me ship them romantically less, because i really enjoy the idea of this being a sweeping notion of love. nothing so constrained as romantic love, but love for the world, for others, for soup! and for guideau themself

i would love to see more of this animated because the cast is amazing, but if it doesn't get a continuation i'll definitely pick up the manga (probably once it's finished... hopefully it'll be finished...... we'll see)

[goldenhand9107]

i love this show dearly, i really do (halfway through season 3, we’re so finishing this tonight) but the cast really is just

random tv actor you’ve never seen before,

random tv actor you’ve never seen before,

random tv actor you’ve seen in like one other show,

random tv actor you’ve never seen before,

TWO TIME ACADEMY AWARD NOMINEE ANGELA BASSETT,

and random tv actor you’ve never seen before.

it’s honestly kinda hilarious