#outlander season 3 trailer

[thetruthwilloutsworld]

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Spoiler Trailer Outlander Season 7 Episode 16

A Hundred Thousand Angels

Season Finale

YouTube TV Promos

Posted 3 January 2025

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[writingquestionsanswered]

I’m currently trying to write/outline a romance novel. It is starkly different from 3 act structures, what plot outlines/structures would you recommend for romance? Do they usually have 2-3 conflicts? For characters, especially for a normal romance, what are the goals usually, isn’t it just to find love or is that too 2d/flat? I can’t find any external/internal conflicts online, some external ones are available, but yeah, mostly unavailable. What are a few examples and what do external/internal conflicts mean in silly romance novels that are not so deep and intense as general fiction? Stuff on this topic are very scarce, sadly. I’d love ur perspective on this! Thank you in advance, love!!

Outlining a Romance Novel

Romance novel structure depends on the type of romance you want to write. Straight up romance revolves around two people meeting and falling in love. There is usually an external conflict against which this romance plays out, which provides the necessary tension, conflict of interest, fodder for misunderstanding, and other obstacles and challenges that create a bumpy road on the way to true love. However, this external conflict is in full service of the developing romance.

A great example of this type of romance would be the romance movies you see on Hallmark and Lifetime. Here's a trailer for a random one, but fair warning that this trailer gives everything away, so "spoiler alert" if that matters to you...)

In Bottled with Love, Abbey and Nick meet when they're forced to work together on a project at the company he works for (where he's the CEO's wayward son.) The project (and their subsequent butting of heads) is the external conflict against which their romance plays out, but the focus is on the development of their relationship, not on the actual project. This story also has the added internal conflict for both characters, which is the "pen pal" relationships they both have going on secretly in the background, which adds additional conflict later on. Lately, romances that play out against genre conflicts are also popular. Like traditional romance, the romantic couple is still central to the story, but unlike traditional romance, the external conflict is given a lot more weight. And, there are usually internal conflicts for the main characters as well. A great example of this kind of romance is Outlander. I'm sticking in the season one trailer, but fair warning... there are glimpses of scenes with violence, nudity, sex, and SA:

In the case of Outlander, Claire and Jamie meet when she is transported back in time from her home era of 1945 to the past era of 1743. In addition to the external conflict of Claire wanting to get back home to her own time, there's also an English officer (who turns out to be an ancestor of the husband she left in 1945) who is determined to make her life difficult. And, the first few books also play out first against the conflict between Scottish highlanders and the British occupiers. And, you can also have a combination of the two, where it's still a straight up romance, but it plays out against a genre background. In this case, the genre-related external conflict is still minor compared to the development of the romantic couple:

In the case of the first and third example, there are very specific romance beats you'll want to hit. A really popular structure template is Gwen Hayes' Romancing the Beat. The Dabble web site and the DIY MFA web site also both have romance structure templates, and there are certainly others you can find via a general search for romance story structure. In the case of the second example, you will want to hit a lot of those beats, but you'll be weaving that into a story structure for stories with a plot-driven element (like Save the Cat! Writes a Novel or the Three-Act Structure.) Just remember, in all of these cases, you don't have to follow a template to a tee. They're just there as guidelines to help you navigate and plot your story. With romance, though, you do want to make sure you hit the important romantic beats.

As for some of your other questions:

Do they usually have 2-3 conflicts? Most romances have both internal and external conflict. Then, there may be multiple external conflicts if you do a story like Outlander which plays out against a genre-based backdrop and has an external conflict related to that genre.

For characters, especially for a normal romance, what are the goals usually, isn’t it just to find love or is that too 2d/flat? Romance beat sheets will clarify this for you, but yes, if you do a traditional romance, a "happily ever after" is the goal.

What are a few examples and what do external/internal conflicts mean in silly romance novels that are not so deep and intense as general fiction? Examples #1 and #3 provide an idea of what the external and internal conflicts can look like in traditional, straight up romance. External conflict in romance usually happens one of two ways: the protagonist leaves their "normal life" and ends up in a place where they meet the love interest. Or, the love interest gets dropped into their "normal life." Some examples:

-- protagonist leaves their big city job to visit their small hometown for Christmas

-- protagonist leaves their small hometown to attend a friend's destination wedding in Rome

-- protagonist leaves their stressful office job and takes a job a bakery that desperately needs a manager

-- love interest is the new partner on the protagonist's work project

-- love interest is the popular new photographer showing up at the weddings the protagonist plans/coordinates

-- love interest is the new supplier for the bakery the protagonist manages

As for internal conflict, it works the same as in other stories. The internal conflict is usually something that is keeping them from moving forward in their lives. Sometimes, whatever it is that brings the love interest into their lives is a result of them trying to break out of that rut. Or, it could be that however their life changes as a result of meeting the love interest is the thing that helps them get out of that rut.

I hope that gives you some direction for how to come up with conflict ideas and how to structure your story!

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[wildwren]

Okay favorite new themes after first listen:

Estrid - Definitely at the top of the list, the Hardanger fiddle is so heart-wrenching and the way the tune plays with scales offers a slightly sinister edge to an otherwise tender and romantic composition. The way it ends (on a more sinister note) makes me particularly curious but I love love love, all in all one of the most musically interesting tracks to me on Season 2.

Concerning Stoors - OH I love this so much! Bear's Harfoot theme has always been my least favorite from Season One, mostly because of how viscerally it reminds me of his work on Outlander, but Concerning Stoors is much more musically distinct to me, while still calling back to the textural vibes of the Harfoot theme. Really love the tune here, it evokes a whole new world. The hammered dulcimer sound is *chef's kiss*.

Rhûn - this track is SO sick. The children's choir adds such a unique texture -- polyphonic singing is so underused and it immediately evokes a different vibe from anything else Bear has written for Middle Earth. I love the way the folk instrumentation is layered with more orchestral sounds and how percussion-forward the track is. Also love the way these sounds combine with the Stranger's theme in Sandstorm at the Well.

Forgiveness Takes an Age - I'm basically assuming this is the Ent theme, as we heard an Entwife utter "Forgiveness takes an age," in the trailer. This track also includes Arondir's theme, which makes sense because we know Arondir will be with the Ents. The Last March of the Ents is in my top 3 orchestral themes from the Jackson trilogy, and this is definitely a different vibe but still holds some of that beauty and epic-ness. I really really love the texture in the first section, where the voices and the drums combine in a way we haven't heard before on the soundtrack, and when it opens up into more epic strings, it makes me want to cry!!!

The Last Ballad of Damrod - I wouldn't call this a new theme, but I have a lot to say about it. I know a lot of people weren't super into the vibe when it was first released, but I think this track fucking SLAPS. I also actually really appreciate it in the context of the full soundtrack, it fits perfectly between "Army of Orcs" and "Battle of Eregion," deepening and turning up the volume on the raw energy of the "Nampat" theme. The orchestration underneath also reminds me a lot of the "For the Southlands" theme from Season One, evoking Arondir's fight with the Big Orc. This make sense as we know that Arondir will be facing off with Damrod. Can't wait to have a heart attack! SNAP! GO THE! BOOOOOOOONES!

Special mention of the Where the Shadows Lie/True Creation Requires Sacrifice theme, which is not on its own track anywhere on Season 2, but which comes into play on several tracks, including "Last Temptation," "Emissary at the Forge," and "Cirdan's Perfection," all of which makes sense. I just think it's really cool that ROP introduced this theme in the very last moments of Season One, incorporating it into the Ring Poem, and now have woven it through the entirety of Season Two. Musical storytelling at its best!

okay i need to dive deeper into the new songs, especially Disa's and Gil-Galad's, but these are just my first listen thoughts.

[apex-legends]

APEX LORE DATABASE- SEASON 8

STORIES FROM THE OUTLANDS

Good as Gold

TRAILERS

Season 8 launch- Mayhem

Fuse

LORE BIO

Fuse

MOTION COMICS

Outlands oath

Heirloom

SEASON STORY

Armageddon

COMICS

A single spark, (1)

(2)

VOICELINES

Season 8 location interactions

Fuse interactions

Horizon- Wattson interactions

Caustic- Wattson- Crypto interactions

Mad Maggie announcer voicelines

NEXT SEASON TEASERS

Northstar teaser 1

(2)

(3)

[thewanderingace]

So many trailers released recently!

Outlander s7 part II, Bridgerton s3 part II, Alex Cross, Venom 3, The Umbrella Academy season 4, Moana 2

I AM OVERWHELMED

[thegirlwiththecoffintattoo]

They're Scotch pearls. 

They belonged to my mother. And now they belong to my wife. They're one of the few things I have left of her. And very precious to me. As are you, Claire.

1x07 // 1x15 // 3x?

[tvafterdark]

[don-lichterman]

For All Mankind — Season 3 Date Announcement | Apple TV+

For All Mankind — Season 3 Date Announcement | Apple TV+

In this alt-history timeline, the global superpowers set their sights on the red planet in the newest leg of the space race. In uncharted territory, the competition to land on Mars first is only the beginning. For All Mankind Season 3 lands June 10 on Apple TV+ apple.co/__ForAllMankind Subscribe to Apple TV’s YouTube channel: https://apple.co/AppleTVYouTube Follow For All Mankind: Instagram:…

[geillisduncane]

“I spoke to you of my wife.”

“You said she was dead.”

“I said she was gone... She’s truly gone.”

[apex-legends]

LORE DATABASE- SEASON 7

STORIES FROM THE OUTLANDS

Promise

Fight Night

TRAILERS

Season 7 launch- Ascension

Horizon

LORE BIO

Horizon

SEASON STORY

Family Portrait

Epilogue

MOTION COMICS

A fate worse than death

The truth will set you free

PATHFINDER'S QUEST

All chapters on playlist

The Truth cinematic (not released in this season but is relevant here) REFER TO PATHFINDER'S QUEST WHERE LORE IS CONTRADICTED IN THIS ONE.

VOICELINES

Location based interactions

Season 7 voicelines

INGAME LORE EVENT

Horizon- message

NEXT SEASON TEASERS

Voicelines for season 8 teaser

Fuse teaser (1)

Fuse teaser (2)

Fuse teaser (3)

[heathercat56]

3-08 Outlander trailer

Was only able to watch 3-07 "Creme De Menthe" tonight, but once it was over and we watched the trailer...

The conversation on the cliff with Claire saying, "I'm not sure we should be together" elicited the following shoutycaps from my husband over at his desk (who I thought wasn't even watching):

"BITCH, YOU PASSED THROUGH STONES AND 200 YEARS - YOU GOIN' MAKE THIS WORK!"

[outlanderenespanol-blog]

Outlander S3E11 “Uncharted” Preview. [SUBT. ESP]

Thanks to Outlander America for the video.

[thegirlwiththecoffintattoo]

After the battle at Culloden, a few Jacobite soldiers, all seriously wounded, took refuge in an old house... for two days, then they were all taken out to be shot, but one of them, a Fraser of the Master of Lovat's regiment, escaped execution.

[maximumwobblerbanditdonut]

A great actor into the stars💫 Can’t wait to see it!

The full trailer has unveiled Ed Speleers' mystery character. The final season of Star Trek: Picard premieres on Thursday, February 16, with new 10 episodes. All-new episodes are just weeks away

#Ed Speleers #StarTrek #Picard