#our love isn't an illusion

[lex-n-weegie]

Chapter 7: Fellow Felines

Chapter Summary: Laika soon starts to get to know the other members of the rebellion, along with one of them who isn't too fond of them in the first place

On Twitter we got some new storyboards for old toh episodes and a sleeper agent was awoken in me to write my little heart out. I've already written like 3 pages of the next chapter and I feel like I might be quick to finish it(it's a rewrite of an old fic I did after the S3 E2 dropped, shouldn't be too bad)!

☆♡☆♡S/i uses any pronouns!♡☆♡☆

Writing Taglist [pm or send an ask off anon if you’d like to be added or removed from my taglist]: @amessageonthewind, @nerdstreak, @starlitships, @eggsywifey, @swapthewoz, @queenieboo22

[everymadara]

Chapter 625

[simpforsolas]

Do you ever think about how In Hushed Whispers, we wake up in this dystopian future and our immediate goal is to use magic to find a way back to the world as we knew it? We came across companions who had lived and suffered in this timeline for a year; indeed, it was their reality. Yet while we could relate to them and have compassion for them, and seek to help and comfort them as best we could, when they died it wasn't heartbreaking because to us, they weren't real. To us, it was nothing more than a nightmare of a world that had manifested in the blink of an eye.

Do you ever think about how modern Thedas is no more real to Solas than the alternate, dystopian future was to us? He woke up after thousands of years to find an unrecognizable world filled with oppression and magical imbalance, where the elves he sought to liberate now inhabit the lowest position in society as either slaves, servants, or in poverty. It isn't simply that the world isn't valuable as it is. It's that the world does not feel real. The people in it are disconnected from the fade and so to him, they feel like tranquil. And yet despite this world seeming no more real than a bad dream, Solas still cares about the people in it. He always approves of taking time to help out strangers, and enjoys discussing with the other companions to learn their perspectives and even encourages them during particularly difficult times (such as Cassandra's loyalty crisis with the seekers or Iron Bull abandoning the Qun). He dislikes violence and decisions that take away peoples' freedom. Even though this world isn't fully real to him, he still feels compassion for the people living in it.

And if the inquisitor comes to see him as a true friend or, Maker forbid, falls in love with him, the illusion snaps. The present is no longer a nightmarish dream world. It is real, and the people in it are real. But... so is the world he came from. The memories of that time are still fresh, no more than a couple years in the past to him. They are closer to him than memories of the COVID pandemic are to us. He can surely still remember vividly the taste of foods long gone, the beauty of magic-imbued cities, and the vibrant life of a civilization that was never separated from the fade--which is the way the world was natural designed to be.

This beautiful world that has become lost to time, that exists only his memory, fell because of him. Only he has the power to fix what he broke. But how can he make that choice, when the once dystopian dreamworld becomes just as real as the world he feels duty-bound to restore?

[rockwgooglyeyes]

and in a blink. . . gone.

There's lots of things I could say about Round 7. This might not be my most coherent post ever but c'est la vie.

One of the most palpable things in Blink Gone's video is the color symbolism. The most prominent colors are green and red, with red being symbolised in the line "dark crimson air embraces us, lifting our spirits" and green pulling duty in the earlier line, "the verdant lights tickle my eyes and I smile." The thing that's so interesting about these two colors is, to me, the green represents life/rebellion/freedom in ALNST, especially with the inside of Mizi's hood being green, Hyuna's leg being green, etc, (green being shown when Till reaches out for Mizi, reaching out for freedom/rebellion.) Comparatively red represents something closer to loss/grief/love, with the skies of the meteor scene in Black Sorrow being red, Ivan's pupils being red, the flowers at the Garden being red (my clematis being the song that started it all), etc. (the flashback of the ivantill kiss is red as well, symbolising the loss/grief Till connects to it).

(Additionally, fun fact! I believe that teal symbolises childhood, or even simply the past, in ALNST because of the lighting style caused in the ANAKT garden images casting a greenish-blue tint on the shadows, as well as the fact that Till's eyes are teal and he is one of the people who has clung to the ephemeral, sweet moments of their childhood the fiercest.)

Purple isn't something with as clear symbolism in ALNST simply because it's not been around *as much* but I would argue that it symbolises the system and the oppression it exerts, as well as control in general. Luka's fingers are purple when he's in control of his emotions. The stage in Blink Gone is a combination of purple and green (largely) and I feel as though that represents the war between rebellion and the system (funny that, at the end, purple consumes the stage, symbolising how today, the system won) as well as the undercurrents of control showing how this entire round was calculated from the beginning.

The instruments in the midpoint of the song (the violin and electric guitar) being holographic in universe and being CGI in the video is actually significant, because of something that @alien-til-i-stage said to me, which was, the instruments represented Till's genius and his humanity. In my opinion, the fact that they weren't real and in fact were just stand ins (with Till's being green and Luka's being purple), while the prerecorded instrumentals played anyways, is a taunt, saying that Till and Luka's humanity is an illusion, and all they are in the end, is slaves to the machine. Something that is proved true by the way that this whole fucking round was rigged from the beginning, condemning Luka to a prolonged life within his gilded cage and Till relegated to a mere token, killed simply as a stepping stone on Luka's path to continued life and torture.

Maybe that's why Blink, Gone feels so empty to me, as a round. It rings hollow. Even the instrumentals feel incomplete, the way that the chorus is dominant and the verses are brief, most of the song being the repeated lines of "in a blink, gone" and "the clock goes tick, tock, tick, tock" because, see, to me the repetition is fitting but the more the same thing is repeated, the less substance it has. Perhaps that's fitting, after all, it's gone in a blink, you can listen to the song and blink in surprise once you realize it's over, stunned at how fast it went.

The song itself is about seizing the moment, carpe diem, that sort of shit, but it's from the retrospect.

Someone on twitter (as seen above) mentioned that the song isn't about love, it's about loss. Which makes the hollowness ring all the more loudly. Of course it feels empty- grief is the feeling you experience when you turn to say something to someone and you realize they're not there. (also note how during this still, it's purple but with a red undertone- reinforcing the system of oppression using grief as a tool).

It's about someone from the future, who has been hurt before, trying to insist to the person in the present that they need to enjoy what they have because loss is inevitable. "And I smile, before this piercing, radiant moment fades away," (from when Mizi realizes it's Till on stage) is directly followed by "and in a blink, gone, forget everything and just enjoy it" which is so manipulative it hurts. It highlights a moment of happiness, and then sucker punches you with how fleeting and ephemeral that moment is, basically saying "happiness is pointless, don't dwell on it, enjoy what you have and don't ask for more" it's an authority figure telling you to stop complaining about what you don't have because, hey, look, you have a roof over your head! Who cares if you're hunger, you're not out on the street, ungrateful wretch! "Don't miss the moment ... leave no regrets" the lyrics are more of a slap in the face than they are a heartfelt plea. This isn't someone telling you not to get lost in your head because you're missing out on the beauty of the present, this is someone telling you to stop dwelling on your grief.

Not only that but the later lines of "Exist for me, it's this moment or no," only deepen that manipulation of a hand being held out but that hand having a steep price. You can exist for this person, enjoy this moment, but that means leaving everything else behind and maybe that's easier, but is it worth it? Because when Till finally reaches out, takes that hand, fixates on the moment and forgets everything else, he’s shot down.

Let me come back to the "the whole fucking round was rigged from the start" comment that I just made and breezed past because there is actual reasoning behind it besides "boohoo my twink died and that can't be canon without interference D:"

Why the fuck would Till start flagging in the second half of the song, if he was on drugs that Urak gave him? It doesn't make sense for Urak not to give Till the right amount of drugs to keep him aware and capable for the whole round, after all, Urak wants Till to win. Right? It certainly doesn't seem that way, considering the fact that the drugs couldn't have come from anywhere other than Urak, and that it didn't really matter who ended up here, at the finale, because they were going to lose to Luka anyways.

It makes me think that Urak was paid off, to make Till lose, because I sincerely doubt he would do it without incentive. Additionally, if he weren't paid and he just wanted Till to lose, there wouldn't be any point to drugging Till at all. Till was merely drugged to keep up the appearance of a fight and to keep the performance going, not to actually give him a chance to fucking try.

Not only that but the FUCKING IMAGES OF IVAN??? There's no way that they intended to even give Till a chance of winning.

God I mean I love that Ivan featured (and that Luka went through the trouble to imitate him, and that it worked, because that means that at least Ivan had some kind of effect on Till) but god, it hurts to know that at this point, he's merely used as a bludgeon to whack over Till's head and put him into the grave.

[circuscountdowns]

I love cult of the lamb especially because it is a video game - the romantic interpretations and symbology we can expand on ourselves is great when crafting our own fanons, but rogue likes like this that base a narrative around the mechanics are always so top tier to me. So many of us base our comics/art on how our save goes right?

But the game doesn't have multiple endings, there's clearly only one way to beat the game and still have something to play. But the fact that being able to return the crown to TOWW is even an Option and it doesn't do as it did in the beginning with the Yes - Absolutely choice is so Juicy from a narrative perspective. Because when u sacrifice yourself you kinda just restart the day like it didnt happen! It's clearly the wrong choice in spite of credits!!!!

And I think a lot of us sacrificed once for the beloved cat god but a long time ago I saw someone comment on my comic that they sacrificed their lamb 15 TIMES! and to think about the implications of a timeloop like that ragghhhhhh

A loyal worshipping lamb so so so desperate to fulfill their purpose as TOWW's tool -- they knew from the beginning what would need to happen they're committed they properly know their place and they're a LAMB. sacrifice is in their blood, death is what they were made for -- but they for some reason CAN'T successfully free their god, everything just restarts! How frustrating to have your choice and wants invalidated but now you have to confront the fact that "fate" is straight up saying Hey this isn't the right way--and you have to become a traitor! You gotta bring your god down from his pedestal! No one was made to have what they want! Maybe you shouldn't have wanted it in the first place!

And you can take all that from just one little choice at the end of the game.

I have unfinished comics and writings diving into this idea because its so compelling to me. The illusion of choice in video games is soooo good. Forced time loop until you get it right.

[seriallover]

Why certain people capture the spotlight?⭐️

1. The luminaries, the Sun and Moon naturally draw attention in a birth chart. People with strong Sun or Moon placements tend to light up any room they enter, effortlessly standing out.

Just like everyone loves capturing the beauty of a sunrise or the glow of a full moon, those with these placements have a magnetic energy that people can’t help but notice.

It’s almost like they’re always in the spotlight, which is why they often feel the need to look their best.☀️🌕

Beyoncé, Purva Phalguni Sun, Chitra Lagna and Venus.

Michael Jackson, Magha Sun and Shatabhisha Lagna.

Bella Hadid, Purva Phalguni Moon and Lagna.

There's not much to say about Beyoncé and Michael that isn't already well-known—they're icons in their own right, the biggest stars of our time. Bella Hadid has become the most photographed model off-duty and in 2022, she was named Model of the Year.

Gia Carangi, often hailed as the first true supermodel, paved the way for all the other supermodels that followed. She had a Shravana Sun and Lagnesh, with Hasta as her Lagna and a Shatabhisha Moon.

Britney Spears, Shravana Moon, was one of the most photographed stars for a while. The crazy amount of media attention even led to harassment and really affected her mental health.

Gisele Bündchen, Pushya Sun and Purva Phalguni Lagna, the only "Ubermodel"-that means being more than a supermodel.

Lauren Hutton, Pushya Moon and Lagna, holds the record for the most Vogue covers—26 in total.

I previously explored about how lunar-dominant people often achieve significant success on social media.

2. Chitra Nakshatra, known as the "Star of Opportunity," carries the Shakti of "accumulating merit." The word "Chitra" translates to "wonderful" and "pleasing to look at," as well as "illusion."

The deity of this nakshatra is Tvastar, the celestial architect who designed the universe. The symbol of Chitra is the "pearl" or "bright jewel," symbolizing beauty and uniqueness.💎💍

"Chitra" also means "picture," so individuals with this nakshatra are often naturally photogenic. 📸Tvastar, as the creator of Maya (illusion), grants those under Chitra the ability to craft captivating personas, making them talented models, photographers, actors, and successful on social media.

Kim Kardashian, Chitra Sun, built a career centered on her image. As one of the first influencers, she's become one of the most prominent and influential figures on social media. In 2015, she released “Selfish”, a book featuring a collection of her selfies.

Cindy Kimberly, Chitra Moon and Shravana Lagna, shot to fame because of her striking beauty. Her big break came when Justin Bieber posted about her on his Instagram. Now, she’s a major beauty influencer and a well-known model.

Anna Nicole Smith, Chitra Sun and Hasta Moon, made a name for herself as a model, completely based on her image. She was once one of the most photographed women in the world, and photographers loved working with her, often saying she was one of the easiest and most exciting people to capture on camera.

The thing with Chitra individuals is that, because of Tvastar, the celestial craftsman, their features often become iconic. For instance, Kim drew the attention to the BBL, Cindy’s nose has become a major inspiration for many women, and Anna Nicole brought attention back to curvy bodies at a time when the "heroin chic" look was in vogue, reminiscent of Marilyn Monroe's era.

3. Dhanishtha🌟 Shakti is "power to give abundance and fame," meaning "the most famous," "the most heard of." This nakshatra is recurring in the charts of people who usually marry famous individuals, making them well-known as well, often attracting more attention than their partner.

Princess Diana, Dhanishtha Moon and Magha Lagnesh, was the most photographed woman in the world, holding the record for the most sold-out paparazzi pictures, including one that sold for 6 million dollars.

Marilyn Monroe, Rohini Sun, Dhanishtha Moon, and Ashlesha Lagna, was also one of the most photographed women of her time.

4. Shatabhisha, meaning "hundred stars" and represented by a veiled star and an empty circle, is a nakshatra ruled by Rahu. ⭕️

This nakshatra is associated with illusion, the power to effect radical change, innovation, the foreign, esoteric influences, and trends. The empty circle can also symbolize the idea of a cult or community, like the Navy for Rihanna.

Rihanna, Shatabhisha Sun, stands out as one of the most influential artists and fashion icons. She has consistently set trends in the fashion world, with her style serving as an inspiration to many. Recently, her maternity looks have redefined how celebrities approach their appearance during pregnancy, bringing a stylish twist to the norm.

Demi Moore, Lagnesh in Shravana and Jupiter in Shatabhisha in the first house, set a trend for nude pregnancy photoshoots. At the time, this was quite controversial, but it has since become a common practice not just among celebrities, but also for non-celebrity women.

Elizabeth Taylor, Sun in Shatabhisha, was also a major target for paparazzi. George Hamilton once remarked:

"I remember when the word 'paparazzi' came along, and it just meant a bunch of guys who were all photographers looking for Elizabeth Taylor. Desperately looking for Elizabeth Taylor! And that was the beginning of paparazzi. They were not going for glamour anymore. They were going for the destruction of glamour."

[harunayuuka2060]

MC: *sitting in front of Lucifer, Diavolo, and Barbatos while staring at them blankly*

Diavolo: We're really glad to finally see you conscious, MC.

Lucifer: Please tell us if you're still feeling unwell. *smiles* We can stay here in Demon Lord's Castle for your fast recovery.

MC: ...

MC: *tilts their head* Fast... recovery? Have you never been aware that this body has lost its soul?

Diavolo: We're aware of that fact, yes. But seeing you right now, it means that your soul has found its way back.

MC: *blinks at him* Why would it return? Does it have any reason to?

Diavolo: ...

Barbatos: I'm guessing that there's not-

Lucifer: You love us, MC. Yes. We might've driven you to despair, but we will do everything in our power to fix that.

MC: So you think you can fix a broken glass?

MC: You are... so full of yourself. No wonder this body feels so empty inside.

MC: That I want to shatter it.

Diavolo: I won't allow you to hurt yourself!

MC: Why not? Its previous owner wants the same thing, for this body to begone.

MC: If you're truly concerned about them, wouldn't it be better to follow their wish?

Lucifer and Diavolo: ...

Barbatos: MC- No, what are you?

MC: Nothing. My existence is of no importance. Just allow me to end it so I can be on my way.

Lucifer: That won't happen. *uses a spell to make them sleep*

MC: *their body goes limp as they close their eyes*

Barbatos: Lucifer...

Diavolo: It seems MC is still angry with us. But I'm certain that it will go away just like with Satan's.

Barbatos: ...

Luke: *still cuddling MC* Are you really the MC I know? You're not just an illusion?

MC: *smiles* Yes. It's me, Luke.

Luke: *tearing up again*

MC: Please don't cry. Your eyes are already puffy. *wiping his tears away*

Luke: Will you never leave again? I see that you've become an angel. D-Does that mean father has given you another chance?

MC: ...

MC: *masked their expression as to not worry him* Yes. Isn't that wonderful?

Luke: Hm! *finally smiled* You look great as an angel, MC!

MC: Thank you, Luke.

Raphael: I've failed to catch them.

Michael: They must've found a secure place to hide.

Raphael: ...

Raphael: You don't seem to be worried now, Michael. Why is that?

Michael: MC is still an angel. Sooner or later, I would be able to feel their presence and they could never hide from us again.

Raphael: ...

Raphael: Once we see them, I suggest that you finish what needs to be done.

Michael: Hm? Why, Raphael?

Michael: What's wrong with having a little bit of fun?

Raphael: ...

Mammon: You told us that MC finally woke up and now you made them sleep?!

Lucifer: I had to. MC is not in their usual self. I'm only trying to protect them.

Levi: We understand that, but... Is that an enough reason to make them stay in the attic?

Lucifer: That is the safest part of the house.

Belphie: *feels sick hearing that, but he doesn't make a comment*

Lucifer: All of you, when MC wakes up, pay heed no mind to whatever they say.

Asmo: What does that mean?

Lucifer: ...

Lucifer: *holds their cheek and caresses it with his thumb* They are unwell.

His brothers: ...

[joeys-babe]

Joey B Blurbs: Girls Night

————————————————————————-

Summary: girls' night out with a couple of the other WAGs and you wear something that you'd usually never wear out. It was only ever worn in the confines of your and Joe’s bedroom just for him. He wasn't home when you left, but he sure was there when you got back.

(Part one to - Part 2)

Warnings: illusions to smut, jealous Joe

Pairing: Joe Burrow x reader

————————————————————————-

*Off-season before the 2023-2024 season.*

(y/n’s pov)

“Wait so does Joe even know that you’re here, or did you tell him?” - Tianna

Today the other WAGs and I went out for some drinks as a way to have a big meet-up before our lives solely revolve around our men and football.

It was also a great way to include the girlfriends, fiances, and wives of players in their first season with the team.

After that was over me and Tianna decided to get drinks before heading home.

Tianna Robillard, new Bengals player Cody Ford’s girlfriend is one of the most recent women added to the crazy bunch of amazing women with Bengal boys.

Tianna was so sweet and emitted such great vibes.

“He knows I'm here yeah. He just wasn't there when I left… and doesn't know I'm wearing this little number.” - you

Tia looked over my body to take in the black lace bodysuit with black high-waisted bootie shorts.

“Emphasis on the little. You look really good though, it's super cute. Actually, mind sending me the link?” - Tianna

“Of course!” - you laughed

“Joe doesn't strike me as the type of guy to tell you what you can and can't wear.” - Tianna

“He isn't… but this one’s kinda special to him. He's the only person that's ever seen me in it and it's his favorite outfit that I own.” - you

“I'm sure there isn't anything to worry about, it's not like you're with some other guy while wearing it.” - Tianna

“Yeah, you're right…” - you

“Just chill. It'll be fine. Let's have some fun tonight, starting with me getting another drink...” - Tianna

I laughed at the moment and followed her to the bar, on our way there some whistles were sounded out and directed towards me. Turning around to see who the origin was I found myself asking are they even 21?

Flashing my bright, shiny, big, expensive diamond engagement ring, I was met with a few annoyed groans and one shrug.

“I love it when you do that.” - Tianna laughed

“I love doing it myself. I love Joe with my entire being, it feels nice to show it.” - you

She gave me a warm smile before we grabbed more drinks.

The rest of the night was filled with laughter, stories, and getting to know each other a lot more.

It was thirty minutes till midnight when Tianna dropped me back off at home. I was expecting Joe to be asleep, so when I walked into the house with my heels in hand and he was sitting on the couch I was confused.

“What are you doing up?” - you smiled

“Waiting for you. I didn't know what shape you were in and wanted to make sure you got home and to sleep okay.” - Joe

“Thanks, babe.” - you

“No problem…” - Joe

He leaned back, stretching his back and long arms with a big yawn as I made my way into the kitchen.

I placed my purse and heels on the kitchen counter before shrugging my light jacket off.

“Hey can you throw me a bottle of water please?” - Joe

“Sure. Catch!” - you

Joe sat up and turned around in the direction towards the kitchen and put his hands up to catch the bottle.

As it left my hand and I chucked it, my outfit registered in Joe’s mind, instead of the bottle hitting Joe’s hands it hit him smack in the forehead.

“Oww!” - Joe grabbed his head

“Joe!” - you

I ran out of the kitchen and into the living room to where Joe was on the couch.

His face was scrunched up in pain as he held his forehead.

“I'm sorry, baby. You zoned out on me when I threw it. I didn't mean to hit you…” - you

“Yeah, no shit.” - Joe grumbled

His tone made me mentally wince and I backed away from him slightly. Joe immediately noticed the change of my body language and how the room felt more tense.

I sighed as I stood up, grabbed my stuff, and walked upstairs to our bedroom.

Not long after I changed into a pair of sweatpants and a T-shirt, Joe went to open the door. I heard him cuss under his breath when he realized it was locked.

“Hey, baby? Can you open the door for me… please?” - Joe

His tone seemed slightly pleading, hoping he hadn't messed up too severely. Joe knew I hated it when someone was mad at me, and that I was a raging people-pleaser, so when someone acted slightly mad at me I shut down.

I slowly opened the door and Joe looked down at me with an apologetic look on face.

“Look… I didn't mean to come off like that. I know you didn't mean to hit me, it was my damn fault for zoning out and not catching it.” - Joe

I stared up at him as I chewed on my lower lip, Joe had worry written on his face hoping I wasn't mad at him.

“I'm sorry…” - Joe

“It's okay, I guess.” - you mumbled

“It's not okay, don't lie. I need to learn to stop being such a dick sometimes.” - Joe 

“You’re not a dick, Joey… I love you.” - you

Joe smiled slightly as he pulled me into a hug. His body was warm and his big hands running over my back caused goosebumps.

“I love you too, baby.” - Joe kissed your temple

“Can I ask you something?” - you pulled back and studied his expression

“Of course.” - Joe kissed your cheek

“What gave you the deer in headlights look before I threw the water?” - you

Joe chuckled as he pulled me into his chest, his arm looped around my waist to hold me into him tighter.

He pressed his lips just under my ear and his deep voice whispered into it.

“That black lace on you. You know it's my favorite.” - Joe

“Mmm… you know I love wearing it for you.” - you

“Did you change in the garage or something before walking in then?” - Joe smirked

“No…” - you nervously chuckled

“Oh, so you had something over top of it and took it off to surprise me?” - Joe

“No…” - you

My heart rate shot up when Joe cocked his head to the side and furrowed his brows at me, please don't get mad.

“You wore that out tonight?” - Joe

“Mhm… is there a problem with that?” - You

“No ma'am. I know you're mine, it's just that not every guy in Cincinnati knows that.” - Joe

“Don’t get jealous Joe. I got catcalled once and flashed this pretty ring in the prepubescent-looking guy’s face.” - you

I laid my left hand on Joe’s chest to point out the engagement ring on my ring finger, to which Joe smirked.

“So you did get hit on?” - Joe

“I can't control that, Joe.” - you sighed

“Oh, I know you can't. I’m fully aware of how fucking gorgeous my girl is. Right now I'm just feeling like I need to show you who you wear that shit for.” - Joe

All at once every pulse point in my body set off. God, he hasn't even done anything yet and I'm already turned on.

“Who do I wear it for?” - you

“Me and me only. You understand?” - Joe

“Maybe, but I think you should really drive the point home.” - you smirked

Joe’s big hands grabbed and squeezed at my hips immediately understanding what I was insinuating.

“Be a good girl and go put it back on for me. I'll be waiting out here.” - Joe

“Yes, sir.” - you grinned and bit your lower lip

His hands pulled me flush against him and his lips were rough on mine. Joe’s tongue was gently pushing against my lower lip, asking for entrance. When I parted my lips, his tongue was tangling with mine.

“Joey” - you moaned into the kiss

That's when he pulled away and with a harsh smack on my ass, he grinned down at me.

“Don’t keep me waiting too long.” - Joe

“Of course.” - you grinned and walked into the closet before pulling it out of the dirty clothes hamper.

Joe was going to show me exactly who’s I was.

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Authors note: this ending sucked… part 2 of the real smut??

Request for this fic;

Hope you enjoyed! 💕

[lex-n-weegie]

Deamonne family pride!!!

I made an alt cause when it comes to Darius and Eberwolf, I haven't settled on which hcs I prefer. Seemed easier to make two versions then stress out over it! Darius did the eyeshadow/makeup, Laika did the face paint, and together they painted their own nails and also Hunter's. Eberwolf only wanted face paint

Alts without the text + a list of everyone's flags underneath the cut!, Plus slight rambles about 'em!

☆♡☆♡S/i uses any pronouns!♡☆♡☆

Art Taglist [pm or send an ask off anon if you’d like to be added or removed from my taglist]: @amessageonthewind, @nerdstreak, @starlitships, @eggsywifey, @swapthewoz, @queenieboo22, @in-broken-mirrors, @little-miss-selfships, @little-bullheaded-shit

Laika: Bisexual, Non-binary and Genderqueer, Demi aroace(Same as me!)

Hunter: Bisexual, Trans(ftm), Queerplatonic(somewhere on the aroace spectrum, and Huntlow is a qpr)

Darius: Bisexual/Gay, Genderqueer(he's a mix of masc and fem, so genderqueer fits him)

Eberwolf: Bisexual and Non-binary/Unlabeled (I can't figure out if they would care for labels or not tbh)

Why are most of them bisexual hcs? I just think it'd be really funny if the whole family was bisexual lol (plus projection)

[lamb-bait]

good night, my adorable little lambs.

hope you had a good day, and im praying that you'll have an even better night. which brings us to the topic at hand. night time.

another kink as entered the blog! somnophlia. if you've read my blog, or even skimmed through some of my content - it shouldn't come off a surprise that I enjoy somno sex. now, everyone loves to bring up consent, the thought that my content is about consensual sex. But that's not the case at all. I use intox as a mediator, to give the illusion that they're high and getting aroused, but we both know that's not true. You can justify my posts, my kinks, my depraved mind. If you chose to spend time with me, you should know that I'm going to be using you to fulfill my own lust.

Somno - is the perfect example to exemplify how disgusting I can get.

Let's lay out the stage. The perfect example would be one that was borne from Tumblr itself. Let's assume that we messaged one another, and we're surprisingly close by. A coincidence, and one that we kept in mind as we kept talking. Chatting, discussing our similar interests - though apart from my disgusting thoughts, we didn't have many. But, that didn't stop us. Why would it? We talk and talk and maybe a few months down the line, we dance with the idea of meeting up and hanging out, nothing sexual - purely just to enjoy time together as good friends would.

A 'date', but one between friends. It was nice to be someone other than where I currently live. Going out, to the beach maybe ~ a hike, something that got both of us exhausted. The jokes, the laughs, the playful nudges, it was nice to talk more than just over the phone. And, look at that. We found ourselves in your house as the sun begins to set, ordering pizza? take out? cooking at home? the options were open, but that's not something on my mind. Of course I'm starving, but over something completely different. Deciding on something and eating together, or was a date - maybe a bit more than the platonic one that you may have thought it was, a light flutter in your heart, the sweet smiles we share, and finally calling it a night and splitting up for the first time all day.

Perfect.

We're already tired, or well, you're already tired. I'm quite used to physical exhaustion, it isn't a problem with me. Waiting half an hour, an hour, and then finally getting up. Slowly creeping out of my room and easing into yours, taking in a deep breath of your scent overwhelming the room you slept in. The drool growing in my mouth as the mere thought of what I was going to do to you, how I couldn't wait to remind you of the kind of person I am. Stepping closer, and closer, and finally hovering over you on your own bed. My hand moving to thigh, squeezing it softly, testing how awake you are. Cute. The day must have been really rough on you, how adorable. Adjusting you and spreading your legs carefully, pressing my fingers against your cunt - slowly rubbing against it. Wondering if the faces you're making mean that you're eventually going to wake up.. You haven't yet, smiling as I push against your panties even more - digging the cloth of your underwear inside you, feeling how wet you're getting. The smile on my lips growing as I move my fingers away from you carefully, your hips grinding the air, trying to find my hand again as your lips let out an unconscious whine. Sounds cute, doesn't it?

It is. Especially when I ease your body to be at the edge of the bed, pulling my cock out and stroking it slowly - I'm already hard from touching you, moving my hand to your lips and pushing them into your mouth - waiting for you to drool, pressing my fingers against your tongue and urging your body to salivate for me. I use your own spit to lube my cock, it wasn't enough - but I wasn't in the headspace to care. No, I wanted to feel your cunt make rook for my cock. I wanted to force it to hug it, to feel me throbbing inside you and get even wetter than it was. Pushing your panties to the side and leaning over, spitting carefully against your clit, pressing the tip of my cock against your clit and rubbing it against you, coating your cunt with our saliva before finally urging my cock into your wet little cunt. Finally, pushing - no, forcing myself inside. It was forceful, urgent, but you were too tired to wake up, you were still unconscious, having the filthiest wet dream of your life.

A small look into my little fantasies, but let's be honest. You won't sleep through all that. But it won't matter. Even when you wake up, little lamb, it won't stop me from taking what I want. I'll fill you up, I'll put your face on my hand, squeezing your cheeks and forcing you to look into my eyes. And I'll fucking growl out how pathetic you are for trusting me, if you really thought that I wouldn't rape you just because we spent the day together. Ask if you were that stupid to think that I wasn't going to breed you like a bitch in heat, until you're a fucking disgusting cum leaking, sweat and spit covered, shaking mess in your own fucking bed.

but, this is just a fantasy haha. with love, and insane lust,

- your Shepard

[sadnymi]

The Tortured Poets Department: {Slytherin boys version} A Headcanon.

[Mattheo Riddle-Theodore Nott-Lorenzo Berkshire-Blaise Zabini-Draco Malfoy

The Department: These five delinquents may not be penning sonnets, but they cause enough drama to fill a Shakespearean tragedy. They're the rebels, and champions of chaos at Hogwarts.

The Name:  name, bestowed upon them by Professor Abraxas Rookwood, a man as obsessed with forbidden muggle literature as he was with the Dark Arts, was a cruel irony. Rookwood, with his melancholic readings of Byron and Shelley, saw their broodiness reflected in these young Slytherins, They became the Tortured Poets, their "poetry" scrawled not with ink, but with blood and fear.

The Rules (Unbreakable):

Loyalty is Our Blood Oath: Mess with one of them, you mess with all of them. This unwavering loyalty is their foundation.Betrayal is a fate worse than expulsion. A single transgression could result in a "disappearance," a fate worse than Azkaban.

Secrets are sacred currency: What's shared in the dimly lit corners of the Department stays there. Unless it involves a particularly juicy Ministry scandal, then all bets are off (courtesy of Blaise Zabini's insatiable gossip appetite).

Darkness is a double-edged sword: They embraced their darkness, honing it into a weapon against those who deserved it - revel in darkness too long, and it devours you whole.

Art over Arson: Destruction wasn't the goal. The Department aimed to leave their mark with a touch of twisted artistry.A perfectly sculpted ice sculpture of a screaming victim, a whispered poem etched on a sleeping rival's forehead, a haunting melody tinged with despair echoing through the halls.

No Scars: The mark of a Tortured Poet was discretion. Leaving physical evidence was a rookie mistake. The true artist left only a shattered spirit.

No Outsiders: The Department is a closed casket. New members are hand-picked, tested, and broken before being deemed worthy.

Never Love, Only Possess: Love is a weakness, a vulnerability they cannot afford. Possession, domination – these are the true expressions of power. ( a rule they all broke )

The Members:

- Mattheo "The Mastermind" Riddle:

The brains behind the operation. Heir to a dark legacy, Mattheo possessed a chilling charisma that masked a calculating mind. He wielded curses with grace, his voice a silken threat, capable of weaving hypnotic lies or unleashing venomous truths. Mattheo is cunning and calculating, always two steps ahead with a plan so outlandish it just might work. He's the one who assigns roles and ensures their targets get a taste of their own medicine (or worse).He embodies the darkness, a shadow that chills even the bravest hearts.

Theodore "The Artist" Nott:

With a talent for manipulating shadows, Theo could create phantoms that danced on the walls, whispering secrets and igniting paranoia. brewed potions that twisted emotions and conjured illusions that blurred the lines between reality and nightmare. His signature move: A shroud of darkness that swallowed the victim, leaving them alone with their inner demons. He was also The department's strategist. His mind, as sharp as a serpent's fang, weaved intricate webs of psychological manipulation.He took a perverse pleasure in dissecting his victims, unraveling their secrets with a chilling detachment.

Lorenzo "The Charmer" Berkshire:

The Charmer. Lorenzo's weapon of choice is not a wand, but his silver tongue. He can disarm with a smile and deceive with a single word. Information is his currency, secrets his trophies. He is the Department's siren, luring the unsuspecting into a web of lies. tongue that could weave illusions as real as dreams. His victims, lulled into a false sense of security, often found themselves entangled in compromising situations or facing fabricated scandals.

Blaise "The Blackmailer" Zabini:

Blaise has a knack for finding dirt on everyone and isn't afraid to use it to his advantage .He's the one who gathers intel and makes sure no one double-crosses the Tortured Poets. He was the Shadow Dancer. Elusive and acrobatic, Blaise was the Department's phantom. He could infiltrate even the most secure locations, leaving behind unsettling calling cards – a misplaced object, a cryptic message scrawled on a dusty window pane.

Draco "The Distraction" Malfoy:

Draco was the prodigy, a master of forbidden spells before he even reached adulthood. His talent fueled a quiet arrogance, but his loyalty to the group was undeniable. He was their muscle, the unleashed storm of magic when subtlety failed.He saw emotions as a map, effortlessly navigating the labyrinthine corridors of fear and hope.

◣━━━━━━━━━━━━━━━━━━━━━━◢

The Tortured Poets Department existed in the shadows of Hogwarts, a clandestine group teetering on the edge of sanity. They were not poets, but dark artists, sculpting fear and pain into a twisted form of power, a chilling testament to the allure and danger that lurks in the human heart.

◣━━━━━━━━━━━━━━━◢

[12triceratops]

Where the rubber meets the road.

These two didn't just have a relationship, they had a (soul)utionship. "The Prophecy" Hand on the throttle Thought I caught lightning in a bottle...

What these two had was magical. There is no debate that Karlie Kloss and Taylor Swift were electric: (I am using past tense for the moment, I will refer to them in present tense a bit later in the post)

Fast forward a decade later to Fortnight. This record did not hit me immediately the way "Folklore" and "Evermore" did, It has almost been a week since its release and I hadn't been fully onboard with TTPD. I was expecting something different, something not familiar and I had quite literally thought maybe Jack Antinoff and Taylor Swift had reached their limit together as collaborators. The music produced by Aaron Dressner had flavors and connections to "Folklore" and "Evermore," while parts of the album was reminiscent of "1989." My next thought that maybe the three of them had done all they could do.

And then the Matty Healy conversation exploded across the net (le sigh), and I just about gave up on the record.

I damn near had a sanguinary struggle within myself over The Tortured Poets Department (I know, that is very dramatic lol), and then I finally got it. The brilliance of this woman is unmatched.

The last song "The Manuscript." Now and then she rereads the manuscript Of the entire torrid affair

"The entire torrid affair" meaning the last decade (probably longer, but I am sticking with 2014-2024). The title isn't lost on me and many others - The Man-U-Script.

The last segment of the song

The only thing that's left is the manuscript One last souvenir from my trip to your shores Now and then I reread the manuscript But the story isn't mine anymore

She is closing the chapter on all of it. It's over, the countless theories, the stories we all have created about her. They're our stories now, we built them into a formidable, monstrous entity that took on a life of its own. "The last souvenir" are her words to us on this album. From the Swifities, to the Gaylors/Kaylors, to the haters, critics, industry, fans, media. She won't play this game anymore. Taylor gave enough clues on this album to make EVERYONE'S theory plausible (Karlie, Joe, Matty, Travis, Harry, Kim etc). She connected threads to come full circle, which brings us back to "1989," that 1980s syth-pop (hello! "I Can Do It With A Broken Heart"). This is why she and Jack Antonoff brought us back to where it all began, Karlie Kloss and #Kissgate (Dianna Agron, too, who can forget "Wonderland). Aaron Dressner summons moments within this records of the two albums that fractured my soul, F & E. That folky-pop melody that gets into your skin to change the DNA. No joke, I sobbed listening to "Folklore" and "Evermore."

With TTPD, Taylor comes in like a thrashing, tumultuous storm; at times seething and others admonishing. She is singing to herself, for herself and without need of approval from the mainstream radio (or anyone else). TTPD is messy, too much, not enough, vulnerable, real, relatable and she is tired of our collective shit.

Back to "The Manuscript" This Era has come to an end and she is leaving us with the ruins, the aftermath of what she went through: being forced to hide who she really is, having to placate the rabid fans who believe the stories of every boy she has ever dated. She has had zero privacy and the only safe place Taylor has ever had was her music, she is the ONLY one who knows to whom she sings. Does she love her fans, of course, but Mother is tired and done. She is ready to come clean and live the life she has crafted to keep in secret in order to protect the innocent.

The beards, NDAs, slight of hand, she is smashing all that we know. It's not her reflection she seeks to shatter, it's the illusions. In "Fortnight" the nurse, a woman (cannot convince me that it's not Karlie. A doorframe is 6'8" and that nurse is about 5" shorter that frame, which would make that person 6'3" :), comes to save her, gives her the key to set her free. The men in the video are the ones who are torturing her. Like the last 10 years, The poet has been tortured by the department of men: Joe, John, Conner, Jake, Harry, Calvin, Tom, Joe, Matty, Travis, Scooter, Scott, and the list goes on.

It's "Robin" that has got a choke-hold on me.

Buried down deep And out of your reach The secret we all vowed To keep it from you in sweetness

She is singing to a child, a kid, and I am going to say a little boy. Is this song about Levi? I am going to say yes. Hands down the gem of the album, and our cue to realize she is telling us what is next, her family, the loves of her life: Karlie and the kids. That is what she wants and that will be her next chapter. We struggle to interpret the Taylor that is always ten steps ahead of us. Her Eras Tour, this will be the last one for a while. Once it has wrapped, I wouldn't be surprised if she disappeared for a spell. Will she produce more work, sure. Perform, probably, but this last decade has taken a toll, and this tour has been a herculean effort. Hence, its wild success. Could she retire (FLORIDA)? It's possible, but she would never tell us, we would have to figure that out for ourselves.

I have more to say, but it's late and I am sleepy. As I get lost in the piano of "The Manuscript" I am reminded of the book "The Seven Husbands of Evelyn Hugo"

Not sure if anyone is going to see or read this, but I needed a place to write my thoughts about this extraordinary album that I almost let slip through my fingers. Good night and sleep well everyone <3

[mystique-maria]

"Was it casual now?" Tom Riddle x Reader

--------------------------°•♥•°-----------------------------

Tom and y/n have known each other ever since they were paired in their Potions class during their third year at Hogwarts. They both came from the same house and they're both feared and intimidated by the other students, whether they're in the same year or house as they are.

But behind closed doors, the two casually hook up with each other. Spending the nights in each other's company, blowing off some steam by fucking whenever they're stressed from their academics, and of course, he treated her like she's special unlike with everyone else.

He treated her as if he would give the whole world to her

Though, y/n slowly falls in love with him as years go by, her longing and simple infatuation for him grows into something more.

She has grown to love him. But she couldn't help but grow weary from the way that he's treating her lately. Abandoning her in the aftermath of their sex, not sparing her another word or glance as he left the room in a haste.

Both Tom and y/n decided to meet at the Astronomy Tower, though he seems oblivious of what she truly want to discuss with him. He walks inside the room and walks towards her, placing an affectionate kiss on her forehead as he always do.

She can feel her heart hammering in her chest as he looks at her. It feels as if her words are all stuck in her throat at that very moment.

"Tom, can I ask you something?" Y/n reluctantly asked and Tom silently stared at her as he nodded. Silently motioning her to continue.

"What are we?" She asked, her heart anxiously waiting for his answer. Though, it feels as if the fates are playing a cruel joke on her as he only laughed, a cocky smirk on his face as he looked at her direction.

"We have nothing special, y/n. Stop filling your head with all the fantasies you've read from your books."

Y/n stands frozen in her place at his words. She's in complete disbelief at what he had just said. She couldn't speak as she's still in a state of shock.

Casual

That's all they have, and here she thought that it has turned into something special.

She clenched her hands in a tight fist, holding her tears back from falling. Keeping a calm composure despite feeling like she's about to break any moment.

Tom watches her, a nonchalant look on his face as he observed her. A smirk still plastered on his lips as he leaned against the stone wall, arms crossed in front of his chest.

"What? You couldn't handle the truth, Y/n?" He asked, his tone mocking and uncaring. "I thought you were smarter than that. And yet, here you are, thinking our arrangement has turned into something else."

"Is that really all I am to you?" She asked, sadness slowly crept to her face as her facade slowly broke.

Tom's smirk faltered slightly, a flicker of surprise in his eyes as he heard her question. He didn't think she'd ask him that.

He pushed himself away from the wall and walked closer to where she stands. Closing the distance between them as he approached her, standing in front of her, towering her figure. He placed a hand on her chin, tilting her head up to meet his sharp gaze.

"Isn't it obvious, y/n?" He asked, his voice low and smooth. "It's all part of the game. I play your little fantasies to entertain myself."

She loves him. All this time that she loves him, she's been nothing but a mere plaything to him. It was all a dream.

She can still remember everything vividly. The way he would make love to her, the feeling of his touch against her skin, the words they exchanged as they made a deal to devote their lives for one another, the way his eyes glimmer with adoration for her, as if she hung the moon and the stars for him.

It's all nothing but an illusion.

"Then why would you speak to me as if I mean something to you? You told me that you're mine just as I'm yours, Tom. We made a promise to each other..." Her voice seems to falter as her tears begin to fall, the cruel realization slowly sinks in her mind.

Tom's jaw clenches, irritation flashing in his dark eyes at her words. Though, he couldn't deny the truth in her words.

"You're just a toy to me, y/n." He said, his voice was cold and lacking any emotion. "I keep you around because you're convenient. You're easy to manipulate, and you're easy to throw away."

His grip on her chin tightened, eyes narrowing at her. "You can't seriously believe I would ever have feelings for you. You're just a puppet to me. And a very gullible one at that."

He let go of his grip on her chin, glaring at her harshly before storming out of the Astronomy Tower. Leaving her alone and left with nothing but their memories. She knows that things between them will forever change after this night, a part of her even regrets confessing to him.

But she knows that she will never regret loving him. No matter what happens between her and Tom, loving him will never be something she's going to regret. Even if they parted ways, Tom will always have a special place in her heart.

[venusiancharisma]

Bad Luck/Karmic Placements in Synastry

Aspects & Overlays that may indicate someone's natal energy brings about bad luck, bad karma, or a new karmic into your natal energy. This is a topic I channeled because of my fascination with Neptune. As most of you know, aspects with Neptune can create illusory and fanatical connections in synastry and while most of us are just romanticizing our situations because something feels "fated," we may actually be doing ourselves a disservice by following a karmic, blindly, not realizing it's an illusion. Obviously, Neptune isn't the only indicator of these themes but it is the planet that I was interpreting when I became inspired to put this out there. Or maybe your situation trends more on the side of meeting someone you're head over heels with BUT ever since you started talking/dating, you've had nothing but bad luck and blockages meet you at every turn. I myself have experiences both, numerous times. I have accounted for the incidents and in reference to my knowledge of Astrology, I plan on giving you the most obvious signs of these red flags, hidding in plain sight!

Saturn Aspects: Challenging aspects (conjunctions, squares, oppositions) involving one person's Saturn and the other person's personal planets (e.g., Sun, Moon, Venus, Mars) can indicate areas where responsibilities, limitations, or challenges may arise. While these aspects can be demanding, they often present opportunities for growth and maturity. Saturn Square or Opposition to Personal Planets: These aspects can bring tension and challenges to the relationship. The Saturn person may impose restrictions or limitations on the personal planet person, which can lead to feelings of frustration or a sense of duty and responsibility. It may feel like the relationship is demanding and requires effort to overcome obstacles. However, these aspects also provide opportunities for growth, discipline, and maturity. Saturn Conjunct Personal Planets: When Saturn is conjunct a personal planet in synastry, it can create a sense of seriousness and commitment in the relationship. The Saturn person may take on a mentorship or authoritative role, and the personal planet person may feel a strong sense of responsibility toward the Saturn person's goals and values. While it can be challenging, it can also lead to long-lasting and stable relationships if both individuals are willing to work together. Saturn Square or Opposition to Venus: These aspects may indicate challenges in the area of love and relationships. The Saturn person may bring a sense of duty, responsibility, or practicality to the Venus person's romantic inclinations, which can lead to conflicts or feelings of emotional restriction. However, over time, these aspects can lead to a deeper commitment and a more mature approach to love. Saturn Square or Opposition to Mars: These aspects can signify challenges in the way the individuals express their desires and passions. There may be power struggles or conflicts related to assertiveness and action. While this can create tension, it can also lead to growth and better communication if both parties are willing to work through the challenges. South Node Aspects: Aspects involving one person's South Node and the other person's planets can suggest karmic connections or unresolved issues from past lives. These aspects may indicate patterns that need to be acknowledged and transformed. South Node Conjunct Personal Planets: When the South Node of one person is conjunct (close to) the personal planets (Sun, Moon, Mercury, Venus, Mars) of the other person, it can suggest a strong karmic connection. This connection may indicate that the individuals have shared past-life experiences that need to be addressed in this lifetime. While this can bring up unresolved issues, it also offers a chance for healing and growth. South Node Opposition Personal Planets: Opposition aspects to the South Node from personal planets can create a push-pull dynamic in the relationship. The individuals may feel a strong attraction and a sense of familiarity, but there can also be challenges related to the past-life themes associated with the South Node. South Node Square Personal Planets: Square aspects to the South Node can bring tension and conflict related to karmic issues. The individuals may feel like they are working through old patterns and may experience resistance or challenges in doing so. South Node Aspects to Outer Planets: Aspects from the South Node to the outer planets (Jupiter, Saturn, Uranus, Neptune, Pluto) can indicate deep and complex karmic themes. These aspects may suggest that the individuals have a significant karmic mission or purpose in this lifetime. While it can be challenging, it can also be transformative. South Node Aspects to the North Node: Aspects between the South Node of one person and the North Node of the other person can indicate a karmic connection that involves working together to fulfill a shared purpose or destiny. These aspects may suggest that the individuals are meant to support each other's growth and evolution.

Chiron Aspects: Chiron represents wounds and healing. Aspects between one person's Chiron and the other person's planets can suggest areas where both individuals may trigger each other's wounds or provide opportunities for healing and growth.

Chiron Conjunct Personal Planets: When one person's Chiron is conjunct (close to) the personal planets (Sun, Moon, Mercury, Venus, Mars) of the other person, it can indicate that the Chiron person may trigger or activate the wounds or vulnerabilities associated with the personal planet person. This aspect can create a sense of empathy and understanding, providing an opportunity for both individuals to work on their healing processes. Chiron Opposition Personal Planets: Opposition aspects to Chiron may create a dynamic where the Chiron person and the personal planet person have different approaches to dealing with wounds or vulnerabilities. This can lead to growth through mutual support and understanding, rather than bad luck or bad karma. Chiron Square Personal Planets: Square aspects to Chiron can bring tension and challenges related to healing and vulnerability. While there may be conflicts or difficulties, these aspects also provide opportunities for growth and transformation. Chiron Aspects to Outer Planets: Chiron aspects to the outer planets (Jupiter, Saturn, Uranus, Neptune, Pluto) in synastry may indicate complex dynamics related to healing and transformation. These aspects often suggest that the individuals have deep, soul-level lessons to work on together, but they do not imply bad luck or bad karma. Chiron Aspects to the North Node: Chiron's connection to the North Node can suggest that the individuals have a karmic opportunity to work on their healing and growth together. These aspects point to the potential for shared lessons and mutual support. Chiron House Overlays: When one person's Chiron falls into the same house as the other person's planets or points, it highlights a specific area of life where healing and growth may be focused. This can lead to shared experiences and learning opportunities.

Pluto Aspects: Intense aspects (conjunctions, squares, oppositions) involving Pluto in synastry can indicate power struggles, transformational experiences, or deep emotional connections. While challenging, they can also signify opportunities for profound change and personal evolution. 8th House Overlays: The 8th House is associated with transformation, shared resources, and intense experiences. When one person's planets fall into the other person's 8th House, it can suggest a connection that may involve deep emotional or psychological processes. 12th House Overlays: Planets in one person's chart falling into the other person's 12th House can create a connection that feels mysterious, spiritual, or karmic. The 12th House is associated with hidden matters and the subconscious. Vertex Aspects: Aspects to the Vertex point in synastry may indicate fated or karmic connections. These aspects can suggest a sense of destiny or significant life events associated with the relationship.

DISCLAIMER: challenging aspects or karmic connections do not necessarily imply negative outcomes. They often point to areas where personal growth, healing, and transformation can occur. Relationships, like life itself, involve a mix of challenges and opportunities for learning and evolving.

[galedekarios]

I think the reason some Galemancers think the astral scene is the “lesser choice” is because you get 5 extra approval points if you choose the bed scene. Both are good! But that’s what I would think. Also, I believe the astral scene pushes him towards the crown more vs the bed.

thank you for your message, anon, and for trying to explain!

however, i think there's some confusion and (unintentionally, i'm sure) false information here that i'd like very, very much to clear up:

a) approval points

both choices have the exact same approval points attached to them: five in both cases.

astral sea scene:

Player: I'll remind you we're newly acquainted, not newlyweds. Gale: Then we'll start writing the prequel. Gale: What do you say? Player: I think that sounds delightful - but I don't see a bed. ['Gale 5']

old ways scene:

Player: I don't need illusions. I want the Gale standing right in front of me. Gale: Are you sure...? I could conjure up any sight that you could dream of, and a few you could not. I could use the Weave to make us feel sensations beyond reckoning. I could do more than woo you. I could wow you. Player: You don't need to impress me, Gale. I'm no goddess., FEMALE ['Gale 5'] Player: You don't need to impress me, Gale. I'm no god., MALE ['Gale 5'] Player: You don't need to impress me, Gale. I'm no deity. ['Gale 5']

you can net five approval points in the last night alive scene in other ways too:

telling gale you love him:

Player: I'm in love with you too. ['Gale 5']

2. leaning in for a kiss:

Player: Lean in for a kiss. ['Gale 5']

3. gale also doesn't mind if you change your mind during the astral sea scene and want to return to the 'real' world:

Player: It's beautiful, but it's you I want to be with. The man, not the illusion. ['Gale 5'] - Player: I want to be with the real Gale - the man, not the fantasy. ['Gale 5']

these are NOT extra points. you will ONLY get these if you didn't choose the "Player: I think that sounds delightful - but I don't see a bed. ['Gale 5']" option in the same dialogue tree i listed above to follow through to the astral sea scene, but instead return to the "old ways" scene (gale snaps his fingers and the illusion of waterdeep disappears).

4. the friendship version of the scene also allows the player to not five approval points if the player chooses to stay with gale under the stars:

Gale: Yes... but there is so much to live for, and so few moments in which to house it all.Approval_AtLeast_30_For_Sp6 Gale: Damn you. Damn you for giving me so much to care about. Our friends, our adventures... this would have been so much easier if it was just me. But it isn't. Gale: If there is a way - any way - to save all that's grown dear to me, I want to seize it. I just cannot fathom what that might be, other than to fail Mystra and condemn the world. Gale: Stay with me, will you? I don't want to think of it any more, but I don't want to be alone either. Player: Stay with him and watch the stars in silence. ['Gale 5']

the second part i want to address because that is (again, i'm sure it's completely unintentional so no worries, anon, and/or a misconception/misunderstanding) false information:

b) choosing the astral sea scene pushes gale towards the crown

that is completely factually wrong and i felt it was important to clear that up. there is not a singular flag in the entirety of the scene's files that determines pushing gale away or towards godhood, away or towards the crown.

not one.

which makes sense because at that point in time, neither gale nor the protag even know about the crown. it's only at the end of act 2 that you find out about it, and it triggers gale's act 3 choice to pursue the crown (and godhood) or not to.

the only flags set in gale's act 2 romance scene is if you push him towards sacrificing himself or making him understand that he doesn't have to do that and that you'll find another way with him.

i've detailed that in a meta post about those flags.

if you would like to check the file for youself, you need to open "CAMP_GalesLastNightAlive_SD_ROM", which contains gale's act 2 romance scene.

the only other flags that appear in this scene are the following:

ORI_State_Partnered = False / True

ORI_State_DatingGale

CAMP_GalesLastNightAlive_SD_ROM_Event_CollateralDamage = False / True

ORI_Gale_Event_PushTowardsDeath

ORI_Gale_Event_PushAwayFromDeath

as well as the flags for approval (to determine which scene variation you get -> low approval, friendship, romance) and for karlach, as she has special dialogue in this romance scene with gale, depending on whatever or not she got the second upgrade that allows her to be able to touch.

again, my goal here is just to clear up misinformation about the scene. none of the two versions have a disparity in approval or have a 'negative' consequence attached to them in terms of flags.

what i, personally, find interesting and what i would like to add at the end of this post are the devnotes. we don't have that many in this scene, however, gale makes it clear that if you pick the 'old ways' scene - which is, in and of itself, a perfectly valid choice to make btw depending on how you rp your character, and i have two characters myself who have different ways of doing this scene - the devnote makes it very clear that gale is bowing to the player's preference.

it's not his wish. it's the player's wish.

and it's a wish that he respects to the utmost:

Player: It's beautiful, but its you I want to be with. The man, not the illusion. Gale: The old ways then. If that is what you wish, so be it. devnote: Tactful, bowing to the player's desires Gale: A small gesture towards your comfort.

all in all, i think personal preference is something else entirely, but i do think - looking at everything i've laid out here - it's very sad to see one scene painted as the 'lesser' for reasons that are factually wrong.

if ppl are interested to read a post taking on a more favourable reading of the astral sea version of gale's act 2 romance scene and want to understand why some people might prefer it, i'd greatly recommend this meta by @clericofgale. i've also talked about my own feelings (this is my personal opinion) in the tags of this post:

#i've spoken about this already but the amount of times i had to read derisive takes on the astral sea scene #because people think that making gale understand that he is more than his magic #is the same as separating him entirely from it #it does him a great disservice when it's such a great part of his life #you are romancing a wizard and a wizard comes with magic #i think it's also important to note that gale believes this is his quite possibly last night #the scene is literally titled that in the files: 'last night alive' #it's not a show it's love and acceptance and vulnerability #he is trying to share what he can and as much as he can with the person he loves in what little time may be left to him #he shows you his home and bares his soul to you in hopes you'll accept him in his entirety for who he is and the things he holds dear #when you deny him he acquiesces but he is doing so on your wishes and your comfort alone - not for his

again, thank you for your message, anon! 🖤

[pinchinschlimbah]

Flower imagery in Kyo's lyrics - a comprehensive list

mostly taken from the DEG Wiki translations, if there's anything important I've missed or could be translated better please let me know!

--- "Together with the flower of illusion Inside the flower of illusion" Masquerade - Genkaku no Hana (1995) ""Cross"　"You"　The roses that gave light crumble." La:Sadie's - Kakou to Genjitsu… (1996) "Our encounter turns to flowers Our encounter and ironic parting…" La:Sadie's - Kuroi Namida (1996)

"The bouquet of flowers is blooming... The heart is rotten, the middle of an ugly tragedy... Atonement is a flower" La:Sadie's - Zetsudan (1996) "At the end that stings with poison, the flowers wither and the body ... A transparent future, a false world ..." La:Sadie's - Objectxxx (1996) "The prettiest flowers will be the poisonous ones (Those eyes I loved so, became abusive ones)" La:Sadie's - Shoukei Hatan Sekai (1996) "The flowers we grew together back then Now bloom in profusion beautifully by your side" Dir en Grey - Kiri To Mayu (Missa version) (1997) "I sprout my seeds into your garden, But the red, wet bud shall not bloom." Dir en Grey - Kiri To Mayu (If...trans version) (1997) "Those days that seemed so lovely, the poisonous flower garden" Dir en Grey - Erode (1997) "Always standing still in that garden, looking lonely You were watching only the falling flowers" "GARDEN I wished that one day I could meet you Always GARDEN In this season that will pass, forever… You… The sad flowers that are going to wither have seen thousands of nights, Your figure reflected in sepia" Dir en Grey - Garden (1997) "Like a poisonous flower I will show you how I bloom And I'll become a flower that will bloom once again" "And as our love crumbles I bloom with the flowers in a riot of colors" Dir en Grey - Jealous (1998) "An unreality was born within a flower OUTSIDE HUMAN VOICE" Dir en Grey - Unknown…Despair…a Lost (1998) "The bouquet of love that you gave me was a bouquet shaped from poison" Dir en Grey - I'll (1998) "From the window, I can see the cherry blossoms blown by the wind as usual. They are falling slowly, slowly, slowly, slowly, just like dancing." "I know my life will end here alone in this room. Flowers nobody can find… The flowers hurry to fall, shaken by the spring wind. The wind is also blowing into the white room of the hospital." "I'll become ash and return to the dust tomorrow. I see cherry blossoms from the window, I want to rest beneath the tree. I'm in your arms holding me with your love. I'm quietly taken from room 304. To never forget about you. I'll remember you shaking with the cherry blossoms when the wind blows." Dir en Grey - 304 Goushitsu, Hakushi No Sakura (1999) "Put together the days of pain in asphalt. "bury" If you pray by crossing yourself, the asphalt will be filled with poisonous flowers." Dir en Grey - Mask (1999) "I'm a dying flower, but I want to be in bloom just one more time, just like before." Dir en Grey - Akuro No Oka (1999) "The divine wind turns into wind And disappears into the dark Blooming in the night of our reunion The shape of the lilies The divine wind turns into wind Blooming in the night of our reunion The light of the fireflies and the lily flowers" Dir en Grey - Hotarubi (1999)

"Sucking the honey, you who loved the flowers Don't notice me as my beak comes at You blooming all over with foie gras and escargot" Dir en Grey - Macabre (2000) "Turn into a flower, turn into a butterfly and prick me with your poisonous thorns" Dir en Grey - Audrey (2000) "Getting hurt, hurting each other People hide their wounds But I will overcome mine　 And my wounds will turn into beautiful flowers" Dir en Grey - Taiyo No Ao (2000)

"In your room I put one of the flowers you used to love so, now…The light silently dyes the center of the city white The last seasonal color that you saw I shed tears　Reality is a cruel thing, isn't it?" Dir en Grey - Ain't Afraid to Die (2001)

"I am speechless as the sorrow sinks in The flowers die away I am alone" Dir en Grey - Embryo (2002)

"This is the garden of suicide. Are you having fun? Will my dreams come true at that garden?" Dir en Grey - Audience Killer Loop (2003)

"It's a garden with no pulse." Dir en Grey - Shukubeni (2003)

"Flowers bloom and flowers fall, but a flower is as it is a flower." Dir en Grey - Sajou No Uta (2003)

"In the room, on the red wall hang Rosalyn, and the scent from the petals of the flowers fills the room but you are not here." Dir en Grey - Red...[em] (2003)

"I reminisce under the late afternoon sky of the pressed flowers I miss so dearly." "One cold evening I saw her as she stood under the Cherry blossom tree, with petals that bloomed too early." "She couldn't do anything but cry as her tears bloomed like the petals." -Dir en Grey - Drain Away (2003) "The snake makes way through the sheets and goes inside the uterus. It can seem like a Yoshino cherry tree; a cherry blossom petal, that dances sadly." Dir en Grey - Obscure (2003) "And it blooms and blooms, the flower that bloomed The crazy bloomed blood makeup" Dir en Grey - Fukai (2003) "Again you reach out and ants gather around the lily under the sun" Dir en Grey - Saku (2004) "The ashes are like flower petals that rise up to the sky" Dir en Grey - Itoshisa Wa (2005)

"I hate the song game of counting petals" Dir en Grey - Garbage (2005) "Even loved ones scatter like petals from flowers in my hand So even if I engraved the meaning that I lived in my hand, it will only be known as flowers of vanity" "Let's bloom flowers of attempted suicide…………………." Dir en Grey - The Final (2005) "When the seasons come and winter sleeps, I will come visit with flowers" Dir en Grey - Higeki Wa (2005)

"Welcome to the garden of destruction" Dir en Grey - Clever Sleazoid (2007) "I carve into my heart the sins And I live on dying The sakura blossoms on my wrist" Dir en Grey - Red Soil (2008) "Spring blossoms and the petals fall, giving life to the river Swaying from side to side, where will you go?" Dir en Grey - Glass Skin (2008)

Dir en Grey - The Blossoming Beelzebub (2011) [no floral references in the lyrics but listing here for the title]

"A mistake won't change one's way of life Be proud and let the pure white lotus blossom" Dir en Grey - Lotus (2011)

"Feel it? The breeze in the field The water reaches the heart and it gives life But the bud that sprouts… is trampled on again" Dir en Grey - Diabolos (2011) "So, let us swear for ourselves tomorrow, go on No More No Goodbye, from the death of the blossoming flower" Dir en Grey - Akatsuki (2011) "The ant lion searching for the light The lost heart always looks to the future as the flowers of lycoris sway" Dir en Grey - Vanitas (2011) "Joining hands with the flower that's lost its' way Don't want to forget the vagrant past" Dir en Grey - Ruten No Tou (2011)

"Using legs as stems in this flower arrangement" "A moment of joy is like a single flower's life" Dir en Grey - Kiri To Mayu (Rinkaku single version) (2012)

"Those are the kiku flowers placed for the accident, that we're suppose to forget in a timely manner" Dir en Grey - Hydra -666- (2012) "Falling in love with a flower, you suck and suck on the sweet honey You don't even notice me Fangs out I bloom ablaze with love towards the escargot and foie gras that you are" Dir en Grey - Macabre (Unraveling version) (2013)

"You're gone The world without you The lily is not worth it" Dir en Grey - Soshaku (2014)

"Let the flag of our home country blossom" Dir en Grey - Midwife (2014)

"Counting the flower petals that burst out from this unstoppable way of life If it's going to break then … you understand right?" Dir en Grey - Magayasou (2014)

"You'll get used to it Are you used to it? The bouquet placed by the road laughs" "Prayers pile up If it scatters it means it's precious The bouquet no one tries to see taught me I stared at the future" Dir en Grey - Behind a Vacant Image (2014) "there is no evidence behind those righteous words the blood-hungry beast hides inside the wide-opened mouth for whom is this garden for?" "to the garden beyond reach where you sleep" Sukekiyo - Elisabeth Addict (2014) "let the fear take over and get out of control the garden blooms in the color of flesh come here, come here" Sukekiyo - Latour (2014) "it dances tranquility comes when i see the fluttering flower with you" Sukekiyo - Aftermath (2014) "i hate you more than anyone else hydrangea for whom will you get wet for?" Sukekiyo - Scars Like Velvet (2014) "To the garden of love If you want to be heard, let's see you start crying now" Sukekiyo - Foster Mother (2015) "Repeating the words like a favorite phrase Words bloom" Sukekiyo - Maniera (2015) "Having a guilty conscience is like a pretty garden at the end of happiness" Sukekiyo - Mimi Zozo (2017)

"Spring, let me go. Every time it blooms Even I am able to forgive by having at least one thing beautiful" Dir en Grey - Aka (2018)

Dir en Grey - Ranunculus (2018) [floral reference is the title, which is repeated throughout the song]

"The clown danced like crazy and made it bloom The flower was indeed very very beautiful" Dir en Grey - The World of Mercy (2019) "Welcome to the flower garden that's now turning into the bed for evil spirits of mountains and rivers Repeat the process, insert then pull" Sukekiyo - Guuzou Moratorium (2019)

"The reserved flower garden, D.T.C.T" Sukekiyo - Kou mo Chigau Mono Nano ka, Yousuru ni (2019) "The flowers seen thru the lens See the dream without hesitation Stripping as the world opens wide" Sukekiyo - Sesshoku (2020) "You say that everyone goes through it But I don't know enough about love to compare The scar will turn into a beautiful flower" Sukekiyo - Candis (2021)

"The heart grows the lotus The infinite expansion of heaven is righteous" Dir en Grey - Schadenfreude (2022) "If you look down the 13 flight of stairs, the flowers bloom I change To whose intention?" Dir en Grey - 13 (2022) "An empty room The flower garden blooms in the field Let's make the sound of love as I think of you" Sukekiyo - Scarlet (2022) "Even though it started With a small bud The more the wish overwhelmed, the more it made me feel empty Only the love　Yes, only the love Changes me And it makes the Margaret bloom The color fades and turns into tears The wish to lose my words Sings in the spring Swaying back and forth Making the petals scatter" Sukekiyo - Margaret (2023) "The withering flower, wanting to bloom beautifully like back in the day, just one more time" Dir en Grey - Akuro No Oka (19990120 version) (2024)