#others narrators

[thechaotichorselord]

@felonius-glitch

i said i would art him in a reblog so i did

(genuinely curious how tf his hair stays up like that)

[prlssprfctn]

AU, where Bruce accidentally gets de-aged (physically and mentally), and the first person he bumps in is... Red Hood.

To Jason's defence, he didn't connect the dots at first. He was just patrolling around his usual turf, thinking of nothing in particular, when he saw a small child in a ridiculously serious suit, sulking around Crime Alley. He looks distraught, and considering that he looks rich, it is no surprise - that is not a place for him. So, he is either lost or something happened, right?

He takes the helmet off, as he usually does when he is dealing with kids (they got scared easily) and carefully approaches a brooding baby.

'Hey, shrimp. Where are your parents at?'

That said shrimp turns around, his big blue eyes looking confused and lost, and Jason thinks he looks awfully familiar.

'I am not shrimp,' he protests instantly, pouting at him. 'And they are somewhere... here. We just left the movie theatre together!'

Jason glances at the abandoned movie theatre, back at the little rich boy with a familiar frown, and it clicks. This is his fucking dad. Suddenly, a kid - but it is fucking Bruce Wayne, for sure.

'Was watching Zorro by any chance?' Jason still asks, just to be sure that he is not going insane.

Bruce - and it must be him - beams at him.

'Yes! This is a great movie, by the way.'

Oh, hell. At least, he didn't witness his parents' death just yet. Jason wasn't sure he would be able to deal with his father being so small, and mourning his mom and dad. He would probably cry himself at some point.

'Hey,' Jason calls out for him slowly, squatting down; God, who would've thought that this little shrimp would become so tall and big in the future. 'Aren't you... You must be Thomas's kid, right?'

Okay, yeah, Jason is going to lie to this kid. Because there is no way he manages just to steal Bruce as a stranger to bring him back home; it is still a kid, even if it is his father. Right?

'You know my dad?' Bruce tilts his head, little fingers tugging on the hem of his jacket; suspicious.

'You could say that,' Jason nods. 'Alfie... I mean, Alfred called me. Asked me to pick up a kid, since Thomas and Martha got an urgent call.'

Fuck his life and stupid life choices. What the hell he was even doing? He looked like a mugger; or like a psycho. But Alfred was his best bet - he could call him, after all; ask, well, support his idiotic made-up story.

'No one calls Alfred Alfie but my dad,' Bruce pouts in a very, very spoiled manner.

'Well... I do. We served together in the army,' he blurts out.

His armour, apparently, is enough a proof for the kid to nod slowly.

'Okay. But you gotta take off your strange mask first,' Bruce folds arms on his chest.

...???

Did this kid just agree for an unknown man to take him home? Like this? Who could've thought that this pouty child would become the most paranoid man alive in the future?

'Uh, why?'

'So I can remember your face and do an identikit, if you turn out to be a bad guy,' Bruce smirks stupidly. 'Duh.'

Jason is going to cry. This kid is so cute.

'Yeah, duh,' Jason huffs, but despite his better judgment takes the domino mask off as well. 'Go on, take your time. My identikit should be the prettiest, shrimp.'

Bruce... gawks at him. His eyes are comically wide now, mouth open, and then, he jumps a little closer to him - oh, God, he is jumping when excited? - putting his hellishly cold hands on Jason's cheeks.

'Woah. You look like dad.'

'Uh,' Jason nods awkwardly, and because he is an idiot, adds a joke: 'We are brothers, actually. Just don't talk much.'

...Apparently, little Bruce can't take jokes. Because he lets out an adorable gasp, and throws himself on Jason as if they knew each other for ages now.

'Uncle? That's so cool. You look like Zorro!'

Damn this little kid, and this stupid family. Damn Joe Chill and the night he killed this kid's parents. Damn it all. Bruce might be an asshole sometimes, but he was so... cute and innocent.

'Thanks, shrimp,' Jason slides a domino mask back on, picks up little Bruce with one arm, and grips a helmet with another. 'Come on, let's go home. Alfred will make your favourite tiramisu.'

'You know my favourites?!'

Jason sniffles.

'Yeah. Yeah, I do, kid.'

If he gets so emotional over this kid, he has no idea how worse Dick is going to be once he finds out.

Oh, this is going to be one hell of a night.

[cavalierclavier]

When I broke the cycle, I made sure that the tear was rough. You carry a part of what should be her, and she carries a part of what should be you.

[semiohazard]

i have feelings about stanley's first time laughing

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[chaoticke-rambles]

Man, my favorite thing about Gideon's narrative voice reappearing in Harrow the Ninth is how aggressively contemporary she is, because everyone else in this necromantic space opera is fully committed to the bit and Gideon's "shut up about your stupid bones and get laid" mentality is a relief. Harrow is out here like "I actively performed a lobotomy on myself and have spent the last nine months bleeding out my facial orifices whenever somebody says your name because I manually removed you from my memory to save your life. this is normal and cool." And then Gideon finally gets to show up and go "hey, you get that's messed up right? you see this right?" and it's so. incredibly validating as a reader because everyone else treats this like normal and expected behavior.

[thornescratch]

Oh God, the Old Men are doing Yaoi at center ice.

[blackkatdraws2]

Grown men giggling and kicking their feet.... [Blank Scripts AU]

[paperstreetlocal]

heres divine intervention to tell you to start listening to goreshit

bonus comms cuz idk where to put them lol

[mint-fixates]

There's this weird take I've seen floating around on TikTok that Bill doesn't actually care about his family/dimension or Stanford at all; that we're supposed to take everything in TBOB as non-canon basically because he's lying to garner sympathy from reader to make a deal with them. I'm all for having your own interpretations of media, but I just don't think this idea that Bill is a completely heartless unfeeling creature is supported by canon at all. In fact, it kind of feels like the opposite of the point of the book.

Like, yeah, most things Bill says should be taken with a grain of salt because he lies a lot, but he's not actually a very good liar? It's usually pretty easy to clock when he's full of it. But okay, even if we assume every word Bill says while trying to recruit the reader is a lie, there are three major things that this doesn't account for.

Bill is not the only source in the book. The lost Journal 3 pages were written by Stanford, we only know about the interdimensional Taco Bell incident because of an included police transcript, etc.

Even once he's lost any chance of making a deal with the reader to escape, Bill is having a complete breakdown and mentions all the people he so totally doesn't miss for real you guys. Why bother with reverse psychology double-lying for sympathy once his shot at getting the reader on his side is already gone?

Trying to garner the reader's sympathy makes sense to a certain extent, but why go out of his way to make himself look pathetic? Does revealing that he got drunk and cried over his ex in a fast-food drive-through really help his cause if that cause is to convince the reader he's still a powerful being capable of starting the apocalypse again so they can rule with him?

And that's all without even mentioning that, as previously stated, I think the entire point of the book is missed if we're interpreting Bill as having no genuine feelings or attachments. The book ends with Stanford healing from his past by being open about what he went through with his family and accepting their help, while Bill insists he doesn't need anyone and refuses to heal, actively making himself worse in the process. The clear theme imo is that accepting your past and accepting help from people who love you is essential to healing, while denying those things just makes everything worse. If Bill doesn't actually care about his family, his dimension, Stanford, or anything/anyone else, he has no trauma to heal from or regrets to learn from that he's refusing to accept and deal with, and the entire meaning of the book is made moot.

[martyryo]

Yaoi blast!!!!!!!!!!!!!

[metanarrates]

one of the most powerful messages orv has tbh is "your self-loathing behavior badly hurts other people who want to care for you." a lot of depictions of depression, suicidality, issues with self-esteem, etc. focus near-exclusively on the person who suffers from them, which is understandable, but I love that orv is commited to showing how SELFISH kdj's behavior can be. he tends to trample over other people's desperate wishes to connect to him and love him because he doesn't think he's worthy of it, and it ends up being some of the worst pain those people have ever experienced when he won't let them reach him! he's of course a sympathetic character but he still has this horrible habit of disregarding other people's emotions in ways that are unintentionally awfully cruel!

like idk i don't think anything's ever put a silver bullet through a martyr complex quite like the message of "you hurt people SO MUCH WORSE by harming & isolating yourself than any pain you could potentially cause them by sharing your burdens with them." it's realistic and kind while still being the brick upside the head some people need to snap em out of it lmao

[lilybug-02]

Eimmet High...temmiE high. OMG!

Part 28 || First || Previous || Next

--Full Series--

Next update may take...much longer! I have finals and an internship and not to mention I have to draw- A LOT :')

[chironeis]

the thing is that martin thinks it took "two years of crisis and trauma" just to make him and jon compatible and the reason jon doesn't know how to rebut that wildly incorrect fact is because he's barely aware that he had a stick so far up his ass in season one that it grew roots in his brain before he stubbornly and meticulously and with gritted teeth plucked them all out. jon could've plucked those roots out before all the trauma and crises if he simply chose to. and he would. in so many universes. because martin (and friendship and love and connection) is worth it. mic drop

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[skaspert]

I played Stanley Parable Deluxe, and learned how bbg this man is