#others narrators

[thechaotichorselord]

@felonius-glitch

i said i would art him in a reblog so i did

(genuinely curious how tf his hair stays up like that)

[cavalierclavier]

When I broke the cycle, I made sure that the tear was rough. You carry a part of what should be her, and she carries a part of what should be you.

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[uncanny-tranny]

Honestly, there is a certain type of fetishizing of violence that occurs when you are the victim of abuse - wherein people talk directly to you about how much they fantasize about your abuser/s dying and being killed - "all abusers must be killed!" they say.

As a victim of prolonged abuse, I never felt cared for when people indulged that information to me. It often feels like my abuse is being exploited for others to enact their own violent fantasies and secret desires - my abuse means nothing to them in the same way that I didn't matter to my abusers. It's not support - it's just another cycle of violence.

I'm begging people to care more about victims and survivors than they do about retribution of abusers. Nowhere along the way should your focus on the abuser outweigh the people affected by their abuse. If you truly want to support abuse victims and survivors, start with us

[poorly-drawn-mdzs]

Kiss Kiss Fallen Tree!

[First] Prev <–-> Next

[mint-fixates]

There's this weird take I've seen floating around on TikTok that Bill doesn't actually care about his family/dimension or Stanford at all; that we're supposed to take everything in TBOB as non-canon basically because he's lying to garner sympathy from reader to make a deal with them. I'm all for having your own interpretations of media, but I just don't think this idea that Bill is a completely heartless unfeeling creature is supported by canon at all. In fact, it kind of feels like the opposite of the point of the book.

Like, yeah, most things Bill says should be taken with a grain of salt because he lies a lot, but he's not actually a very good liar? It's usually pretty easy to clock when he's full of it. But okay, even if we assume every word Bill says while trying to recruit the reader is a lie, there are three major things that this doesn't account for.

Bill is not the only source in the book. The lost Journal 3 pages were written by Stanford, we only know about the interdimensional Taco Bell incident because of an included police transcript, etc.

Even once he's lost any chance of making a deal with the reader to escape, Bill is having a complete breakdown and mentions all the people he so totally doesn't miss for real you guys. Why bother with reverse psychology double-lying for sympathy once his shot at getting the reader on his side is already gone?

Trying to garner the reader's sympathy makes sense to a certain extent, but why go out of his way to make himself look pathetic? Does revealing that he got drunk and cried over his ex in a fast-food drive-through really help his cause if that cause is to convince the reader he's still a powerful being capable of starting the apocalypse again so they can rule with him?

And that's all without even mentioning that, as previously stated, I think the entire point of the book is missed if we're interpreting Bill as having no genuine feelings or attachments. The book ends with Stanford healing from his past by being open about what he went through with his family and accepting their help, while Bill insists he doesn't need anyone and refuses to heal, actively making himself worse in the process. The clear theme imo is that accepting your past and accepting help from people who love you is essential to healing, while denying those things just makes everything worse. If Bill doesn't actually care about his family, his dimension, Stanford, or anything/anyone else, he has no trauma to heal from or regrets to learn from that he's refusing to accept and deal with, and the entire meaning of the book is made moot.

[12thbiologist]

annihilation is soooo good because the biologist is aware that she is an unreliable narrator and also hates it. she WANTS to be completely impartial and objective and just observe everything without influencing any of it. but she cant so instead she omits her name from the entire book to the point where it's almost absurd and completely intentional and splits her journal into "objective" chapters detailing her expedition and "subjective" chapters detailing her memories about her husband. ill never be over you biologist

[chxrrylungs]

they're the same ship in a different font and by font i mean treatment of their yellow omnipotent boyfriends

[metanarrates]

one of the most powerful messages orv has tbh is "your self-loathing behavior badly hurts other people who want to care for you." a lot of depictions of depression, suicidality, issues with self-esteem, etc. focus near-exclusively on the person who suffers from them, which is understandable, but I love that orv is commited to showing how SELFISH kdj's behavior can be. he tends to trample over other people's desperate wishes to connect to him and love him because he doesn't think he's worthy of it, and it ends up being some of the worst pain those people have ever experienced when he won't let them reach him! he's of course a sympathetic character but he still has this horrible habit of disregarding other people's emotions in ways that are unintentionally awfully cruel!

like idk i don't think anything's ever put a silver bullet through a martyr complex quite like the message of "you hurt people SO MUCH WORSE by harming & isolating yourself than any pain you could potentially cause them by sharing your burdens with them." it's realistic and kind while still being the brick upside the head some people need to snap em out of it lmao

[blackkatdraws2]

Grown men giggling and kicking their feet.... [Blank Scripts AU]

[lilybug-02]

Eimmet High...temmiE high. OMG!

Part 28 || First || Previous || Next

--Full Series--

Next update may take...much longer! I have finals and an internship and not to mention I have to draw- A LOT :')

[chironeis]

the thing is that martin thinks it took "two years of crisis and trauma" just to make him and jon compatible and the reason jon doesn't know how to rebut that wildly incorrect fact is because he's barely aware that he had a stick so far up his ass in season one that it grew roots in his brain before he stubbornly and meticulously and with gritted teeth plucked them all out. jon could've plucked those roots out before all the trauma and crises if he simply chose to. and he would. in so many universes. because martin (and friendship and love and connection) is worth it. mic drop

[martyryo]

"How long are you gonna pretend I'm the one tugging on your tie?"

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[skaspert]

I played Stanley Parable Deluxe, and learned how bbg this man is

[bridge-arsonist]

Why The Voice Of The Cold Hates The Narrator

Replaying the Nightmare -> Wraith route and I'm realizing...

Jesus fucking christ, The Cold hates the narrator. Honestly, I think he might just give Smitten or Contrarian a run for their money.

He:

Doubts every word the narrator speaks

Insults the narrator whenever he gets the chance

Actively suggests killing the narrator, even stating that the princess could help do that

Not only suggests killing the narrator, but also suggests that—no—actually, death is too good for the guy. They should lock the narrator in a void just like the fake good ending. Mind you, this route doesn't even have the narrator do that!

Mocks the narrator when he finally gives up on trying to make you slay the princess

Seems happy that the narrator is gone, saying he had a feeling The Wraith could deal with him

I'm pretty sure Cold over here'd rather be playing Slay The Narrator.

Really though, upon further reflection, The Cold's hatred for The Narrator is also prevalent in The Spectre, where one of the few things he actually seems to have a firm stance on is "We should kill the Narrator". In the Greys, though he's arguably at his most nihilistic, he still seems to oppose the Narrator. He joins the Skeptic in his suspicions, and though he mostly just seems to be having a time provoking Smitten during the Burned Grey, he still does take the occasional second to spite the Narrator.

And honestly, come to think about it, it makes sense. After all, the Cold manifests not necessarily from slaying the Princess, but more specifically, from killing yourself. But not just from killing yourself, slaying yourself in The Tower at the hands of the Broken doesn't manifest him, but specifically by killing yourself to spite the narrator. I mean, other than Empty Cup and Moment of Clarity (Where we don't actually know how he manifested due to the timeskips), each iteration of Cold's manifestation checks out.

Spectre: You slay her, get the good ending, but then decide "fuck this and fuck your contruct", and stab yourself even as the narrator repeatedly urges you not to.

Burned Grey: You kill the Damsel, and in a fit of rage against both you and the narrator, the Smitten kills you, even as the narrator urges him not to. (Funnily enough, this means that, despite the Smitten's line of "you killed her, and so I killed you", it was the opposite, and the Smitten manifested the Cold)

Drowned Grey: You kill the Prisoner, and, just like in the Spectre's route, you kill yourself even as the Narrator urges you not to. If you refuse to kill yourself, Skeptic does it for you, seeming apologetic towards you, but definitely not towards The Narrator.

Wraith: You kill yourself as the Narrator urges you not to, and Paranoid also spends this route doubting the Narrator.

These routes involve various levels of emotion for the Princess, ranging from "My love! Still gonna kill you though" to "So scary! Still gonna kill you though", and an overall perception of the Princess as a corpse. But the Narrator? In all of the routes leading up to Cold's manifestation, the Narrator is met with hostility, usually leading to you killing yourself out of a mix of spite and suspicion.

So Cold's manifestation has two constants:

Some level of apathy towards the Princess, regardless of your previous interactions with her. Whether she's your perfect damsel or your worst nightmare, you don't care. You stab her.

Disregard for your own safety. You're just going to stab yourself, cool. It's better than this hell. Sometimes it's another voice fulfilling this requirement for you, like Smitten in the Damsel, or Skeptic in Prisoner depending on whether or not you willingly die.

Distaste towards the narrator. A conclusion that the Narrator is untrustworthy and distinctly not on your side. No matter how you manifest the Cold, it is clear that you do not like this pesky raven one bit. The Nightmater -> Wraith route shows this through Paranoid's constant suspicion of the Narrator. This distaste frequently, thought not always, occurs due to the Narrator attempting to force you to live out your life in the void, though it can also occur due to the Narrator attempting to make you live a life without the one thing you cherish (Damsel route).

Apathy towards most things, but one thing's for certain: You don't trust that Narrator guy. He tried to make you live out a crappy, boring life for eternity.

Cold's attitude makes sense when you look at how he was created. Just like Smitten was made by deciding the princess was an immediately trustworthy damsel in need of rescuing from the pesky narrator, or that the witch is a gorgeous woman whom you can save by giving your blade in spite of the narrator's wishes—Cold is made through deciding that neither your nor the princess's safety particularly matters, but fuck that narrator guy. He sucks. As apathetic as the Cold likes to act, he reacts to Smitten's threats and the Princess's murder attempts with "interesting", and reacts to the Narrator's explanation of the timeline with "we should kill him".

So, my point?

Well, I think that—not only does the Cold hate the Narrator—but hating the Narrator is part of him as a voice. He's cold, apathetic, and he hates the Narrator. It's been baked into his very being through the choices that you make. The princess doesn't matter, your physical well-being doesn't matter, but know that the Narrator is an untrustworthy little prick.

TLDR: Replaying Wraith made me realize that the Cold probably hates the Narrator very very much, and he does so because it is baked into his very being because of the choices you made to manifest him. You go, king. Let your inner hater run free.