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#other than those things the movie was cool
maverices · 2 days
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the entire concept of TG:M is so fascinating to me because it's basically like, hey remember that military propaganda movie with the cool jets and weird toxic-yet-kinda-queer masculinity from the 80s? yeah we're making another one of those. the main character is still the same guy, just thirty-something years older. the actor now has complete creative control over the movie. the plot (apart from "we need to blow this thing that belongs to state that is definitely not russia up") is that the main guy is still haunted by the death of his best friend. also the only character we're bringing back from the first movie is his rival-turned-reluctant-ally-turned-life-long friend. he's the reason main guy is still doing his thing because he keeps using his considerable influence to bust him out of whatever situation he's maneuvered himself into. this is explicitly mentioned not once, not twice, not thrice, but four times over the first half of the movie, just to make sure everyone understands that they are so close that the guy who's known for being an absolute stickler for the rules is more than willing to bend and break them just so main guy can keep doing what he loves. the friend is married, but there is no textual evidence that he actually has a wife. he's also chronically ill. the only scene with the friend is the last time the two will ever see each other, and the entire time he re-affirming his absolute trust in the main guy and urges him to let go of his past regrets and look to the future. the scene is basically a one-sided goodbye. at the funeral, the main guy buries his friend with his own wings. anyway where was i going with this
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DATING DEAN WINCHESTER HEADCANONS
Dean is the guy who'd pretend that he's the best in the entire universe, but he'll get nervous if he ever sees someone slightly more attractive than him.
He loves to watch movies with you, even more so if they're of his choice. Cuddling on the couch in the Bunker and watching a movie is his favourite evening activity, and he's constantly looking at your face throughout the movie to see if you like it or not.
Dean doesn't want you to accompany him on hunts, especially if the creature you have to hunt happens to be particularly dangerous, like a vampire or a werewolf.
He'll never try to control you, but he will get insanely protective of you and you have had many arguments based on that.
Arguments that almost always get resolved by angry sex or intense makeout sessions.
But for the ones that don't, you two eventually find your way back to each other.
He'll never admit it, but he loves it when you treat him with affection and give him flowers.
If it wasn't obvious, Dean is touch-starved, and you figure it out very soon into your relationship. You make sure to give him reassuring touches ever so often, especially in the times of stress.
Dean is very grateful for those touches, and keeps reciprocating the gesture, but in a much wilder way.
He is very possessive, and will glare daggers at anyone who stares at you for too long. Men who know him know how dangerous he is, and how well he can fight, so they stay away from you. But the strangers who try to look at you in any way other than respect, Dean will not hesitate to throw punches.
For all his playboy ways, he's extremely loyal to you. Will not even look at any other girl when you're in the picture. You're the only one he wants and needs.
Dean likes to pull pranks on you. They're harmless, obviously. He loves to see that adorable expression on your face when you don't know what's wrong when you're being pranked. Once you realise it however, it doesn't take a lot of time for that expression to go from adorable to angry.
You love to pull pranks on him as well, often teaming up with Sam to teach his older brother a lesson. Sam loves it, and though Dean pretends to be angry and offended, he's laughing on the inside.
Frequent rides in the Impala, especially when it's drizzling and a cool breeze is blowing. He just likes to go on long drives with you, no distance is too long with you by his side.
Dean tells you stories of his childhood, yes, even the bad ones. The good ones to get a good laugh while the bad ones for you to get more acquainted with his reality, to know who he really is.
He had taken a lot, and I mean a LOT of time to open up emotionally, it was extremely difficult for him to not be guarded at all times. But nothing is too difficult when it comes to you.
Now, he opens up to you and talks to you about how he feels, instead of hiding his real emotions behind corny jokes and sarcasm.
Whenever you get mad at him, he immediately gets to know and tries his best to make sure that you aren't mad, the process including more corny jokes but you learned to love them anyway.
Sam loves the way you have a positive effect on his brother, how you calm him down from both anger and stress, how you make him less reckless and more affectionate.
The most important thing however, is the fact that you make him less self-destructive. He takes a lot of care of you, but along with you, he has started to learn how to cherish and love himself as well.
You bring out the best in him, and he brings out the best in you.
You're his yin, and he's your yang. Both of you wouldn't have it any other way.
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itneverendshere · 2 hours
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I love bartender!reader!!!!!! She seems so sweet and collected...but I was wondering if she's got a little fire in her? Maybe they're at a party together and she gets jealous......which is new because she's usually the calm one out of her and rafe. Hope you're doing great <3
loved writing this bc you're so right!!! it's just so not like her to lose her temper over trivial things but oh🫣 hope you're doing just a great as well💖
i'm usually so unproblematic - r.c
pairing: rafe x pogue!reader (bartender!reader universe) warnings: allusions to smut but no actual smut.
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You’re sitting in Rafe’s truck, staring out at the huge house in front of you, stomach in knots. It’s a mansion, more like.
Kook house. Kook party. Rich people everywhere. You can already hear the distant thrum of music, even from inside the car, bass-heavy, vibrating through the seats.
You chew your bottom lip and glance over at Rafe. He’s calm, casually messing with the radio, probably about to put on those trashy songs he loves that you absolutely hate but pretend to like because you love him.
It's insane how easy it is for him to just... be cool about this. But you?
You’re not so sure.
"This was a bad idea," you mumble, half-joking but also half-serious.
Rafe turns to you, one eyebrow raised, lips pulling into a crooked smile. “Nervous?”
You give him a look. “Obviously. I’m not...I don’t do these things. I don’t know these people.”
You’ve been with Rafe for almost a year now, give or take. Said your I love yous, met each other’s families. Hell, you’ve spent more time at Tannyhill than at your own place lately, and you’ve grown used to Rafe’s kook side. His friends, though? These parties? A whole other beast.
“I already met Topper. Isn’t that enough?”
He laughs under his breath, reaching over to take your hand. “You’ll be fine. It’s Kelce, and a few other people. No big deal.”
No big deal, you think. Easy for him to say when he’s been around these people his whole life. For you, being a pogue, working extra shifts at the country club just to pay rent… yeah, this is a little different.
“I know, I know. I’ll be fine. It’s just— I’m out of my element.”
He squeezes your hand. “Hey. You’re with me. That’s all that matters.” 
You’re with Rafe. The Rafe who loves you, who can’t keep his hands off you even when you’re just watching movies. The Rafe who gets jealous over dumb things, like if you laugh too hard at one of JJ’s jokes, even though he’s just your seventeen-year-old neighbor. The Rafe who texts you goodnight, even when you’re in the same room, because he’s a sap and you secretly love it.
“Alright, let’s go,” you agree, trying to hype yourself up.
Rafe smiles, and then he’s out of the truck, jogging over to your side to open the door for you, like a perfect gentleman. You roll your eyes but step out, the night air brushing your bare shoulders. You weren’t sure how to dress for this party, so you chose to wear something…safe. A pretty red top you only used on special occasions and your best demim skirt. It wasn’t exactly kook material but at least you weren’t in your worn-out shorts and usual crop top or in your work uniform.
The moment you walk inside, though, it’s like stepping into a different world. The house is packed. People everywhere, laughing, drinking, hanging by the pool. Everything’s pristine and polished, and you feel their eyes on you the second you walk in.
Rafe wraps an arm around your waist, pulling you close. “Want a drink?” he asks, leaning down so you can hear him over the music.
You nod, trying not to let the fact that people are definitely staring at you freak you out. You’re not a Kook. You’re his girl, though, and you know how much that pisses some of them off.
A few minutes later, you’ve got a drink in hand, and Kelce’s talking your ear off about something you don’t really understand. Golf. You smile and nod along, doing your best to keep up, but the truth is, you’re not listening. You’re too busy watching the crowd, still feeling like you don’t fit in. Like you never really will.
That’s when you notice her. Tall. Pretty, in that rich, polished way that’s almost too perfect. And she’s glaring. Right. At. You.
Your stomach drops, and you tear your eyes away, sipping your drink to cover the dread that suddenly hits you. You don’t know who she is, but she’s been staring at you since you walked in, and it’s starting to mess with your head. Was there something on your face? Had you met before at the club? Maybe she didn't like your drinks.
“Baby, you okay?” Rafe’s voice snaps you out of your thoughts, his hand resting on the small of your back.
“Yeah, fine,” you lie, forcing a smile. He frowns slightly but doesn’t push it. Kelce’s still talking, oblivious.
You try to ignore it, but as the night goes on, she keeps popping up. Always staring. Always with that look crazied in her eyes. Like she could kill you. You’ve had a couple drinks by now, and your nerves are turning into a kind of irritation.
Finally, you excuse yourself to the bathroom, needing a break from the overwhelming feeling of being watched. You lock the door behind you, exhaling slowly as you stare at your reflection. Were you seeing things? Overreacting? Surely, Rafe or Kelce would’ve noticed as well, right? Or maybe they were used to this. 
I’m just overthinking it, you tell yourself. I’m fine. She’s just..
But when you open the door to leave, she’s there. Leaning against the wall, arms crossed, staring at you with that same stupid look, like you personally offended her by daring to exist. 
“Can I help you?” you blurt out before you can stop yourself.
She doesn’t smile. Doesn’t even flinch. Just tilts her head, giving you the most disgusted once-over you’ve ever seen in your life. “You’re Rafe’s new thing, huh?”
What? You’ve had just enough to drink that your filter is basically nonexistent now. You blink, confusion killing the buzz in your head. “Sorry, do I know you?”
“No,” she says, her voice dripping with disdain. “But I know you.”
You laugh awkwardly, nothing about this is funny. “Okay? So what’s your problem?”
Her eyes narrow, lips tinted pink curling. Oh, she’s mad now. She steps up closer to you, practically chest-to-chest. “My problem is that I don’t get why someone like you is with Rafe. He used to have a certain standard.”
Oh.
You almost laugh again because...wow. Really? That’s what this is about? “Okay, Regina George,” you mutter under your breath. You’re not in the mood for this. You tilt your head, giving her your best innocent smile.  “And who are you?”
“Sophie. I dated Rafe for two years, before you, obviously,” she says, like that’s supposed to mean something. You didn’t know him back then, you hadn’t even spoken a word to him. "Guess he didn’t mention me."
His ex. Of course. Of course she’s his ex. 
You snort before you can stop yourself. "Nope, pretty sure he forgot to bring you up.”
You feel a little sting of jealousy in your chest, but you try to swallow it down. You’re not about to let this girl get under your skin. You’re better than that. You didn’t know him, it’s fine.
 “I’m not really interested in whatever this is.” You move to step around her, but she blocks your path.
“Just a word of advice,” she grits out, like you’ve personally offended her, “He’s not the kind of guy who sticks around for long. Especially not with girls like you.”
That does it. The alcohol, the nerves, the whole night—you’re seconds away from losing it. “What the hell is your problem?” you snap, your hands curling into fists at your sides.
“Dirty pogues who think—”
"Okay. I’m not gonna play whatever this is with you," you interrupt her, gesturing between the two of you, stepping forward so you’re toe-to-toe with her now. "If he wanted to be with a walking Vineyard Vines ad, he would be. But he’s not. He’s with me."
“You really think you’re different?” she spits, voice laced with venom. "Like you're special?"
Your laugh comes out sharp, more of a bark. “If you were so special, you wouldn’t be here, playing guard dog outside the bathroom. Move."
“Or what?” she challenges, her lips curling in that same superior smirk that makes your blood boil. “What are you gonna do, pogue?”
That’s it. You feel the fire flare up in your chest. Screw this girl. Your hands ball into fists, and you’re half a second from knocking that smug look right off her face when Topper steps in.
"Whoa, whoa, whoa, let’s not turn this into Jerry Springer, alright?" He holds up his hands like he’s breaking up a fight at a middle school dance. You’re staring daggers at Sophie, and she’s glaring right back, but his hands are still up, a peacekeeper grin plastered across his face as he looks between the two of you. “Let’s not do this,” his eyes landing on Sophie. “C’mon, Soph, no need for the drama, yeah?”
She scoffs, crossing her arms and stepping back with an exaggerated roll of her eyes. “Whatever, Topper.
He watches her go before turning back to you, eyebrows raised. “You good?”
You nod, still fuming, but grateful he stepped in when he did. "Yeah. Thanks."
You let him take you away because if he doesn’t, you're going to follow her and throw a drink in her face or do something worse. You feel like you could punch her right in her perfect, stuck-up face. 
He leads you back to where Rafe is, and you’re too upset to even look at him. His hands are on you the second you’re close, pulling you to him like he can tell something’s off. "Baby," his lips brush against your temple. "What’s wrong? You look like you’re ready to kill someone."
You don’t answer. You can’t. Not without completely blowing up.
Rafe’s brow furrows, his eyes darting between you and Topper. “What the hell happened?” he asks again, more forceful this time.
Topper gives him a look but doesn’t say anything, just shrugs. “Nothing, man. Just some girl drama. Don’t worry about it.”
Girl drama your ass.
He turns to you, and suddenly, he’s all over you, his hands on your waist, the other settling on the back of your head, “Baby, talk to me. What’s going on?”
You pull away, shaking your head, still too mad to speak.
He follows, his hands reaching for yours. “Hey, c’mon.”
Finally, you look at him. Really look at him. And the second you see his face, that stupid, worried puppy-dog expression, the anger starts to melt away.
“I’m mad,” you admit, “I got jealous. Your ex’s a bitch.”
Rafe blinks, and then, to your surprise, he laughs. A real, genuine laugh. You glare at him. “It’s not funny!”
“No, no, it’s not,” he says, quickly sobering, though there’s still a stupid smirk at his lips. “I just, I’ve never seen you jealous before.”
You cross your arms, still pouting. “I’m serious, Rafe. She was awful.”
He wraps his arms around you, pulling you close. “I don’t care about her. At all. I care about you.”
You roll your eyes, but your heart is softening. “She said you wouldn’t stick around.”
Rafe’s smile fades, and he pulls back just enough to look you in the eyes. “That’s bullshit. You know that, right?”
"She’s a psycho.”
Rafe’s expression changes, his frown deepening. "Sophie?"
"Yeah," you snap, because you hate the sound of her name coming out of his lips, "Sophie. Called me a dirty pogue, which—real original.”
“She what?” Rafe’s jaw tightens, and for a second, you see a flash of that old Rafe—the one who’d get into fights at the drop of a hat. "I’ll handle it.”
You’ve seen it before—his protective streak, the one that could turn dangerous if he wasn’t careful. Part of you loves it, the way he’d go to war for you without even blinking. But another part of you hates that you have so much power over him.
But right now, you’re still too mad to care about him handling anything. You push past him, heading for the exit, needing air, needing space. Everything inside you is on fire, and all you can think is that you need to get out. Anything but this house full of people who make you feel like you’re just dirt. People like her. You can’t stop hearing her nasal voice in your head, those snide comments digging into you like little needles, bringing up that same old insecurity.
“Baby, hold on,” His voice is behind you, and his hand is instantly catching yours, tugging you back before you can make it to the door.
You spin around, already ready to snap, but then you see his face—eyes wide, brow furrowed like he’s genuinely freaked out that you’re upset. “Don’t listen to her, she’s full of shit.”
You stare at him, your chest tight and aching, because yeah, you know she’s full of it, but it still got to you. It still hurt. “It just…” You swallow hard, trying to find the right words, even though everything feels like a mess. “It got in my head, Rafe. Like, I hate that she said that. I’m so sick of people looking at me like I don’t belong just because I’m not—”
He cuts you off, stepping closer, and before you can even finish the thought, he's dragging you into him. “You belong with me. That’s all that matters.”
You let out a breath, but you’re still worked up, “But it’s like—I don’t need some stuck-up kook girl who thinks she’s better than me telling me I don’t fit in. I know I’m not like them, but she said it like I wasn’t good enough for you. Like I’m just some—”
Rafe’s lips are on yours before you can finish. He only pecks you, but it’s enough to shut you up, to make your brain go silent for a second. “Stop,” his voice is almost pleading. “Stop thinking like that. I love you, okay? I don’t care what anyone else says.”
You blink up at him, you want to stay mad, but also want to let it go because he’s right here, so close, and he’s got that look on his face that makes your heart flip. “You don’t get it.”
He pulls you closer, hands gripping your hips like he can’t stand to have any space between you. “Then tell me,” he murmurs, pressing another kiss to your lips. “Tell me why you’re letting her get in your head.”
You huff, but the fight in you is starting to die out. “Because she made me feel like I’m less.”
He tilts your head back just enough to look at you, “That’s bullshit,” his fingers are gentle as they trail up your jaw, his thumb brushing over your cheek. “I’m not going anywhere.”
You feel a little stupid for letting that girl get to you in the first place. But damn it, you’ve heard it before—from other people, from yourself—that nagging voice that says you’re not enough.
“I know.” you mumble though you’re still a little embarrassed.
Rafe smiles then, that sweet smile he only ever gives you, and he presses his lips to your forehead. “Good,” he says, tugging you even closer, like he’s trying to wrap himself around you. “Because I’m obsessed with you, and I don’t care what her or anyone else says.”
You let out a shaky laugh, finally letting yourself relax in his arms. “You’re obsessed with me?” you tease, tilting your head to meet his eyes.
“Hell yeah,” he grins, his hands sliding up your back, one hand slipping down to squeeze your ass, his thumb sliding just under the hem of your skirt. “I can’t keep my hands off you. You know that. It’s becoming a real problem.”
You roll your eyes, trying to play it cool, but you don’t stop the giggle from bubbling out. The way he’s looking at you right now, like he can’t even think straight because you’re standing in front of him—it drives you up the walls. Then he leans down and kisses you again, and this time it’s not...casual. His lips move against yours like he’s trying to take every thought in your head, and it’s working. Your hands slide up, wrapping around his neck as his tongue brushes against yours. You don’t think you’ll ever get used to this. 
He grips you harder, lips moving to brush against your ear, “You’re mine, baby and I’m not fucking going anywhere.”
That hits you, hard, like a truth he always reassures you off but still feels brand new when he does say it. Everything that pissed you off, all the crap Sophie said, it doesn’t matter anymore. 
“Stop making me horny,” You whine out, tugging at his shirt and pulling him closer. You can feel his grin against your skin as he leans in, biting your lip playfully before kissing you again, you know he’s enjoying teasing you. His hand slides down to grab a handful of your ass again, making you gasp against his mouth, and you feel him smirk.
“I like you horny.”
You’re in the middle of this stupid party, surrounded by people who probably hate you for breathing, but all you can think about is how much you want him right now. His lips move over yours like he’s trying to claim you, and you’re more than happy to let him. It’s messy, all tongues and spit, but you don’t care. You love how rough and needy he is, how he groans into your mouth like he’s been dying to kiss you all night. It’s the kind of kiss that leaves you dizzy, the room spinning, and you’re not sure if it’s the alcohol or him—or both.
You tug at his shirt, frustrated with how much fabric is in the way, and he chuckles against your mouth, biting down on your bottom lip just hard enough to make you gasp. His hands slide down up to your neck, tightening just enough around your throat, and you let out a soft whimper into his mouth, making him grin.
“You're just so—” his lips brush over your cheek, then down to your bottom lip, kissing and biting just hard enough to make you squirm, "Beautiful, aren't you?"
You’re normally not one for pda, not at all. The idea of people watching, of eyes on you while you're with someone, always made your skin crawl. But when Rafe kisses you like this? When he’s got his hands on you? God, your brain just goes dumb, and every ounce of self-consciousness fizzes out. It's embarrassing, almost. All you can think about is the way he’s making you feel, the way he’s holding you against him, leaving you breathless and wanting more. You’re so not this person, not the girl who makes out with her boyfriend in the middle of a crowded room.
But with Rafe? You can’t even think straight. 
His hands slide under your skirt for the millionth time, blunt fingernails gripping your plushy thighs, and you nearly whine, “Rafe,” you breathe, trying to pull away long enough to think properly, but he just kisses you harder, more insistent. “Baby, stop,” you manage to whisper, though you don’t mean it at all.
He pulls back just enough to look at you, his eyes all dark, his breath hot against your lips. “You want me to stop?” he teases, his hands still tight on your hips, his fingers digging into your skin in a way that makes your knees go weak.
You shake your head, biting your lip, and his grin widens. “Didn’t think so,” he murmurs before leaning in to kiss you again, like he can’t help himself, and honestly? Neither can you. You’re so turned on, it’s ridiculous. 
“I—fuck,” you pant, trying to get the words out between kisses, but he’s relentless, pressing you back against a wall, his lips latching on to your neck, sucking a bruise into your skin “Baby, please—”
He groans against your neck, one hand sliding up under your top, fingers brushing the bare skin of your waist, and you swear you’re about to lose it. “Please what, hmm?”
You bite your lip, trying to stay composed, but you’re way past that now. All you can think about is how much you need him. Right now. Anywhere but here.
“Take me to the truck,” you nearly beg him, just loud enough for him to hear, but you know he catches it because he pulls back just enough to look at you, pupils blown wide.
He smirks, running his thumb over your bottom lip, teasing. “Yeah? You need me that bad?”
You nod, not even caring how desperate you sound. “Please.” Your voice cracks a little on the last word, but you don’t care anymore.
You need him, and you need him now.
ˏˋ°•*⁀➷ˏˋ°•*⁀➷ˏˋ°•*⁀➷ˏˋ°•*⁀➷ˏˋ°•*⁀➷ˏˋ°•*⁀➷ˏˋ°•*⁀➷ˏˋ°•*⁀
Forty minute later, the air inside the truck reeks of sex.
You’re breathless, flushed all over, and your legs feel like jelly. Rafe’s next to you, grinning like an idiot already fixing his jeans like he’s not still catching his breath. It’s written all over you—the tousled hair, the smudged lipstick, the way your top is barely hanging on properly as you try to straighten it out, the stickiness you can still feel between your legs, on your panties.
You feel filthy.
You bite back a smile as you adjust your skirt, your body still recovering from the way he had your face pressed against the seat.  
“Shit,” you breathe out, trying to get it together, your fingers fumbling to fix your bra strap, “I feel like my makeup’s a mess.”
He just chuckles, leaning back in his seat with that cocky look that made you want to jump him in the first place, “You look perfect,” he says, eyeing you up and down like he’s ready to go another round.
You roll your eyes but can’t help the heat that rises to your cheeks. “Yeah, well, you look like you just ran a marathon.”
He laughs, reaching over to pull you close, his lips pecking your hair, “Worth it.”
You’re just about to leave the truck when the door opens, and as you both step out, you catch sight of Sophie and her friends walking past. Perfect timing. Of course.
She’s glaring—hard—and her friends are snickering, whispering to each other like they’ve just seen something they shouldn't. Sophie’s nose wrinkles as her gaze flicks between you and Rafe, her expression twisting into disgust like you’re both some kind of wild animals who just rolled around in the mud.
But you? You feel smug.
You meet her stare for a second too long, the corner of your mouth lifting in the tiniest, most satisfied smirk. You know she knows exactly what just happened in that truck, and it’s killing her. She’s practically seething, her friends muttering furiously under their breath as they walk by, noses in the air.
Rafe doesn’t even glances their way—his fingers hook into one of the belt loops of your skirt, tugging you back to him with just enough force to make you stumble slightly into his built chest, like it’s the most natural thing in the world. And it is.
“Thirty more minutes,” he murmurs against your cheek, planting a kiss there, casual but so possessive, his lips lingering just long enough to make your stomach shake with butterflies again, "And I'm taking you home."
And that’s what makes it even sweeter.
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eliaswoodt · 1 month
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Is it just me or was Alice in Wonderland (2010) awfully fast paced?
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bmpmp3 · 10 months
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lemme tell you im starting to get a little sick of when im complaining about when a show or movie is writing a major female character with not as much depth as her male cohorts or she's written oddly plot device-like for a main character and people always tell me "oh but it's intentional, we're seeing her through the eyes of the male main character and he has a crush on her so he doesnt see her flaws" because like
FIRST of all yeah i get it but its hard to write that trope interestingly to me at this point without a lot of work put into subversion so intentionality doesnt make it any less boring
SECONDLY half the time people say this about ensemble cast stuff and like why is the random dude suddenly designated as the most perspective of all perspective characters when it comes to this specific woman. why dont we get to see the other characters perspectives on her too?
AND THIRDLY do people view women they have crushes on as bland plot devices without lives of their own enough irl that this is so universal in writing? isnt the point of having a crush wanting to hang out and know more about your crush, know about their likes and dislikes and all that. am i missing something here
#im gonna sound insane for what im about to say. but i grew up watching way to much harem anime for a 10 year old#and im gonna be honest. maybe that spoiled me? those things were not without their flaws but at least the 5 different magical giant#goddess demon vampire women with multicoloured hair inexplicably in love with random normal guy at least had like. inner lives#like thats why the guy is so normal and bland. because the focus is on the magical women and their pink hair and their complicated#backstories and familial lives and whatever outside of the main character#like theyre still big boobied colourful haired fantasies but at least they showed me something about em#when it comes to these other stories where a woman is treated like a plot device love interest and written like a dead wife in an#action movie but like. alive. i cant help but feel like. are you holding out on me? i want to know her. show me her LIFE i want to SEE IT#grabs writers by the collar ARE YOU HOLDING OUT ON ME???#its nuts because sometimes you see the bones of a really cool character but the writers are more interested in what she can do for the main#male character and how he sees her than whats going on in her head. i dunno im just getting annoyed. i think u can do this trope well#like how i think you can write basically any trope well. but i see intentionality used an excuse so often so i wanna see you do#SOMETHING interesting with this trope if ur gonna do it at least. subvert it in cool ways i dunno just do ANYTHING hfjdkjfkd
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I finally saw the mean girls musical (the movie one) I have so many fucking thoughts oh my god
#thoughts#oni talks#mean girls 2024#I think I may be the only person to kind of like it? like don’t get me wrong it is kinda ROUGH but it has so much potential and there’s bits#and pieces that I actually really enjoy or wish they had more of or just aahh#I’ve been nonstop thinking about the ideal version in my head like there’s so much potential obviously I’m biased by like a lot#since for one I know I tend to like stuff other people hate or don’t like but for two this sequel was weirdly way more relatable so maybe#I’m just projecting from my own personal experiences but Idc the POTENTIAL THERES SO MUCH ID WANNA DO INSTEAD#like there’s so many little details and characterizations that I wish was expanded on or fleshed out and it’s just like it feels like either#half baked or that it’s gone through too many edits it’s like it’s scared to exist?? like there’s some differences I love and wish they lol#leaned into but it’s like it was terrified to be too different? or like they were rushing the end especially#like in my ideal form it’s a tv show coz I think they honestly have enough that could be genuinely expanded in a way more interesting way#via that format probably not like a super extended series like you COULD but you’d definitely need more expansion but I could see the potent#but like idk one SOLID musical season with expanded character story and not like one of those rush cram shows like a good solid one#like Regina’s characterization is so fascinating but also feels like slightly off and like they could’ve leaned way more into things?#like I think keeping Regina as a closeted lesbian gives the greatest potential and interest for an expanded story#like I loved maybe the first half of the movie the most like that one song she sang to manipulate Aaron would work so much more perfectly if#she’s singing it about/to Cady? I also think in my ideal brain an cool flashback episode for Janis and Regina would be so cool coz there’s#so much you could flesh out in a flashback than you could in a retelling which while I do like the retelling since it lets you imagine thing#I just! potential! I also want more of them interacting and I do think changing Janis to be a lesbian works if they leaned more into it?#I also think in my ideal form janis would have more comeuppance or acknowledgement of her shit? I also think an arc of Regina coming out#like one thing they missed from the original is Regina playing soccer at the end & I think they could hint more towards that and maybe lean#more into her at home life in an expanded story way coz her mom is clearly like… yikes. granted maybe some of my views on the movie are too#biased by personal experience but like the way she snaps at her mom usually in my experience isn’t out of nowhere? like parents behind#closed doors. or frustrations with what her mom has clearly been putting on her the way she tells her mom not to talk about her body is very#like idk a lot of the characters in this version feel more real to me bc they act really similar to people I know irl so the expanded story#could be cool. another one that in my ideal brain would have more is Gretchen and especially her relationships with Regina as well as with#that one guy and her parents I wanna see more of how that works and her arc to feel more meaningful when she dumps him & mentions family#also as much as I didn’t care much for the straight plot stuff there’s 100% missed potential there that I could see in the differences like#iirc in the original it’s regular algebra not AP calc which I think could’ve been used as an interesting characterization opportunity for
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j8kethewizz · 1 year
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I started writing this in the replies of a different post but quickly reached the word limit so I'm putting it here instead. These are my thoughts on across the spiderverse and they contain heavy spoilers. Please only read if you have seen the movie because it's the kind of movie that gets absolutely ruined by being spoiled.
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So the antagonists in both ITSV and ATSV have a lot in common.
Miguel and kingpin have the same motivation in each of their respective films. They both wanted to live a life that didn't fuck them over and they crossed through dimensions to try and make it happen.
They both fail to achieve their goal: kingpin's attempts to bring his family back are thwarted by the spiders, and the world Miguel enters literally falls apart around him.
Their actions have ramifications that further the conflict of the series. By creating his collider, kingpin gave the spot his powers, allowing the spot to wreck havoc through dimensions. Miguel's new dimension unraveling led him to believe in specific canon events that must happen to every spider person, and that any anomalies to his formula would cause the multiverse to unravel.
There's a pattern to be seen here, and while the next movie is likely going to focus somewhat on the conflict against the spider society, I think it would be cool if the conflict between miles 1610 and miles 42 followed a similar pattern.
Miles 42 lost his father, and 1610 showing up has proven to him there are other dimensions out there, including one where his dad is still alive, which would provide a motivation in line with the previous ones. Miles 42 is framed pretty clearly as an antagonist, meaning Miles 1610 as the protagonist will likely find a way to stop 42 somehow, meaning all that's left to see is the ramifications. I honestly don't know how it all will play out. Beyond the spiderverse could take this story in so many different directions and most of them would be satisfying enough for me.
The ultimate coolest move in my book would be to create a meta narrative of sorts where each movie has the same key elements that make up the story, but handle the conflict in three different ways; what if each spiderverse movie was an alternate version of the same movie? ITSV would be a man vs man conflict (kingpin pulled the spiders out of their own universes and miles has to defeat him to repair the damage done). ATSV would be a man vs society conflict, as miles is up against a society of other spider people who believe he's an anomaly who needs to be contained, destroyed, or forced into conforming to the spiderman formula. I predict that BTSV (at least miles' main arc) will be a man vs self conflict, showing miles a version of himself who behaves the same way as the villains he's faced so far, and having him reconcile with that.
The villains this series has given us have all been victims of circumstance, people who are trying to do what they can to get themselves out of a difficult or painful situation. What makes them villains is the choices they make in trying to get out. Kingpin, Miguel, and the Spot (and presumably Miles 42 but it's a bit too early to say) will stop at nothing to get what they want, and they don't care about the people they hurt along the way.
Destiny and canon want to put Miles through the ringer like every other spiderman, but Miles rejects these very concepts in the climax of ATSV. Miles chooses to reject these ideas, trying to find an alternate path much like the antagonists. But Miles has a different motivation: in addition to making a better world for himself, he's fighting to make a better multiverse for all of the spider people.
I'm not a super active writer, but a writing adage I've picked up over the years is that protagonists ask questions and antagonists give answers to those questions. Its up to the protagonist whether to believe if those answers are true. In BTSV Miles' question would be "Am I a villain too?" Miles 42 answers yes by showing our Miles that at the very least, he is capable of becoming a villain. If Miles rejects that answer, he will no doubt do so by remembering that unlike the villains he's faced, he's fighting for something greater than himself.
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theheadlessgroom · 6 months
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@beatingheart-bride
In turn, Randall squeezed her hand back, as he drew in a deep breath. Despite his best efforts, clinging to the notion that his parents would at the very least be understanding once everything was laid out on the table for them, seeing that Emily really meant him no harm and that they truly were in love, there was no denying that growing cold pit in the bottom of his stomach, worsened only by her suggestion. A part of him sort of wanted to (however lamely) protest, instead suggest they save it for another day, and just enjoy themselves for now...
...he knew, in his heart, she was right. They would have to tell them at some point, and it was better to do it now rather than later; Randall had never been one keen to lie to his parents, and he knew the guilt of keeping such a massive secret from them would eat him up from the inside out. Thus, it was just better to get it out of the way-for both his and Emily's ease of mind.
"You're right," he sighed, as he brought her closer, wrapping his arm around her as he nodded, "They...they do deserve to know. I'll, uh...I'll give them a call in a little while, tell 'em when I'll be home, and that you'll be with me. We'll...we'll tell them together."
He punctuated this with another loving kiss, this one pressed to her cheek as he reassured her, "It'll be alright, Emily."
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oh also i scored this really cool set of promotional postcards for poor things at the cinema <3 great day for jules nation overall
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the-hawks-rye · 2 years
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i know it's been said a gazillion times and said more eloquently than me but god the amount of missed potential in the sequel trilogy. thinking about how anakin became a villain because he felt he had no other choice (and the tragedy being that he always had a choice, and his character arc concluding with him deciding to stand up for what's right by saving luke), meanwhile kylo grew up surrounded by a loving family full of positive role models and chose evil knowingly because he craved power for power's sake. kylo idolizing the tragic figure of darth vader all the while burning the world around him. there was so much you could do with that but instead they had to sacrifice rey's character to make the movies about her fixing the genocidal white boy who never wanted to be saved
#rereading tfa junior novel...#tfa wasn't perfect but it really did set up a lot of interesting stuff! that never got proper attention (if it did at all)!#mitch rambles#sw#sw negativity#and of course the nature vs nurture with kylo vs finn. why the hell did they never get a rematch after tfa. like that would have so good#having finn now on solid footing knowing that this (the fate of the galaxy) is worth fighting for and his now realized self#kicking kylo's pathetic ass into the next galaxy#also why tf did rey get force healing in tros when finn was ren's (characterized by destruction) narrative foil#like i know it's sidelining finn bc racism and making rey super special and powerful in lieu of actual characterization & bc they didn't#actually care about the story they were telling but y'know. 'why' best conveys my bafflement with the thematic flops situation#anyway back to kylo. u could have him tentatively going lightside-ish at the end of the final movie bc star wars redemption themes and all#but you'd have to have him very very very clearly giving up power (or accepting a forced loss of it) for it to work! like themes 101 people#like 'oh i did a bad thing by killing my dad :(' cool but are we gonna address the root cause of why you did that? (or your other crimes)#it's bc he was representative of how morals still had some power over you and u hated that because u need to be stronger than anything else#i don't think any of this ground-shaking breakthroughs like your room full of writers couldn't work out any of that. does nobody know what#a theme is? people were payed big money to make those movies??? (this is not about set/sound/costuming/etc you did great)#*sigh*#store wore posting
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in english atm we're studying 1984, and we have to do a comparative essay between it and one other related text. my teacher has encouraged me to choose a musical as my related text, since that's what i enjoy, but i've got two i'm trying to choose between.
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amphitritebaby · 2 months
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still watching dune 2 not only is it an extremely long movie my internet is shit so it keeps pausing every 3 seconds. anyway all theyre talking about is bloodlines. like boo hoo ur harkkonen, is ur father not of house atreides? were you not able to open the room of warheads designated only for your bloodline? like. who care. tbh like yeah ig "ohh some of my family are brutal colonizers" is that not literally what you were there to do in the first movie. and now its like oh well actually no i am going to rule. called himself the duke of arrakis bitch since when. i thought he was gonna stay behind in the north and maybe send one of the warheads towards the harkkonen base/the spice fields and like save the day but no he decides in like. half a second to go south and drink the poison. and now hes having more visions of his unborn sister like okay man yeah. this seems like a great time for you to be in a position of power. on a planet you are not from and originally planned to colonize okay man uh huh.
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tearlessrain · 6 months
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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racke7 · 5 months
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So, last night I was thinking about FF14 and Skyrim again.
Specifically, my feelings of "I played this game all day - do I feel like I actually did anything today, or not".
If I manage to play Skyrim for basically a full day (instead of some random burst of an hour), I usually feel like I've "advanced the story" of that character, gotten better gear, established the character's personality a little bit (doing X instead of Y, prioritizing this quest over that, commentary through regular gameplay, etc).
So I don't necessarily feel like I "did a lot of things today", but it does feel like there's an "accomplished" feeling, kind of.
If I play FF14 a full day, I feel like-... It feels a bit as if I've watched a really long movie (especially if I played MSQ)? It's a sometimes-good movie, so I don't necessarily regret it, but... that's it. Between the queues for dungeon-diving and travel-time, a lot of the gameplay really amounts to "watch a cutscene".
So, I learn new stuff about FF14-lore, I might get inspired into creating a fancy new outfit for a class, and... a few numbers go up? The aftermath of playing FF14 really does feel as if I've spent the day watching a weirdly prolonged movie.
#a part of me keeps making annoyed noises and saying ''just buy the fucking game already''#bcs then i'll have bigger caps available. more outfits. etc. but then i remember that it's a subscription.#a subscription that will lock this character forever if i stop paying the fee. and suddenly i REALLY don't wanna.#and the fact that i keep feeling as if ''this is a movie - not a chance to create new and interesting characters''?#it definitely pushes ff14 closer towards something like no-character-creation The Witcher and actual-railroading Divinity 2#and... yeah. mmos aren't exactly famous for letting you develop ''interesting characters'' in the story or whatever#but that's usually bcs there isn't a LOT of story. and it's usually very ''start a new character''-friendly#which ff14 is very much designed AGAINST (you can do all the classes as one character. msq is really fucking long. etc)#so despite how deeply invested ff14 is in its own story. it almost feels like the player isn't allowed to INTERACT with it.#skyrim has many faults (many many faults) in its story. but usually there's an ability to pick and choose what parts to interact with.#i could play as a thief and NOT join the thieves guild. i could ignore the civil war. or alduin. or miraak.#i can even make a choice sometimes to pick a side (dawnguard/vampires. empire/stormcloaks.)#there are even some daedric quests that allow for ''murder the innocents or get cool new item''-choices.#do those choices matter a lot as far as gameplay is concerned? not really. but for a character-story? it's incredible.#so ff14 has this whole world of amazing things. and you HAVE to play through msq to see it.#and msq doesn't really allow you to be anything other than ''heroic and steadfast warrior'' with MAYBE a bit of flavor-text mixed in.#which would be fine in most mmos. bcs the story is such a small part of the game. but ff14 has a FUCKTON of story.#so... you get to choose what your character looks like. and then you get to see them in lots of cutscenes.#bcs you don't really have any control over WHO this character of yours really is. just what they're wearing.#so yeah. it ends up feeling a lot like i've just watched a movie. not done something ''creative'' for character-building.#ff14#skyrim#personal stuff#video games#rants
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eupheme · 24 days
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— you’ve got me wanting you
[part iii of sugar, sugar] | [part ii] [masterlist]
wolverine/logan howlett x neighbor!f!reader
rated e - 7.4k
tags: jealous/posessive!logan, baker!neighbor!reader, wingman!wade, flirting, feelings, (another short) miscommunication, immature humor, light angst, use of alcohol, threat of violence, use of alcohol and smoking, semi-public sex, bathroom sex, PiV, creampie
As the days pass, you think your time spent with Logan is pretty much perfect. Well... almost.
(Or - a dash of insecurity, some badgood advice from Wade, a near-fight at a bar, and the confession of overdue feelings.)
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Those two nights spent with Logan turn into more.
The days are bleeding together, blurring. You fit well with him, you think. Together in Wade's apartment - spanning that space between their chatter and silence. Softening edges, though you think he's softened, too.
A stray cat coming around. 
Bristling, with narrowed, untrusting eyes. Slowly learning that he can lean into your touch. 
Your days since have been spent humming as you work. It had been an anchor once, this routine of yours. Getting up early used to give you something to get up for. Enjoying the whirlwind of prepping, measuring, making, decorating. 
Now - you're grateful for how quickly the day passes because it means you can't overanalyze. Because it means by the time you catch your breath at the end of the day, you're already heading home to him. 
Takeout was brought over to their apartment. A crappy movie with a hand curled around you, sending your heartbeat racing. The night ending at yours, hours between dusk and dawn spent learning every inch of each other. 
You think it's pretty much perfect.
Well... almost.
“Do you think Logan likes me?”
It slips out of you. Something that’s been worrying at you, a splinter trapped just beneath your skin. You regret asking almost immediately - the sun glinting off the silver needle as you push it through the lycra suit. 
“You mean the guy that’s been fucking your brains out for the past couple weeks?”
“Wade.”
“Oh, sorry.” He lines his knife up, poking a hole in the top of his styrofoam container - coaxing the waitress from lunch to give him a ‘take-home-margarita’. A cheerful “baby knife!” as he sheathes it again,” I mean the guy that’s been having totally-chaste-and-appropriate adult sleepovers with you?”
You understand what he’s getting at. Stalling, holding up his suit - another gash sewn shut with black thread, “You sure this is okay?” 
“Mhmm,” He hums, “Gives me that bride-of-frankenstein vibe I’ve always wanted. Besides, anything is better than before.”
“You insisted, you helpless little man-baby.” Al adds, from her lounge seat, “Learn to dodge.”
Wade splutters - your lips twitching, as you work.
“See what I live with?” He gripes, “Maybe the two of you outta trade. It’d be cramped, but I bet the three of us could sardine it.”
“You wouldn’t last a week without Althea,” You snort. A beat, before you gather the courage to circle back to the topic at hand, “And besides, that’s just it. I’m not sure he wants to sleep with me." 
The summer breeze feels better up here, on the roof. The whip of the wind cooling you, as you work your way across the once-again battered suit - propped up against the brick parapet. 
“Okay, time out. Missing link here.” Wade gives you a sideways look, before his head pivots, "You cannot hit me with this fake virginal act when I literally heard you two fuck an hour after you met."
A beat, "And like, pretty much every day since then. I think I even heard a howl last night-"
Your eyes roll, "Wade. He’s not a werewolf, he did not howl-"
"Well, not anymore.” Wade smirks, “And funny that you assume I meant the Moan Wolf, but I could have meant you-"
You groan, head cradled in your hands, "I'm sorry. I'm sorry, we'll keep it down. It's just-"
It’s just you’ve been here before - this liminal space between an excellent physical connection, and more. You've done the hookup thing - casual, friends-with-benefits, lonely strangers. Thought you had learned how to keep your emotions in check, especially with those past experiences.
But you’ve never met someone like Logan before. 
He makes you feel bare. Soft-hearted and stripped down - wearing your feelings on your sleeve. Opening yourself up - only for your fingers to brush up against a brick wall, in return. 
Wade must catch your tone because he sets down the styrofoam container - the pink umbrella tucked against his ear. 
"Alright Sugarbuns, tell Papa Bear what's bothering you." 
You grimace at the names, another flicker of regret lingering in the corners of your mind. But you find yourself talking. Letting those worries flow from you in a rush.  
But Wade would know, wouldn't he? It's his friend, after all. 
"He leaves after."
His eyebrows raise, and you continue, "I mean, he'll stay for a bit but he always winds up on the couch by morning.  I’ll wake up in the middle of the night and he’s out there. I mean, I thought he'd want a bed, after where he's been staying, no offense-"
Thought he’d want to stay with you. 
You nudged at it once. Getting nothing more than a grumbled excuse about not sleeping well, something about nightmares. Something you accepted, only to find him tucked in your bed a few days later - curled in your sheets when you had rushed back to the apartment after leaving your phone. 
Hadn’t wanted to push, even if it confused you. Wouldn’t he want comfort, after a bad dream? You always did. 
"Offense taken, Blind Al and I are excellent bedmates," Wade interrupts, "But please, continue."
His joke eases you a little. Risking a sideways glance, finding him already looking at you.
“I like him, Wade. I just really want this to work out.”
He hums, sympathetically. Knowing all too well the complexities of like and love. How you feel deeper than you’re letting on - he always was perceptive, after all. 
A beat, before your head turns. 
"Do you think it's me?" 
He does laugh then, his shoulder leaning to bump yours, "Sugar, you have a two-hundred-year-old boyfriend who's gone through a massive amount of trauma and has an alcohol problem, and you want to know if it's you?"
"Fuck." The heels of your palms press into your eyes, "Okay, okay-"
"I literally traveled through the void with him, Planes, Trains, and Automobiles-style. The John Candy to my Steve Martin, and even after saving the world he still wanted to kill me."
"Wait," Your head lifts, "Why would you be Steve Martin in that scenario?"
“He’s the main character, as am I.” He barrels past your question, "The point is, if he didn't like you, you'd know. You just need to be-"
"Patient." You finish, "Yeah, I know." 
And you do know. Even since that first meeting, you've known that he's been eaten up inside. Cracks of the man beneath leaking through his gruff exterior, as you had sat together on that couch. 
But Wade called him your boyfriend, but he's not. Not really - no conversation to indicate that's how he saw himself. 
It just left you confused. Vulnerable. Enough that you did dumb shit like this - going to Wade for romantic advice. The man who proposed with a ring pop and thought that a prostate orgasm was a sign of being soulmates. 
"Maybe you’re giving him too much. Withhold a little," Al interrupts, making you jump, "That's what landed me my second husband. Begged for it like a dog, and was married the next month. God rest his soul."
Wade mouths an exaggerated “what the FUCK" at you, before shooting a dark look in her direction - only just then seeing her smirk.
"Oh, you’re joking? She came to us for help and you’re joking-” A sniff, as Wade turns back, "So anyways, don’t do that. Do something normal. Like internalize it, until it makes you snap."
His face screws up, as he adds, “Or, maybe try it? That bricked me up a bit-”
"Or,” Al adds, “Maybe you should just talk to him, Sugar."
Althea always knew how to cut to the chase and give the hard advice you needed to hear. You just wish you weren’t afraid of the answer.
‘You’re both right,” Your head dips against Wade's shoulder, “I owe you. Again.”
Silence lingering, though it’s not uncomfortable. Leaving you to think about what he said.
The suit passed over to him, when you tie the final knot, “Done.”
“Thanks,” A beat passes, as he gives you a sideways look, “Any chance you want to cash in on that favor tonight?”
You know better than to agree without more info - an eyebrow raising as you wait.
“Vanessa is coming over tonight.” Wade gives you a meaningful look, “It would be great to have the apartment to ourselves for a bit.”
The serious tone does not last, as he smirks, “I fully intend to break my months of celibacy the second the opportunity arises.”
“Months?” You hadn’t realized it had been that long. Thought he would have moved on, in some ways. 
“Years, actually,” He adds, casually, “Turns out my obvious romantic hangups plus this-”
A gesture at his face,” Are a total boner-killer. As well as having an elderly roommate, apparently. Especially one who won’t leave.”
You shoot him a sharp look at the self-deprecation, Al’s voice cutting through.
“I told you, I’m hitting the casino for singles night.”
“Okay. I can drop Al off and pick her up,” Your mind is already racing ahead, “And Logan and I can go out to dinner or something.”
The prospect is exciting. Despite the time spent together, you haven’t really gone on too many dates yet. After your long hours and his rotating work schedule, your meetings have mostly been late-night. Quick meals whipped up in your kitchen. A rotating pile of delivery menus. 
“That would be great.” He smiles, “Thanks, Sugar.”
“Of course.” You smile, before adding, “What are you going to make?” 
A frown, when he hesitates.
“Don’t tell me you’re going to wing it.”
“I wasn’t winging it,” He protests, “I was going to hit up ol’ reliable.”
“For a second-first date? You can’t do takeout from Buns and Roses.”
A sigh, as you turn to face him, tugging out your phone, “You should make something nice. I have this recipe bookmarked for engagement roast chicken. I’ll help you-”
He tugs your phone out of your hand, scrolling through the eight-paragraph opener before the start of the recipe. 
“Make this for her, show her you’re serious-,” You start.
Wade finishes, with a smile. 
“-and there’ll be a cock ring on it before midnight.”
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You keep catching yourself looking at him.
It’s almost embarrassing how bad you have it. Still not used to seeing Logan like this - away from your small apartment. 
Seeing him at work was different - a very cognizant realization that you were on the clock. The counter between you like a barrier, even when you slip a coffee and pastry across it. A lightning-quick kiss pressed into his cheek. The relentless teasing from your coworkers, after. 
But here - crammed in a booth, his hand slipping just under the hem of your dress, a palm curved against your thigh - it’s something else, entirely. Even in this dark corner, you have to resist letting your hands wander. Eyes flicking to the deep cut of his button-down flannel - dark hair peeking out from the curve of his white tank. The blue and grey pattern pretty against his skin. 
A curl of smoke pours from his lips, a cigar fit between two fingers. 
Logan had been curious to find you in the apartment when he got home. The aroma of the roast chicken wafting through the space, as you talked Wade through the last steps. The slow sweep of his eyes over the pretty sundress you wore, tugged from the back of your closet. 
It hadn’t taken much convincing, when you asked him to get dinner out with you. Even with Althea in tow, safely dropped off for her night out. 
“This is nice.” You smile, and his eyebrow lifts.
A glance around the room.
Dinner spent at a local pizza joint - stories shared, wound between updates about his new job at the local lumber company. About Laura, who you met two weeks ago. So much like Logan that it still catches you off-guard. Shared expressions, shared tempers. 
You think that it must have been hard for both of them, this reunion. That comparison between the Logan in this world, those memories that stay with her. She views him the same - even you can see that. He’s told you it came as a shock, but it’s easy to see how he’s warmed, with time. Finding joy, within the shared grief.
The conversations spill over into a bar you know well. Unsure what to do with yourselves with the order of “staying away”, the sun still setting when you had stepped inside.
“Not sure nice is the word I’d use, sweetheart.”
“Anywhere is nice if I’m with you. I am sorry, though. I know it’s not-” Your hand waves, shyness creeping in as you lean into his shoulder, “Wasn’t sure where else to kill some time. Dopinder and Buck run a tight ship, it’s really not so bad.”
“Mm. Guess this is nice, then.” He corrects, a hint of a dimple as he smiles, “But you let me take you somewhere safer next time, yeah?”
“I’m safe with you.” 
You miss the way he looks at you, as you take a sip of your drink. The brush of his fingers against your skin. His voice going low, goosebumps rising as he murmurs in your ear. 
“How much longer do we have to stay out?”
A question that’s been on your mind as well. 
“Well, Al’s thing is over at ten,” Your teeth worry at your lip, “But, I guess we could sneak back early. It’s just, Wade-”
“What about Wade?” 
It’s unfair, how he crowds you in the booth. Torso twisting to face you. The warmth of his hand - how you’re aware of each and every movement he makes. It takes you a moment to answer.
“Wade is… Wade,” You manage, “But he doesn’t really ask for much. I owe him, you know?”
“You owe him?” He chuckles, “He’s lucky you stuck around after he tried to give you cocaine-”
“Hey,” You smile, “That was Al.”
That had been your second run-in with your neighbors. Only desperation had sent you over to the apartment, needing a cup of powdered sugar for a personal favor. Under-estimating how much you needed, in your rush to finish some cookies for a friend’s baby shower. 
Meeting Al instead. The powdered substance swapped when her roommate had rearranged the apartment as a prank. Only Wade bursting from the bathroom, a towel slung low from his hips, had saved you from disaster. The nickname had formed when you hadn’t written them both off. 
“And besides, Wade was the one who introduced me to you.”
Logan’s expression softens, “That is something, isn’t it?”
He holds your gaze for a long moment. Eyes drifting lazily down to your lips, with a low hum, then further. It sends a heat blooming in your cheeks, an unconscious press of your thighs together.
“I’m, um, gonna let Dopinder know we’re heading out.” You breathe, “He’ll worry if we irish goodbye.”
“You sure?” He husks, with another exhale of smoke - and you can feel the heat rising from your cheeks to your ears. 
“Yes,” It comes out breathy.
“Um, yeah. You finish that, and I’ll be right back.”
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Your elbows pressing into the sticky bartop as you wait - watching Dopinder work his way through pouring pints of beer for a crowd of bikers, all in dark leather.
A glance over your shoulder, finding the booth tucked in the corner. The dark head of hair, the expanse of his shoulders - a thick arm slung across the back - as Logan waits for you. 
It makes you smile, and you almost miss the bump of a shoulder against yours.
“Oh!” You squeak, shifting to the side to make room, “I’m so sorry, I-”
The apology dies on your tongue, as you glance up at the man leaning against the wooden post at the end of the bar. Eyes drifting over the black field jacket, up to dark eyes. 
“Been a while, darlin’.” 
You inhale a breath, in surprise. Close to two years ago, if you remember right. Numerous meetings spread out over months, before he slipped out of your fire escape and into the early morning.
No note, no text. Walking out just as suddenly as he had appeared.
It had never been anything serious - he had made that clear - but you can’t pretend that it hadn’t hurt. 
“It has,” You agree, a low twist in your belly, “How have you been? Didn’t think I’d see you outside Hell’s Kitchen.”
Unable to help that flicker of worry, even after everything. It’s always been ingrained in you - thinking of others more than yourself. 
“Should ask you the same,” His eyebrow arches, “This isn’t your kind of place. Taking up mercenary work, beautiful?”
“I’m here with someone.” It comes out clipped, a glance over your shoulder - the nerves eased when you spot his form.   
“Mountain man?” 
A scoff - lip curling over sharp teeth, “Taking you to a place like this… You can do better than that. You can do-”
“You?” It’s your turn for your brow to raise, “We both know how that goes, Frankie. This-”
A pointed finger, gesturing around the room, “Was my idea. Things are different. I’m different.”
There’s the hint of a smirk - dark eyes that drag slowly down. Flicking back up to yours, as his voice pitches low, “I’m sure some things are the same.”
Your head shakes, “Not like that.”
There are lingering shades of purple that fade to yellow across his cheekbone. Never was good with this. All that time spent glancing out your window, waiting for him to show up, battered and bloody like he used to. All he did was keep you out, keep you at arm’s length.
Maybe that’s why you’re afraid of it happening again. A little shake of your head - a reminder that you need to be patient like Wade said. Logan isn’t him.
“I know what I want, and it’s-” The words die, as you look for him, again. Finding only an empty booth - your stomach tying up into knots. 
A palm touches at your hip, a chest pressing snugly against your back. Startling you, as you breathe, “Logan.”
“This asshole bothering you, sweetheart?” It’s growled out, Logan’s eyes fixed on the other man. 
“Nice guard dog.” There’s an amused appraisal - narrowed eyes, tongue trapped against teeth. “He do tricks as well?
The fingers at your hip curl, the smallest tug backward to bring you closer. The words ground out between bared teeth.
“You watch it.”
Christ. This was bad, you need to find your tongue - and quickly. 
You twist, a hand resting on his chest. Only now does Logan’s eyes drop to yours, the tight pull to his features only just ebbing.
“This is Logan,” You smile, your palm pressing over his heart, “He’s, uh, my-”
And for a brief second, your words fail you. The tension is thick enough to cut, acrid in the air. Would labeling this right now send him running? 
The man cuts through before you can finish.
“Frank Castle.” His eyes flick back to yours, as he adds, “Sure you can guess how we know each other.”
The muscles beneath your palm twitch. A light pressure against your hip, urging you away from the bar - the words low in your ear, “Alright. Let’s go.”
A nod, and you’re giving Frank a tight smile - letting Logan guide you towards the back. No more than a step taken before his voice cuts through.
“You still got my number?”
You shoot him an exasperated look, “Frank-”
“Gonna be back in town for a while, baby girl.” His arms cross, as he leans, “Call me when things don’t work out.”
The words are barely out of his mouth before a fist closes around the collar of his jacket. Logan stepping into his space, a forearm shoving Frank hard as he pins him against the post.
“I’ve had enough of your bullshit, bub.”
Fights are common in Sister Margaret's School for Wayward Children, but you can’t say you’ve ever experienced one. Fear licks inside you, meeting Dopinder’s equally worried gaze as he starts to rush over.
Frank’s smile is dark, “You don’t want to start this.”
It’s met with a growl. Silver points peeking between the dips of Logan’s knuckles, the fabric straining in his tight grip.
“Fucking try me, you piece of shit.”
There’s a metallic click - the press of something cold against Logan’s groin. 
“Should shoot your dick off for that.” 
“Okay!” You shove between them, then. A hand on Logan’s arm, tugging - the other at his neck, trying to guide him back to you. 
“Hey. It’s okay,” It’s softer now, soothing, “Baby, let’s go.”
His hazel eyes are wild when they find yours. Face twisted in a snarl, deepened with the shadows cast in the dim room. Blinking, as he comes back to himself. A dark look as his arm eases - stepping away.
This time, it’s you that leads him towards the back exit. Something gritted out as you leave that you miss, but sends Logan bristling. An apologetic look thrown at Dopinder, before you’re stepping together through the swinging door, into the wood-paneled hallway. 
Ducking down one of the hallways, next to matching doors leading to bathrooms, and a storage closet. An exit sign, gleaming red at the end. 
The music and voices are muffled. His face silhouetted in the light of a vintage beer sign, his features outlined in gold as his back presses against the wall. A gritted, inhaled breath.
You haven’t seen him like this before. Seen him mad several times. Grouchy and annoyed with Wade. The sharp temper that hid his hurt when he thought you didn’t want him.
None of those moments match him now. You’re not sure what to make of it - the way your skin prickles. Something in your belly flutters, a warmth that drips from behind your ribs, settling low. You never wanted anyone to get hurt. But that look in his eyes, how quick we was to find you - it makes you inhale a breath.
“We-,” You start - your fingers still curled around his bicep, “We should talk about this. You okay, Logan?”
His eyes flick to yours, jaw working. The fury has bled from them, the sharp etches in his face easing, even as his expression stays guarded. 
“Yeah. ‘m fine.” Logan rasps, “Didn’t like the way he was looking at you.”
A beat, before it slips from him, “Was he one of the ones Wade scared away?”
“What?” It takes you a long moment to remember. Your brow pinching, as you shake your head,” Frank? No. It was-”
The pull of his brow is back, his frown deepening with your explanation. 
“It was just casual.” You finish, lamely, “It wasn’t anything. Never was.”
“Didn’t sound that way.” It’s gritted out. 
His head turns, eye contact dropping. A hand, raking through his hair - pushing the dark strands back, “Listen. If you want to go with him, it’s fine.”
You’re left stunned for a moment. His jaw working, hands jamming into his pockets. It’s defensive - it’s familiar. 
“I don’t want to go with him-” You start, but it only makes him sigh. 
“Then what were you gonna say, Sugar?” The look he finally gives you is searching, “I’m your, what-, your neighbor?”
“No!” You cry, “I was going to say you’re my boyfriend, but you’ve never-”
Logan’s pitches low, “I’ve never what?”
Your shoulders droop. Curling around yourself, as you lean into the wall next to him. He leans, matching your height - trying to catch your eyes. 
“I don’t know, Logan.” It’s almost too quiet to hear. He might have, if he had been anyone else. “I told you I liked you the day after meeting you. But you…”
A little shake of your head, “You keep everything so close to your chest. You leave in the night. It’s okay, I just… sometimes I don’t know what to think.”
When his arms cross this time, there’s something in his eyes. A dark glimmer, the tug of his lips.
“You think that I don’t like you, sweetheart?”
A tilt of his head, a sharp edge slipping into his tone, “You think I wasn’t ready to tear that asshole limb from limb for talking to my girl that way?”
Something low in your belly twists, desire thrumming in an echo that radiates through you. A sharp inhale of breath at his words.
“I didn’t know you felt that way.” You manage, transfixed.
It’s easier, this time, for him to step into you. Hands ghosting along your neck. Tipping your face to his, so you can’t look away. Can’t miss what he tells you.
“If-, if I open up.” It comes out hushed, his words soft and low, “You won’t like what you see, Sugar.” 
You reach for him - fingers curling around his wrists, “I like what I see just fine.”
He huffs. The barest hint of a smile, before his expression goes solemn. 
“This,” The word is punctuated by the way his thumb sweeps against your cheek, “Never goes well for me. Sleeping on the couch puts me between you and anything coming through that door.”
Your pulse races with the remorse in his words. He’s touched on the barest of details of his past. Those small moments shared in the night you met, riddled confessions in the late nights that have followed. 
“And the things I dream about-,” His eyes go hazy - lost in a memory, “They pull me back. I don’t want to hurt you because I can’t tell them from reality.”
The words slip from you automatically, without thought. Guilt floods through you, an ache from wondering - doubting. 
“You won’t hurt me.” 
“I will.” He breathes, “Sweetheart, I will. It’s not an if, it’s a when.”
Your head shakes - a stubborn set of your jaw, “You won’t. Please don’t shut me out, Logan. Please try…”
He huffs - eyes dropping to your mouth, as he leans. Hands slipping to cup your head, angle you to meet the press of his lips. A soft sigh that you swallow, something tender in the way he draws you to him. A hand curling around your back, splaying between your shoulder blades.
“Give me some time, okay?” Logan murmurs, when the kiss breaks, “Let me draw out the first good thing I’ve had in a long time. Just for a little longer.”
“Don’t have to draw it out.” Your body still curves to his, anchoring yourself to him. A hand touching his jaw so this time, his eyes have to stay on you.
“You deserve good things, Logan.” Your mouth brushes his, “Let me give them to you.”
The sound he makes is almost wounded, as if he wants to protest. 
As if he wants to believe you.
Breath ragged, as his hands trace down to grip at your hips. Leaning into you, your touch. What you offer him. A thigh fitting between yours, nudging against your core - and you think surely he must see how your eyes darken.
The rapid flutter of your heart, how it races for him and only him.
“Yeah?” He husks, as if reading your mind, “You ready to get out of here, Sugar?”
“Bathroom.” You breathe.
“Can’t wait that long.”
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He’s on you the second the door swings shut. Fingers twisting at the lock, as his head dips - mouth finding yours again.
There’s a desperation to his kiss this time. One that you match with the way your palms trace up his chest. Fingertips at his neck, tugging him to meet you.
A thrill shoots up your spine. You’ve never done anything quite like this before. The space behind your ribs is soft and tender from his confession - already breathless before he deepens the kiss.
Backing you up against the old, chipped vanity that lines the wall. The stalls hanging open - empty as his hands trail down your spine. Fitting beneath the curve of your ass, tugging you up to fit on the counter. 
Finding your jaw again - guiding your lips to his, meeting the sweep of your tongue as he fits between your thighs. 
“Been wanting to get my hands on you all night.” He breathes, against your lips, “So fucking pretty, you know that?”
It sends a pulse through you, down to where you’re already responding to his touch. Your knees close around his hips, urging him closer. 
“Logan, please,” You hum, fingers tugging at his belt buckle. A palm pressing against the front of his jeans, where his cock strains against the denim. 
His moan is ragged, bucking into your touch. Fingers tracing up your waist. Letting your tits fill his palm, as you work him free.
“This okay?” Logan rasps, eyes half-lidded, “Pretty fuckin’ filthy, sweetheart.”
It’s hard to hold back a moan of assent, when his lips presses against your neck. Open-mouthed kisses up the column of your throat, the scrape of teeth pressing into your jugular.
“Good,” He growls against your skin, “Would’ve bent you over that fucking bar if you’d let me.”
It’s possessive. It makes you shiver - a sweep of his tongue, the suck of lips as he marks you. The sharp sting of his bite fading into sweet bliss. 
“Need you.” Your fingers wrap around his cock, stroking. The lightest of tugs to bring him closer, your thighs inching further apart.
He groans, “You have me.”
The pretty dress you wear is pushed up to your waist. His palm cupping you, feeling your warmth before he’s tugging the fabric of your panties to the side. 
Need rushes through you. A heave of your chest against his as your mouth meets his, greedy. A tilt of your hips, a leg lifting to hitch around his waist. Your hand curling around the edge of the counter, the other guiding the tip of his cock against your slick folds.
“Hold on, honey.” Logan’s fingers slip against your pussy, nudging inside, “Gonna be sore.”
“I can take it,” You insist, pleading, “I can take you, wanna feel it.”
His eyes darken. A little inhale of breath, watching as your lips part as two fingers press deep. Your teeth already sink into your bottom lip, muffling a whine.
Slipping them free, after crooking inside you. Wrapping his hand around his cock, a rough stroke to smear your slick around him. Lining the tip up with your opening, as his hands fit against your waist. His hips pressed snugly against the chipped counter, as he begins to tug you to meet him. 
You can feel every inch, as he moves you. He splits you open, your shoulders arching against the dirty mirror as your nails bite into the laminate. A hand pressed against his chest, as you urge him to go slow. 
A held breath coming in a rush, as he slips deeper inside you with a grunt. Filling that ache you’ve been carrying - your eyes dropping down to watch the slick shine of his cock. Sinking into you with the slow saw of his hips, a clink of his belt with movement. 
“Just for me, yeah?” He rasps, a hand drifting down. Fingers splitting where he fills you, drawing slick tips up to circle your clit.
“Just you.” You nod, breathless. Rocking into his touch, taking more as you adjust to the weight of him inside you. 
His teeth flash white, in the dim room.
“That’s my girl.”
The moan you’ve been holding back slips from you, as you clench down hard around him.
He hums, “You like that?”
“Yes.” You whine. Reaching for him, as he tugs you closer. The slow plunge of his hips turning into a shallow grind.
Fingers circling and pressing, in rhythm with the heady drag of his cock against your walls. Your fingers grasping onto his arms, his shoulders - the kiss is messy when he meets the tilt of your head. 
Leaning into you as his tongue licks into the cup of your mouth, your tits pressed up against his chest. A broad hand slipping from your waist, curving against the swell of your ass and squeezing.
“That’s it,” He rumbles against your mouth - eyes half-lidded. A groan when you nip his lower lip - grinning at the way you gasp, when his hips surge forward, “Atta girl, taking me so well.”
Each swipe against your clit feels like a countdown - hips angling until he finds that spot inside you that makes your teeth click together. That slickens him up even further, until he’s pounding into your wet, tight heat. 
Your fingers pinch down. Breath going short, until you’re panting. Unable to do more than buck into his touch, as the pleasure threatens to overwhelm you.
“Couldn’t even wait to get home,” Logan growls, “Needed this cock so badly, didn’t you?”
“Needed you,” You whine, hips rocking to meet his. Eyes fluttering shut, as the winding pressure builds, “Fuck, needed you. Gonna make me-”
The words break on a bitten-back whimper. Your muscles go stiff, bracing yourself in his arms. 
“Want you to look at me, sweetheart.” He coos, with that steady roll of his hips. Nudging deep inside you each time, as his fingers circle against your clit, “Eyes on me when you come, alright?”
Your answer is a breathless nod, as you listen. 
You don’t think you could look away if you tried. Not with him right in front of you. So close you can see the pull of his brow in concentration, the pretty shade of his eyes. 
Fixed on you, as his lips part. The soft pant and grunt as desire throbs in your veins, your fingers curling into a fist in his flannel.
“Come for me, baby.” He urges, “Wanna feel you, let me fucking feel you come.”
It’s there, swirling inside you. Liquid heat between your thighs, yanking you to an invisible edge. Leaving you to dangle, breath held -
“Oh my god, Logan-“
You’re falling - clenching down hard around him. His name is a chanted prayer as he fucks you through it - a ragged, pleased sound rumbling in this throat as you pulse around his cock. The slap of his hips growing louder, more wet as your release coats his cock. His base and balls sticky, when they press flush to your cunt.
“That’s it,” He growls. Fingers leaving your clit, so he can grip your waist. Drive into you harder, chasing his own impending release.
“Come on, that’s my girl.”
It’s pulled from you, sweet and smooth.
“Yours.”
Logan’s moan is ragged, coming from low in his chest. His pace stutters - the steady thrust turning sloppy. A messy rut of his hips, grinding himself as deep as he can before he finds himself again. 
You forget the dingy bar. The flickering overhead lights. Filth and phone numbers scrawled on the walls. Everything narrows down to him.
How he holds you. Looks at you -  so much said in the way they soften. You don’t know how you ever could have doubted. 
Blinded with uncertainty. Fears from before, that will no longer have a hold on you. 
“Logan,” You sigh, your heel digging into the curve of his ass. Eyes still on his, as your plea slips from you, “Fuck. Don’t pull out.”
You want to feel him. The throb of his cock when he comes deep inside you. How he lingers, slick and dripping from you - now, and later, and tomorrow. 
A gritted-out groan, as the sharp tempo increases. Fingers pinching hard enough to bruise, and you’ll wear him there, too - fading marks against your hips. 
“Yeah?” Logan husks - that look back in his eyes. Pupils blown wide, as his lips part with a groan, “Gonna be my good girl, gonna fucking take it?”
“Mhm,” It pitches high, as you nod. 
“Fuck.”
It comes out choked, as he loses himself in you. One, two, three thrusts, and Logan is growling - hands slipping down to tug you flush against him, as he spills inside you with a muffled shout. 
Hips grinding himself deep into you, his words a rough rasp in your ear, “Take it. Just like that.”
He pulses inside you, filling you with each twitch of his cock. Marking you fully, as he tests his teeth against your shoulder. A moan, as your thighs hitch around his hips - nudging him deep, where you’re wet and warm and wrapped around him.
Leaving him to grind every last drop into you, slumping back when his grip finally loosens. Your limbs feel like liquid lead, head tipped back against the glass. A groan muffled against your neck, as your fingers slip beneath the tugged-open flannel.
Nails scratching along his back, the tight muscles beneath easing.
“Boyfriend, huh?” Logan hums when he finally leans back - and you already miss his hands on you, as they shift to brace against the counter.
It feels cruel that he teases you like this. When you swear you can still feel the throb of his cock inside you. When he’s still sheathed to the hilt.
You groan, “Don’t make fun of me, Logan.”
“‘m not sweetheart,” He huffs, eyes going soft.
“I’ll be anything you want me to be.”
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There’s something off about your apartment - he can sense it the moment they make it to the landing. 
This is exactly what he had been trying to tell you. The when, not if, something will go wrong. His senses flickering into overdrive, nostrils flaring. 
Catching the light that creeps from under the door, when he knows you clicked it off. His hand automatically leaves yours, reaching out to tuck you safely behind him.
“Logan?” There’s confusion in your voice, a hand at his shoulder.
He shushes you, his words a low growl.
“Someone’s in your apartment. Stay here, sweetheart.”
There’s the soft snick of his claws, your fingers untwisting from his shirt. A breath, and then his hand is closing around the knob - a sharp jerk of his fist as his shoulder slams into the wood.
Teeth bared, as he bursts into your apartment with a snarl. 
All that fury bleeds to relief, and then disappointment.
“How’d you get in here?” Logan grits, his claws sheathing. 
Your voice joins his, from where you had peeked around the doorframe, “You okay, Wade?”
Hazy, morose eyes peer back at him - a hand lifting to wiggle “baby knife” at him. A newly-opened bottle of your cooking sherry in the other - a plate balanced on his chest, filled with a half-eaten chicken breast and vegetables. Legs stretched out on your sofa, Dogpool curled between his ankles. 
“She didn’t show,” Wade mutters, with a miserable smile, “Didn’t want to be alone.”
Logan can’t help the soft flicker in his chest when you go to him. Sinking to your knees by the couch - moving the plate to the coffee table, lifting Dogpool into your arms. She licks your chin as Wade lets loose a long, drawn-out sigh - flipping to face the back of the couch. 
"What was the point of the first two movies?" The words are muffled into the fabric, "Why would Disney do something like this? We were picking out baby names for fuck’s sake-"
“I’m so sorry,” You soothe - a hand on his back, “What can I do to help? Can I get you anything?”
Wade’s head turns to the side, with a long sigh.
“Thor’s phone number.”
“How about I take this,” You tug at the bottle, until it loosens, “And I text Peter? We can have a movie night, okay?”
He turns further, until he’s facing you again, “Even that one you hate?”
"Don’t hate it." You sigh, “It’s just so sad. I don’t know why it’s your favorite.”
“It’s not my fault they made that tree star look so goddamn delicious.”
You’re beckoning Logan over, a gesture to take his place. You hand on his arm, beseeching - but you don’t have to beg this time. The snarling dog inside him calmed - the fury from the bar and from the hallway ebbing at your touch. He can still feel your lips against his, when his eyes close.
The uncomfortable itch of opening up oneself still lingers, but it’s soothed by the way you smile at him in thanks. By the words that he still clings to.  
Logan has to fold himself into the space, knees folding. Mary Puppins tucked in the crook of his elbow - his other hand patting against a curved-in shoulder. 
Sincerity, as he offers, "Tough luck, bub.”
“It’s her loss.” You call, thumbs tapping away a message. 
“Her loss.” Logan echos, “You’re… you’re a good man, Wade. It’ll work out.”
It comes out clumsy. It always does - he never had a silver tongue like the Professor did. His edges as sharp as his claws, never one to waste words if his fist could do the job. 
Wade flips back over. The hint of a smile, “That’s the second nicest thing you’ve ever said to me.”
Before his eyes are flicking over to where you pace, voice lowering.
“And I gotta ask, did you maul Sugar? What is with that mark on her neck?”
Logan huffs, lips twitching.  
“We’re all set,” You smile, “Your Emotional Support Peter is on his way. He’s bringing Al and some ice cream.”
A glance his way, the question written so plainly in your eyes - the lift of your brow. “That okay?”
It’s not the way he imagined this night going.
Had thought he’d take you to bed when he got back. Take things slower, this time.
Using his touch and the greedy press of his mouth to make sure you understand that he heard every word you told him. That he meant each one he said back - make sure you never made the mistake of thinking he didn’t care for you again.
But when he looks at you - how you’re ready to sweep into the kitchen to make some popcorn, he thinks-
That he might just prefer this. Even as messy as it is. 
He smiles back. 
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The couch is crammed with far too many people. Five squeezing into a space meant for three at best. You’ve been half perched on his lap all night, his arm slung over your shoulder - tempted to pull you the rest of the way.
A couple months ago, his skin would have crawled to be this close to others. Would have peeled himself away with a scathing word and a sharper bite.  
But something softened him, during his time in this world. Days, to weeks, to months. 
Couldn’t go back, he knows that now. All the wishing and TVA TemPads couldn’t undo what was done - he’s known that for a while. It would take a long time, but he could try to come to terms with what happened. Try to do better, moving forward.
Starting with himself. A scrap of paper - snatched from a bottom of a flier with a brightly-printed 12-step program, shoved deep into his leather jacket pocket. Relearning how to be patient with others, and even more so with himself. Trying to listen what you and Wade told him.
He’s done walking away from things. You make him believe that whenever, if ever, he manages to open that tightly-sealed lid… you’ll stay.
The thought is one that he'll cling to.
“Alright. Enough bullshit.”  
It’s announced, as the credits roll - breaking him out of his thoughts. A creak of the couch as Wade shifts - crammed between you and Al, his head twisting on her shoulder to peer over his way. 
“‘m being serious now.” He insists, though the words slur together - the bottle stolen back during the movie and drained, “I’m so happy my two besties are falling in love, even if I am a jealous little bitch.”
A gasp, as he remembers - a reaching over to pat Peter’s shoulder, “Not that I’m forgetting about you, sugar bear. You too, Blind Al. I’d be just as happy if you two were dating. It'd be like a less fucked-up Harold and Maude."
A derisive snort from Al. 
Peter smiles, “Just happy to be here, pal.”
“Anyways, life sucks balls. Big, fat, sloppy, wet, balls, but goddamn if seeing you two happy doesn’t fill me with hope.”
Logan can hear the hitch in your breath. The pressure of your fingers, entwined with his. Embarrassment flickering across your face, when you are unable to help glancing his way. 
Exasperation and something else mixing in when you meet his gaze. Something soft and tender and directed so solely at him, that for a moment - he forgets to breathe.
Falling in love, huh?
Yeah. He might just be. 
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a/n: i adore frank castle, haha. i thought he would be a fun person to pull in for a jealous!logan scenario - and thank so from the bottom of my heart for all the love on sugar, sugar - I honestly had no idea so many of you would like it, and I can’t tell you how much it means to read your sweet asks and comments 💖 this is all I have planned for them right now, thank you for letting me share this series with you!!! (though I am definitely not done writing for logan!)
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despite assumptions and stereotypes, steve harrington actually doesn’t love dating around. sure, he does it and at the end of the night if someone wants to go a little bit further, who is he to say no? he’s only a man, after all.
but steve and eddie have been… doing whatever they’ve been doing for a couple of months now and steve wants more. when steve finds what he wants, he holds on tight with everything he has. but this time is a little different. eddie’s made it pretty clear that he’s not exactly looking for anything serious. steve’s pretty sure eddie likes him, but he’s not sure that affection goes far beyond that thing he can do with his tongue.
which sucks. steve’s still gun-shy from what happened with nancy and tommy and jonathan back in high school. he hasn’t felt this way abt anyone in a pretty long time and it just sucks that eddie’s only interested in coming over at 3 in the morning. steve wants to go to the drive-in and to the state fair and out to lovers lake for stargazing. he wants dates and sleepy make out sessions and movie nights on saturdays.
but steve likes eddie so he’ll take whatever eddie’s willing to give him. he knows it might make him pathetic or whatever, but he’s accepted it. it’s fine. he’s just waiting for the day eddie stops showing up, for the day that eddie looks at him and tells him enough is enough, that it’s been fun and all but eddie’s on to bigger and better things.
saturday nights are the worst. steve knows eddie plays the hideout almost every weekend and steve’s left to sit home alone thinking about what eddie might be getting up to out at the dive bar. he knows what eddie looks like when he performs, knows how beautiful he looks in the low lights. he’s seen the way the audience looks at eddie while he’s on stage, grinding his hips into his guitar. it makes steve’s stomach hurt just thinking abt it. and sure, more often than not, eddie comes crawling into steve’s window in the late hours after his show ends, sweaty and smiling, high on adrenaline. those are steve’s favorite moments, the moments when he gets to kiss the look of triumph off of eddie’s face, when he gets to watch that look get replaced by a look of pure pleasure. but one day, probably soon, eddie won’t come crawling through his window and steve will be left alone in the worst case scenario.
so when a customer at family video gives steve a look, smiling, and asks him if he’s busy this saturday, steve can’t really find a reason to blow him off. the guy—pete—is dressed in a cut up band tee, his hands in his pockets as he leans against the counter, all cool confidence and charm. steve can’t help but compare him to eddie. but steve doesn’t want to be left in the dust when eddie and dustin and robin all eventually leave this shitty little town, so he agrees to a date. what’s one date gonna do? he knows eddie dates, even though they don’t really talk abt it. it’s not like he’s doing anything wrong.
for the first time ever, steve is the one getting picked up on a saturday night. pete rings the doorbell, leads steve out to his beat up pick up, and even opens the door for steve to slide it. steve feels something a little fuzzy in his chest and can’t help but smile as pete gets into the drivers seat. pete starts up the car and pulls out of the driveway. once they turn out of steve’s neighborhood, pete reaches over to slide his hand into steve’s.
“so i heard abt this pretty cool spot. live music, pool, beer,” pete glances over at steve and squeezes his hand. “you in?”
steve’s breath hitches a little. he’s kind of missed this, the promise of a first date, the magic of things just starting out. it feels even better to be on the other side of it, to have someone else take control. he pushes aside the wish that this was someone else.
“sounds good,” he finally responds, shooting pete a small smile. pete grins.
ten minutes later, they pull into a gravel parking lot and steve’s stomach drops. there aren’t that many bars in hawkins and even fewer places that host live music on the weekends. he should have known, really, that the one place they’d end up is the one place eddie’s guaranteed to be on a saturday night.
i’ve been sitting on this draft since the fall. inspired by rory and logan at that one tarantino party in gilmore girls. heard ao3 was gonna be down for a couple of hours, so here u go lol awkward spot to land on but part ii to come :P encourage me to finish this…
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