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crystallinestars · 1 year ago

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How They React to Your Death

My HCs about how I think the Genshin boys would react to your death. I wanted to write Kaeya too, but ran out of steam.

This month has been terrible to me, so I was in the mood for angst. I don't know how well these turned out, but they were fun to think about.

Part 2 here.

Characters: Alhaitham, Childe, Heizou, Kaveh, Lyney, Neuvillette, Venti, Wanderer/Scaramouche, and Wriothesley

WARNING:

Reader has death descriptions. Some are more graphic than others, but I don't get into the nitty gritty details.

Spoilers for the backstories of all the mentioned boys.

MAJOR SPOILERS for Act V of the Fontaine Archon quest in Neuvillette's part.

Childe's part contains mention of suicidal thoughts.

Kaveh's and Venti's parts contain alcoholism

🎧 Alhaitham

Despite Alhaitham’s considerable wealth, no amount of money could cure your Eleazar sickness. His money could only buy treatment that prolonged your life a little bit, but ultimately your many years of battling the illness ended when he got news from the doctors that you had passed away in your sleep.

Alhaitham had accepted the news fairly quickly. He knew your death was inevitable, could see you slowly wasting away each time he visited you in the hospital over the past few months. So it was no surprise to him when the day finally came. The other patients and staff thought it strange how Alhaitham had no visible reaction to the news, but some chalked it up to shock when in truth the Scribe was simply accepting of that fact. There was no use denying something that already happened.

When Alhaitham came home that day, the house felt silent and empty. It reminded him of how the house felt when his grandmother passed away when he was younger. The sensations were similar. However, he did not cry over your death. Instead, he carried on his life as normal, or as close to it as he could now that you were no longer a part of what he considered ‘normal’.

At first glance, people thought that Haitham was unaffected by your death. Nothing about him changed. Not his mannerisms, his quality of work, or his expression. He remained the same reserved, stoic Scribe who had no time for trivial nonsense or extra work. He also never talked about you to others aside from confirming their question if you were truly gone. Alhaitham was like a well-oiled machine that worked efficiently like clockwork, keeping up the same even rhythm.

What they don’t see is how he comes home with the expectation of hearing your voice greet him upon entering, only to be faced with a defeating silence that makes his heart sink. They don’t know that Alhaitham wakes up throughout the night, expecting to find you snuggled up next to him in bed the way you used to before your sickness got worse, and you had to be hospitalized. However, you weren’t there no matter how many times he looked towards your side of the bed, and the Scribe could only sigh and try to fall back asleep while ignoring his aching heart.

No one sees how Alhaitham gets too lost in his books in the mornings and accidentally makes two cups of coffee instead of one due to force of habit. Or how, for once, he finds the silence of his house bothersome without your voice and the sounds of your activities resounding within the walls, and it’s enough to distract him from reading. He could be found reading at the House of Daena and Puspa Café more often from then on.

During his afternoon naps, Alhaitham sneaks back home and cradles your favorite blanket to mimic the sensation of holding your soft body in his arms the way he used to when you joined him for naps. He listens to recordings of you talking with him just so he can hear your voice again. He was glad he made the decision to record your voice at the hospital before you became too weak to speak. It gave him the chance to hear you one more time even if the sound of your voice made his chest hurt so much that he occasionally had to stop the recording to collect himself.

Nobody sees how Alhaitham finally picks up the fiction books you recommended him because they were your favorite. He prefers non-fiction, but these books are the last things he has left through which he could connect to your mind and way of thinking. He reads them all cover-to-cover even if he finds the story lacking or the writing not to his taste. He will learn to treasure each and every word because you once did.

What someone might see, as Kaveh did when he moved in with the Scribe, is a bookshelf filled with a few journals, a thick book with an emerald cover, and an assortment of fiction books that exist nowhere else in the house. Alhaitham never talks about these books unless asked, but their well-worn covers are a sign of frequent use, and sure enough, one can catch him reading a rare fiction book during one specific month each year.

🐋 Childe

You went missing after going out to collect some firewood in the woods near Childe’s home. A search party was arranged to find you with Childe in the lead, and he was also the first one to find your remains. Your body had been torn apart, blood and innards splattered across the snow, no doubt the work of some rifthounds. Usually, Childe would relish in such a gory sight, but not this time. Not when it’s your blood and flesh painted in the snow.

The sight leaves him numb. He’s numb when the search party comes to retrieve you, numb when he sees your parents weeping over your gruesome death, and numb when he takes on the duty of exterminating every rifthound he finds around Morepesok.

He wants to cry too, to grieve for you the way he needs, but refrains. He doesn’t want to appear weak and unreliable when his younger siblings mourn and cry over your death. You were like family to them, and your death broke their little hearts to pieces. Childe didn’t want to burden his siblings further by breaking down in front of them. He needed to remain a reliable older brother who could support them through this tough time, even when his own heart bled and he cried in his sleep when he dreamed about you.

Childe’s underlings noted that the Eleventh Harbinger became colder and more irritable after your passing. Any mention of your name would garner the speaker a harsh glare, and if Childe assumed what said person said about you was disrespectful, he didn’t hesitate to start a fight and beat the other person within an inch of their life. He became violent and unhinged, much like how he used to be when he returned from the Abyss as a fourteen-year-old boy.

Childe knew his behavior was irrational, and it pained him to see even his own family fear him due to his violent actions. He felt restless. Spending time at home among your belongings summoned feelings of longing and sadness, but even so, he couldn’t bear to throw anything away. He lived among the ghosts of your existence, however, it drove him mad with grief.

Childe needed an outlet for his emotions, so he took to fighting monsters and other strong opponents. He became even more reckless in battle. If before, the Harbinger sought out strong enemies to test his mettle against them and grow stronger as a result, now he sought out an opponent that would be worthy of taking his life.

Childe didn’t want to abandon his family. He loved them dearly and wanted to see his siblings grow up to be happy and successful people, but life without you felt so hollow. A part of him wanted to return to his family, but the sense of his family feeling incomplete never left him. You were just as much of a family to him as his siblings and parents were. He had plans to start his own family with you. But now… now, a part of him yearns to reunite with you in the afterlife. He promised he would stay by your side no matter what, and Ajax is not one to break his promises.

🔍 Heizou

Heizou was one of the first to hear about your stabbing that occurred in an Inazuman alleyway late that evening. You were rushed to a doctor to have your wound treated, but the robber who attacked you hit a vital area. Your blood loss was colossal, and it wasn’t long after arriving at the doctor’s that you succumbed to your injury.

To Heizou, the news brought on a sense of deja vu. He’s already lost a friend to crime in the past, and now he lost you to crime, too. The knowledge made him furious and heartbroken. He was angry at the robber for stabbing you just so he could steal some money that you didn’t want to part with, and he was angry at himself for failing to prevent this. After his friend passed away, Heizou swore to nip crime in the bud by discouraging criminals from committing crimes with the threat that he would find and capture them no matter what without fail. But what good did his resolve do if you still died because of an armed robber?

The heartache and guilt he felt ate away at him as the memory of your ashen face during your last few moments haunted him. He lost you. Never again would he get to spend time with you and make you laugh, kiss and hug you, or tell you he loved you.

His anger drove him to capture the murderer in record time, but hearing the criminal’s subsequent sentence for theft and murder didn’t comfort the detective. No amount of jail time would ever atone for the loss of your life.

After that day, Heizou lost his playful demeanor, becoming somber and reserved. He threw himself into his work, feeling pressured to capture as many criminals as he could in as little time as possible. However, his grief and exhaustion caused his mind to dull and make mistakes while investigating clues. It got to the point where Kujou Sara had to forcibly send him on vacation so he could take a break and properly process your death.

Despite his protests, Heizou knew he wasn’t much use in his current state, so he took this free time to visit your family and mourn together with them. He apologized for not doing a better job of protecting you, fully expecting your parents to lay blame on him for not protecting their child. To his surprise, your parents didn’t blame him at all. They even thanked him for catching the murderer and helping them to feel a little more at peace. Heizou’s interaction with your family helped him feel a tiny bit less guilty about your death.

The experience left him feeling a little less broken, so in the following days he sorted through your belongings in your shared home. He packed away some items to return to your parents, some things he put in storage, and others he gave away that he remembered you wanting to get rid of. A few of your items he kept for himself, one of which was a scarf you mentioned you bought because it was the same shade of green as his eyes which reminded you of him.

Heizou wore your scarf as a keepsake and good luck charm and would hardly be seen without it when he finally came back to work. What once served as your reminder of him, now served as his reminder of you, the person he loved with his whole being. But with the memories of you came the reminder of how you died. Though the memory was painful, it helped Heizou work up the will to keep pursuing his goal of eradicating crime. Even when the case was extremely tough with conflicting clues, your scarf would remind him to not give up, to not let another incident like yours happen again, and Heizou would persevere. He would continue to persevere no matter how long it took because he didn’t want innocent lives like yours to be snatched away so cruelly. Maybe one day, he will see you in the afterlife and proudly tell you all about how he achieved his dream. Until then, he will work hard to be worthy of the title of Inazuma’s best detective.

🍷 Kaveh

Kaveh had a lot of work to do. He was saddled with creating drafts for another large project while also trying to work on the commission for constructing a library in Aaru village for the children. Wanting to help alleviate his burden, you offered to take the finished drafts over to Aaru village yourself so he could focus on finishing up work for his other project. Kaveh tried to object, saying you really didn’t need to trouble yourself on his behalf, but you insisted, expressing your desire to help him finish his work sooner so the two of you could spend more time together again. After some deliberation, he let you go to the village by yourself, confident that you could make the trip since you accompanied him there several times before.

A few days later, Kaveh received news that you had died on your return trip from the desert. When he heard the cause of your death, his stomach roiled. You perished in quicksand just like his father. You died doing something for his sake, just like his father did.

Whatever future plans he was building together with you, whatever progress you made in helping him slowly heal from his trauma, it all came crashing down around him. Your death reopened old wounds Kaveh was only starting to heal from, as well as left new scars that tormented him every waking moment.

The first few weeks, Kaveh couldn’t stand to be in your shared home. It was full of memories of you, and each and every one of your belongings would stab at his heart like a blade. Moreover, the house felt so silent without you around. It reminded him of when his mother left for Fontaine, leaving him alone in a house too big for only him to live in. Now, he was reliving that moment all over again, but it was worse this time because, unlike his mother, he would never see you again.

Kaveh also couldn’t stand to look inside his sketchbooks. The pages were covered in various sketches of you, and looking at them only made the anguish and guilt grow in him tenfold. He blamed himself for your death, attributing it to being his fault just like he attributes his father’s death as his fault too. No matter what anyone says to console him, he will never stop believing it’s all his fault.

Fueled by guilt and self-loathing, Kaveh spent several weeks visiting Lambad’s tavern practically every day. One could even say he lived there since the architect seldom went home. He used what little money he had to buy alcohol, especially of the stronger kind. He wanted to numb the pain in his heart and to pretend that you weren’t really gone from this world. The alcohol helped to muddle his mind until his intoxicated brain conjured happy memories of you together, and Kaveh would mumble your name in a drunken haze. Other times it didn’t help, and Alhaitham, Cyno, or Tighnari could often find a drunk Kaveh quietly crying while slumped over a table and trying their best to drag him home while listening to his drunken babble of self-loathing and regret.

It will take a long time for Kaveh to feel okay again, and even then, he will never be the same optimistic and cheerful person he used to be. You were his muse, the one who made him feel like maybe he was deserving of love after all. But with you gone, he lost his creative spark. His designs no longer held the same extravagant and artistic flair they used to. Now, they’re more tame by comparison. With your passing, you took with you the little bit of joy he felt towards the world, and it seemed more bleak than it used to be when he was with you.

Kaveh refused to seek out love after your death. He’s lost too many people he held dear and has been left alone over and over again. The pain of being left behind and of feeling like he will only bring misfortune to those he cares about, made him seal off his heart. He doesn’t want to let people close to him like that again, and neither does he want to replace you. You were, and still are, very special to him.

Despite numerous years going by after your passing, Kaveh never forgot you, and he didn’t want your memory to be forgotten either. He built an art school and dedicated it to you in honor of being the one who inspired him so much in his creative endeavors. He hopes that your name will live on and continue to inspire future generations of artists long after he is gone from the world.

🎩 Lyney Having grown up in the House of the Hearth with Lyney and Lynette, the twins were practically like family to you. Though admittedly, Lyney and you developed romantic ties rather than familial ones the more you got to know each other. It was no surprise to anyone when the two of you became a couple, and Lynette even encouraged it.

Being a member of the Fatui, you were often sent out on dangerous missions to infiltrate enemy territory and report your findings back to Arlecchino. You were good at your job and had major successfully completed missions under your belt, but even the best slip up sometimes. After infiltrating enemy headquarters, you regularly reported your findings back to the House, however, one day the correspondence stopped. You went completely silent. The thought of you being caught immediately crossed Lyney’s mind, but he was hopeful that as an experienced agent, you would manage to find a way out somehow. You always have in the past, and after having worked together with you during joint missions, he saw first-hand how capable you were. To pass the time, he focused on polishing a magic trick he wanted to show you upon your return.

Days go by, and just as the magician is about to lose his patience and run off to try and find you, news about your body washing up on a riverbank reaches his ears. The heartbreak Lyney experiences upon hearing the news is indescribable. He felt lost, disoriented, and anguished. A part of him refused to believe the facts, but after witnessing the gruesome sight of your corpse, he had no choice but to face reality.

You were dead.

Lyney wondered at length about the cause of your death, and while his own guesses made his stomach knot, the autopsy report he read a few days later made him livid. Numerous torture and abuse marks were found on your body. It seemed that the enemy had captured and tortured you, hoping to force you to spill some of the Fatui’s secrets. Judging by the severity of the most recent wounds, you must have kept quiet because more brutal torture methods were used on you until the enemy figured out they wouldn’t get anything out of you, and disposed of you. Lyney knew how loyal you were to your family. You would never betray them even at the cost of your own life, but in that moment, he really wished you would have treasured your life more. Maybe then you could have survived. Maybe then he would have had the chance to hold you in his arms and tell you he missed you while you were gone. Maybe he would have had an opportunity to show off the magic trick he created specifically for your eyes only. But now, he’ll continue to miss you until the day death comes for him too. Lyney’s initial reaction upon hearing of your torture is overwhelming fury. Lynette had to hold him back from recklessly running off to take revenge against the enemy. It took a lot of reasoning on her part, but eventually, her brother calmed down.

Once his bout of anger passed, Lyney broke down. Lynette didn’t hide her own tears as she held her brother in her arms while he cried. The siblings both missed you dearly and mourned your loss, but Lyney took your death especially hard. He felt broken. One of his most precious people was taken from him in such a cruel manner, and the mere thought of how you must have spent your last few waking hours made him feel horrible.

He was anguished and angry, and the potent concoction of negative emotions weighed down on his heart and mind. Gone was his cheerful smile and outgoing attitude, replaced with a cold and somber frown. His calculative side took center stage. Though his initial burst of outrage passed, he wouldn’t give up on his desire for revenge until the act had been carried out. Aside from the twins, Arlecchino also refused to take your death lying down. You were her precious child, someone she put in a lot of love and effort to raise, and this transgression angered her as much as it angered Lyney. Together with Arlecchino, Lyney and Lynette infiltrate enemy headquarters and make every person a part of that organization pay. The magician ensures that the perpetrators experience the same pain you went through during your torture, and by the time they’re done, not a soul is left alive.

Even after exacting revenge, Lyney barely feels a smidge better. Though your captors have been neutralized and won’t hurt anyone the way they hurt you ever again, it doesn’t satisfy Lyney. At the end of the day, all he wants is to have you back in his life. He consoles himself with pieces of your clothing. Your clothes smelled like you, and Lyney hugged one of your items every night, breathing in your scent and soaking the material with his tears as he quietly cried. It takes a long time for Lyney to get himself together and act like himself again. Though he could easily put on a fake smile for his audience, his heart still aches inside. He misses you no matter how many months go by, and Lynette has her hands full comforting him when he breaks down at night and cries about how much he wants to see you. Lyney would have had an easier time accepting your death if you had passed away more peacefully, but knowing you were tortured to death will forever haunt him.

Once he feels more like himself, Lyney incorporates the magic trick he originally wanted to show you upon your return into his magic shows. He only performs it during special occasions so it would leave a great spectacle upon his audience. It was once made to awe you, but now it awes his audience, and a part of him feels some semblance of catharsis in knowing he could inspire others to feel the same joy you made him feel using just this trick. At times like these, Lyney feels as if a part of you was still there with him, enjoying the show he secretly dedicates in your honor.

⚖️ Neuvillette

You were visiting your friend Navia in Poisson, when the Primordial Sea flooded the area and caused a great catastrophe that took the lives of many of its residents. Neuvillette was aware you were in Poisson when the disaster struck, and he tried to get there as quickly as he could to check on you. He would have arrived there immediately were it not for the pressing matters he had to settle prior. He hoped the Traveler and Paimon would find you and keep you safe since they knew you were the Iudex’s beloved.

When he finally made it to Poisson, to his morbid surprise, he found neither you nor Navia, but some Fatui members helping to mitigate the damage. When he asked about your whereabouts, he was told that nobody had seen you. Immediately, his thoughts ventured to the worst scenario, but he refused to believe in his fears until he could get confirmation. He held out hope that you were alright, and went in pursuit of Navia and the Traveler, hoping that maybe you were with them, or they knew what happened to you.

It wasn’t until he was saving Navia from getting dissolved in the Primordial Sea water, did he catch a glimpse of your face. You were trying to protect Navia from certain death, along with Silver and Meluse. At the time he was too anxious about saving Navia to fully register the implication, but an unsettling thought sprang in his mind that maybe you really were— No, he didn’t want to accept it.

When Navia regained consciousness, Neuvillette asked her about your whereabouts. Her answer pierced through him like an ice-cold lance. With tears in her eyes, Navia recounted how you were helping Silver and Meluse rescue the residents of Poisson when the Primordial Sea flooded in, and how she saw your body dissolve in the water along with her loyal subordinates with her own eyes. The news settled in Neuvillette’s stomach like a boulder, causing it to sink and make him feel nauseous. Dread filled him, but he could only muster a quiet “I see…” and stare off into the distance. He felt crushing sadness, but he wasn’t given time to properly process his emotions and your death until he managed to make it out of the ruins.

That evening, Fontaine was hit by a torrential downpour that lasted several days. The rain fell in heavy sheets, flooding the streets and urging most of the citizens to seek shelter in their homes. Only the Chief Justice had the gall to stand outside and let the rain seep and soak through his clothes.

Neuvillette let the water droplets cascade down his face, imitating the tears he wished to shed as the realization that he would never see you again settled in. It was strange. Though he was on land, each waking moment he was pursued by a constant feeling of drowning. His chest felt heavy as if burdened by a great weight that made each breath he took feel like a herculean task.

Neuvillette felt a lot of emotions he couldn’t find the words for. He was frustrated and angry that innocent civilians had died in the flood because nothing was done to prevent it. So many people died. You died. If nothing else, he wanted to get justice for your and the others’ deaths.

However, Furina refused to provide answers to his questions despite his probing and insistence that now was not the time to keep secrets that could potentially help prevent an even greater catastrophe. That was when he turned to seeking aid from his companions, in the hopes that Fontaine could still be saved. Neuvillette lost and gained many things in those few days. The citizens of Fontaine were freed of their curse, and Neuvillette had obtained a position of complete authority, however, it all came at the cost of the lives of innocent civilians, Focalors’s life, Furina’s mental state, and… your life. Those were great prices to pay, and Neuvillette mourned each and every sacrifice.

Now that he had some time to himself to process his feelings, Neuvillette recognized that what he felt was grief and longing. He wanted to see you at least one more time, to feel you in his arms again. To have you taken from him so suddenly was too painful. He never got to tell you one last ‘I love you’, and he could only hope that his words reach you wherever your consciousness might be now. Fontaine will see frequent rainfall in the coming months. It won’t be easy for Neuvillette to get over your death, and some part of him will always ache and yearn to see you again. But one thing he can do is strengthen his resolve to make Fontaine into a nation that both you and Focalors would be proud of. A nation where tragedies like these will never happen again.

🍃 Venti

Venti liked to climb up on high places like his statue in front of the Favonius church, the rooftop of the Cat’s Tail, or the great tree at Windrise. Today, you found him high up in the tree, absentmindedly strumming a new tune on his lyre. Wanting to surprise the bard, you tried your best to climb the tree as quietly as you could, but right as you were about to pop up and surprise him, the branch you were on snapped, and with a heart-stopping shriek, you plummeted down to the ground.

Your scream alerted Venti. He felt your presence before you even started climbing the tree, but he failed to foresee the danger until it was too late. He didn’t react fast enough to summon a gust of wind to safely lower you down. The sickening crunch of your skull hitting the ground made his stomach roil, and for a brief moment he felt as if the blood in his veins turned to ice. He felt frozen in place.

Snapping out of his momentary stupor, Venti rushed to your side to check on you, but the enormous pool of blood blooming around your lifeless body made him throw up.

Not again. He lost someone he loved once more. The painful emotions of losing you triggered a cascade of memories of seeing the broken body of that one boy he called a friend thousands of years ago. The same boy whose face he now wore as a way of honoring his memory and giving him an opportunity to live out his dreams of freedom through Venti.

Venti felt that same feeling of heavy emptiness once again as he cradled your lifeless body in his arms, your blood smearing the white sleeves of his shirt. One of the bard’s hands cradled your still-warm cheek, and he wept. To have you taken away so easily through such a small accident… it was too much.

Venti didn’t attend your funeral. He couldn’t bear to. However, he forced himself to watch from a distance as your loved ones gathered around your grave. He fully empathized with their grief.

In the following days, one could often find Venti at a tavern. He started with Angel’s Share, but after consecutive days of heavy drinking and drunken ramblings about how remorseful he felt and how you deserved better, Diluc put a stop to Venti’s visits. The Anemo Archon wasn’t getting any better from drinking himself into a stupor until he could barely hold himself upright. It was heartbreaking to see.

Even after being banned from the Angel’s Share, Venti would visit other taverns in the city and rinse and repeat. He so badly wanted to numb the pain in his heart and forget the awful memory of your lifeless body. Only after several bans did Venti finally stop coming to the city altogether. He disappeared for a while, and nobody was able to find him. Only after many weeks did the bard suddenly pop up in the town square with his lyre in hand.

During his absence, Venti wrote a few songs as a way to cope with his grief, and after a while, finally felt well enough to play them. As a bard, he was well-known in Mondstadt for playing cheerful and beautiful tunes, but this time his melodies were melancholic, even sad. They listened to him sing about a love he can no longer say ‘I love you’ to anymore, someone he can no longer forge new memories with and can only carry on in his heart as a memory. The music he played captured the attention of every member of the audience and touched their hearts so deeply that they, too, could feel the sorrow the bard was trying to convey through his melodies. His pain became their pain, too. The heartache was so profound, so raw and crippling, that many people couldn’t hold back from crying.

Venti wasn’t playing the songs to earn money or share his sadness with others. He was playing them for you. He hoped that his feelings would reach you wherever you were and that your memory wouldn’t fade away even if he remained the last person alive who knew of your existence. His songs will keep your memory alive in the hearts of the Mondstadt citizens, never to be forgotten.

☂️ Wanderer

You have been fighting chronic sickness for months, but despite the treatments, each week you seemed to get worse and worse. Neither the doctors of Sumeru nor even Nahida herself could figure out a cure for your condition. You were bedridden with barely any strength to move. Wanderer took responsibility for nursing you back to health by helping you get to places you needed, cooking all your meals and feeding you, as well as getting your medicine and administering it.

Despite his efforts, you could tell you wouldn’t last long. While you still had the strength to talk, you apologized to him for being forced to part from him.

“Don’t be ridiculous,” he scoffed, with a frown pulling at his lips. “Rather than talk about such nonsense, use that energy to get better instead.”

He didn’t want to face the facts, to accept the reality that you could disappear from his life. But then came a day where you no longer opened your eyes when he called your name, nor stirred when he tried to shake you awake. Your body was cold and stiff and so unlike what he was used to seeing you as. The life you possessed was gone in all senses of the word.

Something in Wanderer snapped that day. Falling to his knees, he let out a guttural scream that tore at his vocal cords. He unleashed a wail that carried all the anguish and misery he’d been keeping bottled up inside for hundreds of years. He’s lost so many people he cared for in the past. Each time he met someone he grew attached to, fate would always tear them away from him, and you were no exception.

He cried bitter tears in the privacy of your shared home, cursing Fate for doing this to him over and over again. He was angry and heartbroken. Though he lacked a real heart, the sensation in his chest felt like something inside him broke into a million tiny fragments. As if sharp needles pierced through his non-existent heart and caused him to scream until he lost his voice.

He wanted revenge, but how can one get vengeance against Fate itself?

You were gone, so cruelly torn away from his side despite his best efforts to keep you alive. You were the little ray of light that never gave up on him no matter how cold he was towards you or how much he pushed you away, and helped him heal little by little. You accepted him in his entirety and wormed your way into his non-existent heart, so how dare Fate mock him like this? Wanderer truly felt as if Fate was purposely torturing him by taking away all those whom he held dear.

Helpless and anguished, Wanderer reverted to the days when he used to be Scaramouche, the sixth of the Fatui Harbingers who was infamous for his callousness and mercilessness. His roiling emotions spurred him to repeat these spiteful acts against anyone who got in his way. It was the only way he knew of how to vent these overwhelming emotions that made him feel like he was choking on his grief.

It took Nahida’s interference to calm him down and get through to him that you wouldn’t want him to be like this. The Wanderer you fell in love with wasn’t such a hateful person driven by negative emotions, and though he was loathe to admit it, the God of Wisdom was right.

Having quelled the initial burst of wounded anger, Wanderer would think more clearly about what he should do from now on. He could keep all your items, photographs, and letters, but they would never replace you, only help preserve some of the memories attached to them, which a puppet like him had no need for. He won’t forget even the smallest thing about you, not as long as he’s alive.

Wanderer becomes a regular visitor of your grave, taking care of it so your name won’t be erased from the gravestone by time too quickly. He would frequently bring your favorite foods and flowers and place them in front of your grave, before taking a seat next to it and staring off into the distance without saying a word. He did this mostly at night so he could stargaze, just like how you both used to when you were alive.

Even centuries later, when everyone who knew you took their memories of you to their graves, Wanderer will remain to watch over your final resting place, unwavering in his devotion.

🐺 Wriothesley

You accompanied Wriothesley on another one of his swims out in the open waters surrounding the Fortress. Since you weren’t a vision holder, you had to wear a diving suit to breathe, unlike your beloved Duke. You’ve had these private little swim dates a few times before, so your guard was down when you swam through some jagged areas of the Fortress’s scaffolding. The shoulder of your diving suit caught on a sharp edge of metal and tore a hole in it. The tear was fairly large, and you panicked when you felt water rush inside your suit. Wriothesley was quick to freeze the hole and pull you up to the surface to get the suit off of you, but by the time he did, it was too late. You had inhaled too much water and were unresponsive. Wriothesley tried to keep his anxiety at bay and utilized all the CPR knowledge he learned from Sigewinne to try and save your life. He breathed air into your lungs and did chest compressions with enough force to hear your ribs crack, but even after 30 agonizing minutes of trying, you wouldn’t wake up.

Wriothesley had no choice but to accept the fact you died. Wriothesley doesn’t cry for you. He’s no stranger to death. His exposure to it in his younger years made him all too aware of how easy it is to die, and that death came for all without exception. As a result, he was able to accept your death a little easier than most, but it doesn’t mean he made peace with it. The staff and inmates at the Fortress all said Wriothesley looked the same as usual even after your death. He kept up his laidback yet intimidating demeanor and busied himself with the variety of work someone in his position was required to take care of. Only Sigewinne could tell that Wriothesley was not alright despite all the strained smiles he gave everyone. The bags under his eyes grew more prominent by the day, a clear indicator he wasn’t sleeping well. She saw how he threw himself into his work, barely taking any time to rest properly, as if wanting to keep his mind busy from the horrible memory of seeing your corpse. Though he tried to mask it, in truth, your death affected Wriothesley deeply. He had frequent nightmares about watching you drown and being unable to save you, and they would keep him up at night. He usually awoke in a cold sweat, his heart pounding from intense panic and dread until his mind cleared, only to be replaced with a stone-cold reality that made the feelings of guilt come rushing back. Out of habit, he turns to your side of the bed to seek comfort in your presence but seeing it cold and empty served as yet another harsh reminder that you were gone. Wriothesley can’t sleep after his nightmares, so he opts to work out or fuss over his gauntlets to distract himself from his feelings. It takes all his self-control to keep a lid on his emotions and not become the angry, irritable mess he knows he will be if he’s not careful.

When he makes tea, Wriothesley accidentally makes two cups out of habit. One for you and one for him. Even weeks after your passing, it was still a difficult habit to break. For the first while, Wriothesley would even stop drinking your favorite tea blend because it reminded him of you. Rather than enjoy the flavor, all he tastes is bile in his throat. The flavor of your favorite tea makes him nauseous because it makes him think about how you will never taste this again or have another tea date in his office.

There was one occasion when he tried to drink your tea shortly after your death. He thought maybe the flavor would remind him of the happy times he shared with you, but all it resulted in was a broken teacup from the force of his grip, and Sigewinne fussing over his cuts and burns. He didn’t drink your favorite blend for a long time after that, only being able to find enjoyment in it again many years later when the startlingly clear memory of your death didn’t hurt him as much. Wriothesley felt lonely without you. You were the friend and confidant he told his deepest and darkest secrets about his past, the comfort he sought after a difficult day, and the soothing presence that made him feel accepted for who he was without all the embellished titles. But after your passing, the Fortress of Meropide seemed cold and gloomy, as if devoid of the warmth it once had that made him call it home. It was as if your death snuffed out the little ray of warm sunshine he felt when spending time with you.

#genshin impact x reader #genshin x reader #alhaitham x reader #childe x reader #tartaglia x reader #heizou x reader #shikanoin heizou x reader #heizou shikanoin x reader #kaveh x reader #lyney x reader #neuvillette x reader #venti x reader #wanderer x reader #scaramouche x reader #kunikuzushi x reader #wriothesley x reader #For some reason Lyney's part is the longest

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yinyuedijun · 4 months ago

Text

SINCERITY

Flirting with Suo is never a good idea—you can never tell whether he means to charm you or make fun of you when you do it. Sometimes it feels like both. Occasionally it feels mean. More often than not, you like to entertain it. But you can't right now, not when his blood is all over the washroom sink. Your manager will be furious about the mess, and also about the fact that you're giving first aid to three delinquents while you're on the clock. If Suo makes one more joke about marrying you, you'll probably throw up and cry. (Or: Suo, Nirei, and Sakura get into a fight in the red light district and go to you to get patched up. Suo takes the opportunity to tease you mercilessly.)

4.5k words, suo x reader with implied one-sided sakura x reader, sfw with mature themes. set post-canon (they are all 18-19 years old), non-canon backstory details for suo and sakura (speculative as of ch. 146). fem reader – references to gendered professions, e.g. hostessing; reader wears a dress for her job in a girls’ bar. warning for inaccurate depictions of first aid! dividers by @/cafekitsune.

Suo’s never liked your job.

You suppose this is fair. The feeling is mutual. You’ve never liked the fact that Suo chose to go to a delinquent school rather than a proper high school, and he’s never liked the fact that you chose to drop out of your proper high school to go work in the red light district—first at a kyabakura, and now at a girls’ bar. His master, who also happens to be your master, has always told you that this was a natural reaction on his part. Having a secondary school certificate is important, after all. But Suo’s disapproval of your income sources, no matter how politely or subtly phrased, has always felt like it runs deeper than simple concern for your education.

Still, this has never stopped him from visiting you at your place of work, though he only tends to come by under the worst possible circumstances—tonight worse than any other.

When you see the three of them limping through the clamour and heat of the red light district—the neon glow of the street making the blood smeared across Suo’s face shine vibrantly—you entirely forget that you're on the clock. You chuck your sign onto the ground (3000¥ per hour! it reads) as you cut a path toward them, almost tripping in your stiletto heels. Your customer service voice gives way to your regular one, which is so outraged that it startles everyone around you.

“Suo, you motherfucker—are you trying to lose the only eye you have left?!”

Suo is unbothered. His smile is calm and deeply shameless as you approach him. It’s nothing like Nirei, who cringes at the furious look you give him, or Sakura, who looks like a deer caught in headlights when you round on him instead. Like he doesn’t know what to do at the fact that someone is worrying over him, and especially not when that person is wearing an extremely revealing evening gown. For a minute, you think he's going to bolt.

But Suo keeps him there, grip tight on his arm.

“Hi,” he says brightly, like there isn't blood all over his face and shoulder. “Are you busy? We might need to trouble you.”

“Of course I'm busy! I'm in the middle of a shift!” you fume at him. But you still extract Sakura from him, scruffing him by the neck before he can clam up and run. You pull him in the direction of your bar, and gesture for the other two to follow. “Hurry up before my manager sees you.”

Smuggling three delinquents into the washroom of a girls’ bar is not a skill you thought you'd ever need, but it is one that you've become an expert in. This is at least the third time you've done it. The Furin trio rarely ever loses fights, but they occasionally slip up in the part of the red light district that isn't controlled by Roppo-Ichiza. This is somewhat unavoidable, as Keyaki Street is a different beast from Keisei Street. It isn't just delinquents here, but bona fide criminals. “Like, actual fucking Yakuza,” you grouse at Suo for the millionth time. You wipe at the blood remaining on his face—most of it you've already rinsed off, staining the melamine sink with iron—and the paper towel in your hand blooms red.

“But these guys weren't Yakuza,” he says cheerfully.

“They still pulled weapons on you! Bladed weapons!”

“Mm… well, that's true. I'm sorry.”

You scowl at him. “No, you're not.”

“No, I'm not.” He’s still smiling. “In our defense, we didn't have much of a choice. They were about to do something terrible to an innocent person,” he says, and you deflate a little, because you know Suo can't stand to see injustice. This is something you love very dearly about him, and also a quality of his that constantly raises your blood pressure. But then you roll your eyes when he happily adds, “And in my defense, it’s all our Captain’s fault!”

“Oi!” Sakura yells from one of the stalls, where he’s sitting and holding a bag of ice to a knot on his head. “Wasn’t my fault we ended up fighting. They were practically beggin’ to have their asses kicked.”

“You did provoke them, Sakura,” Nirei says. He's in the other stall, trying to stay off his sprained ankle.

“Well, they were dangerous! Not like you wanted to just leave them alone either,” Sakura grumbles, and Nirei apologises, though Suo accurately points out there is no need for him to. After hearing this story, you can't help but agree, and you suppose you shouldn't have expected any differently. After three years at Furin, Sakura is no longer the type to pick fights for no reason. Whatever those guys were up to must have been pretty bad for him to start shit in unfamiliar territory.

Still. The red light district is what it is. Touts, street gangs, and Yakuza are constantly causing problems here, with violence of a scale and nature that Bofurin simply don't see on their own turf. Your street in particular makes someone like Endo look like a joke. “You should still learn to exercise some restraint,” you say to Sakura. “And you”—you give Suo a miserable look—“you know the area. You should have known better. At the very least, you should have called me for backup.”

“But you were on the clock,” Suo points out, and you frown. Despite having absolutely no need, you take out an alcohol wipe and swipe it over his cut. He winces.

“I'm still on the clock now,” you reply, voice dry, “and here you are, distracting me anyway. My boss is going to be on my ass about it if I don't bring in any customers tonight, you know.”

“We can be your customers,” Suo offers.

“You aren't old enough to drink!”

“Neither are you, yet you work here.” His gaze has turned a little sharp. His voice too. You blink, suddenly mollified.

“...okay. If each of you buys a drink after this, I’ll call us even.” Then you glance down at his changshan, which is sliced through, the pearly silk stained red at the shoulder. He’s insisted that the wound is unserious and said that he'd rather clean up his face first, and you're starting to question his priorities. “That is, if you don't have to go to the hospital after this.”

“I don't.”

“I don't know if I believe you.” You pull out some polysporin. “Come closer.”

Suo could do this on his own. His hands aren't incapacitated. But he humours you, as he's always humoured you, and allows you dab his cut with the antibiotic. You feel a little sentimental as you do it, and almost a little sad. Doing this reminds you of when he was a kid who had just started learning martial arts. Granted, he never got any real cuts back then, but sometimes he’d scrape his knees or his elbows or—god forbid—his face, and you would plaster bandaids all over him when he did. But none of those were real injuries.

More than anything, doing this reminds you of when he lost his eye. The state that he was in after the accident. The way his face was bandaged after the surgery. The texture of the gauze against your fingers when you asked to try swapping out the dressings for him.

If Suo notices the way your lip is trembling, he doesn't comment on it.

“You’re so mean—how come you never believe anything I say?” he asks. You press the gauze to his cut with more pressure than necessary, and he blinks. He opens his mouth again, but then the door rattles violently.

“Sorry!” you yell. “Washroom’s closed for cleaning!” You wince as you hear complaints in reply—you’ve been closed for half an hour!—and shoot Suo a sour look as the customer leaves. “I’m really risking it all for you three,” you remark.

“I'll make it up to you,” Suo says. “I'll stick around the whole night and buy as many drinks as you want. Your manager won't be able to hassle you about anything then.”

“No way. You're not wasting that much money on the red light district.” You frown. “Master will kill me if I let you piss away your inheritance like that.”

“I’m not wasting my money on the red light district. I'm wasting it on you.”

“Well, I'm employed at a girls’ bar, so when you waste money on me, you are in fact spending it on the red light district.”

“Then you should quit so I can spend as much money on you as I want.”

“Quit and then live on what income?” You set aside the first aid kit and grab some more paper towel. “Take off your shirt.”

“Oh? Right here? Right now?” His eye goes wide. “How forward.”

Sakura coughs very, very loudly from the stall. If you weren't so used to Suo saying this kind of thing just to mess with you, you'd probably do the same. In fact, you'd probably choke on your spit and die on the spot. But as it is, you only sigh and start unbuttoning Suo’s changshan, starting at the high collar. Any sentimentality or concern you previously felt is quickly drowned out by annoyance.

“Suo.”

“Don’t worry—I don't mind,” he adds. “I thought you'd never ask. I just didn't think it’d happen here. And so suddenly.”

“Don’t do that. I can't do this today.”

“Don’t do what?” he says innocently. He lets you slip his changshan off one shoulder. To your relief, the cut does look very shallow—he’s too quick for anything other than a bullet to land a serious hit on him, you guess—but you still swallow when you see it. It looks like he's bled a lot more than he probably actually has.

Or you hope so, anyway.

“Joke like that,” you reply after a moment. “It's very mean.”

“I’m not joking about anything.” You feel his eye on you as you start dabbing at all the red on his skin, the paper towel in your hands blotting crimson as if with ink. Your breath shakes as you study the wound. He lifts his hand, his knuckle brushing against your cheek. You smack it away, but he doesn't seem bothered. “I was being very serious,” he continues. “Quit working in the red light district and let me support you instead.”

“Suo,” you say, your voice flat, “there is no job you could qualify for on this planet that will let you earn more than what I'm making now. If anything, you should let me support you.”

“Ah,” he says brightly. “I get it now—you want me to be your trophy husband!”

Now you are choking on your spit and you do think you're dying. Sakura sounds like he's not doing much better—something bangs loudly against the washroom stall, and you assume it’s his forehead. Even Nirei is affected, not-so-subtly clearing his throat.

“I do not want you to be my trophy husband.”

“Just a regular husband, then?” he asks. “That’s alright. If I joined the Yakuza, I could make plenty of money. You could even stay at home if you wanted.”

“Suo you motherfucker you are not joining the fucking Yakuza! And I wouldn't be a stay at home wife!”

“Oh? You wouldn't want to be?”

“No, god! Do you know how much I could make if I scored a hostess gig at a high-end place? Why would I ever turn down that kind of money?!”

“Ah, so you want us to be dual income?”

“Of course I would want us to be dual income!”

“You could get a different job and we could still be dual income.”

“There’s no other job that would pay as well.”

Suo sighs, and your brow twitches. You've always been suspicious about why he disapproves of your choice in career. It’s not in his disposition to judge people, but sometimes you still worry that he's doing it to you.

“What,” you ask, “would you be so against marrying a hostess?”

“No, not at all. But I'd be worried if my spouse worked somewhere unsafe. What if you end up at a Yakuza-owned club?”

You pause, startled at the abruptly earnest tone of his voice. Suddenly you feel guilty.

“Oh… well, I wouldn’t work at a Yakuza-owned club.”

“Hm… then I guess it's fine.” Suo nods, as if arriving at a decision. “We’ll get married, we’ll be dual income, and neither of us will work for the Yakuza.”

“Yes, exactly. We’ll get married, we’ll be dual income, and neither of us—” Your eyes go wide as you realize what you're saying. You feel yourself flushing. “Wait.”

“What? Is there a problem?”

“Suo.”

“Don’t tell me you're going to change your mind now. That would just be mean.”

“I'm being mean?” you ask, flabbergasted.

“Well, yes. You don't think it would hurt if you changed your mind about marrying me? And so soon after agreeing, too.”

You stare at him in disbelief. You have a number of possible retorts that cross your mind, and somehow you pick the least relevant one: “You can't trick someone into marrying you.”

“Then can I trick you into dating me?”

“Suo! I said don't do that!”

“Don’t do what?”

“Joke about that kind of thing!”

“I'm not joking about anything.”

“Yes you are? You don't actually want to date me. Stop saying that you do!”

Suo leans in. He stares at you, his gaze distinctly vulpine. It's very attractive, and also intimidating, and you should be used to it by now, but your heart rate ticks up anyway. You swallow thickly as his thumb glides along your cheek again, your skin scorching beneath his fingertips. You forget to bat his hand away this time.

“You’re so mean,” he repeats, voice lilting, “how come you never believe anything I say?”

He's baiting you. He's obviously baiting you, and you consider for a moment whether you want to bite.

Flirting with Suo is never a good idea—you can never tell whether he means to charm you or make fun of you when you do it. Sometimes it feels like both. Occasionally it feels mean. More often than not, you like to entertain it. But you can't right now. His shirt’s stained with such a bright red that it keeps distracting you, just like the blood he's left all over the washroom sink. Your manager will be furious about the mess, and also about the fact that you're giving first aid to three delinquents while you're on the clock. You think they'd go broke before they could spend enough money here to appease her, were she to discover the four of you. You might even lose your job. Then you wouldn't be able to support yourself anymore, let alone Suo, who cracks jokes as easily about being your trophy husband as he does about being Leonardo DiCaprio.

If he makes one more joke about marrying you, you'll probably throw up and cry.

“You're not being very gentlemanly right now,” you finally point out. He raises a brow.

“No?”

“No. I'd even say you're being a menace, actually. Doing a very bad job of”—you almost laugh as you say this, because you've heard this speech so many times—“engaging with my feelings. Not being supportive at all. Really falling off the staircase to adulthood, you know.”

Suo studies you. Something complicated passes through his eye before he pulls away, his expression now back to normal. It's deceptive how innocent he looks.

“Sorry,” he says. “You’re right. I’ll play nice.”

“No, you won't,” you retort, and Suo smiles at you, not replying. But he does give you a break. You finish cleaning up the cut without incident, although you do get flecks of blood on your evening gown, which you hope won't be too noticeable against the black satin. You bemoan the lost cause of Suo's changshan too—made of Suzhou silk, a gift from your master—and silently make a note to buy him a replacement sometime.

You're in the middle of buttoning up his shirt when the door clicks and swings open. Met face to face with your coworker, you freeze up.

Your stage name leaves her mouth in an angry bark. “What are you doing? I told you you're not supposed to be having sex with customers here, you should be doing that someplace—” She stops, evidently spotting the blood on Suo’s shirt, and then the other two individuals locked up in here with you, one of whom is blushing violently and looks to be on the verge of dying from embarrassment. Beneath your hands, you feel Suo’s body go stiff too.

“Oh,” she says before either of them can comment. “It’s just your delinquent boyfriend and his buddies.” Suo waves at her, and she nods back before squinting at the sink. “Are you going to clean that up?”

“Yes,” you say quickly. “Please don't tell our boss.”

“Have I ever ratted you out?” she asks. “Just get out of here soon. People do have to piss, you know.” Then she stops, looking at Suo with a dubious expression. “And make sure your boyfriend doesn't die.”

You're too tired to correct her on the nature of your relationship. “I've been trying,” you say, and she gives you a sympathetic look before retreating. You hear her laughing with a customer about people fooling around in the washroom, and I'm so sorry for the inconvenience, sir, and could you please go downstairs while I clean up. You’re so relieved, you nearly fall to your knees. A calloused hand touches your back as you rub your temples.

“I’m sorry for worrying you,” Suo says quietly—sincerely—and instead of saying no, you're not, you reply, “I know. I’m sorry too.”

Suo’s always hated your job.

He’s always hated your job, your boyfriends, your apartment, and a lot of other things about your life that Sakura doesn’t have any business prying into. And it's just as well. Sakura also hates your shitty job, and your shitty boyfriends, and considering that you live in the same shitty building as him, he isn't a fan of your rental situation either. Nirei’s too polite to say anything about it, but Sakura can tell that he disapproves as well. It’s not like any of them are living the most comfortable lives either—Sakura has personally been living from shithole to shithole, mostly alone, ever since his parents passed—but your lifestyle does make them all feel poorly.

You're just a very easy person to like. And it's very easy to want nice things for you. So Sakura gets it, how Suo feels about you.

What he doesn't quite get is how Suo acts about you.

One thing he’s learned over the years is that Suo is very good at reading people. Sometimes he understands Sakura better than Sakura understands himself, and he can convince Sakura to do things which he himself didn't think were possible for him to do. He's done the same with Nirei, and about half the other people in their grade, and at least a third of the guys in Bofurin. It’s frankly a terrifying skill. But Suo never uses it with you—not to get you to change jobs, or boyfriends, or even apartments.

At first Sakura thought that you were just immune to Suo’s tactics, but he's recently come to realise that Suo simply gets too emotional about you to know how to convince you of anything. He’s even emotional enough to get kind of petty and a little mean with you, which is something that Sakura has only witnessed from Suo during fights. Really bad fights.

It’s terribly uncomfortable, especially when you’re clearly head over heels for Suo.

Sakura doesn't have any business prying into your personal problems. Though truthfully, he’d be happy to thrash some random assholes for you anyway, if that would fix your heartbreak. (He's already done this to at least one of your exes, and it worked shockingly well.) The problem is, Suo is not a random asshole and Sakura isn't sure that you'd want him thrashed in the first place. But it's just fucking painful watching the two of you act like this around each other, so he ends up pulling Suo aside after you kick them out of the girls’ bar, scowling.

Suo looks at him, surprised. “Sakura? What's the matter?”

He doesn't mince words. “How come you were being such a dick to your friend?”

Nirei goes stiff. “Sakura,” he says in his panicked ‘why are you trying to pick a fight now’ voice, “where is this coming from? I don't think Suo was being rude…” But Sakura can tell, as Nirei’s finishing his own sentence, that he's second-guessing himself.

“No,” Suo replies. “I was being a bit terrible, wasn't I?” There’s no humour in either his words or his face, but the corner of his mouth lifts. He actually looks endeared. “I'm surprised you noticed, Sakura.”

“I mean”—Sakura feels himself going red, embarrassed at just the memory of how you looked at Suo; first so worried, then painfully fond, and then like you were going to burst into tears right there in the washroom and ask him to hold you, as if you were in a horrible getsuku drama—“it was kinda hard not to.”

Suo nods. “I suppose it’s natural to be sensitive to the feelings of someone you like.”

Heat floods his face. “I don't like her!”

“Did I say you did?” Suo’s mouth curls when Sakura can't answer. “Don’t be embarrassed. She's a very easy person to like.”

Sakura tries his hardest to ignore Suo—which should be easy, because Suo lies randomly and pointlessly all the time, whenever he thinks it's funny—and says, “If she's an easy person to like, how come you act like you don't like her at all?”

“Was I acting like that? Or was she acting like it was impossible for someone to like her?” Sakura stops. Suo gives him a long look, then smiles. “You would know how difficult it can be to accept being liked, Sakura. And how long it can take to understand that there are people who want to support you unconditionally.”

Sakura opens his mouth once, twice. A third time. Nirei sighs. The two of them watch as Suo—rather than walking in the direction of the subway—steps over to a vending machine and buys a bottle of oolong tea.

“Are you going to wait for her shift to finish?” Nirei asks.

“Mm, I think so.” Suo glances down at his ankle. “But you should go home, Nire-kun. You can’t fight like that. In case those guys come back here, I mean.” He opens the bottle, takes a sip. “They had bladed weapons. It would be bad if you risked it.”

Nirei glances at the entrance to your bar, worried. “But…”

Sakura understands without Nirei finishing his sentence. The security at your bar is terrible, and plenty of people like to exploit that. It was Nirei who noticed a group men eyeing you before anyone else did, following you all the way from Keisei Street to your place of work. And sure, Suo kicked the shit out of them in the end, did much worse to them than vice versa—but who knows if there aren't more of them.

Suo hates your job. All three of them do.

“It’s okay,” Sakura says. “I'm sure the two of us will be enough.”

“...I'll ask Tsubaki if he's free,” Nirei finally relents. “And I'll text Kiryu and Tsugeura too.”

“Thanks, Nire-kun.”

Suo gets a bottle of ramune after Nirei leaves, passes it to Sakura. Tsubaki comes by later, still in his pole outfit, with several pieces of taiyaki for them to share—I’m always snacky after dancing, he explains—and the three of them loiter in front of your bar until four in the morning. Tsubaki asks questions about you in a tone that has Sakura wanting to crawl into an alleyway just to hide, and Suo deflects masterfully with questions about Tsubaki’s new boyfriend. The guys from earlier don't show up. Maybe the sight of Roppo-Ichiza’s top fighter scares them off.

You're surprised to see them there when you emerge a little later. You give Tsubaki a happy but perplexed look as he hugs you.

“Tsubaki? What are you doing here?”

“Keeping these two company,” he replies. “And I wanted to say hi, of course. You should come by the club sometime, you know! I haven't seen you in forever.”

“Sure! That would be nice, but…” You turn to Sakura and Suo, puzzled. “Why are you guys still here?”

Sakura, on instinct, nearly recounts the whole evening to you—about the men tailing you, about how they got into a fight, about the kind of things they said they'd do once they caught you—but Suo answers first.

“Troubling you again,” is all he says. “It’s fine since your shift is over now, right?”

You give the two of them a long, curious look. For a moment, you look worried, but you're eventually disarmed by Suo’s expression.

“I guess it's fine,” you reply. You sound so happy. Suo’s gaze goes soft, and Sakura has to force himself not to look away. “Let's hurry up and go home.”

You smile at them, and it's the kind of smile that makes it very easy to like you. The kind of smile that makes it natural to want nice things for you. The kind of smile that would make anyone emotional, even if they're normally very controlled. It makes something in Sakura squeeze tightly, all knotted up and painful.

He’s starting to understand why Suo acts the way he does around you.

END

this wasn't meant to be a love triangle, my apologies…

this was also meant to be a very short piece (like 500w lol), but I kept thinking about what suo’s backstory might be, and why he was so comfortable in the red light district in the manga, and what these guys might realistically act like in an aged up, romantic context. that all coalesced into this very bizarre fic LOL. I'm not sure how it'll land, but I hope someone out here enjoyed it! I would like to write more about this triangle (+ nirei) but I'm not sure what the level of interest would be, or if it'll even make sense with the manga. I guess we’ll see eventually!

in any case, thank you for reading!! <3

#hayato suo x reader #suo hayato x reader #haruka sakura x reader #sakura haruka x reader #wind breaker x reader #wbk x reader #i cannot believe this was 4.5k words...#yueshuo.fics #divider by @/cafekitsune

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yamujiburo · 9 months ago

Note

You said you like sharing Team Rocket facts, sooo, what are some of your favourite facts that you don't get to share often or think not many people know? :D

Yam's Top 10 Team Rocket Fun Facts!

Jessie and James are both 25 years old

Jessie and James are NOT siblings (you'd be surprised how many people think they are). They have almost polar opposite backstories from each other.

James grew up rich but ran away from home at a young age because of all the pressure as well as his arranged marriage with Jessebelle (who looks exactly like Jessie funnily enough)

Jessie's mother, referred to as Miyamoto, was also a Team Rocket operative who worked directly under Giovanni's mother Madame Boss. However Miyamoto went MIA while on a mission looking for Mew and never came back, leaving Jessie to grow up in foster care

Jessie and James in English are named after the outlaw Jesse James which most people seem to know about. Buuut in Japanese, they're called Musashi and Kojiro, named after the famous swordsmen Miyamoto Musashi and Sasaki Kojiro. Musashi kills Kojiro so do with that what you will. Sub fun fact: Musashi and Kojiro's duel is referenced in Sun and Moon with Jessie battling Ash and using the sun to temporarily blind him and Pikachu before striking.

The Team Rocket trio are based off of the Time Skeletons from Time Bokan, who are probably the earliest version of the very specific trope "san-aku" (literally translated to three evil). The trope usually depicts one female leader and two bumbling men, one short and one tall. They also regularly build mechs/robots and beef with kids. In Sun in Moon, they DIRECTLY reference the Time Skeletons!

When the Johto series came to an end a decision had to be made on whether Misty or Team Rocket would leave the series. Head writer Takeshi Shudo fought really hard to keep Team Rocket (I think it's safe to say that they were his favorite characters). Seeing how Team Rocket stayed in the series till the very end, I think it's obvious to see what the end result of that decision was

The reason Jessie, in later seasons of Pokémon doesn't smack around James and Meowth as much/at all is because her voice actress, Megumi Hayashibara personally requested that the writers make her less violent. She felt it went against the "good natured villain" concept Takeshi Shudo originally had for them. On Hayashibara, Jessie's "failed nurse" backstory is based on Hayashibara's experience in trying to become a nurse.

James' love for sports and racing is often depicted in the show and is a reference to his VA, Shinichiro Miki's, love for cars and racing.

The reason Team Rocket crossdresses is literally just because the artists thought James looked better in a dress than Jessie did and ran with it

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year2000electronics · 3 months ago

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Bill & Ford & A Book, Oh My!

DISCLAIMER: The Book of Bill has Bill Cipher serving as an unreliable narrator. If we go out trying to say something is "definitively a truth" or "definitively a lie", we're going to keep arguing about it until the heat death of the universe. This is just my own personal interpretation of the source material. If you don't agree, that's fine! Also TBOB spoilers abound.

So it's no secret that interest in the dynamic Bill & Ford have (enemies, platonic, romantic, formerly romantic, whichever way) has really skyrocketed since TBOB's release. Of course, there are the 'easy' culprits to point towards, with Mabel referring to Bill as 'being like a needy ex', and the whole O'Sadley's fiasco (Him literally crying over losing Ford and going "one Sixer, please"? Messy. Messy behavior. Still, I think it goes so much deeper than that.

Bill, being the unpredictable chaos entity that he is, also serves as the main antagonist for a show about family and having close bonds with each other. We don't really need to look into his inner psyche that much, because that's just not what he needed to be doing at that point in the cartoon. He's meant to be a way to divide the Pines, really. And a silly little guy. A silly little obstacle. So, naturally, when it came to Bill's arguably "closest" relationship to someone in the show (Ford), it was very easy to interpret it as Ford being tricked by a completely apathetic Bill, who was just using him as a rung on the ladder. And I do want to stress that Ford and Bill's physical actions remain fairly consistent throughout interpretations, and focusing on the fact that Bill badly hurt Ford is important, so if that's how you still see it, then fine by me! No harm no foul!

But I think the relationship, their story, their tragedy just becomes so much more interesting with the lens The Book of Bill has presented. We’re finally able to see Bill’s perspective as a “protagonist” of sorts in a medium where he’s not just something to defeat- and that’s something we’ve never gotten before, so it’s shedding light on an area we didn’t know about for sure! Again, Bill is lying to the character of "the reader", so we can't trust it as a completely unbiased source. But we can speculate on where the "truth" is between these lies.

First of all, Bill's backstory was that he destroyed his home dimension- we knew that already. But now, with the extra content we have about it, we see something interesting- that Bill's backstory mirrors Ford's to an uncanny degree.

Both of them champion their intelligence, although they highlight how it set them apart from others, as well as highlighting their own 'rare mutation/birth defect'.

Again, with this self-isolation already spurred on from their "weirdness", but also as a little aside, I would also like to highlight that Bill being 'ready to be one', looking up at the stars, striving to 'reach' them, is a shared motif he has with Ford, who is also associated with space, the stars, and reaching them.

Bill's 'trying-really-quick-to-convince-Ford' fantasy sequence even has him in a field of stars as a sort of "ultimate wish fulfilment". Remember, this is Bill showing Ford something he thinks would win Ford over, at least a little.

(And I'll take a quick time out for this train of thought to point out- hey! Bill admits he sought out most of his other victims, but Ford summoned him, and it took him by surprise! That adds a fun little layer of complexity to everything, don't you think? Another little layer of humanity for this whole mess- Bill didn't expertly seek out the 'perfect victim' or anything, it was just... luck. Some twist of fate.)

Anyways.

Obviously, the intro page to the 'Sixer' section has a ton of red flags galore (I mean, poor guy's literally depicted as a hapless puppet. C'mon, Bill. Not to mention the "OH BOY HE'S ALREADY SO ISOLATED, IT'S PERFECT" thing.). This guy is kind of a terrible companion no matter how you slice it. He's terrible to everyone close to him, because he's a deeply traumatized character who refuses to heal. BUT, the wording here is kinda deliciously intriguing to me. All of humanity is Bill's puppets, his future victims, but to me, it's clear that he holds a fondness for Ford. From "This is what a partner looks like", to "Me and Sixer could be the perfect team", to "He had what I always wanted- fingers" (drawn to his strangeness, maybe?), "He was destined for so much more", "I looked at his futures and giggled", and most stand-out to me, "Society calls these people freaks, I call them Henchmaniacs!"

Going back to the pre-Book of Bill era I was talking about, Bill's offers for Ford to join him were always in a sort of murky territory for interpretation. The first offer could definitely be read as mocking, with the line "WITH THAT SIX-FINGERED HAND, YOU'D FIT RIGHT IN WITH MY FREAKS!" in particular making it seem like Bill was only saying that to rub Ford's strangeness in his face, and the second offer to join Bill being under a new circumstance- that now Bill is desperate and believes Ford is the only one who can help him. But the Book of Bill mentions the idea of Ford becoming a Henchmaniac more than once, and also has Bill upset at losing Ford and claiming "he'll be back", as well as Bill seeming to use "freak" more like a badge of honour, and having previously complimented Ford's six fingers (In the Sixer intro page, he highlights Ford's fingers as a quality he likes, and in the pages about bodies, he states that "humans should have more fingers". To me, that first offer reads more now like Bill being genuine about finding Ford a place among his misfits. ...Although, the moment Ford says no, he does zap him into a statue. So. Y'know. He's still got issues.

(Yeah, again, red flag city. "Just hazing"? Bill, none of what you were doing over there was okay! You might have suppressed everything traumatic that happened to you, but that doesn't mean you can go around traumatizing everyone! Good lord.)

Bill has already been imply to like other characters because they remind him of himself. Pointing towards a connection with a character Bill DOESN'T have a weird undefinable ex-partner thing with... Mabel! Alex has says in multiple official media and interviews that Bill sees a lot of himself in Mabel, and essentially, that he thought Mabeland was the perfect prison because if HE liked all that awesome, uncontrolled chaos over any family or friends, why wouldn't SHE? And we see that again in TBOB. So basically, what I'm saying is that we have two characters to back up the fact that Bill seems gravitated towards humans or other living beings that he views as being 'like him'- beings he can relate to! So, y'know, what does that say about Bill and Ford?

There's also Bill's plans for the reader and "Weirdmageddon 2.0", where he portrays the reader as getting to, like, perch on his arm like a little bird and get their own little crown? And specifically calls out Ford for not going through with things?? Okay, Bill??

AND Ford not only being the only human mentioned on the list of people he "definitely doesn't miss so stop asking", but also having his own category? Alright, man.

Of course, another point to the 'Hey, maybe Bill can actually feel emotions towards humans besides complete and total apathy' club is this page here, which has ALSO been hotly debated! Certainly, we know he's telling the truth about his home dimension being destroyed, and we know that he's lying about the 'monster', but some interpret this scene as Bill not being remorseful at all and playing his reaction up to earn Ford's sympathy. And me, personally, I dunno if I agree. I feel like the specific inclusion of Bill "looking distant, more distant than I'd ever seen him" (Mirroring the fact that he keeps blacking out when thinking about all his large-scale massacres) and him "laughing joylessly", I think this sequence is meant to tell us that Bill actually is being vulnerable with Ford here, it's just hidden under layers and layers of deceit, whether towards himself or Ford or both.

And finally for my Book of Bill collection stuff, there's the stuff that could be read as more romantic in nature. In the 'love' section, Bill claims he doesn't love anyone, but, like-

Come on. You can disagree with me that it's Ford, but he does have exes. And he's clearly not over them. Shrimpy little liar. And then there's the fact that a lot of his hokey 'advice' is stuff he ends up directly doing to Ford.

These rats.

The Love Cage.

The Book of Bill really outlined all that in bold, but in my opinion, it was never an entirely new revelation! Bill seems to hold a preference for Ford over other humans in the show. He shows up in Ford's dreams just to say hi, tease him, and gloat (Mabelcorn) unlike the other two dream appearances he's made (Dreamscaperers, Sock Opera) which were exclusively for business purposes. Unlike every other character that gets exclusively one nickname for their zodiac sign, Ford gets multiple (Fordsy, IQ, Sixer, smart guy, brainiac, the list goes on). Bill asks Ford to join him TWICE, whereas anyone else who tries gets their face rearranged, put in a cage and made to dance, frozen in stone, etc etc. And finally, I think, the most emblematic of Bill's weird, specific relationship with Ford, is that whereas everybody else gets turned into stone, Ford got turned into gold.

Which kinda sums up their whole thing up pretty well? Bill gave him special treatment by turning him into a golden statue (similar to yellow ha ha), always holding him close, but, like... Dude. You still kidnapped a man and turned him into a statue and then threatened to kill his niece and nephew. I don't think it will change his opinion on you if he's the Most Pampered Hostage, Actually. I just don't think that we need to explore the relationships between characters as simply "Well, this character hurt the other one, so we shouldn't really think about why or what they feel personally, because what they did was bad, so there".

Bill & Ford interest me because they're a tragedy in motion. We can see that Bill and Ford mirror each other in a multitude of ways, and we can see that they both do have positive feelings towards each other at the time they meet, and we see that Bill very desperately wants Ford to be just like him in the unhealthy ways; the ways that make Bill destroy entire universes and compartmentalize it all, because maybe then, he can finally have the companionship he so deeply aches for. Bill and Ford both had tough, lonely upbringings, but Ford moved on from that "I don't need you" mentality. That's what saved him. Bill didn't, and that's what got him where he was in the end. I feel like that's just so much more interesting than Bill just being a flat entity that makes abuse Happen to Ford, just as another Event in his life. I mean, isn't it just SO much more interesting that Ford humanizes Bill, in a way? That Ford makes him- in Bill's own words- "sentimental"? That a chaotic dream demon has regrets and loves and favourites and connections? It's the same thing with Fiddleford & Ford, although, obviously, to a MUCH lesser extent than Bill & Ford. But you get what I mean, right? You know that Fiddleford and Ford are going to undo each other in the end, and the path to that downfall is... it's telling a story! I like the story of it all! I think that's what I've been invested in and intrigued by all these years- the story, the tragedy of Bill and Ford. No matter what form it takes.

(Plus, as tumblr user fordtato pointed out in their own essay (not tagging because this post is messy enough as is oh god), hey, Ford now has two incredibly queer-coded narratives, with one of them being about how he recovered and was able to heal from an abusive relationship. And, well, I think that's just neat.)

Anyways, that's the end of the post. Thanks for reading this long!

#gravity falls #the book of bill #bill cipher #billford #analysis #book of bill spoilers #gravity falls spoilers

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damienkarras73 · 5 months ago

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An essay on Furiosa, the politics of the Wasteland, Arthurian literature and realistic vs. formalistic CGI

Mad Max: Fury Road absolutely enraptured me when it came out nearly a decade ago, and I will cop to seeing it four times at the theatre. For me (and many others who saw the light of George Miller) it set new standards for action filmmaking, storytelling and worldbuilding, and I could pop in its Blu Ray at any time and never get tired of it. Perhaps not surprisingly, I was deeply apprehensive about the announced prequel for Fury Road's actual main character, Furiosa, even if Miller was still writing and directing. We didn't need backstory for Furiosa—hell, Fury Road is told in such a way that NOTHING in it requires explicit backstory. And since it focuses on the Yung Furiosa, it meant Charlize Theron couldn't return with another career-defining performance. Plus, look at all that CGI in the trailer, it can't be as good as Fury Road.

Turns out I was silly to doubt George Miller, M.D., A.O., writer and director of Babe: Pig in the City and Happy Feet One & Two.

Furiosa: A Mad Max Saga is excellent, and I needn't have worried about it not being as good as Fury Road because it is not remotely trying to be Fury Road. Fury Road is a lean, mean machine with no fat on it, nothing extraneous, operating with constant forward momentum and only occasionally letting up to let you breathe a little; Furiosa is a classical epic, sprawling in scope, scale and structure, and more than happy to let the audience simmer in a quiet, almost painfully still moment. If its opening spoken word sequence by that Gandalf of the Wastes himself, the First History Man, didn't already clue you in, it unfolds like something out of myth, a tale told over and over again and whose possible embellishments are called attention to in the dialogue itself. Where Fury Road scratched the action nerd itch in my head like you wouldn't believe, Furiosa was the equivalent of Miller giving the undulating folds of my English major brain a deep tissue massage. That's great! I, for one, love when sequels/prequels endeavour to be fundamentally different movies from what they're succeeding/preceding, operating in different modes, formats and even genres, and more filmmakers should aim for it when building on an existing series.

This movie has been on my mind so much in the past week that I've ended up dedicating several cognitive processes to keeping track of all of the different ponderings it's spawned. Thankfully, Furiosa is divided into chapters (fun fact: putting chapter cards in your movie is a quick way to my heart), so it only seems fitting that I break up all of these cascading thoughts accordingly.

1. The Pole of Inaccessibility

Furiosa herself actually isn't the protagonist for the first chapter of her own movie, instead occupying the role of a (very crafty and resourceful) damsel in distress for those initial 30-40 minutes. The real hero of the opening act, which plays out like a game of cat and mouse, is Furiosa's mother Mary Jabassa, who rides out into the wasteland first on horseback and then astride a motorcycle to track down the band of raiders that has stolen away her daughter. Mary's brought to life by Miller and Nico Lathouris' economical writing and a magnetic performance by newcomer Charlee Fraser, who radiates so much screen presence in such relatively little time and with one of those instant "who is SHE??" faces. She doesn't have many lines, but who needs them when Fraser can convey volumes about Mary with just a flash of her eyes or the effortless way she swaps out one of her motorcycle's wheels for another. To be quite candid, I'm not sure of the last time I fell in love with a character so quickly.

You notice a neat aesthetic contrast between mother and daughter in retrospect: Mary Jabassa darts into the desert barefoot, clad in a simple yet elegant dress, her wolf cut immaculate, only briefly disguising herself with the ugly armour of a raider she just sniped, and when she attacks it's almost with grace, like some Greek goddess set loose in the post-apocalyptic Aussie outback with just her wits and a bolt-action rifle; we track Furiosa's growth over the years by how much of her initially conventional beauty she has shed, quite literally in one case (hair buzzed, severed arm augmented with a chunky mechanical prosthesis, smeared in grease and dirt from head to toe, growling her lines at a lower octave), and by how she loses her mother's graceful approach to movement and violence, eventually carrying herself like a blunt instrument. Yet I have zero doubt the former raised the latter, both angels of different feathers but with the same steel and resolve. Of fucking course this woman is Furiosa's mother, and in the short time we know her we quickly understand exactly why Furiosa has the drive and morals she does without needing to resort to didactic exposition.

Anyway, I was tearing up by the end of the first chapter. Great start!

2. Lessons from the Wasteland

Most movies—most stories, really—don't actually tell the entire narrative from A to Z. Perhaps the real meat of the thing is found from H to T, and A-G or U-Z are unnecessary for conveying the key narrative and themes. So many prequels fail by insisting on telling the A-G part of the story, explaining how the hero earned a certain nickname or met their memorable sidekick—but if that stuff was actually interesting, they likely would have included it in the original work. The greatest thing a prequel can actually do is recontextualize, putting iconic characters or moments in a new light, allowing you to appreciate them from a different angle. All of season 2 of Fargo serves to explain why Molly Solverson's dad is appropriately wary when Lorne Malvo enters his diner for a SINGLE SCENE in the show's first season. David's arc from the Alien prequels Prometheus and Covenant—polarizing as those entries are—adds another layer to why Ash is so protective of the creature in the first movie. Andor gives you a sense of what it's like for a normal, non-Jedi person to live under the boot of the Empire and why so many of them would join up with the Rebel Alliance—or why they would desire to wear that boot, or even just crave the chance to lick it.

Furiosa is one of those rare great prequels because it makes us take a step back and consider the established world with a little more nuance, even if it's still all so absurd. In Fury Road, Immortan Joe is an awesome, endlessly quotable villain, completely irredeemable, and basically a cartoon. He works perfectly as the antagonist of that breakneck, Road Runner and Wile E. Coyote-ass movie, but if you step outside of its adrenaline-pumping narrative for even a moment you risk questioning why nobody in the Citadel or its surrounding settlements has risen up against him before. Hell, why would Furiosa even work for him to begin with? But then you see Dementus and company tear-assing around the wasteland, seizing settlements and running them into the ground, and you realize Joe and his consortium offer something that Dementus reasonably can't: stability—granted, an unwavering, unchangeable stability weighted in favour of Joe's own brutal caste system, but stability nonetheless. It really makes you wonder, how badly does a guy have to suck to make IMMORTAN JOE of all people look like a sane, competent and reasonable ruler by comparison?!?

…and then they open the door to the vault where he keeps his wives, and in a flash you're reminded just how awful Joe is and why Furiosa will risk her life to help some of these women flee from him years later. This new context enriches Joe and makes it more believable that he could maintain power for so long, but it doesn't make him any less of a monster, and it says a lot about Furiosa's hate for Dementus that she could grit her teeth and work for this sick old tyrant.

3. The Stowaway

Here's another wild bit of trivia about this movie: you don't actually see top-billed actress Anya Taylor-Joy pop up on screen until roughly halfway through, once Furiosa is in her late teens/early twenties. Up until this point she's been played by Alyla Browne, who through the use of some seamless and honestly really impressive CGI has been given Anya's distinctive bug eyes [complimentary]. It's one of those bold choices that really works because Miller commits to it so hard, though it does make me wish Browne's name was up on the poster next to Taylor-Joy's.

Speaking of CGI, I should talk about what seems to be a sticking point for quite a few people: if there's been one consistent criticism of Furiosa so far, it's that it doesn't look nearly as practical or grounded as Fury Road, with more obvious greenscreen and compositing, and what previously would've been physical stunt performers and pyrotechnics have been replaced with their digital equivalents for many shots. Simply put, it doesn't look as real! For a lot of people, that practicality was one of Fury Road's primary draws, so I won't try to quibble if they're let down by Furiosa's overt artificiality, but to be honest I'm actually quite fine with it. It helps that this visual discrepancy doesn't sneak up on you but is incredibly apparent right from the aerial zoom-down into Australia in the very first scene, so I didn't feel misled or duped.

Fury Road never asks you to suspend your disbelief because it all looks so believable; Furiosa jovially prods you to suspend that disbelief from the get-go and tune into it on a different wavelength. It's a classical epic, and like the classical epics of the 1950s and 60s it has a lot of actors standing in front of what clearly are matte paintings. It feels right! We're not watching fact, we're watching myth. I'm willing to concede there might be a little bit of post-hoc rationalization on my part because I simply love this movie so much, but I'm not holding the effects in Furiosa to the same standard as those in Fury Road because I simply don't believe Miller and his crew are attempting to replicate that approach. Without the extensive CGI, we don't get that impressive long, panning take where a stranded Furiosa scans the empty, dust-and-sun-scoured wasteland (75% Sergio Leone, 25% Andrei Tarkovsky), or the Octoboss and his parasailing goons. For the sake of intellectual exercise I did try imagining them filming the Octoboss/war rig sequence with the same immersive practical approach they used for Fury Road's stunts, however I just kept picturing dead stunt performers, so perhaps the tradeoff was worth it!

4. Homeward

Around the same time we meet the Taylor-Joy-pilled Furiosa in Chapter 3, we're introduced to Praetorian Jack, the chief driver for the convoys running between the Citadel and its allied settlements. Jack's played by Tom Burke, who pulled off a very good Orson Welles in Mank! and who I should really check out in The Souvenir one of these days. He's also a cool dude! Here are some facts about Praetorian Jack:

He's decked out in road leathers with a pauldron stitched to one shoulder

He's stoic and wary, but still more or less personable and can carry on a conversation

Professes to a certain cynicism, to quote Special Agent Albert Rosenfield, but ultimately has a capacity for kindness and will do the right thing

Shoots a gun real good

Can drive like nobody's business

So in other words, Jack is Mad Max. But also, no, he clearly isn't! He looks and dresses like Mad Max (particularly Mel Gibson's) and does a lot of the same things "Mad" Max Rockatansky does, but he's also very explicitly a distinct character. It's a choice that seems inexplicable and perhaps even lazy on its face, except this is a George Miller movie, so of course this parallel is extremely purposeful. Miller has gone on record saying he avoids any kind of strict chronology or continuity for his Mad Max movies, compared to the rigid canons for Star Trek and Star Wars, and bless him for doing so. It's more fun viewing each Mad Max entry as a new revision or elaboration on a story being told again and again generations after the fall, mutating in style, structure and focus with every iteration, becoming less grounded as its core narrative is passed from elder to youth, community to community, genre to genre, until it becomes myth. (At least, my English major brain thinks it's more fun.) In fact there's actually something Arthurian to it, where at first King Arthur was mentioned in several Welsh legends before Geoffrey of Monmouth crafted an actual narrative around him, then Chrétien de Troyes added elements like Lancelot and infused the stories with more romance, and then with Le Morte d'Arthur Thomas Malory whipped the whole cycle together into one volume, which T.H. White would chop and screw and deconstruct with The Once and Future King centuries later.

All this to say: maybe Praetorian Jack looks and sounds and acts like Max because he sorta kinda basically is, being just one of many men driving back and forth across the wasteland, lending a hand on occasion, who'll be conflated into a single, legendary "Mad Max" at some point down the line in a different History Man's retelling of Furiosa's odyssey. Sometimes that Max rips across the desert in his V8 Interceptor, other times driving a big rig. Perhaps there's a dog tagging along and/or a scraggly and at first aggravating ally played by Bruce Spence or Nicholas Hoult. Usually he has a shotgun. But so long as you aren't trying to kill him, he'll help you out.

5. Beyond Vengeance

The Mad Max movies have incredibly iconic villains—Immortan Joe! Toecutter! the Lord Humongous!—but they are exactly that, capital V Villains devoid of humanizing qualities who you can't wait to watch bad things happen to. Furiosa appears to continue this trend by giving us a villain who in fact has a mustache long enough that he could reasonably twirl it if he so wanted, but ironically Dementus ends up being the most layered antagonist in the entire series, even moreso than the late Tina Turner's comparatively benevolent Aunty Entity from Beyond Thunderdome. And because he's played by Chris Hemsworth, whose comedic delivery rivals his stupidly handsome looks, you lock in every time he's on screen.

Something so fascinating about Dementus is that, for a main antagonist, he's NOT all-powerful, and in fact quite the opposite: he's more conman than warlord, looking for the next hustle, the next gullible crowd he can preach to and dupe—though never for long. For all his bluster, at every turn he finds himself in way over his head and writing cheques he can't cash, and this self-induced Sisyphean torment makes him riveting to watch. You're tempted to pity Dementus but it's also quite difficult to spare sympathy for someone who's so quick to channel their rage and hurt and ego into thoughtless, burn-it-all-down destruction. When you're not laughing at him, you're hating his guts, and it's indisputably the best work of Chris Hemsworth's career.

It's in this final chapter that everything naturally comes to a head: Furiosa's final evolution into the character we meet at the start of Fury Road, the predictable toppling of Dementus' precariously built house of cards, and the mythmaking that has been teased since the very first scene becoming diagetic text, the last of which allows the movie to thoroughly explore the themes of vengeance it's been building to. A brief war begins, is summarized and is over in the span of roughly a minute, and on its face it's a baffling narrative choice that most other filmmakers would have botched. But our man Miller's smart enough to recognize that the result of this war is the most foregone of conclusions if you've been paying even the slightest bit of attention, so he effectively brushes past it to get to the emotional heart of the climax and an incredible "Oh shit!" payoff that cements Miller as one of mainstream cinema's greatest sickos.

Fury Road remains the greatest Mad Max film, but Furiosa might be the best thing George Miller has ever made. If not his magnum opus, it does at least feel like his dissertation, and it makes me wish Warner Bros. puts enough trust in him despite Furiosa's poor box office performance that he's able to make The Wasteland. Absolutely ridiculous that a man just short of his 80th birthday was able to pull this off, and with it I feel confident calling him one of my favourite directors.

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