#orpheus's fic

[blocksgame]

“Take it, take it,” says Etoiles, laughing. “It’s a favor for me.” Slimecicle takes it from his hands, his eyes wide. He looks like he might cry. Etoiles is struck with the immense urge to show him that the world can be good. ----- Eight (out of many) things that Etoiles has given others on the island.

I wrote another QSMP fic! Etoiles-centric, one-shot. You know how everyone flirts with everyone on this island? That's in there. You know the sweeping edge glitch? You know the banpack? You know Tazercraft's train? That's in there. You know q!Baghera? She's there too. You're gonna love it.

[princess-of-morkva]

Merlin and Arthur as Orpheus and Eurydice

so we all know about how Orpheus's challenge was actually impossible from the start because if you truly love, you always turn back?

now make it merthur

merlin bargains with the sidhe, the keepers of arthur's sleeping soul in avalon, to allow him a chance to get arthur back. and to do that, he has to lead arthur out of the underworld without turning back to look at him (we all know the story).

arthur, having just woken up and absolutely confused about everything that's going on, keeps pestering merlin with questions, and most importantly, why wouldn't he look at him?

at some point, merlin can't take it anymore, overwhelmed with grief and longing as he is, he forgets himself, just for a second, and turns around to tell Arthur off as he's done many times before.

the second their eyes meet, merlin realises his mistake.

the next second, he's standing in front of the sidhe council again. arthur isn't there.

he is then told, that the price for disobeying the rule was for him to be trapped in avalon instead. arthur can still return to the world of the living, but he now has to do it on his own.

they also say that there is still a chance for merlin to leave avalon, but that is only possible if someone comes for him the same way he has come for arthur - through overcoming the boundary between life and death by the force of their love for him.

merlin doesn't even consider that an option, seeing that there is no one left alive to even remember him, let alone love him. he doesn't think it possible someone could love him, really (merlin's s5 incredible low self esteem "he won't even notice i'm gone")

imagine his surprise when arthur comes barging into avalon demanding merlin be handed back to him

[musette22]

Orpheus & Eurydice || Steve & Bucky

Moodboard for the @wintershieldbingo

Square: Mythology AU ✔️

I've always felt that the story of Steve and Bucky, particularly as told in Captain America: The First Avenger, had a lot in common with the Ancient Greek myth of Orpheus and Eurydice. For that reason, I have chosen to fill the Mythology AU square on my Wintershield Bingo card by creating a moodboard to draw narrative and visuals parallels between these two tragic love stories.

Orpheus & Eurydice

Orpheus was an artist, the greatest lyre player in the world, who was happily married to the love of his life, the beautiful Eurydice. Their happy life together gets cut short, however, when Eurydice is bitten by a viper and dies, leaving a heartbroken Orpheus behind. Orpheus cannot accept his true love’s death, and so he travels to the Underworld on a quest to get Eurydice back.

Orpheus manages to overcome various hurdles, such as getting past Cerberus, the three-headed hound who guards the gates to the Underworld, and finally pleads with Hades, the king of the Underworld to let Eurydice live again. Hades allows this on one condition: Eurydice is to follow behind Orpheus while walking out of the darkness of the Underworld towards the light of the land of the living, but Orpheus should not turn to look at her before she is fully out in the light again. However, as they begin to ascend towards the land of the living, Orpheus, afraid that his lover is no longer behind him, looks back to make sure she is following, causing Eurydice to tragically fall back into the shadows and be trapped in the Underworld once more. 

Steve Rogers & Bucky Barnes

Steve and Bucky are very close friends and most likely even lovers, who live a mostly happy life together in Brooklyn. When World War II breaks out, Bucky is drafted and joins the army, while Steve stays behind in New York. In Italy, Bucky's squad is taken by the enemy, and he is kept prisoner in a dark, abandoned factory housing the lab of Hydra (incidentally also a multi-headed beast from Greek mythology).

When Steve, who received a superserum which turned him into the world's greatest soldier (as well as an artist), eventually also joins the army and gets to Italy, he is told Bucky is most likely dead. Steve point blank refuses to accept that, and embarks on a one man rescue mission - a quest, if you will - to get Bucky back. Armed with a wooden shield, the shape of which bears a similarity to a lyre, overcomes numerous obstacles, fighting Hydra goons and even Red Skull, who looks like the devil incarnate. Steve manages to free Bucky and even jumps over what strongly resembles the fiery pits of hell to get to freedom, only to lose Bucky again a short while later, when Bucky tragically falls from a train and is subsumed once more into the Underworld, i.e. Hydra’s claws.

Aside from the many narrative parallels, many visual parallels also exist between depictions of Orpheus and Eurydice in classical art and various scenes and images in CA:TFA. The moodboard above attempts to illustrate these parallels and similarities.

[minyard-05]

Heaven And Hell Were Words To Me: Prologue

well. here it is. literal months of staying up late thinking about this concept, a million asks and pitches sent to my co-conspirators and here is the prologue for Heaven & Hell. enjoy <3

(the poll will have its true answer revealed once the chapter with that passage is posted, but people will probably figure it out anyway)

FORMING A TAG LIST so reply to this post if you'd like to be tagged in updates for this fic <3

[jointherebellion215]

Flowers

Feyd-Rautha Harkonnen x female!reader

Summary: You're living a perfectly content life on Geidi Prime with your husband. It's a shame your mind can't rest, sparked by glimpses of a life unknown. Loosely based on the song from Hadestown.

Word Count: 1.5k

TW: Dark!Feyd-Rautha, Dead Dove Do Not Eat, yandere!Feyd-Rautha, manipulation, gaslighting, like SO much gaslighting holy shit, descriptions of violence, abusive relationship, emotional abuse, isolation, tragedy, nonconsensual drug use, nonconsensual medical treatement, induced memory loss, amnesia, dubious consent, pregnancy, songfic, happy-but-not-really-happy ending, I know I said female!reader but there's virtually no pronoun usage or descriptive words in thisfor the reader besides titles so maybe GN!reader??

A/N: I'm blown away, almost 500 notes on His Kiss, the Riot? Holy shit, all of the thanks! Here it is, the final part! I'm ending it with the song that actually started this whole idea. Listening to Eva's interpretation of Eurydice singing Flowers gave me the most delicious, fucked-up bit of inspiration and this came out. I was clutching my own metaphorical pearls writing this cause damn, this gets dark. Like, way more than I thought I could write. Anyways, I hope you enjoy the end of this twisted tale. Thank you for reading! As always, I appreciate you taking the time to like, comment, and reblog.

Read Part One and Part Two

AO3

Disclaimer: I don't own any of the Dune properties, characters, or storylines-- nor do I own anything related to Hadestown. The images used in this are not my own, and any similarities to stories or events other than what are directly referenced are strictly coincidence.

Lily white and poppy red

I trembled when he laid me out

“You won’t feel a thing,” he said, “when you go down”

Nothing gonna wake you now

Drops of blood. 

A wicked, black smile.

“You won’t feel a thing.” 

You wake up with a gasp. Your doctor had warned you about dreams like this. They weren’t real, just an aftereffect of your accident.

The medical staff for House Harkonnen had been gracious enough to inform you of your predicament. When your family had recently hosted the Harkonnens, you quickly met and fell deeply in love with the na-Baron Feyd-Rautha. Your love for each other was so intense that you had demanded to get married right away. Your father disapproved of the union, so he disowned you and banished you, demanding to never see you again.

On the journey back to Geidi Prime, a stray asteroid hit the ship and caused you to hit your head. Feyd had apparently worried for your life, which saddened you and warmed your heart. It was nice to know that someone truly cared for you. However, your mind wasn’t quite the same afterwards. Your life before Geidi Prime was completely unknown to you. Your memories were in a fragile state.

That was just a few months earlier. Unfortunately, your mind has not yet recovered your memories prior to the accident. You were diligently taking a specially brewed tea that would calm your mind so it wouldn’t fracture under the immense pressure to try and fix itself. When you asked how long it would take for you to recover, your heart cracked when they said that it may take the rest of your natural life.

While it broke your heart to hear of your father’s dismissal of your feelings, you believed that you were strong enough to carry on. Having no further ties to your home world made it better to settle in with your new family.

You are a Harkonnen now.

Now, your footsteps make the quietest of echoes as you traipse down the narrow corridor. Heads of nearby servants and slaves bow, and eyes snap to the floor as you pass by. You feel the barest of sympathies, for not being allowed the simplest of human connection with their na-Baronness. But it was paradise considering the consequences should anyone ever feel bold enough to try otherwise.

Your husband wouldn’t allow that.

Dreams are sweet, until they’re not

Men are kind, until they aren’t

Flowers bloom, until they rot and fall apart

“Can I not have a single friend on this planet?!”

You burst into your shared chambers, rage rushing through your veins. All you had wanted was to have lunch and tea with one of the few female palace advisors you had taken a liking to. Maybe share a laugh or a story. Make a connection outside of your new family. That was all ruined when Feyd barged in and gutted your companion, stomach-to-throat, while she sat in her chair.

You were sure that your shoes had trailed blood down the hallway, but your mind was focused elsewhere at the moment.

“What use would you have for friends? I am right here.” He closed in on you, grasping your arms and forcing you to look in his direction. “Am I not enough for you? Do I not give you everything you should ever desire?”

His hands tighten around your wrists, making you flinch. A stray tear falls from your eyes, guilt starts to overcome your anger.

“No, not at all, husband! You have given me everything I could have wished for and more,” You wrench your hands out of his grip and grasp his face. He showered you with gifts, never let you go hungry or thirsty and this is how you repay him? “I just… I didn’t think you would want to hear me talk about certain things. I don’t mean to sound ungrateful.”

“I know you don’t, my darling.”

You take a deep breath as you feel the tension in the room start to settle.

“Your mind is already fragile from the accident… I just want to keep you safe.”

Safe. That was the key here. He takes step back and retrieves a small dagger from his belt.

Feyd holds it up, showing you the weapon. “Did you know that your friend had a blade dipped in poison strapped onto her person?”

You can feel the blood rushing from your face. No. You didn’t know.

“I-I didn’t see a knife on her. She couldn’t have-“

“She did.”

He drops the blade and leans in closer to you, forehead aligning with yours. “There are people out there who seek to harm you, who seek to harm me through you. I can never let that happen.”

You nod furiously. You couldn’t believe that you had been so stupid. 

Trust is unbelievably hard to come by in the Galactic Imperium. Your few months’ worth of memories can even attest to that. It seems that the only people you can truly rely on is family.

“I only want what’s best for you.”

You understand now.

Is anybody listening?

I open my mouth and nothing comes out

Another argument discussion had emerged from your telling of your latest dream. Your husband was convinced that you were entirely too exhausted to put any stock into what your subconscious was telling you, but you thought otherwise.

Fingers run through a patch of bright pinks, yellows, and blues—

“I swear to you, it felt so real! It was almost like a memory, like something I-,” A firm hand is placed on your shoulder as you give a slight stumble. Feyd puts a hand on your back, leading you to the edge of your bed, setting you on the bench that was placed against the footboard.

“Please, have some of your morning tea, my darling. You look a bit peaked.” You accepted the cup he gave you, settling down and taking a few sips of the warm, spiced drink. Your mind instantly calms, anxieties evaporating from your body like puffs of smoke. Never mind the memories that you had just… Floating.

Your husband is now on one knee in front of you, arms encasing your body, as his hands cup your face. He brings your eyes to meet his, seemingly searching. For what? You do not know.

“What were you saying about this dream of yours?” A pause reverberates throughout the room as your head tilts in confusion.

“My…?” You stutter, mouth opening to complete a thought that was no longer entirely there. “I can’t quite remember. What were we talking about?”

Your husband gives a smirk, analyzing your face once more before placing his hand on the dark fabric covering your swollen belly.

“Nothing of import. It seems that my heir is set on scrambling your thoughts.”

There seemed to be nothing in this world that brought more joy to Feyd-Rautha’s face than the sight of you and his unborn child. He’s more protective of you now than ever, having guards always posted near you, having you wear a shield during all public appearances. Not to mention, he was damn near insatiable in private. His hands and mouth are practically dragged away from you and your growing stomach every morning.

You give a chuckle. “I’d heard about pregnancy brain before, but never knew it to be this taxing! Perhaps I’ll take a walk later if I’m feeling up to it.”

Feyd gives your cheek a soft pat before rising to his feet, “Rest, my darling. I shall check in on the both of you later.” His hand rests next to yours, giving your belly a quick rub before he walks towards the door.

Your head goes to set on your pillow, the warmth from the tea running through your body. You must be really tired, since you fall asleep so quickly.

Quick enough to not hear the deadbolt lock clicking from the outside once the door is closed.

Flowers, I remember field of flowers

Soft beneath my heels

Walking in the sun, I remember someone

Someone by my side, turned his face to mine

The dreams start to encroach your mind while you are awake. You continue to follow your doctor’s instructions: take your daily tea, rest often, don’t overexert your body or your mind. But, ever persistent, they push through, finding parallels with your daily life to latch onto.

A hand, gently enlaced with yours, guides you through a meadow—

You husband’s hands lead you to stand with him by his uncle’s side, preparing for another ceremony.

A laugh, familiar and warm—

A chilling cackle of laughter reaches you in your viewing box, watching your husband gleefully slay another adversary in the arena.

Bright, yellow sunlight caressing your face and neck—

The black sun of Geidi Prime pulses in your periphery as you wave to a crowd below, your husband standing stoically next to you.

A kiss, given freely—

Feyd ravishes you in your chambers, lips melding together with yours.

My darling—

My love—

My darling—

My darling—

My darling—

My darling—

My darling—

“Is everything alright, my darling?”

You blink, snapping back to the present. Pale, smooth skin and blue eyes, your husband extends his hand towards you. Safe. He gives you everything. You and your child will never struggle or suffer with him. You are safe with him. Aren’t you?

Blood splatters over a patch of bright pinks, yellows, and blues—

You give a bright smile.

If you ever walk this way

Come and find me lying in the bed I made

[rewrittenwrongs]

Thinking more about a childhood friends Tim and Billy AU that’s also a Tim joins the Batfamily late AU, and it’s just occurred to me that were Jason still to die in that AU we’d have a perfect setup for a Orpheus situation. Billy could use his favour with the gods to get them to the underworld and convince Hades to let them try, Tim of course would be the one to actually bring Jason back, and he has to listen as Robin demands to know who he is and what’s going on and begs him to turn around and explain and threatens to leave and Tim just has to keep going because Batman needs a Robin and Gotham needs a Batman.

[vanpalmerenthusiast]

nobody asked for this but here are some aus i’ve been thinking about constantly

i’m going to write at least 7/8 of these be prepared

[transmigrationisunderrated]

Luo Binghe dies and Shen Qingqiu is so fucking normal about it. Really he is.

He doesn't eat because... well, he doesn't need to! He doesn't sleep because he's too busy trying to keep his (dead) husband's empire intact! He's not allowing Binghe to be properly buried and mourned because he's the PROTAGONIST! They can't just assume it's, it's permanent! Because surely it's not, right? Surely?

It's a year into the whole mess when Shen Qingqiu doesn't so much as snap as he does crinkle, calmly asking the system what's going on.

("HOW COULD YOU LET THIS HAPPEN! HE'S NOT SUPPOSED TO BE ABLE TO DIE, HE'S THE PROTAGONIST, HE'S GOT THE HALO, HE WON, I WON, WHY, WHY, IT CAN'T POSSIBLY END LIKE THIS-")

The system offers Shen Qingqiu a chance to reverse Binghe's... Current status. All he has to do is pass one final test.

Lead Binghe out of the underworld and back to the world of the living. Simple enough. Shen Qingqiu accepts. All he has to do, is not turn around as he's leading Binghe. If he interacts at all, Binghe's second chance at life is forfeit.

So Shen Qingqiu agrees. How hard could it be?

Luo Binghe doesn't understand what's happening. He remembers a moment of pain and then he was alone in the dark, waiting for his Shizun, his husband. And then there Shizun is, his back to him.

Shizun starts walking and what is Binghe supposed to do but follow?

He talks, relieved, excitedly, he knew Shizun would come for him, would find him, Shizun wouldn't leave him in a place like that-

But Shen Qingqiu won't speak, won't say a word, won't even look at him. He just walks, like it's an evening stroll. Luo Binghe doesn't understand. Did he do something wrong, to receive this cold shoulder? (Shen Qingqiu dares not speak. What if it's a trick or the System? What if he forgets himself and turns around? He can't risk it. He can't lose Binghe.)

They've been walking for a while now and Shen Qingqiu's silence weighs heavy, like weights on Binghe's chest, keeping him from breathing.

He keeps talking, he doesn't know what else to do, it's as if Binghe will be swallowed back by the darkness if he doesn't but even the darkness was better than Shizun's silence. (Please forgive this master, Binghe! He'll explain once it's over, once they're out, just please wait-)

They're nearing the end, the light of the day nearly visible, but Binghe doesn't care, he's begging, crying, Shizun, what have I done wrong, Husband, please, correct this Binghe has erred, clearly, just correct me, don't shut me out again, I don't know what I'll do if I lose you again- (Binghe, please! This master isn't abandoning you, how could you think that, please, please, stop crying, this master can't comfort you now, this master, I, am bringing you home and we will never lose each other, ever.)

Binghe finally breaks down, collapsing on the dirty ground, Shen Qingqiu stopping as he hears Binghe hit the floor.

Binghe refuses to take another step unless Shen Qingqiu looks at him, that he'd rather die loved than live without his husband's care.

Unable to take the thought that Binghe might think himself unloved, Shen Qingqiu finally turns, tears in his eyes.

As Binghe fades once more, returning to death, he smiles and thanks Shen Qingqiu for loving him so much.

[fishermanshook]

TO THE STARS ABOVE.

( night watch ) + gn!reader

happy birthday @rieuvie ♡ , ooc probs , grammar and spelling warning

INTRO

Night Watch is undoubtedly one of the more ruthless Hunters found in the Oletus Manor. Most if not all of his matches end in the Survivors being obliterated and their bodies left with aches and scars that only time can heal.  

However, there has been someone who’s broken through the fortress he’s put up to protect himself [ somehow… ] and has helped him learn what it feels like to be loved all over again. 

Happy Birthday, Riel.

꒰wc꒱ 529

“Ithaqua, for the last time,” you say, trying to attract his attention. “where are we going?”

Unfortunately, your plea has fallen on deaf ears, as have the thousands of others you’ve thrown his way in the past 10 minutes. All that’s happened is your boyfriend picking you up bridal style and saying he’s taking you somewhere special. Nothing more, nothing less.

He hums before ‘answering’ your question. “I think you’ll know soon enough.” As if it’s the best response he could give you. And, in truth, maybe it is. Ithaqua has been a bit distant from you lately. Chances are that it's due to the onslaught of stress and depression the manor already provides, but your mind likes to jump to other conclusions. Conclusions of leaving you to side to try and survive these retched games.

The halls of the manor are eerily quiet and void of anyone in sight, minus the clacking of Ithquas stilts, making his presence known to whoever hears them. The only person you manage to spot is Orpheus, knee-deep in a newspaper burnt at the edges. He catches your eyes and gives you a knowing look. 

You wonder what it meant. 

- 

You groggily rub your eyes and stretch your arms into the heavens above you before looking around.  You're not sure when [ or where ] you fell asleep, but the view outside is nice at least. 

You feel your arms wrap around your waist, and, at first, you don’t recognize the hands of your lover. Nor have you noticed the checkered red and black picnic cloth you’ve been sitting on. The cake though is a delightful surprise and— where are you? 

You whip your head around and almost clang it against Ithaquas. Your eyes widen as only now does his face come into view and now you're falling into the bushes right next to you and—

“Baby, are you alright?” He says in such a sweet voice that it almost sounds out of character for him. [ cause it is, bitch. ] Although, it doesn’t take you long for you to nod your head and step out of his lap and into the scene he’s set up all by himself. 

“Wow, Ithaqua, it’s beautiful.” You say, gazing at the colors in front of you. 

“Me or the Sunset doll face?” He chuckles, making you let out a small giggle at his idiotic remark. “I thought I’d do something nice for you ‘cause, I know, it’s your birthday and all.”  

You kiss his cheek. “It’s lovely. Now, how about we celebrate a little, huh?” You say, draping your arms around his neck before he picks you up and spins you around. 

“Happy birthday, idiot.” 

a/n: SO out of character because god knows this is the first [ and probably last ] time I’m ever writing for him,,,,but I’d do it again for you Riel. Happy birthday 🎂.

© fishermanshook — no stealing , translating , plagiarizing or reposting my work on other any other sites + reblogs adored !!

[mediumgayitalian]

part two

———

Getting outrun for seven miles by an eight year old is a uniquely humbling experience. Compactly humiliating, coincidentally, is being outrun by an eight year old while dragging along a bouquet large enough that it cannot be adequately contained with two hands and must therefore be carried between two people.

Lee is having something of an afternoon.

“It starts in seven minutes!” shouts Will, at least twelve solid yards ahead of them and running backwards. He does not appear even to be sweating. “Hurry!”

“Could not be hurrying more if I tried,” Lee wheezes.

(It’s not that Lee isn’t a good runner. He is. It’s that Will is freakishly fast, because he has dimples when he smiles and has endeared himself to the dryads, who have been teaching him how to sprint like the hopped up little Energizer Bunny he is. Michael has been calling him Soda Boy for ages, on account of how he so closely resembles a can of pop that has been vigorously shaken, which he hates. Remembering it brings Lee some peace.)

“Let’s go let’s go let’s go!”

Clamping his mouth shut in a desperate attempt to preserve energy, Lee surges forward. Michael matches him, having to run significantly faster to keep up with his long legs. Their panting forms a discordant melody of despair. Poetic.

When they stumble through the door, chests heaving, Lee considers collapsing to the ground and weeping for joy. He will never run again. If a monster chases him, he will simply fight or accept his fate. He has reached his quota.

But, for perhaps the first time in his life, there is no time for dramatics. The lobby is devoid of the massive crowds it held earlier, shadows eerie in their absence, and only the final tail end of a line shuffles through the stage doors.

Despite his internal vow, Lee sprints forward to catch up with them.

“Hold it,” says a man in a venue volunteer! vest, holding up a hand. He glances at them, resting his gaze on Will’s messy hair, Michael’s scuffed shoes, Lee’s wrinkled shirt, and pausing for quite a while on the giant bouquet. The narrowed eyes and thinned lips are familiar. Lee stiffens.

“Go on in,” the man says to the middle aged couple in front of them, who’s crease-free jackets read ‘Dance Mom’ and ‘Prop Team Dad’ respectively. He shoos them inside, complimenting the honest-to-Apollo corsage in the woman’s hand, chortling along to the man’s joke. The laughter drops from his face the second the couple is guided through the doors, and the man turns back to the three of them.

“The show,” he says, nose upturned, “has begun. I can’t let anyone else in lest they cause any…disturbances.”

“The show starts on three minutes and forty-seven seconds!” Will protests, sticking his watch in the man’s face. Completely oblivious to his murderous look, he continues, “Forty-six seconds! Forty-five! Time’s-a-tickin’, let us in!”

The man bares his teeth in a smile. “Regrettably, you are too late. You’ll have to wait for the intermission.”

Will blinks at him. He looks at Lee, at the doors, then back at the man.

“But…we’re on time. And if we come back later, we’ll miss my sister’s dance!”

The man shrugs. “This will be a valuable lesson, then.” He purses his lips, glancing again at the bouquet. “Perhaps be more prepared, next time.”

Will turns back to Lee and Michael, crestfallen. He swipes quickly under his eyes, squeezing his thumb into fists, but the tears well up anyway. “We’re going to miss it?”

Michael snarls. In one quick move he shoves the massive bouquet entirely into Lee’s arms, yanks Will by the shoulders to stand behind him, and gets right in the man’s face.

“You listen here, you slimy ratbag, you had no fuckin’ trouble letting those last scragglers in so you better clean up your act quick before I —”

A loud crashing noise makes them all jump, interrupting him. Nearly crushing the flowers, Lee whips towards the source of the sound. One of the competition banners has been yanked down, metal frame collapsing on the tile floor. Fastening screws rattle to a slow stop beside it.

“What the —”

Another banner crashes to the floor. This time, the little hands that tore it down are a touch too slow to dart away, a blonde head not quick enough to duck behind a corner.

“Hey!” the man shouts. Shoving Michael aside, and moving quicker than Lee can think to stop him, he sprints towards the corner Will disappeared behind. “Get back here! You can’t do that!”

Lee curses, trying to manoeuvre the flowers to see and run at the same time. Michael runs ahead of him, on the man’s heels, chanting shit shit shit shit under his breath. Lee’s brain takes the initiative to alternate, chanting fuck fuck fuck fuck fuck every time he takes a breath.

They’re going to get kicked out for sure. Diana is going to kill them and it’s going to be justified, because Lee is going to have to live with the noble look he knows Cass will have on when she realises they’re not there to watch. The shakey, practiced smile she’ll slap over the disappointment in her dark eyes.

Shit shit shit shit indeed.

“Lee! Michael! Over here!” whispers a voice. Lee whirls around to face it — boy does he ever feel like a puppet on a stick right now — and, for the second time in as many minutes, feels his head pound at the disorienting frenzy of emotions that bubble up when he sees his baby brother’s face. Will stands half inside a doorway Lee hadn’t noticed on the way in, tucked in the shadow of a corner.

He is fast, holy shit.

“What the hell are you doing,” hisses Michael.

“Getting us inside! Hurry up!”

Lee doesn’t need further prompting, clock ticking in his brain. Gods, how long do they have left? Thirty seconds? Less?

“Most big theatres have sideline entrances,” Will explains after Michael helps shove the giant bouquet through the tiny door. He guides them, upright to their hunching, down a tight corridor. “They’re for performers to pop up in the audience without being seen. Mama and I race each other to find ‘em when she did shows.”

Lee had forgotten, for a moment, how much of his life Will has spent in and out of theatres, bars, stages. Naomi Solace has been growing more and more famous since…half of his life, at least. Lee remembers hearing about her four years ago, when she’d done a smaller show in Queens. A friend of his had gone.

Michael reaches out and tugs the mostly-undone ponytail he’d wrestled Will’s hair into that morning. “Good job, kid.”

He grins over his shoulder. “Thanks.”

They stumble into the darkened audience in the nick of time. The second Lee steps out of the cramped little corridor, dragging the stupid flowers (he is, in fact, regretting his choices at this point in time; when he has a free moment he will add this to the list of reasons he will be kicking his past self’s ass if the Hephaestus cabin successfully recreates DeLorean time machine) along with him, the stage lights come on. An announcer’s voice calls out, “Entry 109, Competitive Open Solo: Cass Hasapi.”

“Fuck,” Michael mutters. A quaint family of four gasps. He sneers at them. “Fuck, you see Diana?”

“No, is she maybe —”

“I think that’s her hair —”

“That person is way too tall, what are you —”

“I swear to the gods, I am going to kill you both,” whispers a beautifully familiar voice, and then Lee is being dragged. “Sit the hell down and shut the hell up. Will, baby, c’mere.”

Will climbs happily over the two empty seats, settling onto Diana’s lap and curling under her chin. He sticks his tongue out when Lee and Michael follow in behind him, struggling with the bouquet, muttering about favouritism.

“I’ve literally known you for six times longer than you’ve known him,” Michael mutters, sticking his tongue out right back. A grandmother with a severe bob whirls back and hushes him.

“Yeah, I’ve had all that time to get tired of your bullshit. Shut up.”

Before Michael can retort — Lee is sure he has an eloquent and devastating response, Lee has been helping him practice — soft piano drifts out from the speakers. A light turns on, pointed at the stage.

All four of them snap their mouths shut.

In the centre of the stage, Cass stands, poised. Her back is turned to the audience, arms extended above her and tilted to the right, as if reaching for the setting sun. Her hair, braided loosely back, brushes the edge of her thickly draping purple costume. Her knees are bent and locked and one bare foot sticks out like she’s trying to balance herself, like she’s mid fall.

A gravelly, male voice sings lowly along to the piano. How do you know which time might be the last? She moves along the dip of his voice, dragging her limbs through the rigid air. What I would give just to see you again? She moves with a swooping twist of her heels, twisting at the waist. Under the heat of the stage lights, her face contorts, forehead deeply wrinkled, mouth parted, breathing quickly. I’d walk to the depths of a world down below and demand to get back what some circumstance stole. She holds herself with such tension that Lee finds his own shoulders hiking up to his ears. Her chest moves rapidly, hands shaking, knees buckling. His breath goes stale in his lungs.

When the chorus starts, hard and heavy and sudden, I turned back one last time just to prove you were there, Cass hits the floor. He gasps with the rest of the audience, clutching the plush armrest, but it’s intentional, part of the dance. ‘Cause the last ray of sun made Eurydice cold. Collapsed on the floor, limbs bent, dress askew, she crawls, begging, towards the audience. Did she know? Did she know? Did she know? Did she know?

Cass does not move gracefully. She moves like a beached, gasping siren dragging herself back to the depths, like someone climbing out of a pit. Every movement looks heavy and painful. She looks at the audience and Lee is surging forward before he can stop himself, breath hitching, brain screaming: help her! help her! help her!

If I knew how it’d feel back then, I wouldn’t take another step.

Her body twists again, hair escaping her loose braid and sticking to her neck, her forehead. She claws at her throat like she’s suffocating, eyes accusing everyone watching like they’re holding her under. Each movement of her arms swell and sway on the beat, bare feet slapping the ground with every hit of the kettle drum. If you can see me it’s all in your head, but it feels real to me now, it felt real to me then.

Everything ends.

The piano fades out, the drums hit their last beat. All that’s left is the wretched guitar, taught like strings snapping, taught like the tense pull of her suspended muscles.

But I opened the door and went down the stairs; I turned back one last time to prove you were there.

As the last word fades, she drops. Not slowly, not evenly, but like whatever was holding her up crumbled to dust. Like she was shot. Her purple dress pools out around her like dark Hyacinth. She lays completely, entirely still.

The lights cut. The air in the audience goes heavy.

They come back on and no one says a word. Lee realises, as it drips onto his hands, that he is crying. Diana is, too, tear tracks too fresh to dry on her face, and Will is leaned forward so far he sways precariously. Michael’s hands are pressed harshly to his eyes.

Trancelike, Lee stands. All eyes snap, abruptly, towards him, but he ignores them. He looks straight across the rows of chairs and locks eyes with his sister, upright now, heaving, standing hesitant. She looks at him, and then beside him at Michael, and then at Will in Diana’s lap. They scramble quickly up next to him, and without any of them saying anything, they begin to cheer.

Cass’s face lights up.

With permission, much of the audience claps. No one stands as they do and as they continue hooting and hollering the claps fade quickly, replaced with stares and murmurs, but Cass still stands there, beaming, looking away and looking back like she can’t believe they’re there. That someone is there, that someone watched her, her, from beginning to end. A hand tugs on his sleeve.

“Can I sonic?” Will asks, raising his voice to be heard.

“Level four,” Lee allows.

He needs no further permission, grinning. He lets out a piercing whistle that makes everyone around them shout in alarm and Lee’s ears ring. But Cass laughs, loud and bright, so it’s worth it, and when Will looks at him in question he nods. The second whistle is definitely beyond a level four, but Lee doesn’t care. Cass looks the happiest he’s seen in a long time.

———

None of them care too much about staying for the other performances. But Cass has two more dances with her studio classes, spread out as they are, so Lee remains doomed to two hours of an aching ass and performances that come nowhere near Cass’s masterpiece. Will seems intrigued, though, by some of the pieces, so he grits his teeth and bares it. Besides, the rolled eyes he shares with Diana and Michael every time someone does something exceedingly cliche or tries and fails at depth (someone, often, being one of Cass’s teammates, shocker) makes it somewhat worth it.

By the time the judges call the last entry, though, Lee is ready to book it out of there.

The lights come back on and pop music plays through the speakers as dancers, in track suits over their costumes, congregate on the stage. Lee stands and stretches, letting Will stand on his shoulders and jump off into Michael’s arms to get some of his energy out. (And, also, ‘cause tossing a small child between them is fun. Diana jogs into the aisle so they can throw farther, but they all decide against it when a security guard glances over.)

After what feels like eight million years, the judges finally lumber over to the stage. The building voices hush as they climb the steps, standing in front of the gathered studios with cabled mics and stacks of foreboding envelopes.

“Welcome, dancers and families,” starts one judge.

She blabs on for several minutes about what an honour it was to judge and how wonderful everyone was. Blah, blah, blah. Lee spaces out about the time Diana’s eyes glaze over, and he looks instead to the gathered stage, observing. There are five different studios that he can see, each with about forty to fifty dancers. Mostly young women. They sit tangled together, legs on legs, arms around shoulders, feet tucked under thighs. Cass, he notices, sits on her own, at the very back of the stage. She sits straight-backed and proud, though. Chin lifted, braid resting over her shoulder.

Impossible to miss.

Two of her group dances win Diamond (Diana explains to them that this is Very Good. She thinks). Most others do not get this honour. Lee notices especially the older couple to their left looking quite sour. The glee he feels is indescribable.

“The winner for our open solo, for all age groups, was actually unanimous. It’s been a while since that happened!”

A girl near the front of the stage, who Lee recognises as the one to make a cruel joke about Cass’ mother, preens. Her solo was boring as hell. He’s not sure what she’s so smug about.

“With a score of 97.6, congratulations to Entry 109, Cass Hasapi!”

The four of them scream like lunatics.

They don’t even wait for scattered applause. Each one of them clambers up on the pristine chairs, covering them with scuff marks, and yell at the top of their lungs, jumping and cheering like chimps in a cage. Cass goes red, but she can’t hide her smile as she stands and accepts her award, grinning over at them. Michael holds up his camera and snaps a photo of her, pink-cheeked and wild-haired, glowing.

———

“Cass!”

Will sees her before the rest of them, sprinting towards the changeroom doors at top speeds and leaping up into her arms. She catches him easily, spinning them both around, pressing a thousand kisses to his hair and face.

“Hello, my darling! Hello hello hello!” Every word is punctuations with a kiss, or rather a press of her wide smile to anywhere she can reach. In seconds his cheeks are stained with her lipstick. “Oh, it has been weeks, darling boy, I missed you!”

Will clings to her sweater, face buried in the crook of her neck. She holds him just as tightly.

(Will has seen Cass more than Lee, in the past few months. He knows she’s made a few sudden trips to camp. But he also knows that she was the first one to welcome him into camp, the day his mother dropped him off, and when he was claimed she was the first to bring him home. She loves to tote him around, too, to have him trail after her for cabin inspections, holding the clipboard, or paint his nails when she’s bored. He misses her something fierce in the winters. She holds on tightly when she comes back home.)

Squeezing him one last time, she turns to the rest of them. Despite her wide smile, her mascara runs.

“You came,” she says, voice wobbling.

Michael clears his throat. “No shit.”

His voice wobbles, too.

“Come here, you goober.”

He’s the next to cling to her, inserting himself under her arm. She presses a kiss to his temple and he pinches her ribs, complaining, getting louder when she digs a knuckle into his hair. Diana jogs up and separates them, as she always does, flicking Michael on the forehead and pressing a kiss to her sister’s cheek.

“I’m so proud of you,” she whispers, squeezing her hand.

Cass’s tears spill over again. “Thank you.”

Lee clears his throat. He feels, suddenly, like a doofus, holding a bouquet of flowers the size of him, but Cass looks at them and grins again, chuckling.

“You sell your kidney for that or what?”

Lee snorts. “No, we exchanged Will. This is a clone.”

“Did not!”

Lee blows a raspberry. “Did too. Clone.”

“I’m not a clone! I’m me!”

“Nuh-uh.”

“Ya-huh!”

“Alright,” Cass interrupts, rolling her eyes fondly. She kisses the tip of Will’s nose again and sets him down, turning towards Lee, hands outstretched dramatically. “Hand me my dues.”

Because she is, at the core of her, a true daughter of Apollo, even though the amount of poise and grace that bleeds from her at any given time contradicts almost directly with the guy who beams Pocketful of Sunshine directly into their brains at five in the morning every single day without fail, she kneels with a flourish. Because Lee is, at the core of him, also a child of Apollo, he goes unquestioningly along with the bit, pulling out one of the flowers to knight her before resting the entire bouquet in her arms. She has to hold it with both hands.

“You guys are ridiculous,” she says, grinning.

“They are ridiculous,” Diana stresses. “Dumbasses were damn near late getting this for you. They already had flowers, mind you. They’re just dumb.”

Will holds up his hand with his watch. “I kept us from being late!”

Diana squishes his cheek. “Thank you, sweetpea. You’re already smarter than your brothers combined.”

“Stick out your tongue again and I’ll grab it, you little snitch,” Lee warns.

Will, darting to hide behind Diana, does not heed his warning. Because he’s a little shit. bc

The walk out of the building in a gaggle of movement. As other dancers and their families walk by, glowering at Cass’ flowers and at Cass in general, Lee makes a point to catch their eyes. To smirk. To let them know, without saying a word — you were wrong. Of course you were wrong. Look at how she’s better than your bitter ass without even trying.

It warms him inside, truly.

“I’m thinking,” Diana says, walking back to the car, “that we stop at Dairy Queen on the way home. On Michael’s dollar. Will, look real excited so Michael can’t say no.”

“I am excited,” Will says, turning to face him, “so that’s real easy.”

Michael sighs. He taps his foot on the pavement, glaring. He sighs again. “You’re getting s plain cone and that’s that. You understand me?”

Will takes that as code for ‘begin negotiating’. Diana joins him, the two of them chasing Michael to the car, yelling about Blizzards and sundaes. Cass falls into step next to Lee, adjusting the flowers.

“So,” she says, shooting him a small smile.

“So,” he intones.

“Diana told me you snuck the boys out of camp.”

“…Yes.”

“Organised the whole trip, basically.”

“It wasn’t hard. I just told Michael to pack his shit and he listened, for once. So.”

“Lee.” She waits for him to open the trunk, letting him stuff the ridiculous flowers inside before facing him, grabbing his hands and squeezing. “Thank you.”

“I don’t —”

He swallows past the lump in his throat. How can he say it? How can he tell her about being fourteen and older than half the unclaimed kids in Hermes, still reeling over camp as a whole, and the fear that had dissipated from his chest when she stood in front of camp and said, firmly, he’s ours? About the hours she spent listening to him ramble about Pokémon, learning the game for him, mailing him cards she finds around? About the letters she sends him every week without fail, even though she’s swamped with her own shit, because she remembers the night he cried, months and years of being weird and lonely and unlike anyone else he knew? How can he explain the bubbling in his chest, the ache for her, because of her?

“Of course, Cass.”

She opens her arms and he falls into them, forehead on her shoulder, arms tight around her waist. She grips around his back, pressing a kiss to his hair. His throat is dry, choking back the thickness of his tears.

“I love you.”

“Love you too, Lee.”

[fistfuloflightning]

Jiuyuan as Orpheus and Eurydice. Bargaining with the cold, unsympathetic System for the soul of someone who wasn’t meant to die. Forced to accept the conditions because it’s the only way he’ll escape with you. There’s a plant body on the other side waiting, you tell him, even though you can’t hear his steps. You think you hear his shuddering breath, the sigh of his robes against stone, but that could just be your overactive imagination. And even when the real world is literally at your fingertips and you can step out of the cold analytical world of the System and into the warmth and light of reality (your reality now) you can’t stop yourself from turning around as if to say, See? We’re home.

[blocksgame]

The Wayward Vagabond is now the Worldhopping Vestige, the last soldier of a war that no longer exists. On a meteor traveling from a dead universe into an unknown one, nobody goes hungry. Some other, less important things happen as well, like the re-founding of Can Town and making friends with alien hero-gods, but that's the big one: none of them go hungry. About: How a villein and then a vagabond becomes a vestige and then a voyager. Aliens, crops, alien crops, and unwinnable games. And six meals eaten on a meteor.

Hey, QSMP's back on and my guys are there and I'm hyped, so I decided to celebrate by... starting a 6-part Homestuck meteor fic in 2024. Well, look, it's gonna be great.

[bicycle4two]

she must know (that she is loved) || Jason Todd x F!Reader

Summary:

jason has to trust that she is following him

or

an orpheus and eurydice retelling

...

Read on AO3

...

Part 1

...

It’s a journey he never thought he’d find himself on but there are a lot of things Jason thought he’d never do and has done, albeit most of the time reluctantly, against his will, in his life. 

It’s something out of a fairytale, an age-old story that was made to teach people lessons, to inspire thought and discourse, and Jason thinks that no one is going to believe that this is something he’s doing–something that can be done, but if there’s something that Jason Todd knows how to do, it’s the impossible.

If he was able to come back, why can’t she?

At least he’s here to guide her.

(God, he hopes that he is guiding her, that she, like she’s done many times before, is following him.)

…

There are moments, multiple throughout his time of knowing her, when she will ask him to play for her, play something she can dance to–an easy request, as there’s nothing she can’t dance to–something that allows her to close her eyes, spread her arms, and glide, twirl, fly across the room, allows her to forget that for a moment, just this moment at least, that there’s a world outside their own.

Jason doesn’t think he’s that good a musician, he prefers the company of his books when he finds himself having downtime, but he plays, he plays for her because she asks him to, because if it’s within his power, he’d do it for her, always for her.

So he plays her a tune, mostly something from the top of his head, a melody that’s inspired by her, and he watches her dance, follows her fluid movements with his eyes.

He’s not that good a musician, he can’t flawlessly play without looking down at the keys from time to time, but it doesn’t matter, she doesn’t seem to notice when he misses a note, and Jason couldn't care less either because he simply cannot tear his gaze away from her. 

(Jason! Look at me!)

He just can’t.

…

He’s long grown accustomed to all things cold and dark, in some way he has found comfort in it as it has often played to his advantage when he’s out fighting crime or investigating, but now he yearns for the light, the feel the warmth of the sun on his skin. 

It was not often that he found himself outside the city for leisure but there was a time, not so long ago, that she convinced him to drive them to the outskirts, just until they saw some semblance of nature, of life undisturbed, and they laid together under the clear blue sky. She had danced for him then, too, the trees as her backdrop, the grass her stage, her carefree laughter as her song.

And him, her enamored audience. 

There’s no laughter here now. The ground is wet under the soles of his shoes, the damp crunch of gravel under his heavy footsteps creates the soundtrack of this journey. He expects the haunting echoes of wind to accompany it, maybe the clicks of bats like what he hears when he is down at the Batcave, but the air is still, quiet, making it quite obvious that he is alone.

No. 

Not alone. 

Of course not because she’s here, she’s just behind him.

She’s always just behind him.

(Look! Look at me!)

…

Trust.

She’s there.

He needs to trust that she’s there, behind him, following him, like always.

Trust that even without him turning back, she’s just there, quickening her steps to catch up to his long stride.

He should probably slow down though, he doesn’t want to get too ahead of her, doesn’t want her to trip just because he wants to get them out of here as soon as possible, get her to where it's safe, get her home.

He stops.

He waits, just in case, in case she’s lagged behind, in case she has fallen due to their haste–

Fallen? What if she’s hurt? What if she’s too far behind, unable to move, he needs to turn back, needs to make sure–

No. 

Trust. 

She’s following him. 

She always follows him.

She must.

(Right?)

…

He used to say that her gaze was like fire, not in the way that it burns, but in the way that it warms, brings comfort. In the way that fire can symbolize that you’re home, that you can take refuge here.

He always feels the warmth of her stare, feels it like a caress down his back, before he hears her approach. It’s a difficult thing to do, to sneak up on him, and although her steps are soft, quieter than even his own trained and calculated movements, her eyes give her away everytime.

It’s this warmth that he seeks now. 

Sometimes he thinks he can feel it, feel the prickle at the back of his neck.

But it’s not enough, it was never enough just to feel that she’s there, he needs to know, needs to clarify with his own eyes that she is just behind him–

(Jason!)

–But he can’t. He won’t look back.

So he has to depend on what little warmth he feels, ignores that actual chill in his bones.

Because fire, although strong and consuming, can also be distinguished.

…

Just a peak–a little glance over his shoulder–just to make sure, just to check.

It won’t count—it will.

He can’t. 

But–

He just has to know. 

He has to make sure.

He must–

(Look!)

–He must not.

…

She used to say that Jason had a talent for finding her, especially when she needed him the most–when she was late to class, when she needed to go to the washroom because she’d spilled sauce on her white skirt, when she’d taken the wrong turn looking for their favorite coffee shop, when some Rogue goon had picked her off the streets to use as a hostage. He’s always there at the nick of time, just when she’s starting to feel a little hopeless, he’s there to save her, to bring her back.

What she doesn't know is that she has a talent for finding him, too. 

When he’s lost in his thoughts, stuck in a spiral of dark memories, of what ifs and could have beens. She finds him, brings him back to the light, reminds him that he is good, that he has good in him, that things, no matter how bleak they seem in the moment, will always turn out alright in the end.

Even him. 

Especially him.

…

(Look at me!)

Don’t.

…

There was a time, under the blanket of the night sky, when she roused him from his sleep, her eyes glassy with unshed tears, fingers twisted into his nightshirt.

“Why are you with me?”

She asks, voice cracking like ice. 

And Jason, Jason is frozen because—

She must know why. 

She must know.

“Why?”

But sometimes, sometimes she needs reminding. 

“How is it that you see me?”

She asks, eyes closing, tears falling, Jason reaches for her then, thumbs wiping at her cheeks, soft, so soft, fragile.

He sees her, he’s always seen her. 

It’s hard to look away from her.

And she must know why. 

…

“You always see the best in me.”

“I just see you.”

…

Light! 

There’s light!

It’s still a ways away but Jason finally sees an end to this journey, the suffering, the anxiety.

In his excitement, he nearly turns back to her, almost looks back to tell her, assure her, celebrate with her, that they’re almost done, they’re almost home but—

But he stops. He stops himself because he can’t, he must not.

He needs to reach the light first, needs to lead them out of the darkness, so he hurries, because it’s there—they’re almost there!

At last—

He’s here!

He feels the warmth on his skin, his eyes squint from how bright it is, can’t imagine how long it’s been since he’s been in the light, and her—it’s been even longer for her but soon, soon they’ll be together, together in the light—

“Jason!”

It’s automatic—he turns, he turns to her because she calls for him, he’ll always answer her call—

And, there she is!

There she is in—

Darkness.

…

“Jason, look! Look at me!”

And it’s almost funny how she feels the need to say that, to call his attention to her, because Jason is looking, he’s always looking at her. She doesn’t realize, doesn’t yet know, how hard it is for him to look away.

...

a/n:

oh look, i did write a part 2

[a-very-sparkly-nerd]

wait for me

I really meant to get this out before s7 dropped, except I started hyperfixating on other stuff I wrote, but... whatever! A little bit of Hadestown-inspired angst. Callum and Rayla part ways at the Moon Nexus.

“The wind is changing,” Runaan declared, striding back from the platform of the Moon Nexus and tilting his chin up. “Warm and westward. We–you”–he nodded to Callum–“need to begin the journey back while it remains favorable.”

Callum shuddered and wrapped his arms around Rayla– as if she’d had any intention of leaving her little spot snug against his chest. “One more?”

“One more what?”

He shrugged. “Minute? Hug? Kiss?”

Rayla stood on her tiptoes to press her grinning lips to his. “I love you.”

“I love you, too.”

But he didn’t let her go, didn’t summon his wings, only pressed his forehead to hers, chest beginning to rise and fall more rapidly. Rayla rubbed his back, still pressed up against him, and lazily kissed his neck.

“When you get there, all you have to do is wait for me,” she said, his cute rounded ears between her fingers and sharp jawline under her palms. “Find Ez, and wait for me. I’ll be right there.” She hesitated, rubbing her thumb over his cheek, then added with her next exhale, “I promise.”

ao3 :)

[minyard-05]

okay here it is: my dumb little minific of this headcanon

tags for people who asked/were interested + the usual suspects: @i-want-delfeur @jean-meowreau @you-know-i-get-itt @kevinsdsy @ashestoashes7 @aftgphoenix @ohfallingdisco @a-winged-beast @exycutive-dysfunction (amazing url btw) @aalyre

[forest-hashira]

'Til Death Do Us Part

hi everyone! this is my (first) entry for @kentopedia's "Love Through the Ages" collab/event! this is a retelling of the myth of Orpheus and Eurydice, but with Gojo/Reader. if you want to know the full vibes for this, i listened to Moon Song and I Know The End by Phoebe Bridgers on repeat while writing this.

read on ao3 here | wc: ~3.3k | cw: gn reader, satoru is a musician, major character death (reader), hurt no comfort, unhappy ending

Falling in love with you was easy. In fact, it was probably the easiest thing Satoru had ever done in his life; even easier than picking up the lyre as soon as he was strong enough to hold it; even easier than the singing lessons he’d outgrown the need for when he was still just a young boy; easier than charming every young woman he ever came across, leaving a long string of broken hearts in his wake.

But not you.

With you, he’d taken his time, had actually gotten to know you until it felt like he’d known you all his life; he knew your favorite season, what times you liked to take walks in the fields outside of town, even your favorite place to watch the sunset. He also knew that you were the one he wanted to spend the rest of his life with.

Falling in love with you was easy, and even after you’d fallen in love with him, too, asking you to marry him felt terrifying. But you said yes, and all that terror had melted into elation. 

There was hardly any time at all between your engagement and your wedding, both of you eager to belong to each other forever, so in love it was almost painful. Though the wedding itself was small – and barely a month after Satoru proposed – it was the most joyful day in both of your lives. Being surrounded by the laughter of your loved ones, everyone dancing and enjoying good food and dancing had made you feel lighter than air, even long after the sun had set; for once, you weren’t even sad that you had missed watching it from your favorite spot.

Falling in love with you was easy. Loving you was easier. Losing you was the most painful thing Satoru had ever experienced.

It was only days after your wedding, after you had promised to be at one another’s side until the end, in the very field where you’d first told him you loved him, where you’d shared your first kiss. 

You had cried out from a sharp pain in your ankle, and when both of you looked to see what it was, you watched a large snake disappear into the flowers. In a panic, Satoru had ripped the fabric of his tunic, wrapping it tightly around the wound, silently, desperately praying that the poison would move slow enough for him to get you back to the town, where he could only hope someone would know how to cure snake bites. He couldn’t lose you, not like this, not so soon after he’d made you his.

When he’d gone to carry you – to pick you up and rush back to town with you in his arms – he had seen your skin was already an unnaturally pale, ashen color, a sheen of sweat over your whole body.

“No,” he’d whispered, shaking his head, as if that would magically give him more time to save you. “No, no no no.”

You’d only smiled at him, though your eyes were already starting to go a little unfocused. “It’s too late, my love.” Your hands had tangled in the front of his tunic, the soft blue fabric crumpling so easily between your fingers. “But this isn’t such a bad place to die, is it? I’m with you, and the flowers are blooming, and the sun is shining.” With every word, you’d had to lean more and more of your weight into him, your legs losing strength by the second.

“Let’s just sit together for a moment, my love, and enjoy the breeze. I don’t want to be scared when I go.”

The words had nearly shattered Satoru, but he had nodded, easing both of you down to lay amongst the flowers, cradling you close to himself the whole time. He’d stared down at you without blinking, unwilling to miss a single heartbeat of the time he had left with you; the fact that you had looked up at him, too, was both a blessing and a curse.

“Don’t go,” he’d pleaded, throat tight with the tears he was fighting back. “I don’t want you to go. I love you.”

“I know,” you’d whispered back. “I don’t want to go, either. I love you, Satoru, and I wish we had more time, but we don’t.”

“It’s not fair.”

“No,” you’d agreed, a bittersweet smile on your lips. “It’s not fair. But neither is life. And I’m happy to have spent as much of mine with you as I got to.”

Words had failed him then, and he’d leaned down to press one last kiss to your lips, knowing deep down that this would be his last chance. And he had been right; you’d managed to return his kiss for a moment, before going completely still in his arms.

Satoru had stayed in that field with you and wept for hours after the warmth left your body, only forcing himself to stand and take both of you back to town when it began to grow dark and a chill drifted in on the breeze you had been so eager to feel in your last moments.

And so, he had carried you home, his eyes red-rimmed and swollen from crying, but his face otherwise blank, too numb to feel even grief at that moment. No one that saw him had tried to stop him, the sight of the typically lively musician so hollow, so quiet, had left everyone shaken.

The days after your death all blurred together; the only one that stuck out significantly from the others was the day of your funeral, because it was the only time he’d cleaned himself up and left the house, and even that was because Satoru knew he was expected to be there, the grieving husband to round out the picture of a Perfect Funeral. It had made him sick, and he’d excused himself as quickly as possible. 

He spent much of his time crying, or staring at the wall, or ceiling, replaying that last afternoon with you, obsessing over how he could have done things differently, how he could have saved you, even if he knew logically it was pointless; what was done could not be undone, especially not death. 

…Could it?

Once Satoru had the thought, he could not bring himself to abandon it, so he began instead to meticulously detail his plan. 

The days were already growing colder, which meant that Lady Persephone had returned to her husband’s realm of the Underworld; perhaps he would be able to use that to his advantage. 

Satoru had a purpose again, something to get him out of bed and moving; he had a goal to achieve, and no earthly force would stop him. He spent days polishing and tuning his instruments, and days longer composing and perfecting a song to play for the King and Queen of the Underworld; if he was going to convince the keepers of the dead to release one of their charges, everything needed to be perfect.

He was vaguely aware that a couple people – Suguru and Shoko, perhaps? Anything outside of his task was fuzzy at best – came to check on him occasionally, just as they had before he had manically begun to prepare to do the impossible. If they tried to talk him out of it, he can’t remember; even if they had tried, it wouldn’t have worked. His sole focus was on getting you back, and nothing would stand in his way.

By the time Satoru felt he had done everything he could to prepare for his journey, almost two weeks had passed since you’d died in his arms.

Your husband dressed warmly, both because he was unsure what to expect in the Underworld and because having your scarf wrapped around his neck gave him confidence that his plan would work; how could it not, when wearing the scarf wreathed him in your scent, as if you were already back with him again?

The sun was barely up when Satoru left your home, his lyre wrapped carefully in muslin and tucked into his bag. He knew the entrance to the Underworld was close enough to walk, but he didn’t know how long it would take him to get there, and he didn’t want to waste any time at all. Though he had left so early in the morning, there were still a few townspeople that saw him, asked him where he was going, but he ignored them all; conversation would only delay his journey, and he wouldn’t have that.

The musician made good time, all things considered, reaching the entrance to the Underworld about an hour past midday. He paused for a moment, took a deep breath to steel himself, then stepped forwards into the darkness.

He had no torch to light his way, but the path beneath his feet seemed to glow on its own, as if guiding him along; as if the Lord and Lady were expecting and didn’t want to be kept waiting because the foolish mortal lost his way. So, seeing no other option, he followed the soft, almost foggy glow as it led him deeper and deeper into the earth and – hopefully – to the throne room of Hades and Persephone. 

Time didn’t quite feel the same below the surface – it felt thicker, somehow, and heavier, catching on his clothes and sticking to his skin like honey – which meant he had no idea how long he’d been walking. The only thing that kept him from panicking was the faintest scent of pomegranates, coming from the same direction the path seemed to lead.

Eventually, Satoru did reach the throne room, though he couldn’t have recalled what it looked like later if his life depended on it. For as much as he looked around, the whole room could have been made of diamonds and liquid gold could have rained from the ceiling; none of that mattered to him, because it had nothing to do with you. His gaze went straight to the couple in their thrones, and he fought to keep his nerves under control; now was not the moment to get stage fright for the first time in his life. 

“Your Highness,” he said, bowing so low he felt the way his hair shifted to cooperate with gravity, the dusty purple of his undercut no longer hidden beneath the pale strands of his frosty hair, so white it practically glowed in the dusk of the throne room. 

“What brings you to my realm, mortal?” Hades asked, his expression impassive, though his eyes simmered with something dangerous. 

“I have come to play you a song,” Satoru answered simply, standing from his bow and removing his lyre from his bag, unwrapping the fabric from around it with great care. He adjusted his hold on the instrument until it sat nestled in his arms in the best position for him to play, then lifted his gaze back to the gods. “If it pleases my Lord and her Ladyship, of course.”

This was the one catch in his plan: if he was denied permission to play, he had no chance of returning home with you at his side.

“Oh, please?” Persephone turned to face her husband, a pleading expression on her face. “Let him play, my love. We never have mortal visitors, much less artists, and I want to hear what he’s prepared for us!”

The King of the Dead hesitated for a few moments, staring at his wife, but Satoru caught the way his smoldering eyes softened, the way the hard lines of his mouth eased, and the musician knew he would be allowed to play.

“My wife wishes to hear you play,” the god said, turning back to the man before him. “I hope you don’t disappoint her with your skills.”

With another, smaller bow, Satoru began to play, and soon thereafter began to sing. He sang about you: all the ways you loved him, and all the ways he loved you in return. He sang of his life before he met you: how he had played around, led people along and broken their hearts with his carelessness, simply because he was bored. He sang of your lives after you’d met: how you had brightened his mornings and sweetened his days and warmed his nights; how you had planned a future together you had never gotten to see. The harmonies from his lyre blended with the melodies of his voice, painting the image of you so vividly Satoru swore he could see your shape in front of him again.

It wasn’t until he finished his song that he realized he could see you there in front of him, though your form wavered around the edges, like you were a little less than solid. But you were there, and you were smiling, and he felt like falling to his knees and crawling to you right then and there; the only thing that stopped him was realizing that both Hades and Persephone were openly weeping.

He, Gojo Satoru, had brought gods to tears with his music, and with his love for you.

Emboldened by seeing your face again, Satoru spoke. “Please,” he begged, his voice eggshell-thin, cracking under the stress of his request. “Please don’t make me return home without my love. I cannot bear to make the journey alone again.”

At first he received only silence in response, and though he was not a patient man by nature, he forced himself to wait until he was spoken to, not wanting to risk upsetting the gods before him.

“Once a soul has entered the Underworld, it cannot be allowed to leave again,” Hades responded once he had composed himself, which felt like years after Satoru had made his plea. “I am very sorry.”

The musician felt his heart sink at the denial, and he began to consider begging to be allowed to stay, instead, if he couldn’t bring you back with him.

“Oh, please, my love,” Persephone cried, messily wiping the tears from her eyes as she gazed at her husband. “You let me go home again when my mother begged for my return. Why can’t you grant him this same mercy?”

��Because order must be maintained,” the Lord of the Underworld answered. “Rules must be followed, you know this. Your own return home has its own rules, after all.”

“Then give me rules I must abide by. I swear I will follow them as faithfully as possible.” Though he knew interrupting a conversation between gods could be dangerous, Satoru simply could not stop the words from tumbling from his lips.

“Please.” The goddess’s voice was petal-soft, a warm, hopefully breeze cutting through the chill of the Underworld. 

The silence was heavy, crushing the air out of every part of the room, suffocating the musician where he stood. Despite the pain, Satoru only had eyes for you, your warm gaze giving him the strength to push through, to wait for Hades’s answer before completely giving up hope.

“If I let you both return to the surface world,” the god’s voice, though low and rough, rang out clear. “You must follow one rule.”

“Only one?” It seemed too good to be true.

“It is a difficult one.”

“Anything,” Satoru rushed out. “I’ll do anything.”

“You will lead the two of you out of the Underworld, but until you both are on the surface again, out of my domain, you are not to turn around. I promise you will not be alone, that you will return with your love, but you must not turn around before you leave this place. If you turn around, you will have to leave here alone, and you will never be allowed to return until your own death.”

“If I’m not allowed to turn around, are we at least allowed to speak to each other?”

“Yes, you can converse on the journey. Now, take your lover and go. Once you leave the throne room you must keep your back turned at all times until you reach the surface.”

Bowing deeply, Satoru thanked the god profusely for several moments, then straightened and stepped forward, reaching out and taking your hands, helping you from where you sat on the floor of the throne room.

“Let’s go home,” you said, smiling so sweetly at him it made his teeth ache. He nodded eagerly in agreement, taking just a moment longer to take in your features before guiding you to the entrance of the throne room.

“Are you ready?” he asks, turning to you one last time as the two of you stand in the threshold. “I’m not sure how long the journey back is, and if you grow tired we can’t stop.”

“I’m ready when you are,” was your answer, giving his hand a light squeeze to show you meant the words. 

Satoru nodded back, once again pausing to admire your face, your smile, everything about you, before turning away, still holding your hand as he stepped out of the throne room and began the trek back to the surface, back home.

He was silent for a bit at first, feeling your hand in his enough to assure him you were there, but eventually both his nerves and his natural chattiness got the better of him. He said almost every thought that came to his mind, though he tried to make sure to ask as many questions as possible, eager to hear your answers, your sweet voice a soothing balm to his raw and frayed nerves. 

The journey felt shorter this time around, though whether that was because he was retracing his footsteps, or some other strange property of time in the Underworld, Satoru couldn’t be sure. He wasn’t going to complain about it, either, because not turning to look at you was proving much more difficult than he had thought when he was first given the rule.

When he finally saw the entrance to the surface, sunlight still visible on the horizon, a beaming grin broke out across his face. “We’re nearly there,” he told you. “See? We’ve nearly made it.” Unable to help himself, he picked up his pace, still pulling you along behind him. 

He didn’t notice your hand slipping from his own as he closed the last few paces to the entrance.

His joy was palpable as he practically leapt through the gates, back onto the surface, into the grass that waited for him as the sun began to set behind him.

“We did it!” Satoru cheered, spinning around to look at you. “Oh, my love, it feels so good to have you—” The sight of your sad smile had his gaze dropping to your feet.

You hadn’t yet crossed over the threshold.

And he had turned around and looked at you.

“No,” he begged, racing towards you, desperate for at least one last kiss, one last embrace, even if he could not keep you with him. “Please, my love, I’m so sorry.”

Before he could reach out and touch you, though, your shape had already begun to waver, rippling like the surface of a pool disturbed by the wind. You only shook your head, your smile never leaving your lips. “It’s okay,” you assured him. “I love you. I’ll see you again someday. Live well for me, okay?”

“I-I’ll try,” he choked out, tears thick in his voice even before they spilled from his eyes, though there was no stopping them as your form wavered more, then faded fully from sight.

He fell to his knees and wept, loud, heaving sobs, gripping handfuls of grass as he pressed his forehead to the ground, forced to mourn you a second time.

ok so this was baby's first sad ending/hurt no comfort so pls don't come for me if it was bad i'm so sorry idk how to do this i don't like sad endings but this is my favorite myth i couldn't bring myself to change the ending

tagging: @kentopedia @kentohours @mitsuristoleme