#originally was gonna do this with Actual Human Characters

[absolutebl]

GMMTV 2025 Line Up - My Totally Biased and Wildly Flawed Feels

This is the point where I remind you that GMMTV announced 16 BLs for 2024 and didn't actually release 4 of them in 2024: My Golden Blood, Ossan‘s Love, Sweet Tooth Good Dentist, and The Ex-Morning.

So despite the fact that these are from GMMTV 2025 line up, some of them will not happen until 2026, and some could get dropped entirely or have cast changes.

I'm not including the GLs, grab bags, or possible bromances. Confirmed full-tilt gay af only.

In order of ones I'm most excited about.

Dare You to Death

trailer

JoongDunk as police investigators in a mystery suspense thriller. Yes, I'm in. This is it. This it the one I wanted to instantly watch. Even though their's 20 BLs airing right now.

This is the only trailer I immediately rewatched.

Boys in Love

trailer

Our only true high school BL from GMMTV and it's fresh faces for the youths and old favs for the teachers. It's milk teeth Make it Right and that is perfectly fine with me! I like lotte milk. Also DIMPLES! Yay! I suspect they're using this one to test some new pairs for future seasons. Like a Project 101 Thai BL. (Honestly I just invented an amazing reality TV for you GMMTV, you're welcome.)

Like My School President was in 2023, this could be a major 2025 sleeper hit for me.

Memoir of Rati

trailer

Sing the praise song with me BLabies! GreatInn in a HISTORICAL with a class divide and everyone's favourite side couple! Be still my heart! I'm beyond pleased. (Also I got my boat in a lotus pond at last.) My only concern is this could end sad, it's in the title after all.

This is the only trailer that gave me chills.

My Magic Prophecy

trailer

Paranormal mystery with a fortune teller and a doctor. I'm in. I hope the script doesn't fail JimmySea again, they are such a great pair. I'm intrigued by this one but it felt the most formless of all the trailers, so I'm thinking we could see some significant tweaks.

Me and Thee

trailer

A photographer gets involved with the mafia? OMG is this a Thai dupe for Target the Finder? Only mixed with Cyrano? WILD. I mean to say, this one is wild WILD! Plus Est (my love) back in suits and ear dongles I see. Also GMMTV never gonna let us forget they bagged two of BL's best bods with PP, thanks all for the visuals.

Of course this is for me. I'm the shallowest, remember? Plus I love a BL that's just a little bit...... well...... stupid.

A Dog and A Plane

trailer

A prissy gay flight attendant in a push-pull relationship with an EMT dude-bro. Characters are a bit throwback to PeteKao (no bad thing) not to mention the looming shadow of What the Duck? (bad thing). But the side couple is the always appealing MarcPoon.

Okay GMMTV, surprise me, I'm game. And you know TayNew are my OG GMMTV pair du jour.

Cat for Cash

trailer

Finally something fluffy with a pair I like. Looks cute. I like cute. Yay for me! Adorable gay boys and cats.

This one is basically made to be a tumblr comfort meme meets thirst trap. I see what you're doing GMMTV and I applaud you. Carry on.

That Summer

trailer

The only side pair to seriously level up. Okay so amnesia is my least favourite trope, and I tend to not be wild about secret identity either, but I like both pairs in this one, so I'll watch.

My Romance Scammer

trailer

New couple! My boys Ohm and Fluke (no, not that Fluke, the one from My Ride). Honestly, Fluke has popped up as a side in a couple GMMTV shows I was wondering who they'd BL him with.

This could win. Prettiest human on earth paired with the world's most potent single dimple. Will I survive? I honestly don't know, because Ohm historically doesn't have much chemistry with anyone but the original Fluke so... Still I l do love JuniorMark and this as a really unique premise (gay Heartbreakers), so I'm game.

Head 2 Head

trailer

The Boo kids are back. I don't love this pair (I find their chemistry and acting awkward) or the main trope (E2L) but I do like the new sides and their trope (2nd chance is a fav of mine). So this one will depend on whether those are full side dishes or just crumbs.

Ticket To Heaven

trailer

GMMTV is doing Boy Foretold by Stars concept? Interesting, did not have religious boundary pushing and bildungsroman down on he Thai BL bingo card.

This isn't my thing but I think G4 are actually going to be amazing in it and I certainly look forward to them pushing their acting chops. Not to mention the discomfort something like this can cause in general/global viewership. I like it when BL makes people (who aren't me) uncomfortable.

Burnout Syndrome

trailer

GMMTV doing edgy is never a good thing IMHO, and in this one they're handling sex work. *shakes head* However, Not Me is the noted exception and this is that same pair with the same director. So I'm curious if not wild about the content.

That said, I'm delighted to see Gun with someone else (Dew is a stunning choice, thank you Casting) even if only for a love triangle moment. It's been a WHILE.

Melody of Secrets

trailer

Not wild about ForceBook, do like a mystery, don't like horror or psychological thrillers... not sure on this one.

I like BL pushing into new territory, even if it's not my territory, but this is defiantly not made for me, that's for damn sure.

And that's the end of my list.

"But wait," you cry. "P'ABL you're still missing some."

How Dare

Only Friends Dream On

trailer

Yeah, no fuckoff. I will not be watching this. I already marked it pink on the Spreadsheet of Doom. (Pink means CNF or an automatic no watch for me.)

But dude was it nice to see all those pairs busted. That's always a good time for me. Anyway, all you so-n-sos who gave the first one your eyeballs are to blame for this. Watch it n weep. Without me.

(Side note: I love it when a title reviews itself, Only Friends: Dream On, indeed. It's like media aptronym.)

and last and definately least......

Love You Teacher

trailer

no

no no

NO NO

NO!!!

I do like Perth & Santa (although I'm not sold on them as a pair). But words cannot describe how much I dislike this premise. SERIOUSLY? No thank you very much. I could, just maybe, hate watch Only Friends 2, but it's gonna be hard for me to even turn this on. Infantilization and people acting like children wigs me tf out. YKINMKBYKIOK of course, but not in my BL GMMTV. Stop it! (This one also got the dreaded pink of will not watch.)

More Disappointments

Thor didn't get the lead in anything. (Pouts in "but he so sexy.")

No major pairs were significantly busted.

Tonally it's gone darker than I expected. I prefer lighter fluffier BL so this tonal shift for GMMTV as a whole is not a win for me personally. Should be left to Japan IMHO.

That said, most of my favorite GMMTV pairs are in my top picks to watch as well, so I'm happy for that.

I'm Intrigued Despite Myself

My favorite trailer of all was actually Wu (red thread fated paranormals are my favoritest thing ever next to isekai) but that's not a branded pair so I'm not convinced it's BL. Hoping it is, but that happened in 2024 with these boys, so I'll leave it in the air for now.

I like that we're making push to leave uni and high school behind (don't worry, other Thai studios will fill the gap). I think GMMTV is doing this in order to

keep branded pairs together and

keep the actors of those pairs interested in the BL scripts.

As their major pairs age out of uni, GMMTV has to hand them more meaty and grown up stuff. I didn't think they would actually do this, so I'm pleased to see it happen. Even if it's all going darker than I like, at least it's different.

I don't really report on GL and I rarely have time to watch it these days. I thought the new MilkLove looked cute, but I'm still recovering from whatever happen in their last one. The Girl's Rules one looks like a light-weight L-Word. Still happy to see GMMTV move out of school for thier few GLs too.

(source)

[seventeenlovesthree]

Since it's my personal mission to make everybody watch the Digimon Adventure Tri Stage Play, I dug up one of my favourite interviews again. I owe the producer my life, because he simply managed to create the best piece of Digimon Adventure media since Adventure itself (in my opinion almost as amazing as Our War Game and that MEANS something). However, I saw a few people being confused about a few things, so I wanted to clarify:

"Wait, is the Stage Play just Tri's story but done on stage?"

Nope, it does take place during the Tri era (between the third and fourth movie to be exact), but it is an original (side) story that can be watched without having any knowledge of Tri or Tri's plot.

"Does the story take place in the real or in the Digital World?"

That would actually be a spoiler and since there is no easy answer to this, I'm gonna say you have to watch it for yourself.

"Are the characters like in the original or like in Tri?"

That's the fun part - of course there are glimpses and pieces of the Tri characterizations, but the producer really did his very best to adapt the characters faithfully and as respectfully from the original source material as much as he could and I think you can feel that:

"To be honest, the generational timing was a little off for me, so I had never seen Digimon before. After I received the request for the stage play, I watched all of it, including the original TV series and the movie series, but I didn’t expect that I’d be crying so many times. It was a story of human growth and Digimon evolution being deeply intertwined, and I watched as that growth and evolution was overlaid with so many other things. Maybe it was because I watched it as an adult, but I was able to see it from all sorts of perspectives in regards to “people growing”. (...) While I’ve worked with other people’s stories and made plays out of them several times, it was usually in the sense of taking the original work’s story and repurposing it for the stage format. But for this one, even though I’m borrowing the original series’s characters, the story is being written from scratch, and it’s my first time writing words for characters that were created by other people. It was a high level of difficulty, and I still feel it even now. Also, it made me wonder how the scriptwriters for the anime must have done this. They were also writing the same characters in the same world, while sharing that job with tons of other people. It’s amazing that they were able to do that. But, naturally, it wasn’t just full of difficult and painful things, but once the story properly got going, I got to hear the lines I was writing in the voices of the characters from the original series, and getting to savor those kinds of moments was very fun. Someone like me, who works in the theatre field, gets to take over the job of writing the lines of characters made by others. And then I have Toei check over it, and we get even closer to the mark. So in other words, we bring these characters to life by sharing them between everyone. And especially in the case of Digimon, it was an interesting experience in that there wasn’t just one writer or director, but rather that everyone had their own version of Taichi and Yamato, and the dialogue was born from between all of that.

"Anything else I need to know?"

If you are able to see past some cringe, don't mind nostalgia baiting and are okay with a few... Questionable scenes in regards to the main antagonist (which you will definitely know if you've watched the original Adventure series), you will enjoy this.

Also, personally, I'd say this is the order of plot relevance of each human character, so if your favourite characters are in the top half of the list (and even if they're not), you are likely to have fun:

Taichi

Jyou

Koushirou

Yamato

Mimi

Hikari

Sora

Takeru

[paimt]

this is yaoi to you freaks, right?

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[carnivalcarriondiscarded]

Sunny my life my love my deranged little puppet from my brain

[fireheartedpup]

Haven't played Veilguard yet but it seems like the praise and criticism are equally deserved.

Davrin? Made for me. Lucanis' line about killing a god? Swooning. Much of the dialogue? Delightful.

Now what the fuck do you mean they had a character arc revolve around gender roles for a character from a society that doesn't have gender roles the way we do?

This is only the second game in a set of four where we've been able to play as a qunari!! People have been WAITING to be able to explore their culture more! And we get there and whoops actually we're going to avoid that so hard that it's going to look like something you have in the US, actually.

What's that? They don't even have the same gender roles in Thedas? Can't hear you, we're spoonfeeding acceptance here.

Like I get why it resonates with people and I'm happy for them, but that conversation about clothing? I thought the people who complained about therapy speak and Taash being childish were making too much of things as per usual, but nope. They have a point actually.

I'm really sorry to say it, but the writers can and have done better. Based on the deleted tweets from Epler I'm guessing the execs were like, nope, can't ruffle feathers with this one, gotta cater.

So honestly this is about par for the course for the entire franchise

[misterradio]

im not used to reading books where instead of the dialogue being like: ' "blah blah" said Person. ' they have dialogue split up into individual lines prefaces with long dashes. ' --like this... ' idk if its a standard thing for many other languages but i have a hard time following it......... womp womp

[camping-with-monsters]

Started sketching out these concepts for a modern humanized Captain Cinderella design. She’s a retired war vet who, likewise, lost her leg and was left with some physical disability besides that (or maybe amplified by that, idk). Her left arm and eye are left scarred but she can still see out of the eye, kinda. Not great, though.

Rouge technically would exist but she probably died in combat along with Cinder.

Also she’s not necessarily “sad” in these drawings, she just doesn’t emote a whole lot since the canon design can’t. Not really due to anything specific, she’s just been like that her whole life.

[psalmsofpsychosis]

Some Batman: Telltale thoughts

[this is a Batman Telltale critical post, ye be warned.]

So. There are perhaps no words in the english language to describe with how stupid i feel right now.

I started Telltale Batman because i thought that it's one of the more distinct unconventional Batman narratives that would let you have a more interesting, complex and nuanced relationship between Bruce and Joker— the game even lets you bring all of Bruce's sincere hypocrisy and sentimental selfishness to the surface and have him admit that yes, he can fight the rogues gallery because it takes a madman to know a madman; to love a madman. For a moment i geniunely thought that i can escape the everpresent shadow of DC hays code in the freakshow funhouse that is Batman comics, i thought Telltale had done something different.

But telltale's approach to The Enemy Within is so flaky and flimsy and timid at best— such noncommittal twist on themes of pain and grief. They take on a hefty plotline, "what does it take to actually fight through evil and be surrounded by it? How long does it take before your resolve and your selfhood cracks? When you lose the mask, which one did you truly lose— The ideal persona, the superhero, the crusader, or the person underneath, the casket that holds all your humanity and your heart and your hopes? How long can you stare onto the abyss before it stares onto you?" It's indeed a very Nietzsche approach to Batman— except that a good Nietzsche narrative takes a lot of intentional plot points and honesty of thought and of heart. And Telltale doesn't commit, not to Bruce's characterization, and not to any other character, and definitely not to Joker's journey in any variation of it. The existence of the Vigilante route is useless on every front; Joker is going to turn into a villain anyway, just with a different hello kitty eyeshadow palette and an extra bland consolation lollipop. No good choice Bruce makes on Joker's behalf affects anything whatsoever, and i particularly love the "community and friendship and sympathy do not help the mentally ill and all that ever works is punishment and shock therapy and confinement and loneliness" message the vigillante route puts on the table, charming charming status quo commandments from DC as always.

Telltale Batman could only be revolutionary if it had dared to break comic convention and let the vigillante route play out like Selina and Bruce's relationship always does; very grey morality, irrational, full of tension and trust, unstable, intriguing, inexcusable, irreversible, unavoidable and heartfelt, human. But we can't have nice things in batmanverse, so both Joker routes run on stuck gears and topple and fall into a predictable narrative hole that neither Bruce nor Joker can claim out of.

And on the predictable front? this story is too lukewarm to be a good time for me personally. When you get 84 Batman comics per minute every other Tuesday, all ending the same way no matter whatever the fickity happens inbetween, you have to pull no punches. This is my 53368532th Batman-with-tragic-batjokes-implications read of the week, say something new or forever hold your blue-balling silence, i dont care.

[giantkillerjack]

My secret to making people do what I want? Easy. Listen up! For I, Jack, am a master manipulator!

My secret is that I find my mark, and I convince them I am actually very sweet and kind. I tell them that what I want from them is for them to do what makes them happy and comfortable; I tell them I want them to be safe and loved.

And THEN - and this is the most important part, so listen up:

THEN I continue to act in a sweet and kind way to them forever, and I use my words and actions in a way that helps them feel empowered to practice enforcing their boundaries with me as I cheer them on and help where I can while they slowly work to build a better life for themselves. Yet little do they know that that's what I wanted all along!!!

Those fools think we are friends and I want to see them happy! When in fact we are friends and I want to see them happy!! They are playing right into my hand!

One of these days they're gonna look around and realize that their life is more beautiful than it was before and that they always deserved a better and brighter life. And there's a good chance ol' Jack is gonna be there when it happens, grinning ear to ear and saying how proud he is and meaning it. 😈😈😈

They'll never even see it coming.

[short-circuit-the-great]

Thinking about transplanting one (or more) of my mecha characters into this fic. I technically did this with Frostjam already, but Cybertronian Frostjam deviated so much from Original Frostjam that I wouldn't consider them to be even remotely the same character anymore. (OG Frostjam is an unhinged chaotic being and a danger to all societies while Cybertronian Frostjam is the sweet, thoughtful friend who engages in mild amounts of tomfoolery.)

There are already a lot of people running around in this fic, but what the hell, let's add more.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[eff-plays]

Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

[allthingswhumpyandangsty]

let's talk Dead Dove: Do Not Eat tag.

since this has been debated a lot, here's what the tag actually means;

before we begin, Dead Dove: Do Not Eat tag originated from the 2003 sitcom 'Arrested Development' — in one of the scenes, a character opened a fridge and found a brown paper bag with 'dead dove, do not eat' written on it. he opened the bag and surprise! inside was a dead dove (a literal dead dove). the character then said "I don't know what I expected."

thus the beginning of Dead Dove: Do Not Eat tag on Archive of Our Own; the tag is basically to tell potential readers that the work they're about to read contains topics that are considered disturbing, offensive, violent, morally messed up, etc.

it's also to tell potential readers that they cannot be offended, they cannot get mad and blame the author for writing such a disturbing thing, because they have been warned beforehand.

so yes, Dead Dove: Do Not Eat tag translates to 'hey, this work you're about to read is fucked up. if you choose to read it and it triggered your trauma, then you cannot be mad at the writer because they did warn you that it was gonna be fucked up.'

that being said, writers are also expected to tag other tags besides Dead Dove that will give their potential readers an idea of what the actual warnings are about. because Dead Dove tag alone is not enough to tell potential readers what they will find in a story they're about to read; as previously stated, Dead Dove tag is just to warn potential readers that the work might be offensive and triggering to them, but the tag alone does not say why it can be offensive and triggering.

for instance, if your work contains graphic details of human trafficking, then you should tag 'Dead Dove: Do Not Eat' and 'human trafficking', 'rape/non-con' and other tags that might be applied to the nature of your work, so that your potential readers know what, exactly, the Dead Dove tag is for. don't just tag it as Dead Dove without any further explanation.

also, Dead Dove does not equal tragic ending. a story that is tagged as 'Dead Dove: Do Not Eat' can still have fluff and/or happy ending. it's up to the author if they want their entire work to be Dead Dove or if they only want some parts of the work to be Dead Dove.

and I think that's it for 'Dead Dove: Do Not Eat' tag! remember to always tag your works properly! if you have any further question, my inbox is always open.

[ghostfacd]

WIRED AUTOCOMPLETE. | TOM BLYTH

PAIRING. tom blyth x fem!actress!reader

SUMMARY. in which you and tom make a special appearance on wired’s autocomplete interview

installment of this au | recommend reading for more context

“Hi — we’re Y/N Avocot and Tom Blyth — and this is the Wired Autocomplete Interview!”

You’re both handed a white board, bigger than your face, and there’s a list of questions with some of the words covered.

“Do you want to go first?” Tom asks, giving you a small smile.

“Yes! I’m pretty excited actually,” you begin to peel off the first question. “Okay, first question: what was Y/N Avocot’s first role?”

You think for a moment, “well in terms of roles in general, my first acting role was very small and I believe it was for this ice cream commercial as a kid. I’m not sure if it’s still up but my mom had signed me up for it and they thought I was a really cute kid so they casted me.”

Tom laughs, “really?” He then retrieves his board from the crew. “Okay my turn. Why does Coriolanus Snow turn evil?”

That question makes you slightly giggle, because it’s so broad that it’s nearly impossible for Tom to narrow down exactly what it is that made Coriolanus suddenly switch. “I believe you should be asking Suzanne Collins, shout-out to her for making the entire trilogy and prequel. But honestly? I think he was always power hungry, and even though Tigris tried her very best to bring out the humanity in him, it was just never enough. Especially after Sejanus’s death, I think Coriolanus realized there was no going back.”

“Oh wow,” you say, very impressed with how he decided to answer it. “That was a terrific answer Tom.”

“Thank you m’lady.” You giggle at his antics, rolling your eyes jokingly.

“What role does Y/N Avocot play in The Ballad of Songbirds and Snakes?” You clear your throat, imitating one of your character’s iconic resting bitch face.

“I play Balleona Laurent, duh.” You joke. “Anyway, yes, I play Balleona, also known as Leona. She’s originally from the Capitol just like Coriolanus. They met at the academy and she automatically knew she had to have him. She comes from the Laurent family, which is a very very wealthy, well off, intimidating family that Coriolanus knows he just has to get into, which is why they start dating. I don’t wanna spoil too much of Leona and Corio in the movie, soooo you guys should definitely check it out!”

“Alright,” Tom adjusts himself in his seat, ripping off the paper for the next question. “Does Tom Blyth have a girlfriend?”

He pretends to think, which makes you bite your lip, suppressing a laugh. “Hmm, very complex question.”

“Oh give the people what they want!” You tease, “yes he does. He’s inlove with Jennifer Lawrence.”

“I am not inlove with Jennifer Lawrence!” He exclaims quickly, “although I greatly admire her work. My girlfriend is Y/N Avocot over here, sadly.”

“Sadly?!” You fake offense, “cut the cameras. I’m gonna beat Tom up.”

You peel away at your next question, the interview already being loads of fun for the both of you. “Is Y/N Avocot a good singer?”

Your head falls forward, and Tom’s automatic instinct is to catch you, not realizing you’re only joking. “Oh God, I hope so!” You say, laughing as you pick your head up. “I’m no Mariah Carey but I like to think I’m a pretty okay singer.”

“More than okay,” Tom chimes in, which makes you laugh.

“Aw, thanks Tom.”

Tom reaches to peel another question off. “Is Tom Blyth American?” This question makes you almost spit out the water you were currently taking a sip out of. “Well, a lot of people get shocked when I say I’m from the UK. I mean, is my American accent that good?”

“Guess so,” you shrug. “Okay next. Is Y/N Avocot in The Summer I Turned Pretty?”

You clasp your hands together excitedly, giving the camera a wide smile. “Yes! I play Maekella Fisher, also known as Ella Fisher, Steven Conklin’s love interest and sister to Conrad and Jeremiah. The first season airs out soon so please stay tune for that! I’m so excited to be apart of this amazing show with such amazing people.”

“I always come to watch her on set,” Tom says, “they’re all such funny and charismatic people. I swear I’ve became friends with everyone on Y/N’s cast.”

“Okay, my last question,” Tom peels off the paper, grinning. “Will Tom Blyth star in another movie soon?”

He smirks, eyes playfully looking into the camera. “Who knows? But I do know that something exciting will be coming out soon so prepare yourselves!”

“Way to tease the crowd Blyth,” you say, rolling your eyes. “Anyway! My last question, this was quick. What is Y/N Avocot’s skincare routine? Oh, I’ve been waiting for this one.”

You sit on the edge of your seat, and Tom finds it endearing that you’re so excited about something as small as this.

“First, I rinse my face with cold water and I dip my face in a bowl of ice and water for 3 minutes. Afterwards, I put on my dewy toner from Innisfree, it’s so smooth and nice. Sometimes I’m too lazy for this step but I also put on sunscreen, it’s important so I always remind myself to not forget— but I love to use Supergoop Unseen’s Sunscreen. I use drunk elephant’s bronze drops if I wanna go for a sunkissed look that day, but I usually don’t. And then I just shake my Tower facial spray and spray it all over my face. Usually, I touch up my eyebrows and do my eyeliner but that’s really about it!”

“It’s true,” Tom adds. “She asked me if I could go buy her the tower spray yesterday because she was almost out.”

“No need to expose me like that,” you say, clinging your arms onto his. “Well thank you guys for watching!”

“Thank you!” Tom and you wave at the camera, smiling brightly.

[dimensionhoppinghare]

Dib also gets headcanons that are trying to make him look better, not just Zim:

"Dib would never betray anyone!"

"He only started acting out when Zim showed up, it's all the latter's fault that the former's classmates don't believe him."

"Everyone only hates Dib because he believes in the paranormal!"

"Gaz is always harassing Dib for no reason."

"Dib would never act like that, it's just Zim's interpretation!" (Dib's Wonderful Life of Doom)

"Dib would never any circumstences get to the point to kill Zim, unlike Zim!" (Zib)

"Dib never starts things"

One of my least favorite things in fandoms is when people make headcanons or scenarios to make a “good” character seem so much worse than they actually are; while also making headcanons and  scenarios of “Bad” characters to make them more justified for their actions.