#organized a draft

[cassandracain52]

so I’ve seen lots of fics about Bruce coming back and finding out things like Tim loosing his spleen or Damian getting shot (on multiple occasions by different people) and he almost always finds out by either having dug into the Batcomputers records and stumbling across it or just seeing it on scans or something after Tim or Damian is injured

but imagine for a moment Bruce finds out, not on his own, but by the others telling him.

And by “tell him” I of course mean that they all automatically assume that he already knows about all of it(because he’s the worlds greatest detective so obviously they don’t need to say anything) so they never bring it up until they mention it one day in passing and nearly give him a heart attack.

for example:

Bruce: Tim, I need you to come with me to speak with Dr. Thompkins down at the clinic about that new drug that’s been circulating

Tim: Oh, sure thing, just let me grab my mask

[Bruce not saying anything but looking at him confused because Tim is already fully suited up and wearing his domino mask?]:

[Tim, now wearing a surgical face mask]: Ok, I’m ready! [Bruce just staring at him, waiting for some explanation. He doesn’t get one.]:

Bruce: Tim

Tim: hm?

Bruce: Why are you wearing a face mask..?

Tim: Oh! Well Dr. Thompkins got mad at me last time I came to the clinic without one because there’s a lot of sick people there and I should be more careful since I’m immunocompromised-

[Bruce, immediately cutting him off]: Wait, what?

[Tim, slightly confused]: She got mad at me when I didn’t wear one last time..?

[Bruce, equally confused and growing very concerned]: No, not that. You’re immunocompromised?

[Tim, now completely lost because this is all common knowledge?]: Uh, yeah??

[Bruce, even more concerned]: How??? What do you mean??

[Tim, getting annoyed and rolling his eyes]: Well that’s what they call you when you have no spleen, Bruce.

Bruce: What.

[Tim finally realizing that, just maybe, they skipped a step]: I have no spleen? It got stabbed so Ra’s took it

[Bruce, about to have an aneurysm]: RA’S DID WHAT-

______ Or like him finding out Damian had his entire spine replaced

Bruce: Hey, do you think it’s strange Damian’s so small?

Dick: No?? He’s ten?? Ten year olds are small?

[Bruce, audibly concerned]: No, I mean don’t you think he should have grown some by now? Is he not eating enough?

[Dick, immediately relaxing]: Oh, that? Yeah, it’s fine

[Bruce, still concerned]: Are you sure? I was taller than that at his age

[Dick, waving his hand dismissively]: Nah, he’s fine. I think the spine replacement just stunted his growth a bit

Bruce:…

Dick:..?

[Bruce, near hysterically because all his kids somehow keep losing pieces of their insides and none of them seem bothered by it??]: his wHAT- ____

Dick has to spend the next several hours trying to stop Bruce from making everyone do a mandatory medical examination so he can make sure none of his other kids are missing anything

Dick promises that it was just the two things

Bruce is not reassured

[gerrykeay]

im not putting this post into words. beams into your mind The Parallels

.

.

.

.

.

.

.

.

.

.

.

.

[qcomicsy]

I think a thing that people get wrong about Jason's anger is that it's not explosive.

It's cold. Jason isn't the type of person who storms off at every little thing or goes throwing tantrums and setting things on fire blindfully.

He's the type of person who's very practical. He keeps to himself, always. You rarely see issues where Jason's anger is reactive at the moment where the trigger happens to him. If you see his character up close, most of the time when he's triggered his reaction is calm. Even cold.

He gets triggered -> He keeps to himself → He makes a plan → And then he reacts.

Jason's anger being something explosive and out of character and out of place is actually how other people (characters) see it, because they have no idea on how it's playing out on Jason's head.

And that's a thing you can see operating since he was a child.

Where the only exceptions about this effect is either when someone he believes needs his help is involved.

See Nightwing Annual (2021)

But In Batman #411 when Jason learns the fact that Two-Face was responsible for his father's death and Bruce was keeping that from him as a secret his first reaction isn't to blow up on him.

Was to seethe.

Bruce goes up home after dealing with a Two-Face case (in my field we call that poetic irony) and asks Alfred where Jason is, Alfred's answer is that he's been sleeping all day (which is a conclusion that Alfred drew probably after going to check on Jason and seeing him in fact on his bed all day).

But when you see the next panel, even though he is on the bed, He's fully awake and both his expression and his body language shows that he's in fact angry.

This is the first time he appears again in the comics after learning that Two Face killed his dad.

Jason doesn't go towards Bruce immediately to demand an explanation or ask why he did this, or even to throw the truth on his face.

(Which could be debatable that that's something the Dick would usually do, but I'm not that literate on Dick's comics)

His reaction wasn't immediate.

His reaction was to go to his bed and stay quiet. Jason stayed calm and collected the whole trip until meeting Two Face again.

But the moment Jason as Robin has the opportunity to get his hands on Two-Face he does this

From Bruce, and maybe Alfred's perspective it could be interpreted as out of place or him storming off.

But it isn't. Jason was able to keep his cool (even though he shut off), until he was face a face to Two Face.

Does that mean he planned that to happen?

That's debatable, in any moment of this issue it is shown that Jason was actually planning to get to Two Face and do this. I my personal opinion, other and much more plausible explanation is: That he was in fact trying to keep to himself but couldn't hold back the moment that he saw his dad's murder.

You can see the same thing happening as Jason learns that Batman got another Robin in Red Hood: Lost Days.

Talia asks "You all right?" and Jason's first answer is "Sure Why Wouldn't I Be Alright?"

When he's alone he finally has the moment to break down.

(Actually both Red Hood: The lost days and Batman: Under the Red Hood are great case studies on how that usually play out on Jason's head.)

Jason is way more in control of his emotions than people ever give him credit for. The thing is that Jason holds it back until he either blows off or is capable to throw it back in someone's face.

[confessedlyfannish]

DP x DC Writing Prompt #5

Damian does not glance back at Bruce when he knocks on the door. Instead they both wait in silence.

After a moment, the door opens.

"Hello," Jasmine, Jazz, Fenton greets politely, unsurprised to find the Waynes on her doorstep. Damian's expression grows ever darker at this revelation.

"Hello Ms. Fenton, are your parents home?" Bruce asks, placing a firm hand on Damian's shoulder, to ground as much as to restrain. To his credit he does not shake it off.

"No, they're out of town for a conference," the eighteen year-old says, opening the door wider. "But I think you'd better come in."

Bruce would normally decline, but Ms. Fenton is a legal adult and he has already, even unknowingly, waited 16 years. Damian makes the choice for him, striding past the threshold.

"Please take a seat," Jazz says as she leads them to the living room. She ignores Damian's swinging head as he takes in the home. It is deceptively large, a 90s style house filled with modern furniture. The walls are bright, with purple and green accents that would normally feel garish but somehow work. The stairs leading to the second floor are lined with family photos that Bruce yearns to take a closer look at. "Can I get you anything? Coffee? Water?"

"No, that's alright, thank you," Bruce says, taking a seat on the long plush couch. A men's windbreaker lies haphazardly thrown across one of the arms. A closed container of Oreo cookies sit on the coffee table next to a physics textbook open to chapter 16, half covered in highlighter and filled with sticky notes. There's a child's painting framed next to the tv, a handprint made to look like a thanksgiving turkey in bright blue.

For the home of experimental scientists, it is cozy and well lived-in.

Damian repeatedly glances at the stairs through the doorway.

Bruce clears his throat. "We were hoping to--"

"I've texted--oh, I'm sorry," Jazz says, having spoken at the same time. Bruce gestures for her to go on.

"I've contacted Danny, he should be here soon. He was out with some friends." Jazz explains. As she hadn't pulled out a phone in their presence, Bruce can only deduce they have some sort of camera at their front door. This also explains Ms. Fenton's complete lack of surprise at their appearance.

"So you know who we are." Damian says, the first words he's spoken since they arrived at the house and the longest sentence he's spoken since they arrived in Amity Park.

"I do," Jazz says, calm in the face of Damian's clearly simmering anger. Bruce trusts him not to attack Ms. Fenton, but he still watches him carefully.

"He told you about me," Damian says. It is the same question, but it is also not.

"He did," Jazz says.

Damian swallows. "I see," he grits out.

Jazz's neutrality slips and her face softens in sympathy. "Damian," she starts hesitantly, but before she can say anything else the front door opens.

A moment later Bruce's son walks through the doorway, and Damian is on him.

This is what Bruce hoped to prevent, but despite his numerous checks of Damian's luggage his son has still managed to smuggle a small dagger, which he now produces and swings in a calculated arc at Daniel Fenton's jugular.

Danny dodges cleanly, and dodges every swipe thereafter in a manner that speaks to continued practice long after his time at the League. Damian is a perfect product of his training, but it is up against Danny his flaws come to light. He is just as good as he always was, but Danny is better.

In a matter of seconds Damian grows frustrated and sloppy in his attacks, completely atypical for him. Danny takes Damian out at the knees and pins him down with one arm, pressing his face into the carpet.

"Calm down," he orders. His voice is deeper than Damian's at sixteen to his twelve, the accent that still traces Damian's words completely gone from his speech. Damian growls and thrusts his head back into Danny's face, meeting it with a sharp thunk. He rolls up as Danny recoils, putting distance between them. Danny glares at him from several steps away, hand to his forehead. Damian tosses the dagger into his other hand as he charges, and to Bruce's surprise Danny does nothing more than turn his face to the side, allowing Damian to draw a sharp line down his cheek.

Damian stops dead in his tracks.

"Are you done?" Danny asks, blood beginning to pool at the seam of the cut.

Damian's expression is stricken, eyes stuck on the blood starting to drip down his brother's face.

"I said, are you done, Damian?" Danny asks. His voice is cold.

Damian hears him this time, and he flushes red. "I--you--"

Danny sighs. He looks at Jazz, whose expression is back to carefully controlled.

"Are you alright?" he asks her. She nods.

"You left me," Damian accuses, standing there holding his bloody dagger limply.

Danny turns back to him, raising an eyebrow.

"You left me," Damian repeats louder, rapidly blinking.

"Yes. I did." Danny provides no excuse nor any explanation. His stance is unyielding.

Damian's eyes bounce wildly, shifting to Jazz and Danny slides smoothly in front of her, protectively. He looks at Damian warily, not as if he is his brother, but as if he is a danger. Damian flinches.

Hope is the last to die, Bruce thinks, watching as that last bit of hope Damian had is extinguished, the knowledge working its way through every inch of his body like ice in his veins. His eyes darken. He turns and runs from the room, the front door slamming shut not a moment later.

Jazz stands up, pulling a few tissues from the box on the coffee table. She presses them to Danny's face, cupping his cheek until he holds it himself. "I'm going to go get the first aid kit," she says gently. It is a thinly veiled excuse to leave them alone, and Bruce is grateful for it as she heads for the stairs.

They both wait until her footsteps have faded, taking each other in. Bruce looks at his mother's eyes and the sharp turn of Talia's nose. Damian's everything, four years older.

"You shouldn't have come here," Danny says, throwing himself on the armchair Jazz has just vacated.

"You know who I am," Bruce says carefully.

Danny glares. "I've kept your secret. She nor my parents know."

"I know," Bruce says. "That's not what I meant. You know who I am. And who I pretend to be. So you know I am familiar with masks."

"And?" Danny asks, looking vaguely bored.

"And so I can recognize when someone is wearing one. Damian will too, once he's calmed down."

Danny's expression sharpens. "No, he won't. Because you are going to go to back to whatever bed and breakfast you're staying in, pack up, hop in your private jet and fly him back to Gotham immediately before the League realizes you've gone. If they haven't already," he mutters.

"This is about the League then," Bruce says. "Do you not believe I can protect you?"

"I don't need your protection," Danny snaps, and watches Bruce actively extrapolate with a dawning resignation. "So this is the World's Greatest Detective at work," he says, slumping bonelessly into his chair, the first teenager-y thing he's done.

"Damian's in danger from the League," Bruce says. Danny glares from his slump. It's almost cute. "And as long as the League doesn't know about you, he's safe."

"Draw your own conclusions," Danny says, baring his teeth. Damian often makes the same face. "As long as you leave."

"I can protect him. I can protect you both," Bruce says. "Let me help you."

Danny closes his eyes. He centers his breathing in an exercise someone has clearly walked him through in the past. Bruce would bet money on the adoptive sister waiting patiently upstairs.

"Mr. Wayne. You are not my father," he says. "My trust in you extends to the point that I left Damian in your care, but that is where it ends. And that was when it was sanctioned by the League. By coming here you have endangered those sanctions."

Bruce disregards the sting, doubling down on his analysis. Talia had left Damian with Bruce well after Danny had left the League. But Danny speaks as if the decision had been his.

Or perhaps, Bruce realizes, it is not that Danny decided upon it, but that Danny allowed it to continue.

Bruce takes a second to review what Oracle had gone over with him before they left for Amity. Daniel Fenton had by all accounts, since leaving the League, lived a fairly normal life. His adoptive parents were eccentric scientists dabbling in the occult but their findings that bordered pseudoscience circulated a very niche community of like-minded eccentrics. The bulk of their income came from alternative energy, a more viable source of study that they'd veered harder into in the past year or so, a government contract with the EPA currently in the works. This had in part funded a vacation to an all-inclusive resort the family had taken that past summer.

Danny received average grades in school, above average in science and mathematics, declining sharply in his freshman year and sophomore year before evening out around the second semester. He had gotten into fights repeatedly with one student in particular, suspended for two weeks following an incident that resulted in a the student receiving a black eye. Teachers reported him to be highly intelligent but distracted and removed. They had recommended he be evaluated for an attention-deficit/hyperactivity disorder. He had no social media. He had missed multiple picture days. The ones he had attended he was sneezing, or a blur of movement, even going so far as to fall off his stool, legs flailing. Bruce had drank up every last one as Barbara had waited patiently.

A normal life. A family vacation to Bermuda. Average grades.

His freshman year, distracted and removed. The same year Damian had arrived at Bruce's home. Masks upon masks.

"You have informants within the League," Bruce says. Danny, to his credit, has no discernible tell. But there is no other explanation. "What will you do, if they find out you are alive?"

"That is none of your concern," Danny says, but he might as well be saying whatever I have to.

He never stopped practicing, after all.

"If they go after Damian, it is my concern."

"And that is why you need to take Damian back to Gotham before they do." Danny says. "I will take care of it."

Damian had barely spoken since he had realized Danyal was alive. But Bruce had seen the reverence in his eyes as he looked at the file.

"الوريث الصحيح" he had murmured. The rightful heir.

"You are proposing going after the entirety of the League with no backup," Bruce says. "Even if you think they won't kill you, you won't win either."

"Maybe they will," Danny says lightly. "Kill me. That would also work."

Bruce inhales sharply. "Danny," he starts.

"Go home, Mr. Wayne," Danny says, pushing himself up with one hand. The other still clutches the wad of tissue to his cheek, partially soaked with blood. "Go take care of your son."

"I'll go," Bruce says, "I'll take him to the Watchtower. And then I'll come back."

"Mr. Wayne-"

"I should've come for you," Bruce interrupts. "Sixteen years ago. I should've come for you."

Danny's brow furrows. "You had no idea I existed."

"But if I had. I would've come. I never would've left you there. And now that I know, I am not leaving you now."

For the first time Bruce watches Danny be completely caught off guard. He openly gapes at Bruce.

"You would've died," Danny lands on, voice thin. "They would've killed you."

"Unlike you, I would've brought backup." Bruce says, mimicking Danny's lightness.

He's lying. Sixteen years ago he would've thrown himself at the League to save his newborn son without a plan, without a thought beyond rescuing his baby.

Danny barks out a laugh. "You would've laid siege to Nanda Parbat with The Big Blue Boy Scout?" he looks wistful. "That would've been rad."

Bruce sees his opening. "Danny," he stands, eye to eye with his son. "Let me help you."

Danny evaluates him. "The Batman," he says softly. "I didn't want you to come, then. I didn't need one more person I had to prove myself to. All I wanted was to live amongst the stars, in the quiet of the cosmos."

"You want to be an astronaut," Bruce says. At Danny's cocked head, he says without shame, "I read your essay on personal heroes. You wrote about Edward White. Ad Astra Per Aspera."

Danny smiles slightly, sadly. "It is a rough road."

"You can be whatever you want to be," Bruce says. "I won't stand in your way."

"Even if I want to be Danny Fenton?" he asks.

"Even then."

Danny sighs. "I don't need your help Bruce," he says. "No," he says as Bruce opens his mouth. He pulls the wad of tissues away from his cheek. Underneath the splotches of dried blood the gash in his face has cleanly knit itself together, a faint white line now all that remains.

"I don't need your help," he says clearly. He holds a palm forward, and a green fire grows from its center, until the flames are licking delicately up his fingers.

"I know The Batman does not kill. But I am not a Robin. I am something else entirely," Danny says, his eyes reflecting the green of the flames. Or not, as he looks up at Bruce, his eyes green all on their own. They are sad. This is why he stayed away, Bruce realizes. Not out of fear. Danny is not afraid. Danny is tired.

But for his brother, Danny will wake up.

"And If the League takes one step towards Damian, I will raze them to the ground."

[softp3ach]

Did this for an anime collab I joined ❤️💙

[nyaagolor]

Thinking about Franziska Von Karma again and the weird relationship she has to like. Femininity. This is a reading so far divorced from the author's intent that I was debating even posting it but w/e. anyway.

I think that there's a lot to be said about the ways that Franziska both embodies and rejects traditional aspects of femininity and how it ties into a lot of her deeper seated emotional conflicts. She presents herself as feminine in her movements and her outfits, but her actions are loud and violent and often immature at times, which I think is a really fun opposite to Manfred

Because while Franziska is a feminine presenting woman who embraces aspects seen as masculine, Manfred is a masculine presenting man who takes certain aspects seen as feminine as a power play to make him seem more elegant and professional. But!! in the same breath that Manfred's jewelry and eloquence make the other characters perceive him as graceful without that diminishing the power and intimidation he has, Franziska adopting masculine aspects make the other characters not take her seriously and see her as childish and unprofessional

Franziska adopts aspects of gender norms opposite from her presentation just like her father, but what works for him hurts her, and I think that's kind of a running theme in everything she does. She idolizes and emulates him, but she's in a catch-22-- she's so far removed from what he is and is so fundamentally different from him in so many ways that her attempts to copy him just come back to bite her, because it just doesn't run both ways and they were operating under a completely different set of expectations

TLDR I think Franziska is trying to play by Manfred's rulebook not realizing they were playing a different game from the start

[alluralater]

sorry i can’t come see you next week, baby. my strap doesn’t have a passport :( it’s huge :( it’s so big they need an aisle seat for it :( tsa called it a pussy destroyer :(

[larrylimericks]

30Jun24

Cos the footy match wasn't on view, One festival set made the news: A telly on trolley (Rocks carried by Oli) — Hail the new God of Glasto: our Lou!

[twelvemonkeyswere]

Brienne and Femininity (and Masculinity)

I’ve been musing how one of the most important topics in Brienne's storyline is femininity, and even though her story isn't finished, we can fairly see what some of her major themes are around this—particularly, how performing or failing at performing femininity affects her both internally and externally.

Often I see people pointing out that, in spite of all of Brienne’s traditionally masculine ways—her clothes, her skill set, her body shape, to name a few—she does not fully reject femininity. That she likes little cute animals and fairy tales and wears dresses, and is shy and blushes frequently. This is an important point because, very often, fantasy settings made the assumption that a woman can only be taken seriously if she goes beyond “her womanhood” and acts and thinks “like a man,” as opposed to other girls who are too busy mending or wanting romance. Brienne challenges those tendencies that GRRM saw in his contemporaries. Things have changed a lot since (hello The Locked Tomb, for example), but you can still see where he is working from, and how many of the aspects of Brienne's story still resonate with more modern audiences because, well, sexism hasn't stopped existing. It's also important because the larger asoiaf and got fandoms often refuse to see this side of her, reducing her to a walking sword or a cardboard cut out of a pushover.

Now, my main issue here is that I feel several interpretations of Brienne have now gone on the other direction, and focus so much on Brienne PERFORMING traditional femininity—wearing luxurious dresses, using make up, accepting lavishing gifts, or wondering if she can be desired, for example—that we've gone sometimes on the opposite direction. I feel like many times we’re afraid or do not know how to approach characterizing her as someone who rejects aspects of femininity without making her into another “not like other girls” stereotype.

My two cents on the matter is that if we focus too much in what Brienne can't but "wants" to perform, we forget that she is, in fact, gladly rejecting some common impositions of femininity in her society.

Beginning with swordplay at a young age, for example, she was very glad to ditch a more traditional education in order to learn how to fight the way we know men are taught in asoiaf/got. She is also explicitly more comfortable in men's clothes. We all like the scene where Jaime makes an effort to give her a dress and she appreciates it, but we don't even find out what happened to the dress, because, presumably, the dress itself is not THAT important, at least not as much as the fact Jaime gave her gifts as a form of appreciation. Dresses have been used in Brienne's past to mock her (the event with the bear being the most recent one), and the important part is that Jaime is the only one who has given her one without that ulterior motive. The point of the scene is that where everyone undermines and underestimates her, he is acting the opposite way. We’re seeing how the relationship between them has evolved and that he is doing his best to mend what has happened and what he has done. She is given a dress and a sword as symbols that someone else in the story is beginning to appreciate her for all she is.

Beyond that, we even get details on the old shield Brienne got at Harrenhal, but not a word about the dress. Brienne explicitly doesn't really like being in dresses, she prefers mail and breeches, and feels more at ease in them than anything else. This is not her hating dresses because she is above them. I can’t remember well but as far as we know it’s just her preference: I don’t recall her saying she hates dresses, just that she prefers trousers. She must have been wearing dresses her whole life! It’s not likely she is unused to them. But we do know the act of being given a dress is important in Brienne’s story. The problem is not that they can’t make dresses for her, the problem is that everyone who forces her to wear a dress wants to signal how lacking she is as a woman, trying to fit her in a box too small for her real shape and then mocking her because she doesn’t meet their standard. The problem is they want to make her uncomfortable and they want to humiliate her, because she dares to exist in a way that doesn’t conform to patriarchal ideals. And the problem is that she likes to wear trousers and mail. She likes to wear masculine clothes, and they want her to be very aware of how much they disapprove.

And we also hear a great deal about marrying and having children out of duty. There's a certain loss she feels there because she believes that, at that point, all those missed opportunities will never present themselves again. All her life, she grew up with a dichotomy that dictated that the chance of having a family or children was through duty or none at all, because she is her father’s heir and—they kept telling her—nobody would want an ugly, masculine, temperamental girl as a wife. They could only want her for the money she brought. The point of the story is that, once again, failing the standards of femininity has forced her into a mentality where she thinks she can’t be loved because nobody would like who and what she is. But even then, even with that thorn in her mind, she still feels relieved she didn't have to perform these particular duties. The only thing she’s sad about is that she thinks she's missed any chance at having a family at all and will never know what that might be like. She doesn’t actively want babies or even to be married. She is still young, and at least to me, she seems to view these things in hypothetical rather than explicit goals or wants. She thinks that, at 20, there is no opportunity for her to experience these things because of how her society works. It’s the lack of choice that she mourns, down the line. But she rejects that particularly role that femininity imposes on her now. She didn’t want it, and she is happy it didn’t go through. She literally fought an old man to prove how much she didn’t want those impositions.

All this is interesting to me because Brienne also sort of thinks of herself as her father's son as well as her father's daughter. It almost slips her mouth once or twice. She is aware, I think, that many times the differences between a son and a daughter boil down not really to gender but to the sort of duty they perform. And she wants to do the sorts of things sons do, too. Men regularly learned to fight and wore the clothes she liked best and used hard-earned skills in a way she wanted to use them. There are layers to this (we’ll get to that in a bit) but she is, I think, very aware of her masculinity, and, if left to her own devices, she seems comfortable in it. The problem is she is NOT left to her own devices.

Most of Brienne's self doubt comes from outside forces. As a woman, they underestimate her. As a woman, they think she is stupid. As a gender non-conforming woman, every jape uttered goes directly to her womanhood. As a woman, if she looks the way she does and dresses the way she does and fights the way she does, when she expresses any vulnerable emotion, any shred of “femininity,” she is mocked for it. She likes dancing and beautiful things and pretty boys but a woman as masculine as she is is not the sort of person who gets to express those preferences without judgment from those around her.

The point is Brienne’s world wants her miserable either way: being unable to be a woman the way they demand of her, because she is too much “like a man” for it, or being unable to be a man, because she is too much a woman for that. The point is she can’t win regardless of what she does. Because that’s how sexism works.

But Brienne’s story is, I think, one about choices. The thing is that the world makes it harder for her, but she shouldn't have to be one thing or the other. She shouldn’t have to be defined by one or the other. If she wants to fight in the mud and smell roses and wear chain-mail and talk to charming men, she should be able to choose all of those things. I think it’s easy to focus too much in what aspects of femininity Brienne likes or dislikes instead of looking at what the story is proposing, which is to look at what Brienne,as a person, likes or dislikes. What she wants. Her parallel story to Jaime is about how the world will always try to put folks in boxes, especially those who, for some reason or another, do not easily fit in those boxes. The question is not “what feminine/masculine parts of Brienne is she happy performing” but rather “what does Brienne want, and why does she feel like she cannot get it and doesn't dare ask.”

This is also what drives her to servitude. There’s a phrase out there that says that if you don’t think you can be liked, you try to become useful, so at least there’s a reason to keep you around. It’s heartbreaking to see how Brienne’s vision of herself has been so skewed by the emotional abuse, parental neglect, and bullying she’s experienced since a young age. She doesn’t think anyone will grow close to her, so at least she can be close to people by serving them. She wants to put her skills to use, she wants to find a place where she fits, where she can be more herself, but she isn’t sure what that looks like or how to find it. She’s still searching, and learning many things on the way.

And Brienne is still very young. We can see her confidence growing and her worldview challenged and she is beginning to see the realities of herself and of the world around her through various trials by fire. Misogyny makes her feel incomplete, but we know the things she trusts about herself while simultaneously seeing the way she constantly doubts others. How she can't never express all of herself without constant judgment or mockery.

I feel like yes, the fact Brienne doesn't reject all traditional femininity is really important to her themes, but by extension, it's as important that shedoes reject some of those traditional expressions of femininity. What she is truly rejecting is imposition, not femininity. What she truly needs to embrace is freedom, not masculinity. She's making her own vows, breaking her own promises, going through her own mistakes. She is learning the hard way. Agency in a world of limited choices is one of Brienne's main themes too. There are moral issues that go deep within her story as well as examinations of the effects of war and the struggle to find authenticity and connection in a community that refuses to acknowledge yours, a community drenched in pretense and lost in performance.

And I think it’s easy to get too caught up in her wanting to be a girlfriend or a mother or wearing a dress that we bypass the whole conversation around why that matters at all. I feel like Brienne's success isn't going to come from her fully embracing all her feminine traits or fully accepting all her masculine traits but from being able, down the line, to be exactly who she is.

[socialjusticeinamerica]

🖕🏽

[bixels]

So I l’ve been getting into your ko crisis story lately (it all sounds rlly awesome btw) and i was curious - you’ve said in the tags in a previous ask that ash is comphet, so is that gonna play a major role in her character arc/journey in any way?

Yeah, the story basically covers her journey of redefining her identity as a queer Asian-American disabled woman in a sports-entertainment industry, which is a media landscape that specifically targets, exploits, and fetishizes people like her.

[fumifooms]

One thing that makes Metal Sonic so interesting is that the very fabric of his being is made of contradictions.

He wants to be Sonic, but he wants to be his own version of Sonic, a “better” one. He has a strong identity, yet he has none outside of his goal and is ready to sacrifice individuality for it. He thinks organics are inferior, but is jealous of one. He craves recognition and praise, but he doesn’t care about others or social success. He’s unfeeling, yet he’s so, so angry, all the time. He’s supposedly a cold calculating machine, but he’s impulsive and emotional. Eggman abuses him, but they’re also a funny villain family. His programmed goal drives every single of his actions, yet he has free will. He’s a tool above all else, but he’s his own person.

He’s so dysfunctional it’s impressive

[toxintouch]

Hyperspecific Leander Fluff Headcanons:

sleepy time themed bc I am supposed to be asleep

[They pronouns used.]

He loves to bring his partner breakfast in bed. It honestly might be more for him than for them; he loves it that much.

It's not an every morning thing. (Unless??) There's an element of surprise to it - he will sneak away at some unholy hour of the morning to prepare/obtain everything.

He knows all the best hidden delicacies and can always miraculously get something prepared at odd times of the night/morning. He's just a nice, normal guy doing his part to support his local economy! :)

(He'd be more keen on making breakfast (or other meals) himself if he's cooking with his partner. He'd enjoy the domesticity of helping them cook/bake if that's their hobby, or would love learning alongside them if they showed an interest.)

Breakfast in bed tends to happen more often if he was taking care of Bloodhound business all night and didn't get to sleep ("sleep" - does he ever even sleep?) next to them.

Loves being the one to wake them up in general, even if it's not a breakfast in bed type of morning. :)

Getting to see them all sleepy and unguarded and adorable is priceless for him.

Secretly loves it even more if they are slow to wake or grouchy first thing in the morning because that means he gets to dote on them and/or gently coax them awake with cuddles and kisses all over their face.

(If they are really grouchy: 🥺🥺 Is there anything he could offer that might make them more happy to wake up? 🥺🥺 😏)

On that note, he is completely unfazed by morning breath. It simply doesn't exist to him. They don't want to kiss him because of morning breath?? Invalid argument, he doesn't even know what that is.

(He's a morning person. Also a night owl. Also very active in the afternoon. Seriously, does he ever sleep?)

Even if he's staying up whereas they're going to bed, he always walks them to their room. Will excuse himself from whatever he is talking about with his Bloodhounds just to kiss them goodnight.

If he was away and thus didn't escort them to bed and wish them goodnight himself, he'll ask around regarding when they were seen heading to sleep. That way, he knows when is a good time to wake them up! He can't have them undersleeping, after all. (Man's a hypocrite.)

(Or, if they wake up at the same time every day, he'll adjust his schedule to accommodate.)

Crowds his parter when they are doing their nighttime routine. Always trying to hug them around the waist when they are brushing their teeth, etc. They come up from rinsing their facewash off and he's there behind them like a jumpscare.

Endless chatter while they get ready for bed unless they can quiet him down with some form of affection. Chatter will continue as he tucks them in.

Except... as their relationship progresses, he'll stick around on nights where he's feeling more burnt out needy quiet. He'll go in for an embrace and not let go... then transition into a gentle sway. The two of them end up doing a kind of mindless slow dance, if they allow it. Mentally, he's worn out but physically he's still restless. Hopefully they'll indulge him for a while?

Absolute worst at telling bedtime stories. He's too much of a showman. He'll turn the shortest little fable into a sprawling epic. Will act out the parts like he's in a play and/or make tiny magic illusions. It will be an hour(s) long affair. Worse, they won't even notice time passing because he's such a compelling storyteller. Always manages to put a fresh spin on the tale in question.

Has a great reading voice to fall asleep to. But even when he's supposed to be reading off the page, he editorializes, changes the story where he doesn't like the source material -- more often, changes the story to cater to their tastes specifically -- , finds ways to add in anecdotes about random things/people, bring up shared experiences and inside jokes...

If his partner starts playing with his hair, he'll stumble over his words. Every. Time. If they keep at it, he'll quiet down and just enjoy being in the moment for a while.

You'd think he would want to be the little spoon, but nope. Big spoon so he can smother hold them to his heart's content. ❤️

Okay, maybe sometimes he'll be the little spoon. More specifically, he'll quite happily be the little spoon while they are awake - he loves having their attention - but as soon as they are asleep, he swaps to be the big spoon. He likes the feeling of protecting them while they are asleep. :)

He's impossibly good at removing himself from the bed without waking his partner. Doesn't matter how entangled the two of them were, he manages it.

[rejectingrepublicans]

👏

[idonthaveacontract]

fuck it hot pete campbell

[cutewebgraphics]

I'm really curious! I format my posts based on how good they look on my laptop, specifically using this Stylus userstyle by Pixiel (installation guide here) because I can't stand anything but the old Tumblr layout.

I know that some specific post types (mostly bullet / tiny pixel formatting) don't translate the best on mobile because of how they're blown up to fit the screen. I don't plan on changing my post formatting for the mobile gaze... but who knows? x)