#organic leads

[rudramsoft]

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[gotogroww]

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[madhukumarc]

Lead Generation Strategies for Marketing Agency Organically:

Here's related information that you may also find helpful – What Problems Digital Marketers Face Most in Lead Generation?

[from-the-coffee-shop-in-edoras]

As someone whose job basically boils down to getting unglamorous but necessary things done behind the scenes, I’d love for us to spare a moment of appreciation for some truly unsung heroes of LOTR: the folks who supplied and supported a whole damn army on the move with only a few day’s notice.

The people who stocked and raised all the tents. Whoever was keeping soldiers in dry socks and sharpened swords. The folks (not Éowyn) who cooked the stews each night and cleaned up all the food. The person who had to make all the arrangements for thousands of horses to be kept in any kind of organized fashion with no barn or stable. The unhappy soul who had to dig and maintain the latrines anywhere the army was camped.

Logistics aren’t sexy, but damn are they important. Without them, half your army has dysentery and the other half is contemplating desertion. So good on these people—the victory over Sauron belongs to them, too.

[luxmoogle]

✿ڿڰۣ—

[phonification]

weird hsbc adjacent ii au doodles ,,

[luxshua]

The winners of the life series all had their own ways of winning:

1. Grian loyalty, playing into every one of Scar's schemes no matter how stupid they seemed. His win came from blood and tears, a descion made surronded by sand and cacti.

2. Scott defiance, he was never going to play the game the way it was designed. Why would he take life needlessly, no his win came from the refusal to do the watchers bidding.

3. Pearl alone, discarded by her soulmate, discarded by the one who pulled her into the nether in the first place. She won with her ties cut, she won not of her own descion but of the one who decided for her.

4. Martyn scavenger, taking time where most convient, stealing kills from right under peoples noses. His win came when even his trusted ally had his guard down, feral and desperate for just a drop more time, even if it left him frenzied and alone.

[tanglepelt]

Dpxdc

Danny reveals phantom to his parents. They immediately jump ships to support Danny. That is their baby. Why would they think he was lying? Clearly they let confirmation bias cloud their heads. They have non bias research to conduct!

Unfortunately for them. The GIW does not like this change. Clearly the fentons have gone crazy. They must be mad scientist! The GIW of course reports them mainly to get them out of the way. Can’t have people spreading propaganda that ghost Ms are sentient. They can’t have that.

Maddie and Jack don’t come in easily. Instead they flee. Not letting thier kids get hurt. Of course they locked down the portal before they left. All they needed to do was get set up in a new city. Keep the kids safe after all.

Gotham was to obvious. Why wouldn’t they flee to ecto rich environment. Danny would be to obsessed with hunting down Superman in metropolis. Ever since the reveal Danny had been letting his ghostly instincts out more and more. The whole alien thing would cause to much obsession.

Besides. Technically they were wanted by the government. Couldn’t draw attention with Danny stalking the supers. Which whatever. Maddie and Jack would fight them if it came down to it.

They ultimately decided on central city.

There is enough that happens there to keep eyes off them. They absolutely totally could stay low to the ground. They couldn’t hide out with any relatives. Plus if it came to it. They were certain they could at least talk to the flash before anything violent occurred.

Maybe he would even listen.

For now. They would just prioritize Danny’s and jazzs safety.

[rudramsoft]

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[ganondoodle]

me: finally im able to cope with how much i hate totk and can fuel that energy into other things :)

nintendy: the shiekah tech just dissappeared and no one knows why or cares enough to investigate it lol. lmao. its gone bc the calamity is gone or something even tho it literally isnt bc ganondorf is right there haha lol, stop asking, why do you care. just forget it existed and look at that sexy goatman and glue instead!! glue! isnt that wild?? also its totally a direct, 100% same universe and exact same characters, despite them act totally out of character, sequel to botw-

[forestofsprites]

sam putting cas on bunker storage room #18 clean-out duty bc the nosy angel enjoys rummaging enjoys organizing and sam's confident he'll breeze through it overnight, but what in fact happens is that cas is a nosy angel who enjoys rummaging enjoys organizing & thus pauses 13 minutes in bc he finds a doohickey that he's convinced dean will be able to tinker with and revive (he does), organizes sure but does so into an eclectic system of apparent whim (he himself thinks it’s perfectly sound and logical),& then ultimately spends the majority of the night poring over decades-old receipts and smiling away to himself

[iam93percentstardust]

one of the things that really bothers me about modern franchises, and in particular over the last 5 years or so, is their refusal to commit. what i mean here when i say this is that it's not uncommon for a major franchise to make a decision, whether about the plot or the characters, that should have had huge, world-changing consequences... and then just never address that again or worse, immediately go back and undo it. and i'm gonna pick on star wars and the mcu here because those are the two big franchises i'm into at the moment (and i think they're kind of the worst at this), but i don't want you to walk away from this thinking that this is solely a disney thing. i've seen this happen with game of thrones and supernatural and plenty of other non-disney franchises. spoilers ahead, you've been warned:

in ant-man & the wasp quantumania, scott and hope make the life-altering decision to stay behind in the quantum realm and defeat kang instead of going through the portal to return to their world. this should have been a huge meta decision for the mcu, and when i first saw it in theaters, my immediate thought was wow, what is this going to mean for the mcu going forward? are we going to get a movie/miniseries about scott and hope helping to rebuild the quantum realm? how are cassie, janet, and hank going to react to the losses of their loved ones (in some cases, for the second time)? is cassie going to become the "first" young avenger because she has to take her father's place among the team lineup (and i only say first because as of this moment, none of the other young avengers introduced to the franchise are official avengers yet)? except nope, because less than 2 minutes later, cassie had fixed the portal that had broken way back at the beginning of the movie and brought scott and hope back.

and it felt like such a cheat. i was so disappointed in that theater, not as someone who was invested in these characters on a personal level (because yay, cassie gets her dad back!), but as someone who has spent years investing themselves in the story of the mcu. what was the point of wasting screentime on scott and hope accepting their new lives in the quantum realm if it was just going to immediately be undone? the entire scene could have been cut to scott and hope making it back bare seconds before the portal closed and it would have had the same emotional impact. there was nothing added by making scott and hope (and us) think that there was no way back only to rip the rug out from under us and go "gotcha! you really thought we were gonna give this movie a sad ending? haha! you're so dumb!"

and this isn't the first time the mcu has done this. one of the biggest complaints about endgame was the decision to set it five years in the future with no consideration for how that would actually change the setting of the mcu. characters were brought back to the exact place they disappeared from with no consideration for how things might have changed in the interim five years (like planes that weren't in the air anymore, buildings no longer standing, even just something as simple as a chair being unoccupied). and then the mcu didn't even really have the courage to address how this would have shaped the world other than a few jokes and making the bad guys in the falcon and the winter soldier people who cared about how the world had screwed them over during the blip.

and things like this happen over and over and over again. the accords are put into place in civil war, but by the time we get to she-hulk, they're gone with no explanation because, as best as i can tell, the writers didn't want to have to deal with the worldbuilding that went into the accords. gamora is killed in infinity war, but heaven forbid quill not have an emotional investment in a film he appears for maybe 10 minutes in so now she's back in endgame. steve got to go live in the past with his ex-girlfriend (which is in itself a refusal to commit after the mcu both gave her a different husband and had the woman herself tell him to move on) but we need to establish that messing with timelines is bad because that's what the entire next phase hinges on so actually his ending was predestined and it's only everyone else who can't change time. whoever took this entire town and also wanda hostage and forced them to live out a sitcom fantasy is bad and needs to be stopped but wait, it's actually wanda and she can't be the bad guy yet, we need her for doctor strange 2, so actually everyone's going to defend her now and say that no one else could ever possibly understand her grief. thor has decided to accept responsibility as king of asgard, but we can't use him for any more movies if he's stuck in asgard, so actually he's decided to pass it on to someone whose entire leadership capability is developed offscreen. i could list more examples but this is making me angry, so let's move on to star wars instead.

with star wars, i look at first the oft-quoted meme, "somehow palpatine has returned." yeah, i shouldn't really need to go into detail on how that counts as a refusal to commit but. the last jedi was a study in how johnson refused to commit to anything that abrams had laid down in the force awakens, but rise of skywalker was almost like abrams had looked at the franchise and said "screw you for taking it away from me, i'm going to come up with the most bullshit stuff just to spite you for doing that in the first place. and i'm going to start by undoing the most important plot point of the first trilogy: the emperor dies." and yeah, disney's kind of tried to salvage this by dropping hints into the bad batch and the mandalorian about cloning, but that only really works if you're watching the franchise chronologically and not considering that both of those series came out after rise of skywalker.

and then there's the mandalorian, my sweet summer child, who is, in my opinion, the worst at backtracking their plot points. i'm not entirely convinced that any of the higher ups for this show really knew what they were doing when they started working on it and i'm not convinced that they know what they're doing now. yeah, there's the tie-in to the last season of clone wars, but the mandalorian has managed to walk back pretty much every single major plot point it's had. din is this legendary warrior who can't be beat, but no one will watch this show if he defeats everyone too early, so he's constantly getting beat up (tbf, sometimes some of the fights he loses makes sense like the krayt dragon and the mudhorn, but a lot of them don't. at all). moff gideon is dead, no wait no he's not, now he's imprisoned, no wait no he's not, now he's definitely dead, you can totally believe us this time guys. grogu can use the force and must be placed with the jedi, but wait, the only person still actively teaching the way of the jedi is luke and all of his students will be brutally murdered ten years from now, and we can't have that, everyone will be mad at us for killing off such a cute character and no one will buy baby yoda dolls (and also we have to set up luke's character degradation from hopeful, believes-in-love cinnamon roll to "i'm going to kill my nephew") so in between seasons let's have grogu decide to go back to din (and don't even get me started on how frustrating it is that a casual mandalorian watcher also had to watch book of boba fett to understand why grogu is back). din has the darksaber now which makes him king of mandalore, that's totally going to be important and what the entire series has been building up to, right? wrong! he might have spent the first two seasons making connections, learning about the world outside his sheltered upbringing, and demonstrating the various qualities that would make for a good leader, but the entire third season will be about din realizing that actually he's super unworthy and the darksaber should actually go to someone who... saw an animal in the water.

and it's really, really frustrating as a viewer! because how am i supposed to get invested in any of these plot decisions when they almost always get reversed? why should i care that mj and ned have forgotten peter when ant-man 3 has shown me that they'll remember him the next time they're all on screen together? why should i care that tech is dead when half of the last season of clone wars was about how echo was actually alive? if none of these decisions have any permanence, then where are the emotional stakes? why should i watch your movie if all you're going to tell me is that nothing matters?

[too-many-lavellans]

Andros be finding out.