georgeromerosanalcavity

[captainhannie13]

Agatha All Along rewatch ahead of the finale tomorrow, noting things I’m hoping are resolved/called back. This is a long list so I’m definitely reaching with most of these, but I have Agatha brainrot and need to get it out. Let’s go witches 🔮

Episode 1

Agatha (still under the spell) asks Rio what she’s doing there, she answers “my job”, she’s still an “FBI agent” at this point but is it a double meaning and she brought Wanda’s body on a detour to Agatha?? If so, was it because she just couldn’t wait to get to Agatha or so Agatha could get revenge on Wanda??

Nicholas’ room had a trophy for “best vocals” in a children’s choir, is that the spell’s translation for him being powerful and maybe Agatha accidentally drained his power somehow?

So.Many.Rabbits! There’s just so many, I need to know what’s going on there - did Nicholas’ soul get sent into Senor Scratchy after Rio took his body, if not will we see how Agatha obtained Senor Scratchy and why rabbits are so important to her?

In the morgue, behind Rio, there is a warning sign which says the facility contains chemicals that can cause birth defects or reproductive harm - is this just a prop or is this how Agatha’s mind now sees Rio/magic?

Rio saying her black heart beats for Agatha, is it figurative or are we going to see her physical heart at some point because that would be so cool.

Episode 2

Agatha saying “whose shoes are these?!”, is this just her being dramatic or does she have a collection of other people’s shoes in her house for.. some.. reason.. souvenirs perhaps…

Agatha becomes visibly disinterested in Teen when he said Power is what he seeks because she can’t steal any from him, we know that she then gathers the other witches to try and steal their magic before they actually open the door, then she ends up accidentally (or not?) taking Alice’s power. Going into the last 2 eps she is on the road with Billy who has power and Jen who is/was bound, Lilia says Jen is “the way forward” so will Agatha end up giving her powers to Jen as an end to her arc or end up stealing Billy’s powers as would be expected from her?

Jen saying “another child sacrifice”, possibly about Agatha accidentally killing Nicholas, or about her stealing children for Rio?

The coven’s green witch being represented with a black heart, who could either be Rio (THE green witch) or Billy (a green witch as in a new witch). Need this to be confirmed so badddd.

The Wizard of Oz of it all when Agatha calls them Coward (Lilia - courage: she’s been afraid to use her powers and join a coven again but she has been strong for so many years dealing with her powers unpredictability), Fraud (Jen - brain: her magic is bound but she needs to realise she still has powerful knowledge of the craft), Disappointment (Alice - heart: had given up on magic and needed to realise her mother used her power and love to protect her.). In later episodes it shows that Billy has a posters of the wizard of oz, a figurine of the wicked witch, then Agatha is dressed as the wicked witch at one point. Obsessed and I can’t wait for them to reveal who the man (or woman) behind the curtain is, I know there’s theories about Billy or Agatha creating the road and I’m fully down for whatever the reveal is.

Episode 3

Billy says the road is exactly how he pictured it, Agatha says it suits him… I may be in the camp of the theory that Agatha and Rio made up the legend of the witches road to steal magic/bodies and Billy has accidentally (or on purpose) made the road they are on.

Agatha tells Jen she left her alone because the work she was doing was important, can’t wait to see what she was working on and why Lilia also insists she is the way forward.

Episode 4

Agatha saying “I didn’t know you had it in you” and then winking at Billy, is this aimed towards him or is she just being silly goofy snd Rio managed to reach through and kill Sharon somehow

Agatha says the lyrics of the ballad are “burn and brew with coven two and glory shall be thine”, leading to a disagreement about the wording of the song. This is to highlight that there are different versions of the ballad, but if Agatha learned a version where a coven of two can open the road and then shortly after she says one other witch made it through with her last time- who was the other witch and what did they each get for surviving to the end of the road…

Billy saying he wishes they could go home.. unbelievably Dorothy coded over here.

When they are figuring out how to break the curse, Agatha asks what Lorna Wu wanted from the road and Rio says “to save her daughter”. Does she know this because she met Lorna Wu or guess from experience with Agatha?

At the end, Jen mentions she was a midwife and her magic was bound after being invited to an obstetricians convention and tricked. Was her important work something to do with helping witches give birth to healthy children and someone wanted to put a stop to it?

Episode 5

Evanora says Agatha was evil from the moment she was born, I hope we get to see why she thinks that

The spirit (possibly Rio/Death) wanted them to punish Agatha, then she starts taking Alice’s power and only stops when Billy says “Nicholas Scratch” was the punishment that Agatha wasn’t able to speak to him or was it the reminder of how he died? We hear him say “mama stop” but is that him saying to stop taking Alice’s power, or a memory of when she took his power?

Episode 6

William’s room has 3 posters above his bed: Alice in Wonderland, The Wizard of Oz, The Black Cauldron. We also see how he has connections to Lilia, Alice, and Jen in this episode - are they going to do an “it was all a dream” thing but then reveal that actually it was real after all?

William’s room also has loads of other things that could suggest Billy created the road physically/mentally: Wizard of Oz figurines/books, Houdini posters, a poster of Assateague Island (could be where Jen’s trial is based on), lots of board games (such as in Agatha’s trial). When he is later William/Billy additional things are a vinyl player and poster of Lorna Wu (Alice’s trial), tarot cards and studies of sigils (Lilia’s trial), horror movie posters in place of the original ones, there’s still at least one Wizard of Oz poster so maybe that’s suggesting William is still in there as well.

Episode 7

Agatha and Billy are dressed as the Wicked Witch and Maleficent, William’s room had lots of items depicting the Wizard of Oz and also a Black Cauldron poster. Billy pulls the seven of swords for Agatha which represents deception and betrayal, but it’s reversed which either means it’s saying that she’s actually being honest or that he is the deceptive one. In the Black Cauldron, the horned king wants to raise the dead - does this mean Billy (who is now dressed as a horned witch) is being deceptive and isn’t there for Tommy but actually wants to bring Wanda back after all?

It’s not something that I need answered but at 18:54 I noticed Jen is holding an apple while she’s dressed as the Evil Queen and I just really appreciate that haha.

Cried at the end of this episode again, I can’t decide if I need them to reveal that Lilia is actually alive and okay or if it’s more respectful to her character to leave it as that beautiful ending for her.

Final thoughts:

Suspicious of both Agatha and Billy, secretly hoping at least one of them turns out to be traitorous because of how fun it would be. Maybe we’ll get an “Agatha All Along” reprise.

Really hope we get at least one more version of the ballad, maybe like the first version created.

[skrs-cats]

i have not been able to go by a day without thinking about these battle cats recently. is this what people meant when they say an interest doesnt die it just waits for the day you let your guard down to come biting your ass back

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

[anneapocalypse]

I think Shadowbringers is a great example of how knowing or guessing the "reveal" doesn't hurt a good story, and writers who understand that will write more confidently and tell better stories. That the Exarch is G'raha Tia is not hard to figure out. He has a distinctive lip shape, and he's the guy who was in the Crystal Tower! He's not even a very good liar at the end of the day. And none of that makes his arc as the Exarch any less powerful, imo. I don't think trying harder to obscure the Exarch's identity would make Shadowbringers a better story. Because the emotional core of his arc isn't in shock value. It's in the unfolding story of G'raha's journey, how he came to be here, why he is hiding his identity, why he pretends not to know you or who G'raha Tia is. It's in the culmination of a hundred years of planning and secrecy and loneliness, in how he's willing to die to save two worlds and you, in why it all goes wrong at the last minute, in how hard he tries to play the villain so you'll let him go, and in how unconvincing he is in that role. It's in the choices he makes when he realizes he doesn't have to die. It's in everything he chooses to be. He has a good story, and a good story doesn't lose its power when you know all or part of the ending, because a good story is about the journey.

[loosescrewslefty]

This was absolutely brilliantly done.

Because this isn't Anya's most closely guarded secret being discovered by accident without her consent. She made an active, CONSCIOUS choice to tell Damian that she is a telepath. Something that she was previously terrified would lead to her being hated if someone happened to find out. And throughout this little prom arc we slowly get fed the reasons that lead up to this moment. First being that while she initially saw Damian as a bratty, self centered jerk, Anya has slowly come to know him better and see a more noble and compassionate boy under all that cocky bluster.

Then there's the way Damian also mentions to her that many people try and use him in order to get close to his parents-- which she sees for herself when the other girls start swarming him demanding to dance-- hence his suspicions of her own intentions.

And the finally is the fact that, despite his own admission that his parents barely acknowledge he's alive, Damian still loves and admires them and is desperate to earn their affection.

In fact, during the Damian quiz, it's implied that Anya didn't use her powers to figure out who Damian's most beloved person was, because she already knew the answer just from knowing him. It's the only question we don't see her telepathic 'sparkles' or hear her listening on the answer.

It happened slowly and subconsciously, but despite the unflattering first impression Anya has come to care about Damian. She doesn't want him to be hurt or sad. She doesn't want to use him or take advantage of him the way she sees others try to (and the way a small subset of the fandom accuses Anya of trying to since they can't seem to grasp that Anya is at most six years old and hasn't thought as far as to how the fallout of Twilight's mission will affect the Desmonds). And she understand him a lot better than she ever realized. She trusts him with her deepest, darkest secret despite her fear and the uncertainty because she genuinely WANTS to be honest with Damian. It's her olive branch to him, after HE was vulnerable with her time and again when it comes to his family and his fear of letting others close after so many people tried to use him for his name.

Because more than anyone else, Damian has noticed her, and how intuitive she is of the thoughts of others.

And despite denying or deflecting it time and time again-- including intentionally bombing a few questions in this chapter to avoid standing out too much after Damian called her out again-- Anya FINALLY came clean to him about her powers.

And, of course, he thought she was messing with him, which in turn pissed HER off because this is her biggest secret, dammnit! XD

But despite Damian's refusal to believe her ATM, this isn't something Anya can take back, and Damian is perceptive enough of Anya that sooner or later he's going to realize that Anya was being honest with him. And it'll be a wild ride to see where things go from there.

[artbyblastweave]

A few years ago, there was a thread on r/asksciencefiction where someone was fishing for a superhero story with an inverted Omni-Man dynamic, or a setting where Homelander's initial presentation is played straight- a setting where the Superman figure actually is the paragon of morality he's initially presented as, but no other superhero is- a situation where you've got one really competent true-blue hero standing head-and-shoulders in power above what's otherwise a complete nest of vipers.

Someone in the thread floated My Hero Academia; while I haven't read it, my understanding is that that's not really an accurate read of what's going on with Stain's neurosis about All-Might being the only "real hero," that the point of that arc is that Stain's got an insane and unreasonable standard and that taking an endorsement deal, while bad, isn't actually grounds for execution. My own contribution to the thread was Gail Simone's Welcome to Tranquility, where a major part of the backstory involved the faux Justice-League's Superman analogue having a little accident because he's the only one who thought they were morally obligated to go public with the secret life-extending macguffin that the rest of the team is using to enforce comic-book time on themselves and their loved ones; while only a couple members of the team are directly in on it, the rest are conveniently incurious. And Jupiter's Legacy gets tantalizingly close to this- The Utopian, a well-meaning stick-in-the-mud, ultimately gets blindsided and couped by his scheming brother who creates a superhero junta staffed by a Kingdom-Come-style glut of third-gen superheroes, who are framed as fundamentally self-interested because only came onto the scene after most of the situations you legitimately need a superhero to handle have been neutralized. (The rub, of course, is that the comic is also highly critical of the Utopian's intellectually incurious self-righteously 'apolitical' approach to superheroism- if for no other reason than that it left him in a position to get blindsided by a coup!) While Jupiter's Legacy gets the closest, all three of these are only loosely orbiting around the spirit of the original idea, and there's something really interesting there- particularly if the Superman figure isn't hopelessly naive in the same way as Utopian. Because first of all, if you're Metaman or Amazingman or whatever brand-name alias the writer goes with, and you really earnestly mean it, and you put together a team of all the other most powerful heroes on earth in order to pool your resources, and then with dawning horror you gradually begin to realize that everyone in the room besides yourself is a fascist or a con artist or abuser or any other variant of a kid with a magnifying glass eyeing that anthill called Earth- What the hell is your next move?

Do you just call the whole thing off? Can you trust that they'll actually go home if you call the whole thing off? I mean you've put the idea in their heads, are you sure that they aren't going to, like, start the Crime Syndicate in your absence? Do you stick around to try and enact containment, see if getting all of these people on a team makes them easier to keep on a leash? But that's functionally going to make you their enabler pretty quickly, right? Overlooking "should you kill them-" can you kill them? You're stronger than any individual one of them- are you stronger than all of them? The first time one of them really crosses a line in a way you can't ignore- will that be a one-on-one fight? Are they the kind of people capable of putting two-and-two together and pre-emptively ganging up on you if you push back too hard? Do you just start trying to get them killed, or keep them at each other's throats so they can't coordinate anything really nasty? Can you squeeze any positive moral utility out of them, or is that just a way to justify not doing the hard work of taking them down? There've been works where the conceit is to question the default assumption that Superman in specific would be a good person, and there've been works where the conceit is to question the default assumption that superheroes in general would be good people. Something to be done, I think, with questioning the default assumption that everyone Superman becomes professionally close to would be good, and to explore how he'd handle it if they weren't.

[hypewinter]

Danny can no longer Go Ghost. Oh his powers work perfectly fine, but whenever he tries to transform, it seems as if the universe itself is screaming and begging him to not transform

So he goes to Clockwork who explains that Phantom has simply grown too powerful and that Danny simply needs to empower someone to act in his stead like an avatar

Unfortunately, Danny can't really choose anyone he knows. Tucker is not responsible with powers and the less is said about an empowered Sam, the better

It'd be absolutely hilarious if the avatar gets selected via a tournament arc. I imagine it wasn't Danny's idea but he was taking too long since he didn't want to burden anyone with this responsibility leading to the Observants deciding they'll take care of it. Cue all of Earth's heroes being summoned to an arena and told to fight until a victor is crowned. Really? This again? They all collectively groan. Meanwhile Danny is blissfully unaware of what's going on as he's back at the Clocktower trying to figure out the best candidate (the Observants thought they'd gain favor if they just surprised him with a new avatar).

I'm not honestly too sure how the tournament itself would turn out. Maybe the heroes would go along with it until they could figure out just what the reason for the tournament is this time. Maybe they would immediately jump to revolt. Punch first, ask questions later and all that. I could go either way to be honest.

All I really want is for the heroes to bust down the door and confront Danny about this whole tournament, ready to take down another crazy in power, only for this painful sleep deprived child to blink up at them, "What tournament?"

[sunderwight]

SV AU where, while Luo Binghe is supposed to be in the Abyss, Shen Qingqiu comes across a hellhound puppy.

Now, there is an arc in PIDW where Luo Binghe became a hellhound. But it happened like at least a century out from where they are in the timeline, after Binghe had come into his full demonic power, and involved him turning into a slavering beast that eventually become a slavering man-beast (werewolf, basically) who could only be cured by having a lot of very questionable sex with his wives. Shen Yuan wrote a rant about how yet another potentially interesting transformation arc was instead reduced to porn tropes, but it was one of several dozen such rants across many similar story arcs. Airplane barely even remembers writing it because he was having a pretty shit week and just wanted to get the chapters out.

So it doesn't really occur to either him or Shang Qinghua that finding a hellhound puppy might be suspicious. Unexpected, sure, but demons are turning up all over the place all the time, really. And it's years before Luo Binghe is even supposed to be out of the Abyss, like a century before his hellhound transformation story, and when Binghe did turn into a hellhound his two forms consisted of a fully-grown beast and a fully-grown man-beast. Not a puppy.

Of course: that hellhound puppy is definitely Luo Binghe.

He unwittingly triggered this subplot early, and because he's still a young adult, he gets stuck in a juvenile puppy form because hellhounds don't reach fully maturity until they're like fifty.

Anyway, this creates something of a pickle for Luo Binghe, because he's legitimately stuck in this form and can't figure out how to change back. This is not part of his plans. He's fleeing from Huan Hua Palace cultivators who are trying to kill him, which they might succeed at because his Heavenly Demon powers don't seem to be working.

He runs right into Shizun, who is on one of his "investigate stuff to forget the depression" field trips with Liu Qingge.

Luo Binghe is fully expecting his righteous Shizun to kill the demonic beast, and has a moment to think that at least that's better than being killed by Huan Hua, before Shizun rescues him instead.

Shen Qingqiu, meanwhile, is actually kind of excited. There was a lot of lore in PIDW about how hellhounds can actually make loyal companions if they're trained up from young enough of an age, but finding hellhound puppies would be difficult for anyone who wasn't a demonic nobleman, and most of the "trained" hellhounds just disappeared into the harem as gifts to various demon wives and were never seen or heard from again. No additional information, like the full extent of their abilities or what kind of companions they made beyond "loyal" or anything! A species of demon that could even potentially be domesticated by humans, and it was just left at that?!

Needless to say, Shen Qingqiu's not letting Huan Hua Palace kill this one. This is a rare chance for him to get a cool monster companion!

Although... such a creature might die when Luo Binghe comes to take his revenge.

Well, he'll deal with that when he has a chance. Maybe Shang Qinghua can take it to Mobei Jun or Shen Qingqiu can find another place for it before then. In the meanwhile, at least going back to Qing Jing Peak with him is better than being killed on the spot. He talks Liu Qingge into going along with it (Liu Qingge thinks he's insane but also folds like wet tissue paper), under stipulation that the hellhound's demonic energies are sealed and it gets muzzled before they bring it back with them.

Shen Qingqiu rides with it in a carriage, and feels so bad for the poor doggo looking miserable without his demon powers or even his mouth free that he secretly takes the muzzle back off while Liu Qingge isn't looking.

Luo Binghe is overwhelmed with the mixed sentiments of confusion (doesn't his shizun hate demons? is a Heavenly Demon really so especially repulsive to him?), happiness (he's going home! Shizun found him and is taking him home!), worry (Shizun please do not un-muzzle random demonic beasts just because they look sad!), and some rather embarrassing personal revelations about the appeal of being Shizun's pet. The latter situation worsens exponentially after the first time he gets good boy'd and petted for the first time.

Regardless, Shen Qingqiu does take him back to Qing Jing Peak and settles in to train and observe his new puppy. No one thinks this is precisely a good project but it is a project, and is not for instance "staring blankly into the distance while kneeling in front of a sword mound", so on balance everyone decides they'll just keep an eye on things and make sure the hellhound doesn't maul the peak lord. Lots of "just dropping in for a visits" by a rotating cast of peak lords (they have a schedule).

But the hellhound puppy is a fabulous pet! Actually, Shen Qingqiu thinks it's really remarkable how smart and readily tamed he is? Barely a few days in and he's obediently following Shizun's commands, except for "stay", which he seems to struggle with. He doesn't maul or threaten any of the disciples, only growls at Shang Qinghua sometimes and makes a few aggressive displays at Liu Qingge. The former case is just good taste, and as to the latter, well, clearly the hellhound is sensitive and intelligent, and has a more-than-rudamentary understanding of words spoken to him. He probably remembers that Liu Qingge wanted to kill him when they first met. Shen Qingqiu takes his time soothing his puppy and assuring him that he won't come to any harm, he's perfectly safe on Qing Jing Peak with Shen Qingqiu.

At least, for now.

Although actually, the more Shen Qingqiu thinks about it, the more convinced he becomes that Hellhound (sue him, he's not the best with names) would be a perfect companion for Luo Binghe once he gets out of the Abyss. The only difficulty would be in how to convince Binghe to accept him, and also how to keep his now-loyal hound from trying to defend his master when justice comes due. Shen Qingqiu figures he'll cross that bridge when he comes to it, and in the meanwhile takes some time to explain to Hellhound about his disciple, Luo Binghe, who is enduring a terrible trial in the Abyss, but who will return one day having become Emperor of the Demon Realms and could probably use a steadfast and intelligent companion who is interested in more than just his incredible amounts of power or irresistible good looks.

Luo Binghe Himself: ?!?!?!

[disappointment-comics]

i think i’m just sad that none of them got to grow before they died

luther was still living in the manor, which he’s always done for his whole life. so much of his arc has been about outgrowing this place and learning to leave. but he still winds up in the ruins of the place he grew up in. i could’ve believed it as a character choice IF we hadn’t already seen luther figure out how to live independently in the world in dallas. instead it was a regression

diego deserved to break the cycle of abuse!! he’s always been softer than he lets himself be, the role of father should’ve been a really big thing for him. and yet he ends the season without his kids and with the whole mess with lila and five. they spent the whole season trying to convince me he was a loser and a failure when he seemed really normal and trying his best. which is exactly what he was as a child, designated number 2 and never good enough.

i was a big s3 allison defender but then they did NOTHING with all the big swings they took with her character, so it was all for nothing?? ray walks out?? (which seems so ooc for him but i guess it was an actor scheduling thing) no conflict with claire very little resolution with her family and no introspection into what her choices and control issues mean for her.

klaus had this whole storyline with his powers and then didn’t get to use them at all… like that’s literally insane. it felt like they were really setting klaus up to reflect on his relationship to addiction and the parts that are and are not related to his powers, but then it just stops. he doesn’t apologize, he doesn’t get comforted, doesn’t learn to save himself, and he just dies, which is such a waste of a character that’s always represented an interesting blurring of life and death. i really would’ve liked to see klaus get some autonomy this season, since so much of his life is other factors making decisions for him, but nope.

five. i don’t even think i have to say anything here.

ben loses so much character autonomy halfway through this season. he’s another character who’s always been at the mercy of others, maybe most of all, and he doesn’t even feel like a main character in the season ABOUT him.

viktor has some moments with getting to confront reggie, but even those fell flat for me tbh. the line from reggie saying “you deserved to wear the mask” just proves that none of them ever understood that NONE of those children should’ve been in the masks in the first place. vik had built a genuinely good life for himself and didn’t get to keep it. dying as an umbrella martyr is not revolutionary when they’ve all been doing that their whole lives. living as a happy, normal person is actually much more radical. also he should’ve got his violin back.

[mononijikayu]

what’s your type? — gojo satoru.

“Senpai, can I ask you something?” “Ask away.” “.........What’s your type?” You blinked, your eyes darting to him. The rustle of leaves against the wind was loud. “What?” “I….I liked that photo of Waka Inoue, but it’s nothing much. Shoko said its icky cause it’s creepy that Waka Inoue looks like her but—” You start to laugh. “Gojo, you are something, aren’t you?”

GENRE: post hidden - inventory arc (2010s)

WARNING/S: domesticity, fluff, angst, trauma, implied death, violence, romance, hurt/comfort, character death depiction of death, depictions of loss and depression, depiction of blood, depiction of killing, depiction of suffering, depiction of anxiety, mention of death, mention of grief, profanity, family drama;

WORDS: 10k words.

NOTE: feeling a little bit better, no more fever. but im still longing for satoru. he won second place in the last poll, so his story has to be contrasting sukuna!!! thank you for still reading my works and healing with me. it's really healing to just take time and see him be the silly man he is. i love him so much, guys. so so much!!!

masterlist

u s and t h e m

if you want to, tip! <3

November 2005

IT'S ALMOST BEEN SIX MONTHS AND SOMEHOW HE STILL DOESN’T KNOW YOU. And because of this he doesn’t think he can sleep at night. You were Gojo Satoru's senpai, a figure shrouded in mystery and calm that even he, with all his power and insight, could not easily unravel. To Satoru, you were more of an enigma than he could ever hope to be—a person who never spoke more than necessary, and when you did, it was with careful precision, revealing only what was directly asked.

You were a Zen'in by blood, yet you never uttered a word of reproach against your relatives, despite their reputation. It was no secret that the Zen'in clan was a place of harshness and cruelty, but you kept your thoughts tightly sealed, never letting your personal feelings slip. Not even with discontent, it somehow never found a way out of your lips. Your life outside of missions and the classroom was a locked box that Satoru could never open.

Gojo Satoru can’t help it, but he often finds himself wondering about you. Your restraint, your quiet strength. Everything about you was so unlike him, so tranquil and graceful and yet, in some ways, it was what made you so fascinating to him. He knew you didn’t like the higher–ups, nor the clan elders; it was in the way your deep purple eyes would narrow ever so slightly during meetings, in the subtle tension in your posture.

But you never voiced your displeasure, not even in private. Yaga–sensei thinks you got that from your father. And you were too much like him. It was unquestionable, unshakable, vibrant loyalty to the jujutsu world, but Gojo Satoru couldn't tell whether it was out of duty, fear, or something else entirely.

For someone like Gojo Satoru, who thrived on breaking down barriers and challenging the status quo the moment he was born, your unwavering silence on certain matters was almost infuriating. He doesn’t think you were that way when you were born either. But perhaps he was used to being the one who held all the cards, who saw through people with ease.

Yet with you, he was left guessing, speculating. You were the aloof cloud he can never understand. Even when he tried to prod for more, you would give him just enough to satisfy his immediate curiosity but never enough to truly understand you. And that’s what he wanted. He wanted to understand you. To get to know you. To be close to you.

It wasn't that you were cold or distant—far from it, he thinks. You were always there, always supportive when it mattered. Maybe even more than Yaga–sensei sometimes. But you kept your past, your thoughts, and your emotions locked away in a treasure trove he’s been trying to find. And just as always, it was leaving Satoru to wonder what kind of experiences shaped the person you were. Were you haunted by the same ghosts that plagued him, or was your silence a shield against something far darker?

To him, you were like a mirror that reflected his own complexities. The first in centuries to be born with the gift of Ryomen Hiromi, the only heir of the Zen’in clan in its lifetime. But maybe you were someone with a filter that softens the edges. You represented a kind of strength that didn’t need to flaunt itself—a quiet resilience that came from facing the world with resolve and not letting it change who you were at your core.

In a world full of curses and chaos, where everyone had their demons, you remained the one riddle Gojo Satoru couldn’t solve. A mystery he wished to solve. And perhaps that was why, despite all his power and knowledge, he found himself drawn to you again and again, in search of the answer to the question that haunted him the most: Who were you, really? Who was this senpai he looked up to the most?

The room was quiet, save for the sound of Gojo Satoru's footsteps as he paced back and forth. His restless energy filled the space, making it impossible for Geto Suguru to focus on his book. After a few more laps, Suguru finally had enough and gave up, placing the book aside.

"Satoru, would you stop that? You're making me dizzy." Suguru said, rubbing his temples in frustration. “And now the book feels moot to your annoying footsteps.”

Satoru paused mid-step, looking at Suguru with a pout. "I can't help it! I’m just too curious about them. They’re always so secretive."

Ieiri Shoko, who had been watching the scene unfold from her spot on the couch, took a drag from her cigarette before chiming in. "Let him be, Suguru. At least he’ll burn off some of that energy. We might actually get some peace and quiet later."

Satoru shot her a playful glare. "I’m not that bad."

Shoko raised an eyebrow but didn’t argue the point. Instead, she leaned back and let out a soft sigh, enjoying the rare moment of levity. "Uh-huh, keep telling yourself that."

Suguru, however, wasn’t quite done. "You shouldn’t pry into their life, Satoru. That’s their business, not ours."

Satoru crossed his arms, his curiosity still burning brightly in his eyes. "But they never talk about anything! Don't you want to know more about them?"

Shoko nodded in agreement with Suguru. "I do, but it’s not our place to dig into their past. If they want to share something, they will. Until then, we respect their privacy."

Satoru sighed, his excitement dimming slightly. He knew they were right, but it didn’t make it any easier. There was something about the mystery that you carried with you that kept pulling him in, a puzzle that he was desperate to solve.

"Fine." he conceded, plopping down on the couch next to Shoko. "But it doesn’t mean I’m not going to keep wondering."

Suguru chuckled, shaking his head. "Knowing you, that’s as close to restraint as we’re going to get."

Shoko smirked and gave Satoru a light tap on the head. "Just don’t let it consume you, alright?"

Satoru grinned, though the curiosity still lingered in his expression. "No promises.”

Satoru leaned back on the couch, trying to shake off his curiosity about you, but it was harder than he expected. His mind kept wandering back to the mystery that was his strong, dependable senpai. Despite the warnings from Suguru and Shoko, he couldn't help himself.

"Come on, Suguru, don’t you wonder about anything? Like, what type of women they’re into?" Satoru suddenly asked, unable to keep the question to himself any longer.

Suguru rolled his eyes, clearly not interested in entertaining Satoru’s curiosity any further. He has had enough for a whole day already. He sighed. "Satoru, seriously? I thought you put it to rest already!”

“But I wanna know more about them. What’s their favorite mochi? Do they like coffee? What’s their favorite cafe? Do they like idols? What’s their type—”

“Satoru, stop—Ah, my ear! That was so loud!”

“Suguboo!” The blue eyed sorcerer cried as he leaned against Suguru’s shoulder as Suguru groaned with exasperation, trying to get Satoru off him.

But Shoko, who had been lazily biting the lollipop in her mouth, suddenly perked up at the sight.  A mischievous glint appeared in her eyes as she pulled out her flip phone, her fingers typing away with practiced ease. 

Satoru noticed and immediately scooted closer. "Wait, Shoko, what are you doing? Do you know something? Don’t tell me you have senpai’s number. Are you texting them? Tell me! I’m dying here!"

Shoko grinned, enjoying the moment as she finished typing. She flipped the phone around, showing Satoru the screen.

His cerulean. eyes zeroed in on the contact name: Utahime–senpai. Then, underneath, a simple message: Eh? Hm…..Yuki–senpai asked them one time, and Yuki-senpai said that they answered Norika Fujiwara—that’s our senpai’s type, which bummed Yuki-senpai. She's not senpai's type.’

"Yuki-senpai, the special grade abroad?"

"I guess so." Shoko retorted back to Suguru. "Apparently she and our senpai's close."

"Hm, that makes sense." Suguru nodded back at his friend. "Huh, I never expected that senpai would be into women. Good for them."

"Right?" Shoko grinned back at the long haired sorcerer. "Women are the best!"

For a moment, Satoru just stared, processing the information. "Wait, Norika Fujiwara? That’s…" 

"Yup." Shoko said, her grin widening as she leaned back, clearly amused by his reaction.

Satoru’s eyes widened as it finally hit him. "Our senpai… is into women?"

Shoko chuckled as Suguru shot her a mildly disapproving look, but even he couldn't suppress a small smile.  "You know, this makes sense now. Kyoto High has K-1 events on their TV. And Norika Fujiwara's on the programs sometimes."

"Heh, you're right!" Shoko grins at her friend. "I wonder if they only watch for Noriko Fujiwara."

"I don't think our Senpai's that shallow, Shoko."

"Well anyway, you did say you wanted to know more about them." Shoko said, putting her phone away. She raised her thumb up for Satoru. “Now you do!”

Satoru was stunned. He had always respected you as a powerful and composed figure, but somehow this revelation made you even more intriguing in his eyes. "Wow… just when I thought I couldn’t admire them more. They're becoming cooler by the day. You guys don't understand!"

Suguru sighed, shaking his head at the whole exchange. "Satoru, you really are something else."

"Hey, I’m just appreciating my senpai!" Satoru shot back, but his tone was lighter now, a mix of surprise and admiration in his voice.

Shoko smirked, clearly pleased with herself. "Well, now you know. Just don’t let it go to your head."

Satoru nodded, but it was clear from his expression that this little tidbit of knowledge had only deepened the enigma that you were to him. Because he couldn't help it, when it came to you. He couldn't help but want to know more.

He stood up, trying to open his canned soda and sighed. He thinks he feels faint. But maybe, just maybe, its the weather. He feels unwell, somhow. Gojo Satoru sighed. He should sleep more.

THE AUTUMN LEAVES MARKED YOUR ARRIVAL. The next few days saw you at Jujutsu High, filing a report about a recent mission in the Tokyo Metropolitan Area. The mission had gone smoothly, but there was something about the activity at a nearby temple that piqued your interest, so you planned to stay on campus all day before heading out to investigate.

Satoru had been unusually quiet since your arrival. He watched you from a distance, his usual playful banter replaced by a thoughtful silence. He still hadn’t figured out how to bring up what he’d learned about you—how could he, when the revelation had left him so distracted?

By the time you suggested sparring, hoping to shake off the tension in the air, Satoru seemed eager to agree. The two of you moved through the training area, exchanging blows with a familiarity that spoke of years of experience. But something was off. Satoru wasn’t as sharp as usual; his mind was clearly elsewhere.

You took advantage of the momentary lapse in his concentration. In a quick, fluid motion, you downed him, pinning him to the ground with a sigh. He groaned, feeling the ground and gravel against his face.

"You’re stupid to let me have a shot at downing you, Gojo-kun." you muttered, shaking your head. “That was a rookie mistake.”

Satoru blinked up at you, startled by your words, before realizing his mistake. He had let his guard down completely. He sighed, a rare admission of fault slipping past his lips. "Yeah, sorry. I’m just… distracted."

You raised an eyebrow, still holding him in place. "Distracted? What's going on, Gojo-kun? Is it about a mission or something to do with the jujutsu you’re working on?"

He hesitated, trying to find the right words. It wasn’t like him to be at a loss, but this was different. His thoughts were clouded by what he had discovered, and now, faced with you directly, he wasn’t sure how to bring it up. Finally, he decided to dodge, just a little. 

"It’s nothing serious. Just something on my mind that I can’t quite shake."

You narrowed your eyes, clearly not convinced but deciding to let it slide for the moment. You released him, standing up and offering a hand to help him up. "Well, whatever it is, don’t let it cloud your judgment. You can’t afford to be distracted out there."

Satoru took your hand and stood up, brushing the dust off his clothes. He nodded, a small smile forming on his lips. "Yeah, I know. Thanks, senpai."

You studied him for a moment longer, clearly aware that something was off but choosing not to press further. "Just remember, Gojo-kun—whatever it is, you can talk to me. I’m here if you need anything."

He nodded again, appreciating your offer but still unsure how to approach the topic of what he’d learned. "I’ll keep that in mind."

With that, the two of you continued your sparring session, but Satoru's thoughts remained tangled. The revelation had stirred something in him, and he knew he couldn’t keep it to himself forever. But for now, he would focus on the task at hand, trying to push the distraction aside until he could find the right moment—and the right words—to bring it up with you.

You cracked open your canned soda, the familiar hiss of carbonation filling the quiet evening air. Taking a sip, you glanced at Satoru, who was fiddling with his own sweet drink, clearly still wrestling with his thoughts. You couldn’t help but smile, the tension between you now a thing of the past.

“Senpai, can I ask you something?”

“Ask away.”

“.........What’s your type?”

You blinked, your eyes darting to him. The rustle of leaves against the wind was loud. “What?”

“I….I liked that photo of Waka Inoue, but it’s nothing much, really. Pretty face, pretty lady. But I have to say, Shoko said its icky cause it’s creepy that Waka Inoue looks like her but—”

You start to laugh. “Gojo, you are something, aren’t you?”

He blushes, almost embarrassed as you shake your head at him. “......Is it bad?”

“Hm, not at all.” You snickered at him. “You’re just curious. But I now have a question!”

“Y–yes, senpai?”

“Was it Mei–Mei or Utahime?”

“!?” His face was priceless. It was as though he was a child who had just been caught stealing cookies during the night in the kitchen.

"Ah, Shoko must have asked Utahime." you began, the amusement evident in your voice, "Man, that girl has a big fat crush on Shoko, doesn’t she? She just gave up easily. At least with Mei–Mei, it will be a good five million yen.”

Satoru didn’t respond immediately, focusing instead on opening his drink. His silence spoke volumes, and you chuckled once more with a softer essence, shaking your head. 

“Well, it’s not like I’m hiding anything.” You tout, sighing as you look at him. “But I guess that I’m not as obvious as they come, I suppose.”

Taking another sip, you continued, "I do like Fujiwara Norika. She’s my type of woman. Looking back at it now, she reminds me of someone I dated once. And I think that makes Yuki-chan feel like she has to dye her hair brown now."

Satoru froze mid-sip, and the next thing you knew, he was sputtering, spitting out his drink in surprise. "You… you dated before?" he blurted out, his eyes wide with shock. "Do...do I know them?"

You couldn’t help but laugh at his reaction. "Why wouldn’t I? I’m older than you by a couple of years, you know? And it wasn’t really a secret....Hm.....Would you know? I don't think you liked anyone else from the other clans. But I guess in a way, it doesn't matter, you know?”

Satoru stared at you, still processing what you had said, but then he noticed the brief flicker of sadness that crossed your face, even when you try to laugh it off. It was subtle, barely there, but for someone as perceptive as Satoru, it was impossible to miss. His usual playful demeanor softened, and he watched you carefully, sensing that there was more to the story.

You sighed, looking out at the horizon, your voice quieter now. "I loved someone a long time ago, Gojo. And it broke my heart when she left. But that’s over now.”

The weight of your words hung in the air between you, and for once, Satoru didn’t know what to say. He could see the pain in your eyes, a pain that was buried deep but still lingered, like an old wound that hadn’t quite healed.

"But, Gojo-kun....you know…." you continued, your voice growing steadier, "I didn’t love her because she was a woman. Or that she looked like Fujiwara Noriko. Even if that's what others believed. I loved her because she brought me to life."

Satoru was silent, absorbing what you had just shared. He could see now that your quiet strength, the way you carried yourself, had been shaped by experiences that ran deep—experiences that he had never even guessed at.

You turned to him with a genuine smile. "People like us have the rarity of that, don't you think? Not has the shot to be brought to life by love." 

For a moment, the two of you stood there, the setting sun casting long shadows around you. Satoru finally broke the silence, his voice uncharacteristically soft. "I’m sorry, senpai. I didn’t mean to bring up something painful."

You shook your head, offering him a reassuring smile. "It’s alright, Gojo-kun. You didn't upset me at all. It’s part of life, part of who I am. And you asked properly. It was right to be honest. Besides, what makes us human if we don't carry our own stories with us, don’t we?"

Satoru nodded slowly, feeling a new sense of respect for you. He had always admired your strength, but now he understood that it wasn’t just about power or skill. It was also about the resilience you had built through the pain of loss, through the love that had once lifted you and then left you heartbroken.

"Thanks for telling me, senpai." he finally said, his usual bravado tempered by genuine gratitude.

You nodded, appreciating his sincerity. "Just remember, Gojo-kun. Your curiosity isn’t a bad thing. But some things take time to understand. Don’t be in such a hurry to know everything all at once. Even about me. Just….just enjoy things little by little.”

He smiled, a small, thoughtful smile that showed he was taking your words to heart. "I’ll try to remember that."

You leaned closer to him and let your palm pat his head. He gasped, looking up to you as he nearly dropped his soda. You laugh. “Aren’t you my cute, curious and dependable kouhai, Gojo Satoru!”

Gojo Satoru felt his ears turn red as much as his body. He lowered his head, enjoying your touch on his hair. Gentle and yet tenderly comforting all at once. He wished you didn’t have this much of an effect on him. But he supposed that he knew that he’s not good like that when it comes to you. 

With that, the two of you stood in comfortable silence, sipping your drinks as the last rays of the sun dipped below the horizon, leaving the world bathed in twilight. It was a rare, quiet moment between two powerful sorcerers, a moment where the weight of your shared experiences brought you closer together, not just as comrades, but as individuals who had lived, loved, and lost in the ever-unforgiving world of jujutsu.

January 2006

IT’S HARD TO BELIEVE ITS NEW YEAR AGAIN.The cold Kyoto air was crisp as Satoru, Suguru, Shoko, Nanami, and Haibara made their way up the steps to your family’s ancestral Mikoto temple in the heart of Kyoto. The New Year had come fast approaching, and while you had insisted they didn’t need to make the trip all the way to Kyoto just for you, Gojo Satoru had been adamant to see you. As he always was. He was just that sort of young man.

Satoru's enthusiasm for joining you at the temple for New Year's was palpable, his childlike pout accentuating just how much he wanted to be there. Despite your logical protests about the cold and the crowd, Satoru seemed undeterred, his energy almost infectious.

“It’ll be too crowded, Gojo-kun.” you said with a raised brow, trying to keep a firm stance on your decision. “And not to mention too cold. Just stay in Tokyo.”

But Satoru wasn't one to give up easily, especially not when it came to spending time with you. He pouted, his lower lip jutting out in a way that made you sigh in exasperation. “Ehhhhhh, I don’t want to.” His voice was a playful whine. “Come on, senpai! Me being there would make it all fun.”

Suguru, always the calm voice of reason, chimed in from beside him, hands casually tucked into his pockets. “We’re going to be there too, Satoru.” he pointed out, his tone laced with subtle amusement. “Are we just chopped liver to you?”

Shoko, ever the instigator, snickered at the exchange. “When it comes to our senpai, that big baby is going to be thinking about him.”

Satoru’s indignant protest was immediate. “Hey, I’m not a big baby!”

Before you could respond, Haibara’s grin lit up the conversation. “I’ll go too! I think it would be fun to see how Bishamon temples do festivals.”

Nanami, however, wasn’t as enthusiastic. “I don’t.” he mumbled under his breath, pushing his hair out of his face with a resigned air. “It would be too cold. And I don’t wanna get a cold.”

"Hey! You'll offend senpai like that!" Haibara pouted at Kento.

Nanami Kento turned to you with a blank face. "Does it offend you, senpai?"

"Not at all." You grinned at him.

"See, they don't mind."

"Huh!? But I do!" Gojo Satoru retorted back. "You're going, Nanami!"

"I don't wanna."

"No, you're going!"

"Satoru, don't be so loud."

"But Suguboo!"

"I can't believe I'm stuck with all of you." Shoko huffed, cigarette smooke coming out of her mouth.

Despite your earlier reservations, you couldn’t help but feel a warmth spread through you at the thought of all of them wanting to be with you for the New Year. It was going to be a lively celebration, that much was certain. Even after many times you’ve told them to not go, they still told you they were going. And sure enough, it was too cold all the way around. 

Nanami sighed, adjusting the scarf around his neck as they neared the temple gates. "This is ridiculous. We could have celebrated in Tokyo."

Haibara, ever the optimist, smiled brightly at his friend. "Don’t worry, Nanami. I’m sure everything will be well. It’s New Year’s day, after all. We should be celebrating together."

As they reached the top of the steps, they were greeted by the sight of Kusakabe and Utahime already there, standing near the entrance of the temple. Iori Utahime was wrapped in a thick coat, her breath visible in the chilly air. Beside her, Kusakabe Atsuya was typing away on his flip phone. When Utahime spotted Satoru, her expression immediately shifted to one of irritation.

"Why are you here, Gojo?" she asked, her voice carrying a mix of suspicion and annoyance.

Satoru grinned at her, his usual carefree attitude on full display. "Because I’m your favorite kouhai, of course!" he replied, his tone teasing as ever. “Aren’t you happy? To be graced by my presence, Utahime?”

Utahime’s eye twitched in irritation, and she started towards him, clearly ready to give him a piece of her mind. But before she could get too close, Kusakabe quickly stepped in, gently pulling her back. Everyone was looking at them but none of that mattered to Gojo Satoru who continued to grin at his elder.

"Utahime, let it go. It’s New Year’s day!" he urged, trying to keep the peace. “Senpai’s also here, we can’t cause headaches for them!”

"But he—!" Utahime began, only to be cut off by Kusakabe, who was already steering her towards the temple entrance, hoping to diffuse the situation.

Satoru just chuckled, clearly enjoying the reaction he’d gotten out of her. "She’s so easy to rile up." he said to Suguru, who merely shook his head with a smirk.

Shoko, who had been watching the exchange with a bemused expression, nudged Satoru. "Maybe try not to annoy everyone before the night even begins." she suggested, though there was little bite to her words. “Utahime, don’t mind him.”

"Where’s the fun in that?" Satoru quipped, but he did ease off, his attention shifting to the temple grounds. He leaned towards Shoko. “Heh, love sick.”

Shoko slapped his arm. He flinched and groaned in pain. “Yeah, that’s what I thought.”

You emerged from the temple just as they were finishing up their banter, surprised to see so many familiar faces. "I thought I told you guys not to bother coming all the way out here." you said, though there was no mistaking the warmth in your tone. It was clear you were happy to see them, despite your earlier protests. “It’s very busy here, I didn’t want you guys to suffer waiting.”

Satoru stepped forward, handing you a small package wrapped in festive paper. "No way we were letting you celebrate alone, senpai! Besides, it wouldn’t be a proper New Year without you. Or me. Together.”

“Heh, love sick.” Suguru snickered lowly.

“Shut up!” Satoru slapped his arm. 

You accepted the gift with a smile, though your gaze softened at the sight of them all gathered together. "I appreciate it. Truly.”

Nanami, still grumbling under his breath, finally spoke up. "Next year, we’re doing this in Tokyo."

Haibara laughed, patting Nanami on the back. "We’ll see about that, Nanami. For now, let’s just enjoy the night."

As the group made their way inside, the temple's warm glow and the smell of incense welcomed them. The sounds of laughter and conversation filled the air as they prepared to ring in the New Year together. Despite the long journey and the cold, it was clear that none of them would have wanted to be anywhere else.

You ushered everyone inside the temple, the warmth from the lit braziers immediately driving away the chill of the winter night. The monks at the temple were handing out hot drinks to keep warm. Nanami took two, as the others enjoyed one. Satoru thinks that it was sweet plum tea, but it’s not sweet enough for him.

The temple’s interior was adorned with traditional New Year’s decorations—pine branches, plum blossoms, and bamboo, all carefully arranged to welcome the coming year.  Gojo Satoru was often here as a child, being a descendant of Hiromi.

He can pinpoint the places he had studied with his Mikoto teachers. But he has never seen it in this way, with all its vibrant decorations. He supposed that he was always celebrating New Years at those boring clan parties. 

The air was thick with the fragrant scent of incense, and the sound of gentle chanting echoed softly through the corridors. The bells rang as people prayed in front of the statue of Bishamon. The line was the longest he had ever seen, probably longer than when he buys new Digimon merchandise. But he supposed that it would be the case. The Hiromi Shrine was the most popular of the Bishamon worship shrines in Kyoto, especially because of the performances.

"Make yourselves comfortable." you told them with a smile. "I’ll be back soon. I have to prepare for the dance offering to Bishamon. It’s a tradition I have to lead."

“Heh, you dance, senpai?” Shoko questioned, drinking her plum tea. “Just like Utahime.”

You smiled back at her. “Hm. I’m a priestess in Mikoto shrines also. Bishamon likes being praised, after all. So, it is part of our duty.”

“Your dancing has always been immaculate, senpai.” Utahime cheered as she looked towards you. “Graceful as always.”

“Does this mean you know this?” Suguru turned to Satoru with a curious face. “You have common ancestry with that, don’t you?”

“I was taught, but I wasn’t allowed to perform it.” Satoru retorted back, fixing his glasses. “I’m still a Gojo, you know?”

“I’ll be going now.” You tell them, fixing the pleats on your haori. “I still have to change clothing.”

“Good luck, senpai!” Haibara says, clapping his hands. Nanami mumbled the same but in a lower tone.

You giggled. “You have my thanks. Enjoy the show, okay?”

The group nodded in silent agreement, their eyes following your form as you disappeared deeper into the temple. The faint sound of your footsteps echoed briefly before being swallowed by the hushed serenity of the sacred space. As the heavy wooden doors closed behind you, a soft thud resonated through the air, leaving them standing in the warm, golden glow of the temple's main hall.

The ancient architecture loomed around them, exuding an aura of timelessness and reverence. Flickering candles cast gentle, dancing shadows across the polished floors, while the subtle scent of incense hung in the air, intertwining with the soft murmur of distant prayers. It was a place where the divine felt near, a sanctuary where the world outside seemed to fade away, leaving only the sacred atmosphere to envelop them.

Each of them felt the weight of the temple’s history, the centuries of devotion embedded in its very walls. Here, in this tranquil space, they were reminded of the depth of their connection to you, and the unspoken bond that drew them all together, even in the quietest of moments.

Satoru leaned against a pillar, his eyes following the path you had taken. "This is a big deal." he said, breaking the silence. "The dance offered to Bishamon isn’t just for show. It’s a prayer for protection, strength, and victory in the coming year. As descendants of the Hiromi clan, it has to be taken with care and concentration.”

Shoko, intrigued, glanced at him. "So you know all about this, then? In great detail."

Satoru shrugged, a hint of pride in his voice. "Yeah, I’ve seen it done before, in the Mikoto household. But senpai… they’ve always taken it to another level. They’re the real deal when it comes to this tradition."

Suguru nodded thoughtfully, glancing around at the intricate decorations. "It’s rare to see someone so deeply connected to their heritage like this. It’s impressive."

Nanami, still somewhat grumpy from the trip, nevertheless looked interested. "It must be a lot of pressure, carrying on such an important tradition."

"It is. She’s the only third one to hold Hiromi’s cursed technique. So she’s held in high regard." Satoru agreed, his gaze still fixed on the doors you had disappeared through. "But senpai handles it like it’s nothing. That’s just how they are."

As they talked, the soft sounds of preparations being made drifted through the temple. The atmosphere grew more reverent, the chatter fading into a respectful silence as they waited for the ceremony to begin.

When the doors finally opened again, they all turned to look. You emerged, dressed in the finest Heian-era clothing, each layer of silk and brocade meticulously arranged. The colors were vibrant, yet harmonious, a testament to the skill and care that had gone into the ensemble. Your hair was styled in the traditional manner, adorned with delicate ornaments that caught the light as you moved.

The group fell silent, their eyes drawn to you as you approached the altar. Gojo Satoru felt his breath catch in his throat, completely awe-struck. He had seen you in combat, had witnessed your strength and skill countless times, but this was different. This was a side of you he had never truly seen before—regal, composed, every movement filled with grace and purpose.

As you took your place before the altar, the room seemed to hold its breath. The flickering candlelight reflected off the golden statue of Bishamon, the god of war and warriors, who stood as the protector of the temple. You began to dance, your movements slow and deliberate, each gesture a prayer offered up to the deity.

The bells chimed softly in time with your steps, the melody hauntingly beautiful. The sleeves of your kimono floated gracefully through the air, and the rhythm of your movements told a story of reverence, dedication, and unbroken tradition. Every step, every turn, was imbued with a power that transcended the physical, connecting the past with the present, the divine with the mortal.

Satoru was mesmerized, his usual playful demeanor replaced with an expression of deep respect and admiration. He had always known you were special, but seeing you like this—fully embracing your role as a descendant of the Hiromi clan, leading this sacred ritual with such grace and authority—was something he hadn’t anticipated.

As the dance continued, the room seemed to glow with a warmth that went beyond the physical. It was as if the very spirit of the temple had come alive, watching over the ritual with benevolent eyes. The other sorcerers watched in respectful silence, each of them feeling the weight of the moment, understanding that they were witnessing something truly sacred.

When the dance finally came to an end, you stood before the altar, hands folded in a final gesture of prayer. The room was silent, the only sound was the soft crackling of the braziers. Then, slowly, you turned to face your audience, your expression calm and serene.

The group remained silent, each of them still processing what they had just witnessed. Satoru, however, couldn’t help the small smile that tugged at the corner of his lips. He had always known you were extraordinary, but tonight, that belief had been solidified in a way he hadn’t expected.

As you stepped down from the altar, Satoru caught your eye, and for a brief moment, there was an understanding between you—something that didn’t need to be spoken. It was in the quiet awe in his gaze, in the way he nodded slightly, acknowledging what you had just done.

"That was… amazing." Shoko finally said, breaking the silence, her voice filled with genuine admiration.

“Right?” Utahime grinned from ear to ear. “Senpai’s been practicing this for months!”

“I always wondered how they have the time to do all this.” Kusakabe whispered under his breath. “That was just….amazing.”

Suguru nodded in agreement, a rare look of respect on his usually calm face. "Yeah. Truly."

Nanami, who had been skeptical about the whole thing, couldn’t help but nod as well. "I can see why this tradition is so important."

Haibara, always the optimist, beamed at you. "You were incredible, senpai!"

You smiled softly, bowing your head in thanks. "Thank you. I’m glad you could all be here to witness it. It means a lot to me."

As the night continued, the group moved on to the other festivities, but Satoru remained quiet, still caught up in the image of you dancing under the temple’s sacred light. He knew he would never forget this New Year, nor the way you had shown them all the true depth of your heritage and strength.

As the night wore on, the temple grounds gradually filled with the sounds of celebration. The solemnity of the ritual had given way to a more festive atmosphere, with laughter and chatter echoing off the ancient stone walls. The group of sorcerers mingled, sharing stories and enjoying the warmth of the small fires that had been lit to stave off the winter chill.

Satoru, however, found himself oddly quiet amidst the festivities. He stood a little apart from the others, his gaze often drifting back to where you were, speaking with Utahime and Kusakabe near the shrine. The image of you during the dance was still fresh in his mind, replaying over and over again like a scene from a film.

He had always admired you—respected you, even. You were his dependable senpai, someone who had taught him much, someone who had always been there. But tonight, something had shifted.

The way you had moved, the way you had commanded the space during the ritual, had revealed a side of you that he hadn’t fully grasped before. It wasn’t just about strength or skill. It was about who you were at your core—a person deeply connected to your heritage, someone who carried the weight of tradition with grace and dignity.

As he watched you now, a realization began to creep up on him, one that he hadn’t seen coming. It wasn’t just admiration he felt. There was something more—something deeper that made his heart beat a little faster, made him more aware of your every movement, every word. 

It hit him all at once, like a sudden gust of wind that took his breath away. Satoru Gojo, the strongest sorcerer, the one who was always so sure of himself, found himself completely and utterly disarmed by this newfound awareness.

He liked you. A lot. More than he hoped.

The thought was startling, and for a moment, he didn’t know what to do with it. Love wasn’t something he had ever given much thought to—his life was too chaotic, too filled with danger and responsibility. But standing here, watching you laugh with the others, he couldn’t deny it. It was there, unmistakable and undeniable, a feeling that had been building without him even realizing it.

Shoko noticed his distant expression and wandered over, nudging him with her elbow. "You’ve been quiet. What’s going on in that head of yours?"

Satoru blinked, pulling himself out of his thoughts. He glanced at Shoko, then back at you, still trying to process what he had just figured out. "Just… thinking." he said, his voice a little softer than usual.

Shoko raised an eyebrow, her curiosity piqued. "That’s a first. What about?"

He hesitated for a moment, then gave a small, almost sheepish smile. "Senpai."

Shoko followed his gaze and immediately understood. Her usual smirk softened into something more genuine. "You’ve got it bad, huh?"

Satoru sighed, running a hand through his hair. "Yeah… I think I do."

Shoko didn’t tease him this time. Instead, she nodded thoughtfully, her gaze lingering on you. "You know, it’s not surprising. They’re… special."

"Yeah." Satoru agreed quietly, his eyes never leaving you. "They really are."

The two of them stood there in silence for a moment, each lost in their own thoughts. Satoru felt a strange mix of emotions—excitement, anxiety, and something he wasn’t quite sure how to name. Love was a powerful thing, and for someone like him, it was both thrilling and terrifying.

But as he watched you smile, saw the way you interacted with the people around you, he knew one thing for certain: whatever came next, whatever he had to face because of this realization, he was ready for it. Because this feeling, this love—he knew it was worth it.

"Guess I’ve got some things to figure out," he muttered, more to himself than to Shoko.

She chuckled softly. "You’ll manage. You always do."

Satoru smiled, feeling a little more grounded. He wasn’t sure what he was going to do about this newfound love, but for now, just knowing it, acknowledging it, was enough. The night was still young, and there was time—time to enjoy this moment, time to figure out what to do next.

As the celebration continued, he allowed himself to relax, to savor the warmth of the fire and the sound of your laughter. There was no rush. For the first time in a long while, Satoru Gojo was content to just be—content to stand by, to watch, and to let his heart lead him wherever it wanted to go.

February 2010

HE HAD NEVER EXPECTED THIS OUT OF HIS LIFE. In the first months after your marriage, Gojo Satoru found himself grappling with a whirlwind of emotions he hadn’t fully anticipated. Marriage, to him, had always been an abstract concept—something distant and almost inconceivable.

After all, he was Satoru Gojo, the strongest sorcerer alive, someone who walked a path few could follow, always teetering on the edge of danger. He had grown accustomed to a life where attachments were fleeting, where relationships were superficial at best, and where he never had to worry about being tied down by anything or anyone.

But now, everything had changed. With a simple gold band on his finger, a tangible symbol of a bond he never thought he’d have, Satoru realized he was in completely unfamiliar territory. The weight of that ring was more than just the metal—it was the responsibility, the commitment, and the vulnerability that came with it.

In those early days, he found himself waking up in the middle of the night, his hand subconsciously reaching out to make sure you were still there, a silent reassurance that this wasn’t just a dream. He’d never been one to fear anything, but the thought of losing you, of this newfound connection slipping through his fingers, sent a chill down his spine. It was a feeling he didn’t quite know how to process—a mixture of fear and protectiveness, of love and uncertainty.

Satoru had always prided himself on being in control, of being able to predict and outmaneuver any threat. But this—this was different. Loving you, being married to you, was something he couldn’t strategize his way through. There were no enemies to defeat, no curses to exorcize, just the simple, profound reality of sharing his life with someone else. And that terrified him more than he cared to admit.

He’d catch himself watching you when you weren’t looking, his gaze softening in a way that was so unlike the confident, cocky sorcerer everyone knew. He marveled at how easily you fit into his life, how you managed to break through the walls he had built up over the years. The way you understood him, the way you didn’t flinch in the face of his power or his occasional bouts of arrogance—it was as if you had always been meant to be there, by his side, grounding him in a way nothing else ever had.

But with that grounding came a vulnerability that Satoru wasn’t used to. He was no longer just the strongest sorcerer—he was your husband, a role that demanded a different kind of strength, one that he was still learning to wield. The idea of being responsible for someone else’s happiness, of being someone you could rely on, made him question everything he thought he knew about himself. Could he really be the partner you deserved? Could he protect you not just from the dangers of the world, but from his own flaws and insecurities?

These questions haunted him in the quiet moments, when the world slowed down and it was just the two of you. He was used to facing challenges head-on, but this was different. This was about being present, being open, being honest—things that didn’t come naturally to him. And yet, despite the doubts and the fears, there was something about being with you that made him want to try, to be better, to grow into the role he never thought he’d take on.

As the months passed, Satoru began to understand that marriage wasn’t about being perfect, or about having all the answers. It was about the journey you were both on, together, learning and growing with each step.

He realized that it was okay to be unsure, to be afraid, as long as he was willing to face those fears with you by his side. And slowly, he started to let go of the idea that he had to be invincible, that he had to carry the weight of the world on his own. Because now, he had you, and that was a strength unlike anything he had ever known.

He’d never been one to doubt himself, but when it came to you, things were different. There were moments when he would catch himself overthinking, a rarity for him. Did you really want to be married to him, or had circumstances forced your hand? The thought gnawed at him more often than he’d like to admit.

After all, your relationship hadn’t exactly been conventional. You had always been enigmatic, revealing only pieces of yourself when asked, keeping much of your life private. Even when Satoru confessed his feelings, he wasn’t entirely sure how you felt. You accepted his proposal, but he couldn’t shake the lingering suspicion that you might have done so out of obligation or to avoid being entangled with the Zen’in clan—a fate worse than anything he could imagine for you.

There were nights when he would lie awake, staring at the ceiling of your shared room, trying to figure out how to navigate this new reality. He loved you—he knew that much. But he was terrified that maybe, just maybe, you didn’t feel the same. Maybe you had simply chosen the lesser of two evils, and he was the one left trying to make sense of it all.

Satoru wasn’t used to feeling insecure. He was used to being in control, always confident in his abilities and decisions. But with you, everything was different. You were his equal in so many ways—strong, intelligent, capable—but you were also someone he couldn’t quite read, someone who could keep secrets even from him.

One evening, as you both sat in the quiet of your home, Satoru couldn’t keep it in any longer. You were sipping tea, looking as serene as ever, while he fidgeted with his hands, uncharacteristically restless.

“Can I ask you something?” he began, his voice quieter than usual.

You looked up at him, sensing the shift in his tone. “Of course.”

He hesitated, unsure of how to phrase what he wanted to ask. “When we got married… Did you… I mean, did you want to?”

You raised an eyebrow, clearly surprised by the question. “What do you mean?”

He sighed, running a hand through his hair in frustration. “I just—sometimes I wonder if you did it because you really wanted to or because it was… the better option. Better than being forced into something with the Zen'in clan.”

You set your tea down, regarding him carefully. For a moment, the room was silent, the weight of his question hanging in the air. Then, you reached out, taking his hand in yours.

“Satoru…..” you began, your voice steady, “I won’t lie to you. I didn’t have the kind of love story that most people dream of. My life was never about fairy tales or perfect endings. And yes, part of me did see our marriage as a way to avoid a fate I didn’t want.” You squeezed his hand, your gaze never leaving his. “But that’s not the only reason I said yes.”

His breath caught as he listened, his eyes searching yours for any sign of insincerity. “Then what made you say yes, to me being your husband?”

“I said yes because I trust you.” you continued, your voice soft but firm. “I trust you in ways I’ve never trusted anyone before. And… I wanted to see where that could lead. I may not have been in love with you when we first got married, but I knew there was potential for something real between us. Something worth exploring.”

Satoru’s heart swelled at your words, but there was still a part of him that needed to know more. “And now?” he asked quietly. “How do you feel now?”

You smiled, a genuine, warm smile that reached your eyes. “Now? I don’t regret it for a second. You’ve become someone I care about deeply, someone I respect and… yes, someone I can truly….deeply love.”

The relief that washed over Satoru was almost overwhelming. He hadn’t realized just how much he had to hear those words until you spoke them. He knew that maybe you felt them, maybe you shared his feelings, his understanding. But to hear them? That’s a whole different thing. He let out a breath he hadn’t realized he was holding, his usual confidence beginning to return.

“Good….good.” he murmured, pulling you into his arms, holding you close. “Because I really, really care deeply for you, and maybe one day…..I wasn’t sure what I’d do if you didn’t feel the same.”

You chuckled softly, resting your head against his chest. “I guess we’re both learning how to navigate this together, aren’t we?”

“Yeah.” he agreed, pressing a kiss to the top of your head. “But I think we’ll figure it out. After all, we’re together. We can handle anything.”

And in that moment, with you in his arms, Satoru knew that whatever challenges lay ahead, he was ready to face them. Because he wasn’t alone—he had you, and that was more than enough.

epilogue

March 2015

It was one of those rare, peaceful afternoons when everything seemed to align perfectly. The sun was shining, a gentle breeze was blowing, and the Gojo household was uncharacteristically quiet. Well, almost quiet. 

Satoru Gojo, the ever-proud husband and now father, was lounging on the couch with a smirk that could light up a room. In front of him stood Megumi and Tsumiki, both of them sporting expressions of mild confusion and curiosity.

Satoru had been waiting for this moment—when the kids would finally ask about the somewhat mysterious nature of his marriage to you. And now, with Satoshi—a tiny bundle of energy strapped to Satoru’s chest in a baby carrier—he was more than ready to provide an answer.

“So, how did you and Gen–san end up married?” Tsumiki asked, her tone innocent but her eyes sharp, clearly expecting an interesting story.

Megumi, ever the skeptic, folded his arms and raised an eyebrow. “Yeah, it doesn’t really make sense. You’re you… and they’re… well, them.”

Satoru grinned, patting Satoshi’s back gently as the baby cooed happily in the carrier. “Why, that’s easy! It’s because they love me!” 

The room went silent for a moment as Megumi and Tsumiki processed Satoru’s answer. The stillness hung in the air, almost as if time itself had paused. Then, Megumi rolled his eyes in that exasperated way he often did, clearly unimpressed by whatever explanation Satoru had given this time. Tsumiki, on the other hand, couldn’t help but giggle, her laughter light and infectious, breaking the tension with ease.

Little Satoshi, cradled comfortably against Satoru’s chest, joined in with his own soft laughter, the sound a mix of pure joy and innocence. His tiny hands clutched at Satoru’s shirt, his laughter causing his small body to wiggle slightly in his father’s arms.

Satoru blinked, momentarily caught off guard by the chorus of reactions around him. For a brief second, he looked almost confused, as if he hadn’t quite expected that response. But then, a smile tugged at the corners of his lips, softening his usual cocky expression. In that moment, surrounded by the ones he loved, Satoru felt a warmth in his chest that made everything else seem distant and unimportant.

“That can’t be the whole story.” Megumi muttered, clearly unimpressed with Satoru’s self-satisfied grin. “I won’t believe Gen–san falling in love with you like that.”

Tsumiki leaned forward, her curiosity piqued. “Come on, Satoru–san, there has to be more to it than that.”

Satoru chuckled, his trademark grin still plastered on his face. “Well, if you must know, it all started with my irresistible charm. I mean, who wouldn’t fall in love with this face?” He pointed to himself, looking ridiculously smug.

Satoshi, catching on to his father’s infectious good mood, giggled and clapped his tiny hands, making the whole scenSatoshi, catching on to his father’s infectious good mood, giggled and clapped his tiny hands with pure delight. The sound of his laughter, so innocent and full of life, echoed through the room, adding to the already absurd scene. His bright eyes sparkled as he looked up at Satoru, clearly enjoying the attention and the light-hearted atmosphere.

Satoru’s smile grew wider as he watched his son, the absurdity of the moment not lost on him. The combination of Megumi’s eye roll, Tsumiki’s giggles, and Satoshi’s adorable antics made the whole situation feel almost surreal—like a snapshot of a life he had never imagined for himself, yet couldn’t imagine living without now.e even more absurd. Life was great, he thinks. No matter what happened before.

Megumi groaned, rubbing his temples as if dealing with Satoru was giving him a headache. “You’re impossible.”

“Thank you!” Satoru responded cheerfully, clearly missing—or ignoring—the point.

Tsumiki, always the more patient of the two, tried again. “But really, what made you two decide to get married? Was it some big romantic gesture?”

Satoru paused, his grin softening as he thought back to the moments leading up to your marriage. “It wasn’t really like that,’miki.” he said, his tone more genuine now. “It was more… complicated. But in the end, we realized we wanted to be together. And so we made it happen.”

Megumi and Tsumiki exchanged a look, sensing there was more to the story than Satoru was letting on. That doesn’t seem to be how you told the story. You were more straightforward than your husband, but Satoru got the complicated right. Nothing about the story was ever simple. But now that you are here, nearly five years later. What is complicated to a whole lifetime of happiness?

“And then they fell head over heels in love with me!” Satoru added quickly, not wanting to lose the lightheartedness of the moment. “Then bam! You guys came into our lives and made more love grow! Like kabam!”

Tsumiki laughed again, shaking her head. “You’re such a goof, Satoru-san.”

“Maybe I am, ‘miki!” Satoru replied, his grin returning full force. “But I’m their goof, and that’s all that matters.”

Megumi sighed but couldn’t help the small smile tugging at the corners of his mouth. “I guess if they can put up with you, that says something.”

Satoru beamed, clearly taking that as a compliment. “Exactly! Now, who wants ice cream? Satoshi here has a craving.”

As if on cue, Satoshi babbled happily, his tiny hands reaching up toward Satoru’s face, his little fingers grasping at the air as he tried to touch his father. Satoru leaned down slightly, letting Satoshi’s hands brush against his cheeks, a soft chuckle escaping his lips at the child’s excitement.

Tsumiki giggled at the sight, her amusement evident. “I think that’s just you, Satoru-san,” she teased, her tone playful.

Satoru shrugged, completely unbothered by the light jab. “Well, Satoshi is my son,” he declared with a grin, gently nuzzling his cheek against Satoshi’s tiny hand. “My little dawn, my copycat! He’s bound to inherit my great taste in sweets!” 

His words were met with another round of giggles from Tsumiki, while Satoshi, as if understanding his father’s pride, continued to babble cheerfully, his joy infectious and filling the room with warmth. You finally came around the corner, fully dressed to go out for the day. You grinned at everyone.

“My love! Woah, you look dashingly extraordinarily fantastically—”

“Satoru.” You giggled, looking into his deep cerulean eyes. Full of love, full of wonder— for you. “Your compliments don’t have to be that long, baby.”

“Huh!? But how will the world know how much I love my beloved?”

You smiled, walking over to him. You placed a kiss on Satoshi’s massive cheeks, eliciting him to laugh. Then you looked at your husband and leaned forward and kissed him on the lips. He smiled against your lips, enjoying the touch of your lips against his own. When you parted lips, he looked dazed with love for you.

“New lip gloss?” He asked you, grinning. “It’s more fruity than before.”

“Do you love it?”

He grinned harder. “I do!”

“Ugh, married people.” Megumi gagged, looking at the two of you. 

Tsumiki swooned with a smile on her face. “Ah, married people.”

With that, the conversation shifted to plans for an impromptu ice cream outing, and any lingering questions about your marriage to Satoru were put on hold—at least for now. Sweets came first in your family. But as they all headed out the door, there was a sense of contentment in the air, a feeling that whatever the story behind your marriage was, it was something that had brought everyone closer together. And that, in the end, was all that really mattered.

As the four of you headed out to the nearest ice cream shop, the lively chatter filled the air. Satoru, as usual, was at the center of attention, effortlessly juggling his roles as the strongest sorcerer, doting father, and husband with a charm that was uniquely his.

Satoshi, snug in his baby carrier, was babbling away, occasionally pulling at Satoru’s white hair, fascinated by its softness. Tsumiki walked beside them, laughing at Satoshi’s antics, while Megumi trailed slightly behind, trying to mask his amusement with an air of indifference.

Once you reached the shop, Satoru wasted no time in ordering a variety of flavors—far more than anyone could reasonably eat. He carried the overflowing tray of cones and cups to a table outside, grinning as he set it down.

“Alright, everyone, dig in!” he announced, looking far too pleased with himself.

Tsumiki eagerly grabbed a rainbow sprinkle cone, and even Megumi couldn’t resist picking out his favorite flavor, chocolate chip. You grabbed pistachio and your husband Satoru took a seat, carefully adjusting Satoshi in his carrier before picking up his own ice cream. He looked around at his little makeshift family, his heart swelling with a mix of pride and contentment.

As they enjoyed their treat, Tsumiki’s curiosity got the better of her again. “Satoru–san, do you think Satoshi will grow up to be like you?”

Satoru smirked, scooping up a generous amount of ice cream. “Well, he’s got the looks for it, that’s for sure,” he said, tapping Satoshi’s nose with a finger. “But as for the rest, who knows? He’s got plenty of time to figure out what kind of person he wants to be.”

Megumi, ever the realist, chimed in. “Let’s hope he doesn’t inherit your ego.”

Tsumiki tried to stifle her giggle while Satoru feigned offense, dramatically clutching his chest. “My ego? I prefer to think of it as confidence. And besides, who wouldn’t want to be like me? I’m the complete package!”

“Because they love me!” Tsumiki teased, echoing Satoru’s earlier statement with a playful grin.

Satoru’s eyes twinkled with amusement as he leaned back in his chair. “Exactly! See, Tsumiki gets it.”

You smiled, shaking your head. “You are too much, Satoru.”

“But you love me, don’t you?”

“Fortunately, yes. I do.”

Megumi shook his head, but there was a faint smile on his lips. Despite the banter, it was clear to him how much Satoru cared for you and the life you’d built together. Satoru might joke around, but there was no denying the depth of his feelings, especially when it came to you and Satoshi.

After a while, the conversation turned to other topics—school, upcoming missions, and plans for the weekend. The sun dipped lower in the sky, casting a warm golden glow over the scene. As they sat there, laughing and talking, it was easy to forget the pressures of their world, if only for a little while.

Finally, when all the ice cream was gone and Satoshi was starting to get sleepy, they decided to head back home. Satoru, now carrying a drowsy Satoshi in his arms, led the way, still chatting animatedly with Tsumiki and Megumi as they walked. Your shopping bags filled one hand and the other, a matcha drink you so adored.

As they neared your home, Megumi suddenly asked, “So, do you think you guys will want more kids?”

You choked on your drink. You coughed. Megumi looked panicked at your state. You haven’t really thought about more kids. Having Megumi, Tsumiki and Satoshi felt more than enough. Tsumiki handed you a wet wipe, worry evident on her face. She took the matcha drink so you could clean yourself.

“You alright, my love?” Satoru asked, fear in his face. “Megumi, get water!”

Megumi nodded as he rushed off. You cleaned your face from the matcha.“I’m…I’m fine. Don’t worry. Just surprised, that's all.”

Megumi finally came back and handed you water. You smiled at him and drank the water slowly. You thanked the boy, patting his head with your free hand. Satoru took a breath of relief and paused, glancing down at the now peacefully sleeping Satoshi, his expression softening. 

“We don’t know yet, about more kids. We haven’t thought about it yet.” he said thoughtfully. “If that’s something we both want, then why not? After all, I think we make a pretty good team.”

Tsumiki smiled, nudging Megumi. “I think it would be nice if Satoshi had a little brother or sister to play with.”

Megumi, trying to maintain his usual indifferent facade, just shrugged. “As long as Satoru–san doesn’t try to turn them all into mini versions of himself.”

You smiled. “Another version of me would be a change, don’t you think?”

“Satoru–san would spoil them!” Tsumiki grinned. “I would too!”

Satoru chuckled, shaking his head. “Hey, I wouldn’t dream of them being like me. I don’t want them to be. Everyone’s got to find their own path, right? I just want them to be happy and strong enough to protect what’s important to them.”

He looks at you and grins. “But another version of you I could hold dear and treasure? I would be the happiest man.”

“Simp.” Megumi snickered as you put down the shopping bags. 

As they reached the door, Satoru turned to face them, his grin returning. “And what about it? I’m proud of being a loving husband!”

“What Satoru said, that includes you two as well.” You smiled at Megumi and Tsumiki. “You’re all part of this family now, whether you like it or not. Okay?”

Megumi rolled his eyes, but the small smile on his face gave him away. “Yeah, yeah. Just don’t go getting any more ideas.”

Tsumiki giggled, and Satoru opened the door, ushering them all inside. “No promises!”

The door closed behind them, shutting out the world as the Gojo household settled in for another evening. And as Satoru laid Satoshi down in his crib, watching the tiny baby sleep, he couldn’t help but feel that life, with all its chaos and surprises, had turned out pretty damn good. And he wouldn’t change a thing.

He smiled to himself, knowing that whatever the future held, he was ready to face it with you, Satoshi, and the rest of the family by his side. Because in the end, it wasn’t just about being the strongest—it was about being loved, and loving in return. And that was something even Satoru Gojo knew he couldn’t do alone.

[clockwayswrites]

Birdritch part 2 Yeah, there's a subscription post now...

Danny pulled another sweet potato fry from his bag before refolding the top to keep it warm. He’d finish all the fries before he even got home, he knew that, but that was future him’s problem. Right then being able to munch on the sweet, salty goodness as he took a shortcut through the park was just what he needed. There was something about Robinson park that always settled him.

It was probably because of the park’s wild, otherworldly nature that came from Poison Ivy’s control. It almost felt ghostly in how unreal it was. It was another thing Danny tried not to think too hard on and just enjoyed. It wasn’t that Danny was ignoring the fact that he was half ghost (as he always tried to convince himself), he just wasn’t dwelling on it anymore. Ghosts had consumed his life for so long and he needed a break.

Even before his accident (it was easier to just call it an accident when people asked about his scars), his parent’s obsession controlled their house, family, and lives. He got now that it wasn’t normal to grow up not cooking because the food might eat you. Or because your parents were too busy in the basement lab to remember. His time away from Amity Park in college made Danny realize that Jazz and his childhood had been at best unsafe and at worst negligent.

It had taken Danny a lot of therapy to be able to say those words.

Being honest, Danny still needed a lot of therapy, but there was only so much progress he could make when he couldn’t really explain that he was half dead and had spent the end of his childhood fighting ghosts, the government, and his parents. He was half tempted to try and track down Harley Quinn and see if she was up to taking on a new patient. (Danny was pretty sure that she wouldn’t rat him out to the authorities.)

A vine thrashed suddenly in front of Danny, hitting the sidewalk with a meaty thump.

Danny froze.

Fuck.

His phone was out of power.

He couldn’t check if something was going on in the park.

While Poison Ivy was much more Pamela Isley than rogue these days, as seen by the city just letting her have control of much of the park, she was still temperamental and the right— or wrong— sort of thing could set her and her plants off. (Sometimes the plants went off on their own. Everyone knew not to be a sleaze bag in Robinson park.)

Slowly Danny started to back up.

Several more vines wretched themselves out of the ground around him.

He could hear shouting somewhere off to his left. Out of the corner of his eye he could see movement from the plants that direction.

Alright, not angry at him then.

Danny crept forward slowly, keeping his motions as calm and small as possible. Just because they plants weren’t angry at him it didn’t mean they weren’t a threat to him. His best chance was to stay on the path and head in the direction away from the noise.

And away from the over sized flowers.

Well fuckity fuck.

Most things Poison Ivy could do weren’t really a threat to Danny. He could phase away from vines, after all. But the flowers? The flowers had pollen and pollen was an unknown; one that Danny didn’t want to be known. Sam was rather certain that the pollens could effect Danny in odd and unknown ways due to his half ghost nature.

He had refused to let Sam experiment on him to figure it out. Comparing her fervor to his parent’s helped shut that idea down for good. Danny didn’t regret avoiding being a lab rat, even as he was staring down the ruby red flowers to his right. He still just had to keep his motions as calm and small as possible.

The flowers were only an issue if they let their pollen out.

Danny started to move in as wide of an arc as he could around the flowers.

While they were closed up he was safe.

Danny’s left hand spasmed.

The paper bag of food crinkled.

The flower petals unfurled.

Fuck.

---

AN: I know there are issues, another no read through late night post, but I'm getting my serotonin where I can. Stay delightful, darlings.

[meanbossart]

LORE ASK COMPILATION: "Still not banging Halsin, Squid Games, Sun King, Failing at love quizzes, Bottoms, Tops, and Cats" Edition

He didn't, Halsin wasnt around for act 3, too busy healing land and saving ghost children or something!

THANK YOU/I'M SORRY, I'm surprised there isn't more Bhaalist Dark Urge/Spawn Astarion stuff out there. Don't get me wrong, I love a good evil power couple, but who can resist the good ol'heartbreak of a vicious unending cycle brought on by your own senselessness!

That wasn't something I was interested in previously just because acquiring the slayer form isn't part of his canon, but I've been looking at enough fromsoft games' monster designs that I might be a little inspired to try LOL

Also I am just a fan of the canon design and never before thought it needed altering. But I'll let it cook ;)

God damn it.

DU drow was VERY antagonizing towards the emperor since the moment he dropped the facade, which made the attempt ESPECIALLY hilarious - that poor guy is so, so lonely.

I don't recall the exact wording in-game, but once the emperor took his shiny squid pecs out and shot his shot, DU drow recoiled and called him disgusting. After having the visions of Stelmane forced upon him to make whatever baffling point the emperor was trying to make, DU drow smugly asserted that he had finally let the mask slip and their very terrible date ended with the Emperor enforcing their reluctant need for one another, for the time being.

In-prose, that would honestly be pretty much it. DU drow would have reacted with absolute revulsion at the prospect of being hit on by a mindflayer, and taken the Emperor's (miscalculated) moment of lashed-out vulnerability as a win - as proof that he was exactly as duplicitous as he always assumed the Emperor to be.

I can assure everyone that I am as entertained by the thought as the rest of you and it is in the cards for future art, I just have... So many prompts... I have at least 5 different mini-comics I want to make, BESIDES singular pieces, BESIDES the fanfic... I wish I had more time and more hands.

But DU drow's unlikely semi-success as a parental figure is hilarious to me. I think about it constantly.

I haven't entertained that thought much because its antithetical to DU drow's character. Whether "good" or evil, he wouldn't allow Astarion to ascend because of his fear of no longer being needed and his reluctance to watch his partner be consumed by out-sourced power and changed into something he despises. Realistically, in a world where Astarion is allowed to ascend they could only break up and inevitably kill each other soon after.

That said, I am fascinated by the Sun King and the implications that path has for his character. So far that is an arc that I can only really see Astarion taking on alone, though - that might change in the future, might not. We'll see!

IF I CAN MAKE IT NOT ENTIRELY MISERABLE, I JUST MIGHT.

He got 2 out of 3 questions wrong - which is to say he was way too honest and Astarion didn't like that.

Except for the "when is he the happiest" question, which he correctly answered with "when he's neck deep in gore".

This is not even a lore-embelishment, this is actually how that scene went for me and I cackled about it for ages.

He would love to get tied up for old-times' sake. I doubt he knows much about fancy knots but Astarion might (though I might be in a minority that doubts his enforced "sex life" was actually that interesting at all.)

Thank you so much!

You are mostly correct. Bhaalist drow, both pre and post tadpole would be much more keen on the idea of having people around who fulfill their every desire - EXCEPT for killing. That is a joy they take on for themselves.

"Canon" DU drow values his independence a lot, on the other hand. He's neutral on the idea of slavery (what a sentence) and wouldn't be opposed to temporary servicing, but the idea of having someone around waiting for orders doesn't attract him at all, or at least would get on his nerves quick. He much preffers to do things himself and makes sure that other people see how much he does not need assistance.

The answer is yes, basically LOL.

DU drow both adores and despises Sceleritas presence and he doesn't know why. It very much reflects the type of relationship they used to have prior to DU drow's memory loss, and it's one of those things that he has conflicting feelings about but not any context for them.

I sadly doubt that the boys would become parents during Shadowheart's lifetime (it's for the best, they have a lot of work to do before I would trust them not to drop a baby), but honestly she strikes me as really liking kids as long as she doesn't have to, well, have them LOL.

And thank you so much for enjoying them and humoring me!

I think it is less about bottoming-topping and more about enjoying a more submissive role during sex, as well as in other scenarios. He believes that giving control away is, in a way, a show of devotion that goes both ways - his own for the willingness to do so, and his partner's for not taking advantage of it despite his wanting them to do so.

With one-night-stands (which he occasionally had pre-tadpole) he would still bottom without any of the submissiveness. This is because he didn't have the capacity to understand what it was about bottoming that attracted him, and led him to feeling constantly unfulfilled and frustrated (he just isn't build for no-strings-attatched type of arrangements, lol.)

This means that he really could operate either way depending on the partner as long as he got that fix of docility, whether it be from the bottom or top.

I think of Astarion as being similarly versatile but leaning more in the opposite direction when it comes to power-dynamics - though it being less about dominance itself and more about being pampered and catered to - and, of course, getting to do what he wants. Though he's willing to try most things a partner is particularly enthusiastic for just to see how he feels about it.

That said with DU drow he does prefer to top for a plethora of reasons.

I didn't have this piece of lore thought-up at the time, but I should have made them look like the lady he lost his virginity to.

Him and Astarion were gobbling those things up until the emperor reveal, then they both quit it cold-turkey after DU drow stomped the astral-tadpole dead (and back then you didn't have to roll any dice to do it, because otherwise we would have weird veiny DU drow to deal with for sure because he would NOT have suceeded that save.)

DU drow's feelings towards animals is a constant in every iteration of his character. They are organic little pieces of art wandering about the world that act upon their own laws and regulations, ones which humanoids aren't privy to - except for when they intrude into that world through magic and try to understand it through their overly-complicated systems and concepts. If a cat made the temple it's home, it can stay.

[inconspicious-random-thoughts]

Broken staff

It more than likely been mentioned elsewhere but I want to talk about Alastor staff.

Vivienne mention the staff is part of his essence. Now it is split into two along with a deep gash from holy power across Alastor torso. He made sure to salvage the broken pieces before shadowing away.

I REALLY hope they do more angsty shit next season with this. Alastor power is severely weaken until he recuperates. That Alastor is covering this vulnerability from the others. Notice in that group hug, his obvious tattered clothes and gash is hidden and he back to his 'normal self' facade after his chilling and rattled part of the song. No one knows how Alastor battle went....except for the Vees. Dun Dun DUUUUUN.

I would love to watch Alastor trying to power play, manipulate and figure out his freedom. All the while hiding his weaken state. It frustrates Alastor greatly as healing seem agonizing slow. Because holy wounds heal slower or some BS like that. The hotel constantly rely on his powers that he would still provide and he continue to use his reserves to cover up his secret.

Husker was the first to notice something up. Be as observant and ability to read people, and just know Alastor. He catches the momently grimace is Alastor moved his torso wrong or an involuntary flinch, clutching his chest in pain. But Alastor recovers these moments quickly. It's in a blink of an eye type movements, that only Husker catches. It's all so obvious to Husker. The extra strain smile when Alastor performs magic. How exhausted from the exertion afterwards. Husker keeps a wary eye on him but doesn't say anything. We know what happen last time he brought up a touchy subject before.

Charlie was next to notice but it took a while. It took some obvious clues. Something like Alastor faceplants to the ground unconscious from over exhaustion after a more complicated spell. Or maybe some more dramatic...

The Vee's. They know Alastor took heavy hits. They will use that to their advantage. They possibly make a move against him and he unable to defend properly. Vox would be mocking loudly what he witness, revealing Alastor secret to the hotel. Naturally, Charlie would be hurt with a "Why didn't you tell us?" after a gasp.

I really hope they do something with it. It doesn't have to be a full season arc, they can probably even manage it in one episode as a focus with subtle clues from a few episode before it.

I be so annoyed Alastor bounce back like his fight with Adam never happened. I am a sucker of Alastor barely keeping it together and nearly losing his shit. HE. IS. BARELY.KEEPING.IT.TOGETHER. But he still keeping together...we haven't see him break yet. Can you imagine the weight of stress finally breaking him?

His staff (which is part of him) is splint in two. Just like how is internal conflicting dilemma of being powerful sociopath demon with a plan vs growing affections of the residence of hotel that complicates his plans.

All of his careful planning will go to shit, he will lose all control-He going to absolutely alone when he finally breaks down from losing control of everything and the audience will see him drop that smile.

He mention to Charlie that a smile is a way to keep control and that's when we see him drop his. As much he careful with control he doesn't even control his own soul.

Edit:

Omg, So when I originally wrote this, I knew staff was incorrect word I want to use but at the time I kept drawing a blank what to call it.

It's a cane

A cane is something be used to support themselves with, a crutch. And Alastors just splint in half. The thing that's also part of his essence and probably help channel/control his powers.

The angsty poetry is fucken delicious

~I am nearly foaming from the mouth from the thought!

[tizeline]

1-I've fallen in love with your Tiz Sep AU, especially how you made Mikey the problem child with the hardest redemption arc out of the 4, because normally it's not Mikey who gets that role (Cause he'll always be a sweet kid no matter what dimension or universe or faction he's in<3), so I'm really interested to see how Sep Mikey and Sep Donnie finally reconcile and become closer<3<3<3<3

I'm glad you're enjoying the AU :D! And I'm still trying to figure out how the events of the movie is gonna go down in the AU, but so far this is what I've come up with (though keep in mind this is subject to change)

So it's during season 2 that all that drama between Mikey and... basically everyone else in his family gets really intense, but he does end up mostly reconciling with Leo, Raph and Draxum during the season 2 finale (don't know the details yet, just that it's gonna happen). With that character development, Mikey also grows more accepting towards humans, he still doesn't like them but he's also not trying to destroy them all so that's something!

But Mikey and Donnie just can't seem to get along, in the time leading up to the invasion they're just stuck in this constant state of animosity. Raph and Leo certainly try to mediate, but it's almost like Mikey and Donnie don't want to get along. It's kinda one of those situations where it doesn't really matter why two people started fighting, cuz now they're been fighting for so long and about so many things that it feels impossible to even try to make peace.

So then The Foot get the Key, which in the AU happens because Donnie and Mikey can't stop fighting for two fricking seconds and they screw up the mission. And then each of them blame the other for the mission going wrong, which just gets worse when Casey Jr shows up and warns them about the Krang and goddam these two are being annoying. STILL! Despite their less than ideal relationship, they have started genuinely care about each other, and they both feel guilty about losing the Key, so when Mikey sees an opportunity of getting the Key back he goes for it (like canon!Leo did). And when Donnie sees that Mikey is about to get fucking skewered by the Krang, he jumps in front of his little brother and shield him with his own body (like canon!Raph did).

The story from here on out is not as thought out, but needless to say Donnie gets captured and "krangified". I'm kinda thinking that instead of the Krang just making him a soldier like Raph was, they instead hook Donnie up to the Technodrome or something? And after being freed from the Krang's control, maybe Donnie can still take control of the Technodrome himself to pilot it back through the portal. Cuz ya know, they still need a way to send it back into the prison dimension and the other turtles can't connect to the TD because of their hard shells. I did have an idea of potentially making April pilot the thing lmao, but I also have a headcanon that the only reason Donnie could pilot the TD at all was because he has some Krang DNA in him (empyrean), which April obviously doesn't. So Donnie will still probably be the one to send the TD back into the prison dimension.

In the AU, I imagine that Leo and Raph are still kinda dealing with the whole leadership-issue throughout the invasion haha. It's not nearly as dramatic and hostile this time around, don't worry! But I love the idea of Leo and Raph becoming co-leaders, only problem is that they're still trying to figure out what exactly that looks like for them. It not a huge issue when they're doing small-scale missions, but with how intense and stressful the invasion is, they're kinda struggling figuring out how exactly their dynamic should look like.

But back to Mikey, he obviously feels guilty as fuck over Donnie sacrificing himself for him and he's not handling very well. Mikey having lost access to his mystic powers is also really getting to him considering how heavily he relies on them. Leo's drama with Casey Jr in the movie is in the AU replaced with Mikey's drama with Casey Jr. Mikey is initially pretty cold towards CJ just because he's human, when Donnie gets taken Mikey decides to direct his hurt and anger at CJ because... well... he's human! And he didn't properly warn them about the Krang! So obviously it's somehow his fault that Donnie got taken! Somehow! It's very weird for CJ to interact with pre-character-development-Mikey acting like a petty brat about the whole situation, he's hurt by it but also quickly just grows very annoyed at Mikey's hostility towards him. And then we get That One Scene where CJ yells at Leo to get his shit together, except of course this time it's him yelling at Mikey haha.

Anyway, then Mikey DOES get his shit together, and he manages to help Donnie break free of the Krang's control by giving this big heartfelt speech about how he's sorry about how he has been acting and he wants to befriend Donnie and become real brother, you get it. But Mikey still feels guilty about everything that has happened, and to add on to that he still kinda has main character syndrome lol. Point is when Raph, Leo and Donnie all get knocked out of the fight and it's only Mikey against Krang One, he pretty quickly decides to sacrifice himself if it means defeating the Krang. It goes down pretty similarly to how Leo did it in canon, Mikey can fly so he lures Krang One into the prison dimension and is able to restrain him there long enough with his chains to convince CJ to close the portal.

So then the question is - how the HELL does he get out of there??? Mikey opened up the portal in canon, which is gonna be hard for him to do in the AU if he's being beaten within an inch of his life by Krang One haha. But I do think I've figured it out, so Leo and Raph at this point in the story have unlocked their Hamato Ninpo but Mikey hasn't, because their Ninpo is fueled by like... the connection to their family, and Mikey doesn't feel very connected to his Hamato ancestry before this obviously. But what if this is the moment where he doesn finally unlock his Ninpo! After both Donnie and Mikey proved their dedication to each other through their sacrifices, Mikey finally feels connected to the Hamato family. The way I imagine this scene is that it's not just Mikey creating the portal, his brothers are reaching out to him with their Ninpo and Mikey is able to reach back, even while in different dimensions. They're able to establish a familiar connection and because of that a litteral connection is formed through the portal, and Mikey is brought home.

Lastly I wanna talk about Donnie, specifically the uh. Injury he gets from the Krang when he shields Mikey. I actually drew this really quick sketch of that moment a while back but I never posted it here so I might as well do it now! It's not super gory or anything, but Donnie's shoulder got a little but fucking impaled and also there's blood so I'm putting it underneath the read more thing

Haha remember when I said this this AU was gonna stay mostly silly goofy? Teehee!

Anyway, I can't really decide if I wanna make Donnie just lose his enitre arm after this because lol. Lmao. But the reason Donnie doesn't like die from blood loss right after this moment is because the Krang goop is sealing up the injury, both when he first gets captured and interrogated, as well as during the time when he's under Krang control. After he's freed, he's mostly only able to help in the fight by piloting the Technodrome up partway through the portal, maybe he's able to like act as support in the fight against Krang One by using his Ninpo? But yeah no he basically gets benched as soon as his brothers get him back because he's still quite injured.

But look on the bright side, Mikey and Donnie both being on bedrest after the invasion gives them PLENTY of time to bond! :D Like sure, they showed how far they're both willing to go for each other during the invasion, but they've still got a lot of bad blood to sort out afterwards and them both being stuck in medbay kinda forces them to deal with their problems haha. So yeah, while the invasion is the catalyst for them making peace, it's mostly during their recovery that they properly bond with each other. (Prepare for B-Team cuddles, it WILL happen!)

And you asked about specifially when Donnie loses his immunity towards Mikey's puppy dog eyes, and I'd imagine it's during their recovery. Not only because they're growing closer, but also because his baby brother is INJURED and SUFFERING and to Donnie's horror he quickly realizes that he is unable to say no to Mikey now haha XD

HOOBOY that's basically everything, I still have to figure out a lot of the details, but writing this all down made me realize that I've figured out way more of the plot than I initially thought, so that's nice!

[phlurrii]

Alrighty! So just some stuff that’s been brain rotting lately is a character I wanna introduce ya’ll too! Shinto, a shiny Celebi! Lovingly, but mostly patiently hunted and caught by @loupy-mongoose brother! Who kindly cloned and named it for me as I did not buy VC Crystal before the eshop went down X3

Anywho! Onto some rambles, for about a week I did warm up doodles of intercation with baby Qari and their adoptive father Shinto with mewtuals! Featuring: @xxtc-96xx @pokemon-ash-aus @mewtwoevolution @the-mew-crew (didn’t miss it this time >;3) @bbubbles-mewtopia @definitely-not-a-mew !

So as mentioned before, Qari is a mew that spent their early days falling through time and hoped around alot, often against their will as they couldn’t control their powers. Especially as an infant, so eventually, after many Pokémon attempt to take it in… only for them to vanish against through time, a certain Celebi is alerted to the time hoping baby. And… well, trying to find its parent turns into Shinto becoming the parent, despite being not the best or experienced with kiddos.

So Qari ends up being raised by Shinto, who has no idea what he is doing and is frankly petrified of telling/going near Meau about this random baby mew he’s found. Over time Shinto helps Qari figure out his time powers and stabilized him, being one of the few Pokémon able to follow the infant when he time jumps and keep them safe. So the above doodles are Shinto going around and receiving advice on how to parent the lil goober. We’ll see more of them after the Missingno arc and likely when they meant during it, but for now enjoy this peak into Qari’s life and the only Celebi I will ever love this much XD

[flying-fangirls]

As a music, religion, and literature nerd, the Dies Irae has been one of my favorite go-to pieces of trivia for a long time, which means that this line:

Has been driving me batshit BONKERS since part 42! And also as a semi-professional media analysis yapper, I figured I might as well dive into the exact reasons I jumped up and audibly gasped upon first hearing this line and have subsequently lost my mind since then. So!

Here is why I think that the Dies Irae is the perfect analogy for John and Arthur:

Religion

Let's start with the most straightforward meaning: "Dies Irae" is a Latin term, and it translates to the "Day of Wrath." Or otherwise known as the Judgement Day, the foretold second coming in Catholic canon, when Christ will "come again in glory to judge the living and the dead." It's at this Last Judgement where God will wield perfect justice to send the worthy to everlasting peace and the unworthy to everlasting punishment. (everyone say "thank you" to excessive childhood Catholic lessons for burning this into my brain)

There's a kind of irony to the fact that Arthur so vehemently rejects Christianity and religion as a whole, and that John spends much of his arc trying to distance himself from the role/identity of a god, yet both are given this incredibly religious title, effectively restricting them from ever forgetting the presence/influence of religion in their lives.

This title has a couple layers though, because we have to consider why it's the Day of Wrath specifically that represents Arthur and John. Now, I don't think I have to tell you that those two are bursting with anger 80% of the time. But I am going to tell you that those two are not just angry, but moreso "divine fury" incarnate.

The Day of Wrath, the Final Judgment, is the final and eternal judgment of God on all: "For now before the Judge severe / all hidden things must plain appear; / no crime can pass unpunished here." (Dies Irae, Dies Illa). The final Judge, the all-powerful God, can see the objective morality of every single person, and is thus the sole, rightful determiner of fate.

This assumption of their right to perfectly and single-handedly decide others' worthiness shows up over and over, not just John and Arthur's actions, but also in how they describe these judgments.

When Arthur kills the widow on the island, it's not because she was dangerous, but because she was a cultist who "deserved" to be punished.

When John and Arthur need to get rid of Mr. Scratch's stone, John says they should give it to "criminals" who are "deserving of this curse." Even though, just moments before, Arthur refused to give the stone to Oscar because to do so would be to cursing him to a fate of eternal suffering.

And I can't go into every single detail about the entire Larson plotline because this post would double in size, but it obviously needs to be included here. Possibly the strongest tie between this arc and the idea of the Dies Irae is Arthur's conviction through it all. Arthur vows that he is going to kill Larson in divine retribution not because he wants to, but because he has to. He even goes so far as to admit that killing Larson will be a mistake, a cruel and overly-bloodthirsty action that goes against his compassion. But killing Larson isn't a choice to Arthur, it is the unavoidable punishment for Larson's sins and Arthur is simply the enactor of justice. Just like the Final Judgment, there is no sympathy, no hesitancy— the judgment is absolute, divinely ordained, and cannot be stopped no matter how undeniably horrific it is.

If we look at the Catholic Catechism, principle 2302 states that it is sinful to kill out of desire, but that it is "praiseworthy to impose restitution" and use violence to "maintain justic." So even if Arthur has intent to kill, his actions count as divinely sanctioned. He is acting as the hand of God's punishment.

Over the course of Season 3 and 4, Arthur's fiery rage dies down to a more gentle simmer, but his conviction only seems to grow, and John follows suit. Despite previously reprimanding Arthur for his unquestioning wrath, John eventually becomes just as convinced that Larson "deserves" to face a wrathful reckoning. The "fact" that Larson is wholly unforgivable and is fated to receive eternal punishment becomes more indisputable in their minds, and they both stop questioning the morality of their intentions, entirely convinced of their judgment.

Throughout the story, Arthur and John insist upon the importance of kindness, compassion, and forgiveness, and say that these are the values that guide their every action. Yet, time and time again, they approach certain people with nothing but wrath and resentment. It's a sharp contrast to the benevolent figures they make themselves out to be, and Arthur and John are often blind to the contradiction because, in their eyes, they are still following those values in every action. And in the moments when they do recognize their horrific words or actions, they still cannot let their judgment go, convinced that it is their "duty" either way.

In Part 35, Arthur says "Just because you can't make the hard decision, doesn't mean it's wrong." This is exactly how John and Arthur view themselves. They know that some of their actions are harsh and violent and painful, but they are don't view that violence as wrong, because they are enacting that violence in justice. They move through life with carefully-selected destruction, culling the world of those they view as unforgivable sinners, and punishing them with divine righteousness. Arthur and John carry righteous fury in their every step, bringing the Day of Wrath down upon the world around them.

Now, there's already a ton of meaning just in this religious allusion alone. However, there's another application of the Dies Irae in modern culture, which brings us to the second side of this title:

Music

Back in the 13th century (sounds like a familiar setting...), friar Thomas of Celano wrote a poem for and about the Dies Irae. The poem was recited at Requiem Mass (church services to honor the dead), and it ended up being set to a Gregorian chant tune.

Over time, this melody has been used by a variety of composers, but the one we're focused on is Hector Berlioz. In 1837, Berlioz used the Dies Irae melody as part of his narrative symphony, Grand Messe de morts, in order to communicate that the main character had died. Then a lot of other composers saw that and said "Hey that's a cool idea!", and started also using this melody to represent death in their music. Nowadays, it's a fairly staple part of modern film and musical storytelling. If you've listened to literally any major soundtrack, then there's a good chance you've heard this motif (or a variation of it) used before. It's often subtle, sometimes loud and obvious, but no matter what, it reveals the inevitable presence of death. (essentially, the Dies Irae=death)

Now, obviously there's something tragically ironic about Arthur being likened to a musical motif when he tries so hard to distance himself from it, and there's something tragically ironic about John being associated with such a dark piece of music when he shows so much fascination and joy toward the art. Again, though, we've got some layers here. Yorick doesn't just compare Arthur and John to the Dies Irae, he literally defines them as the Dies Irae, a full embodiment of it.

Even before the story started, Arthur lost both of his parents, his friend and wife, his daughter, and his best friend.

John, when he was part of the King in Yellow, knew only how to harm and attack. In the Dark World, he falls back on this fearful lashing out with violence, harming even more people.

And throughout the story, John and Arthur seem to bring devastation to everyone else around them: Lilly the buopoth, Oscar, Noel, Collins, Daniel, Larson and Yellow.

The arrival of Dies Irae musical motif in a film always indicates that death is approaching or that is has already struck— a host carrying its blight to spread onto others. Just like the musical motif, the arrival of Arthur and John foretells the near-arrival of death. They play a duet together— John and Arthur, and death— always singing and dancing around and with each other.

These two never succumb to death, always finding a way to slip through its fingers and survive every situation. But they cannot escape death's presence because they are death's partner— singing the melody to death's subtle harmony. They cannot escape death because they are its host— destined to carry and spread devastation to death's victims. From the moment you meet John and Arthur, you know that death is inevitably approaching just a step behind, waiting to strike you down.

Whether it's the religious or musical side, we can see that John and Arthur are the literal embodiment of these allusions. They carry these powers and ideas in their every action and word, in their every step, in their very breath and blood.

Arthur and John. The hands of God's justice. The enactors of divine fury.

Arthur and John. The hosts of blight and destruction. The partner of death's song.

The man himself. The voice inside his head.

The Day of Wrath. The Dies Irae.