#or they use the inspired by feature

[snowddeong]

best thing u could do is message the poster who converted/adapted a story and ask about it or something

I found out about this from the author complaining about it so yeah it's not a conversion or adaptation it's straight plaigerism 😭 the same acc seems to be doing it with a lot of other jihyo centric ships too it's just 🫠 I left a comment on the work cause they're on anon but I kinda doubt they care pff

[livwritesstuff]

for @steddie-week day 3 | long (and a little bit of mutual pining but the kind when they're literally dating which i think is even more pathetic)

tags: modern day, famous au, actor!steve, rockstar!eddie

Eddie stayed longer than he should have. 

He was supposed to leave Chicago with the rest of the band yesterday after their show at Credit Union 1 – opening night for a year-long national tour.

Eddie didn’t leave yesterday though. Instead, he insisted on spending one last night with Steve, one last morning pretending like they would actually get up and go to that breakfast spot they like even though they both knew they’d be spending the time wrapped up together in their bed, in the home they share, refusing to disentangle themselves until they had no other choice.

No other choice meant Eddie waited so long to leave that he ended up on a flight which would get him into Ohio with barely enough time to make it to the venue in Cincinnati before showtime (and he was missing soundcheck completely – sorta shot himself in the foot with that one, in Steve's opinion, though he won’t be caught complaining).

He won’t be caught doing anything – not publicly, anyway.

Steve and Eddie’s relationship is kind of in the halfway-stage between secret and private, where Steve posts vague, faceless photos of the two of them every now and then but still deflects questions about his romantic life during interviews because – look. He and Eddie are both at weird high-points in their careers at the moment, and that means there’s a lot of eyes on them whether they like it or not. Steve had a public relationship turn sour years ago and there is no way in hell he’s letting it happen again.

Not with Eddie. Not when it counts.

There are speculations, obviously (and after Steve dropped Eddie off at O'Hare, he posted a photo of the Kiss n’ Fly sign to his IG story with the caption i hate this place :( – mostly for his own amusement at the specific way his notifications implode afterward), and they’ll probably get around to an official hard-launch someday, but for now Steve likes that they’re keeping things to themselves, especially when they don’t get to make that choice with much else.

Steve gets a just landed text from Eddie a few hours after he boarded his plane.

(Steve knew. He’d been tracking the flight).

Before he could respond, Eddie added, miss you so fn much

i miss you too, Steve texted back, and before either of them could wallow in it too much, he sent, gonna make it on time?

probably, Eddie answered. Then, getting ready in the car lol

He goes quiet after that (the getting ready, presumably), which is fine.

Steve gets it.

He’s busy too. It’s why he’s not following along on Eddie’s tour like some glorified groupie, and it’s not like the distance is anything new. On the contrary, it’s been an element of their relationship since they met at an awards show after-party four years ago. It’s more that this time around, they were supposed to only have four-and-a-half weeks together before Steve headed off on a press tour for the movie he filmed last year, but then that got pushed out a bit further, and so that four-and-a-half weeks together turned into a glorious nine, the longest Steve and Eddie’s calendars had ever been aligned without some serious planning beforehand.

He just got used to it, Steve supposes.

He got used to having Eddie around all the time, under his fingertips, under his skin. He got used to saying goodnight in person, in their bed together instead of over phone lines, got used to waking up in Eddie's arms and hearing sweet nothings whispered in his ear rather than reading the texts Eddie would leave for him to wake up to when they were apart.

He'll adjust just like he always does, and the worst part will be over tomorrow morning – that moment right between sleep and wake when Steve will realize Eddie isn’t in their bed with him.

Like it or not, the distance is their normal and they make it work (except it’s not even making it work, because it’s not like that. Any situation, any set of circumstances will work without question because it’s Eddie).

The start time for the Cincinnati show comes and goes. A few minutes into the opening act and while Steve is mindlessly flitting between Instagram and TikTok waiting for the algorithm to fill his feed with clips from the concert (ones of Eddie, preferably), his screen lights up with a call.

“Hey,” he says the second he slams his thumb on the green accept button.

“Hey,” Eddie replied, his tone nothing short of grim.

“You geared up for the show?” Steve asked.

“No,” Eddie answered, “I’m quitting.”

Steve rolled his eyes.

“Yeah, okay.”

“I need you to come tuck my pockets in,” Eddie said, and it’s a goddamn wonder Steve didn’t break down then and there, because Eddie always managed to tug his pants on in a way that made the front pockets stick out just a bit, and throughout their years together Steve had gotten into the habit of tucking them back in for him, squeezing Eddie’s hips a little when he was done and pulling him in for a kiss.

“Yeah,” Steve manages a wet laugh, “I – fuck, man, I wish I was there to tuck them in for you.”

“I want you here so bad, Steve," Eddie says, "I really, really miss you."

“I miss you too,” Steve nodded, even though miss isn't a big enough word for the homesick feeling in his chest, “Only a week until the Indy show though. And I’m coming with you for the Michigan one after.”

“Yeah,” Eddie replied, and if he sounded a little morose about it, Steve was right there with him. Sure, it’s a comfort knowing he’ll be seeing Eddie again so soon, but when those two days are over…yeah, it’s gonna be a long goddamn while until next time, because Eddie will be playing the Midwest while Steve’s press tour is mostly on the East Coast this time around, and after that he heads up into Vancouver to shoot a period drama mini-series while Eddie plays the southern half of the US, and then…well, Steve could keep going. They’re both taking a short break for the holidays, but that and the rare weekend one of them can fly out to the other is about it for the foreseeable future.

Which, yeah, Steve loves acting, loves that he gets to make a whole career out of it, and he knows that Eddie feels the same way about his music, but…the love he has for Eddie definitely edges out the rest of it – enough that he feels the distance between him like a dull, ever-present ache whenever they’re apart.

Eddie only ends their call when his manager practically has to yank the phone out of his hand and shove him onstage, and then Steve settles back into bed, back into scrolling mindlessly on his phone waiting for his finely-tuned algorithms to do their jobs.

Sure enough, it takes less than thirty minutes for Steve’s FYP to start showing him TikToks from Eddie’s show, and amidst all the hair and leather and silver chains and chunky rings and eyeliner and manic energy, Steve sees something else, something that has the hurt of missing Eddie increasing ten-fold, something that has him seriously considering taking an ax to all his contracts and his career and his livelihood and getting on the next plane to Cincinnati.

Eddie left his pockets untucked.

[suudonym]

trying new stuff means new balam portrait

[martyrbat]

rip to bruce but if i fumbled her i would literally kill myself

[xxplastic-cubexx]

wanna draw cherik but wanna walk to the comic shop so i can look at official cherik jesus christ i cannot be salvaged

[energysynergymatrix]

No way look who's shown up in Hinamizawa

[fangsforthevenom]

i know this might come as a surprise to you, but I really really like korekiyo.

this was supposed to be a more in-depth study so I could finally have some consistency in how I draw him but I liked this so much I decided to keep it by itself.

original lineart under the cut:

[hephaestuscrew]

"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359

TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon. 

[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]

~~~

Ep21 Minkowski Commanding

First appearance 

We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.

EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.

The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way. 

'Goddamn harpoon' speech

So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:

MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.

There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)

But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.

Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!" 

The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.

The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat. 

Absurdity

A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on." 

Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.

We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.

I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).

Other mentions of the harpoon

The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.

Ep27 Knock, Knock

EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.

In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.

Ep45 Desperate Measures

LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.

Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe  Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.

The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…

Characterisation through Weaponry

When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.

A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is. 

Maxwell's Death

When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about. 

Ep61 Brave New World

About a third of the way into the finale, there's another indirect mention of the harpoon:

RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…

This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.

Which brings us, of course, to the harpoon's most significant moment:

Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.  MINKOWSKI Let's see you catch this.  FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.  MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.

This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.

Human unpredictability 

It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive. 

It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.

Making good on her promise

Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."

It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew). 

As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. 

And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.

The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.

[kassasnek]

No one likes a mad woman

What a shame she went mad-

[0ann3]

Designing a Yuu just for this purpose smh-

But I got too stressed out from studying so I decided to draw this idea that's been on my mind for a while. Mainly inspired by fics when students are in disbelief that these two even like one another / are going out

[noviistarz]

[protagonist-art]

"Uh- I'm Arnold. Bennett. It's profoundly difficult to get your lifes works and studies accepted if your name isn't... yes, oh! Are you a fan of moths, sir?"

NEW RDR2 OC!! a reclusive, clumsy entomologist and bug collector; cooped up in his study of uniformed clutter

[angbands-last-hero]

[good-beanswrites]

WAH HEY BEANS!! okay so i was looking at the plushies and merch again and i suddenly had a thought in LCSyS, what are their thoughts on like merch?? i have no idea if you've mentioned this before and if so i am silly. i can totally see fuuta go OH NO IVE BEEN TURNED A MARKETABLE PLUSHIE

YES AHAHAHA I love that!! This is for the gone-public variation of the au

This made me realize the wide range of official merch, plus I think a lot of them would love supporting artists once they're out and have access to the internet again lol. Overall I think the plushies would cause the biggest stir around the facility 😂 I mention bootleg merch, like when you have random companies making weird/ugly knockoffs -- I don't think real Milgram has that but it was a fun idea for the story lmao

Haruka isn’t used to having his own image on so many things. The others are really sweet about taking care of his plushie and doing kind things for it to boost his own confidence (although there was One Singular Moment of jealousy where his tiny counterpart was getting more attention than himself and needed to be talked down lol) He and Muu have plushies of each other that they’ll plan cute matching outfits/accessories with.

Yuno loves her own plushie, and is excited to share it with Yura. She takes really good care of all the plushies she has, and they genuinely bring her warmth, especially post-milgram when they all separate <3 She (or maybe Mikoto, I haven’t decided) gets only the weirdest/most concerning buttons on her personal bag. She loves her Borderline Suicidal Fuuta, Crazed Bug Muu, Grieving In A Hospital Shidou, Rats Mahiru, and so on. She asks Amane for permission to add Waterboarding Button to her collection. For her more public displays, she likes the aesthetic things from the anniversaries and birthday art. She loved those days of dressing up for the photoshoots, so they carry nice memories as well as being super cute. 

(I tagged you in the art I thought of, but yeah,) Fuuta puts up a big act about how weird and capitalistic it is to have merch of oneself, how plushies are “for kids,” and also how ugly/skrunkly his t2 one looks... His refusal to interact with it only makes the others interact with his more. I can see some of the prisoners (*cough* yuno *cough*) carrying around their Little Fuuta and sharing full conversations and activities while he looks on in horror. In the end, he caves in order to set a good example for Amane, and keeps a few in his room. He never admits that he also gets really attached >:3 Another secret -- he likes using the special bluetooth headphones. He thinks they look cool and the voices are a fun touch, but he’d never dare tell the others. 

Muu has one of those really aesthetic merch bags where she keeps buttons, plushies, stickers, keychains etc. She has a little something for every prisoner, but there are definitely a few who have some shameless favoritism… Once out of Milgram, she makes a lot of social media posts focused just on the plushies in different locations and outfits. She keeps them in pristine condition, caring a lot for them.

Shidou gives the plushies to his kids, and the prisoners laugh/brag about which one each child chose as their favorite. (I also like to imagine the conversations Shidou must have with strangers: “aww your daughter is so sweet! Who do you got there, honey? Aw, you’re squeezing ‘em real tight! Is that your favorite disney princess or something?” “Ah, that’s a little doll version of the divorced cop who lives a few streets over. In a prison uniform.” “O.oh…?”) He likes adding stickers to his tech, using some of the cases, and thinks the album covers look nice to display.

Mahiru goes crazy over the plushies. She sews little mv outfits for all of them, alternate outfits, and other accessories to hand out. She starts planning on making custom plushies for other people – her bf, Hinako, Shidou’s family, Lucky, etc. She was genuinely upset by how sad her T2 plush looks, thinking no one will love it – Jackalope breaks his experiment-long internet ban only once to sit with her and scroll through pictures that people had posted of them treating the plush kindly because of her looks. Also, even though they broke up, she excitedly shows her bf the buttons that feature the two of them 😅

Kazui already has a lot of records/CDs collected, and he makes a really nice display of all the albums for his wall. The other prisoners love gifting him bootleg merch of his own videos – tshirts and things from random companies that are juuust off somehow. (I have no clue about her sense of humor, but maybe one day Hinako wears one of the Cat marriage buttons like “I got married and traumatically divorced and all I got was this this stupid button)

Amane would have tried to match Fuuta acting too cool for the plushies… if it weren’t for every single other person absolutely fawning over them. She can admit to loving them and carries a different one to set with her each day, treating them kindly and dressing them up with Mahiru. She also enjoys adding stickers to her notebooks and things, they end up completely covered by the time the later mvs come out. At the very end of the experiment, she ends up using merch to cover up the old cult stickers on her backpack.

Mikoto owns the most of his own merch, claiming “it’s John :)” (and then John points to the same things claiming “it’s Mikoto :)”). They each have a T1/T2 plushie to carry around, though they end up like that Garfield "to be loved is to be changed" plush -- they really go everywhere. Mikoto gets those anniversary art shirts with the prisoner’s face taking up the whole center, and wears it to each of their mv shooting sessions, much to their embarrassment. He owns a lot of the stands to keep on his desk while he works, using them for rubber-ducking when needed. He posts I feed him rocks.

Kotoko prefers the more general things when she goes out, feeling like it’s odd to show off the other’s faces out in public. (They claim they’re famous anyway, but she insists you can never be too careful.) So she wears a lot with the main milgram logo/inno and guilty symbol/Jackalope/etc. In her personal space, though, she has a ton of the others’ things, and tries to play down how much she really likes the plushies :3 When Mahiru’s finished with it, she’s excited to show Lucky both of theirs.

Everyone owns a lot of Es merch. They try to be subtle about it post-reveal and not overwhelm their poor guard, but it comes out eventually and does scare them just a bit. 😅 Later, Es really enjoys having something of each of the prisoners close even when everyone goes back to their lives.

[the-hilda-librarians-wife]

But I knew you'd linger like a tattoo kiss I knew you'd haunt all of my what-ifs The smell of smoke would hang around this long 'Cause I knew everything when I was young Cardigan, Taylor Swift

For @sketchbookweek Day 5 - Teenagers

[wyverewings]

gijinkas are OUT turning human characters into creatures is IN