#Who knew art history lessons could actually be useful wtf.

[kassasnek]

No one likes a mad woman

What a shame she went mad-

[hellzyeahwebwieldingreviews]

Untold Tales of Spider-Man 06: The Doctor’s Dilemma – by Danny Fingeroth

An unexpected gem!

Dr. Bromwell grabs Peter by the arm and tells him he must talk to him about "his double life." But Bromwell hasn't stumbled on Pete's secret identity. He's talking about the dangers Pete gets into as a Daily Bugle photographer. He asks Peter, for May's sake, to give up the job. Although Peter has worried about the dangers himself, he stiffs Bromwell, saying "I'd appreciate it if you'd mind your own business, Doctor." Regretting every word, Peter goes into an unfair critique of Bromwell and a defense of his photography work. Taken aback, Bromwell gives Pete a new prescription for May and heads toward the door. Peter calls him back and apologizes. He tells him he has considered the dangers but still thinks the reward is worth the risk. Once Bromwell leaves, Peter changes to Spider-Man, eventually web-swinging to the pharmacy to fill May's prescription.

Back at his office, Bromwell can't stop thinking about Peter. Suddenly, he gets a brainstorm. He wants to give Peter a job in the sciences instead. First he goes to Metro Hospital and talks to Dr. Gordon, who saved May's life after Spider-Man brought in the needed ISO-36 (in Amazing Spider-Man #33, February 1966). Gordon reveals that, shortly after Spidey left, a beaten and bruised Peter appeared. Bromwell doesn't know what kind of deal Peter has with Spider-Man but he suspects the web-slinger is taking advantage of him.

Out web-slinging, Spidey comes upon "an eight-foot tall, four-foot wide gent in the green spandex suit" who is trashing an armored car. He is also "amazingly fast and as strong as the Hulk." When Spidey asks for a name, the giant comes up with "Impact," revealing that he volunteered for an experiment involving radioactive steroids (a combination just asking for trouble) for which he never got paid. Now paying himself in his own way, Impact slams Spidey against a wall and escapes.

The next day, Bromwell makes a house call and finds Peter all battered and bruised. He offers Pete a job in his own office helping with his research and lab work. Peter accepts. Aunt May overhears this conversation and is wracked with guilt for letting Peter risk his life taking pictures simply because they desperately needed the money.

So, Peter goes to work for Bromwell. There he researches steroids and finds out that Impact is Walter Cobb, a family man whose mind was warped by the experiment. As the days go by, Peter works at Bromwell's office, just missing catching up to Impact at his various crime scenes. Finally, Bromwell is called to the ER to help treat some victims of Impact's latest assault. As he leaves, Bromwell asks Peter to not go out for news photos. But Peter has to go out to stop Impact. Arriving at the scene,he finds Impact holding two hostages. The police bring out Impact's wife and kids to plead with him. It appears to work, with Impact releasing his hostages. Peter starts imagining a day when his work with Bromwell will lead to greater things than his web-swinging. Then a shot rings out and Impact goes on the rampage again. Spidey tries to calm him but he is too far gone. After pounding on the wall-crawler for a bit, Impact collapses. Bromwell is on the scene and pronounces the giant dead. As Spidey swings home, he reflects on it all. "Bromwell tells me that I should think about my aunt – like I don't do that enough. Impact shows me that there's a right way and a wrong way to try to help those you love. All these lessons! But...what am I supposed to learn from them? Where's the curriculum? Where's the syllabus?"

A great ending, right? But, oops, there's more! On his way home, Peter realizes that he could be as dead as Impact and decides to give up the webs. But at dinner, Aunt May tells him to keep doing what he's doing if it's what he wants to do. The next day, Bromwell waves the Daily Bugle at Peter, indicating the front page photo Pete took, and tells him he let him down, abandoning his lab work for the very work he begged him to avoid. He tells Peter that he has done all he can and that he's letting him go from his job. Pete can tell that Bromwell is hoping he will ask for another chance but Peter doesn't. He has come to completely understand that he does not become Spidey for thrills but to help people and that Uncle Ben and Aunt May would approve if they knew. Or, as he puts it, "Love the power. Guess I'll just have to live with the responsibility."

Had you told me that a Spidey story (and a prose story at that) about Doc Bromwell witten by Danny Fingeroth was going to be cracking I’d have never believed you.

Fingeroth’s body of Spidey work is a mixed bag to put it kindly. This is the man who wrote arguably the single best page of Mary Jane ever in Web of Spider-Man #6, eloquently summing up her emotional conflict regarding her romantic feelings for Spidey. But this is also the man who editorially mandated the creation of Maximum Carnage.

And yet here he doesn’t make a single misstep.

Okay that isn’t exactly true. His opening narration makes Peter sounds like a goddam psychopath. “Love the power. Hate the responsibility.” Er….that’s not exactly true, Peter has moments of enjoyment of his power and frustrations over the burdens it places upon him. But he doesn’t truly revel in his power and typically treats his responsibilities as simply something that HAS to be done moreso than something he resents doing. But that’s nothing compared to “…to take what I need. And to make anybody who gets in my way real sorry they got there.”

WTF dude! I was half expecting that the twist here was going to be that this wasn’t Peter speaking but it was. Fingeroth nicely bookends these sentiments by the end of the story but that doesn’t change the fact those sentiments shouldn’t be there in the first place.

You can maybe just handwave this as Peter being in a really bad mood and not believing what he is thinking. But I dunno, I suspect the real intent here was to clumsily set up something to BE bookended by the end of the story and more poignantly to smack the readers in the face with the central theme of the story. This lack of subtly rears its head again towards the end of the story when Fingeroth seriously spells out for us that Impact is a dark reflection of Spider-Man and the exact ways how. Everything the dialogue says is correct and Impact is actually a very good reflection of Spidey. But couldn’t Fingeroth have been a tad more subtle about it?

But other than that this story unto itself is pretty much flawless. I say unto itself because through no fault of Fingeroth the story’s placement withint he anthology is kind of weird. It clearly takes place after ASM #33 as there are very direct references and fallout from the Master Planner Trilogy. However the nature of the story also makes it highly unlikely to take place after ASM #39 because in that issue Peter is shaken by Bromwell informing him of just how frail Aunt May is. He pretty much tells Peter that if May learns his secret she will keel over dead. So this happens between ASM #33 and #39 but the Looter story clearly happens after ASM #36. Whilst far from inconceivable that this story could happen afterwards, because the last story with the Goblin was obviously tipping the hat to ASM #39-40 this story would’ve been better placed just before the Looter story. As is it’s oddly the THIRD story in this book to take place in this extremely small and specific gap of time after ASM #36 but before ASM #39.

Enough of the nitpicks though. I said this story was a gem and I stand by that.

What pleasantly surprised me most about this story was that Fingeroth seemed to be able to handle the prose format better than every other writer thus far sans perhaps DeFalco.

He wisely knows to emphasis the inner conflicts within the characters’ heads and play up the soap opera rather than leaning in on the action setpieces.

And yet there are two significant action set pieces in this story. Indeed the crux of the whole story REVOLVES around the physical danger Peter puts himself in by going into action. Fingeroth handled these deftly. The action wasn’t over explained and painted a clear picture in your head but didn’t linger too much. Sure you might feel things would be more interesting if you could actually see things but you aren’t drifting off as the writer belabors the combination of punches and kicks Spidey lands. It’s all very streamlined and designed to support the emotional arc of the story as opposed to the action being the point unto itself or simply the means to REACH a conclusion.

In this regard Fingeroth actually edges out DeFalco. Reading/listening through DeFalco’s story the action scenes can just be boiled down to Spidey fights some thugs, drags out the fight for pictures and then one them accidentally dies the specifics don’t matter even though we do get them.

Here Fingeroth forgoes the specifics to simply give you the broad beats to the fight (Impact throws a car, Spidey webs people to safety, etc) whilst ensuring he returns to Spidey’s inner thoughts and peppering in dialogue that is moving the plot and exploring the themes, even if it is simply lightly.

In a way this is a rare example of an action set piece that works BETTER in prose than it would visually. Sure Mark Bagley or Ron Frenz could embellish the fight scene to make it look cool, but the visions of a possible future Peter imagines are more potent and organic when we simply read his train of thought like this. Were it a comic such dialogue would come off as excessive or (if communicated through art) needlessly existential. Additionally as a villain goes Impact is fairly generic, but having him not have any visual presence mitigates that because his importance is more about what he is doing and why than having a dynamic appearance.

To go back to Bromwell, he’s developed more here than he’s been in over 55 years of Spider-History. Were he written like this in his appearances he might’ve become a more beloved character. What’s great is how organic his personality feels. We learn new stuff about him but it feels like a totally logical extrapolation of what little we saw of him in the 1960s. He is a quintessential doctor and Fingeroth lends him a surprising amount of nuance. He isn’t endlessly caring, he has his limits but even so the fact that he wanted Peter to ask him for a second chance at the end was a brilliant touch. It’s a small moment but it helps make Bromwell feel more multidimensional.

And because of this characterization the story earns the pathos of Peter letting him down. You feel sad for Bromwell and for Peter that things didn’t work out for both of them.

Aunt May is also done very well here. She is in typical Aunt May mode but Fingeroth chooses to make that the central conflict of the story rather than a background element. Refreshingly though the issue isn’t that May is on her deathbed, but rather the impact (if you pardon the pun) upon her if anything happens to Peter.  The story is almost a spiritual cousin to JMS’ opus ‘the Conversation’ in that it comes to a reasonable and positive resolution.

What in particular what holds this all together is the brilliant (yet rarely used) idea of treating Peter’s cover story as Spidey’s photographer as a metaphor for him being Spider-Man. It’s something that’s pretty clever when you think about it because the cover story means his loved ones go into relationships with him knowing he takes risks and potentially endangers them, just as if they knew he was Spidey.

Through treating the cover story as a metaphor Fingeroth is able to have Peter get a lot of feelings about being Spidey off of his chest. This chiefly comes in the form of his bookeneded confrontations with Bromwell, his angry (and highly unjustified) outburst at the start and his quiet resigned acceptance at the end.

Perhaps the best bi of narration in relation to Peter’s character was when Fingeroth spelled out that Peter might enjoy being Spidey but even if he didn’t he’d do it anyway because he was hooked on helping people. It eloquently emphasis the innate heroism and core of the character. And it does so in a nuanced way too as too often writers have Peter outright hate being Spider-Man or else cynically lean on the idea he’s a thrill junkie of some kind. Fingeroth gets that peter DOES like his work but that isn’t the reason he does it.

Nuance is actually the key word here. There is a lovely sequence where the story acknowledges that Peter might subconsciously be avoiding Impact out of a loss of confidence. It plays very realistically. How often in life has one bad moment shaken us up and made us hesitant to do things we previously did without even thinking about it.

Really I don’t know what else to say about this story that isn’t self-evident by just experiencing it for yourself.

Tiny issues aside it’s really quite excellent and highly recommended.

[dustbunny105]

Aaand Lost Light #1 time, here we go. Redeem yourself in my eyes, robots.

I feel like this is missing a record needle scratch.

Wait, is that a girl? Who doesn’t have robot lipstick? Well! I’m pleased to meet you indeed, Anode!

Ahh, her backpack is a person! I love that! Now I kinda wish Rung’s backpack was a person, if only so he wouldn’t be so lonely.

Is Lug also a girl? I want Lug to be a girl so she’s a girl until otherwise proven.

Hold on, home? Cybertron is home? To a couple of girlbots? Are we finally getting solid confirmation that Cybertron used to have more than one set of pronouns and something happened? ARE WE GOING TO FIND OUT WHAT THAT SOMETHING WAS? I’m excited :D

Do you think they’re a couple?

If that’s a special snowflake, I promise you I will scream.

Okay, I’m really enjoying Anode and Lug. The bantz don’t necessarily stand out much where JRo characters are concerned, but just the two of them together are distinct and fun. Gotta love a pessimist/optimist duo.

Censeeere, I thought I was over the hurt but here it is again ;;

I’m digging the layout on this recuse too.

Five hundred years and change? After Anode and Lug were slumming around on the missing moon? Huh... Has it not been missing as long as I thought I remembered or is something else up?

This is cute. I love when people geek out over the Necrobot ♥

As soon as Lug got as far as, “Well, less a voice--” I knew that it was going to be Magnus and I even suspected the sentence to end somewhere in the neighborhood of, “-- more a kind of sustained drone.”

Huh, I wonder why they woke up after everyone else.

I also wonder why Magnus started the presentation when some folks were still asleep. And why no one was monitoring said folks.

Yeah, she’s gonna be fun. And so is Lug, look at her. Bot with the blue and red helm looks to be trying not to laugh, heh.

She is gonna be a lot of fun. Sorry, Lug.

Beast modes, wtf? Is he telling a joke?

Of course he has, the precious dork ;w;

As an aside note, I really am digging the new guy’s art, but. It’s not Milne. And the circumstances behind it not being Milne ruin it just a little for me, tbh.

Yikes, what’s Velocity’s problem? Something to do with Roller, did she see something, is she hauling Nautica off for private time...

Like. I get what you’re saying, dude, but those hundred dead cons literally tried to kill them. And who do you see laughing and joking exactly? Guess it could be someone off-panel, but it’s not telegraphed very well.

Aaand then your plan is pick a fight with the most powerful person in the room as a statement, uh... I feeel like that could go terribly wrong. Also, novel idea: Everyone please just leave Tailgate alone.

Speaking of Tailgate-- gettin’ kinda handsy there, aren’t you, dude? 

Not that Roller seems to mind...

Ergh... I was gonna just sit and quietly bear the canon Cygate, but. I just gotta say canon Cygate with Cyclonus mother-henning Tailgate is kinda giving me the creeps. I mean, not to say that romantic partners can’t get all “you need to sleep, you’re overexerting yourself, you are outside the bounds of good taste, you’re new to this and I understand that but here’s some advice--” but the way it’s written here is just a little too parental for me. Cyclonus reads as just a little too condescending somehow, even if he is right that Tailgate is out of line and it’s probably to compensate for this being the first major action he’s seen. I wonder if this is intentional? Nice reminder that love doesn’t translate directly to respect, I guess.

Okay, I know he’s trying to provoke a fight, but come on.

Swerve, for crying out loud...

The fact that these are all legitimate things to worry about... If it weren’t for that function question upfront, I could let this one slide by as a harmless coping mechanism, honestly.

DUN DUN DUNNN~! I wonder what her issue with Velocity is. I also wonder if she’s behind Velocity running off earlier-- maybe Velocity saw her first? Are they exes or something?

@ whoever did that one fanart, pass me some lottery numbers o_o

The DriftRod bantz in this scene is legit giving me life, though ♥

Uh oh. An earthquake on a hollow planet... WAIT, WAS THAT THE BOMB?

RUNG. NIGHTBEAT. SO HELP ME, IF MY BABIES AREN’T OKAY...

... Oh, honey. Just what has he told you that you can still think that?

Terminus, babe, you’re gonna be a lot less charmed by Megatron taking charge once you’ve had your history lesson.

Don’t pat Ravage’s pedestal after throwing his corpse across the room, you bucket-headed so-and-so. It’s your fault he’s dead anyway.

Hey, come on, no, none of that. I want details!

I took Rodimus kneeling by the transporter den as Nautica for a moment. I worry that this may be an issue going forward...

Also, it was a moment before I realized he didn’t mean den as in, like, family room and was very confused.

Wait, Brainstorm brought Rung and Nightbeat back? They didn’t come up anywhere near him and the teleporter! I think that thing could use a little more service, frankly...

Firstly, I suspect he’s going to be very disappointed when he finds out that the bomb had nothing to do with the discovery. Second, his memory of his reaction to the bomb versus his actual reaction in #55 is making me laugh. And if that’s actually a reaction he had time to shift into before the thing blew up in his face, then I’m gonna laugh even harder. What a dork.

Oh, no. No, no, no, not this, I’m not ready--

ASDFGHJKL; I WASN’T. READY.

*UGLY SOBBING*

Now give me all the Rung self-blame grief, please and thank you ewe;

Uh oh, something’s not good... Unless Rung just coughed up a deus ex machina re: Skids’s death, that’s very good as far as I’m concerned... My personal weird theory right now is that he magically ingested the bomb somehow, though. Idk, the light put it in my head.

Man, they are really inconsistent about whether the bots plug themselves into the bed, aren’t they? Am I imagining that? If I’m not, maybe it’s some kind of a fuel efficiency thing...

Dang, Cyc, I hope the other guy looks worse o_o

Tailgate, precious thing, no...

Well, so much for the exes theory. I’m amused that it was Lug’s first thought, too, though. Especially with the “they’ll imprison us” thing. Have they had bad luck with Anode’s exes before or?

Adfgh, what are you implying, Anode?? (J/k, I know exactly what she’s implying and I’m right there with her. Why did it take two?)

Holy rudeness, Anode, do you mind? ... I wondered right after I kinda just, uh, stared at her weird tentacle instrument finger.

On another note, though, Drift-- religious artifact or not, that thing is literally called a Great Sword. Because, y’know. It’s a sword.

What the-- Anode has magic prophecy boobies! And what a very sinister-looking vision that was...

Okay, y’know, I don’t usually care about Dratchet, but if canon gives us dramatic, overwrought Ratchet/Drift/Rodmius? With Ratchet’s condescending skepticism sending Drift running into Rodimus’s arms? I could be very, very low to the ground for that. Heck, give me the platonic version and I’m happy.

MINIMUS IS CONCERNED AND DEFENSIVE OVER DRIFT, I’M HAPPY.

Okay, ouch.

Also, y’know, I spent a moment being quite interested in the fact that Cyclonus is high enough on the ladder to be left in charge. Then I remembered who all is along and also realized that the entire freaking command team is pissing off on this mission and taking a pinch of the usual suspects along with them. Just how many Autobots does it take to rent a ship??

Update: Brainstorm is still adorable.

... Listen. Just-- listen, okay? I know that it’s just the way his body is shaped and the small space he’s crawling into but that pose that Chromedome has going on is. Something, alright. And don’t even try to tell me Rewind isn’t side-eyeing Megatron because he noticed him checking out the goods, okay, because I won’t believe you.

On another note, how the heck are they all fitting in there at once?

Anyway, let’s see how wrongly this goes, shall we?

I presume “very, very wrongly” based on the hammering home of the whole “that was our one shot, no going back” point.

I demand more tipsy Rewind in this comic.

Do you think Megatron really wanted to surprise Starscream or did he just not want to talk to Starscream? Either way, I feel like no one expecting them is a bad sign (as if we needed one).

Come to think of it, didn’t Cybertron just get invaded by titans? What’s the inter-book continuity these days?

Yeah, no, something bad has happened. Tf are you smiling at, Terminus?

Is this the flipping Functionist Universe, omg... Honestly, even not knowing that, man, Terminus, you’ve got some questionable design taste.

Watch for this one in real life America, tbh.

Aaand, yeah, they are totally screwed. Hey, if this is the modern Functionist timeline, I wonder what happened back in the day as previously seen? Or, wait, am I misremembering that as being back in the day...? Eh, I’ll look it up.

Okay, must admit, this issue has me pretty psyched. On to the next!

[jeremywilson24-blog]

Which Martial Art Is For Me?

Those of us old enough will remember trying to find a martial art club was almost impossible. Many clubs trained in backstreet gyms and halls, were often just a small group of friends. If you knew someone training already, it was easy to get in, if you didn't, well, it was virtually impossible. Fast forward to the early 70's. It was at this time that the 'Bruce Lee Phenomenon' hit the West. Enter The Dragon, a major Hollywood backed film, hit the silver screens. It was explosive, here was a guy who could do almost magical things, at blistering speeds, and so, as a direct result of that film, so was born the modern age of martial arts in the West.

Clubs began to spring up everywhere, people flocked to be trained so they could be like Bruce Lee! The reality of that was somewhat harsher! Soon, may realised that to reach even a fraction of Lee's ability required years of painstaking practise!

The first martial art to really explode as a result of Lee's film was Karate. With schools already well established in the UK, they capitalised on the phenomenon by coming out of the back streets and into the school and church halls etc. Adverts sprang up, and all of a sudden, you could find a club to train at! Karate is perhaps one of the most well known of all the martial arts, with a rich history and tradition spanning centuries. And so Karate clubs began to boom, along with other martial art styles, which began to gain interest from a Western culture suddenly smitten with the lure of Eastern mysticism and legends.

Inevitably, this boom faded, people left because it was too hard, that to get anywhere was a lifelong commitment, not something achieved in a matter of weeks or months, but years of hard graft. And so, clubs lost members, but not to the extreme levels that they disappeared back into the dingy training halls of earlier years. Many thrived with a steady increase in students, losing others along the way, but retaining sufficient to keep going.

Then, as with the Bruce Lee films, along came another Hollywood Blockbuster that was to push martial arts back into the public domain...Karate Kid. The film was simple, a young lad being picked on by a group of Karate school bullies, boy comes across a Japanese janitor, who just happens to be a master in Karate....Mr Myagi. It was a wonderfully simplistic film, where, I am sure we all remember, the young lad, 'Daniel san' was taught the rudimentaries of Karate through washing a car! 'Wax on, wax off'.....marvelously clever analogy, from which he learnt everything he needed to do Karate! Of course, it is not that easy in reality, but here we had a film, which spawned 2 sequels, that suddenly showed that training was not only hard work, but could be fun as well!

And, what this film did that no other film before it had done, it attracted Children to the martial arts! It was truly a catalyst in the meteoric rise of martial arts clubs across the world, with parents rushing to sign up their kids to learn about this wonderful way of looking after yourself, of learning respect and discipline, and making their children better people for when they finally enter the world as Adults. Karate was the main benefactor of this boom, obviously I guess given the film's title, but the knock on effects were felt right across the various martial art styles. Popularity rose through more films, with stars such as Jackie Chan, who, with his unique blend of undoubted skills and comedy, made Chinese martial arts seem fun to learn. And so there we have it, a very brief history of the rise in popularity...But! Here we are in 2008, and despite all the publicity, do you know which martial art is which? I hope the following will give you some guidance:

Karate - Probably one the most recognised. There are several styles, which I will not elaborate too much on here, suffice to say that each does have it's differences, but each also has many of the same characteristics, namely a focus on traditional etiquette, discipline and hard work. Karate (meaning Empty Hand) is a very traditional martial art, where you will certainly learn respect for others. The main styles are Shotokan, Wado Ryu, Goju Ryu, and Shitu Ryu, though there are a great many more. Karate has also become one of the most 'bastardised' styles. There are a great many schools and organisations whose Chief Instructors have studied many of the styles, and have combined this knowledge to develop their own systems. These Organisations have developed their own curriculums and grading syllabus. Essentially they are still Karate, and, with the right club or organisation, you will learn a great deal about yourself.

Taekwondo (or Tae Kwon Do) - This is a Korean martial art, thousands of years old, but only really becoming popular in the past 20 or 30 years. The modern concept of Taekwondo was developed by General Choi in Korea during the 1950's. Today, there are two styles, ITF (International Taekwondo Federation) and WTF (World Taekwondo Federation). Both teach the same basic ideals. Taekwondo (meaning the way of hand and foot) is, predominantly, a martial art based around kicking techniques. Very spectacular and effective techniques, but those learning Taekwondo will also learn valuable hand techniques, and self defense. ITF Taekwondo is much closer to the original concept of General Choi. The WTF style has developed more into a Sport, and is, in fact, a recognised Olympic Sport. ITF sparring is semi contact, whereas, if you fancy your chances, the WTF style concentrates on full contact.

Judo - Judo means 'The Gentle Way'. It is a very modern art, and, in fact, is not really a martial art, but a sport. Judo is, however, a very effective self defense art, teaching you how to put locks and holds on an opponent, and how to throw. There are no kicks or punches in Judo. A well established Olympic sport, it offers an alternative to more traditional 'combat' style martial arts.

Kung Fu - A Chinese martial art. There are hundreds of styles available, the most popular today being Wing Chun. Bruce Lee was a famous exponent of Kung Fu, but he also studied many of it's various styles and developed his own Jeet Kune DO (JKD), a method of fighting that used real life street situations to develop an effective method of attack and defense.

Brazilian Jiu Jitsu - This is the fastest growing martial art style in the world today. Japanese Judo and Ju Jitsu masters exported their martial arts to Brazil around the 1940's and 50's, where it quickly gained popularity. A Brazilian family, the Gracies, took this knowledge and developed it into one of the most effective ground fighting systems known today. Although similar to Judo and Ju Jitsu, the Brazilian art concentrates much more on getting your opponent into a submission by locks, holds and chokes. It is, to many, a much more realistic method for the street, where rules do not exist.

MMA - Not really a martial art as such. MMA means 'Mixed Martial Arts'. It's origins are again Brazil, where it is known as Vale Tudo. Today, MMA, or perhaps you would know it better as 'cage fighting' is a huge sport, dominated by the UFC, Pride and Cage Rage. It has, for many, become an alternative to boxing. MMA is a 'no holds barred' sport, whereby opponents can punch, kick, elbow, knee and wrestle each other into submission, or, get a knockout. Very explosive, and certainly not for the faint hearted! Those in MMA will have also trained in Brazilian Jiu Jitsu, as well as Karate, Taekwondo or other martial art style, hence the term Mixed Martial Arts.

Kickboxing - Probably the second largest participant club sport in the world. Developed by the Americans as an alternative to Boxing, Kickboxing is, as the name suggests, a Boxing sport, but you are also allowed to kick. Training is hard but rewarding. As well as traditional boxing techniques (jabs, hooks, crosses, ducking and weaving etc), you will also learn a variety of kicks, most of which derive from Taekwondo in style. In fact, many Taekwondo clubs will also run their own Kickboxing clubs, as the two styles compliment each other extremely well.

Choi Kwang Do - Another Korean art, this concentrates mostly on the practical side of 'what works in reality'. Kicks, generally, are not above the waist, and you will learn a variety of hand techniques, all designed to work 'on the street'.

Tai Chi - Another Chinese art. Often thought of as an 'old people's' martial art. Whilst it certainly lends itself well to the older generation, in my personal opinion, it should not be overlooked. It teaches meditation and relaxation, but also it teaches you to focus your inner energy, or Chi, very effectively.

In some ways, it is sad that, as a result of the modern age, there are also some excellent, but increasingly forgotten martial arts worth investigating. Aikido and Hapkido (Japanese and Korean respectively) have become victims of the increase in popularity of the more explosive martial arts. These are predominantly self defense systems, but incredibly effective. If you aren't sure, watch some of Steve Segal's early films. Segal is a world recognised master of Aikido, it is one of the single most effective martial arts for self defense, but, sadly, it receives little publicity nowadays. It's principles are the teaching of using your opponents own momentum for your own gain, it also teaches pressure points and restraints. Even if you study one of the more popular styles, Aikido or Hapkido are definitely worth considering as a second martial art.

Today, choosing which martial art you want to do is actually much easier than you think. A great many clubs will offer you a first lesson free, so take advantage of that fact, and go and try as many as you can. In this way, you can find out which one suits you best.

I will give a couple of words of caution!!

1. Do not be tempted to sign up to a membership or any payment plan on your first lesson, or even in the first 3 or 4 lessons. Make sure it is right for you first!

2. Avoid buying any uniform for the same period. Otherwise, if you decide it's not for you, you will have wasted your money.

3. Go along and watch a few classes first, before actually trying. Most clubs will let you watch. You will get a different perspective on the class teachings this way.

4. Talk to other members, or even the Instructors. Nobody will mind you asking questions. Believe it or not, the vast majority of clubs are not interested in just taking your money only to see you leave. They want you longterm, because they genuinely want to teach you and see you develop.

There are, unfortunately, plenty of organisations out there who will happily take your money. The 'McDojo' as they are derogatorily referred to by our American friends are out there, waiting for the unsuspecting student or parent. These will try the hard sell, some even go cold canvassing onto the streets! Don't be easily tempted by promises of a Black Belt in a few weeks or months, it simply doesn't happen that way.

So, how long will it take to get a Black Belt? Well, on average, you should allow a minimum of 3 years, and that is based upon a lot of hard work, and regular weekly training, at least twice a week! And remember also, a Black Belt does not mean you are an expert! On the contrary, getting your Black Belt is merely akin to completing your apprenticeship of learning...Once you get your Black Belt, the real learning starts, it is your doorway to a wealth of knowledge and experience that awaits you on the other side.

Too many people look at trying to grade every 3 months, which is fine. But, it is not how quick you get your Black Belt that counts, it is EARNING your Black Belt that will make it most satisfying.

Learning to defend yourself, and others, is only one aspect of Martial Arts, but Martial Arts is not about learning violence. It is, and remains, one of the most effective methods of fitness in the World. It will teach you confidence, respect, both for yourself and others, you will learn discipline and above all, you will learn how to become a respected and well rounded individual.

And when you do decide which martial art to practise, don't be afraid to check out just where you can get your equipment. Often your Instructors can supply you the equipment you need, but if you feel their prices are too high, check out the Internet of a Martial Arts Magazine for guidance. Instructors do, on the whole sell to you at the same price, but unfortunately some like to try and make a fair nit more if they can. Fortunately, the boom in Martial Arts has also seen a boom in the choice of Martial Arts Supplies available. So, whatever you do decide to practise, you will also be spoilt for choice as to where you can go to kit yourself out! 

So go on, give it a try, and you will never look back! Steve Turner Black Eagle Martial Arts Equipment

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