#or some other sappy shit like that

[electronicseafish]

it's interesting to me that both Jiyan and Aalto went through pretty fucked up shit and have problems from said fucked up shit but still manage to be green flags ofc they are not perfect if we were to explore their characters depths they would have issues but both of them are reasonable enough to actually get to solve them Aalto fear of rejection? get Jiyan to confess first Jiyan fear of commitment? get Aalto to act shameless around him Jiyan lack of father figure in his life and Aalto having shitty father uhh they can make out about it ofcourse its possible that they would break up or lose feelings or some shit like that but i genuinly cannot imagine a realsting sytuation for them that they wouldn't be able to get through

[starry-bi-sky]

I am absolutely loving your Danyal Al Ghul au. While I have a soft spot for the whole plotline of Danny becoming his canon personality almost right after breaking away from the LOA all because of Jazz, I'm just as much for your take in which he goes through the same character development as Damian.

Now I'm curious. You already tackled his relationship with Dani, will you eventually take a stab at when he, Sam, and Tucker meet Gregor? Given that it's one of my hated episodes as I couldn't stand Sam's infuriatingly hypocritical attitude to Danny's suspicions of him, I'd kill to see your spin on it.

Aw, thank you! Danyal Al Ghul aus are what got me into DPDC first, so I have a major soft spot for them. That being said, uh, its exactly that soft spot that causes me to have Many Opinions about the trope you just mentioned. Like the trope is all fine and dandy, i don't blindly hate it, my main issue with it is that most aus i've seen treat his backstory as an ex-assassin more like a pretty cosmetic accessory rather than something that actually should have had an impact on him. Especially if he remembers being in the league.

Like i cannot stress enough the fact that being in an ecofascist assassin cult (regardless of his standing in it) should've left him, in some way or another, screwed up morally and psychologically because that's just how development works. Nature vs. Nurture is like a game of tug-o-war that never ends, where they are constantly fighting against each other and one side usually has the upper hand or greater influence. Children model the behaviors of the adults around them (ex: bobo the clown doll experiment), and what impacts them in childhood can stick with them permanently.

Like how my psychology professor put it: a baby's brain is like wet cement; if you slap your hand on it, it leaves an imprint, and the cement dries that way. The same rings true for small children.

I could go on, but I frankly have so many thoughts on that alone that I would end up completely derailing from the second half of your ask, and I don't want to be more critical than I already have. Especially since you just mentioned you have a soft spot for the trope.

[Okay, hold onto your hats because this is long. Naturally lmao.]

Gregor! Man, I'll admit I last watched the show back in middle school on a dodgy illegal website (it had surprisingly good audio and visual graphics, and full episodes. But really annoying porn ads.) but I only made it to like season 1 before my hyperfixation faded and I lost interest. So I never actually saw the Gregor episode.

But... it is relatively easy to find free websites that stream Danny Phantom :), so finding the episode took me like. Thirty seconds. Plus the Tv.Tropes recap page because my damn earbuds just died and im out in public as of rn.

I'm not sure if I'll write something for the gregor episode like I did with Dani, since Dani's a bit of a special case in that she's a clone and tends to be a reoccurring presence in DPDC, and I thought the new dynamic with Danyal would be interesting.

Plus, I'm not a big amethyst ocean shipper for the pure reason of I'm just not all that interested in it; its kinda bland to me. I'll admit I've entertained the thought in this au due to the whole balcony scene i wrote, but I would've entertained the thought anyways if it was Tucker in that position instead. Big multishipper, me.

But, if I had to make it official? Danyal is not interested romantically in Sam when the Gregor episode happens, regardless of his relationship with Valerie. Who, speaking of I'm trying to think about how that would go, and I'm torn between including him almost-dating Valerie or not.

Because on one hand it helps point out Sam's hypocrisy (and i love her but i am always happy to point out her flaws and address them in au) in this episode in terms of Danny spying on them, but on the other hand I'll want to include a lot of set up in order to make Gray Ghost work in this au and wow will that take a while.

Especially with the Flirting with Disaster episode because it happens due to Technus' meddling, and Danny is, well, the son of the Batman? A trained assassin? An ex-assassin nonetheless, but still an assassin? A prodigy child in this au? He might not have needed to use most of his skills in the last few years, but like... there's just a bunch of 'what if' and 'well technically...' and 'would he? he could, but would he?' things that is getting in the way of my thought process and making my head spin.

.

Mmm. Okay. Flirting with Disaster occurs relatively the same as canon with a few exceptions; like Danyal noticing the strange coincidences, and he might take the idea into proper consideration because Sam has a point it is strange, especially out of nowhere.

However,,, he really enjoys Valerie's company, and he does really like her. He's been adjusting to civilian life for the last four years and while he's made a lot of progress, he's still. an ex-assassin child living like a wolf amongst sheep. This is normal, typical teenager stuff, and usually his friends like to encourage him doing normal teenager stuff.

So he's stubbornly holding out on the thought that this is normal, that ghost stuff isn't interfering here. He's a little hurt that his friends are discouraging this, he's not bothered by the fact that Valerie is a ghost hunter and he a ghost -- his mother is an assassin, and his father is Batman, and they still had a relationship. (Granted, he's not gonna tell them that)

If anything, being diametrically opposed to each other but still being in love is part of the family! Granted, usually both parties are aware of said opposition to each other, but he'll make a special exception this time around.

(And man now that i'm thinking about gray ghost, im now thinking about various like. scenes i could write between the two of them. maybe in a reblog.)

Anyways uhhh things relatively go the same as canon. Yeah. I think Sam still has a crush on Danny and still spies out of jealousy with Tucker.

.

Now, the Gregor episode! With that out of the way; the TVTropes recap for this episode isn't the best because it doesn't go into detail about the entire episode like it does with Flirting With Disaster and Shades of Gray.

(which i looked at earlier because I made a section of this post talking briefly about what changes I'd make to the Shades of Gray episode to help set up Gray Ghost, but ended up deleting because it was kinda irrelevant for the matter at hand.)

So I'm taking in bits of the episode clips at a time, I'll try not to get too nitpicky about how each scene goes because then it's gonna take me a longer time to write this.

But! First thing's first; since Danny is not romantically interested in Sam, he is also not jealous of Gregor. He is however, a bit eyebrow-raisey at him in their first introduction, but that's because Gregor is coming off as obnoxious.

Danny thinks he's kinda annoying, and it doesn't take a genius to see that Gregor is trying to impress Sam. But since they've only known him for five minutes he takes the good faith assumption and assumes that Gregor is genuinely trying to show interest in Sam's interests too because he likes her, so he keeps mum. The fake hungarian accent is weird, but it's overall harmless, so he doesn't point it out.

He does do the spying thing when he starts suspecting that Gregor might be working for the GIW. The episode only has this happen twice, but for the au this happens a handful of more times over the course of the week, with Danyal's suspicion steadily rising more and more each time.

Hah, when he brings up wanting to spy on Sam and Gregor because of this reason, Tucker still does his "woah! you wanna spy on Sam?" thing.

Danny immediately turns to him, completely unimpressed, and crosses his arms. "Tucker," he says, deadpan, "you and Sam spied on me and Valerie."

He uses a combination of his ghost powers and his regular stealth ability to spy on them. He's hiding in a tree when they're skipping rocks, close enough that he can use his powers to hear them talk but far enough away that he has a good view of their surroundings.

He's invisible in the cinema, but doesn't accidentally get in front of the projector. He checks the inside of the room for the GIW, and then waits outside the actual room itself, keeping an eye on the area and occasionally flying in to watch the movie out of boredom. It reminds him of being back on a recon mission with the League, but it doesn't end with him orchestrating someone's death.

Then when they're at the mall he stays in human form, blending in with the crowd. He runs into the GIW there, but realizes that they're not there because of Gregor; they're just shopping. They didn't show up at either of the last two locations, and he follows them to make sure they're not also trying to blend in. But they're literally just there for shopping.

Danny is rather pleased with this turnout; so far Gregor isn't a spy, he's just annoying. The next day at lunch he asks Sam how her date with Gregor went, and that's how she figures out he spied on them, because well, she didn't tell him that.

"Have you been spying on me?"

Danny messes with his food a little bit, and Tucker is sinking into his seat with embarrassment. He frowns, "Only last night. Those incompetent government dodos--"

His lip curls up; he gets all 'Shakespeare-y' (as Sam and Tucker put it) when he's insulting someone, "--kept appearing whenever Gregor did. I followed you and him last night to make sure he wasn't a spy."

A roundabout way of saying, "I was worried".

Sam is, as canon, furious. Danny understands why, he knows generally speaking that people don't like being spied on. But he's confused on just how angry she is, and is a little irritated by it.

"Why would you do that!" She exclaims, "That's way out of line, Danny."

"How? You spied on me when I was going on dates with Valerie." He narrows his eyes, and points his fork at her, "I'm not blind, I noticed."

"That's different, we told you why we were suspicious. And we don't have ghost powers like you do."

"I don't need ghost powers to sneak around, Sam, you've seen this firsthand. And I just told you why I followed you, I thought he was working with the guys in white--"

"So you think someone can only be interested in me if they're after you?" (this is a paraphrased quote, folks ;D)

"No! If that was the case I would have voiced my concern the moment I thought it. I don't get why you're so angry, you spied too."

Iiits.... a mess. Sam storms off with Gregor, Tucker tags along because okay, yeah, maybe Gregor isn't with the GIW, or maybe last night was a fluke. Either way he ends up tagging along. Danny overhears that conversation between the GIW and Mr. Lancer, and maybe he's right, maybe he's wrong; but something is up.

I've gotten to that scene in the locker room where Gregor tells Danny that he knows he doesn't like him, and I've paused at Danny's reply to say this: Danyal doesn't even bother trying to deny it.

"I know you do not like me."

"You're right; I don't."

"Ah, let me finish. I know you do not like me because you want to protect your friend, Sam, and I respect that."

"...That's correct."

"Good! Because I am going to ask her out."

"I had a feeling you'd say that," he stands up, claps his hand tight on Gregor's shoulder, and leans close to him with a threatening smile, "so you understand me when i say; if you break my best friend's heart, you're as good as dead, right?"

"Ah,, yes. I am so glad we got that cleared out of the way, and now I hope after we can.. how you Americans put it, hang out?"

In the episode he hugs Danny and gives him a la bise (which is that french greeting where you kiss someone on the cheek two or more times) after they end their conversation. But here, when he goes to do that to Danyal, Danny leans away, points an accusatory finger at him, and says; "Absolutely not; we are not close."

The next scene after that is like, end of day. Sam, Tucker, and Gregor walking away. Sam looks over her shoulder to glare at Danny, then gets forlorn. Tucker looks back and just looks forlorn.

(When did I start narrating each scene?? Eh, I'm writing this in brief spurts of time throughout the day. Don't fix what's not broke)

After that there's this whole scene with the two GIW agents that have been chasing Phantom all episode. They're there because they have Tucker's PDA that Skulker took, and it's got the information of their purple backed gorilla assignment on it. They've been going around seeing who Tucker associates with in hopes of catching Phantom.

Uhh ahaha and that is where this gets a little interesting imo, and also allows me to mention that im retconning Danyal's (already) redesigned ghost form. Which I've wanted to retcon even before this moment bc it was just too busy. I'll get to that in a moment.

The GIW suspect Gregor for being the Phantom because of his white hair and green eyes, which is all fine and dandy until you remember: Danyal (and by extension Phantom) has that very noticeable, rather identifiable facial scar that goes across the middle of his fucking face. The GIW could easily suspect that Phantom hides his scar with makeup if he's in disguise, but if they meet a kid with a seemingly identical facial scar and similar disposition? Hoo boy.

Solution? I've got two: Gregor is canonically a kid from Michigan who faked everything to impress Sam. Considering he knows she's gothic and knows that she's ultra-recyclo vegetarian? He probably watched her from afar or got information on her somehow. His hair is dyed, his eyes might just naturally be green, but if he notices that she's got a crush on either Danyal or Phantom? A little sfx makeup could help him recreate a similar looking scar.

My second solution that's gonna happen anyways bc its that suit redesign; Danyal does hide his face as Phantom. Ghosts are emotional creatures and its a popular headcanon that their interests, ambitions, etc, influence the way they look as a ghost, not just their death. A big reoccurring theme of my au is that Danyal did not leave the League unscathed, and that being an assassin is an important part of his identity.

So i'm discarding the hazmat suit look entirely and leaning into the 'assassin' thing. But the general (stylized) feel is like, white ribbon/cloth vambraces that he has used as a garrote at some point, a hood, a gaiter scarf-type thing. I'm keeping the cape. I did a doodle a few days back that's not the official redesign, but a redesign for Phantom. I may reblog this post with that attached because it's got the general feel down. There's very little white involved, but the inside of his cape flares out and looks like the night sky.

Now, the hood and gaiter scarf gets rid of most of the problem, but Danny's hood doesn't stay on all the time, so the GIW have likely seen the upper half of the scar. :] Gregor's own drawn-on scar doesn't have to be 1:1, but it looks close enough, right? A small scar cutting through the edge of his brow and ends right below the corner of his eye. A 'cool, badass' one opposed to Danny's 'garish' scar.

But! Back to the episode scene. Canon Danny gets written off as being 'too prepubescent' to be Phantom, and honestly it'd be hilarious if Danyal was written off for the same reason (he's calling them idiots in his head if they do). But instead -- leaning into the GIW's incompetence here -- he gets written off as being too mature or too talkative. Or something equally as absurd.

Sam breaks up with Gregor for canon reasons, but when Gregor does his "i really like you, but, come on-!" and gestures to tucker, he adds on "and that scary friend of yours too, seriously!"

Things go relatively the same as canon after that. Danny does end up apologizing for spying, however. Sam does it first. Sorrows, prayers, all that.

.

Things usually end up changed or different when I actually write it down, so I'd likely add more or adjust different scenes according to the flow of the oneshot. This is just like, a general vibe of how things would go, and where some of the more obvious changes would be if I did write this oneshot.

Hope you enjoyed! Thanks for the ask :]

[lesbiankordian]

if Chuuya becomes free of the vampirism by drinking Dazai's blood and that action also frees Dazai from the poison then it'd literally be a double cure by kissing / exchaning body fluids like you can't get any more soulmate-y than that

[professorjirt]

I’ve discovered my favorite genre of Bagginshield art is where Thorin is a lovesick idiot who is Losing It and Bilbo is unbothered or oblivious to Thorin’s suffering LMAO

[taegularities]

just thinking thoughts

[fishyartist]

Tumblrina 2 me btw. Would ride up and say some shit like “I’m not trans but I believe in their beliefs” or maybe say some shit about leaving to “steal some shoelaces” then kicking Joe Biden in the sack or something

[jorrated]

EXIT teknamy have a weeding (mainly cause amy is christian) and a kid, but EXIT espighty would never get married and have kids. they dont even refer to each other as boyfriends

[0boko]

[rotates shitty asshole blorbo in my head to cope with dealing with jaime’s kids for the 500th time this year]

[applestorms]

morality in the world of good omens

so i wrote another (admittedly very messy) essay on good omens not long ago right after watching season 2 but after finishing that, rewatching all of both seasons multiple times, and reading through the book, i have a couple more distinct ideas to get out...somewhere...if only for my own sanity. this is me throwing my thoughts into the internet before i pop, if you will. just 3 sections, below the cut.

1. environment, characters, & transformative fandom creations

to start this post off a bit more broadly, i've been thinking a lot recently about transformative fandom and the reasons why we write fanfiction/create semi-original works in the first place, as well as why certain aspects of fandom (writing, art, analysis, etc.) will be more appealing to me for certain shows/series than others. correct me if you have a totally different view of this, but in my experience i've found that i tend to naturally gravitate towards different parts of fandom depending on what the original medium of the story was- podcasts tend to lead to some of the most interesting art trends, for example, since there's more room for interpretation and character design tends to be more of an ongoing community project than something set in stone like for a tv show with live human actors.

in my own observation, i've noticed that a lot of the really big & excitable fandoms, the ones that generate tons & tons of fanworks more naturally (a.k.a. just because of the story itself & not other factors like a pre-existing franchise or hype about new great gay representation, etc.) tend to surround stories that fall into a kind of "sweet spot" that makes the creation of fanworks really appealing. if you've ever wondered why there are so many ravenous artists bending over backwards to draw gorgeous fanart for stuff like homestuck or south park or even minecraft youtubers, it's likely because those stories all fall into a sweet spot for drawing, with character designs that are recognizable at a glance and yet still simple enough that there is plenty of room for personal creative touches. (think also, if you're familiar with such kinds of homestuck terms: hyperflexible mythologies, A4:1524, and/or this archive link cause the official thing is down now for some reason)

the conclusion i've come to is thus that even something as basic as the original medium of a story can dictate a lot about what kinds of fan activities are more common or popular within said story's fandom.

so, back to good omens- for me, this all relates back because of a question i've been messing with in my head recently, about why i've been less interested in fanfiction for good omens than i have been for the last few fandoms i've been, almost all of which have basically broken my ao3 bookmarks.

this question has been fucking with me for a while now, largely because i'm not entirely sure what's motivating it. a lot of times i can figure out pretty easily why i might personally not be interested in some parts of fandom, but that's not really the case here. from what i've seen this fandom seems to be pretty mixed in terms of age, & the writing that i have read is certainly no worse than i've seen elsewhere, perhaps even better in some places- and yet, i can't seem to get entirely into it, even getting frustrated as i can't find something to my tastes for an ao3 bedtime story as i've grown so accustomed. what caught me off guard is that this was an issue that i ran into while watching season 1 as well, back when the series was still quite popular but not blowing up like it is right now.

a lot of this may seem like (and likely is, at least in part) basic overthinking, but i mentioned it all here because the answer i eventually came to is reminiscent of my previous reflections above on the nature of fandom & how/why fanworks are created.

a couple paragraphs above, i used the example of art as an example of how fandoms that generate a lot of original artwork will often do the most when the original story falls into a sweet spot of character design, but notably i think that this sentiment applies to a lot more than just art. if you've ever seen the copious amounts of kpop & hockey rpf fanfiction that lives on ao3, it should be clear that this applies to writing too.

i wrote this essay a while back responding to an observation about the lack of a more extensive symbolic language in fanfiction & i've toyed around with the idea more since, particularly in considering the question of why a lot of what we see as the staples of fanfiction exist in the first place. in that post, my response largely revolved around an argument of why we create fanfiction- namely, that fanfiction is created as in tandem with deeper analysis of the original story/series, as a way of trying to practically apply character analysis to a new context.

the key part of that last sentence to me is how a lot of this revolves around character analysis (and shipping, but really it's the characters that motivate the shipping in most cases so. same difference).

i tend to instinctively separate fanfiction into two separate categories: fanfiction that is based out of the original world/canon of the story (including but not limited to fix-its, deeper analysis fics that take a scene & extrapolate from it, continuations, etc.) and fanfiction that takes the characters from the original story & plops them in an alternate universe/AU. while i separate these out as two distinct categories of fanfiction, i should also clarify that i don't think these two groups are necessarily equal in terms of number of fics- rather, the vast majority of fanfiction tends to be AUs, keeping the original characters & changing any & all aspects of the world around them. again, this may vary depending on the story & Vibe of the fandom at the time, stories like game of thrones or harry potter or homestuck might have a lot more in the canon category by nature of any major dissatisfactions the fandom has with how the original story was told, but in most cases AUs are more popular. this was a lot of the basis behind my argument that fanfiction is created as character analysis in fact, since the characters are the most important part that carries over from original story to fanwork, as well as can end up being one of the most debated/scorned parts when it comes to fandom drift (i.e. "that's out of character"/"he wouldn't do that"/and all other such arguments about fanon vs. canon characterization).

basically, my conclusion in this case was that i was a lot less interested in gomens fic largely because i have a really hard time separating the characters from the world in the case of this particular story. aziraphale & crowley being an angel & a demon and dealing with all of the bullshit of their world when it comes to heaven & hell are such integral parts of their characters in my mind that i have a much harder time getting behind AU fanfiction that plops them in a totally different context. it's just a much harder sell for keeping the characters in character for me. (i also tend to not like s2 fix-its just cause, idk they're just not my style, which is where a lot of the recent blast of energy has led us.) to clarify, this is not a judgement, just a matter of personal preference and a reflection of why, even if a lot of fandoms will look the same from the outside/involve the same things like art, fic, etc., an individual's mileage can vary wildly when it comes to how they interact with different things online.

*additional note, also for clarification: i do want to acknowledge that a lot of this depends on pure popularity as well, popular fandoms will often end up with basically everything in terms of fanworks just by nature of how many people are interacting with & thinking deeply about the story. my point here is more along the lines of the fact that even within the more well-populated fandoms, certain types of fanwork will often Stick Out more to me than others, or even be visibly much more common than in other fandoms, due largely to the original medium/structure of how the story.

so, speaking of aziraphale & crowley in more depth now- why does the world of good omens feel like such an integral part of their personalities when it comes to characterization? up next, let's talk about morality within the context of good omens' perhaps surprisingly secular take on heaven & hell.

2. the amorality of heaven & hell (ft. the crowley quote apples you know the one)

(warning in advance that this section may be a bit limited since i'm not going to get super far (or very far at all, really) into the whole religious-analysis aspect of good omens.)

i've been binge-reading the original pterry & gaiman book for good omens over the last few days and it's been very fun seeing all the slight changes between the tv show & the original. you can really see the hand of the original creators in how the tv show was translated, even just by looking at which parts made it and which parts were deemed worth cutting out. i suppose having one of the original creators right there helping build everything really helps make a book -> show translation work, since the ASOUE tv series was also pretty well received- something about knowing what's the core of the series & truly important to keep in, and having more time to tell the story itself?

anyways, i have a short list of notes that i've been taking as i read, conversations that stand out to me or footnotes that particularly amused me, but i keep coming back to one line that stood out to me quite early on. in context, this line comes from crowley during the conversation where he is first attempting to fully convince aziraphale about stopping armageddon, specifically when they're talking about exerting equal forces on warlock to make him normal:

"You're saying the child isn't evil of itself?" [Aziraphale] said slowly. "Potentially evil. Potentially good, too, I suppose. Just this huge powerful potentiality, waiting to be shaped," said Crowley. He shrugged. "Anyway, why're we talking about this good and evil? They're just names for sides. We know that."

(pg. 67)

"They're just names for sides." if i had to pick one line to sum up the view on religious morality of this series, this would likely be it.

on the one hand, i tend to interpret a lot gomens' take on heaven & hell within the context of its political stance, something that is particularly obvious through a line from gabriel in s2e2 where he tries to clarify to aziraphale that heaven isn't trying to hurt job directly, but instead is just not stopping hell from doing horrible things to him. while there may be some additional nuance to add to this take within the context of british politics that i don't really know well enough to add about, i'm inclined to see this from the side of my own familiar american politics, which might hold some weight considering how long mr. gaiman's lived around here. point is, my current interpretation of that line is that it helps in more clearly establishing the analogy of heaven & hell as the story moves forward into newer seasons and thus more contemporary politics, equating heaven with mainstream liberal politics & politicians and hell with conservatives.

this stance seems to be emphasized even more in the tv show than the book which makes sense considering its been coming out more recently, and especially in season 2 which is still quite caught up in a lot of quarantine-based reflection. (the tv show puts a lot more emphasis on heaven & hell in general, actually, perhaps initially a byproduct of actually being able to see those environments in their entirety and all the angels & demons that populate them- but we'll get to that.)

the book takes a slightly different stance that, fittingly, seems more reflective of the time it came out. in particular, i was struck a lot more when reading the book by adam's rise (fall?) to power, and how much of it was motivated by a burgeoning nervousness/pessimism about climate change and the anxieties of younger generations that comes with inheriting an earth that feels so fucked up. honestly if anything it's only gotten more relevant in that respect, what with the current vibe on the internet & the hopelessness of the doomer gen z gang, but it also has a distinctly different flavor to me from the tv show, which i think is largely because it's less connected to Formal politics since again we see a whole lot less of heaven & hell as such distinct, bureaucratic entities.

instead, there is a very distinctly amoral aspect to heaven & hell that we get through lines like the one above and especially from characters like crowley. this is why i argue that good omens, despite having so many religious elements, is such a deeply secular take, especially when it comes to its ethics & morality- Good and Evil, notably with the capital letters in this case, has very little to do with actual actions and much more to do with the name that you stamp on top of said actions. heaven & hell and the angels & demons that we see directing and watching and generally fucking with aziraphale & crowley throughout the story are distinctly separate from humanity, and as we see even more as the story progresses, distinctly unaware about what it even means to be a human, in both a deeper philosophical & very basic and literal sense. Good and Evil is simply another name for the sides- and thus the true ethics is something separate, and based in a deeply human experience.

in my opinion this is also why aziraphale & crowley, lovers of humanity and also to some degree spokespersons of it from how much they've "gone native," tend to be so deeply at odds with both heaven & hell and always end up agreeing with each other over their own supposed sides. what makes aziraphale & crowley so distinctly different is that they ascribe to the same ethics & morality that humanity does, or at the very least are trying to figure out ethics & morality & How to Be a Good Person in the same horribly messy way that humans do, separating them from the black & white "this side Good & this side Bad," logic that the rest of heaven & hell instinctively ascribe to.

there's a lot of nuance here, which is also why i think there is such an emphasis on moral ambiguity (and love, but we'll get to that) throughout season 2. the story of job, grave robbing, & questionable attempts at matchmaking- aziraphale is working through a lot of Shit right now when it comes to trying to figure out what the Good thing actually fucking is, and i think it's key that a lot of that is motivated by crowley himself. crowley might'e been cast out of heaven for asking too many questions, but aziraphale is there & listening to them & giving them the serious thought they deserve, and that can't be overlooked.

sidenote: i couldn't figure out a place to shove this in, but i also wanna point out that a lot of this is tied to the idea of growing over time too. on the same page as the quote transcribed above is another line from crowley leading up to aziraphale's question that puts a lot of emphasis on the fact that warlock is going to be a product of nurture, not nature. again, this is an argument against basic black & white assigned-at-birth morality for the ability of humans to grow & change over time and be influenced by the people around them.

it's notable that despite adam's supposed origin as a Son of Satan, what really gets him to stop the apocalypse in the end is the fact that he doesn't really give a shit about all this big plans but instead just wants to hang around his friends. there's a lot of emphasis in the book placed on how beautiful & nice tadfield is as a place for a young kid to grow up, how well loved & fiercely protected it as as something beloved to adam. while he might be overwhelmed when faced with the full picture of how horrible the world can be, ultimately what he cares about is loving & taking care of the people & places that he grew up learning were precious, and the only way to do that is to keep growing & changing yourself within that world and trying to help it also grow into something better, not throw it all away just for the slightest chance that you could restart. a message worth taking the time to think about, at the absolute very least.

3. finding morality w/in humanity: crowley & aziraphale and speculation for s3

i have complicated feelings about both aziraphale & crowley throughout a lot of the show and especially in season 2. i think a lot of people, myself included, are inclined to see crowley as the voice of reason in this season, and for good reason- as i mentioned before, a lot of aziraphale's deeper questioning of the status quo and goodness (Goodness) as a whole is motivated by questions from crowley.

i kiiind of mentioned this in my previous essay, but to state it more clearly, my take on crowley is that he's arriving at the right answer for the wrong reasons, and, conversely, aziraphale is arriving at the wrong answer for... kind of also the wrong reasons but also slightly for the right reasons. let me explain.

crowley is clearly much more aware of the flaws in both heaven & hell than aziraphale is, which seems to be the basis behind a lot of his motivation in asking aziraphale so many questions in the first place. he's also, as maggie & nina point out in s2e6, deeply lonely, often running away or getting ready to fight literally anyone that isn't aziraphale (or humans, but that's a little more complicated). from his reaction to beelz & gabriel getting together, i think it's pretty clear that he still hasn't entirely given up on the whole alpha centauri idea, and it makes sense- as i said in that last essay, crowley basically won the argument at the end of the previous season when it comes to aziraphale & crowley, "making [their] own side," so he doesn't have much reason to face any of his personal fears until maggie & nina basically point out that they exist directly to his face. once they do point it out, however, he's very motivated to act & does so almost immediately, even after hearing what aziraphale has to tell him and being pretty thoroughly devastated by it.

my point here is that crowley is correct in seeing the toxicity of both heaven & hell, he's just flawed and largely motivated by fear (up for debate if that's all it is, but i certainly think it's a big part of it) in his desire to run away from it all. it's not quite armageddon, again he's going more flight > fight here, but he's still ultimately giving up and that's not a great conclusion.

on the other hand, as some others on this site have pointed out, aziraphale is certainly showing a lot of strength in his willingness to keep fighting & try to change things for the better, but it's not hard to see how that belief has been twisted. one of aziraphale's biggest flaw in motivation at this point imo is that he doesn't just believe in goodness but Goodness, the kind that's tied to heaven always being right & all actions being morally Good so long as they're done under the name of heaven, and that clearly also isn't great.

thus what i think the both of these two really need ultimately is that deeper connection to humanity, and the ethics born from humans interacting with humans. we can already see how strong these two are when they collaborate, even when they're doing their absolute best to be as subtle as possible, but what i think they need is to once again be grounded by humanity, not to get so caught up in the bullshittery of heaven & hell and Good & Evil, but once again find a goodness defined by the world that they mutually love so much and stick with it.

i keep tossing a question around in my head about whether or not aziraphale & crowley are going to end up human by the end of this series. it feels natural that they would, they're already so at home and in love with earth & around humanity, but i'm also not entirely sure if that would be a happy ending for them considering how long they've watched & loved the world as it's changed. perhaps taking this post into account is another push towards humanity as a happy ending, not running away to a cottage to get away from the world (i just can't see running away to a cottage to be together as as happy ending, sorry- it might work for beelz & gabriel but not for aziraphale & crowley), but choosing to settle down within that world that is so dear.

[anothermonikan]

Y'know I come across like, self-deprecating stuff in my archive and I think about deleting it and I'm deciding against it because it's kind of a reminder of how far I've come y'know? From the 13 year old who didn't think she'd make it to 16, to the 15 year old who got so depressed they didn't think they'd make it to 16, to the 16 year old who thought he wouldn't make it until 18, to me now, 19, being excited at the prospect of being 20! Hey Andy!!! Things got better like people said they would!! Isn't that so cool?? You found your name, your friends, what you want to do, what you enjoy doing, you want to live more than anything now. You're doing your best and I know it's hard that no one seems to recognise it but you're gonna make it through no matter how bleak it all seems!! You're doing good, and you're going to do better. I do not miss being you.

[not-equippedforthis]

tried to write a case fic that im now rewriting cause i realised i wanted to take a different route with after chapter 1

HOWEVER

i am writing a qpp thing of holmes n watson and im having so much fun writing it, i think im going to finish it ajkfbs

[crykea]

I'm homosexual

[lovevalley45]

so i got one of those novels that are like. what if this disney book... but grimdark. for beauty n the beast and i will admit as a BatB lover reading this after watching neverafter i was like. i am just too romantic for the version of BatB in NA n this hit the spot for me

[mrfoox]

I'm going to struggle to sleep and get up tomorrow

Curse it all

[spikeyjo]

also uh im kind of not thinking about it much because its insane. but if everything goes right (and i mean a considerable amount of things that probably wont go as planned) but if they DO... i will have a major surgery in like two weeks

[sunnami]

❝i am half-agony, half-hope. . . i have loved none but you.❞

summary: how the marauders loved you in their time. featuring harry potter the time-traveller and sixth-wheel.

pairing/s: poly!marauders + lily x reader.

tags: reader is referred to as she/her and a mother throughout the whole fic[!], reader is a violent gremlin who craves blood but the marauders love you for that, implied child abuse[!], mentions of blood and violence[!], disgustingly sappy poetic fluff, no angst, happy ending, not proofread we die like finnick odair, edited: very minor detail.

note: there is little plot, it’s just the marauders and their adoration for you. thank you all so much for your kind responses to my first marauders fic :(( ilysm! i hope you enjoy this one as well! because there are parts when i was writing that i ended up kicking my feet in the air and smiling to myself.

“MY NAME IS HARRY POTTER. I come from twenty-years in the future, you’re my mum — one of my ‘em, actually. It’s complicated. And you’re married to James Potter, Remus Lupin, and Sirius Black.” 

You blink. 

“Get the fuck out of my room!” 

Harry James Potter has dodged many things in his life. Killing curses, jinxes, girls, Draco Malfoy, and Dudley’s sloppy punches, but he’s never had to dodge his sixteen-year-old mother’s fuzzy slipper before. (Godric, that sounds weird, even in his head.) He doesn’t know precisely how he arrived here. In the Slytherin common room, to be exact, in your dorm. Harry remembers duelling with Death Eaters, Hermione calling his name, and a flash of light hitting him square in the chest, then he remembers waking up in the cold tiles of the snake dungeon. He nearly throws himself off the window when he meets your eyes, bleary from interrupted sleep — it’s not often he gets to meet [read: one of] his dead parents, after all, three had been brutally murdered by Voldemort, and one killed by his own loony cousin. He misses Sirius, though. A lot. And right about now, he could do with some of Hermione’s nagging and brilliant plan-making. 

At present — or past, Harry guesses — he watches you scramble out from your duvet, hand clumsily reaching for your wand as you snarl at him. He wonders if his mother knows that he’s encountered other creatures far more threatening than her. Oh shit, he realizes with all the forces of an angry Hermione Granger, isn’t this the last thing he’s supposed to do? But, well, Harry has given, and given, so much of himself all for the greater good — just this once, he’d like to see his parents alive and well. Even if they were currently trying to blast him into the walls. 

“If you’d just let me explain, mum—!” Harry pleads, nearly dropping his glasses after dodging one of your stinging hexes. Godric, you’re crazy. “Please!” 

“Stop calling me that!” You screech, eyes set ablaze.  Harry finds that you’re quite dynamic with your attacks. A hairbrush, followed by a stinging jinx, then a thick History of Magic textbook — which rudely hits him in the face, but he doesn’t dare complain because you’re his mother, and he’s respectful like that — and after you’ve exhausted your breath, running him into a corner, and your nostrils flare with the stubbornness of a lion, you point the tip of your wand at him. “If this is another one of the Prewett’s shitty pranks, I want you to leave! You are in the girls’ dormitory beyond midnight, and so help me, if you aren’t walking out that door in the next five seconds, I will kill you and string you up by your bottoms for everyone in school to see! Maybe all your stupid rumours of me being a Death-Eater might come true after all!” 

“You’re a Death-Eater?” Harry asks dumbly. 

You growl furiously, and Harry figures that was not the right thing to say. “I wonder what McGonagall would say if I delivered your head to her on a silver platter.” 

“Professor,” Harry corrects with a toothy grin. “Professor McGonagall.” 

You slam his head against the wall.

Definitely the wrong thing to say. 

Harry groans, little Dobby heads floating around his vision. Why was this so much harder than actually facing Voldemort? Quick, he needed to think of something, otherwise he’d end up eviscerated to ashes on your cold, stone floors. Harry is pretty sure you’d use his remains as decoration to send off a message to your enemies. 

“You hate your father,” Harry slurs through the pain, remembering Remus’s stories of how you were the gentlest magical being he’s ever had the privilege to love — now that Harry thinks about it, Remus was being extremely biased, nothing about you is gentle at all. “He’s forcing you to marry someone old enough to be your grandfather. You love to read Muggle literature but had to stop when your father burnt your whole collection of books. Your favorite novel is Persuasion by Jane Austen. It’s the one book you carry with you everywhere, you could never get tired of it.”  

Your grip on his shoulders falters, but the fury in your eyes crackles. “This isn’t funny.” 

“It’s not meant to be funny, mum,” Harry croaks, voice cracking pathetically — strange how this is the most he’s ever uttered the word, mum; it’s a peculiar string of letters, foreign on his tongue. “You have tremors in your left leg from when your father cast the Cruciatus curse on you. One of your dearest friends is a Hogwarts house-elf named Pipley. You cheated on your Transfiguration essay once, and—” 

“That’s enough!” You bark, eyes narrowed in dangerous slits. “I don’t know where you heard those from, you creepy, little stalker, but if you want to keep breathing, then I suggest you shut up.” 

Harry scoffs — you don’t understand. Everything he’s learned about you is from Sirius and Remus. They talk about you with whispered devotion, your name like a prayer on their lips, their eyes glazed with wistfulness as though they could see you reaching out for them — but you were dead in Harry’s time. Yet, you might as well have been alive with their tales of you. 

(“She’s a different kind of beautiful,” Sirius had said, a year after breaking out from Azkaban, sitting by the fire in Grimmauld Place, taking a swig of decade-old firewhiskey, “The kind of beautiful you don’t want to take your eyes off from because you’re afraid she’ll disappear from your eyes. But you won’t forget her, oh no, you’ll memorize the freckles and moles on her skin, the scars from her years, the light in her eyes, and the way she holds her head up high. You should have seen her, James, she. . . she was — is glorious.”) 

“I told you,” says Harry firmly — although he loves his mother very much, she’s beginning to wear him out, “My name is Harry James Potter, I come from twenty-years in the future. You are one of my parents.” A lightbulb flashes in his head. He squirms in your hold, reaching for his robe pocket until he finds the thing he’s looking for. Harry dangles the ring in front of you, grinning in success when your eyes flash in recognition. “It’s—” 

“A family heirloom,” You say breathlessly. The alexandrite winks under the light, a familiar gold band with the Latin inscription of your House words. “Where did you steal this from?” 

Harry rolls his eyes. “You left it for me in my Gringotts vault. It’s my heirloom now. You have to believe me, there’s no way you can deny this.” 

You take a step backwards, nibbling on your lower lip, as you stagger to your bed — Harry nearly stumbling to catch you in case you fell; adjusting to the living proof of time travel was quite difficult, he, of all people, should know. He exhales, dragging a hand down his face. “Magic, amirite?” 

You throw a pillow at him, which he catches gracefully thanks to his Seeker reflexes, as you plop down in the comforts of your quilts. “Sleep. The other girls won’t be back until the end of the holiday. We can deal with whatever this is in the morning. It’s way too early for me to process the idea of a future Potter spawn following me around.” 

Harry smiles. “Yes, mum.” 

ONE THING THAT his fathers failed to tell him about you, and that Harry had to learn himself, was that you took ages to get ready. You sat on the chair in front of your vanity mirror, the birch wood legs whittled with snakes, and it was as though you had a Sticking Charm on the cushion. Harry didn’t know there could be so many creams, oils, and serums, and powders one put on their face. He blanches when you turn to offer him a cream for his under eyes. (“Suit yourself.” You shrug, turning to brush your cheek with dusts of pink. “Just saying, those dark circles aren’t doing you any favors.”)

“What am I like in the future?” You ask, a kind lilt to your voice, much like a warm hug, much like home. 

Harry stiffens, shoving his hands in pockets of the robes that were twice his size — you had given him the garments of Lucius Malfoy to change in, which you apparently had stolen from his room. It’s come full circle, really, the Sorting Hat had once told him he would be great in Slytherin, and now here he was, looking fabulous in green — because he was about to hurl at the feel of the velvet on his skin, knowing slimy Lucius Malfoy had worn it. (“No son—” You pause with a tight purse in your lips, as if you still can’t accept the fact. Harry doesn’t blame you. “—no son of mine will be parading around in red of all colors, future or not.” And Harry finds that he really doesn’t care, so long as you call him your son.)  

“Loved,” replies Harry gruffly, avoiding your eyes in the reflection of your mirror — they were piercing. One look and Harry wanted to spill all of his deepest, darkest secrets. He remembers the photographs in his album, the one he’s stared at so many times as a child. It’s a moving photograph of the five of you, fresh out of Hogwarts, each wearing a smile that stretched from ear-to-ear. Before Sirius and Remus, it was the only semblance of proof that Harry had — that you had once been alive. Remus is holding you by the waist in the picture, twirling you around as autumn leaves fell. You were — are — loved, and Harry thinks there’s no better description than that. 

(“I bloody hated her cat,” says Remus with a roguish quirk to his lips, regalling Harry with more talks of his parents. “Sirius, too. We just never got along with the little creature. But your mother loved it, and we would have done anything to make her happy. She deserved it, you see. She deserved more than what I had to offer her, but still she chose me anyway. And I am a selfish man, Harry, I crave glimpses of her and the whispers of her voice. She has made me a mad man whose only reprieve is her touch.”) 

You hum knowingly. “Stupid question, I guess. Since you aren’t allowed to reveal anything more about the future.” You sigh, gracefully threading your arms in the sleeves of your shirt, a green tie in the center of your collar. “Except, of course, when you gave me a heart attack in the middle of the night by telling me the last thing I want to become — no offense, I just don’t see how a relationship with those rowdy bunch would work. They get on my nerves far too much for me to ever feel anything other than disgust.” 

Harry doesn’t need a mirror to see that his expression has contorted in confusion; brows knitted and upper lip crinkled. By their memories of you, you all were madly in love in Hogwarts. Damn. This just made his trip to the past a lot harder. No maze seems to be ever just a maze. 

Luckily, you don’t notice him brewing a grand master plan to bring his parents together. Instead, you say, “But you don’t seem to be phased by any of this. If I had been thrown twenty years into the past, I would have puked my guts out twice at some point.” 

“Thanks for the image,” says Harry with a scowl. Truthfully, it had either been a present with a noseless Dark Lord to face, trauma to unpack but really never have the chance to, or a past where all of his parents were alive, and a chance to talk with them for however long he has. He knows where he’ll be staying, thank you very much. 

“Anytime,” You reply with an impish smile. 

Your heels pad across the floor as you walk over to him, mouth clicking as you pat the top of his head, full of wild, untameable Potter hair. “You need a trim soon,” You mutter, frowning, as you brush the thick strands away from his eyes, then you gasp — and Harry knows exactly what’s coming next. “Oh, you’ve got Evans’s eyes. That’s freaky.” 

“I know.” Harry grins. 

“Here’s the plan,” You say as you lead him out of your room, making sure no one saw him walking out of your door and getting the wrong impression — because that would be so wrong on many levels, but also, explaining to someone else that the person beside you was a time-traveller was just complicated in general. The Slytherin dungeon is unfamiliarly familiar, eerily quiet, as the two of you made your way out. “Just say you’re Potter’s distant relative, twice or thrice removed, and you’ve always been here. If you lie to their faces enough, they’ll believe it eventually.” 

“Will that work?” Harry doesn’t really mind — he needs a connection to James, his father, if he’s going to work out a connection between you and the others, because at the moment, it doesn’t seem like you’re too fond of them. There’s a tick on your jaw every time you mumble the word, Potter. Nevertheless, Harry decides he’s going to spend the duration of the holiday break trying to set you up with them — on the list of most insane things he’s ever done, living out the Parent Trap was high up the tally. 

You shrug. “They’ve fallen for less.” 

(“She’s got this adorable habit when she lies,” Sirius tells Harry, whipping up a stack of pancakes for their breakfast — Remus browsing through the morning paper. It’s the closest he’s ever been to a normal family. “It’s not obvious to her, of course, but I know her more than I know my own name. So we play along with it.” For a moment, he stops drizzling the maple syrup on the well-cooked batter, gazing at Remus fondly. “D’you remember that, Moony? She led us straight to one of her pranks, and we ended up covered in slug slime. She was so obvious — with her adorable fucking giggles. I need help with Charms, she said, and we knew right away it was a set-up. But it didn’t matter. I’d happily let her lead me to my ruin.”)  

The Great Hall is the same as Harry remembers. Now that most have returned home for the holidays, those who stay back mingle with students from other Houses, sharing meals under the bewitched ceiling, their low murmurs and hushed Christmas greetings bouncing off the walls. Harry scours the four tables to find a hint of blazing red hair, or the scent of impending trouble. Fortunately, he doesn’t have to search very far. As fate would have it, James Potter finds you — and where he is, Sirius Black is sure to follow. 

You’re barely seated when James comes bounding over to your table — more precisely, he struts, and Harry is horrified to ever be proven wrong by Snape, of all people. He ignores the roll of your eyes as he drags a leg over the bench, sitting to face you as Sirius occupies the space to your left before Harry can even sit down. He can’t even fathom how weird it is to see his parents as rambunctious teenagers. Lovesick, rambunctious teenagers. 

“Morning, dove.” James preens under your glare, stealing a grape from your bowl with a boyish smirk. His hair looks as though he’s ran his hand through it many times. “You look ravishing today.” 

“As always,” Sirius pipes in. “But that eyeshadow really isn’t complementing your skin tone, my darling.” 

You smile at him, right before your lips twist into a cutthroat sneer. “Piss off, Black.”

James stifles a laugh as he shovels a mass of potatoes on your plate, then pumpkin pasties, and slides a steaming cup of Dragon Well tea in front of you. 

“What the hell are you doing, Potter?” You reach over to smack his arm when he sprinkles apple slices and bacon on your breakfast. 

“What does it look like?” James smiles lopsidedly. “You need to eat more, honey.”

(In the future, Sirius will tell Harry, “It started off as a joke, a way to get on her nerves — but then, it just became this thing about taking care of her, making sure she got enough sleep before her tests, wondering if she had breakfast or dinner, staying with her in the library, walking her to the Slytherin common room, and sending her stupid notes just to make her laugh. You don’t get it, Harry. I’d give my every breath to ensure her life. We all would.” Harry doesn’t see Sirius any more during that evening, but he hears a bottle crashing against a wall, cracking into a million pieces, and the masked sound of Sirius sobbing, and Harry decides to leave him alone for the night.) 

Then, you tear your eyes away from James — he huffs, pushing your plate to you, mildly annoyed that you’ve deprived him of your eyes; they were his favorite part of you, you see, so expressive and full of life; James thinks you put the stars to shame — and thankfully, you remember that Harry still exists. You lightly smack Sirius’s leg until he gives Harry some room to sit. “Potter, meet other Potter. It’s the holidays, shouldn’t it be the perfect time to let go of House prejudices and spend time with family?” 

James looks at Harry up and down. “You must be from dad’s side of the family with all that hair.” 

Harry lets out a breath of relief. That was easy — way too easy. When he takes the vacant space in between you and Sirius, you dump all the available food on his plate, just as James had done for you. 

“Eat,” You say with a tone of finality. “You look like the wind could snap you in half.” 

“Yes, m—” Harry stops himself before he could finish his sentence, avoiding Sirius’s curious gaze. 

“Wow.” Sirius pokes Harry in the shoulder and in the cheek. “You really look like a mini-James, you’ve even got his terrible eyesight.” 

“Oi!” 

Your fork clatters against the silverware as you turn to Sirius with a shrill. “Not that I do enjoy your company — because, trust me, I do not want you here at all and would very much prefer if you got out of my sight — but why are you here? The Gryffindor table is over there. Unless your housemates finally got sick of you, Potter, which I can definitely see happening.” 

James chuckles, tossing another grape in his mouth without taking his eyes off you. “It’s as you said, isn’t it? It’s the time for putting aside House prejudices. And I think it’s a lovely day to enjoy a meal with my favorite snake.” 

“Drop dead,” You retort, digging into your chicken with a little more force than necessary. 

“Oh, dove.” James shakes his head, a teasing grin pulling at his lips. “It’s cute that you think death will keep me from you.” 

(Harry’s been told before, probably by Sirius, that this line had been wedged into his wedding vows for you. “A dramatic one, James was,” Sirius chuckles to himself one morning, Harry and Hermione listening intently, “He always said he’d rather die than ever hurt her. There was this time in seventh year, they had a fight — it was ugly — and she had ignored him for a week. James cried in Remus’s arms begging him to cut his heart out, saying that he didn’t deserve to keep on breathing, not after making you cry.”) 

“That is so creepy,” You say in disgust, scrunching your nose. Sirius chortles at your side. “I still wonder why Evans agreed to go out with you.” 

“It’s all part of the charm, dove.” James winks. “It’s all part of the charm.” 

Harry wants to barf, actually.

After breakfast, James then decides to introduce Harry to Lily, Remus, and Peter. (He’s gonna need the patience of a saint to not Avada Kedavra that rat on the spot.) Harry had spent the whole morning watching Sirius peel oranges and give them to you with a smitten look in his eyes — naturally, you gave whatever Sirius offered you to Harry, and each time Padfoot would visibly wilt. If he were in his Animagus form, Harry thinks he would be whining by now, tongue out and all. James and Sirius follow after you like lost puppies when you extricate yourself from the table.

“Where are you going?” James calls, hot on your heels as you leave the Great Hall.

“Away from you, Potter!” 

And James actually sighs when you turn the corner and disappear from their peripheral vision. Seconds later, he turns to Harry with a blinding smile, “She’s definitely charmed.”

Harry chortles.

“Well, come on then!” James guffaws as he wraps an arm around Harry’s neck — this is so, so strange. They begin walking in the opposite direction of where you went. “I still can’t believe we’ve got another Potter here and in Slytherin. I think I would have remembered Minnie calling your name during the Sorting Ceremony. What year are you in?” 

He’s supposed to start his sixth-year in a few weeks. “Fifth.” Technically. 

“We should ask Lily,” says Sirius, hands in his pockets and ebony ringlets tickling his nape. “She’s got the best memory out of all of us.”

It’s odd, Harry thinks, meeting the person who’s got his eyes — or the other way around, as people have told him. It’s like someone carved out the emeralds of Lily Evans’s eyes and bestowed it upon Harry for safekeeping. She sits beside Remus Lupin, head resting on his shoulder, hands clasped together, as they enjoy the shade. Nex to them, oblivious to their intimate conversation, is Peter Pettigrew — with his rosy, cherub cheeks and innocent blue eyes; not at all the image of a pathological, cowardly liar. Their heads snap in attention as James boisterously cries for their name. 

“Marauders — and Lily-pad — meet ickle Potter.” James lightheartedly whacks Harry on the back, to which Harry feels his lungs spill out from his mouth, he’s sure there’s an imprint of his father’s hand on his back now. 

“There’s two Potters in Hogwarts?” Sea-green eyes look at him in scrutiny as Lily knits her brows. “How even is the castle still standing?” 

James cackles like it’s the best joke he’s ever heard in his entire life, slapping his knee for dramatic effect. Oh, well, at least they’re buying Harry’s half-baked lie. At this point, it’s not even baked, it’s just wet, soggy, and poorly done. “Good one, Lily-pad!”

Sirius ruffles Remus’s shaggy blonde hair, canines bared in a wide grin. “This one here’s Moony, uptight prefect in the morning and absolute beast in the evening.” 

Harry blanches. Surely he was talking about his furry problem, right? Right? 

Remus doesn’t even flinch, just peels off Sirius’s hand from him and extends his hand out to Harry. “Please do not mind him. Remus Lupin, nice to meet you. Although, I can’t believe this is the first time we’ve met. We would have definitely remembered if we had another Potter in our midst.” 

“It’s true, we Potters are just hard to forget,” says James, smiling cheekily. 

Harry pokes the inside of his cheek with his tongue. “Mum didn’t take the Potter name. I’m part Dursley. Muggle.” 

Lily hums, toying at the ends of her bright hair. “Dursley, huh? What a familiar name.” 

“It’s a common one,” Harry assures her — not at all the names of the people who would take him in after they died. And make his life miserable. 

“I suppose you’re right,” says Lily, unconvinced. 

“And this is Peter.” James introduces the boy eagerly, pride in his voice — as though this isn’t the person who literally allies himself with Voldemort. As if Peter won’t betray his friends all because of fear. 

“N–Nice to meet you,” Peter stammers with a nervous fidget, “Any family of James is a friend of ours.” 

Harry’s eye twitches. 

IT IS ALMOST COMICAL — the way their eyes land on your figure, bursting through the courtyard from the corridors, winter cloak swishing with every step, tendrils of hair swaying in the crisp wind, and head held up high, thick books under your arms. You pause in front of the Marauders, face blank, then you turn to Peter, greeting him with a: “Hello, only Gryffindor I can tolerate.” 

Peter’s cheeks burn a saccharine hue of pink. Oh, no, no, no — absolutely not — Harry will not stand for a little crush Peter Pettigrew has on his mother. He needs James to act now. “Hi,” Peter replies shyly. 

Lily quirks her lips. “Hello, princess, see your score for the Astronomy test yet?”

You scowl. “Zip it, Evans.” 

The sound of Lily’s laughter fills the atmosphere — it’s the sort of melody that makes flowers bloom in deserts. “Had a bit of difficulty with the star charts?” 

Sirius pinches your cheek — Harry thinks you’re going to murder him on the spot. “Difficulty? I think this one just slept through the whole thing.” 

James snickers. “Must have been one hell of a nap, princess. You were drooling on my jumper.” 

“I most certainly do not drool!” You gasp, appalled, eyes wide as you step away from Sirius.

Sirius rolls his eyes. “What? Is drooling too barbaric for the pretty, little pure-blooded princess now? Newsflash, pet, you’re just as human as we are.” 

“Oh, you horrible, loathsome, infuriating—” You whip around to beat his chest with the course book in your grasp — it’s the kind of book Hermione would consider for light reading. 

“Irresistibly attractive—?” Sirius supplies for you, grin widening with as he captures your wrist with his hands. 

“In your dreams!” You shrill. 

You exhale slowly, eyes closing, chest rising when you take a sharp inhale. You open your eyes and stare straight at Harry — for a moment he fears that you’ll bite his head off. “Harry, dear, will you accompany me to the library? I think I’ve found something important regarding your situation.” 

Harry nods. “Is it time already?” 

“Yes,” You say firmly. “And time is of the essence. Come on.” 

“Wait!” Lily calls out to you as you turn to head back to the castle, Harry in tow — he tries to avoid the way James is glaring at your linked arms. “Hogsmeade next week?” 

Your jaw falls to the ground — this must have been unrehearsed, if the others’ reactions were anything to go by; Remus had dropped his book in shock, Sirius looked like he couldn’t decide between applauding Lily’s bravery or shaking her, and James was somehow frozen in time. “Excuse me?” 

“You’re excused, princess,” says Lily, dimples poking out of her cheek as she takes another step towards you. “You, me, Hogsmeade. A date. I’m sure you’ve gone on one of those before.” 

Harry elbows your stomach as you stare at Lily in shock. It takes a few moments to break you out of your stupor. “A–And what makes you think I’ll just go with you?” 

Lily shrugs. “I’m fit. Aren’t I, Remus?” 

“The fittest,” says Remus without missing a beat. 

You laugh incredulously. “Do you just expect me to go along with this? You’re mad, Evans.” 

Harry glares at you. You need to go along with this. 

“Are you scared, princess?” Lily’s face is inches away from yours, noses almost touching — Harry doesn’t know if he should keep watching this painful way of flirting — as she grins at you, happiness barely contained within her eyes. 

To your credit, you don’t back down. (Harry has to say this for the masses: he saw your gaze flitter down to Lily’s lips for a split second.) “Stop calling me that, Evans.” 

“One date, then.” 

You growl in exasperation, eyes flickering to the boys behind her back — pretending not to hear their conversation. “I suppose I’ll have to deal with them as well?” 

Lily beams and Harry swears sunflowers could grow in her direction. “We’re a package deal.” 

“Unfortunately,” You utter — but Harry notices it, the lack of venom in your voice. You straighten your posture, nose lifted haughtily, “I choose where we’re going.” 

“Done.” The sun peeks out from the cloud just as Lily smiles at you. 

“And I want to—” 

“Done,” Remus interjects raspily, peering up at you from underneath his lashes. “Anything you want, it’s yours.” 

You fight a growing smile, but continue, “If we’re going out in public, you’re going to have to wear—” 

“Done,” says James giddily, he looks as though he could kiss you in front of everyone without a care in the world.  

“You can’t just agree to anything I say!” You flap your arms in frustration. 

“Yes, dear,” Sirius teases. 

“Do you know how much you piss me off, Black?” You squawk. “Because you are this close to—”

“You are so fucking beautiful,” Sirius confesses, every pretense shed raw from his skin, sincerity pouring from his words. 

“I—” You falter, heat rushing to your cheeks. “You’ve gone mad.” 

“It’s your fault, dove,” says James, eyes twinkling like crescent moons as he smiles. “You best take accountability for this.” 

“You’re incorrigible — all of you,” You say as you avoid their gazes.

(But they were yours. Past, present, and future. They loved you so much that their soul was no longer their own — it was yours; yours to keep, yours to break, and yours to love. It would be unjust to ask them why they loved you. Do we ask why the sun rises each day without rest? Do we ask a daisy to stop blooming, or a tree to stop growing after it has endured storms and floods? After all, we do not ask why humans follow the light in a tunnel shrouded in darkness.) 

“Come on, Harry, let’s go.” You reach for his hand, he notices immediately that the tips of your ears are pink, and your palms are warm with sweat. He barely sees Peter wave goodbye before you tug him in the direction of the castle entrance. 

“Wait up!” Remus catches up to you two in quick strides, offering to carry your books for you — not that you agree, stubborn Slytherin that you are. “I’ll walk you to the library.” 

“There’s no need for that, Lupin, thank you.” You dodge his eyes, lips tightly pressed together, nails slightly digging into Harry’s arm. 

“Remus,” He says with a twinkle. “Call me Remus.” 

“Alright.” You pause. “Remus.” 

(In that moment, Remus wonders if you remember decking Lucius Malfoy in the face to defend him in your fourth year. He didn’t think he deserved to even breathe in the same air as you — the pure-blooded princess, dressed in clothing worth more than his life, adorned in jewelry he could only dream to afford, raised to believe she was better than everyone else. Then, you beat up Evan Rosier the next month in the courtyard, eyes ablaze, extravagant silk marred with grass stains and mud, and knuckles split open. You spit blood on the ground, looking at Lily then back at Rosier. “Red,” You say, kicking him one last time in the stomach, unafraid of McGonagall’s wrath growing louder and louder. “Just like everyone else. Like those Muggleborns you fear. We’ve all got dirty blood, Rosier. Suck it up.” 

“I’ll tell your father about this!” Rosier bellows through bloody teeth. 

“Tell him!” You grab his neck and slam your forehead against his. “Tell him that I decide my own future now!”

Remus doesn’t even have to think about it. 

He falls in love.) 

FUNNILY ENOUGH, IT’S LILY who gives you her heart first, before anyone else does. It’s the last month of her first year at Hogwarts — it still hasn’t quite sunk in yet that she was a witch. Her, not Petunia, but her — Lily Evans, the witch. Apparently, some people can’t believe it either. A girl from Ravenclaw calls her this foul word, she’s heard it a few times now but it always hurts the same. James and Sirius get into a fight for her honor, now faced with detention later this evening. But she can’t help but wonder, what if they were right? What if she really didn’t belong in this world? It was too good to be true, anyway. Perhaps she’ll just run a flower boutique with Petunia.

“Oi.” 

The sound of your voice startles her, and she nearly topples over in the Great Lake. Lily catches sight of your Slytherin colors and resigns herself to another round of name-calling. “What do you want?” 

“They’re wrong, you know,” You tell her, ignoring Lily’s question. You look down on her with your nose raised arrogantly — she wishes she could be like you. Born to be magic. “You’ve got a terrifying brain locked up in your head there, Evans. And they know it, too. They’re scared.” 

Lily scoffs. “I’m just a Mudblood to them. There’s nothing to be intimidated by.” 

You sneer. “Don’t say that word. You’re more than that. More than them. They’ve got long ways to go to prove they have a place in this world. But you — you’ve defied the odds and you were destined to become magic. You don’t have to prove anything. You have the right to be in the wizarding world and no one can take that away from you.” 

Then, you pivot on your heels, not bothering to hear her reply. “You’re my rival now, Evans. Do keep up. We’ve got an Astronomy test tomorrow. I look forward to seeing how you do then.” 

Lily just gapes. She’s certain there’s butterflies in her stomach. Her heart thumps wildly against her ribcage. Lily raises her hands to feel her blushing cheeks. There’s a light unfamiliar sensation in her stomach — like the urge to kick her legs and scream into a pillow, or more precisely, chase after you and hold your hand.

She stiffens.

Oh.

part two