#or misalignment issues

[dental1234]

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[wiremotherofficial]

i fear i may be googly eyed in a medically significant way 😔

[thevegetablewhichnoonedaresname]

effie and zebulon are freaking everything

[kraniumet]

i think image gen can be used like any other artistic tool but I don't really think the big commerical proponents of "ai" are advertising it as a tool, they're adertising it as a solution. I also think it's intellectually dishonest to argue that image generation is exactly like "using photoshop/taking a photograph" because of some generalized "those were also criticized at their conception for being new and scary and disruptive" soundbite. they were not even really criticized for the same reasons. find a better argument.

[ensorskulledbindery]

I have attained a beast!! First ever laser printer (and a color printer as well, woo!!)

Bad news: after only printing 3 signatures, she has already given me an alignment issue...

I have gifted her this {BITE} sticker to hopefully appease her crave for choosing violence

[muirneach]

i had planned my 1634 lino to be two colour but ill be real that is filling me with dread. but i might as well bite the bullet and learn multi colour printing at some point. it’ll look better in black and blue anyways

[daily-hanamura]

[geoffrey]

i had a lisp when i was growing up bc i have tongue tie that they just never did anything about so im a tongue thruster. and its funny bc in years of speech therapy they tried to teach me the appropriate mouth posture regardless of the fact my tongue cant really do all that (i can not make an R sound by touching my tongue to the roof of my mouth it doesn't reach) (i can not make a shh sound when my teeth are closed) so instead if you watch my mouth it does like lisp posture stuff like my tongue between my teeth when i make an s sound but i've just tuned it so it really doesn't sound like i'm lisping

[akkivee]

what will they be doing when they’re on opposite sides from the rest of their team i wonder??? 🤔🤔🤔

[sputnikscock420]

Quote from the founder of chiropractic:

It astounds me that you can post something deeply personal and traumatic about almost dying at the hands of a chiropractor and sustaining lifelong damage that negatively impacts your daily life to a debilitating degree, and people will still send irate messages like, “well I can’t afford a doctor so what am I supposed to do? Just not let chiropractors crack my neck?!”

And it’s like worstie, whether you can afford a doctor or not won’t fucking matter if the chiropractor fucks up your entire life because if what happened to me happens to you, you’re fucked and if you want to live you’ll end up paying much much more than what seeing a physical therapist would have cost you in the first place.

My PT is mostly covered by insurance these days. But without it the bill is $300.

The damage the chiropractor has cost me? Well it was 6 grand for the first emergency MRI which my insurance didn’t cover, several grand in doctors appointments to be told I’m fucked for the rest of my life and basically just thousands of dollars a month in rehab that I honestly can’t afford to keep me from killing myself from the pain while plunging myself and my husband into further insurmountable medical debt because he refuses to let me go.

So you tell me. Do you want to eat the cost of that initial physical therapy appointment now so you can learn to properly manage your neck pain without letting someone crack it? Or do you want to wait and end up like me. Because I guarantee you, it’s a waiting game. Chiros only have to fuck up once.

Once is enough.

[purefilly-connection]

The Challenges of Living with a Compressed Spine: A Personal Perspective

Have you ever broken a bone? Living with a compressed spine has been a journey filled with challenges and moments of perseverance. While I have never experienced the pain of a broken bone, the discomfort and obstacles I face daily are reminiscent of the struggles one might endure with such an injury. A torn meniscus and a spine that seems perpetually out of alignment have made walking and…

[strawbebbie-shortcake]

the Jaw Doctors were unable to offer any meaningful help (there is no universe where my shitty insurance would cover physical therapy for my face) but i did learn the phrase "lips together, teeth apart" aimed at stopping the clenching.

It's a very funny thing to think when i manage to unclench enough to stop my teeth touching but the muscles are still so tight and simply will not fully relax. didn't exactly fail step one but it's not going great over here

[mediacircuspod]

This scene was absolutely beautiful BUT it’s also the crux of the issue. You guys this is where the problems start. Because—because Crowley’s already cast out, he finds COMFORT in the idea that they are lonely together. “As far as he can” becoming “as far as they can” is an END to his complete “otherness” and something to appreciate, to covet, and to find solace in. He’s finally not alone.

But—and this is important.

Aziraphale does NOT feel that. He can’t.

This moment is completely and utterly devastating for Zira. He finds out he’s not damned and sure, he’s relieved. But he’s no longer “an Angel” in the way that he’s learned is right. He’s now unchangeably and forever; less holy—a concept that is dearly important to his identity. “[Going] along with heaven as far as he can” is a FAILING on his part. Not heaven’s(at least to him). There is no solace or comfort—he finds existence like that—just the two of them—achingly LONELY. And that’s just how his perspective demands to be taken. It’s the only perspective he is capable of in that moment AND after it, too.

Take into account Crowley has went from having no one AT ALL to having SOMEONE. And he puts EVERYTHING he has into it. This is not good. It’s unfair to Aziraphale. And it’s unfair to himself. On the opposite side, you have Aziraphale. Who has just went from having the ENTIRE HEAVENLY HOST, to having this SINGLE demon— who, one minute ago, Aziraphale thought would be dragging him off to hell.

And the part that aches is that this perspective hasn’t changed. Aziraphale feels like his existence is lacking because he wants so badly to be GOOD. And good is Holy. Good is heavenly. He’s the problem for having morals that are misaligned.

Spoilers for the last episode:

Aziraphale has just been given the validation that he is not only GOOD but the most HEAVENLY Angel there is, the Supreme Archangel, even. And if heavens morals are now HIS morals, then that’s EVERY PROBLEM SOLVED. With a bow even, because Crowley’s basically on heavens side anyway, he’s GOOD, isn’t he? He’s been good this whole time, so why wouldn’t heaven want him back? Reinstating him as Angel would fix everything. They can be together, and they can be good, and they can be HOLY. All Aziraphale’s conflicting emotions about loving Crowley can be packed away because Crowley will be perfect again—and surely Crowley wants to be perfect—wants to be forgiven.(sorry everyone, that hurt me too, oof) Aziraphale is SHOCKED by Crowley’s refusal. He’s devastated that his version of perfect is treated as something naive and distasteful.

Crowley’s devastated too. He’s just lost “their side”. A concept that for 5000+ years has been THE ONLY THING he puts love into besides his car and perhaps his plants(And humanity, but he’ll never admit to that—I’m looking at the “No more dying” scene). Crowley is constantly being devastated by Aziraphale. He’s “too fast”, he’s too evil, he’s too good sometimes. Crowley has always been TOO MUCH. But this is different because for four years, he’s had “them”(on their own side) without the hiding, and without the denial and without Aziraphale constantly putting former jobs between them. PLUS he has a mountain of trauma centered around the concept of “forgiveness”, so that’s not great considering Aziraphale’s last words to him(THAT HE HASNT SAID ALL SEASON EVEN WHEN HE MADE CROWLEY APOLOGIZE IN THE FIRST EPISODE, AHHHHH). He’s losing everything and he’s desperate: Why isn’t he enough, hasn’t he been enough these last 4 years? Hasn’t HE been enough the last 6000?

Aziraphale has always been enough for Crowley. But being enough for Crowley doesn’t fix how Aziraphale has never been enough for himself, not since Job. He looks at this offer as a chance for HIM to be enough, and for Crowley to be FORGIVEN. Crowley looks at it as a betrayal because it’s Aziraphale saying Crowley ISNT enough, and he NEVER has been.

But that’s not what Aziraphale is saying. He’s saying, “Let me fix it for you”. Crowley is hearing, “Let me fix you for it.” Two completely different and completely horrifying concepts.

And then Crowley needs to say HIS piece(oh my gosh, btw, this was heartbreaking).

“Let’s be together on our terms” is basically what I’ve distilled it down to. But Aziraphale hears, “Let’s run away from our problems”

Aziraphale doesn’t want to run away, and Crowley doesn’t want to change who he is.

They both want to be together so badly but they don’t understand why they each want it so differently. And Aziraphale can’t compromise because he’s brainwashed and LOATHES himself. And Crowley can’t compromise because he’s traumatized and LOVES Aziraphale just as he is. Crowley doesn’t want to be good on heavens terms. He can see Heaven for what it is; “toxic”. He hates heaven not only for what the Host did to him, but for HOW THEY TREATED Aziraphale.

They both don’t understand each other because for all the pleading and presenting and monologuing, they never once in that whole conversation, actually talked.

[cyberclouddream]

The 6th House and Bad Fortunes

In Hellenistic astrology the 6th house is referred to the “place of bad fortune”, connected to disease and decline in vitality. Here it’s more associated with hardships and illness than daily routines and activities. This is due to it being twelve houses away from the 7th house, which would mean imprisonment to significant commitments, like our health and vitality.

It represents the challenges that arise when our creative and romantic aspirations meet reality. By addressing the issues related to health, routines, and service we can transform the challenges here into opportunities.

Aries Rising

- tedious jobs that demand grinding

- may clean up after others or work beneath your skill level

- burnout because of perfectionism

- overworking with little recognition

- hypochondria; frequent doctor’s visits or checkups

- nitpicky with coworkers

Remedies: balanced diet; prioritize and delegate tasks; activities that promote self-improvement; face issues head-on; eliminate distractions; learn to say no

Taurus Rising

- passive-aggressive co-workers

- people-pleasing overload

- headaches or skin problems

- jobs that lack beauty or creativity

- indecisive career path

- superficial relationship with colleagues

Remedies: make workplace aesthetically pleasing; distinguish supportive relationships from toxic ones; take proactive steps to manage burnout; stay physically active

Gemini Rising

- jobs full of manipulation, power struggles, or drama

- unhealthy or overwhelming intensity at work

- anxiety, digestive issues, or fatigue

- strong desire for control over work environment and tasks clash

- help others with hidden agendas

Remedies: stop avoiding hard tasks; let go of grudges; find a life outside of work; channel rage into work; get regular check ups

Cancer Rising

- dissatisfaction in routines

- overcommitting to responsibilities

- lack of exercise, weight issues, digestive problems

- conflict with traditions or authority

- too much optimism

Remedies: learn to focus on tasks; be wary of escapism; be honest about what you can handle; establish flexible routines

Leo Rising

- rigid rules or strict hierarchies in workplace

- relentless pursuit for success

- issues with bones, joints, or skin

- missing opportunities for joy

- feelings of isolation and loneliness

Remedies: drop guilt about labor and delegate tasks; don’t take work too seriously; reassess goals if feeling stagnant or underappreciated

Virgo Rising

- jobs that feel misaligned with values or ideals

- alienation at work

- inconsistent health practices; issues with circulation, nervous system, or sudden changes in well-being

- rebel against routine tasks or authority figures

- difficulties with structure or traditional methods

Remedies: make decisions instead of overthinking; engage more with colleagues; address and change when there’s discomfort; stop idealizing job or coworkers; embrace structure

Libra Rising

- neglect important tasks and responsibilities

- elusive health issues; frustration when seeking health solutions; often feel tired without clear reason

- sensitivity leads to overwhelming emotional labor

- lack of structure in workplace

- romanticizing hardships, sacrifices, or struggles

Remedies: stop dreaming and start doing; get real about health issues; don’t overindulge in pleasures; don’t let feelings dictate work ethic; confront conversations and conflicts head-on

Scorpio Rising

- rush into tasks without proper planning

- take on too much workload at once

- headaches, high blood pressure, or injuries over overexertion

- struggles with monotonous tasks

- inconsistent motivations

Remedies: think before you speak to not burn bridges; learn to collaborate; own your mistakes; get organized

Sagittarius Rising

- stuck in unfulfilling jobs that lack progress

- overindulge in comforts; overeating or neglecting physical activity

- resistance to new opportunities and changes at work

- jobs that offer little financial security

- neglecting mental health

Remedies: don’t cling to routines or methods; avoid complacency; don’t overindulge in comfort foods or luxuries; don’t expect people to read your mind

Capricorn Rising

- erratic work performance

- overwhelmed by too many projects

- headaches, digestive issues, or anxiety

- resist structured routines

- prioritize mental stimulation over exercise or proper nutrition

Remedies: don’t take on too many tasks at once; confront workplace drama; avoid procrastination; make time for resting well; think before you speak to avoid misunderstandings

Aquarius Rising

- difficulty separating feelings from workplace

- fluctuating health issues, like digestive problems or issues linked to their emotional state

- prioritizing helping others over their own needs

- home dynamics effect work

- lack of professional boundaries

Remedies: don’t play victim; set emotional boundaries at work; don’t beat around the bush; avoid overindulgence; be realistic about your limitations

Pisces Rising

- snuggle with recognition at work

- desires for leadership clash with authority

- neglect health for status and appearance

- difficulties maintaining routine

- dramatic responses to setbacks, like unnecessary stress

Remedies: quit trying to be the center of attention at work; limit drama and theatrics; don’t let your pride blind from constructive criticism; be a team player; avoid overcommitting because of your passion;

[thydungeongal]

There's this idea floating around the general TTRPG space that's kind of hard to put one's finger on which I think is best articulated as "the purpose of an RPG is to produce a conventionally shaped satisfying narrative," and in this context I mean RPG as not just the game as it exists in the book but the act of play itself.

And this isn't exactly a new thing: since time immemorial people have tried to force TTRPGs to produce traditional narratives for them, often to be disappointed. I also feel this was behind a lot of the discussion that emerged from the Forge and that informed the first "narrativist" RPGs (I'm only using the word here as a shorthand: I don't think the GNS taxonomy is very useful as more than a shibboleth): that at least for some TTRPGs the creation of a story was the primary goal (heck, some of them even called themselves Storytelling games), but since those games when played as written actually ended up resisting narrative convention they were on some level dysfunctional for that purpose.

There's some truth to this but also a lot of nuance: when you get down to the roots of the hobby, the purpose of a game of D&D wasn't the production of a narrative. It was to imagine a guy and put that guy in situations, as primarily a game that challenged the player. The production of a narrative was secondary and entirely emergent.

But in the eighties you basically get the first generation of players without the background from wargames, whose impressions of RPGs aren't colored by the assumption that "it's kind of like a wargame but you only control one guy." And you start getting lots of RPGs, some of which specifically try to model specific types of stories. But because the medium is still new the tools used to achieve those stories are sometimes inelegant (even though people see the potential for telling lots of stories using the medium, they are still largely letting their designs be informed by the "wargame where you only control one guy" types of game) and players and designers alike start to realize that these systems need a bit of help to nudge the games in the direction of a satisfying narrative. Games start having lots of advice not only from the point of view of the administrative point of view of refereeing a game, but also from the point of view of treating the GM as a storyteller whose purpose is to sometimes give the rules a bit of a nudge to make the story go a certain way. What you ultimately get is Vampire: the Masquerade, which while a paradigm shift for its time is still ultimately a D&D ass game that wants to be used for the sake of telling a conventional narrative, so you get a lot of explicit advice to ignore the systems when they don't produce a satisfying story.

Anyway, the point is that in some games the production of a satisfying narrative isn't a primary design goal even when the game itself tries to portray itself as such.

But what you also get is this idea that since the production of a satisfying narrative is seen as the goal of these games (even though it isn't necessarily so), if a game (as in the act of play) doesn't produce a satisfying narrative, then the game itself must be somehow dysfunctional.

A lot of people are willing to blame this on players: the GM isn't doing enough work, a good GM can tell a good story with any system, your players aren't engaging with the game properly, your players are bad if they don't see the point in telling a greater story. When the real culprit might actually be the game system itself, or rather a misalignment between the group's desired fiction and the type of fiction that the game produces. And when players end up misidentifying what is actually an issue their group has with the system as a player issue, you end up with unhappy players fighting against the type of narrative the game itself wants to tell.

I don't think an RPG is dysfunctional even if it doesn't produce a conventionally shaped, satisfying narrative, because while I do think the act of play inevitably ends up creating an emergent narrative, that emergent narrative conforming to conventions of storytelling isn't always the primary goal of play. Conversely, a game whose systems have been built to facilitate the production of a narrative that conforms to conventions of storytelling or emulates some genre well is also hella good. But regardless, there's a lot to be said for playing games the way the games themselves present themselves as.

Your traditional challenge-based dungeon game might not produce a conventionally satisfying narrative and that's okay and it's not your or any of your players' fault. The production of a conventionally satisfying narrative as an emergent function of play was never a design goal when that challenge-based dungeon game was being made.