#or isn't interested in their backstory or motivations

[moonpie016]

*Check watch*

And it's the 26th, cool.

>:]

---

---

I love this so much. The colors, the poses, just :]

You might (possibly) be wondering, "why did I set a specific date for me to post this?" And because.... it's now been a year since I listened to The Mind Election and The Soul Eclectic!!

Is this some grand spectacle ? Is something amazing going to happen?

No. But it's special to me. Playing these songs on repeat without ANY knowledge of what it was, or even understanding what was going on. I treated it as any other cover of a song I'd listen to.

Could somewhat understand it at points, but I never really knew there was a story to these songs. Just make little animatics in my head with whatever I was interested in before.

And I only listened to the audio versions of them. I didn't know The Heart Acoustic existed, (and kinda not enjoying it at first.) But it grew on me. Then I saw a video talking about similar music people, then discovered there were music videos??? :0 And a story?? Double gasp.

The feeling of listening to these for the first time can never be replicated, the unknown of it all. Just jamming. I've already rambled about trying to find a new interest after the old one died off. Then finding the TME and TSE, and basically finding motivation to do something passionate again. (Between toying with ocs while doing so.)

And drawing these three embodiments of inner workings (cus I can't think of a proper term) kinda helped in some aspects. Not all, but trying to understand how my own inner workings work. What traits I do or whatever. This isn't about that.

But yay! Enough of the backstory! :]

Here's some alternate versions of the drawing, (like without the words and the background). And some doodles. >:]

---

⬇️

I made some random character with the lasso tool (kinda). Fixed some of it sooooo.. mostly the lasso tool. Imma call them Rascal. Idk.

And a scene I wanted to draw of the story thingy I made weeks ago with Soul and Whole.

But that's all! Surprisingly.

Hope you enjoy!

---

[thebubblemaster]

Sometimes I go to reblog a post with a counter opinion but then I realize that it is not worth it and people will continue to interpret media the way they want until the end of time and i should just make my own post.

Anyways I do think it's important to remember that they film these seasons in quick succession. The PCs have not had 5 months to grow attached to the NPCs like the audience has. It's been like 2 weeks for them. Also yall are acting like this was the finale. The season isn't over until it's over, we still don't know what will happen. They could lose for all we know, Brennan has been prepared for that in past seasons.

[luminiera-merge]

i fell off granblue ages ago (bc i don't really have anyone to play w) but if it turns out that fenrir is in relink that might just be my go-ahead to get it finally

[necrotic-nephilim]

as a Helena fan who's witnessed this whole bit go from silly jokes/memes to genuine vitriol, it's been utterly bizarre. from what i noticed, the root of the comparison came from people fanonizing Jason to the degree of saying "he has Catholic guilt (bc of the Flashpoint priest!Jason) and he'd be an English school teacher (bc i'm assuming, his taste for classic lit) and he's female rage-coded and he would adopt/protect children" which, are canonical traits of Helena. so at first, it was sort of a joke lamenting the fact ppl would rather force unrealistic headcanons onto Jason than consume content with a woman in the Batfam. because it's sort of a tad ironic/painful to see fanonized Jason Todd who's being called all these things he isn't, when there's a canon character who *is* all of those things right there. like if that's the character you want, why wouldn't you want to read about Helena. the issue started with frustration against fanon Jason, from my experience anyway.

but then, it spiraled out of control to become a comparison of their lethal moral code and their disagreements with Bruce suddenly making Jason this stupid boy clone of Helena. which isn't true and is an insult to both of them to claim they're at all the same. they kill for different reasons, they're at odds with Bruce for different reasons. a well-written Helena and a well-written Jason really have little in common. though their interactions could be interesting, i don't even think they'd get along tbh.

i think in recent months/years, the Batfamily fandom suddenly became self aware that they grossly ignore the women of the Batfam. and now they're trying *too hard* to course correct for that. to an extent, i get why Helena isn't in the majority of fanon content- she hasn't really *been* a Batfamily member since pre-Flashpoint. the New-52 and Rebirth versions of her character are arguably not even the same character and certainly not a character as important to the Batfamily as she used to be. so why *would* a fandom mostly pulling from modern comics know who she is aside from the couple WFA episodes she's been in. (which did her *no* favors for people understanding her and also whitewashed her before the art was fixed.)

but, i think everyone's now trying to prove how woke their fandom content is (i hate using that word, it sounds very republican but i can't think of a better one.) by including women and characters of color to prove they don't just care about the boys. and sure, it's cool and all if you want to pick up Huntress comics bc you're sick of reading about stories only featuring Bruce and his "sons", but now it's like. almost a competition to prove how much more you know about the Batfam than other people when you make these jokes. i've seen the same thing happening comparing Steph and Jason recently. yes, it's important to care about the more diverse characters of the Batfam as much as you care about the boys. but now they're put on this ridiculous pedestal of being the "more cool alternatives". an organic push for content about the underrated characters is one thing, but it's another thing entirely when it's born out of a performative nature, which is certainly what this whole... thing feels like.

and the irony is, you can *really* tell the people doing this the most haven't actually read much of Helena's content outside of Gail Simone's Birds of Prey. and my hot take is, i don't think Gail Simone does a *great* job with Helena and she's often pretty sexist toward Helena (making other characters slut shame her, making Helena very promiscuous which isn't something she has a history of, etc) so, while it's important content for Helena, it can be a shallow reading of her. where all you really get about her is "pro-murder Batfam vigilante with a crossbow and a sassy personality" which sure, feels a *bit* like a shallow Jason. but that's the whole point, you have to make them both *incredibly* shallow to compare them. bc it's not about actually liking the women, it's about getting the shallow brownie points of saying "look i know who she is and i think she's *totally* cooler than Jason he's a dumb copy".

tbh even with the Jason Todd headcanons that are more egregious in feeling like "oh that's just Helena Bertinelli but a dude", it's not like it's being done on purpose. none of these fanon-only fans know enough about Helena to be purposefully stealing her traits and it really isn't that deep aside from sometimes, people just have bad headcanons that kinda make you wish they would read about characters aside from their main blorbos. but hey, they're not *required* to, and no one is an evil misogynist for having some OOC headcanons. you suck the fun out of fandom when you require people to interact with characters they aren't interested in. and depending on why someone likes Jason, they honestly might not like Helena. they're wildly different and have very different dynamics with everyone around them.

and i get it, Jason has had *wildly* inconsistent writing and there's debate upon debate of what's in character for him, what comics you should consider when trying to make fan content about him, and so on. i'm in the "anything past pre-Flashpoint isn't in the version i prefer" camp, but the whole mess of it scatters the fandom on how to write him. which i think is the actual root of him getting fanonizing beyond recognition, *not* people stealing from Helena. is it particularly headache-inducing to see Jason fans say "he's girl coded" or "he's female-rage coded"? yeah. but even those fans aren't ever going to be convinced out of their bubble by vitriolic comments made about how Jason's a total loser and Helena's so much cooler than him. and then the more canon-based fans who might *actually* like Helena and probably would read her comics if just given an honest recommendation of her character are *really* not going to want to be interacting her content/fandom. painting a broad stroke of the Jason fandom all seeing Jason as this cartoonish fanon version of himself does you no favors with anyone.

like i used to find the silly jokes/memes that were solely calling out bad fanon enjoyable as pure lighthearted "oh i wish more people liked this character the way they liked that character bc the fandom for this character is so small" vibes, but you're right about it getting out of hand. it's become the only thing people seem to talk about in the Huntress fandom space. i'd much rather discuss Helena for who she is then talk about Jason. because isn't it just a *little* ironic that in attempting to make this fandom more inclusive of the women, we still just *have* to make it about the men? you don't make Helena, or Steph or Cass or Onyx or any other underrated woman sound cool by comparing them to Jason. you just make it sound like you don't know how she stands as a character on her own. she's a cool character with a cool history (both in-universe and the meta history of the Huntress mantle) but this whole weird hate boner for Jason permeating the fandom space for her just makes people hate her instead of not know of her. and really, i can't blame anyone for that.

Like. Where and when did Helena vs Jason thing start? It's so fucking annoying and makes me think that I'll never want to interact with the Huntress fandom if/when I read more stuff about her. Which is a bit how I avoid interacting with the Nightwing fandom at large despite liking his stuff.

[blade-liger-4ever]

Why I think Miko Nakadai is arguably the best human character in TFP

Don't misunderstand, I know Miko was handled haphazardly throughout the series' run. That said, aside from her skipping off into the battlefield, she was actually a great character - and, in my personal opinion, the actual audience surrogate character in TFP.

Now, let me explain.

Although Miko's backstory is told and not shown - a rich daughter who had everything she could ever want, up to and including two pure-breed cats and piano lessons from age three onwards (which, coincidentally, tells us she's brainy despite her antics) - much can be inferred from what snippets of her past we get, along with her interactions with the Autobots. For one, she obviously can't stand most adult supervision, which is likely because of a few things. For one, back home in Japan, Miko would have had to be proper and polite, always restrained, and had to do what she was told. While this is normal (to an extent) in the West, in the East this is etiquette that needs to be obeyed, especially if you're as well off as she is; her actions, specifically in Japan, will reflect on her parents, but to a far lesser extent in America. Thus, when presented with the freedoms of the USA, Miko not only jumps at the chance for an exchange program that will give her the mobility she craves, she also chooses the place that has the least amount of glamor. By extension of choosing to settle in Jasper, Miko's also displaying two other traits: she's not afraid of going to a place vastly different from her home, and she isn't disgusted by a small town with very little monetary value to it.

Secondly, Miko's disregard for authority from adults but deference to the 'Bots teases us with an insecurity - namely, an insecurity that no adult ever gives her a chance to make her own decisions.

Just think about it: All the times Miko's blown off the human adults, it's when they've tried to decide her life for her. Miko has, from what we can see, had her whole life dictated, up to and including those piano lessons. She may be a prodigy at almost everything, but her preferred instrument is the guitar - and yet, she wasn't given lessons in that from the time she was a toddler. Therefore, she feels confined and controlled by the authority of her elders. And so, while Miko may be able to sway Bulkhead into getting her out of detention and consistently slip past the watchful eyes of the 'Bots, it's out of a desperate motivation to control her own life. Now, she does hold too much interest in the battles and getting to watch them, but wouldn't you have that same eagerness if Gundams or Jaegers came to life before your eyes? Yes, she knows their lives are in danger, that they couldn't come home, but there's still a fantastical element to all of this about the Autobots. And it remains so because while she loves them all, Bulkhead is the only one who, while giving her life advice and trying to keep her in check/alive, lets her make her own decisions and take control of her life and her actions.

And that's why she keeps going to the field. That's why she only listens to the reprimands with half an ear and why she recovers so fast from Optimus' near death experiences, as well as Raf's close call with death.

And that's why Miko's world shatters when Bulkhead is left in a half-dead coma from his fight with Hardshell. Because the one person in the universe who gave her freedom and care without deciding her life for her was not just seriously injured, but possibly on death's door.

That's why Miko runs around without a care until the S2 episode "Hurt": because she wants autonomy to decide her life, even if it's stupid choices that could get her killed.

And after "Hurt", we see a new Miko. Yes, she remains gung-ho and fierce, but she stops running onto the battlefield. She takes less enjoyment from the War. Because now, with the reality of war fresh in her mind, she knows the risks and the stakes involved, and she will never take that or her friends for granted anymore. This is further proved when Miko 'sneaks' along for "Chain of Command", but with a twist: she asks Wheeljack if she can come along - and if memory serves, this is the first mission Bulkhead's been on with herself present since the events before "Hurt". Clearly, Miko is still worried about losing Bulkhead - only, this time, she values the words of the 'Bots, and now seeks permission to join a mission, though she wisely asks Wheeljack for this blessing.

This is the beautiful part of her arc, crowned by her battle with Starscream and his Seekers (which is also just straight up awesome.) When she's kicked the afts of everyone, and Starscream tries to intimidate her with his usual "I killed Cliffjumper" speech, Miko's response is this calm, slightly rough, retort:

"Big whoop. I snuffed Hardshell."

In this moment, Miko Nakadai is shown to have grown from an excitable child into an unyielding, but mature, adult warrior. She no longer treats the War and the 'Bots like a game, or a release. She treats them as her friends who she will gladly risk her own life for.

And that, in my opinion, makes her the best human protagonist in all of Transformers: Prime, and Transformers media in general.

As for what I said earlier about her being the true audience surrogate, be honest with yourselves: If any of us were given the chance to meet the Autobots, wouldn't you be just as irrepressible as Miko, as eager to help as she was, and tempted to go to the battlefield to see the action/make sure your 'Bot wasn't going to die? That's what I mean when I say she's the audience surrogate - Miko acts like we would, and learns as we would about the War and the 'Bots if we suddenly came across them.

That's my two cents on Miko, and why she's the human character I respect the most in Transformers...probably of all time. If you liked it, I'm glad; Miko deserves better, and I hope I explained why well.

Til next time, folks!

"Autobots, transform!"

[lightfeltmemories]

dungeon meshi | delicious in dungeon; reactions to reader having a crush on them / having a crush on reader

dungeon meshi various x gender neutral reader

note: hey everyone, please be mindful that this is the very first time writing for these characters, i have watched every available episode but i am still reading the manga (though i do have a general idea about the setting and the characters backstories and personalities) so if any characters are ooc to you my apologies, don't be harsh im new here lol. sorry some of them are shorter than others i kind of ran out of ideas when it came to certain characters :p let me know in the comments or reblogs or more preferably in my ask box if you want me to do any other character.

characters: laois, falin, chilchuck, marcille, senshi, namari, shuro, izutsumi (i'm adding her here because feels weird leaving her out when i've added former members of the party, also this is purely sfw so nothing weird will be aimed towards her.)

trigger warnings: nothing out of the ordinary but just read the manga or watch the anime before reading this.

if you like this and my other fanfics, please be considerate to reblog my work, it not only helps reach a broader audience but it also motivates me to make more content like this!

laois touden

reader's crush: when laois finds out that you have a crush on him, his reaction is.. well, how do we put it this way? is he flattered? yes and no, he doesn't see himself as ugly but also doesn't look at himself as the most handsome guy in the world, but someone straight up having a crush on him is kind of new, he doesn't really care much for relationships at the very moment but has thought about settling down with someone he likes, will it be you?

laois' crush: when it comes to having a crush, he tries to be his normal self around you, but sometimes can't help but be a little nervous especially when the two of you are alone, sooner or later he comes to the conclusion of realizing the he indeed, likes you, but confessing is the hard part, he's never thought much about rejection, it is a normal part of life after all, but when it comes to you? it's an entirely different ball game.

falin touden

reader's crush: falin already has someone chasing after her; shuro, theres a 50/50 chance of her reaction to reader's crush being the same as shuro's, but could there be a different reaction this time?

falin's reaction: surprisingly less shy than her brother, when she comes to this conclusion she'll build up the right time to actually confess, not wanting to rush things, just watch out for shuro i guess.

chilchuck tims

reader's crush: chilchuck learning about reader's crush is a bit sad, though he's no stranger to romance as he not only had a wife but also three whole kids, he's not really good with emotions so he's kind of scared you'll leave him just like his wife did, so, if reader confesses, there's gonna be a high chance that you'll be rejected, just give it some time.

chilchuck's crush: this weird feeling in his chest whenever he see's you will confuse him at first.. there's no way he has a crush on you?? after his wife leaving him he didn't really have any interest in romance, he might as well just focus on his work at the moment, one of these days he'll bring up the courage to confess, just not right now.

marcille donato

reader's crush: she can't really decide on whether she'll return the feelings or not, definitely flattered is what i'll say.

marcille's crush: she's similar to falin, she'll build up a better relationship with you for the right time to confess, she tries to make it seem as if she's not into you but it's quite obvious to the other party members.

senshi of izganda

reader's crush: out of everyone, he'll definitely be the most flattered, someone having a crush on him wasn't something he put much thought into, not to mention romance kind of isn't his thing, nor does he think he have the time for a significant other.

senshi's crush: i don't think this is the very first time he's ever had feelings for someone, but it's definitely a special feeling, he's not nervous of confessing his feelings at all actually, and he's not that sensitive to rejection.

namari

reader's crush: namari wouldn't really know how to react, honestly, she's never given the idea of someone having a crush on her much thought, she won't care much about rejecting the reader, at least she's honest.

namari's crush: her crush will be a bit hard to spot but when it comes to you, there will be a notable soft spot, she treats you like everyone else and isn't afraid to scold you if you do something wrong.

shuro | toshiro nakamoto

reader's crush: in an au where he still has feelings for falin, he immediately rejects you, telling you boldly that his heart is for falin and falin alone, but lets go to an au where he either loses interest in her or doesn't like her at all; definitely flattered, someone liking him (back) isn't unheard of but it is... nice?

shuro's crush: just look at what he does with falin, he will propose to you at some point, of course when time goes by and he starts to fall for you harder and harder, until he just can't contain it anymore.

izutsumi

reader's crush: very, very strange, someone having a crush on her is.. almost unheard of, or she doesn't pay much attention, anywho, she doesn't know... how to react? she knows what to do if she doesn't return the feelings but... someone liking her is just weird lmao.

izutsumi's crush: she won't make it obvious.... or try to at least, she accepts affection from you much more than she does from the others and sticks by your side more.

[wonryllis]

dear future husband (m) | lee heeseung.

i can't say i do without you.

PREVIEW. you always get what you want, spoiled with the love of everyone around you. and it's all innocent love, at least that's what everyone thinks. it comes with much surprise therefore, when heeseung makes a move on you. thirteen long years of being in the brother zone having made him utterly clueless that if he’s going to date you he has to pass through your actual brothers first. and he knows how scary they can be. especially since they are known to have a sister complex and he’s been the third scary one with them, numerous times before.

OR WHERE, bimbo heeseung has no idea what the fuck to do with his feelings for you who are oblivious as fuck and your brothers who are overprotective as fuck.

MEET THE CAST. insanely love struck lee heeseung with his spoiled rich girl!reader ft. yeonjun, soobin, the rest of txt and the rest of enhypen. NSFW VERSION: BRAT TAMER heeseung with his BRAT girl.

GENRE & WARNING(S). social media!au + written chapters, SMUT MDNI!!! in the form of written chapters later on in the series, fluff, humor & crack, minimal angst, lots and i mean lots and lots of swearing and dirty jokes and everything nsfw. college!au, nonidol!au, neighbors to lovers!au, childhood friends to lovers!au. heavy on sister complex! rest other warnings will be stated in respective chapters.

UPDATE SCHEDULE. discontinued.

ׅ ꢾ꣒ profiles, character introductions & the groupchats. ( PLAYLIST ) theme song, code blue!

YEONIE NOTES. incase someone wonders if this is incest, no it’s not, they are not related by blood. sister complex. a state of strong attachment and obsession to sisters, always having them as their first priority. FIC ASKS: ask about the characters!

EPISODES rolling ..

000. prologue: the backstory.

001. arranged date gone wrong

002. it's a shame yn wants you

003. all good when all delusional

004. can you afford her a McLaren? TWT + WRITTEN ( 2.4k )

005. heeseung finally— [REDACTED]!

006. you went as my arm candy

DISCONTINUED!

i think its obvious enough why, the lack of response and enthusiasm from readers has made lose all motivation to continue this any further. i was so excited to revamp it but it seems it isn't the case for the other side. feedbacks are what keep most if not all writers going and absence of it for this one has just rid me of all interest i had to share it with you all. thank you to those who read it, and i apologize those who were looking forward to read it. this is it. over and done, with this kind of support i'm never doing a series on here again.

FIRST TAGLIST @s00buwu @lilyuwon @pockyyasii @nctislifue @shawnyle @enhastolemyheart @aaa-sia @criminalyun @oddracha @satan-223 @diorsyun @hooniehon @fakeuwus @caramelcandescence @intromortal @kookify @yutasberryy @sumzysworld @nikiswifiee @shuichi-sama @primroselover @rayofsunshineeee @aishigrey @yjwluvs @soraokkotsu @nyfwyeonjun @srhnyx @trashx678 @wondipity @winuvs @hoondiors @niniissus @firstclassjaylee @biancaness @enhaz1 @sophi-ee @un06 @heelariously @d-earlog @pharaways @ethelia @eneiyri @secretbarbariangardener @seochangbinnnnnnnnnnn @microwavedstrawberr1es @randomanothercreature @thatsoraya @graythecoffeebean @rikibun @jaeyungxrl @mxxnintheskyreblogs

[3hks]

How to Create a MEMORABLE Character

A while back, I released a post about how to write "that" character, which basically highlights a few key aspects found in some of the most popular characters to date. However, a popular character and a memorable one is actually quite different, and in this post, I'll briefly explain how to create a character that people will remember.

For starters, a memorable character doesn't actually have to be well-liked. Yes, popular characters tend to be memorable, but it's not always the same other way around. I'll simply explain how to form a character that really sticks with your audience, regardless of their actual opinion about them! And even better, these following ideas work on any type of character! So, if you're interested, let's dive right in!

~ FIRST IMPRESSIONS MATTER ~

I sometimes talk about the importance of a character's reputation because it shows how others view them and the truths and inaccuracies of their character!

But your character's image isn't bound to your cast's eyes--it actually matters a lot to your readers.

When you first introduce your character, do not immediately reveal everything about them. Instead, focus on establishing one or two core traits of your character instead. This will allow your readers to form their own opinions of your character first, and although they might be inaccurate, when the readers realize their misjudgment, the character will get stuck in their head!

For example, there's Tsukishima Kei from Haikyuu!!. Initially, the viewers may think about him negatively because of his introduction. He first appears as a blunt, mocking, and disrespectful person, but as the story continues and the audience slowly warms up to him, we start to see his real character, resulting in Tsukishima becoming one of the most beloved characters in Haikyuu!!.

Why does this matter? The thing is, when we meet new people, we all make assumptions about their personality, goodwill, and whatnot. As we get to know them further, we realize that some of our initial judgements may have been wrong; it's simply an unavoidable part of life. By incorporating that aspect into your writing, you're forcing your readers to think deeper about your characters!

~ GIVE THEM THEIR TIME ~

This will seem obvious but it's precisely because of how obvious it is that it'll often slip people's minds. Give your character the time they deserve. You can do this by exploring their backstory, defining their motivations, giving them some important action, or simply establishing some kind of critical or eye-catching moment regarding them!

If you can't afford to give them a huge role in your story, then give your readers an event focusing on your character that will come to their mind when they think of said character! Like a defining moment!

It can be dramatic, sad, short, anything works! As a matter of fact, you've probably done this unconsciously before, too!

~ MAKE THEM DIMENSIONAL ~

If you can't tell already, it's incredibly important to be aware of your characters' distinctive traits and how they shape your character. However, there are times that a character will and should break their character.

A happy person can't be happy all the time. A carefree person can't be carefree all the time. Even a cold person will have some shifts in character.

This can help will character development, especially if you're not planning to give them a lot of development, but also really humanizes your character! Everyone will eventually get bored of the same personality; people may change in different situations!

See? In the end, this is really just a simple guide--everything is perfectly achievable no matter what character you're writing! These are some good points to keep in mind if you're looking for a character that resonates with the audience!

Happy writing~

3hks ^^

[prickly-paprikash]

"Fans just want to see Annette be adapted loyally from the game."

LOYALLY HOW? SHE ISN'T EVEN A FUCKING PERSON? SHE'S JUST RICHTER'S SATELLITE LOVE INTEREST WHO NEEDS TO BE SAVED. SHE GETS TURNED INTO A VAMPIRE, THE ONE INTERESTING THING THAT HAPPENS TO HER, AND SHE'S THERE TO BE SEXY FOR RICHTER.

Annette's biggest plot line is that:

A.) She gets kidnapped by Dracula and Richter saves her.

B.) She gets turned into a vampire and obsesses over Richter.

There is nothing to adapt loyally because she's not a character!

Castlevania games have always been light on plot. The same goes for their characters.

Yeah, no. I'd rather take the one that actually feels like a real character, with real motivations and a rich backstory. I'll take the one who can stand side by side with Richter in battle. The one who is both wonderful independent and connected with Richter.

She's flawed and angry. Filled with pride of her history and ancestry. Who is starting to realize that she might like this Richter Belmont fellow, despite his abrasive attitude. She sees herself in this handsome, arrogant, loyal vampire hunter. In him she sees a reflection of her fears and insecurities. In him she can see a way to beating back the threats that plague the land.

In each other, they see hope.

Richter's abilities return to him because he needs to protect her, along with Tera and Maria. In turn, Annette isn't alone in this fight. She is a woman of color, finding herself in a strange land with people who despise her just for her skin. But with Richter, Tera and Maria? She's not alone.

They see something in one another that is worth admiring.

And one day, perhaps, something worth loving.

[annabelle--cane]

I think I'm getting a slightly different read on sam and celia's dynamic than a lot of other people. celia clearly has secrets and ulterior motives, but I think she has genuine warm feelings for sam and doesn't think what she's asking him to do poses any significant danger. when he has his "I'm totally done with this magnus stuff" phase every few episodes, she leaves the topic alone and waits until he decides "nevermind" before tossing him another lead. she seemed properly upset when she accidentally missed their date in magp 17, and there wasn't any liar static when she said she wanted to make it up to him. mind you, I think what she's doing is dangerous, but from her pov their interests in the magnus institute would look pretty well aligned. she isn't trying to be sneaky, she's trying to be as upfront as is reasonable for someone with her completely inexplicable backstory.

[ihaveforgortoomany]

Rambling about how R1999 makes you recognise and accknowledge Vertin as not a self-insert but a character in her own right.

Do you think feel disconnected in a good way when BP or in general the playerbase is referred to as timekeepers (kinda like in Genshin were referred to as travellers or trailblazers in Star Rail)

I say in a good way because Vertin just stands out so much as a character in her own right outside of the player's own motivations to see the story, this isn't us experiencing the world of Reverse 1999 like a self insert protag (nothing wrong about that lemme be clear) it is us watching Vertin explore the world, her own desires to seek the truth of the Storm.

So when reading updates and notices it feels weird being addressed as timekeeper when truly that title belongs to Vertin and not anyone else.

And by extension it is so interesting watching Streamers or ppl slowly shift from "what is happening to me" to "what is happening to Vertin" because it is a recognition by a certain point that Vertin is not a self insert character we play as but rather the main character we follow their journey with. Largely I think this happens during or after Book 3, ofc since we get part of Vertin's backstory.

(For example consider a phenomena in Omori, most people will consider themselves as Sunny as "I", "I will go over there" until something happens and its suddenly "Oh why did Sunny do that" and not "Why did I do that".)

It only helps that voicelines by other characters directly react to Vertin, such as her tendency or physical affection in hand holding or tendancy to just walk into other rooms in the suitcase.

In conclusion one of the strong points of R1999 is the fact that BP establishes Vertin as a character independent of the player's will, she drives the narrative and not the player's initiative, I highly about the story would not have such a large narrative and thematic strength without Vertin at its core, as characters and relationships will parallel, mirror and subvert her own in a certain way which I appreciate alot.

[bugsbenefit]

who's getting books and who isn't?

tells you a lot actually

in lieu of us getting a Dustin companion book soon i'm doubling down on my point about how insanely telling these books are about where the story is going. especially if you look as who is getting books. and i'm saying this both about El and Will (where it's already kind of obvious why s5 is important for them) as well as Mike (where it's also kind of obvious why s5 is important for his character but it hasn't reached mainstream awareness yet apparently lmao)

as of now Lucas, Max, and Dustin (about to come out), as well as Robin and Eddie, and even Hopper and Terry have one. and they all explore things outside of the main canon by doubling down on what filmed canon already established and adding a bit more layers since they have the time to focus on a single character (like exploring racism and how Lucas deals with it in his book, something the show doesn't dwell on, or exploring Robin's queerness, taking place before the events of s3)

and the focus these books have makes sense since they're mostly written by commissioned writers. so obviously they want to skirt any topics that delve too much into plot heavy areas where the writers a) wouldn't know where the story is going or b) even if they got notes, you don't want important lore drops that impact the later story dropped in companion books

in short we're getting extra story's about no spoilery topics the main story doesn't have time to/want to explore

which makes it all the more interesting we're already getting books about someone like Robin when you know if you asked fans what povs they'd like to see someone like El would rank significantly higher if you trust favourite character rankings. but for some reason El, Mike, and Will have never gotten one

and some of these reasons are just really obvious, especially when it comes to El and Will

1) they obviously can't just drop a book on El yet. on one hand, because her backstory with the lab is a major plot point of the show and they can't spoil it in a book (even if they tried excluding it, writing 200ish pages for a character who can't remember what happened before they turned like 8 is one of those things that would be kind of hard to avoid coming up). even post s4 there's still so many questions about her past and time at the lab, they just shouldn't give unlimited access to her inner monologue about it yet. and on the other hand, El finding her place in the world is quite literally one of her characters main recurring motives, even a companion book as innocuous as "El tries out hobbies" would be exploring something we'd kind of want to see on screen since it'd be a resolution to her character growth and not a fun side quest

2) they also just can't drop a book on Will. the fact that we never found out what actually happened to Will in the UD is already reason enough, the show clearly wants to explore it on screen later on. (now even more obvious since there's already confirmed s1 UD Will in the s5 official teasers). you really can't write a book from someone's pov who's main trauma and life changing moment is something you don't want to get into yet. just doesn't work

there's plot points the show obviously saved for later so both Will and El are pretty unfit as book topics

but with Mike that doesn't actually apply in the same obvious way. Mike not getting a book despite being the leader of the party, having the most on screen defined dynamics with the other kids, and being part of the shows "main" ship would be really odd. like. Really odd. on paper he'd probably be one of the first choices for an easy book protagonist for a fun party side quest. of course unless one of the two book deal breaker reasons applies also:

they can't give his pov because giving his unfiltered inner monologue would spoil s5

they want to explore something relevant to his character themselves on screen and it's not fit for a companion book

but again, in comparison to Will and El where the why is really obvious Mike sticks out because we don't officially know what he's got going on yet. he has no mysterious absence where we don't know what happened to him like with Will and no open ended origin story like with El

it just makes it a bit funnier to me how many people are still fundamentally unconvinced Mike has something going on that's important for the outcome of s5. post s2 the show tries to get some distance from Mike's head and he's joined the club of main characters who don't get books alongside major canon event magnets El and Will. and yeah, obviously you wouldn't want a book from the characters pov who's feelings and sexuality you're actively hiding. it's also a bit of a no brainer you don't want a companion work going into how he's not been doing so great over the past few years because the reasons for that are kind of relevant to the main story. Mike feeling guilty for El dying all the way in s1 is something that might be more fit to bring up in show when their relationship is being addressed instead of in side material

but all in all? the fact that out of all the kids El, Mike, and Will are the only ones who don't get secondary material yet is probably the biggest give away that the three of them are who s5 is planning to give the most insight on even all the in show build up aside. they're being skipped as book povs despite existing public interest and seeming like conventionally easy picks for book side stories

in the current economy around shows franchises, going against what'd be a good marketing decision is always a dead giveaway something is going on

[descendant-of-truth]

Y'know, it occurs to me - Movie!Sonic has a lot more in common Shadow than any other version of Sonic that I know of, and that creates a unique storytelling opportunity that wouldn't have been possible before.

Because originally, Shadow having a dark and traumatic backstory was what separated him from Sonic. Their similarities came out more in their confidence, their playful attitude, and even their withdrawn demeanor (though Shadow's is more extreme). Sonic's genuine ability to be carefree and optimistic was his biggest difference from Shadow.

In the movies, Sonic is... not nearly as put-together. Just like Shadow, his personality is shaped almost entirely from the result of tragedy. Both of them had to watch their closest family member get shot trying to save them from raiders (who were specifically targeting them for their powers) by sending them to Earth. The difference here is that, for Shadow, this event is fresh in his mind, while Sonic's had ten years (give or take) to accept what happened and move on.

Except, there's more, because losing Longclaw is itself not the main thing informing Sonic's character - it's the fact that he spent those next ten years in near-total isolation. Also similarly to Shadow, he took the last words his family said to him very seriously, and she told him to stay hidden no matter what. Combine that with the natural fear of what being found did to Longclaw, and the majority of Sonic's life has been spent hidden away, looking out at the world but unable to participate in it.

Remind you of anyone?

(I swear if the movie doesn't make a point about this parallel specifically I'm gonna lose it)

Normally, Sonic is a silly and upbeat character because that's just how he is by nature, and the feelings he keeps to himself are rarely detrimental to his health. In the movie universe, Sonic is silly and upbeat because he needed to be that way in order for his life to be bearable.

His constant chatter isn't quirky for the sake of it, it's a habit he developed out of necessity because there was no one else to talk to. He compulsively needs to fill the silence because not doing that would only reinforce how alone he was, and it's something he can't shake off even when he's not by himself anymore. His primary method of handling his feelings is to ignore them until they literally explode out of him with lightning firing everywhere.

All of this to say, a Shadow meant to be a foil to this Sonic is going to look very different from the Shadow we're used to. From what little about the movie's events have been described as of writing this, I'm inferring that Shadow's actually going to be a lot more open about his motivations for revenge than he was in the game, and that puts Sonic in the very interesting position of being more closed-off than Shadow.

Because sure, he might try to connect with Shadow's pain like he did with Knuckles. But because Sonic and Knuckles's history was so directly connected, they didn't really have to... talk that much about it. Sonic could acknowledge that they both lost their families a long time ago without having to go into detail about it or the aftermath. And because it had been so long since it happened, it was a lot easier for them to put it behind them and move on.

Shadow can't do that, because for him, Maria was lost very recently. He's not going to accept "you can move on and find new people to care about" as an option, and Sonic can't very well tell him to just ignore it like he did, either. Shadow isn't going to do the whole repression shtick.

For the first time, getting through to Shadow may just depend on Sonic being able to acknowledge his own pain, first. After all, how's Shadow supposed to interpret Sonic, if not as some random guy with a perfectly happy family and an obnoxiously happy attitude telling him that he needs to just, get over what happened to him? How can that come across as anything but naive and shallow without understanding how much Sonic suffered to get to this point?

(It's still a little naive and shallow even with that in mind, but the reason for that isn't because he has no perspective on what experiencing a violent tragedy is like - it's because his only known way of handling it is to leave it in the past and Not Think About It)

Though I do wonder if there's room for Sonic to initially clam up on his emotions even more after meeting Shadow for a bit? Like, he learns to some extent what happened, and is like "aw jeez if this is what could happen if I let myself be more upset about my lot in life then I REALLY need to reign it in" which is the exact opposite lesson he needs to learn but would be really interesting to watch

Point being, I think Sonic and Shadow are being set up as even more like mirrors to each other than usual, and I can't wait to see what they do with that potential

[emilibro]

Ughhh I'm so sorry to be an ass but I see so much popular art on tumblr and around the internet that really woobifies both Laios and Kabru and their relationship, especially when they're together.... You guys are aware that Laios eats monsters the way people would like. Eat animals, right? He's not crazy or stupid or sadistic or anything. He has a special interest and it's monsters.

Furthermore, his past having himself and his sister be shunned for their interests in the abnormal made him develop a distaste for humanity. Laios has just thought monsters were way cooler since he was a kid, and Falin really looked up for him for his dedication to his interests and personal code of moral ethics. He never loved his sister less for her abilities, he admired her for what made her different. Because he's fucking awesome and they're autistic as hell.... they both went through so damn much. Laios never fit into the military, into his hometown, he barely fit into most groups of adventurers since he met Marcille, chilchuck, and company, and two of the members of that original party didn't care enough to join him. His feeling of worthlessness to his friends in the beginning of the story are enough to make him imagine a whole scenario in between major chapters where he was the one who was eaten.. and he thought nobody except Falin would care enough to save him.

Point being Laios has a much richer character that goes ALONGSIDE his special interest in monsters. Which honestly is more comparable to, like. A fucking biologist. Not a monsterfucker, not a cannibal, none of that shit. Monsterfuckers are cool as a monsterfucker but he's not one.. he's more like a furry man.... And he's not stupid he's just. Autistic. Why are we making autistic characters with a silly side seem stupid? Everyone has dumb moments sure but like.. he's really smart guys... there's a reason he's such a good leader outside of his ability to listen to his party members. Don't fall for the mischaracterization of Laios that his party members originally set for him before major important arcs guys...

And Kabru. Oh my God. Kabru. Kabru is also autistic but for humans, social interactions and culture... he's a nerd for politics and the humanities, and I'll avoid saying much more to avoid spoilers for non-manga readers but you'll see more of that as time passes. But he's not the type to be easily flustered. Laios only gets to him, not even because he's that difficult to read, but because he catches him off guard. He's an interesting critter, bro. And Kabru definitely sees that. It takes time to respect that, but within a period of time he learns to see him as a relatively competent adventurer and places a lot of faith from him. On some level, this guy has learned to understand this very interesting autistic guy who is forward with his feelings that a very autistic Kabru hasn't learned to understand. That's what makes their relationship so cool, man. He's not cold in reality (though people may perceive him that way due to backstory motivations and attitude within the dungeon), but he's a lot more serious than this... c'mon guys.. let's be a little real here please.... at this point I barely like Labru anymore because they've been so like. Babied. Woobified. Whatever the word is man. I'm starting to appreciate their friendship more as a friendship now because I just think the beautiful qualities I saw in their romance have been sort of overlooked or misinterpreted. Nowadays I just think their platonic relationship is beautiful. Sighs.

Farcille is awesome though and these girls are awesome slay

-

Edit: hey guys, I wanna address a couple of things here! For one, this isn't intended to be ship hate. Labru is a perfectly valid ship - rather, I'm just not a fan of how deep the mischaracterization of both characters runs, and how it results in the subsequent babying of their relationship. While it's driven me personally away from the romance a bit, I have no problem with the ship itself. Additionally, Farcille has its own issues with woobification that could use some addressing, I just haven't had to see as much mischaracterization on my feeds. Maybe in a future post I'll address some of my personal peeves with many people's characterization of Farcille, ESPECIALLY Falin.

[thearkman360]

How Batman: Caped Crusader wasted Firebug

(MAJOR SPOILERS for Batman: Caped Crusader & Batman #318)

Hoo-boy, this is gonna be a long one...

When I heard that Firebug was going to be used in Batman: Caped Crusader I didn't pay it any mind outside of "Oh, using an obscure Batman villain that's like Firefly who isn't Firefly" and when I watched the episode with Firebug I found him to be a funny little goober villain played by Tom Kenny, that might as well have been Firefly, and nothing more. I was a bit shocked by his death since it was very sudden but other than that I didn't care.

After this I decided to look up Firebug and discovered that he has this whole backstory and motive not used in the show. In the comics, Firebug is a veteran named Joey Rigger that targets and burns down apartment buildings in Gotham City not out of rabid pyromania but out of a sympathetic cause; the buildings are deathtraps! (well at least the first two, the third was just bad luck)

His baby sister was killed after ingesting lead paint chips from the walls of the apartment the Rigger family lived in, his father was killed after falling through some stairs and breaking his neck in a different building they moved into after Rigger's sister died, and his mother had a heart attack when the elevator she was in got stuck.

Joey was serving the military at the time when all of this happened, leaving him with a strong sense of guilt. After coming back home, now with demolitions expertise, he decided to ensure that nobody would ever be harmed by the apartment buildings again and that's why he burns them down as Firebug. His plan is to just destroy the buildings that killed his family and then go back to normal. He even sends anonymous tips to the police so that people can evacuate in time, though he first encountered Batman when he was saving people that were still stuck in the building. Not saying his actions are morally correct, the third building was literally just a bad elevator, but you can't really blame him.

Eventually, Batman foils Firebug from destroying the skyscraper that killed his mother and Firebug tries to suicide bomb himself, Batman, and the skyscraper but jumps at Batman, who dodges, and Firebug falls out of the skyscraper and explodes.

Firebug is a really interesting and sympathetic character. In a way he's a dark parallel to Batman; their families were killed by a part of Gotham City, they have expert training in their field, and put on a silly animal costume and try to enact vengeance on the part of Gotham that killed their families.

In Caped Crusader, he's Firefly with a name change. They have Flass and Bullock mistakenly call him "Firefly", he's a deranged pyromaniac, and he has nothing more than that. Why?! Why not just have him be Firefly? Firebug has had two successors, Harlan Combs (a suburban father that murdered his kid's babysitter) and the third Firebug was some asshole that bought Joe Rigger's shit from an auction.

In the Caped Crusader episode "The Night of the Hunters", Firebug targets the slums of Gotham and tries to burn them down. Why not incorporate his backstory and have these slums be where his family died? In the comics, Joey Rigger was depicted as African-American in his first appearance and then white from then on. I'm surprised they didn't have that be part of the plot. Joey's neighborhood was a slum overlooked due to its African-American population and that resulted in poor living conditions that killed his family. But nah, they just had him be bootleg Firefly.

TV show screenshot: Batman: Caped Crusader

Comic screenshot: Batman #318

[nias-nook]

Bill Cipher and The Unicorn in Captivity

Soooo, I haven't been looking at Bill related posts much since the book dropped as I have mixed feelings on what TBOB and the subsequent site have revealed about him, his motives, his backstory etc., but (and maybe someone beat me to this) one thing I haven't seen anyone talk about yet is this,

So maybe I'm stating the obvious here, but this is The Unicorn Rests in a Garden, also known as The Unicorn in Captivity. This piece was a part of The Unicorn Tapestries. Its origins are shrouded in mystery and super interesting but I'm not really gonna touch on that here.

Now there is something to be said about how this one piece, and the rest of the tapestries tie to Bill. I'll briefly go over what the tapestry meant when it was made then dive into what contemporary interpretations of the piece say about Bill and his fundamental inability to redeem himself.

Also just want to establish before we get into this that I am...Not a scholar when it comes to this stuff. I just happened to recognise this tapestry and its symbolism when it dropped on the website and had to put my thoughts somewhere. I might add more later if I've forgotten anything, which I probably have.

Given this was a piece made in Europe in the Middle Ages, it's perhaps unsurprising that a lot of interpretations of it are biblical, but we can (mostly) safely assume Hirsch isn't going for a Christ allegory here. Then again, maybe he's going for nothing and all of this is pointless.

What is a little interesting in the wake of TBOB is its ties to marriage.

These tapestries are heavily theorised to have been made to celebrate a wedding, and their comparisons of love and marriage to a hunt that inevitably leads to the imprisonment and taming of your lover. Of course, Bill quite literally suggests this method in the book with The Love Cage that he uses in Weirdmageddon, but there's a million 'Billford is canon' posts (though I think that's reductive at BEST) out there so let's table that as it's pretty self-explanatory. Bill and Ford have been hunting each other for decades and Bill imprisons him in a so-called 'Love Cage' to try and convince Ford to be his 'partner' (be it platonic or romantic). This is what a victory in a relationship is to him.

What I'd like to focus on is the modern interpretation of The Unicorn in Captivity as a self-imposed prison.

"Look at that little unicorn! The beatific smile. He's happy now. He gets to live in a beautiful garden."

"Yeah, in a cage."

"A protective barrier. No one's hunting him anymore. Nor can he hurt anyone with that horn of his."

This summary of the piece is taken from the aptly titled Unicorn in Captivity from another animated series, The Venture Bros. (which, by the way, if you're looking for another show that's a whimsical and fun riff on 80s pop culture with a big mystery element, highly recommend), but this of course isn't the first piece of media to portray it this way. the most notable being The Unicorn in Captivity poem by Anne Morrow Lindbergh.

The unicorn is, on the surface, a prisoner. The Theraprism that Bill is now trapped in is a place he longs to escape, but that's the thing, isn't it?

He could escape any time he wanted to.

Bill, like the unicorn, is trapping himself more than the Theraprism is trapping him, but his situation isn't to be pitied, it's karmic justice. What's so satisfying about Bill's eventual comeuppance is that he's the one making himself suffer. The only thing Bill needs to do to escape is to admit he was wrong, to stop revelling in the suffering of others, but...Well, he chooses not to.

He could slip his head

From the jewelled noose

So lightly tied -

If he tried,

As a maid could loose

The belt from her side;

He could slip the bond

So lightly tied -

If he tried.

For all of his guilt about his parents and his so-called 'dark and troubled past', Bill has never regretted a single person he's hurt since. He didn't regret taking over the world, he regretted being caught. He didn't regret hurting Ford, he regretted losing him. Bill will probably be doomed to wallow in the Theraprism for all eternity, cursing his situation and blaming everyone else for his inevitable downfall. An overgrown child who once had too much power and lost it all throwing a tantrum for the ages.

But now he can't hurt anyone with that horn of his.