#or i will say something i was thinking about and people will get all cynic on me or something

[quaranmine]

i think the whole cringe is dead, radical sincerity, depth of genuine emotion, earnest effort, and unironic love thing that tumblr has going on the past few years has transformed my outlook on things and changed me for the better. but it does mean that now the people i know irl will give me strange looks for being too sappy or too poetic or too dedicated or too excited about about something because they're still stuck in their "well i only like this ironically" phase. guess that's their problem tho not mine <3

[seveneyesoup]

ngl i’m still worried. like i Do have complete faith in ncuti gatwa but what i Don’t have is much faith at all in rtd’s writing about race

[glindyupland]

I just think it’s silly that so many people complain about Villain Amaya as “wasted potential” and that “we were robbed” like-

My pals, post canon fan fiction is right there. The desire to free her husband is right there. Either by touching an evil book while being too eager to remember the obsidian oil, or being possessed by contact (ie what she believes is true loves kiss) when trying to reason with him in the dungeon.

We don’t need a rewrite, we can have a continuation. Both can be true. Amaya is a complex character, she can handle it.

[rivilu]

niche memes from yours truly once again

[therevengeoffrankenstein]

openly weeping at the idea of someone genuinely hating soul punk.

[musical-chick-13]

.

[pyrrhiccomedy]

I feel like we need a refresher on Watsonian vs Doylist perspectives in media analysis. When you have a question about a piece of media - about a potential plot hole or error, about a dubious costuming decision, about a character suddenly acting out of character -

A Watsonian answer is one that positions itself within the fictional world.

A Doylist answer is one that positions itself within the real world.

Meaning: if Watson says something that isn't true, one explanation is that Watson made a mistake. Another explanation is that Sir Arthur Conan Doyle made a mistake.

Watsonian explanations are implicitly charitable. You are implicitly buying into the notion that there is a good in-world reason for what you're seeing on screen or on the page. ("The bunny girls in Final Fantasy wear lingerie all the time because they're from a desert culture!")

Doylist explanations are pragmatic. You are acknowledging that the fiction is shaped by real-world forces, like the creators' personal taste, their biases, the pressures they might be under from managers or editors, or the limits of their expertise. ("The bunny girls in Final Fantasy wear lingerie because somebody thought they'd sell more units that way.")

Watsonian explanations tend to be imaginative but naive. Seeking a Watsonian explanation for a problem within a narrative is inherently pleasure-seeking: you don't want your suspension of disbelief to be broken, and you're willing to put in the leg work to prevent it. Looking for a Watsonian answer can make for a fun game! But it can quickly stray into making excuses for lazy or biased storytelling, or cynical and greedy executives.

Doylist explanations are very often accurate, but they're not much fun. They should supersede efforts to provide a Watsonian explanation where actual harm is being done: "This character is being depicted in a racist way because the creators have a racist bias.'" Or: "The lore changed because management fired all of the writers from last season because they didn't want to pay then residuals."

Doylism also runs the risk of becoming trite, when applied to lower stakes discrepancies. Yes, it's possible that this character acted strangely in this episode because this episode had a different writer, but that isn't interesting, and it terminates conversation.

I think a lot of conversations about media would go a lot more smoothly, and everyone would have a lot more fun, if people were just clearer about whether they are looking to engage in Watsonian or Doylist analysis. How many arguments could be prevented by just saying, "No, Doylist you're probably right, but it's more fun to imagine there's a Watsonian reason for this, so that's what I'm doing." Or, "From a Watsonian POV that explanation makes sense, but I'm going with the Doylist view here because the creator's intentions leave a bad taste in my mouth that I can't ignore."

Idk, just keep those terms in your pocket? And if you start to get mad at somebody for their analysis, take a second to see if what they're saying makes more sense from the other side of the Watsonian/Doylist divide.

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[thenyoumightaswellwrestleangels]

Do you know that I love you? (do you know that you shouldn't?)

love is not designed for the cynical - series masterlist here

pairing: jason todd x reader (gender neutral)

length: 1.7k

genre: hurt/comfort, angst with a happy ending

warnings: jason's injured and there's blood but it's not too graphic, except that it describes giving stitches, sometimes people get mean when they get scared, biting like a misbehaved dog etc etc

a/n: there is a fatigue seeping into me that I fear is building a home inside my chest :) how are we all doing this evening do we like this are we excited for the dc event announcement on sunday

You hear another muffled curse from the other side of the bathroom door, Jason's voice tight with pain. The sound makes you press your lips together firmly, your jaw tense as you stand in the hallway of your shared home, leaning against the wall with your arms crossed.

"Jason -" you start again, but his voice cuts you off.

"No."

"Let me help you," you continue, an exasperated sort of fatigue in your voice. Somewhere in your kitchen, you know that the clock is ticking well past 4am. 

"You don't need to be here for this," Jason says stubbornly and you scowl at the closed door. You wonder, for just a moment, if he locked it - or if he simply trusts you enough to know that you won't go where you're not wanted.

"You can't put stitches in our back on your own," you say stubbornly, and a sigh is heard through the barrier between you as you thump your head back against the wall to stare at the dark ceiling. But then the door swings open slowly and Jason's face appears, haloed by the light pouring out of the bathroom.

"Help me, then," he says tightly, and you draw yourself up to a full stand, moving past him and into the small space. Jason sits on the edge of the bathtub and faces the wall while you rummage around the first aid kit, rolling his shoulders and wincing at the rushed, messy bandaging covering the slash across his back.

You don't say anything, of course - there's no need for an I told you so in a space like this, but you do click your tongue disapprovingly when you crouch behind him to pull back the bloody gauze.

"You don't need to be so stubborn about this, you know," you say softly as you begin to clean the damaged skin. There's no attack in your voice, no righteous demand that he become something that he's not.

It's just love… and the patience that comes with it. 

Jason sighs at your words, though, like he's being tried in court and found guilty. He shifts, his fists clenching as he hangs his head and stares down at the white porcelain of the bathtub and the bloody bandages that you've thrown in next to his feet, the red staining everything that it touches.

"I don't want you to have to see me like this," he says eventually, a tired sort of resignation in his voice. You huff out a breath.

"I've seen you dead, Jason," you point out flatly. "I'm not sure why you think this would be worse."

"Don't joke about it," he snaps before he can stop himself, something mean and angry flashing through him before regret begins to wash over him.

"Why do you think I'd joke about loving you?" You ask it quietly, pressing a needle to his skin as you begin to put him back together, as you smooth over wounds and blur out the scars that he's sure would bloom there without your help.

Jason sits quietly, lets his head hang as you work and listens to the slow rhythm of your breathing as you move your hands across his back, as you love him in the only way you know how.

"Sometimes, I just don't know what to do with you," he admits, his voice low and wavering. That makes you pause, makes your hands freeze for just a moment before they continue, slower now than before. 

"I suppose that was going to happen eventually," you offer softly. "Neither of us are really who we used to be… I'm not sure we can, I don't know, fall into step with each other the way we did before…"

"Before I died?" Jason supplies. You tap him on the back of the head with your knuckle in a reprimanding sort of way - just like you used to do when you were kids.

"Before we grew up, I was going to say," you explain dryly, and Jason laughs a bit, a huffed-out breath that he can't really find in himself to stop. You roll your eyes rather fondly and a quiet settles over the two of you, nothing but your breath mixing with his and the faint rustling of your working hands filling the space as he settles. 

But then you finish Jason's stitches, tying off the thread and taping down a new, clean bandage before tapping him on the shoulder lightly to let him know that you're finished. He swings one leg up and over so that he's straddling the edge of the tub and watches as you stand, wincing and letting your knees pop.

"You should've said something," he chastises gently as you lift one of your own legs into the tub, straddling the porcelain to sit face-to-face with him and let your knees bump against his.

"I don't mind," you say easily, and a frown tugs at Jason's lips.

"See, that's what I mean," he murmurs, smoothing his hands across your thighs to rub gentle circles over your knees where he's sure the tiled floor had been digging into your skin. "Sometimes I just don't know what to do with you."

"What do you mean?" You ask softly. Jason looks away, staring at the blood-soaked bandages sitting in the tub. You follow his gaze, of course, just enough to see what he's staring at and then look back at him with your head cocked curiously to the side.

"Sometimes you act like you don't care at all," he says flatly, his hands tightening their grip on your knees.

"When I act like I care, you act like it's killing you," you point out gently, watching as Jason's lips turn down into a scowl as he watches his own blood drip towards the drain.

"Sometimes I think it is," he says dully. You reach to brush a few of his curls back, his hair unruly and mussed from the night as sweat sticks to the strands.

"Then what do you want me to do, baby?" you ask quietly, letting your fingernails scratch over his scalp rhythmically as he sighs and closes his eyes and leans into your touch.

"I want you to let me see you," he replies honestly. "I want you to let me here there for you."

"Not sure you should be saying that," you respond easily. "Something about living in a glass house and all that."

"What do you mean?"

"You locked yourself in the bathroom to bleed out alone so that I wouldn't see it," you point out. There's no accusation in your voice, no cold, hard edge or betrayal to be heard. But Jason's shoulders tense all the same as he opens his eyes and takes your hand in his to press kisses across your knuckles. "You don't need to protect me from yourself," you continue gently. 

"Neither do you," he retorts, the same kindness and love coming back to you in waves.  

"I'm just…" you begin, letting your eyes flick around the bathroom as you feel yourself suddenly under scrutiny. "I'm trying to be there for you."

"That's my job," Jason says firmly. "You gotta let me be there for you." You sigh at that, something long-suffering and loving as you look back at him and lift a brow. 

"When are you going to learn that I love you?" You ask softly, and Jason looks at you like you've pointed a gun to his chest.

"When are you going to learn that you shouldn't?"

"I don't think you get to make that decision for me, Jay," you offer with a shrug. "I think I've earned the right to decide my own life." He sighs at that, looking at you like he loves you too much and doesn't know what to do with it, before he reaches for you.

"C'mere, baby," he says it quietly, a whisper pressed against you as he wraps his arms around your waist and hauls you into him, letting your thighs rest overtop of his as you settle into his lap. "You know I love you, too, right?" he asks softly, his lips pressing kisses over your cheeks.

"I know, Jay," you respond soothingly, tangling your hand into the hair at the nape of his neck. "Maybe we'd both… maybe we'd learn a thing or two from showing it more, hm?" Jason laughs at that, burying his face into your neck as he sighs and rocks the two of you back and forth gently.

"I'll show you mine if you show me yours?" he offers, his voice muffled as his lips press against your skin. You tap your knuckles to his head in another chastising manner, but you also smile as you lean down to kiss the crown of his head. 

"I wouldn't mind that," you say quietly, and when Jason lifts his head to look at you, there's no hint of joking in your face. You smooth a hand over his cheek and he lilts his head to place a delicate kiss on your palm while you watch him, your eyes big and loving in a way that makes him feel a bit naked. 

"Yea?" his voice wavers as he asks, his hesitation festering inside him, but you just smile in that gentle, loving way of yours and smooth over the crease between his brows with your thumb.

"Yea," you say easily. "You're not hard to love, Jay. It just takes a bit of practice for us to learn how to give that love."

"And you'll stay with me long enough for me to learn?" 

"Long enough for us to learn," you correct gently, leaning into him to kiss him softly. "And hopefully a whole lot longer than that." He laughs against you at that, chasing your lips as his arms wrap around your waist a bit tighter.

"Well," he says as he pulls away just enough to let his lips brush against yours. "I'm sure as fuck not letting go." You laugh at that, something loud and honest and a bit more carefree than either of you are used to.

"Good," you say easily. "We'll do it together, then."

[felassan]

Compilation of snippets from the DA:TV acting talent panel at SDCC (Dragon Age: Meet the Heroic Companions of Thedas) today (July 26th). DA:TV spoilers under cut.

Huge props and tysm to the users who live-tweeted and clipped this panel, you are heroes 🙏💜!!

The panel was moderated. In attendance were John Epler, creative performance director Ashley Barlow, and the actors of Lucanis, Neve, Emmrich, and Harding - Zach Mendez, Jessica Clark, Nick Boraine, and Ali Hillis respectively.

The panel ended with a Q&A session.

(BioWare have stated that a recording of the panel will be made available at a later date.)

Edit/update: I've now been through this post and tidied it up :)

---

Here are some pictures from the panel [source]

Here are some more pictures from the panel [source]

In this Twitter thread there are also some video clips of parts of the panel [source]

BioWare tried to avoid spoilers in the panel [source]

Key points/summary of DA:TV: hunting Solas, found family companions, stop the elven gods [source]

When auditioning the companions, BW were specifically looking for character chemistry [source]

BW used motion capture for the game [source]. Mo-cap was mentioned a lot in the panel [source]

Lucanis sees assassination as a job. His mind is as dangerous as his knives and he is also "kinda hilarious" [source]

There was mention of other Crows [source]

Zach Mendez read Tevinter Nights like three times [source]

A clip of the actors doing mo-cap was shown [source]. Photos of Zach mo-capping for other characters was shown [source]

BioWare said that Zach brought a certain darkness to Lucanis [source]

Zach is excited for the romance and is looking forward to the stats [source]

Zach mentioned that he used his own relationship with his brother in his portrayal of Lucanis [source] (surely this means ILLARIO.. ?👀)

Zach played a lot of darkspawn originally while auditioning [source]

Ali Hillis really welcomed Zach into the DA family [source]

Neve is from Minrathous. She has fun banter and is a cynical detective with a heart of gold. They want to show a rebellious side of Tevinter [source]

Jessica Clark loves Neve's loyalty, dedication, and different vision of Tevinter

Neve is fighting for the people [source]. Jessica: "She is really really fighting for those people, and she loves those people. So, yes, she's cynical, and yes she's kind of tough and brusque and all these other things, but when they say there's a heart of gold, there really, like, to have that kind of a passion and dedicate your life to something like that, I think that's definitely my favorite part about her" [source]

Jessica loves how much Neve loves Docktown and its people [source]

Neve sees a different vision for Tevinter than what has previously been depicted in the series [source]

The actors were separate from one another while recording lines but still bonded really well and organically [source]

There are several Veilguard gc [source] (groupchats?)

Ali is an angel and very supportive of the new cast [source]

Emmrich is a "stone cold silver fox" (this is a quote from the panel moderator) [source]

BioWare knew the reaction they would get about Emmrich from the fandom [source]

Nick Boraine feels like he's been preparing for Emmrich all his life. He's obsessed with death (as a comfort and not scary) and enabling people to transition into death. He is attracted to this aspect of the character [source]

"You're gonna need a dictionary for Emmrich" for all the magic spells [source]

"Interesting how this character caught fire compared to the other sexy characters" [source] (I think this was said wrt Emmrich?)

BW had a great time recording with Nick, he is a very consistent actor [source]

Nick and Matt Mercer have never met [source]

Manfred plays off of Emmrich. "I set the tone" [source]

What has Harding been doing in-between DA:I and DA:TV? She's been working closely with Varric and the Inquisition remnants. She and Neve already met in the comics [source]

Ali vividly remembers the beginning of voicing Harding, she says it's brilliant writing. She really thought of Harding's personality and traits. She's so happy to be back [source]

wrt the Covid-19 pandemic and the year 2020, BW had to pivot with working remotely and were able to push through their projects. [source]

"[Harding] chasing Solas for a decade..." "that was a great relationship that [you] developed... and now I'll stop talking now". Ali was excited [source]

John Epler talked about how companions may but heads, and won't be predictable [source]

There are thousands and thousands of lines and so many characters to meet [source]

Zach "unfortunately has been around the DA Reddit before recording as Lucanis" [source]. He feels inspired by all the fans and cannot wait for us to play it [source]

[new textblock due to character limit!]

John Epler on Emmrich: "I mean honestly, I will say, like, we expected a great reaction to Emmrich. Went beyond what we expected for sure. But it’s been fascinating to see, because again, Emmrich is this character, he’s more of the professorial, more, he brings a wisdom and kind of a calmness to the group, so even when things are at their worst, there’s that one person in the group who is kinda like, ‘okay, y’know, we've got, let's figure it out, let’s take a deep breath’. And just his journey through his character arc, and his interactions with the others, it’s been fantastic to see. Even just finding opportunities for him to bounce off the other characters, you know, the way he talks to Bellara, the way he talks to Neve, it’s all so different, but it’s also just, again, based around this core of this warm, kind-hearted, professorial necromancer. Which, again, is not something you see a lot of in media. I mean, usually, necromancers are depicted in a very specific way. But it’s been, it's awesome to see how Emmrich has grown and just, really one of the most, one of my favorite experiences has been just working with Emmrich’s writer, working with Emmrich as a character." [source]

All the actors are excited about the dialogue and narrative, and for us to explore DA:TV [source]

Ali says that we will really find ourselves in this game [source]

During the recording process, the actors all hear the previous person's recording and react or respond to it [source]

Due to Covid-related lockdown, a lot of recording was done over Zoom, and the writers besides Ashley Barlow (creative performance director) would jump in on the call to talk about the previous person’s lines [source]

A question was asked about the background factions. "Characters not causes". [source]

You can work with the Grey Wardens in the game (for example) [source]

The actors all met this weekend. They are an "un-chosen" family [source]

Zach stood in for multiple characters for mo-cap, for example he was Assan [source]

Lucanis has a heart but is stubborn and stuck in his ways. Zach is excited for fans to help his character open up as the story progresses [source]

Jessica is incredibly honored to join the DA universe. She is new to voice acting for video games. “This is play pretend. Playing Neve allowed her to step into her power.” [source]

A question was asked on what their first exposure to fantasy was, and do they implement this into the acting? John talked about Lord of the Rings and how every media you experience will seep out into your work [source]

Ashley didn't want the dialogue to sound modern [source]

Zach loves Theseus and talked about the symbolism in DA [source]

Jessica loves Greek mythology and lore [source]

Nick talked about The Hobbit and how he would dress up in big boots and a cape when his mother would read to him [source]

Ali recently went to Greece and felt like she saw DA everywhere [source]

A question was asked - "From your companion's perspective, which previous companion would you romance?" Zach kind of has a thing for The Iron Bull, saying "oh that awakened something inside of me". He also likes Dorian. Jessica was too overwhelmed to answer. Nick was also overwhelmed by the question, but thinks Solas is sexy [source] [source]

Ali fangirled over Lucanis and Emmrich [source], prefers Emmrich [source]

A question was asked - "Is DA:TV and DA:I streamlined together?" [paraphrased]. Answer: DA games are not as streamlined as Mass Effect and act almost as standalones [source]

The cast were asked about which aspect of their character is their favorite. Ali loves the little quirks about Harding. "Lucanis is a good cook!?" ** Neve is very dry and pretty closed off about it. For Emmrich, it's the "exploration of the idea of death and necromancy" [source] (** FINALLY CITATION for this? :D)

A question was asked: "How do you decide to introduce the lore in each game?" BioWare answered that it depends as they build each game. They always know the base lore, and see opportunities through game mechanics and characters. They try not to infodump [source]

A question was asked: "Any favorite party banter?" Ashley Barlow said to listen for "hand to bone combat" [source]

The game takes place approximately 10 years after the end of DA:I. You start the game hunting for Solas. The game is built on some core principles: be who you want to be in a world worth saving and with characters that matter. The companions are always at the heart of DA and they are at the heart of this game too. [source]

The moderator asked John Epler about what is bringing this party of people ("this rogues' gallery") together. John: "I mean, it's the end of the world, and each character that you bring into your party understands that the world is ending, that they need to stop that, and you're really building, what I would say is, more of a found family. These are characters who may not start off liking each other, may not even start off liking you, but over time they grow to understand the importance of what they're doing and just, how critical it is to stop the elven gods" [source]

"He is kind and has some spectacular lines. He is a natural nerdy scientist. He loves learning." [source] (Emmrich? ^^)

Ali didn't realize that Harding was such a beloved character. She thanked fans for bringing this character back [source]

Ali is super excited that the game is releasing. She said that there has been an evolution to Harding's character and that she's been chasing Solas for like a decade at this point [source]

Jessica loves the writing in the game [source]

Nick loves its narrative [source]

Ali said that this game is going to take you into a world that will blow your minds [source]

On Manfred: Nick was asked what it was like having another character to bounce off of. He said "Oh man! I mean, that is such a hard question, because Matt and I have never met, and we worked completely separately, and, I, I mean I know that the rapport is really great, but it's in the ether, I mean it is just, the magic that these guys create, telling us how to respond, how to do that, but it's, I can't wait to meet Matt" [source]

BW still said that the game's release window is Fall 2024 [source]. Nothing more specific was given [source]

There are also more snippets here in this Tumblr post, go check it out!

[source, two]

[mr-ribbit]

gonna rant again bc im seeing a lot of trans women on my dash having to carry the heavy lifting to argue for their basic respect and a lot of other queer people who want to ??? get mad about that apparently. for the record as usual: im tme, im not speaking for anyone besides myself and my perspectives, but I am trying to reach out to fellow tme people to level with y'all from inside the house.

i thought we all got past the 'calling people gendered terms when theyve asked you to stop' thing in like. 2012. i swear we were allllll on board with not calling women dude anymore, nerfing sir and ma'am, neutralizing collective terms for groups, and all of that was like, during the onceler era. that's how we got off-putting shit like folx into the mix - remember???? why are we here again.

to those who I've seen claiming that they REALLY genuinely don't want to offend anyone, and that theyre trying to understand the dude thing, and they don't want to be seen as transmisogynistic when they aren't: ok. let's talk about it. step one, stop sending that really loaded anon to a trans woman you don't know, and close that in-group hatepost with 100 replies from people name-dropping trans bloggers they don't like. try to open your mind and assume for the duration of this post that I am not cynically trying manipulate thousands of tumblr users into making Bro the next big swear word, but a fellow queer human being who thinks you're all being pretty intentionally obtuse about an upsetting trend in our community

to be clear: this post is about the issue of trans women being called bro, dude, man, etc., particularly in recent tumblr discourse about transmisogyny, and the backlash they face if they get upset about it. this is also maybe moreso about the shitty ass excuses I see tme people make for why they supposedly can't stop doing this.

so let's go through some of the things I've been seeing people say they don't understand, supposedly in earnest, about this issue

"I DIDNT USE DUDE AS A MASCULINE TERM. I CALL EVERYONE BRO. MAN IS A GENDER NEUTRAL TERM"

I'm not actually going to exhaust my list of reasons why dude/bro/man are not strictly neutral, but you should be pretty aware that all words have context. Dude might be seen as neutral in many contexts, sure, but 'woman who is frequently called a man by others' is a situation where the context adds extra meaning to your words, just like calling someone "sweetie" might be neutral in some cases, but if you've got the context of knowing that's your coworker who's half your age, it's a bit less neutral. If you're not capable of reading that context and being tasteful about when you say dude, then you need to at least be ready to respond gracefully when someone asks you to stop. This is the part I'd rather focus on.

"BUT I DIDNT MEAN IT THAT WAY. IM NOT TRANSPHOBIC"

I think you should consider broadening your perspective *beyond* your intention behind the word. people may already understand that you meant the word neutrally and therefore didn't have transmisogynistic intent, but that's not really the entire scope of what people are saying. if that's your only concern, you're just trying to clear your record, not actually listen to what they're saying.

there are lots of words people don't enjoy being called, and in most cases, when they say 'pls don't call me that', people respect that and move on. even if the word isn't a slur, if it hurts someone's feelings, we all as a society have agreed that it's pretty shitty to keep calling them that. if your friend asked you not to call them 'buddy' anymore because their dead grandparent called them that, or something equivalently personal, you'd probably respect that instead of telling them 'but I call everyone buddy!!' right? even if you didn't really understand why it bothered them so much?

there is a prominent tendency for trans women to be denied this privilege, and when they ask not to be called dude or bro, people don't seem to respect this request as much as they would in other situations. when I accidentally use a gendered word and someone tells me they don't like it, I try to respond with something like "my bad, I didn't mean it as misgendering but I can see you were still bothered by it, so I'll try not to keep saying it. sorry!" and most people are willing to accept that. when trans women ask people this favor, a lot of people get VERY defensive, and treat the request as inane or unfair, instead of just apologizing and moving on. this is why people are upset when this happens, and it's why people are calling your actions transmisogynistic

also like you might not be doing this, but a lot of people DO use dude and bro in an intentionally gendered way to make trans women uncomfortable. it's a power play bigots use to talk down to them or otherwise maliciously harass them. do you know what arguments they use to defend that behavior when called out on it? 'oh I call everyone that' 'dude is gender neutral calm down' 'dont overreact its just a word'. by acting like this, youre all just giving credence to those same arguments.

"WELL THEY SHOULDNT GET SO MAD AT ME WHEN I DIDNT MEAN ANY HARM"

they can get as mad as they want!! also, are you sure they're 'mad'? or are they just expressing their feelings about a negative topic to you, and it makes you feel bad, so you have to make them out to be unreasonably emotional? how do you think they should have phrased 'dont call me that' to better spare *your* feelings?

also like, in most cases, these women do not knowww you. if your main response to someone saying you disrespected them is to say "I didnt mean it that way, I meant it in a friendly neutral way", well that's NOT YOUR FRIEND! she has no idea what your opinions are or what you think of her!!! she has no reason to assume you only upset her in a friendly way and not a bad unfriendly way! but she did get upset, and she did the one thing she can do which is *tell you what upset her* and your response is to say "well actually you shouldn't be upset at all"??????

and another thing:

it's not just the issue of using the word 'dude', it's because you're coming off extremely dismissive of women who have asked you to stop doing something that harms them, and because your argument is basically that they just shouldn't be so bothered by it. or that they're stupid, irrational, or otherwise crazy for telling you that it bothered them at all, just because you Technically used a gender neutral word according to Your Rules. be honest, does that seem fair? If people were calling you something that bothered you enough to ask them to stop, and they responded like this, how would it make you feel?

focusing solely on your intent and what the words mean when you use them is the same thing as saying "just get over it". no woman should need to Prove to you that 'dude' is gendered for you to care about what she's saying. the fact that you're asking people to do that sucks and makes you look bad, which is why people are arguing with you and calling you a misogynist.

especially those of you who are only doing this with trans women who are actively arguing with. you're wielding misgendering as a cudgel and we can all see it, grow up please.

[asidian]

One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.

[ckret2]

Chapter 72 of human Bill Cipher being 50% the prisoner & 50% the weird guest of the Mystery Shack:

Soos makes a deeply significant moral decision. To redecorate!

If you're seeing this picture, it's because I either didn't have enough time to draw a better one before the queue spat out this chapter, or I decided that nothing else I could draw would be half as funny.

####

Whenever Soos faced something difficult, he talked to Abuelita. And Bill was nothing if not something difficult.

Soos laid out the situation to her in the living room as she watched her telenovelas—she didn't mind the distraction, she far preferred real life drama over anything they put on TV. He told her about the confiscated canes, the daily injuries, the bargaining for food, the threat of forced showers, the bruises and burns and blood Bill said nothing about. He told her about Bill's door trick and how he'd only used it to talk to a teen about life and tuck a kid into bed. Once he'd told Abuelita all his thoughts, she nodded slowly, eyes still fixed to the TV screen; and for the moment, said nothing.

The doctor on TV confirmed the tearful new mother's suspicions that her husband had cheated (DNA tests confirmed the baby was another woman's), and Abuelita muted the show as it went to a commercial break. Soos waited as she collected her thoughts to render her judgment.

"I have been talking to Mr. Cipher for the last month or so. He keeps me company while I cook so I do not poison him again," she said. "I think he is ruthless, manipulative, and self-centered."

Soos winced, but nodded. "That's true."

Abuelita went on, "I like him. He is self-confident. He's blunt in a way you only get when you're old and cynical. I think he is a bad person; but, many bad people are good company."

"That's also true." Soos nodded again thoughtfully. Like whenever a comic book had a young idealistic superhero team up with an old jaded ex-villain who played by his own rules, and they ended up best friends, in spite of their glaring ethical and political differences.

"But, more importantly than whether he is a good person or a bad person," Abuelita said, "he is a person. And if you do not like a person, there are three ways you can deal with him." She counted off on her fingers, "You can kill him; you can avoid him; or you can set your feelings aside, and treat him with decency. Yes, get rid of the people who are bad for you—but no matter how terrible a person is, you must treat him like a person."

Soos's eyes lit up. "Oh, like with grandpa!"

Abuelita nodded slowly. "Yes. Just like grandpa."

"Yeah but—what if treating him decently is, you know... dangerous? Like if he uses any privileges we give him to do bad stuff? The Pines think he will. And I think he might be secretly talking to his cultists or whatever? Who miiight wanna destroy the world? But what if they can't destroy the world actually, and if I tell about the people he's talking to, he gets treated even worse..."

"Without his devil powers, he couldn't destroy a bookclub," Abuelita said. "But, if he is so dangerous, are you going to kill him?"

"No. I actually don't think we can anymore?"

"Are you going to avoid him?"

Soos let out a heavy sigh. "I can't as long as he lives here."

Abuelita shrugged, as if to say there you have it. "You are a good, kind man, mijo. I am sure you will figure out the right thing to do."

####

He took Melody out for lunch. They went through a drive-thru so they could park and talk privately in the truck.

She took a firmer stance on it than Abuelita. "I do not want to be stuck with Bill forever," she said. "I could put up with it this long because I thought the Pines would get rid of him as soon as possible! Now that he's staying here indefinitely...?" She shook her head. "I really don't like it, Soos."

Soos wasn't surprised. "Do... you think they should have 'gotten rid' of him?"

Melody paused, then shook her head again. "This whole thing is such a bizarre situation. Like, I can get why it makes sense to execute the guy that can end the world, but... I just don't think that's a decision two random guys with a big gun should be allowed to make," she said. "Honestly? I think we should call some federal agency and put him in jail somewhere. You know I've been iffy on Ford's 'only we can contain Bill' thing from the start."

"Yeah. I know." Soos agreed with Ford—he was the Bill expert, he would know—but he couldn't say Melody was wrong, either.

"Our wedding's scheduled for the end of summer," Melody said. "And... I'm sorry, Soos, but I just can't live under the same roof as the guy that turned me into a statue. We'll still get married—"

"—Oh, phew, almost had a heart attack there—"

"—pff, sorry. But if Bill's still in the shack after the summer, then... then I'll keep staying with my aunt, or we could move into your old house and just visit the shack for work, or something... but I can't move into the shack permanently until he moves out."

"Okay. I accept that." Even if the rest of them had sorta gotten used to living with Bill, Soos thought not wanting to live with a former torturer/conqueror/dictator was a pretty reasonable boundary. "I dunno what we'll do long-term just yet, but—we'll decide on something before the wedding."

Melody let out a long, nervous sigh. "Okay," she said. "Okay. Thanks, Soos." She reached across the truck's center console.

Soos took her hand. "But, how do you think we should handle Bill until then?"

Melody stared out the window at the gray sky. The rain had dried up before dawn, but the sky was still hazy. "If we keep guarding him ourselves instead of getting law enforcement involved... personally? I wouldn't give him any kind of special treatment at all. He tried to end the world! He stuck the whole town in a throne! He can just keep sleeping on the floor and being miserable, and I'd be fine with it."

Soos winced. "I see."

Melody squeezed his hand. "But—the fact that you're kinder than that is one of the things I love about you. Even when the creep you're being kind to doesn't deserve it." She gave him a resigned smile. "Do whatever you feel is right."

He considered that. Then he nodded. "I will."

####

Bill kept Soos's Abuelita company while she cooked, and gossiped with her in Spanish better than Soos's about people Bill had never even met. Bill liked watching cartoons, sports where people got hurt, and weirdly intellectual movies Soos didn't get, and he heckled historical documentaries and the news. Bill was offended by white rice and had incredibly strong opinions about salsas for a guy who'd only started eating them a month ago. Bill hadn't taken his friendship bracelet off once since Mabel gave it to him. Bill might not have been a human; but he was a person.

It was high time they start treating him like one.

####

Soos came home late in the afternoon with his truck laden down with supplies. Stan's car was gone, and when Soos came in with an armload of wooden boards he didn't see anybody around except Abuelita, napping in the living room, and Dipper, laying on the living room floor watching TV. "Hey dude," Soos whispered. "Where's everybody else?"

Dipper whispered back, "Hey Soos. Stan and Ford are at McGucket's mansion." He didn't look up from the TV. He was watching a rerun of Ghost Harassers on mute. "Mabel's with Bill in the floor room. He's in a bad mood about something so they've been doing karaoke all day."

"Huh." Soos could faintly hear someone playing his electric piano. It sounded like it was on the organ setting. "I didn't know he plays piano."

"He's alright," Dipper said. "His singing's terrible, though."

Soos shuddered. He could imagine.

Well, at least it meant Bill was out of the way. Soos began his first of many trips upstairs.

####

"What's all this racket?" Stan trudged upstairs to inspect Soos's noises—and abruptly stopped at the top of the stairs as he almost ran into a wooden beam. "What the—?"

"Oh, hey Mr. Pines!" Soos hooked his hammer on his tool belt. He'd put up wall framing to section off the corner of the attic floor that included the window seat.

Stan circled around the framing, inspecting it in bafflement. "Soos, what the heck is this?"

"So, remember at the beginning of summer, when I said that me and Melody were thinking about putting in a gaming room-slash-guest room in the attic? And Ford said not to bother until Bill was gone because he wouldn't be here long enough for me to finish? Welp! Sounds like he's gonna be here long enough for me to finish now! So I thought, hey, might as well, right? No reason not to!" He shrugged. "By the way, do you think I should put the door in front of the stairs, or on the long side of the room opposite the window? If it's in front of the stairs, you can just walk right in the room when you come up, and we'd be able to put a big screen on the long wall; but when you're walking out of the room it'd be really easy to forget the stairs are there and fall, and uh, we already have enough of a problem with that—"

Stan finally got his dropped jaw working again. "But this is where the demon sleeps! Where are we supposed to put him now?!"

"Oh, it's fine! Bill can keep sleeping in here. I'll put up a curtain instead of a door for now. This way the room's ready for gaming once Bill's gone." Soos planted his hands on his hips and surveyed his handiwork with pride.

"Are you crazy? You're giving Bill his own room?! No way! He could do anything in private. We can't trust him with that—"

"Listen." Soos gave Stan a serious look. "Mr. Pines, I respect you, and I love you like the dad I never had except technically I do have a dad but he's off being a deadbeat in Florida or something so he doesn't count."

He pointed at the floor. "But this is my house now. My name might not be on the deed, but my butt is in the master bedroom! And nobody under my roof is living like—like—like some kind of starving hobo sleeping on a bench under a newspaper, you know what I'm talking about? The Mystery Shack is a happy place! Where people come to see dreams come true and have their imaginations expanded! And I won't see it turned into some sad one-man prison!"

Stan stared at Soos, speechless.

"So." Soos took a deep breath. "With all due respect—I'm building a gaming room, and it'll have walls, and Bill gets to sleep in it. Because he's a person! And we're gonna treat him like one!"

Stan slowly looked from Soos to the wall framing, to the boxes of supplies he'd bought for the room and pushed against a wall to wait—to the pathetic couch cushion bed still sitting on the floor in front of the window. "All right. That's—that's fine. I'll let Ford know."

Soos's shoulders relaxed. "Thanks, Mr. Pines."

Stan clapped a hand on Soos's shoulder; looked for a moment like he wanted to say something; then just shook his head and said instead, "Knock off the hammering before the kids go to bed, all right?"

"No problem! I've gotta set up some furniture and stuff in here anyway." He got back to work as Stan went downstairs.

####

Soos paused his work when he overheard Bill's voice: "Hey Stanford. Figured out the kitchen situation yet?"

Soos had to strain to hear Ford (jeez, Bill was loud) as he said, "We haven't had a chance yet. For now, we can at least leave one of the counter cabinets open."

"Huh." It didn't sound like an impressed huh. "And will this open cabinet have any of the foods you put in the cabinet to hide from me? Or just more of the junk I've already been scavenging."

Ford was silent long enough to provide the answer.

"Right."

"I went by the grocery store," Ford offered. "I got avocados."

"Uh huh."

"And several pepper varieties."

"Ooh." Bill sounded intrigued in spite of himself.

"And protein drinks. They're nutritious, at least," Ford said. "But—I know that's not adequate. Stan and I will have something permanent figured out by the end of the week."

"I guess it's fine as an emergency measure," Bill said, "but you know how the phrase goes! Give a triangle a protein drink, and it'll eat for a day. Teach a triangle to open the fridge, and it'll eat for the rest of its life. If you lift that curse..."

"We'll talk. But don't get your hopes up. Neither of us likes the thought of giving you the power to come in our bedroom and smother us in our sleep the next time we have an argument."

"Fine." Bill's voice had hardened again. "You've got to the end of the week. But don't forget! If I don't like your offer, I don't have to take it! You can't keep me in this rickety barn anymore."

"I haven't forgotten."

The conversation seemed to be over and Soos didn't hear anyone coming up the stairs. He got back to work.

He felt good. He was doing the right thing.

####

When Mabel came up to bed, she stared in confusion at the modified attic floor, squealed in excitement when she realized what she was looking at, surprised Soos with a hug, and gushed about how great it was; and then she let Soos know Dipper and Ford were out tonight investigating weird stuff and went on to bed herself.

The first notification Soos had that Bill had come upstairs was a flat, offended, "What."

"Oh, hey!" Soos ducked out of the opening he'd left for the doorway—which he'd ultimately decided to put straight across from the window, to let a little light back into the attic. (He'd have to add more lighting in the main attic now that the window was blocked off.) Bill was standing at the corner of the new room, surveying the work with an expression of deep suspicion.

Soos said, "I was just getting started on this gaming room Melody and me wanted to put in—it's okay though, you can keep using it, we'll just turn it into a gaming room, uhhh... lllater. Whenever, it's cool!"

Bill turned his suspicious look on Soos; but when Soos gestured for Bill to follow him into the room, he reluctantly followed.

"Yeah, I got up the framing," Soos said, "but I couldn't get to the drywall today, so I just stapled up some tarps to be walls for now. But, look!" He gestured grandly. "I brought up the old orange sofa and chaise thingy that used to be in Abuelita's room! They've been in storage for like a year. I bet we could sit, like, six people on it for game nights. It turns out the sofa's a daybed, so we can use it as an extra guest bed for visitors, we do not have enough beds for visitors in the shack, haha. And, check it—" Soos flipped up the lid on a chest he'd placed in front of the right end of the sofa like a footrest. "I put in one of those top-down chest fridges for gaming snacks! It uh, the top of it swings up, that makes it a lid instead of a door, right? Sooo I guess you can use it too, right? You can just, put whatever you want on the weekly grocery list, and we'll put it in here. Oh, and!" He pointed at the ancient TV console table he'd hauled up from the cellar, "I set up a hot plate here, too! So you can cook stuff in the attic! For—for normal legitimate gaming room purposes."

Bill's gaze followed where Soos pointed, from the ancient orange sofa to the fridge chest to the hot plate. He didn't say anything. His expression was completely unreadable.

Soos swallowed. "Oh, and, by the way, speaking of home improvements, I took out the doorknob on the main bathroom, and put in one of those, like, little slidy dealies like public bathroom stalls? Plus I gave the door those swinging hinges—like the kind on saloon doors in the movies, o-or, say, the door into the gift shop—"

Bill whipped around to face Soos.

Soos jumped. He laughed nervously and tried to remember what point he was making. "S-so, um... there's no latch now, so it doesn't latch, which means there's no way to accidentally get locked in—or out, of the bathroom, and... and I don't actually know how much of that you understood, due to the whole curse thing? Just forget everything I just said, I guess, the important thing is you can use that bathroom without asking someone else now! Cool, right?"

He had to turn away from Bill's intense gaze, pointing back at the gaming room's doorway. "Anyway since the room isn't finished yet and you're probably gonna use it for a while, I hung up a curtain instead of a door. And I added that cool zodiac spell blanket thing Mabel gave me inside the curtain! Since you said you liked it so much when you first got here. And like... having it in our room kinda creeps Melody out, I think it might be giving her nightmares? So I thought you might like it better. Anyway I've still gotta do some other stuff, like add power outlets in here, and air conditioning, and... a-and..." He petered out weakly.

Bill was giving Soos the most venomous look he'd ever seen. 

"Sure. Terrific." Bill crossed his arms, seething. "I've slept on the floor, I can cope with sleeping in the middle of a construction zone too. No big deal! I'll make do."

"Oh," Soos said. "Uh... if it bothers you, I could try to get the walls finished tomorrow? Shack's closed tomorrow too, so, I was already planning to keep—"

Teeth grit, Bill snarled, "Don't put yourself out on my behalf."

Soos froze. "Oookay! Uh... well, I'll be getting ready for bed if you need... yeah, no, you—you probably don't need anything. Bye." He ducked out into the attic, letting out a whoosh of a sigh as soon as the curtain swung shut behind him.

Bill had looked like he was two seconds from ripping out Soos's throat. Why? Had he liked sleeping on the floor? He'd never seemed like he had. Maybe he'd preferred the attic's open flooring? Maybe he hated extremely 70's orange upholstery? Was this a mistake...?

Bill watched through the tarp until Soos was down the stairs. Then he lunged over the sofa, hanging over the back by his waist, to reach the attic window seat. He groped for the corner of the seat cushion where he'd hidden Journal 4.

He sighed in relief when he felt the familiar rectangular block in the cushion. He pulled it free: there was Journal 4, along with his two stubby crayons. As well as two marker pens, black and red, with a sticky note wrapped around them that said, "Thought these might be useful, dude!"

Bill's hands trembled with fury.

####

Soos was brushing his teeth when someone pounded on the bathroom door, making him drop his brush. The door swung open a couple of inches; Soos heard Bill mutter a confused, "What?" before it swung shut again.

Soos opened the door. "Bill? What's..."

Bill's face was completely flushed. It was hauntingly reminiscent of the look he'd had last year right before trying to murder Soos and the kids in Stan's mind. His rage had shot past "apoplectic" and landed on "apocalyptic." Soos understood how Pompeii had felt when the rumbling began. He took a few steps back.

Bill stalked into the bathroom.

He slapped the red pen down on the counter.

And, avoiding eye contact, he muttered, "Fine-tip yellow highlighter would be better. If you've got it."

"Oh," Soos said. "Sure, I... I think I have some skinny highlighters in my office. Just... lemme finish brushing my teeth."

####

Bill leaned in the office doorway, arms crossed tight, waiting. As Soos rummaged through his desk supplies, back to the door, he got the uneasy feeling that maybe Bill had lured him here to stab him in the back or something. He seemed mad enough. And the office was narrow; if Bill came up right behind him, there'd be nowhere for Soos to dodge...

When he found a new highlighter and turned around, Bill was glowering inches behind him.

Soos jumped. "Dude! You freaked me out."

Bill didn't condescend to respond. He just snatched the highlighter out of Soos's hand and stormed from the room. A moment later, Soos could hear him stomping up the stairs (and stumbling on one step. Soos really needed to figure out how to make the stairs more safe). 

For the life of him, Soos didn't know how he'd offended Bill.

####

The contraband supplies Bill had hidden behind a loose board in the wall still appeared to be undisturbed. He could only hope Soos hadn't found them during his snooping. For tonight, he could hide Journal 4 there; tomorrow he'd have to find a new, more secure hiding spot that kept it close enough to where Bill slept.

He turned around the hanging zodiac blanket and curtain so Bill's watchful triangular face was guarding the new attic hallway rather than staring into the room.

He surveyed his atrocious new sofa. If he'd known he would be plagued with this thing in the future, he would have found a way to make Ford get rid of it thirty years ago. Would Ford have thrown it out if his blessed Muse had told him it looked hideous? Maybe, but that would've put a ding in Bill's benevolent image. He could've said the sofa would lead Ford to doom? No, too implausible. Ford had always wanted a nice set of leather furniture; maybe if Bill had claimed the cost of leather furniture was about to skyrocket, and if Ford ever wanted to build his dream sophisticated gentleman's den then he should buy as soon as possible—maybe sell his current sofa to recoup costs and free up space... Yeah, Ford would've eaten that up, he'd have been so grateful Bill was thoughtful enough to care about his silly little life dreams and look out for his financial future. He shoulda done that. Hindsight.

So. What did he have here? A daybed; personal fridge; mini-stove; walls (tarp); two pillows; throw blanket; two markers; a lamp (unplugged); a clock radio (unplugged); a low console table with two shelves, onto which Soos had emptied the contents of Bill's cardboard box of clothes; and an implicit promise to keep a pile of secrets.

How humiliating.

He considered sleeping on the bare floor in protest; but, his back still hurt. Once again, subject to the tyranny of an organic body. He sighed, pulled his bedsheet from the console table, and curled up on the sofa.

The moment he lay down, a scent soaked into the seat cushion made his heart leap into his throat. He was sure he could smell home. Familiar and comforting and right—and for a moment the evidence of his other six senses didn't matter: he had his power back, he was in his kingdom, and all was right with the world. It took a moment to figure out what about the scent had so strongly disoriented him: he was smelling the atmosphere of the Nightmare Realm.

And then took another moment to work out that it wasn't really the Nightmare Realm, but a very similar scent—sulfurous, organic, burning. Burnt hair.

The cushion still smelled like Ford.

Bill groaned in frustration, rolled off the sofa, and flopped to the floor.

After permitting himself a moment of rage at the injustices of the multiverse, Bill crawled up onto the chaise lounge on the left end of the sofa, avoiding the part of the sofa where Ford used to sleep.

The chaise was smaller than his floor cushion bed used to be; but he'd make do.

####

(I know we're all busy going insane over the website but i'd love a comment when y'all read this chapter lol)

[pacifymebby]

*slides a crisp $20 bill across the table* peaky boys reaction to the reader that gets excited any time they see them, like they literally light up with excitement, even if they just saw them~

Hiiii sorry this took so long and i hope i manage to do it justice ♥️

Tommy

🌿 He's alarmed by it at first, almost thinks its a little silly... Suspicious is perhaps the right word? Tommy is used to people performing for him, pretending to be something they're not, acting the way they think he wants them to act... Usually because they want to get something from him.

🌿So yes, at first he is cynical, he doesnt believe for a second that you're really so pleased to see him... Usually when Tommy enters a room that room falls silent, people shiver, people's mouths run dry... conversations go unfinished... a shadow passes over all he passes by.

🌿 Unless you're in that room... if you're in that room everything is different, your eyes light up, your whole demeanour brightens, you practically jump out of your seat and rush to him... you clasp his hand in yours and practically drag him to your table desperate to tell him all about your day and hear all about his... it's like he's the sun in your sky and he doesn't know what to think, only that somehow someone must have put you up to it, or perhaps you yourself are playing a game of mistruth. Attempting to deceive him...

🌿 The thing is he can't work out any alterior motive, theres no reason as far as he can tell, that you would want to cosy up to him or flatter him like this... And if you did, well, he can't help but think you'd be smarter than to think squealing and throwing your arms around him every time you see him is the best way to go about that...

🌿 But he can't bring himself to believe you're innocent, that you're being genuine... he wants to, really desperately wishes he could join you on your apparently care free sunny side of life but he can't... it's not like he hasn't been burned before...

🌿 So he's stand offish with you at first, always telling you to settle down, smirking at you, he almost seems a little embarrassed about the attention you're throwing at him... which is unusual for him because it's not like he isn't used to women flirting with him.. perhaps it's that this isn't flirting in the way he's used to.

🌿 It's warmer, more innocent. There's no games being played, not the way he's used to... and he gets very irate about it, feels he has to nip whatever trick you're trying to play in the bud immediately.

🌿 So the next time you rush to him throwing your arms around him he snatches your wrist in his hand and drags you away, into a lonely room, he sacred you with his sudden temper, the angry way he traps you between him and the door, finger pointing accusingly in your face...

🌿"Right miss l/n whatever this is eh, whatever you're playing at it ends right now you hear me? Right now..." you don't know what to say to him, speechless with fear, eyes wide and filled with tears as you stare up at him in shock. "Wh...what are you..." you start stuttering, your heart thudding in your chest, your stomach heavy like it's filled with stones so sad and disappointed because you love him and it looks right now like he hates you...

🌿 "Don't give me that love, I know you want something so you can drop the act... Whatever you want right, you do what everyone else does, you book an appointment with Lizzie and you book your turn!"

🌿But the minute the cold words leave his mouth he regrets them, the way you resolve falters, the way your eyes brim with tears... Your whole demeanour changes, you shrink away from him, as if it hurts to touch him. You can't look him in the eyes and he wonders if perhaps that hurts too now. Because you don't just love wildly, you hurt wildly too and he's wounded you mortally with his icy words and his cynicism...

🌿He knows straight away that there was no act, that you'd been nothing but genuine from the start. That perhaps your actions might have seemed a little childish, but that ultimately there was no harm in them. Or in you. You are just a very sweet girl who, for some god only knows reason, really loved him...

🌿 "Fuck I'm sorry love..." he sighs reaching for your hand, deciding better of such a halfhearted gesture and instead engulfing you in a warm embrace, holding you tight and secure, rocking you side to side, eyes closed, savouring every second he had with you in his arms. When he kisses your hair he breaths in your scent, looks down at you with these deep apologetic eyes, "Sorry love, forget myself sometimes... Get so wrapped up in me own head that I forget who I'm dealin with sometimes..."

🌿 "Its been three days since I saw you last.. I just missed you Tommy, I'm sorry I won't..." you begin to tell him you won't do it again, about to apologise for everything but he cuts you off, finger to your lips all, "no, no don't do that, please don't tell me you won't do it again love, please don't think I don't enjoy seeing you smilin eh? You keep smilin whenever you feel like smilin eh love, promise me you'll do that for me?" he says kissing your cheek, your nose, all over your face as hes talking to you, holding your cheek in his palm, his eyes so serious when he looks into your eyes waiting for an answer...

🌿 You're so confused, ten seconds again he looked like he hated you and now he's holding your face in your hands, smothering you in feathered kisses.

🌿"But..." you start your little frown would be adorable if he didn't feel so guilty for putting it there in the first place..."but tommy I don't understand you just said..."

🌿"Never you mind what I just said eh, I was wrong... Doesn't happen often sweetheart but sometimes, perhaps.. I am wrong." He says stroking your cheek, brushing your tears away... Because now that he knows this isn't a trick, now that he knows he can trust you, that this is safe, he's relieved to let his guard down, relieved to trust you the way he's wanted to for some time, relieved he can finally kiss you, taste a little of that sunshine you seem abundant in.

🌿He will make you promise him that you'll forget what he told you, that you wont stop smiling, and when you do he'll kiss you quickly on the lips and pat your cheek, "very good angel, good girl."

🌿Because the truth is that his cynicism before was just a defense mechanism. He hasn't seen someone light up the way you do for him for such a long time and he didn't want to believe you could really be so excited to see him, because believing that fact meant accepting that you really do love him, that in many ways you depend on him, that there are plenty of opportunities to let you down.

🌿The way he sees it, if he can make you that happy he can also make you twice as sad and he's seen that now too, just now when he almost broke your heart...

🌿In truth he loves your sweet ways, the way you rush to hug him, to hold his face in your hands and kiss him, without a care for who may be watching. He loves to see the light in your eyes when your whole face glows with joy thats because of and intended just for him.

🌿 Tommy is for the most part, a difficult man to read, he's reserved, always calm, his poker face was mastered at birth... You on the other hand wear all your feelings on your sleeve. Even if you wanted to hide how you felt about something you're pretty sure you couldn't. Somewhere between you and tommy there should be balance, you should even one another out. That isn't what happens however. If anything the contrast makes the both of you seem more extreme. You look giddy and wild in comparison to Tommys quiet, still nature. He looks dead behind the eyes, ice cold and unfeeling in comparison to you.

🌿 But it works, ultimately you need someone calm and he needs someone like you to remind him that there are still happy people in the world. That he still brings someone joy and meaning in life.

🌿 He does kind of wish you'd develop some kind of poker face though because he knows it isnt good for people to see you behave so childish and naïve, it puts you at risk. Makes you look like an easy target. Someone as sweet and pure as you sticks out like a sore thumb in Small Heath and he knows that every other bad man, men like him, out there will see you as an opportunity. Because sweet girls like you are the hardest to ignore when they cry. They'd make you cry to get to him.

🌿But what can he say, theres so much dark in the world and not enough people know joy, someones gotta let the light in from time to time and its good that you do.

🌿So when you run and throw your arms around him, burying your face into his chest he will wrap his coat around you and hold you just as tight. He'll let you smother him in kisses and embarass him with your relentless affection and he'll just chuckle, kiss you back and, eventually say something like "settle down now love, you'll make our company jealous..." He's only teasing you, always lighthearted, he'll never make the mistake of being harsh with you again.

🌿But he will lower his head and whisper a reminder to you, that there are peolple watching, that sometimes its better to keep your feelings concealed.

🌿He won't stop you though. After that first time when he scared you, sapped the life from you with two short thoughtless sentences, he has made an effort never to try and reign you in like that again. You're his sunshine girl and that's the way he wants you to stay forever.

🌿 In fact your happy go lucky excitable nature makes him more determined to protect you from the world. He doesn't ever want you to lose that joy, never wants to see you tired or worn out or disappointed. He lives every day with one thought heavy on his mind - he has to keep the sun in the sky for you. Can't ever let you feel the rain.

🌿One day you pull away having smothered him in your usual affections in front of his brothers and Ada and when you see the faintest tint of pink in his cheeks you smile coyly, "my my tommy shelby do my eyes deceive me or is that a blush I see before me?"

Alfie

🐻 Alfie Solomons is a grumbling old eccentric, a tired out, miserable, sharp tongued misery old git and you... you the most lighthearted, melodramatic, delightful girl he has ever met...

🐻Doesn't know what you're so happy about but he knows he'd be a fool to suggest you wipe that giddy little smile off your lips... because that giddy little smile is the prettiest smile he's ever seen and knowing it's all for him makes him feel so hopeful.

🐻 The first time it happened - the gasp, the jump, the gleam in your eyes as you threw yourself into his arms - he was floored by the shock of it... He isn't used to positive attention from women at the best of times, especially not pretty young women like you... Even if you have been sweet on eachother for a little while, even if you have been seeing one another in secret for several weeks...

🐻 So when you saw him across the street at the market and let out a gasp, waving to him from across the road before darting in front of a cart to throw yourself into his arms he almost fell over, wasn't prepared, couldn't believe his eyes... Couldn't believe the speed at which you came barrelling towards him...

🐻You took him completely by surprise but he caught you, just about. The two of you nearly fell over in the bloody road but he caught you, his big arms closed around you, squeezing you just as tightly as you held onto him. He wrapped you up in one of his bear hugs and chuckled at your enthusiasm. He was confused but he wasn't going to pass up the opportunity to hold you nice and tight. To show off to the whole street that you were his girl and you were ecstatic to see him...

🐻 "Now," he chuckled, smiling into your hair as he cradled your head to his chest and pressed a kiss to your temple, "I'm wondering my little ziskeit, what exactly all that was about yeah... You coulda got yourself killed runnin into the road like that and forgive me poppet but I ain't entirely sure I understand what was so exciting to you that you forgot yeah, to use your street smarts yeah?"

🐻 "Sorry Alfie..." You shrugged his worries off so easily, that girlish smile on your lips unfailing, it was almost infuriating and yet, it was far too pretty for him to really get annoyed at you... So a peck on the lips is what you get for being so thoughtless, a "you're lucky you're so sweet y/n... Or I might get cross with you..."

🐻 He is always having to remind you he isn't as young and strong as he once was, that you've got to be careful with him, you've got to slow down... You've got to think of his old and failing body yeah, "I'm fallin apart ziskeit and all these theatrics yeah, they're speeding up the process so just... Take a breath right and settle down..." When he sees your simmering pout he softens again, drops the grumpy old man act and coos to you, "I know poppet I know, you're just happy to see me right... God knows why yeah, god knows why..."

🐻 He's always teasing you about your excitement, reckons it's cause you're young, tells you "not to worry ziskeit, you'll grow out of it..." But he hopes with his whole heart that he's wrong, that you never will lose this bubbling joy.

🐻 And though you think he's simply teasing you, playing that grumpy old man act, he really isn't... Deep down part of you knows he really does wonder why, doesn't understand why you love him the way you do, why you're always so happy to see him, why you don't mind showing the whole world how happy to see him you are...

🐻 And that makes you all the more stubborn to show him that love, to shower him in melodramatic affection every time you see him so that he can't ever forget or try to ignore the fact that whilst you might be his little ray of sunshine, he's the one who puts the sun in your sky.

🐻 He's the only one who can make you that happy, the only one who can spark that level of excitement in you, leave you all head in the clouds giddy whenever you see him but he's also the only one who's able to calm you, able to soothe your excitement and get you to settle down. Knows exactly how to talk to you to get you to come sit in his lap and enjoy a little peace and quiet with him.

🐻 There's this look he gives you when you're beaming at him across the room and he can see that you're bursting at the seams with excitement to be bundled up in his arms, it's this look which says "come here then," but which is stern enough to remind you not to run, remind you to be careful.

🐻 And when he squeezes you in one of his bear hugs and kisses your forehead he talks soft and low, so calmly to you that although he can't settle your ever fast beating heart he can slow those wild thoughts of you down just enough to see you let out a little sigh and nestle into his cosy embrace. "That's better ziskeit, you even remembered to check the road this time see, a good girl, that's what you are darlin..."

🐻 But he does think youre adorable when you get excited and he feels so proud that its him youre excited to see. Honestly it's hard to keep up his grumpy, cold-hearted mobster act with you around relentlessly brightening his day.

Arthur

🍂 Honestly he is completely baffled by you, he just can't get his head around it... what the hell are you so excited about? No one ever looks happy to see him... It really puzzles him and he spends days getting frustrated, trying to get to the bottom of it, asks his brothers whats "the matter" with you, asks his sister who just laughs at him, says "good god Arthur if you can't even get your head around that there really is no hope for you..."

🍂 When Ada does spell it out for him "she likes you you big idiot..." He blushes, gets even more confused and a little embarrassed... That isn't usually how girls show him they like him.. they're usually far more coy, they usually try that sophisticated flirting, they usually want him to buy their drinks and then fuck them senseless in the toilets...

🍂 Then he's flustered wondering if that's what you want him to do to him...

🍂 He'll go bright red and Ada will slap him because she knows exactly which pits his mind has wandered to... "For fuck sake Arthur if you used your head half as much as you use your cock you might not need me to spell these things out for you..."

🍂 The next time he sees you he's nervous, he can't stop wondering if you're going to do that thing you always do again? If you're going to make that noise... The little squeal of excitement you made last time, it was shortly followed by a skip, your eyes wild as you called out to him from across the room. That little giggle of glee when you waved to him and then appeared ever so suddenly by his side...

🍂 And when you do he's unnerved, he's paranoid... He wants his sister to be right but this is just so unusual for him... People are usually fucking terrified of him after all, he's nothing but Tommy Shelby's big brute, the rottweiler as he's often referred to.. how can a girl as blissful as you like him when she's heard the rumours about him... With his reputation how could anyone possible be giddy, head over heels happy to see him?

🍂 So he gets all in his head about it, starts thinking it's some kind of joke, perhaps his brothers or one of the lads set you up to this as a prank, perhaps someone is secretly trying to make a fool of him. The disappointment is tangible and he swallows a lump in his throat as he looks at you again, waving to him from across the room. Are you really playing a trick on him? Is this all to humiliate him?

🍂 When he turns away, hardly even smiles at you you're left confused and a little disappointed. Your heart sinks and you get up to join him at the bar where he's lined up three whiskeys.

🍂 "Are you upset about something Arth?" You ask, your touch on his arm sending sparks of hope through his heart, "you look all gloomy..."

"Aye that's me eh, gloomy... Not like you eh, a little ray of fuckin sunshine ain't ya..." he doesn't smile when he says it, in fact he almost sounds bitter and you bite your lip a little uncertain.

"I'm just.. happy to see you Arthur... I know it's only been a few hours but... Well I kissed you didn't I..." you admit.. you're not exactly embarrassed to admit it but you do feel a little silly now that you're spelling it out to him.

🍂 "Did... Did my..err.. did my brothers put you up to this or somet love?" He's feeling pretty embarrassed to ask it but he wants to know because if you are he wants to stop being teased and if you aren't well, he wants to kiss you actually.

🍂 And when he asks you laugh, your giggle lighting you up, lighting him up too when you shake your head and tell him not to be so daft, when you can't stop giggling at what a silly thought that is. "As if I'd want to help your brother's play a nasty trick on you you big idiot..."

🍂 He can't keep the grin off his face, lighting up immediately, his hands on your hips dragging you in close to him, holding you tight in his hands when he chuckles along and says "eh well in that case then," before planting a rather passionate kiss on your lips.

🍂 Arthur loves to layer the physical affection on thick, even in public, he adores how much you adore him, adores seeing you light up with excitement, adores seeing you happy... But what he adores most, and what he can't get his head around even now, is that it's him that makes you that happy. Him the monster, the rottweiler, that old brute... He's the person who makes you light up like the sun and the night sky all at once. He can't believe his luck.

🍂 He's a very full on, brash man and when you rush to him with excitement he matches your energy the two of you taking over a whole room with your adoration for one another. He really doesn't care about appearing "soft" he'll just sweep you off your feet, snog you to high heaven and dance you round the room...

🍂 Even if the last time he saw you was five minutes ago, the two of you still light up for one another.

John

🌼 John finds your melodrama highly entertaining. He loves to watch you light up whenever you see him. He's a very playful lover and he will match your energy 100%.

🌼 He won't even be taken back the first time it happens. You'll squeal and he'll see the joy in your eyes, one look at you and he'll know what you're going to do before you do it... so when you come running and jumping up into his arms he'll catch you and spin you round in a tight embrace.

🌼 Won't put you down but will keep you wrapped around him in his arms for as long as possible talking to you about your day and telling you all about his... well everything he can tell you.

🌼 However because you were always like this with one another it was very hard for you to tell your true feelings for one another. Your over affectionate friendship was often described by both of you as "like a brother/sister to me..." and so it took you both a long time to realise you were in love. When you did however because you were already so affectionate with one another you fell very easily into your new dynamic. The only difference being that now when you run and jump into his arms he meets you with a deep and affectionate kiss.

🌼 He absolutely adores your excitable nature, he's a big kid at heart and he loves that there's someone else in the world who is carefree and wild enough to wear their emotions on their sleeve the way that you do. His brothers warn him about you telling him to be careful, Tommy even suggests that a girl like you who throws her affections at people so wildly, is perhaps not necessarily loyal, but John defends you to the ends of the earth. And definitely comes close to hitting his brother for suggesting something so improper about you.

🌼 And so although it takes you awhile to win over his family, John trusts and adores you from the very first time he sees that wild ecstatic light sparkling in your eyes. He's always coming up with little nicknames for you, calling you his Little Firecracker, telling you you're like a bottle of champagne. He likes to call you fizzy because you're always bubbly and bouncy with excitement.

🌼 He actually takes a little while to work out that he's the cause of the excitement. Because he doesn't see you when you're not with him (obviously) so he just assumes that the way you are with him is the way you are all the time. When he finds out from Ada that she's never seen you act that way before with anyone, John gets the most smug and wide grin on his lips.

🌼 He's really proud of himself for being able to light you up like that, he thinks your smile is gorgeous so to be at the center of that... Well he can hardly keep that smug grin off his lips.

🌼 And then he won't stop teasing you about that fact, he'll catch you in his arms and then kiss your cheek and then he'll say something cheeky like, "so I heard a rumour flower, that you're never this excited to see anyone else... That true?"

🌼 But you're not exactly embarrassed about your feelings... If you were you would probably exercise some self restraint in public instead of squealing and jumping up to rush to him every time you saw him. So you just tease him back all, "duh John Shelby... You must be daft if you think this is how I treat all my friends... I'm almost offended... What do you take me for?" You'd ask until he was backtracking, actually blushing and apologising because of course he doesn't take you for that kind of girl... He was only trying to wind you up.

🌼 Still he won't stop teasing you and he loves to wind you up by mimicking your little squeal and the way that you flap your hands when you see him sometimes, he never teases you in a malicious way though and he's always quick to reassure you that he's only teasing, that he loves your little "noises"

🌼 You get to know the sound of his footsteps coming down the street or hallway and you're always waiting at the door for him ready to throw your arms around him. You look forward to seeing him everyday and on long days where he's been particularly busy and the two of you have been forced apart from one another for too long you both look forward to snatching the other up in your arms and talking their ear off, telling them all the things you've thought of and saved up in your head just for them.

🌼 And oh my god, where the kids are concerned... Your excitement + John's excitement fuels the children's and they're even more energetic and wild than usual. You make for one affectionate, untameable family...

🌼 One thing John is sure of is that he never wants to see you lose your sunshine streak and so he tries to keep all the darkness in his life as far away from you as possible. He never wants you to be worried for anything and keeps Peaky Business far away from you. He would protect you and the children and your innocence with his life, never wanting to see you lose your innocent, sunny disposition.

🌼 he also treasures the fact that in dark times he always has his ray of sunshine to look to, always has you with your glowing smile, you his little sunflower who thinks the world of him and is proud and content to depend on him... It does him the world of good to have your relentless optimistic kind of love, means he is never able to forget all the goodness in the world because you're always right there ready to push your way through a crowded room to throw yourself into his arms.

Bonnie

🍀 L o v e s it.

🍀 Bonnie wouldn't change you for the world. He thinks you're absolutely magical, the way you light up every time he meets your eyes across the room, the way you're completely unafraid to show how much you adore him, how you're head over heels giddy and in love with him.

🍀It makes him feel so special, makes him feel like he's the center of your whole universe and he is... you tell him that all the time.

🍀 At first he is certainly surprised by it... it's not that he doesn't believe himself to be worthy of your affection or your praise, it's that no one's ever been quite so confident in their adoration of him before... and well, he just wasn't expecting you to come barrelling across the room into his arms like a bloody cannonball...

🍀But your adoration makes him feel so special and he flourishes and thrives with all the attention you give him. So in fact he encourages it, he'll be the one calling out to you across the field, opening his arms for you to come running and jumping into them. He'll be the one sweeping you up off your feet and dancing you around.

🍀He's a very physically affectionate lad and he will take any excuse and opportunity to get his hands on you... Loves to let you tackle him with a hug only to pretend to be taken by surprise, to let the two of you go stumbling back and falling into the grass together, rolling around so that he can pin you down and kiss you, tickle you with your hands above your head.

🍀You're practically inseparable, you're always with him before and after a fight and Tommy Shelby finds it very frustrating that when he wants to talk tactics with his fighter, you're there hanging off Bonnie's arm, kissing his cheek or wrapped up in the lads arms whilst Tommy's trying to tell him how to throw the fight.

🍀You're his biggest cheerleader, shouting and cheering him on during matches.

🍀But wishes youf be a bit more careful about pushing your way through crowds of roudy men so that you can get backstage to see him.

🍀Obce he won a fight and the second the time bell rang you had lept to your feet, crossed into the ring and had thrown your arms around him squeelling delighted and excited into his neck. And he'd been exhausted and sore from the fight but he couldn't do anything but grin and hug you back pleased that everyone could see how excited his beautiful girl got to see him.

Isaiah

🐀 Put aside his charming nature, his brash flirtations for a moment and have a think if you ever saw this lad display actual joy/excitement/affection for anyone before... I think behind that flirtatious nature he's actually quite guarded, a little preoccupied with keeping up appearances...

🐀 So the first time he really experienced your heart on sleeve, flourishing affection, how lackadaisically you let the whole room know how happy you were to see him, he made the mistake of being too cool for you... he hardly even smiled at you, saluted you from across the room despite your beaming smile and how you'd waved him over... he just nodded to you, a small smirk and that deadpan salute.

🐀 It made your high spirits plummet like a stone. You didn't know what to make of it. You'd never been embarrassed to flaunt your feelings before but he made you feel like you should be... that public rejection, his standoffishness, how casual and cool he'd brushed you off, making you second guess whether hed really meant any of the sweet things he'd said to you when you were alone. Made you wonder if you were just another of his one night stands... someone he could forget now he'd conquered you.

🐀And the thing about you is that though you may show your affection and excitement freely, you might feel adoration to the extremes.. you don't let yourself grow wild and dramatic for just anyone. Once someones shunned you like that, once they've left your heart aching and your eyes teary, you don't give them the opportunity to do it again.

🐀 So the next time you see him in public you don't even look at him and when he comes to talk to you you act like you don't know him at all... so now he knows how you felt... now he's sorry and wondering what happened to his little ray of sunshine...

🐀 Too stupid to realise that it's his own cold actions that have lead you both to this moment and when he asks you what's the matter he seems genuinely concerned about you and you can't believe his foolishness. You say plain and simple, "so it's true what they say about you is it... there really is nothing between your ears..." he frowns, confused because a) he doesn't know what you're talking about, he's got a whole face between his ears duh... and b) he can tell that whatever you're implying is spiteful, that you're trying to hurt him.

🐀 "Do all your thinking with..." but when you say that he gets it, the penny drops and he finishes your sentence.

"With me cock..." he smirks but there's no light in his eyes and he begins to understand, realises he's going to have to do a lot of making up to you, a lot to convince you that you're more to him than just a casual fling.

🐀 "For fuck sake love," he sighs when he sees tears in your eyes because your wild emotions have finally gotten the better of you and you don't have the energy to keep this cold mask on. You're not a cold person, you're a person with so many feelings and you feel them in extremes.

🐀 "I was so happy to see you.." you sniffle thinking back to the moment he'd broken your heart with that, "stupid fuckin salute... I wanted a fuckin hug and you fuckin saluted me..."

When you say it he can't keep the smirk off his lips, can't help but chuckle because it sounds ridiculous... as in it makes him sound like a fucking idiot.

🐀 When your tears get thicker and you frown not understanding what's funny he raises his hands in surrender, "I'm laughing at myself mousy, laighin at myself for being such a fuckin idiot..."

🐀 He really does feel bad for having upset you like that, he had no idea how much his actions would effect you but he sees now that you really do wear your heart on your sleeve, that when you were smiling at waving at him it really was because you were that happy to see him.

🐀 So he promises you, he'll never salute you ever again. Takes your hand and kisses your palm, holds it there as he holds your gaze and says it again, "promise, I Isaiah Jesus will Never salute you ever again darlin, never..."

🐀 And though he does still get a little embarrassed from hard to time - because after all it's difficult to look like a hardened criminal when youve got the sweetest girl in the world hanging off your arm - Isaiah keeps his promise. He's never cold to you again.

🐀 He grows particularly fond of your over the top reactions to seeing him, grows to love the sound of your excited little squeak because he knows it means that any second now you'll come skipping into his arms and he'll have his beautiful girl by his side.

🐀He will definitely try to reign you in and pacify you will his cooler forms of affection in public. Not because he doesn't love you just the way you are, he does... he just knows he has a reputation to uphold and that if you're going to be his girl you have a reputation to uphold too. You can't appear too soft or his enemies will eat you alive and use you to get at him

🐀 So although he's never cold he will give you lots of little reminders to be calm, to be cool, lots of "not now darlin, settle down, come here sit in my lap" it gives him an excuse to get his hands on you and keep you close whilst still managing to look cool about it.

🐀 It doesn't half boost his ego and he definitely gets quite smug about it, if Bonnie, Michael o'r Finn try to tease him about how soft he's gone he can always just shrug his shoulders, "sounds like you're jealous lads... Just cause you've never made a lass make those kinda sounds..."

🐀 Has to admit that when he hears that happy little squeak you do, his mind wanders to other activities, can't help thinking about how cute your other noises might sound...

🐀 and when you're in private its a totally different story. Behind closed doors when he's not worried about what others will think of him, when he isn't trying to be the bad boy he will match your energy, he'll be sweeping you off your feet with all the passion in the world.

🐀 Definitely gets a kick out of mimicking your little squeal.

Michael

☘️ Michael was raised with manners, he was raised in a household which gave great weight to the ability to conduct oneself "properly" stiff upper lip, reserved... Women who wait to be addressed before speaking to their superiors etc..

☘️ That's nothing like you... In fact you're quite the opposite. You don't believe in withholding happiness, you don't believe in hiding your joy, your excitement. If someone makes you happy you should tell them, show them every opportunity you have..

☘️ And though Michael may be taken back by your somewhat unignorable adoration for him, there's nothing he can possibly say to change your ways. You love him and you're going to express that freely and sometimes even wildly...

☘️And this does get under his skin, he can't hide his awkwardness, the way you sometimes embarrass him in public when you get so excited you can't contain your delight in seeing him... When you walk into the bakery in the morning and he's there to collect something for his mum, you walk in behind him and as the doorbell rings he recognises your gasp, the squeal of delight...

☘️ he says a silent prayer everytime eyes rolled up to heaven hoping you won't be quite as loud, quite as dramatic as last time. But as always you throw your arms around him, nuzzle into him and squeeze him so tight... So quickly of course that he hasn't even had a chance to put his arms round you, he's just stood there like an awkward plank of wood in your embrace.

☘️ He thinks you make him look silly... Unprofessional, not to be taken seriously... He worries that people will start to get the impression he isn't as tough or as cold as his cousins. That he's an easy target...

☘️ Will absolutely tell you you need to calm down if you're in public, he'll be so stern about it too. He won't exactly shrug you off coldly and he won't dismiss you because that would make the whole thing look even worse, how rude it would be... it would make one impropper act all the more uncooth and embarrassing...

☘️ So he'll always welcome your affection but he won't match your energy, instead he'll wrap his arms around you, hold you tight but not squeezing you to death the way you are him, and when he kisses your cheek he'll speak quietly but commanding.

☘️ "Now now love calm down, don't cause a scene eh... you can tell me all about your day later eh... for now though eh just you hold my hand and keep that pretty little mouth of yours shut..." he'll kiss your hand and then keep a tight grip on you. It's his way of letting you be close to him, letting you feel a little affection in return whilst still remaining proper and polite in company.

☘️ but secretly he loves your dramati, romantic ways. Because that's all it really is isn't it, romantic? You're like one of those melodramatic french girl stereotypes, you can't simply hold your lovers hand, you must throw your arms around him, sigh like a Juliet, hold his face between your two hands and kiss him like you're breathing him in. Like his kisses give you life... And Michael loves that...

☘️ He loves feeling loved. Literally who doesn't.

☘️when he's had a shit day at work, when he feels like no one respects him, it feels so good to come home and have you hit him with all that affection and adoration. Having you waiting at the door ready to throw your arms around him...

☘️It makes him feel completely adored, gives him a purpose, makes him all the more determined always to return home to you every night...

☘️You wait in the window looking out for his arrival home and then you go running down the drive to meet him, shouting his name, your cheeks rosy flushed from your excitement as he stops at the edge of the path, opens his arms for you to jump up into them. It's his favourite part of the day because it makes him feel so special, so important.

☘️ Michaels a generally serious, slightly melancholic boy, there's often a shadow which hangs over him, be it the pressure of living up to the high expectations he has for himself, or the shadow left over from a turbulent upbringing, the traumas he went through as a boy... There's always some kind of weighty preoccupation on his mind but you, you're a little ray of sunshine in a dark and fucked up world and he adores you, you're the light breaking through the cracks and he's so grateful to have found you. Your excitement and your drama are precious to him, he wouldn't ever want you to lose those traits and so he's fiercely defensive of you..

☘️ once at a family meeting you arrived late, rushing to Michael's side, you hadn't seen him all day and were excited to see him so youd thrown your arms around him all "I missed you so much," and Tommy grew impatient. He snapped at you, said "Michael for fuck sake would you control your damn wife..."

☘️ you were of course shocked by Tommy's sudden temper but what shocked you more was there whereas Michael would usually put an arm around you and remind you to settle down, save the excitement until you were alone, this time he stood up, glared at his cousin across the table...

☘️ "Tommy you might be the head of this family but if you ever speak about my wife like that again I swear I will..."

☘️ And suddenly it's you linking your fingers with his tugging him back to you, whispering to him asking him to calm down...

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[molinaskies]

What We Get Wrong About Dark Sonic

I find Dark Sonic incredibly interesting.

I’ve said this before, but Dark Sonic represents an overflow of Sonic’s negative emotions, the ones he usually suppresses: anger, sadness, and fear.

However, many people believe that Dark Sonic is somehow a betrayal of Sonic as a character (even Ian Flynn, reportedly, but I’ve yet to see an official source). Sonic is meant to be a beacon of optimism. Sonic is meant to be the pillar of hope when all else fails. Sonic is meant to be the last one standing, no matter what.

In this sense, sure, Dark Sonic contradicts the notion that Sonic is “uncorruptable,” but I think that depends on how we define corruption.

I see it two ways:

1) Corruption by way of losing faith, through dishonesty and fraud. 2) Corruption by way of a forceful shift from one state of being to another.

In the first sense, corruption occurs when someone’s paradigm is shifted through lies, cheating, or manipulation. It’s a conscious mental shift. In the second sense, corruption occurs when something (or someone) is co-opted and changed without its will or influence, like data corruption, or a shift in the meaning of a word or image. It’s a literal, physical and/or metaphysical shift.

There’s a saying that floats around the fandom that says, “Shadow is just ‘Sonic, if Sonic had one really bad day’,” and I think that makes sense. Shadow is jaded and cynical because of how the world has hurt him, but he still wants to do right by people—just like Sonic. What separates Sonic from Shadow, however, is Sonic’s tenant optimism and positive paradigm. Without those differences, Sonic has endless reasons to be as cynical as Shadow, or even more so.

So, Sonic doesn’t let himself feel those feelings for very long, and especially not when other people are around. He pours everything into a clean, neat bottle, with a tight screw-on cap, right?

What happens when something tampers with that bottle?

Dark Sonic is a forceful corruption of body but not of mind. Let’s talk about it.

How Dark Sonic Works

What I think people misunderstand most about Dark Sonic is that it’s not an intentional state of being. It never was.

Dark Sonic is the polar opposite to Super Sonic, which is achieved when Sonic harnesses the positive energy of the Chaos Emeralds. If Sonic wanted to harness the power of the emeralds for the wrong reasons and his heart accessed the negative energy rather than the positive, he could possibly bring about Dark Sonic willingly. This, however, would likely never happen because that is the betrayal of Sonic’s character that everyone worries about.

That said, the only reason Dark Sonic ever appears is because of a mix of Sonic’s pure rage over Black Narcissist physically assaulting Chris and Cosmo and the presence of hundreds of the Metarex’s fake Chaos Emeralds, which possess an aura clearly shown to impact Sonic and make him ill.

Sonic’s first interaction with negative Chaos energy from the fake emeralds is filled with discomfort and even disgust. Sonic reacting to the negative Chaos energy poorly is critical, as it showcases that it’s seeking him out, not vice versa.

When Sonic was as triggered as he was, the negative energy from the fakes harnessed his emotions and corrupted him. It was a complete, freak accident.

This situation is very similar to Darkspine Sonic, the in-game equivalent to Dark Sonic from Sonic and the Secret Rings. Darkspine Sonic only surfaces when Sonic is severely triggered after Shahra starts to betray him, Erazor Djinn murders her (she sacrifices herself for Sonic), and he sees Erazor Djinn’s final form about to destroy the storybook world. In his shock and anger, the Secret Rings of Sadness, Rage, and Hate target him, painfully turning him into Darkspine Sonic. Once again, external energies corrupt him at the height of his emotional vulnerability.

Sonic never seeks out the negative energy of the Chaos Emeralds because his heart is good. When the negative energy seeks him out in such overwhelming waves, it corrupts his abilities, alters them, and pulls them out to play.

But—

If it’s simply a matter of fake Chaos Emeralds, then why can Sonic use Tails’ fake Chaos Emerald in Sonic Adventure 2 without any problems? I posit this to the fact that Tails might have a better understanding of the balanced nature of the Chaos Emeralds (in that they are powered by both good and evil), while Eggman and Dark Oak have only ever used (or desired to use) the Chaos Emeralds for evil.

Recall Eggman’s laser at the beginning of Sonic Unleashed and Perfect Chaos in Sonic Adventure. Both uses of the chaos emeralds drained them of their power—their negative power, that is. (Albeit through different means based on the lore of each game), Sonic is still able to restore and harness the emeralds’ power because he relies on the positive energy of the emeralds. As intelligent as he is, I imagine that Eggman (as well as the Metarex) has a hard time replicating the intricate nature and balance of the Chaos Emeralds because their hearts are filled with hatred and turmoil, so unwilling to heed the perspectives of others. The power is there, sure, but not the heart.

~Chaos is power. Power is enriched by the heart~

Tikal's Prayer

I think the difference between Tails’ fake emerald and every other fake emerald we’ve seen in canon is marked by the fact that both Eggman’s and the Metarex’s fakes disintegrate after excessive use (i.e., Chaos Control), but Tails’ fake remains intact.

The Metarex's emerald disintegrates upon excessive use

Eggman's fake emeralds can't hold their form upon excessive use

Tails' fake emerald is intact and ultimately used to stop the Eclipse Canon from firing

In short, Tails’ emerald is simply a better fake, more accurate to the originals.

also, I refuse to talk about how dumb it is that Sonic was able to use a fake Chaos Emerald to do Chaos Control for the first time. However, it is canon, and therefore relevant to my point.

Another key problem cited in Sonic X is just how many fake emeralds there are. One emerald pales in comparison to hundreds. Sonic feels all the latent negative energy consume him because that energy is a corruption, itself.

It’s not that Sonic gets so angry that he just gives in to darkness, it’s that darkness captures him when he’s in extreme emotional distress and his guard is down. Dark Sonic is the result of negative, unstable, potent Chaos energy clinging to him, using his latent Chaos powers as a vessel when he least expects it and, thus, is powerless against it.

I think I can best prove this by contrasting Dark Sonic with Sonic’s other intimate encounter with darkness…

Sonic Unleashed, Dark Gaia, and the Werehog

I’ve spoken at length about this game and this specific scene, already, so kindly forgive my hyper-brief summary this time around!

When Dark Gaia’s “weight issues” cause its essence to disperse around the globe, many people fall influence to Dark Gaia’s despair, losing faith and hope in the world. Nothing like the influences of Chaos energy, but enough of an influence that much of the world feels it. A core aspect of the game’s plot is that Sonic, distinctly, does not. In the cutscene No Reason, Sonic asks Chip why he stays the same despite the darkness inside his heart while so many others change at night. Chip answers simply, saying that Sonic’s too strong to lose himself and that part of his good will is because he never doubts himself, even when he’s on his own.

The difference is that while Sonic undergoes a physical transformation, he never loses faith or gives up hope—made especially clear by the fact that Professor Pickle, once as hopeful as Sonic, eventually does lose hope.

Also key to note that Amy also never loses hope.

Unleashed is just another fun, high-stakes adventure for Sonic; there’s never a moment where he’s aggressively triggered by something or when his personal morals are ever tainted. Irritated, maybe. Flustered, even. Never at a loss. The closest we see Sonic come to this is when he loses the werehog form to Dark Gaia before the final battle. He falls to his knees, worn and exhausted, and tells Chip to run because he doesn’t want him to get caught up in the mess. Yet even then he’s not giving up.

That’s why Sonic’s heightened emotional state is so important to the conversation. When Sonic’s will is intact, he’s much stronger, but when he’s triggered by something and his defences are down, it’s much easier for corrupting forces around him to take hold.

Mind over Matter

Even with the parameters for Dark Sonic’s appearance established, something that stands out to me about Sonic’s encounters with dark energies, and something I see as additional evidence that Dark Sonic is only a literal, physical corruption and not a corruption of his paradigm, is that Sonic is still in control of himself—to an extent.

Even as he seethes in his amplified rage, Dark Sonic never inflicts harm on the innocent. After Gold and Silver are destroyed, it’s not expressly clear if Sonic intends to stop or fight Black Narcissist, but Eggman implies that Sonic was fighting Gold and Silver until there was quite literally nothing left. Sonic was given a target to attack, and he kept his focus there, even when other enemies presented themselves.

This also goes for the Werehog and Darkspine Sonic.

He also has the mind to listen to reason—from Eggman, of all people—and stop when it’s clear that he’s finished what he set out to do. Sonic channels his anger to where it needs to be, and it’s clear that Sonic’s moral code and paradigm on life are thoroughly intact.

The only thing that changes is that he’s no longer imposing his usual limits. Sonic is stupidly powerful, even without any power ups. If he ever wanted to kill Eggman, he would have by now. If he ever wanted to kill anyone, he would have by now (and technically, he has).

Sonic throws Erazor Djinn's lamp into a pit, never to resurface, effectively trapping him and ending his livelihood indefinitely.

However, Sonic holds back because he doesn’t want to be an arbiter of justice—he doesn’t want to deprive someone’s chance to be good unless it’s been clear that they cannot be redeemed.

Why I Care About This

It is no secret that I believe that Sonic is a highly emotional character—far more emotional than many give him credit for. It bears repeating that Sonic’s emotions are very big and can be cataclysmic when left unchecked…

…but that’s just part of growing up—growing up as a hero and, damn it, even just a kid.

Dark Sonic isn’t a case of Sonic giving himself to darkness, nor is it a perversion of Sonic’s character. It’s an energetic, chaotically-charged version of Sonic when he is at his angriest—and even then it’s not enough to change his morals or make him lash out unjustly.

Dark Sonic is cathartic, in a way, and I definitely think it deserves its place in canon.

[ineffably-human]

Nadja's doll can move on her own, and assert herself sexually. Laszlo can stand in the light of the sun for the first time in centuries. Nandor can push himself to his physical limits, while admitting to the softer and more vulnerable reason he wants to do it.

(Colin can both be desired and have a sexual encounter as fucked up as his freaky little heart wants it to be. Honestly, I didn't think I'd say it, but good for him?)

Something something Pride being associated with joyous movement, with power, with authenticity, with freedom.

And Guillermo gets to be flirted with, and courted with a feat of strength, and see his six-foot-something crush loom over him stark fucking naked. Gets to show more vampiric tells and superpowers. And then the sheer gift of just being able to relax afterwards, nothing to be done but enjoy a moment of real joy with the people who matter to him.

Because it could be a cynical vote grab, but Sean genuinely cares about everyone at the parade, and about Staten Island. And believes queer people and immigrants are part of what their home is all about. Sometimes it's okay for everyone to get what they want.

What a joyous episode.