#or i will say something i was thinking about and people will get all cynic on me or something

[quaranmine]

i think the whole cringe is dead, radical sincerity, depth of genuine emotion, earnest effort, and unironic love thing that tumblr has going on the past few years has transformed my outlook on things and changed me for the better. but it does mean that now the people i know irl will give me strange looks for being too sappy or too poetic or too dedicated or too excited about about something because they're still stuck in their "well i only like this ironically" phase. guess that's their problem tho not mine <3

[leupagus]

So I'm seeing a fair amount of comments like "it's about time!" and "finally!!" and "what took them so long???"

And they bug me because... okay, I'm going to say this as gently as possible, but if you didn't know about this before reading my silly little post, what makes you think you've been aware of anything else the Democrats have been doing? If this is how you heard about Tuesday's shenaniganery, why do you consider yourself well-informed enough on Democrats' activities to say they haven't been doing enough?

I'm not saying this as part of a "how dare you criticize Democrats" rant, I promise. I'm pointing out that the way we Americans* consume information is deeply fucked, and that just because we personally haven't heard about something doesn't mean that it hasn't happened. There is a trend in media to coddle and cape for conservatives while harshly criticizing liberals (think of all the "this poor Trump voter never realized voting for Trump would mean bad things for them personally, isn't it terrible??" articles that we've literally never seen written about any liberal or leftist voter, ever, while getting furious because... one Democrat talks about egg prices). And not just amongst corporate media, whatever that means; TikTok and Instagram are rife with people assuring you that voting doesn't matter, all politicians are corrupt shills, we're doomed because everyone in power is a feckless coward (unlike us viewers, who are all good people but are also completely helpless). There is a huge market for being angry at Democrats, and while I don't think there's any deep conspiracy other than the age-old Mommy Problem, it's worth considering what effect that might have on how much we actually hear about anything good that they do.

We should always be cynical about politicians, to be clear. But we should also be cynical about the news media, social media, and our society itself at this juncture. Heck, we should be cynical about cynicism! Throwing our hands up and saying "both parties are the same, they all need to go, throw them all out into the street" is a great way to feel morally pure but a lousy way to effect any sort of change for our country. If your congressperson or senators suck, by all means work hard to throw them out. But consider how helpful it is to claim that all 630-odd members of Congress, regardless of party, are equally contemptible and should all be run out on a rail. Do you really think that will encourage good and decent people to run for office? Because here's the thing: someone's got to do that job. We cannot abolish Congress, no matter what your anarchist friend tells you. The past weeks and the coming months and years are about to show everyone in stark, horrifying detail just how necessary a functioning American government is, and someone needs to run it. If you want those people to do better than Trump and his lackeys, you have to at least be aware of what they do better.

TL;DR — if the original post provided you with any new information, consider widening your pools of places you get information from. Sign up for your representative's and senators' newsletters, get a subscription to a good local paper, read the headlines from Reuters or AP or heck, just follow a congressional staffer nerd (Aaron Fritschner is my personal fave). I promise that there are shitty, stupid, shortsighted things that Democrats are doing right now, but there aren't as many as you think; and there are more thoughtful, smart, and capable things they're doing than you know.

*Yes this is a post for Americans by an American; if you're not American then this isn't about you.

Tuesday's House Budget Vote and what you may not have heard about

I'm reposting this from a reblog of a really great post about the work that Representatives Mullin and Pettersen did in voting against the GOP budget on February 25th, because I don't want to detract from that message.

Instead, I want to talk about the larger implications of H. Con. Res. 14 itself, and why the Democrats risked so much (in Mullin's and Pettersen's cases, actual harm) in order to show up for this vote.

The vote in question is starting the first of quite a few votes for the upcoming GOP budget; it's not a done deal by any means, this was just the vote to get it started, so to speak. But it was still a very, very, VERY important vote, because not only would failure be catastrophic, but so would a win that just barely squeaked by.

And this one squeaked like a fucking mouse in Murray's Cheese Shop.

Speaker Johnson has been waffling on putting this to a vote because there were several outspoken GOP members who talked a big game about opposing it. Usually this doesn't matter, since most bills get some bipartisanship, but at present the House is in GOP hands with only a three-member margin of error, with two seats vacant (note: those two vacancies are FL 1 and 6, which are holding their special elections on April 1 — lol — and which are EXTREMELY unlikely to flip but hey miracles happen! Donate or phonebank if you'd like!). And Democratic representatives have been voting in a bloc against...well pretty much everything the GOP's been pushing through since Trump took office. Not only that, but this budget is legit unpopular with a number of Republicans, so much so that Johnson pulled the vote at first on Tuesday because he knew it would fail if the GOP members who'd threatened to vote against it actually went through with it. What he needed was to either convince them all to fall in line, or resort to cheating.

So he did both!

He and Trump strongarmed all but one of the GOP holdouts into voting yes (Congressman Massie is in many ways a turd in a toilet, and his reasons for voting no were bad, but he did stick to his guns, I'll give him that). Reports of Trump actually screaming at one of the (female, naturally) GOP holdouts are...well, unsurprising, but that's how panicked they were about getting this bill started. Usually the Whip does this work, but Tom Emmer's been laughably bad at it and so they had to get Trump to actually do some work. Which is itself sort of astonishing. But even then, they weren't sure they could get it done.

Which leads us to part two of Johnson's plan: blatant cheating. During Pelosi's last session as Speaker, she allowed for proxy voting in light of COVID and, you know, the general state of things, but the second the GOP got back the gavel they nixed it right in the bud. This puts the Dems at a disadvantage right now because at least three of them are out for medical reasons — Mullin and Pettersen, as well as Congressman Raúl Grijalva who's fighting cancer at present. (He was the only Democrat who couldn't get to the floor for this vote, fwiw, and anyone who insists he should've can suck my left tit.)

So Johnson adjourned the House for the evening, sending everyone home, but told the GOP members to stay and then tried to rush through the vote before the Dems realized what was happening. His hope was that enough Dems would be caught flat-footed/not see the recall notice/be asleep watching Taskmaster (whoops that was me) by the time they got the message to get back to the floor. That way he could lose the holdouts but still pass the budget onto the next phase.

However! While Nancy Pelosi no longer rules the Democratic caucus with her iron fist and fabulous coats, my man Minority Leader Hakeem Jeffries learned quite a lot from her (and is pretty fucking genius himself). Not only did he and the other House leadership expect this kind of chicanery from Johnson, they had planned on it.

Because here's the thing: Mullin and Pettersen didn't get on a plane at the last minute on Tuesday; they'd gotten to DC on Monday, without telling anyone they were in town. They actually hid from the GOP members all day Tuesday in order to lull Johnson into thinking he had more of a margin than he did; if the GOP holdouts really had voted against the budget, then it would've failed. Which would have been a biiiiiiig problem for Johnson and Trump.

As it is, it's still a biiiiiiig problem for Johnson and Trump, because now they know just how razor-thin their margin is. More importantly, they also now know that the Dems will fuck with them just as much (if not more) as they will fuck with Dems. Congress (and the USA in general) has operated for years on the assumption that Democrats operate in good faith, while taking it for granted that of course the GOP ratfuck as much as humanly possible.

This moment is a chilling one for the GOP; they can't assume anymore that Dems will play fair or fight clean. Which seems like a very small thing in the larger picture right now, I know, and I also know that people would love for their Democratic representatives and senators to be more vocal and angry in public ways. I get that!

But this move on Tuesday night? Is actually going to have far bigger consequences than any meme or viral video or clever soundbite from a politician. Democrats are no longer playing by the rules that the GOP's ignored for years (if not decades); they're playing by the GOP's own rules, and they just might win.

[rivilu]

niche memes from yours truly once again

[quibbs126]

Id say it's more nuance. Like they are two halves of the same whole. The themes show a messy tragedy in the making. The whole "they can make them worse" and general toxity makes for interesting potential. The craving to place the lil guys in angsty situations that break further and further until SOMETHING bleeds

Itbjust depends on the creativity of the person making the content lol

Just some old people with beef

I’m sorry to the anon who asked this originally, but I was going through my inbox for something, and I came across this

And I no longer have any context as to what this was about

My brain is like “…is this about Transformers?”, but this is too old to have been an ask about that, not to mention I don’t really get Transformers asks

Honestly my best guess as to what this could have been was Golden Cheese/Burning Spice or just generally Beast/Ancient related. Some of the other surrounding asks seem to date this around the Burning Spice update, so that would make sense, but I’m not sure why I’d ask about that because I’m pretty sure I’ve made my stance that I don’t really like those ships

Oh wait, it might have been about me wondering why mysticcacao and goldenspice weren’t that popular/generally disliked ships, but shadowvanilla/vanillamilkshake was. I’m remembering now I didn’t really understand that (tbh I still don’t but I don’t really care that much anymore)

[romicat]

I understand where you're coming from and yeah it's unfortunate. But I think a lot of those issues is more an after thought of what Wilson was doing at first and then the common occurrence of different comic writers mis characterizing certain characters. It was clear that Wilson was pushing Bruno as Kamala's prime love interest (unfortunately the MCU did this too,) so Bruno is her confidant because this is a super hero comic.

Nakia is very opinionated and somewhat of a cynical (or well is more like she's instantly, rightfully, suspicious of people in authority and influence.) So she has some opinions about Ms Marvel the hero, and Kamala who is very self conscious and fears being judged and disliked by her friends and community (even when her friends joke call her a "traitor" for "abandoning" them for New York it ends up hurting her a lot.) So she doesn't tell Nakia for the same reasons she doesn't tell her parents, not because she doesn't trust her, but because she's afraid her friend will hate her because she's critical of Ms Marvel. And this is a superhero comic so that creates tension and friction. A "likes Clark Kent, thinks Superman is an asshole" situation that is resolved when Nakia obviously figures out Kamala is Ms Marvel.

Josh is, well Kamala just kind of keeps running into him, it's not like she seeks him out to help him or anything past that first src. Kamala was also initially partially responsible for ruining his life. She's not responsible for everything that came after, that was Josh going down the incel-fascist pipeline. But she does feel like it's somewhat her fault he ended up going that way.

We see something like this again with Qarin. . . Who tried to kill and replace Kamala and threatened her family at one point. But Kamala in that story obviously feels responsible for what happened.

Qarin calls her a murderer and Kamala doesn't reject this.

Sooraya is more from that writer not knowing what they were doing. I mean, he did. He just shouldn't have. X-Men writers have this thing that's pretty common with white people who write fantastical allegories for discrimination of like "what if the normie black guy is fantasy racist against elves". . . Which didn't even make sense in context of those characters because Kamala has shown to not have a problem with Mutants.

NYX is think is partially two things: The writers despite really liking Kamala can't really write that aspect of her. It might sound a little nick picky, but it's stuff like Kamala saying that Sophie is inherently a good person and "knows" she's not evil, or trying to get through to Julian by saying he used to be a hero (Kamala by now has met many heroes who are still assholes/wrong.) . . . The second is that it feels like they really want to push the Kamala Sophie ship, so the two only really care about the other. I don't think that it'll actually be canon for the same reasons I don't think that Kamala will end up dating Miles. She still has another main series on the way that's still in production and I don't think those writers are interested in either of those ships. That's mostly the Spider-Man/NYX writers self indulging.

But anyways, it's similar to how they wrote Rachel when they paired her off with Betsy. Where it's like all the sudden Rachel is just Betsy number one cheerleader and neither focuses on any other relationship outside of each other, platonic or otherwise. I continue to say this, but it is still hilarious how easy Sophie just instantly betrayed her sisters for Kamala.

So yeah, I understand where you're coming from but I don't read it that way, i think it's just a collection of individual narrative choices made by 4 different writers across multiple series that when you look at them all together have some unfortunate implications.

Semi related: But oh god thank you. I'm so tired of Bruno and I'm partially dreading the new solo because I'm afraid they'll pay off on that romance subplot. Canon wise Red Dagger is like the only ship I'm genuinely invested in.

So, Medusa might be the best heroic mentor Kamala's had? Like, she's kinda the only one that didn't disappoint her or tried to force anything on her, or was too stubborn to listen to her. Medusa's entire approach to inhumans outside of their city is to treat them like her subjects but doesn't expect them to treat her like their queen.

She opens Attilan's borders, allowing non-inhumans to live and work there if they want. She offers Kamala assistance when she needs it but never tries to push her towards her "side", and if anything during IvX listens to her and her friends.

When her powers started to literally melt her body it wasn't the X-Men who showed up to help, (actually it was kind of their fault that it happened in the first place) it was Medusa. And even though the chances of saving her aren't certain, she has such faith in Kamala's strength that she doesn't doubt that she'll pull through.

And I don't know, that's just kind of neat?

[pyrrhiccomedy]

I feel like we need a refresher on Watsonian vs Doylist perspectives in media analysis. When you have a question about a piece of media - about a potential plot hole or error, about a dubious costuming decision, about a character suddenly acting out of character -

A Watsonian answer is one that positions itself within the fictional world.

A Doylist answer is one that positions itself within the real world.

Meaning: if Watson says something that isn't true, one explanation is that Watson made a mistake. Another explanation is that Sir Arthur Conan Doyle made a mistake.

Watsonian explanations are implicitly charitable. You are implicitly buying into the notion that there is a good in-world reason for what you're seeing on screen or on the page. ("The bunny girls in Final Fantasy wear lingerie all the time because they're from a desert culture!")

Doylist explanations are pragmatic. You are acknowledging that the fiction is shaped by real-world forces, like the creators' personal taste, their biases, the pressures they might be under from managers or editors, or the limits of their expertise. ("The bunny girls in Final Fantasy wear lingerie because somebody thought they'd sell more units that way.")

Watsonian explanations tend to be imaginative but naive. Seeking a Watsonian explanation for a problem within a narrative is inherently pleasure-seeking: you don't want your suspension of disbelief to be broken, and you're willing to put in the leg work to prevent it. Looking for a Watsonian answer can make for a fun game! But it can quickly stray into making excuses for lazy or biased storytelling, or cynical and greedy executives.

Doylist explanations are very often accurate, but they're not much fun. They should supersede efforts to provide a Watsonian explanation where actual harm is being done: "This character is being depicted in a racist way because the creators have a racist bias.'" Or: "The lore changed because management fired all of the writers from last season because they didn't want to pay then residuals."

Doylism also runs the risk of becoming trite, when applied to lower stakes discrepancies. Yes, it's possible that this character acted strangely in this episode because this episode had a different writer, but that isn't interesting, and it terminates conversation.

I think a lot of conversations about media would go a lot more smoothly, and everyone would have a lot more fun, if people were just clearer about whether they are looking to engage in Watsonian or Doylist analysis. How many arguments could be prevented by just saying, "No, Doylist you're probably right, but it's more fun to imagine there's a Watsonian reason for this, so that's what I'm doing." Or, "From a Watsonian POV that explanation makes sense, but I'm going with the Doylist view here because the creator's intentions leave a bad taste in my mouth that I can't ignore."

Idk, just keep those terms in your pocket? And if you start to get mad at somebody for their analysis, take a second to see if what they're saying makes more sense from the other side of the Watsonian/Doylist divide.

[ms-demeanor]

How to avoid sharing Social Media Scams in the Wake of a Disaster

The world is full of disasters. It is also full of people who have learned to profit off of disaster. It is an unfortunate fact of life in the modern social media/online environment that in order to avoid spreading scams, you have to make a continuous effort and you have to be cynical.

There are a lot of wonderful, well-meaning people in the world who want to help everyone who asks for it. Unfortunately, those people are easy to scam.

These are some rules to prevent you from either falling victim to scams or from passing scams along to other people.

These are not suggestions, these are not things to take into consideration, the rules listed here are RULES that you need to adopt in order to keep from spreading scams on social media.

Rules:

Never, ever share screenshots of fundraisers or resources that you haven’t verified yourself. If you see a screenshot of, say, the Antelope Valley Fairgrounds Instagram announcing that they will be accepting evacuees with RVs, you go find the Antelope Valley Fairgrounds website, you find the social media linked on their website, and you check that the post you’re seeing actually came from the entity it’s claiming to. Once you have proved that the post actually came from the entity it’s claiming to, double check that entity with a couple of verifiable sources. So, for instance, if I was checking on the Guitar Center Music Foundation I’d check Guitar Center’s website and maybe I’d look for news articles about donations from the foundation. If I was looking up the Antelope Valley Fairgrounds, I’d look for a local newspaper calendar of events that linked to the fairgrounds or would check the city websites in the area and search “fairgrounds” on them. I would not share a link to a social media page for an organization until I was 100% certain that it was actually associated with the organization. You shouldn’t either. If you see a post that claims to come from a specific group but all you have is the screenshot of the post, go find the group’s website and if it all checks out you may share it IF AND ONLY IF you add the link to the post. And if a post has a link already, click through it and STILL check that everything looks okay.

Never give money or information to someone with a free email address. This sucks. I know. But if the group you’re looking at only has a gmail address or a protonmail you have no way of knowing if they’re legitimately associated with the organization at a glance. And even if they ARE associated with the organization, the free email account demonstrates a lack of planning/commitment that has troubling implications for the handling of your money or data.

Do not share screenshots of “resources,” headlines, social media posts, or news articles. I’m done with screenshots. Screenshots are easy to fake and almost always remove context from the discussion. A standalone screenshot isn’t information, it’s a trap to get you to share something without thinking. Do not *trust* screenshots of “resources,” headlines, social media posts, or news articles. Always assume a screenshot is faked unless you have found the original post yourself. A screenshot isn’t a “resource” it is an un-source, it is intentionally removing information from the viewer and we are well past the time when people should have understood that sharing screenshots without a link to the original text in context is never, every trustworthy.

Do not give money or information to accounts without a history. This may mean individual social media accounts, or it may mean a shiny new mutual aid project that popped up near your house. It’s unfortunate that people have their accounts deleted, it’s unfortunate that new orgs have trouble finding support, but the likelihood that a new account is a scam is simply too high to trust your money or information with it. If someone is asking for money or offering help on an account that hasn’t posted for years, or that suddenly changed all its content, or that has only existed for a month with no links to other, older sites and socials, you shouldn’t trust that account.

Okay, those are the RULES. Those are the lines you draw in the sand. The TL;DR version is this:

Don’t share posts you haven’t personally verified

Don’t give money or information to accounts with generic email accounts like gmail

Don’t share or trust screenshots that have no links or further context

Don’t give info or money to brand new accounts

I absolve you of any guilt you have surrounding this. You want to share that post to help a stranger but they have only had an account for a week. You want to spread that resource, but unfortunately it is only available as screenshots of an anonymous instagram account. You think that perhaps that mutual aid group really can help people, but the only way contact them is to put your info into a google form and send an email to their gmail account. That post seems really helpful, but actually you can’t find anything that suggests that the Mt. Pacifico Aquatic Center exists outside of this twitter account. No more guilt! Guilt be gone! You do not have to feel bad for not sharing these things, or not reaching out, or not giving money because doing so would be irresponsible and would put other people at risk of being tricked by scammers or wasting what money they can donate on a potential fraud.

Now, some tips:

Always, always, always take at least ten minutes to think about giving someone money or your information online. Read the post that moved you, then re-read it, then go sit away from it for ten minutes and think about it. There’s a good chance you will still want to give, or sign up, but ten minutes away will give you a chance to consider if there are any red flags in the post that inspired you.

Independently search everything you’re going to share. Go outside of social platforms and check on search engines. Check Wikipedia. Look up the website and send a while clicking around. Go on a *different* social media platform and check their account.

Just straight up search “[SUBJECT] Scam” before you do anything. See if this thing you’re looking at is actually an old scam that’s revamped for a new disaster. See if you can find an explanation of how something might be a scam or risk in a way that you didn’t understand before.

Get used to getting away from social media. Go check websites.

Learn domain name syntax. “musicfoundationguit.arcenter.com” is a bullshit scam. “guitarcenterfounditaon.org” is a bullshit scam. “guitarcenter-foundation.org” is a bullshit scam. The actual domain is “guitarcenterfoundation.org” and the link to the correct page isn’t going to be “guitarcenter.foundationfires.org” it’s going to be “guitarcenterfoundation.org/fires”  

Tips for Orgs:

If you do not want your org to look like a scam you are going to have to put some effort into it. Unfortunately this will probably also require at least a little bit of money; I know it’s hard to get money together at the beginning, but it will pay off in the long run.

Invest in a domain and hosted email. You can get relatively inexpensive hosted email through most domain registrars and even if you only get one email address for your domain you can forward it to all the free gmail and protonmail accounts you want. But buy a domain, set up a simple website, and get an  info@[yourdomain].com email set up because you don’t want people emailing “MyOrgInfo@gmail.com” because it’s super fucking easy for a 1337 hax0r like me to set up “YourOrgTeam@gmail.com” and scam the people who want to reach out to you.

Make a blog on your actual website, not on a social media site. A blog means that you can make regular posts and establish a history to prove that you are real and you do real stuff; it will also help with SEO and help to ensure that when people search for your org YOU are what comes up. Keeping up calendars of previous activities with links to those activities is also good.

Set up social handles on all the sites you use, make a “socials” page on your website, and link to your handles so that people can verify if you’re the one posting something. If you don’t make it extremely easy to find your socials, that means it’s extremely easy to set up fake accounts claiming to be you. Then put the link to your website in the bio on your socials.

If you are offering something or holding a fundraiser or doing anything on your social media page, link it back to your website. If you have an IG post offering resources, you should include a url for your site in each image. If you share a photo on twitter with the info for a march, that should link back to your website with more info about the march. If you post a fundraiser on tumblr you need to link the fundraising page of your website on that post.

If you absolutely positively cannot set up a website and a real-ass email address, set up a linktree, choose a primary social media to post on that all the others refer back to, and very explicitly state what your email address is and that you do not have other email addresses somewhere that's difficult to miss. Build a history of posts and link to other orgs that you work with or any writeups or stories about your events or projects. The point of all of this is making yourself easy to verify. "northfullertonfnb@gmail.com" sucks but it sucks a lot less if it's in the bio of "@northfulltertonfnb" and that page has a two year history of posting meal share schedules and menus.

In conclusion, don't share things that you haven't personally checked. When in doubt, it is always safer not to share.

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[drchucktingle]

I watched the 2004 Klaus Nomi documentary and his story reminded me of how you talk about creativity and being genuine. The interviewees talked about how the first time he performed with the persona Klaus Nomi at a vaudeville-style variety show in NYC in the 70s, everyone was stunned. Several of the people describing this event mentioned how the show was meant to be ironic, everyone was doing nudge-wink joking acts and goofing around, the audience/scene was apparently very cynical, but he got up and took it seriously. He was earnest, he was himself, and after a frozen moment of silence, everyone went crazy.

THANK YOU yes this is very reminiscent of what the journey of my career has been like, and this particular trot makes me very proud. all of the buckaroos who mean a lot to me artistically, from the andys (andy kaufman and andy warhol) to the davids (david byrne and david lynch) have had similar ways from 'strange' outsider to legend.

was talkin with some buds about how i think there is possibly a connection between this and my autism trot. there is a sort of ability to see a path that nobody else takes but say to yourself 'that makes sense to me, i do not really care if nobody else takes this path'. others can be bogged down with the 'right' way of doing something

so really being ridiculed like i have is this beautiful artistic TROJAN HORSE, where initially very few people take you seriously but they still let you in. they let you trot around in their brain for a while and very slowly they start to get it.

i think it also goes to show how much art is in PERCEPTION of the creator (i talk on this a lot already but this is very good example). look at something like SPACE RAPTOR BUTT INVASION getting nominated for hugo award. EVERYONE said some variation of 'this is obviously a joke and making fun of gay people and autistic people and erotica itself' and on and on. buds on the left said this, buds on the right said this. it was VICIOUS. and all the while i said 'no this is real serious art and i am doing something that goes outside of the way you see the medium itself' and that just made people MORE MAD.

but now looking back, when i presently have award winning best selling books from major publishers and so on, it is easier to see that the erotic tingleverse, as a whole, is a valid piece of art and expression that resonates with a lot of people.

really the only thing that changed was the perception of ME as a creator

anyway. i am proud of my art and where i sit in the world of artists. i like being a sort of chaotic queer punk rock force. so i cannot complain really

i will say this though. this is all a PERFECT example of how queer and neurodivergent artists have to go above and beyond to even get basic respect from both the left and the right

the years of saying 'i am serious. i am real' the years of taking vitriol, or being constantly made fun of are PERSONALLY okay with me. i am a tough buckaroo. in a strange way, that story is kind of part of the art in itself. HOWEVER we still have to acknowledge that a straight neurotypical person would NEVER have to constantly prove themselves like i have.

i dream of a world where queer and autistic artists are not harassed by one side and gatekept by the other, and believe it or not i think we are moving in a good direction. there is still a LOT OF WORK to go though

fortunately, i think there are easy ways to help. you can support outsider artists you like by reading or listening or just buying their art and puttin it on your shelf (PREORDER LUCKY DAY BY CHUCK TINGLE HERE). but ALSO, if you are an outsider yourself JUST CREATING IS SO POWERFUL. build and craft and speak your unique way into the universe. FILL THIS SPACE WITH YOUR UNIQUE WAY. THAT is how we prove love is real.

see that path that makes since to you but nobody else is willing to try? take it

[bunnwich]

Why Leona Gave Himself The Bad Ending

Leona Kingscholar Analysis

Usual disclaimer to say that these are just my thoughts and you don’t have to feel pressured to agree. This was my thought process as I played through the parts of Chapter 7 Parts 212-226, featuring Leona’s dream triggered by Malleus’s magic.

--

I wanna start off by saying that I believe all the dreams are a mixture of Malleus’s magic and the dreamers themselves. 

Idia theorized that Malleus is sort of “setting up the parameters” in a way, then each of the dreamers' personalities and imaginations affect the dream in different ways. The emphasis of this has been brought by Idia several times that it’s the strength of imagination that determines how complex dreams are. Which is maybe why in the first years dreams seem so basic? They’re young, their magical abilities are still new, and their magic is no match for Malleus’s magic. That and, to be fair, most of the first years don’t have the same amount of angst and turmoil as some of the other second years and third years have.

With that being said, I believe that because of his high intelligence, magical prowess, and his hyper-vigilance, that is the main reason Leona’s dream was so…different than the others.

But let's get into it!

There are a lot of Lion King references in this dream, and it’s very clear the writers wanted to play around and show this off. I feel like they did a good job of integrating the themes of the movie into Leona's dream. It does give me a little validation as I feel Leona’s struggles and personality are closely linked to his great Seven Counterpart, Scar. More so than any of the other overblotters. When I analyze Leona I sometimes I do use Scar as a starting point to understand his intentions.

This is how I came to the conclusion long ago that being king would never make Leona happy because it's not what he truly wants.

We start with the dream back in the Sunset Savanna. It’s VERY interesting to see that there is hyena prejudice right off the bat as a woman flees from Ruggie while he attempts to buy food. 

Right off, everyone can tell something is…off about the city. Especially coming fresh from Ruggie’s dream where everything was idyllic and happy for hyenas BECAUSE of Leona.

Grim hits us with the: “I laugh in the face of danger!” line. We even get the three hyenas referenced and the “love for you to stick around for dinner” line. The once proud lioness-dominated palace guard has been taken over by hyena “ruffians” (interesting choice to portray a disenfranchised group being given jobs as the new guard as a negative thing, but moving on.)

The first interesting thing we get is that the palace is somewhat rundown and empty? The group makes comments of how dark and dreary it is, and how few people are around. Is there an implication that the servants fled at some point after Leona became King or did he replace them? This further shows me that Leona for whatever reason has chosen to isolate himself. To me, it's most likely that he already feels isolated by his country and those in the palace.

From the looks of it “Malleus’s magic” has given Leona the one thing he has always wanted, but has he? Leona seems less than thrilled and genuinely upset by the fact his whole family is...gone. As I mentioned in my Leona relationships post, I think that he holds a complex relationship with his family, and while he resents them, in no way can I see him wanting them to be dead. 

It’s now I started to think that Leona’s magic was overriding the simple “let them eat cake” logic of all of the happier dreams. This dream feels TOO real, dark, dreary, and…sad. Could it be Leona’s intelligence or cynicism, ruining what’s supposed to be an idyllic scenario?

Why is even in his WILDEST dreams Leona is still miserable?

Hmm.

A lot of people have talked about Kifaji and their thoughts on his presence. It’s strange to see people praise him as “a loving parental figure” as if he’s really there trying to help Leona. But, Kifaji is not there. This Kifaji is a manifestation of Leona’s mind and I’ll get to why that’s interesting and what I think he represents. Remember, that often in other dreams we’ve seen of loved ones or rivals and they can act normal, out of character, or even cruel. Vil and Neigie come to mind and Neige turned out to be the blot keeping Vil asleep.

Kifaji is a bit different. He actively tries to help the group wake Leona as opposed to encouraging the twisted dream logic. For this reason, to me, Kifaji represents Leona’s conscious and the Dream!Leona we see represents his shadow self, like the dark side of the moon. AKA, the Leona we meet in Chapter 2. In fact, this whole dream feels like a rehash of Chapter 2.

We get the outdated Leona that dumbs himself down and settles for less, cloaking himself in his pride and believing that everyone is below him. An idle king while he lets others do his dirty work. (Scar basically.)

Leona asks Kifaji to sing (another Lion King reference) and it plays out how you would think. Leona tells Kifaji that he is the only competent person in the kingdom. And he argues that the kingdom is in shambles, not because of his choices as King, but because everyone else sucks basically.

Hmm. 

Kifaji reminds Leona that while he is clever and his plans are grand, that he can not treat people like human chess pieces. (Can I just say I love when chess is brought up to us because I find that when people analyze Leona or his thoughts they often forget how much he uses chess to process his thoughts. We saw that plenty in the Tamashina Mina event!) I think it helps him sort his thoughts and emotions which he can have a hard time doing.

I think Kifaji represents Leona’s mindset post Chapter 2 and because Kifaji in his real life is one of the only people who probably stands up to Leona, he has placed him in this antagonist role in his mind. (but not really) Plus, it’s not far off from Kifaji’s actual treatment of Leona in the Tamashina Mina event.

So yeah, Leona acts more like he does in Chapter 2—he's the player or the king even and everyone else around is just lowly pieces.

Just like the scene from The Lion King, Scar and Leona are not happy. Even though they are supposedly getting their deepest desire, they remain bitter and…alone. 

When I first began to read into Leona it was quite obvious to me that the whole “I’ll never be king" thing was just a front for something else. What I think Leona truly craves is approval and acceptance.

Being king, especially of a broken kingdom that despises him, will never make him happy. But, why do the people not love him? This is supposed to be a fantasy right?

There is this interesting layer of how he became king too. Instead of Cheka or Falena simply not existing, like I thought it might be, they are dead. That is…so much more tragic than it needed to be. As if deep down Leona believes the only way he can become king (his dreams to come true) is if tragedy happens. This reminds me of his bitter view/the symbolism of his unique magic. That he can only bring misery wherever he goes—everything he touches turns to sand. 

I also think that Leona is afraid of failing and much of this dream is his anxieties and insecurities that linger from all his past failures.

Though interestingly enough, I sense that in the dream, as implied later by Idia, Leona has implemented an “over-exaggeration” of his policies and plans for the kingdom. It was almost like he purposely ran his resources dry and gave up trying to compromise with anyone for the sake of “progress.”

Why, though?

It’s very masochistic in a way. It’s almost like he wanted to prove himself right. Everything he touches will turn to sand eventually and his grand plans will fail even if he claims they are “perfect.”

That’s why this dream is probably the most masochistic and self-deprecating we have seen. I think what initially began to draw me to Leona’s character is because of the hidden pain he holds. He is by far one of the most easygoing, and lackadaisical acting of the cast, but…he cares, he cares so, so much about how he is perceived and his haunted by his hopelessness about his future and the failures of his past.

I think the pain of never feeling good enough, causes his mind to be unable to “play nice” with Malleus’s dream magic to even manifest any sort of positive future. One where he holds a position he wants AND is loved and respected. it’s just impossible that he could ever have that, even in his wildest dreams. 

He’s too much of a “realist.”

Side tangent, but a frustrating take is to see was the: “Oh yeah, see? He would have sucked as king.” tinged comments after this came out.

 I think it’s more complicated than that. 

This isn’t me trying to defend him necessarily, but to be fair, all dreams tend to be over exaggerations by the dreamer. Plus, I think the fact that Ruggie HATES Leona in this dream and is suddenly in favor of Falena, is a sign right there we can not trust Leona’s interpretation of the people he knows in his dream. He is sort of an unreliable narrator that way. 

Besides, like in The Lion King, why would all the water dry up, just because the hyenas over-hunted? 

A big theme in Lion King and even The Lion Guard TV show is "the balance of nature." The blight upon the Pridelands when Scar takes over feels more like symbolism of the “unbalance of nature” caused by the tragedy of Mufasa’s death. Which makes me again, connect that Leona feels the only way he can succeed is by inflicting misery on others. Like his magic, perhaps a part of him believes he is a curse. 

I theorized in my Tamashina Mina review, that maybe Leona feels like an outcast himself, and the separation he feels from his country is showcased in how he blames the citizens for the decline of the kingdom, rather than his plans. He feels isolated from them.

By this point, I was having flashbacks to Chapter 2, where he got a whiff of his plan failing and he still pushed through even though he knew it would fail. At first, he may have started doing okay as king, but maybe when he came upon too many obstacles or pushback, He just gave up. Because he was not instantly loved by the people, who probably already feared him, he’d rather not even try. Suddenly, they are “not worth his time”, and he can’t help them because they suck.

Leona’s problem has always been his pride. I think he has to put it aside to genuinely help people reach their potential and learn to collaborate with others more. Part of how this dream plays out, is him realizing that maybe some criticisms Kifaji had about his pride all along may be true. Leona refuses to play nice with others. 

That’s why I think Kifaji represents a more sensible and lucid Leona. He is in a sense, talking to his past self, and trying to shake himself from the dream and his outdated ideals.

Ortho even points out that Ruggie is not really the Ruggie we know but rather a part of Leona’s imagination. Again, which puts emphasis on how the characters in his dream are more indicative of his mindset as opposed to being “in character”. Maybe Ruggie hating him in his dream is his inner anxieties about him and Ruggie post Chapter 2 fallout. He feels like Ruggie could never forgive him for what he did. He let him down. And Leona being bad with people and feelings, doesn’t know the proper way to apologize.

Kifaji (woke Leona) says that the state of the kingdom is a result of him “pursuing efficiency over all things and disregarding other people's feelings.” It really feels like he is calling himself out here. Does he REALLY wanna help people? Or is it just Leona’s selfish pride who wants attention for just being smart?

Dream!Leona complains about the protesters interrupting his nap which is another sign for me of the exaggeration of the scenario of Leona being the king. Like...did he not criticize Falena for having the same carefree and laid-back attitude? And yet here he is...complacent in the same behavior he once criticized Falena of. 

Interesting.

Ortho mentions that Leona’s dream is clearly a more complex situation than the other dreams.

I think there is a key implication we are missing here too, that I haven’t seen many mention. There is a throwaway line that Jack mentions that Leona has not attended school and is king instead. And he doesn't seem to know Dream!Ruggie either. Nor Ruggie him.

There is no doubt his time at NRC has shaped him to be the Leona we know now. Someone who has at least somewhat benefited with the connections he made at school. It does seem like this Dream!Leona is regressed. And because he never attended school, he is a much colder person who has no regard for others' feelings at all. He is even more socially inept.

I feel like this is a common theme to show us that despite the independent nature of most of the students at NRC, that it can still be “the friends we made along the way.” trope.  These connections do matter and especially to Leona. He mentions this in his post-overblot monologue in the light novel. He found his pack at NRC.  This time with his dorm members affected his personality for the better. It's kinda sweet when you think about it!

Ortho mentions Dream!Leona appears DEEPLY absorbed in the delusions of his dream. This means that even though he has the lucid failsafe of Kifaji, Leona’s self-deprecation, despair, and pain are still overtaking his logic. That's what's crafted this nightmare. (And he later references it as such.) 

Everyone acknowledges that he can’t possibly be happy and looks EVEN MORE miserable than at school. It can't be a silly happy fantasy, but a grim dark reality of what he thinks of himself. 

That's why he gave himself the bad ending.

I love the double entendre of Idia saying Leona is building his dream like a “sandbox” game. Lots of Minecraft references. (Leona Minecrafter confirmed? Or hear me out…Leona playing King Crusaders or Civilization V FGHJ)

Anyways, Idia or Ortho, (I forget) suggests that perhaps he has run out of ”simulations” for his dream playthrough. And being an intelligent person his mind tends to overthink naturally and this caused his dream to have a more realistic tone. Plus, I theorize that because Leona is powerful and his intelligent, his magic and imagination was almost able to overwrite Malleus's, a standard happy dream formula.

Ortho suggests Leona chose a more “realistic mode “on purpose.” Perhaps like I theorized earlier, it is almost a masochistic test to see if he could have everything he wanted? Leona is a very analytical person who enjoys games. It makes sense, the way he often plays chess alone to practice “strategies.” But as I mentioned before, I think he just genuinely believes it's not possible. Ortho mentions he thinks Leona’s the type to understand that an “aggressive urban development” would come with risks.

Jack asks “If Leona knew this was a bad plan then why would he make the citizens suffer and be hated?”  (Sheesh, now we know Leona really is the type to play pretend and get a lil too real with it.)

Ruggie adds that Leona may be “doing something he knows he shouldn't be on purpose.” Like maybe he did it to be dastardly and maybe he just wanted to “feel the rush” of being a ruthless and hated king.

When Azul asks Ruggie if he thinks Leona takes pleasure in immoral things he says that he can't say for sure, only that he is a prince that no doubt can take pleasure in “bad things”.

To me, however, it feels like a masochistic move to prove to himself his happiness is unattainable. 

Then Sebek chimes in: “How could he go so far to kill his family only to abandon his responsibilities as a king and become a horrible one?"

No one seems to know for sure. Everyone in the group has their theories but the consensus in the group is that - nobody fuckin’ knows why this guy intricately carved himself such a miserable fantasy for himself. Very masochistic for a guy who appears to be so proud huh?

Idia continues to mention that Leona’s imagination is so vast compared to everyone else's. It fills out a whole “world” completely and the mechanics of this world must make sense. He's playing on hard mode. In Leona’s brain this seemed to manifest as if he is to “get what he wants” it can't be serendipitous or through triumph, IT MUST be through tragedy.

Can we lighten up a little?

Again, he may have started to do “good work” but quickly realized that keeping up with all to create a perfect kingdom was waaaay over his head. Maybe he was afraid to give it his all, because he knew everyone would still hate him anyway.

Another reason I think Leona thrives better as a “big fish in a small pond” so to speak. Like his dorm leader role where he can interact directly with his cute (this man used this word a lot for some reason) froshes, make tangible make things better for a small group or community. 

But as we saw, even with his dorm Leona began to feel overwhelmed with the pretty promises he made to his underclassmen in Chapter 2 about the Spelldrive tournament. He like…wants to be wanted but he’s terrified of people actually relying on him, because trying your best and then failing anyways is the most painful thing to him. His instinct when he gets too frustrated with something is to act like he never cared about it in the first place or anyone. AKA “I did everything right and it's THE REST OF YOU who are incompetent.”

That’s why I personally think that in the future Leona working within a small community might be a better fit for him, using his skills to see potential in others as a way to connect with them and teach them how to thrive. 

So yeah, needless to say the group is stumped on analyzing Leona’s intentions and Azul hilariously notes that Leona is just…a complicated person. 

What an understatement.

The group hatches a silly plan to have Ruggie puppet a Cheka hologram and yeah obviously it didn’t work.

This is where it started to get interesting again.

Dream!Kifaji said he’s been “waiting for the day Leona would wake up from his bad dream” and joins the fight against him to wake him. It’s like Leona telling himself that it's time to let his original dream go.

Ortho is surprised Kifaji is on their side, that he should be the darkness pulling Leona back in, but like I mentioned I think Kifaji is actually a “fail safe” Leona created to stay lucid or...maybe the little bit of hope he has fostered now that he has grown from Chapters 2’s events.

Since Kifaji is the one to normally call him out, maybe he's Leona’s way of processing his relationship with him. And that maybe…sometimes as annoying as Kifaji is, he has a point. Kifaji is the one who is implied to have raised him after all, so it's no surprise Leona sees him in a father-like role more than his own father.

“No one understands me, it's not my fault.”  Leona laments running away, running away from himself.

Reminds me a lot of Chapter 2 Leona where he began to feel sorry for himself instead of actually trying to fix things. It's clear that no matter how smart and mature Leona is…is that he still has a lot of growing to do. And that his relationship with his family and country are complex. There is not a black and white or good and bad with this situation and I feel like this is important when talking about him and his relationships with his family.

He was very much ostracized and probably neglected to some extent by his real parents but at a certain point, Leona decided to give up on improving himself just because he didn't achieve the results he wanted to. It's one of his biggest flaw.

His complacency is what drags him further into the darkness. Not Kifaji.

Sitting and stewing in his despair and how unfair his life has been instead of reaching out. Rehashing all thise chess strategies alone on his chess board until his brain hurts. Making grandiose plans instead of actually working hard toward a realistic goal. 

The idle king. A king with naught. (Nothing.)

I am now realizing that in a way (because Ruggie and Leona are so similar) Jack is Leona’s foil; he is the determined and earnest one who admires Leona at his best. He still holds the innocence and the idealism of working hard.

The group jumped through the darkness with Leona and we are replaying the events of Chapter 2 once again.

Ruggie and Jack watch it go down in dismay. Ruggie addresses that he once did think Leona’s way of thinking/plan was good and it’s cool to see he clearly regrets it now too.

They watch the drama play out as if Leona’s plan in Chapter 2 actually succeeded and see that he craves more. More ways for Savanaclaw to get ahead by unsavory means.

Jack says even if Leona becomes king there will be no end to his dissatisfaction. BOOM, there it is.

That is why Chapter 2 is so mind boggling.  Leona’s whole speech was about being king and second. But it’s clear now, it's not what he truly wants. I think Leona is afraid to admit what he really wants. Because that takes vulnerability and then comes the possibility of being rejected.

Jack also notes that, despite Leona getting “everything he wanted” he seems more grumpier and dissatisfied than usual.

“Leona is not your King, hes’ our Dorm Leader,” Jack growls. They fight and we get a nice callback to Lion King here. “Remember who you are.”

As Leona wakes up from his dreams he straight up says, yeah the scheme from Chapter 2 was…stupid. (Nice.)

Oh and we finally get some acknowledgement that Ruggie feels like Leona abandoned him in Chapter 2 which SHEEEEEEEESH. This is a deep cut for me, considering Ruggie’s real dad abandoned him. And it really confirms the fact he sees Leona as a father/big brother figure.

But, Leona doesn't, he sacrifices himself for Ruggie as the whole group tries to escape the crumbling dream. And while Ruggie cries out for Leona, Leona goes down smirking not knowing what will happen to him.

It’s time for him to face himself, his blot monster.

Blot!Leona wants them dead, all of them. Cheka, Falena, everyone. The real Leona finds it kind of pathetic. Because, in reality, I don't think Leona hates Cheka or Falena and he doesn't want to be alone anymore.

Leona admits to his blot that yeah, no he can’t do the job. He can’t be king. And instead of it being a negative it’s more a relief? Maybe he is incompetent too. He is addressing himself and his previous grandiose illusions. He hasn’t done anything worthy of being king.

However, he will not give up. He’s finally living up to Savanaclaw’s motto of perseverance (which he sorta laughed off in Chapter 2?)

This next part is what struck me the most because. He just lays it out so simply, finally saying it out loud.

Self awareness!! Like he finally said it!! (And I felt very vindicated in this moment, NGL) 

What he desires most is the approval of others.

Ah, and Blot!Leona responds with the fact he can't earnestly try, it's too painful to think of failing. Props for Leona acknowledging his flaws! Just like with the other overblotters. But I'm especially floored here because of how PRIDEFUL he is all the time.

In order to have better relationships with people, he has to leave that whole “they all hated me” shit behind. Because in reality, there are people who care for him despite his flaws. There are those who look up to him and admire him, for him.

But, the idea of that I think is so…crazy to him that he tends to deny its very existence. Then when he is genuinely complimented on his leadership or whatever skills he brushes it off.

He calls himself disgusting which feels kinda sad but it’s proof he has moved on from his previous way of things. What did I say earlier? Leona is afraid of failure. 

Giving being a king a earnest optimistic go is too painful for him because ultimately he is afraid of failing. Like he was happier to play the role of tyrannical king than to bother to build relations with the citizens of his kingdom.

As his blot self withers away it’s almost…sad compared to the previous blot monster showdowns we’ve seen. It mentions something about “his friends” (A reference to Scar’s final words.) like he’s reaching out for Leona so it's not alone anymore. And Leona almost embraces his monster? It’s clear he feels pity for this thing…him. His pain, his depression, his loneliness. Maybe a step in the way of self-love? He acknowledges (almost as to soothe it) that it will always be with him, clawing from inside. Except now, he won’t give up.

He vows that he will get what he wants one day, for both of them. He’ll have his “own throne and pride” instead of wanting for someone else’s. He’ll find his place to belong through his own merit.

It reminds me of that expression “find your own tribe” which is an expression that those who are not close to heirt families understand all too well.  He wants to find satisfaction outside his desire to rule and maybe because we know he prefers NRC to home, this confirms his fondness for his dorm life. (Savanaclaw found a family dorm.)

When he returns to his original dream of being king Kifaji is there as they look on at Pride Rock. The fact that it is raining is telling that hope has returned. (Just like at the end of Lion King) and that by accepting that “being king” is not what he really wants now “all things are balanced again”.

They have a nice moment here. Leona acknowledging that he has been given the tools to do good things by Kifaji’s training is a big mature moment for him. (Especially how they acted toward one another in the Tamashina Mina event)  And Kifaji praising him, since this a dream, could be a testament to what he wishes would happen between them.

AKA Leona finally feels more, “at peace” with himself.

As Leona destroys this false kingdom with his sand he seems reserved, it’s almost bittersweet as it all settles over him, his new found aspirations, letting the old ones go. He's letting the past go. A big theme in Lion King. (I really feel the writers must be fans of the movies.) 

Kifaji says: “Go to the place you really belong.”

This line kinda got me. Because the implication is that Night Raven College and his dorm is where he really belongs. Leona is confirming that his experiences at NRC have shaped who he is SO MUCH. 

For years he accepted his life as it was, a cage, and now he is acknowledging that he has the power to break that cage and do whatever he wants. It’s a great callback to the advice he gave Jamil in Chapter 6.

This is quite refreshing as he mentioned before that it was too “late for him”. Now, he realizes it isn’t.

Back with the gang, Ruggie admits his fear that Leona will abandon him again. Leona denies it, and says somewhat casually that he is in fact a true friend of his. This feels like a clever inversion of the line that Scar says to the hyenas about being his “friends.” 

But, we know now that Leona does mean it now. And this shows Leona’s desire to finally stray from the “path”  of his Great Seven counterpart and actually like…have friends?

The reunion of the Savanaclaw trio is actually really sweet. For a dorm full of cocky jocks with strong personalities they seem to be so genuinely happy to be reunited.

Jack bursting out into tears and crying got me tearing up. Like Ruggie and Leona clearly are bit more reserved in their emotions but we see Savanaclaw really are close, despite their disagreements. They care for one another as a dysfunctional little family. 

As a dorm that doesn't get much mainstream attention compared to others it was so nice to have this little moment. It's hard to tell, but I’m 99% sure there was a group hug based on how the sprites moved and the sound effects. At least a nice back pat from Leona. (Thanks, dad.) 

All in all, I really...enjoyed his dream section. As someone who is pretty hyper-critical, for the most part, it satisfied most of the things I wanted to feel. I even got emotional at a few points! Yes, it would have been nicer to spend more time with “king” Leona and dive into it more. Or get more lore about his family. But, he admitted it FINALLY, everything I have clocked about him all those years ago. It’s very satisfying to see his growth in a tangible straightforward way, instead of just me reading between the lines.

I hope we will continue to see even more growth with his character (Like we did in the Halloween event)  and I’m excited to see the role he will play in the rest of Chapter 7, even if it’s just him being a cranky old man. (What do you expect he was raised by one?)

I'd like to end this with some positivity. As someone who deep dives into character stuff a lot I know it's really comforting to see part of yourself reflected back in your favorite characters.

To anyone reading who feels they have things in common with Leona or his despair, the truth is that you should keep going, even if it's just to spite the world itself.

Your vision and presence in this world are valid all on their own and that failing is not indicative of your value as a person. It never will be.

Keep fighting to find your place, your pack and never forget who you are.💚

--

Thanks for reading!! This one took quite a bit to edit and think through so if you like my Leona analyses, I’d appreciate a reblog or even just if you wanna share it with your friends! Shoutout to the youtuber ガスマスクゲーマー whose video I pulled these screenshots from. Thank you!

[iamespecter]

My phone's battery keeps dying (I think something's wrong with it) but I cooked a little bit more on this Doctor!Caine and Patient!Pomni idea.... and this may or may not become bigger than The Amazing Digital Roadtrip.....

My mental illness cannot be contained!!!!!!!!!!!! Also these designs are subject to change because yes ✌️

Things I've come up with last afternoon while going crazy from the lack of dopamine are:

- Abstraction is currently determined to be a terminal illness

- It's contagious via skin-on-skin contact, and can be inherited through genes

- it can even bloom late in life, but that doesn't mean everyone that the patient has touched before is immediately affected

- The physical symptoms are inky black "cracks" forming along the skin, physical degradation, loss of saturation and many more

- Depending on a lot of factors, this illness can be aggressive, or at most be dormant.

- Once it reaches the patient's brain, it is too late

- But the progress of abstraction can also be delayed through amputation, depending on where the "source" is

- It only really affects "organic" stuff

- Which means AI robots are immune, and can touch the patient as much as they want without risk of infecting themselves

- Kinger is the CEO/Founder of the AI Association that focuses on the research about Abstraction, and how to cure it

- He is also, strangely enough, kinda immune? idek he seems fine except he's a bit cuckoo

- Because of it's contagiousness, people who suffer from the abstraction illness are GREATLY FEARED by others

- People who have the illness have to wear a lot of protection (such as gloves, face mask, etc.) in order to even interact with the outside world

- They also need to have their AI Doctor/Nurse with them AT ALL TIMES.

About the main pairing:

- Pomni is the only daughter of Kinger and the late Queenie

- She used to be more upbeat early in her life, until Queenie passed. She then became depressed, and it only got worse as her illness began to show and she became cynical as a result, believing she'll die early, and alone

- Caine was named and created based off of the image of Pomni's imaginary friend during her childhood, in order to ease her into accepting Caine as her personal doctor

- This did NOT, in fact, ease her into accepting Caine as her personal doctor because what the fuck.

- Pomni hates AIs for being unable to save Queenie.

- She also thinks that her new doctor won’t be able to save her, and that her dad’s efforts to delay her situation are fruitless.

- Part of her still clings onto hope. However, said part is also dying.

- Caine is a test prototype of a model that’s supposed to handle (and even possibly cure) the symptoms of abstraction, so there’s defo a lotta pressure on his shoulders

- Especially when he gets assigned to SPECIFICALLY THE DAUGHTER OF THE CEO WHO OWNS HIM

- He’s also one of the first AIs to not only be psuedo-sentient, but also self-evolving; in order to be able to adjust to patient needs and wants.

- He can “manifest” anything physical as long as it’s within the size limit of his own physical manifestation. For example, if Pomni is hyperventilating; he can manifest a pair of artificial lungs that pump oxygen in order to give her breathing space. (You know what that means)

- Not only is he able to float, he is also able to carry Pomni like she weighs like a couple of grapes because this is not me being self-indulgent and thinking he should carry her bridal style all the time (lie), this is me saying “it’s for emergencies when Pomni is too weak to even stand or walk”

- Pomni hated Caine A LOT at first because she hated having to be co-dependent on this walking life support so yes this is an enemies-to-friends-to-lovers kinda story (except it was one-sided "enemies")

- As the story progresses, Pomni clings onto the hope of not just surviving, but also living again; as Caine learns what it means to be not just existing, but alive!!! because me and my homies love stories about positivity and hope amongst shitty situations!!!!

- And then they fuck. Oh yes, they fuck eventually. And they fuck a lot after that

I don’t care this is MY story, MY AU, I will do whatever the fuck I want!!!!! RAAAAAAAAAAAA

I have no idea if I want some of the gang to be AI Doctors/Nurses too but erm. we'll see

[thenyoumightaswellwrestleangels]

Do you know that I love you? (do you know that you shouldn't?)

love is not designed for the cynical - series masterlist here

pairing: jason todd x reader (gender neutral)

length: 1.7k

genre: hurt/comfort, angst with a happy ending

warnings: jason's injured and there's blood but it's not too graphic, except that it describes giving stitches, sometimes people get mean when they get scared, biting like a misbehaved dog etc etc

a/n: there is a fatigue seeping into me that I fear is building a home inside my chest :) how are we all doing this evening do we like this are we excited for the dc event announcement on sunday

You hear another muffled curse from the other side of the bathroom door, Jason's voice tight with pain. The sound makes you press your lips together firmly, your jaw tense as you stand in the hallway of your shared home, leaning against the wall with your arms crossed.

"Jason -" you start again, but his voice cuts you off.

"No."

"Let me help you," you continue, an exasperated sort of fatigue in your voice. Somewhere in your kitchen, you know that the clock is ticking well past 4am. 

"You don't need to be here for this," Jason says stubbornly and you scowl at the closed door. You wonder, for just a moment, if he locked it - or if he simply trusts you enough to know that you won't go where you're not wanted.

"You can't put stitches in our back on your own," you say stubbornly, and a sigh is heard through the barrier between you as you thump your head back against the wall to stare at the dark ceiling. But then the door swings open slowly and Jason's face appears, haloed by the light pouring out of the bathroom.

"Help me, then," he says tightly, and you draw yourself up to a full stand, moving past him and into the small space. Jason sits on the edge of the bathtub and faces the wall while you rummage around the first aid kit, rolling his shoulders and wincing at the rushed, messy bandaging covering the slash across his back.

You don't say anything, of course - there's no need for an I told you so in a space like this, but you do click your tongue disapprovingly when you crouch behind him to pull back the bloody gauze.

"You don't need to be so stubborn about this, you know," you say softly as you begin to clean the damaged skin. There's no attack in your voice, no righteous demand that he become something that he's not.

It's just love… and the patience that comes with it. 

Jason sighs at your words, though, like he's being tried in court and found guilty. He shifts, his fists clenching as he hangs his head and stares down at the white porcelain of the bathtub and the bloody bandages that you've thrown in next to his feet, the red staining everything that it touches.

"I don't want you to have to see me like this," he says eventually, a tired sort of resignation in his voice. You huff out a breath.

"I've seen you dead, Jason," you point out flatly. "I'm not sure why you think this would be worse."

"Don't joke about it," he snaps before he can stop himself, something mean and angry flashing through him before regret begins to wash over him.

"Why do you think I'd joke about loving you?" You ask it quietly, pressing a needle to his skin as you begin to put him back together, as you smooth over wounds and blur out the scars that he's sure would bloom there without your help.

Jason sits quietly, lets his head hang as you work and listens to the slow rhythm of your breathing as you move your hands across his back, as you love him in the only way you know how.

"Sometimes, I just don't know what to do with you," he admits, his voice low and wavering. That makes you pause, makes your hands freeze for just a moment before they continue, slower now than before. 

"I suppose that was going to happen eventually," you offer softly. "Neither of us are really who we used to be… I'm not sure we can, I don't know, fall into step with each other the way we did before…"

"Before I died?" Jason supplies. You tap him on the back of the head with your knuckle in a reprimanding sort of way - just like you used to do when you were kids.

"Before we grew up, I was going to say," you explain dryly, and Jason laughs a bit, a huffed-out breath that he can't really find in himself to stop. You roll your eyes rather fondly and a quiet settles over the two of you, nothing but your breath mixing with his and the faint rustling of your working hands filling the space as he settles. 

But then you finish Jason's stitches, tying off the thread and taping down a new, clean bandage before tapping him on the shoulder lightly to let him know that you're finished. He swings one leg up and over so that he's straddling the edge of the tub and watches as you stand, wincing and letting your knees pop.

"You should've said something," he chastises gently as you lift one of your own legs into the tub, straddling the porcelain to sit face-to-face with him and let your knees bump against his.

"I don't mind," you say easily, and a frown tugs at Jason's lips.

"See, that's what I mean," he murmurs, smoothing his hands across your thighs to rub gentle circles over your knees where he's sure the tiled floor had been digging into your skin. "Sometimes I just don't know what to do with you."

"What do you mean?" You ask softly. Jason looks away, staring at the blood-soaked bandages sitting in the tub. You follow his gaze, of course, just enough to see what he's staring at and then look back at him with your head cocked curiously to the side.

"Sometimes you act like you don't care at all," he says flatly, his hands tightening their grip on your knees.

"When I act like I care, you act like it's killing you," you point out gently, watching as Jason's lips turn down into a scowl as he watches his own blood drip towards the drain.

"Sometimes I think it is," he says dully. You reach to brush a few of his curls back, his hair unruly and mussed from the night as sweat sticks to the strands.

"Then what do you want me to do, baby?" you ask quietly, letting your fingernails scratch over his scalp rhythmically as he sighs and closes his eyes and leans into your touch.

"I want you to let me see you," he replies honestly. "I want you to let me here there for you."

"Not sure you should be saying that," you respond easily. "Something about living in a glass house and all that."

"What do you mean?"

"You locked yourself in the bathroom to bleed out alone so that I wouldn't see it," you point out. There's no accusation in your voice, no cold, hard edge or betrayal to be heard. But Jason's shoulders tense all the same as he opens his eyes and takes your hand in his to press kisses across your knuckles. "You don't need to protect me from yourself," you continue gently. 

"Neither do you," he retorts, the same kindness and love coming back to you in waves.  

"I'm just…" you begin, letting your eyes flick around the bathroom as you feel yourself suddenly under scrutiny. "I'm trying to be there for you."

"That's my job," Jason says firmly. "You gotta let me be there for you." You sigh at that, something long-suffering and loving as you look back at him and lift a brow. 

"When are you going to learn that I love you?" You ask softly, and Jason looks at you like you've pointed a gun to his chest.

"When are you going to learn that you shouldn't?"

"I don't think you get to make that decision for me, Jay," you offer with a shrug. "I think I've earned the right to decide my own life." He sighs at that, looking at you like he loves you too much and doesn't know what to do with it, before he reaches for you.

"C'mere, baby," he says it quietly, a whisper pressed against you as he wraps his arms around your waist and hauls you into him, letting your thighs rest overtop of his as you settle into his lap. "You know I love you, too, right?" he asks softly, his lips pressing kisses over your cheeks.

"I know, Jay," you respond soothingly, tangling your hand into the hair at the nape of his neck. "Maybe we'd both… maybe we'd learn a thing or two from showing it more, hm?" Jason laughs at that, burying his face into your neck as he sighs and rocks the two of you back and forth gently.

"I'll show you mine if you show me yours?" he offers, his voice muffled as his lips press against your skin. You tap your knuckles to his head in another chastising manner, but you also smile as you lean down to kiss the crown of his head. 

"I wouldn't mind that," you say quietly, and when Jason lifts his head to look at you, there's no hint of joking in your face. You smooth a hand over his cheek and he lilts his head to place a delicate kiss on your palm while you watch him, your eyes big and loving in a way that makes him feel a bit naked. 

"Yea?" his voice wavers as he asks, his hesitation festering inside him, but you just smile in that gentle, loving way of yours and smooth over the crease between his brows with your thumb.

"Yea," you say easily. "You're not hard to love, Jay. It just takes a bit of practice for us to learn how to give that love."

"And you'll stay with me long enough for me to learn?" 

"Long enough for us to learn," you correct gently, leaning into him to kiss him softly. "And hopefully a whole lot longer than that." He laughs against you at that, chasing your lips as his arms wrap around your waist a bit tighter.

"Well," he says as he pulls away just enough to let his lips brush against yours. "I'm sure as fuck not letting go." You laugh at that, something loud and honest and a bit more carefree than either of you are used to.

"Good," you say easily. "We'll do it together, then."

[felassan]

Compilation of snippets from the DA:TV acting talent panel at SDCC (Dragon Age: Meet the Heroic Companions of Thedas) today (July 26th). DA:TV spoilers under cut.

Huge props and tysm to the users who live-tweeted and clipped this panel, you are heroes 🙏💜!!

The panel was moderated. In attendance were John Epler, creative performance director Ashley Barlow, and the actors of Lucanis, Neve, Emmrich, and Harding - Zach Mendez, Jessica Clark, Nick Boraine, and Ali Hillis respectively.

The panel ended with a Q&A session.

(BioWare have stated that a recording of the panel will be made available at a later date.)

Edit/update: I've now been through this post and tidied it up :)

---

Here are some pictures from the panel [source]

Here are some more pictures from the panel [source]

In this Twitter thread there are also some video clips of parts of the panel [source]

BioWare tried to avoid spoilers in the panel [source]

Key points/summary of DA:TV: hunting Solas, found family companions, stop the elven gods [source]

When auditioning the companions, BW were specifically looking for character chemistry [source]

BW used motion capture for the game [source]. Mo-cap was mentioned a lot in the panel [source]

Lucanis sees assassination as a job. His mind is as dangerous as his knives and he is also "kinda hilarious" [source]

There was mention of other Crows [source]

Zach Mendez read Tevinter Nights like three times [source]

A clip of the actors doing mo-cap was shown [source]. Photos of Zach mo-capping for other characters was shown [source]

BioWare said that Zach brought a certain darkness to Lucanis [source]

Zach is excited for the romance and is looking forward to the stats [source]

Zach mentioned that he used his own relationship with his brother in his portrayal of Lucanis [source] (surely this means ILLARIO.. ?👀)

Zach played a lot of darkspawn originally while auditioning [source]

Ali Hillis really welcomed Zach into the DA family [source]

Neve is from Minrathous. She has fun banter and is a cynical detective with a heart of gold. They want to show a rebellious side of Tevinter [source]

Jessica Clark loves Neve's loyalty, dedication, and different vision of Tevinter

Neve is fighting for the people [source]. Jessica: "She is really really fighting for those people, and she loves those people. So, yes, she's cynical, and yes she's kind of tough and brusque and all these other things, but when they say there's a heart of gold, there really, like, to have that kind of a passion and dedicate your life to something like that, I think that's definitely my favorite part about her" [source]

Jessica loves how much Neve loves Docktown and its people [source]

Neve sees a different vision for Tevinter than what has previously been depicted in the series [source]

The actors were separate from one another while recording lines but still bonded really well and organically [source]

There are several Veilguard gc [source] (groupchats?)

Ali is an angel and very supportive of the new cast [source]

Emmrich is a "stone cold silver fox" (this is a quote from the panel moderator) [source]

BioWare knew the reaction they would get about Emmrich from the fandom [source]

Nick Boraine feels like he's been preparing for Emmrich all his life. He's obsessed with death (as a comfort and not scary) and enabling people to transition into death. He is attracted to this aspect of the character [source]

"You're gonna need a dictionary for Emmrich" for all the magic spells [source]

"Interesting how this character caught fire compared to the other sexy characters" [source] (I think this was said wrt Emmrich?)

BW had a great time recording with Nick, he is a very consistent actor [source]

Nick and Matt Mercer have never met [source]

Manfred plays off of Emmrich. "I set the tone" [source]

What has Harding been doing in-between DA:I and DA:TV? She's been working closely with Varric and the Inquisition remnants. She and Neve already met in the comics [source]

Ali vividly remembers the beginning of voicing Harding, she says it's brilliant writing. She really thought of Harding's personality and traits. She's so happy to be back [source]

wrt the Covid-19 pandemic and the year 2020, BW had to pivot with working remotely and were able to push through their projects. [source]

"[Harding] chasing Solas for a decade..." "that was a great relationship that [you] developed... and now I'll stop talking now". Ali was excited [source]

John Epler talked about how companions may but heads, and won't be predictable [source]

There are thousands and thousands of lines and so many characters to meet [source]

Zach "unfortunately has been around the DA Reddit before recording as Lucanis" [source]. He feels inspired by all the fans and cannot wait for us to play it [source]

[new textblock due to character limit!]

John Epler on Emmrich: "I mean honestly, I will say, like, we expected a great reaction to Emmrich. Went beyond what we expected for sure. But it’s been fascinating to see, because again, Emmrich is this character, he’s more of the professorial, more, he brings a wisdom and kind of a calmness to the group, so even when things are at their worst, there’s that one person in the group who is kinda like, ‘okay, y’know, we've got, let's figure it out, let’s take a deep breath’. And just his journey through his character arc, and his interactions with the others, it’s been fantastic to see. Even just finding opportunities for him to bounce off the other characters, you know, the way he talks to Bellara, the way he talks to Neve, it’s all so different, but it’s also just, again, based around this core of this warm, kind-hearted, professorial necromancer. Which, again, is not something you see a lot of in media. I mean, usually, necromancers are depicted in a very specific way. But it’s been, it's awesome to see how Emmrich has grown and just, really one of the most, one of my favorite experiences has been just working with Emmrich’s writer, working with Emmrich as a character." [source]

All the actors are excited about the dialogue and narrative, and for us to explore DA:TV [source]

Ali says that we will really find ourselves in this game [source]

During the recording process, the actors all hear the previous person's recording and react or respond to it [source]

Due to Covid-related lockdown, a lot of recording was done over Zoom, and the writers besides Ashley Barlow (creative performance director) would jump in on the call to talk about the previous person’s lines [source]

A question was asked about the background factions. "Characters not causes". [source]

You can work with the Grey Wardens in the game (for example) [source]

The actors all met this weekend. They are an "un-chosen" family [source]

Zach stood in for multiple characters for mo-cap, for example he was Assan [source]

Lucanis has a heart but is stubborn and stuck in his ways. Zach is excited for fans to help his character open up as the story progresses [source]

Jessica is incredibly honored to join the DA universe. She is new to voice acting for video games. “This is play pretend. Playing Neve allowed her to step into her power.” [source]

A question was asked on what their first exposure to fantasy was, and do they implement this into the acting? John talked about Lord of the Rings and how every media you experience will seep out into your work [source]

Ashley didn't want the dialogue to sound modern [source]

Zach loves Theseus and talked about the symbolism in DA [source]

Jessica loves Greek mythology and lore [source]

Nick talked about The Hobbit and how he would dress up in big boots and a cape when his mother would read to him [source]

Ali recently went to Greece and felt like she saw DA everywhere [source]

A question was asked - "From your companion's perspective, which previous companion would you romance?" Zach kind of has a thing for The Iron Bull, saying "oh that awakened something inside of me". He also likes Dorian. Jessica was too overwhelmed to answer. Nick was also overwhelmed by the question, but thinks Solas is sexy [source] [source]

Ali fangirled over Lucanis and Emmrich [source], prefers Emmrich [source]

A question was asked - "Is DA:TV and DA:I streamlined together?" [paraphrased]. Answer: DA games are not as streamlined as Mass Effect and act almost as standalones [source]

The cast were asked about which aspect of their character is their favorite. Ali loves the little quirks about Harding. "Lucanis is a good cook!?" ** Neve is very dry and pretty closed off about it. For Emmrich, it's the "exploration of the idea of death and necromancy" [source] (** FINALLY CITATION for this? :D)

A question was asked: "How do you decide to introduce the lore in each game?" BioWare answered that it depends as they build each game. They always know the base lore, and see opportunities through game mechanics and characters. They try not to infodump [source]

A question was asked: "Any favorite party banter?" Ashley Barlow said to listen for "hand to bone combat" [source]

The game takes place approximately 10 years after the end of DA:I. You start the game hunting for Solas. The game is built on some core principles: be who you want to be in a world worth saving and with characters that matter. The companions are always at the heart of DA and they are at the heart of this game too. [source]

The moderator asked John Epler about what is bringing this party of people ("this rogues' gallery") together. John: "I mean, it's the end of the world, and each character that you bring into your party understands that the world is ending, that they need to stop that, and you're really building, what I would say is, more of a found family. These are characters who may not start off liking each other, may not even start off liking you, but over time they grow to understand the importance of what they're doing and just, how critical it is to stop the elven gods" [source]

"He is kind and has some spectacular lines. He is a natural nerdy scientist. He loves learning." [source] (Emmrich? ^^)

Ali didn't realize that Harding was such a beloved character. She thanked fans for bringing this character back [source]

Ali is super excited that the game is releasing. She said that there has been an evolution to Harding's character and that she's been chasing Solas for like a decade at this point [source]

Jessica loves the writing in the game [source]

Nick loves its narrative [source]

Ali said that this game is going to take you into a world that will blow your minds [source]

On Manfred: Nick was asked what it was like having another character to bounce off of. He said "Oh man! I mean, that is such a hard question, because Matt and I have never met, and we worked completely separately, and, I, I mean I know that the rapport is really great, but it's in the ether, I mean it is just, the magic that these guys create, telling us how to respond, how to do that, but it's, I can't wait to meet Matt" [source]

BW still said that the game's release window is Fall 2024 [source]. Nothing more specific was given [source]

There are also more snippets here in this Tumblr post, go check it out!

[source, two]

[asidian]

One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.

[thebreakfastgenie]

You ever think about how Democrats are always judged on their worst policy positions, sometimes (for example with Biden) from decades ago, while Trump and his ilk are given every benefit of the doubt? Yeah Biden voted for a draconian crime bill in the 90s but the fact that he pardoned an incredible amount of nonviolent drug offenders and nominated tons of black female judges, etc? Perhaps he has learned from his mistakes.

Yeah lol. Democrats are never allowed to grow or evolve. When it's even acknowledged it's immediately discounted as not enough or characterized a cynical attempt to score political points. When Democrats actually do something leftists have been advocating for they scoff "well, they only did it because we told them to!" Okay? Isn't that what you want? Nothing is ever good enough because they weren't born already agreeing with every single activism demand. It's weirdly Calvinist and kind of contrary to the entire purpose of activism when you think about it. I also remember seeing Hillary accused of flip-flopping because she changed her position on an issue once. Growth is actively punished.

Biden won the primary because of Black Democrats and when he chose Kamala Harris as his VP her base, which is mostly older Black women, gave him their energy in the general. He didn't forget that, because he's a lifelong politician and he knows you don't forget who got you there. You see that reflected in his appointments of Black women and his determination to put one on the Supreme Court, which he did.

Overall Biden did progress over the course of his long career, which is good! It's what you hope will happen! He was also more progressive on some issues than his "moderate white guy" image suggested, going back a ways. The big one of course is LGBT rights.

Republicans meanwhile... lmao. They get the benefit of doubts they don't even want. There is a deep societal neurosis about appearing "fair" at all costs, which means people are constantly looking for positive things they can say about Republicans and if they can't find them they just make them up. Some of the negativity toward Democrats comes from the place. Republicans are doing bad things, Democrats must be doing bad things too, and if they aren't we'll invent something.

Over the last few years it's metastasized into a bias toward Republicans. I think as Republicans have become so obviously and absurdly evil, and partisan Democrats and their liberal supporters have become more and more frantic in pointing out what Republicans are doing, it's pushed that false "balance" process into overdrive.

Weirdly I think being in a wealthy liberal bubble can exacerbate this, because the mindset is "well obviously we all know Republicans are bad, let's be contrarian by talking about Democrats being bad and Republicans being good!" It's sort of like tumblr producing "let men be masculine" takes. That's not the only place it comes from, though, some of these people just like Republicans even though they won't admit it.

[scliffe]

I know most of us (including me) laughed (quite a lot) on this scene because; Earl Ciel “Sebastian-Kill-Them-All” Phantomhive of all people, is saying something like this about killing people? It sounds so fake and ridiculous right? Hypocritical, even. But I also think it’s rather empathetic of Ciel to say this in front of the Weston boys because he understands that these boys did not murder out of evil intent; it was a crime of passion, not premeditated. I’m sure that in Ciel’s eyes, these upperclassmen of his are still much more innocent than he is—and so when he speaks to them, he is speaking to “normal people”, not serial murderers. But while Ciel does not see the prefects as evil people, he doesn’t infantilize them either. He does not empathize with them trying to justify their actions; because things like school values or reputation is not a worthy cause for these boys to kill someone over. At the same time Ciel may not personally care about the lives of Derrick Arden and the others, but he does not think students should turn into murderers over such menial issues.

In comparison, when he speaks to Joker in BOC, he was unfiltered and candid—he’s speaking of something he personally believes; that deep cynicism and distrust in humanity. Unlike the Weston students, Joker’s actions were premeditated; he planned to kidnap children—knowing they would be abused and turned into some sick plaything before brutally murdered—and methodically eliminated witnesses to avoid getting caught. Joker knew exactly what he was doing when he organized these crimes to sacrifice others for his family’s lives. And yet the way Ciel spoke, he wasn’t passing judgement on Joker at all; he acutely understood the despair of facing injustice with no one lending a helping hand; the desperate wish to protect one’s family and loved ones above what’s considered to be morally correct by society; he knows better than anyone else how hell is paved with good intentions. This too, was incredibly empathetic in a strange way that only Ciel could be. Although Joker lamented their fate as abandoned orphans living in an apathetic society, Ciel does not pity them and thus did not simply reduce them to gullible victims of their circumstances. He did not justify Joker’s actions, and he did not justify his own actions in killing Joker and the circus crew either—he was incredibly self aware and fair; equally as ruthless to other people as with himself. He understood that everyone acted in their own interests. By removing complicated principles of morality out of the equation, he is able to see things clearly and act decisively without ridiculous notions of human morality. After all, what use does he have for it when his soul is already damned anyway?

Ciel keeps away from people and refrains from making personal attachments; and yet he is still very empathetic to each of them without even meaning to. In the flashbacks, he was also depicted to be a sensitive and kindhearted child. Despite everything he has gone through, he still retains a bit of that gentleness and sincerity from his childhood; which I think comes with being naturally emotionally intelligent—he has an unusually acute insight on people which certainly helps his business acumen, and ironically also helps him know how to lie and act in front of other people. While Sebastian is a “master of understanding human desires”, Ciel understands the complexity and most basic nature of humanity better than anyone else; which forms both his cynicism and his own brand of empathy.