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cl-0v3r · 3 days ago

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Mel is alive, but at what cost

Mel was nearly killed TWICE, her mother began being a struggle, she'd been thrown aside and trying her best to stop her, her boyfriend is not doing well, neither is anyone else (can't blame them) and the fact that she hadn't cried or spoke much about this situation to anyone a single time?? She IS upset about every single thing, yet she stays strong and enduring every bit of torture. The most she did was tell Jayce that Ambessa put her palm on the table, and let him know that she is going to push for hextech. That's it, nothing remotely related to her feelings.

The fact that she was constantly looking at Caitlyn, being able to understand her grief and knew she was in pain?? Mel knows this feeling. She'd went through it.

And in the end SHE has to pay the price of her mothers incompetence.

The intro is very much foreshadowing, we know the hands represent black rose/LeBlanc.

This is what happens in act one, she gets kidnapped by them. The lyrics do correspond to the characters as well (not just Mel, everyone.)

"Tell you you're the greatest" plays as a petal of the black rose floats down the screen, I think it adds significance to the power this organization holds, possibly the Medardas greatest foe.

"But once you turn, they hate us" both Ambessa and Mel were present in this line, I think its foreshadowing for when Ambessa switches up for whatever reason and goes against both Piltover AND Zaun. And Mel WILL go through change as well, a change that could hurt her relationship with others, and receive interest from others too.

"They hate us" could be read individually too, I feel like its a sort of "realization" ?? Perhaps Ambessa WASN'T the one that switched up, maybe Piltover switched up on them, and maybe Mel JUST got out of wherever she's taken to, and saw the mess Ambessa had done to her city??

I think this represents ACT TWO.

The hands pull away and it sort of looks like Mel is fighting back, a "get away from me" type of scream. you know what this reminds me of??

Don't mind me just pushing my Jinx/powder-Mel parallel agenda

Here is when i think Mel truly learns about LeBlanc/BR, she curiously and slowly goes to grab the rose, she learns about the history between her Mother and them, Kinos death, and most of all, learns about HERSELF. The lyrics speak otherwise.

"Pray away, I swear

I'll never be a saint, no way"

This feels like a parallel to caitlyn of sorts if that makes sense. Caitlyn had done everything to try and stop the council from attacking the Undercity, she kept her mouth shut when Jayce asked about Jinxs grenade, she was willing to protect Vi and the undercity, but how many times has she been tossed around? She'd been burned, exploded, kidnapped (god knows what happened during that time) and hit in the face by the same person, her MOTHER died because of the same person. She has every right to go insane. And she is hunting ONE person, which is Jinx. Although she is harming the people around her along the way.

What if Mel goes through a similar situation? Her mother pushed for war in her city, she dragged the enemy along with her even if she didn't mean to, she manipulated everyone around her INCLUDING Jayce, she LITERALLY got Mel hurt from the chembarons attack and killed so many people during a MEMORIAL to get her hextech weapons, Elora is most likely DEAD, not to mention whatever happened in the past between them. And the thing is, this will NEVER end throughout the entire season.

And what if she learns what she is? That she's 'blessed' by Kindred? The fact that the wolf is quite literally in her blood?

I feel like the "ill never be a saint, no way" also sort of indicates Mel will realize she'll never be able to push for peace and mercy like she always hoped for no matter what, and she comes to accept that as much as it hurts. But not like how ambessa accepted the wolf, but she sort of realizes she needs to push a little violence, towards nobody but the one and only, Ambessa "fine, if you want me to be like you, I guess I'll be like you towards YOU." Type of acceptance.

I think its also related to Mels new outfit too, she's dressed like her mother, in red and all of that. I will still stand by the idea that she has plans to decieve, but she will do something she doesn't want to do.

Mel was left with no choice, that lyric sounds like realization, acceptance, but also like a plea at the same time, an "I'll never be who I wanted to be" because in the end, she's still a Medarda, she's still her mothers daughter, she still has violence in her veins, she will never not suffer from the weight her name holds, and she will never escape it either, its like a shadow.

The Characters won't be themselves at their core this season. And those vital parts of their characters that represent them are no longer there in the intro, they all have given up what makes them, THEM design wise. (e.g.) Vi without her tattoo, Viktor hiding his identity with the mask. And the thing is, they did that to themselves because they do self-harm, they're changing themselves because THEY want to, they're forcing themselves to do that, they think they're undeserving and they're erasing their past selves.

But Mel? Mel doesn't have her gold accessories, Jewelry, or her Armor, she'd been stripped bare and hidden away because of the brutality of her name. She pays the price her mother brought to HER city. She's forced to change herself against her will, because nobody is giving her a chance to push for her ideals.

This entire theory never ends, and with all of this? I kinda do see Mel actually committing Matricide, it lifts the "Ambessa will die" theory further.

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mistresscitrusslice · 2 days ago

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The Season 2 Opening. We Must Discuss.

First of all, small beans. Instead of static, lifeless statues, this time we get moving humans. Mel features significantly more than I expected, so she'll probably be a much more major character than I expected for a non-champion character and I'm so happy for her. I believe the use of moving people instead of statues signifies that immense change will be happening. What we thought was literally set in stone in Season 1 will be turned on its head in Season 2.

Okay, on to the really concerning matters.

Yuhuh. Jinx moves too fast for me to get a good screenshot, but she gestures like this around her face a lot. I think we all already know about the Caitlyn-Jinx parallels, but my sister suggests it could be a red herring for the actual resemblances she has to Silco.

Sis gets credit for the following observation, but Caitlyn's daydream sequences about shooting Jinx are controlled and clearly separated from reality unlike Jinx's.

However, sis has not seen ep 2 yet, where Caitlyn does have that moment in the arcade where she shoots her vision of Jinx among the wooden dummies. Not only does this more closely resemble Jinx's hallucinations, it also parallels Jinx shooting the harmless crow in s1 e5. By the time the strike squad are about to leave, she can clearly tell that what she thought might be Jinx was really just a harmless wooden standee. Startling, but harmless. She shoots it anyway.

Caitlyn is totally gonna spiral more, and maybe she'll start losing her grip on reality too, but for now, she has more in common with Silco than she does with Jinx. Did anyone else get reminded of Silco's coat when Ambessa put the supervillain cape on Caitlyn? The collars don't look similar but they still eerily resemble each other, you get me?

Ok back to intro stuff

Vi wipes off her name from her face. That's two tattoos that are rendered impermanent in this opening theme. In the Fenty x Arcane video, they mention that Mel's golden freckles are tattoos. Later in the intro song, we also see her golden freckles gone. Change, impermanence. That seems to be a theme here.

Vi is literally erasing her name from her face. In any normal circumstance, I'd say that means she wants a change of identity, a desire to start over. However, I know that Vi's League lore involves amnesia. Does she really drink herself into that bad of a stupor? Jkjk. I assumed that her amnesia was replaced by the Stillwater imprisonment to explain how she got topside and with the enforcers, but perhaps I was wrong. Maybe they do still intend to go the amnesia or partial amnesia route with her.

The teasers implied that Vi shares the genetic trait that has Jinx predisposed to hallucinations. It's possible that this eventually contributes to her loss of memory, but I wouldn't call it quite yet. However, if this happens during her emo era when I'm assuming she has no support system, she'll be very vulnerable, unlike if it were to happen while she was still partnered with Caitlyn, in which case they could easily fill in most blanks in her memory.

I have no idea what to make of this. It's clear as day what they're paralleling, but why? Why the flashlight scene? My best guess is that they're trying to draw on déjà vu, implying a repetition of history, but why this particular moment? They could've easily chosen anything else in Jayce's s1 arc. He has many more memorable moments than this. Let's see, I'm literally making this up as I go.

This meeting was a pivotal moment for Jayce. Both his meeting with Viktor and his meeting with Mel changed his fate. The Viktor one is pretty self-explanatory, but without meeting Mel, they would've both just gotten exiled or locked up again. With Mel, they had someone in power who could vouch for them.

That begs the question, is Jayce meeting someone new? Or is this a reintroduction to someone he's already known before, a new meeting after a long time apart or after a significant change, maybe a change in them both. I believe it must be someone who was involved in the original hallway scene.

Jayce is either looking at Mel again or at Viktor. Given the amount of Viktor/Mel parallels in Season 1, I believe Jayce is looking at Viktor after he's undergone his likely final evolution. That'll obviously be another pivotal moment for him... but will it be a good one like it was with Mel? Viktor has power now. He's performing miracles. He's, like, two steps away from parting the Pilt River like it's the Red Sea. He seems to hold a grudge against Jayce, though, for *checks notes* saving his life? Jk I know he feels like he's losing autonomy and like Jayce didn't respect his wishes with the Hexcore and Jayce obviously couldn't let Viktor die when he'd fought so hard to stay alive before.

Anyway, I feel like this could easily be both a good omen and a bad omen for Jayce. More than anything, I feel like it'll be an epiphany. He is quite literally seeing the light. The light at the end of the dark tunnel? The light of the heavens at the end of his life? The light of a revelation sent by a god he once knew as a man?

Seeing Mel screaming bloody murder during the opening, this was the first place my mind went to. The pose doesn't match up exactly, and Jinx/Powder's screams are definitely wilder, but I feel like there's definitely something here. Is there anyone else who screams like this, thrusting their head forward and keeping their arms back?

We also see the shadow hands from this earlier shot:

I'm thinking of the Black Rose (is that their name?) kidnapping her in thin air, incorporeal hands reaching at her and snatching my joy the love of my life Mel away. It could also represent people grasping at the power Mel wields, both as the wealthiest Council member and as a Noxian princess, one of the closest people to Ambessa, the one wielding the most power right now.

Mel is really out of her depth right now. Her power and influence is up for grabs if she dares to blink and let her guard down. I'm also surprised that we don't see her fight back at all when there's danger around. I thought she might have more battle experience as she was raised by Ambessa. For those people wondering about her magical powers, I think she would've used them by now if she had them. Council attack aside, which could've been Viktor's magic, she wasn't able to do anything about the memorial attack or her own kidnapping. I think they're trying to show us that Mel is not as untouchable as she presents herself. Under the right circumstances, she's just as vulnerable as any civilian.

The sliver of light? My sister pointed out that it looks just like the crack of light between two double doors. Almost closed... or barely open? It appears in pretty much everyone's shot in the opening, but it's right down the center of Mel's face here. Is she torn between two sides? Is this about an impossible choice she has to make?

The spotlight is also on her. That's two sources of light. It looks like a red sun. All eyes on her as the surviving voice of the Council?

And her expression... shock, fear, horror. The heavy breathing, the look on her face... I feel eerily like I've seen it on someone else before. I can't place who, but I'm getting déjà vu from this. Does anyone else recognize this expression and these mannerisms?

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caxycreations · 3 days ago

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I feel like you guys are missing the point.

He's a 900+ year old Time Lord. He's living as much as he possibly can, and he feels like it's nowhere near enough, and far too much, all at the same time.

This SAME MAN, same face and all, is the person who said "Sometimes I think a Time Lord lives too long"

He's the man who, literally in his NEXT regeneration, spends a third of his series depressed because he can't find an ounce of joy in the universe himself and NEEDS humans to show around so he can catch a hint of it through them.

The Doctor even states that humans "look like giants" to him, specifically BECAUSE of the fact that they live so much in such a short time.

This isn't a show about an awesome, nigh-immortal time-traveling alien.

It's a show about the pains and soul-crushing responsibilities that come with time travel and immortality.

And, of course, you're all forgetting the glaring fact of this episode, entirely separate from the quotes you're so eagerly judging:

THE MAN THE DOCTOR IS TALKING TO HAS TO EAT PEOPLE TO STAY YOUNG.

He literally KILLS PEOPLE to survive. The Doctor, talking him out of eternal life, is not just doing so because "long life bad", he's doing so because "eating people to live forever is an awful way to be" as well.

You're also disregarding his point entirely in favor of giving bad-faith analysis of the show.

His point is that whether you have 10 years or 20, how you spend that time is what matters, not the amount of time you have to spend.

He has eternity, and it's not worth it. He knows it isn't, and he's trying to stop anyone else from making that mistake. He's living for so long, and has lived so much, but it just isn't worth it anymore.

Lucy Lacemaker, from Satellite City (or, more officially, The August Few: Amygdala, though she never says this in there) puts it very well:

"Billions of years we've been about. And life's not worth much once the rest is gone. You get bored of the wind and the birds and the sound of laughter and the smell of pine. Life is like a piece of paper. And the writing is our lives. Our stories. When you only have 90 years, the ink turns to gold. So valuable are the words, the days you live. Cause soon, the story will end. But what if you have a never-ending page? A bottomless inkwell? The more you write, the less it all means. That's our curse. We live so long that it's not even life anymore. We're not living forever, we're dying forever."

@another-normal-anomaly said that if they kicked ass for 80 years, got saved, and kicked ass another 80, that's twice as much as they would have done. But that's still only 160 years, and it reinforces the Doctor's point; it's not the time that matters, it's the person, because others may spend that 160 years doing nothing, and some may spend that 160 years doing everything.

But they would still only have 160 years. Not forever. What the Doctor is warning against is eternity. Eternity is pointless.

@dagny-hashtaggart said the show is hypocritical in it's transhumanist stance for featuring an "awesome, nigh-immortal, time-traveling alien", but that just tells me they've either never watched the show or they have and 100% missed the point of the character of the Doctor.

Because the Doctor is not happy with his long life. He's not content or pleased about it. He's miserable. The only worth he finds in it is giving other, shorter-lived life forms the pleasure of seeing things they never could otherwise, and protecting the lives of those more fragile than him because he, at his core, has two values above all others:

If it kills me, I can put an end to this opera of my life, and I can finally rest

If it doesn't kill me, it means I've stopped it and other, more meaningful lives will be spared.

The Doctor is not some happy, positive character. He's a victim of a tragedy, and that tragedy is, quite painfully obviously, the fact he lives so long. His lifespan, his regeneration, is a curse to him, not a blessing. The fact you can call the show hypocritical for that tells me you've never seen it, or you've never understood it.

@argumate made a crude joke about a man with a big dick, named after having a big dick, saying that life wasn't about having a big dick.

Well, fun fact. If your dick were, say, 14 inches, as a human (which is a real condition that has happened), you would have heart problems every time you got erect, be entirely unable to enjoy penetrative sex (aside from the heart problems, you'd be unable to get more than a small fraction of your length in without hurting them), and if you ever tried to get a little more out of it, you'd seriously injure your partner.

Not only that, but you'd have social problems as well. Try hiding the outline when your flaccid length still reaches down past your knee. You'd be a laughing stock early on, and if you had frequent erections (say during puberty, post-growth spurt, pre-calming of the hormones), you'd be unable to hide it no matter how hard you tried.

It would cause more issues than that, too, believe me. And yet you're saying if a man who suffered from all of these problems told you "it's not all fun and games, having a big dick", you'd mock him for not loving the "gift" he's been "blessed" with?

All of you missed the point of the show, the character, and even the point of the scene you're remarking on.

I expected better comprehension on this site.

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theallyandhisbeast · 3 days ago

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About bucktommy and 911 in general

You know, in the end, this just feels extremely cheap and cruel.

Showing bucktommy be incandescently happy in all the episodes but 8.6? Even in this ep you can feel how much they care and genuinely love each other. Audience was largely optimistic and excited about them, in a way we have never seen for other buck's LI.

Only to what? Throw it all away because you can't be bothered to write a satisfactory arc for them? Because Buck is the epitome of the guy who dates a lot but always gets broken up with? That to be able to decide if you want to be in a committed relationship if you are bi you have to explore first or else your decision is null and void?

What a way to waste potential and your characters arc.

The special thing about Tommy was that he was beloved by not only bucktommy fans, but GA, and most importantly he was a sort of representation we don't see all that much in media. People loved him because they saw themselves in him, they could connect to his journey and they were genuinely rooting for him to find love and family with Buck. To waste it all away, and to do so by basically throw at us all that we loved about them is unnecessarily cruel.

What hurts the most is that even buck and tommy themselves didn't want to break up. but instead they "must" because bowing down to harmful stereotypes about bi people who are "confused and so they must experiment before settling" is more important than telling a compelling story.

Even without bt break up, I feel like this season took a sharp dive for the worst about well thought storylines in a way that baffles him. Gerrard was reduced to a joke, as was Ortiz, both pgs that could have been used to create compelling arcs that intertwined the 118 even more but instead we got this cheap throwaway joke of a Gerrard, Ortiz was basically throw out of office in a single ep. Hotshot sl could have been fun but instead it's just.... there. And coming back too just for funsies, cause apparently that sl was more important to develop instead of a interesting queer relationship.

Athena once again doing copaganda. Bobby coming back to the 118 without any particular struggle or even guilt about dropping the bag. Things said in interviews that we expect to happen and never even made it to the screen (Eddie's loneliness? Chim and Hen having conflict over Mara? Buck feeling guilty about injuring Gerrard?).

The way Maddie cannot have any sl that is not either tied to a man or about motherhood. Madney having another surprise baby instead of them choosing on purpose to expand their family. Hen & Karen gaining trauma after trauma about their children and not having any other sl that is not tied to that. Josh just existing in the periphery and only becoming important as the "insightful token gay" but not having any type of meaningful screen time since Carson.

The other side characters like Sue, Ravi, Linda, Carla completely disappearing without anyone mentioning them. Ravi has not been given any important sl ever since he talked about having cancer and ever since reduced as a comic relief without anything to add to his character but he's a "landlord".

Chris is out of the picture for who knows how long, and is basically kept around to be traumatized over and over again. Eddie hasn't gotten any character development until first s5 and seemingly now, but i'd argue that the whole thing just felt rushed because what do you mean it takes one chat with a priest for him to do a 180° while he still isn't talking to Chris? And Eddie was the one who got the best treatment of all of them this season.

It's the way this show is slowly chipping itself away. It's the way they start a queer story line promising it would be impactful and handled with care and then half-assing it a best. It's the way the other queer characters are never explored and able to breath and revel in their queerness in the first place. Because, really, when was the last time Hen and Karen kissed on screen? When was the last time they went on a date? When was the last time their arcs were not about children or getting hurt, but just about them as individuals? And on this thread what about Maddie? Or Josh? Or Chim? Or Eddie?

Everything feels reused again and again and again without no real development than then starting the circle all over in half a season.

What a waste.

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alexanderwales · 2 days ago

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I finished rewatching Death Note. I always forget how short anime is, with episodes that aren't much more than 20 minutes when you skip the intro/outro.

I hadn't remembered how much of a sniveling wreck LIght was at the end of the show. There's something about the ending that makes it feel like it was written and directed by a different person, not that Light wasn't always a little weird and pathetic, and not that the show didn't consistently go out of its way to let us know what a piece of shit he was (particularly his absolute lack of loyalty or empathy to anyone, even aside from the megalomania). But he takes the loss like a loser, snot dripping from his nose, voice cracking, begging, and it's so pathetic that I almost felt a little sorry for him.

I've always found the Death Note to be a very interesting prompt, one of those hooks that's so good I'd want to watch it even if it was bad. But in writing something like Death Note, the author has to make decisions about what to show and what not to show, and also make decisions about how they're going to portray the public at large.

There are two big things that stand out for me.

One is that we never get someone arguing against Kira. We get people who are actively trying to hunt him down, but they're mostly not stopping to say "this is why what he's doing is wrong" except a few lines about how he has a childish sense of justice, which is never expounded upon. Kira, on the other hand, we hear a lot from, not just the megalomaniac stuff, but the notion that criminals must be punished, that this is what people desire in their hearts. I get the strong sense that L does not actually care and just views this as an interesting puzzle for him to solve, but for everyone else it's largely left as an exercise to the viewer, and even then, there are moments when some of our task force members come dangerously close to endorsement.

To the extent the show has an answer, it's that (to quote Kanye West) no one man should have all that power, or that Kira has crossed a lot of lines, but no one argues in favor of rehabilitation or clemency or just fundamental humanity. Kira seems to largely be killing prisoners, who have already been sentenced, and are wards of the state, and he says "this is what people want deep down, they will give you the politically correct answer but they actually want the criminal class to be obliterate", which ... there's no character who actually voices any opposition to through the whole series. And I find that weird, because yes, the show has its own answers in terms of how it plays out, but in a show filled with people possessed of immense conviction, most of the people in opposition to Kira are just intellectuals who don't actually give a shit about the ideological question.

(The one big moment when it comes to a head, IMO, is when Soichiro Yagami refuses to write Mello's name entirely because of his principled objection to killing someone. I thought this was great, and I wish the show had more of it.)

The other big thing is that we don't really get a viewpoint of the criminals, with a few exceptions. One is the is Yotsuba group, who are killing people with the Death Note, and the second is the (somehow still functional) mafia that Mello hangs out with. There's also one other scene somewhere after L's death where we see a criminal begging with the police not to have his name written down, and that's about it.

The naive view here is that the show really does believe in Criminals as being a part The Other, a different sort of human being who walk among us. The criminal class are described as rotten and evil, they're shown as grotesque and with exaggerated features or bestial characteristics, and they're generally leering and impulsive. There is no consideration of their humanity.

There's a more nuanced take here, which is that we have a criminal as one of our main cast, Light Yagami, along with everyone else who takes on the Kira mantle. So what is the show saying about criminality through how it portrays them? And here ... I don't know. I kind of don't think that it views them as criminals in the same way? When we look at the ways that Light kills, I genuinely do think that the show thinks that this is different from the way that a capital-C Criminals kill. It's reactionary rather than criminal in and of itself, a response to the injustices of the world rather than being in the same class as those injustices. Light is narratively exempted, and Misa is to. Which isn't to say that I think the show thinks highly of Light, it clearly doesn't, especially in its ending, but I almost think that in the end it Others him too (and also has Teru Mikami drawn in particularly 'evil' style, like a creepy deviant gremlin).

So I enjoyed the rewatch, but there are things that sit a little oddly with me as far as the central themes go. There's probably some discourse I should read that's come out since I first watched it in ... 2010 or whenever, but I think I'll give that a skip.

#death note

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fairy-spring · 18 hours ago

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I’ve read over this essay several times over the past few weeks. It wasn’t because of a profound realization or anything, but more because with each successive read I was squinting my eyes harder and harder as I sat there thinking, “None of these words are in the bible.” I also had to dig around and find your proper, published essay from 2017, as this post is simply an abbreviated version of that publication which is missing essential points of your argument and kinda muddied the whole read for me.

You had another post in 2020 dabbling on Midna and Ganondorf’s interactions which, uh… I also had to read through several times.

I'm going to be courteous and put everything I mean to say under a read more, both for the sake of anyone who happens upon this post and for you, in case you don't feel a want or need to even look.

I think I have to start with tackling the crux of this essay: the thought that Ganondorf is gradually humanized during the entire four-phase battle with him, that Ganondorf was written as “an unquiet postcolonial ghost,” and that players are meant to experience, essentially, a hate crime.

“Throughout most of Twilight Princess, Ganondorf is characterized as a ruthless tribal warlord who attacked Hyrule because of his lust for power. As indicated by his monologues and gradual humanization over the course of the final battle, however, Ganondorf represents much more than simply an evil to be defeated. He is introduced to the player as a foolish man who became evil incarnate, and he does little more than scream in rage and pain when the player first sees him in a flashback. When he is allowed to speak for himself, however, he reveals himself to be highly intelligent with motivations that are not unsympathetic.” (The History of Light and Shadow)

While I do agree that Ganondorf may have motives rooted in the eradication of the Gerudo, the problem is that, in order to have this context, players must have played Ocarina of Time first.

Ocarina of Time really set in stone the animosity between the Gerudo and the other peoples of Hyrule, given how wearing the Gerudo mask evokes anything from townsfolk in Castle Town screaming in fear to Darunia straight up saying, “I hate the Gerudo!”

Without that context, however, any potential humanization in this aspect is lost, for lack of a better term.

I don’t know how else to explain that Wind Waker is masterful in its humanization of Ganondorf because it talks about Ocarina of Time. Ocarina of Time is the ghost haunting the narrative of Wind Waker. The game opens with a retelling of Ocarina of Time’s plot, Link is compared to the Hero of Time by elder deities such as the Deku Tree and Valoo, Daphnes constantly hammers in how Link was not chosen by the gods like OoT Link or even TP Link were, the boy has to hunt for the pieces of the Triforce of Courage that had shattered after the Hero of Time wound up in Termina, literally picking up the pieces the Hero of Time left behind! And when Link finally enters Hyrule Castle, what is there to greet him but the statue of the Hero of Time?

So, it makes perfect sense, then, that Ganondorf in Wind Waker would reflect on what led him up to this point. Of course he would think on his foiled plot, on the people he abandoned, the people who disappeared because of him. And of course, because he is so set in his ways and so stubbornly determined to fulfill his goal, Ganondorf wants not the Great Sea the goddesses left behind, but Hyrule. Because he’s always wanted Hyrule.

Perhaps more than any other game, The Legend of Zelda: The Wind Waker is the true sequel to The Legend of Zelda: Ocarina of Time.

In contrast, in The Legend of Zelda: Twilight Princess, the events of Ocarina of Time didn’t happen. Any reference to Ocarina of Time is referred to as “ancient,” as if hushed whispers from a distant past. While Wind Waker hammers Ocarina of Time over the player’s head with its plot beats, character interactions, and imagery, Twilight Princess functions more as an echo of Ocarina of Time. The gameplay is similar and Link bears a striking resemblance to the Hero of Time, but the game itself is largely separated from Ocarina, with Ganondorf as the enigmatic specter behind the scenes, a literal ghost story uttered by the petrified spirits of a forgotten age.

Because of this quiet refusal to discuss Ocarina of Time, players aren’t allowed to understand Ganondorf. It is why he feels so weakly written compared to his Adult Timeline counterpart. People in Hyrule today know nothing of the Gerudo. Link’s map refers to Gerudo Desert as “The Great Desert.” It is a forbidden place, only accessible via cannon as the main pathways are blocked off. The desert itself is empty, deprived of life or civilization, with the only places of note being a Sky Puzzle and the Cave of Ordeals.

It is a subtle horror, yes. The thought of an entire people, an entire culture and way of life being wiped off the face of the earth, erased by a country that refuses to discuss ancient sins and would rather focus on the everyday or on borderline cryptids like the Oocca is a poignant one. As you’ve said, it mirrors post-imperialist movements to censor or downplay unsavory moments in history, from American textbooks attempting to downplay slavery to Japanese efforts to wipe away thoughts of Korean comfort women.

But you need Ocarina of Time to understand it.

If any player is just as clueless as Link and going through this journey for the first time, Ganondorf is portrayed exactly the way the game wants him to be: as a menacing, power-hungry, evil man who puts himself above the gods themselves, given his defacing the effigies of the goddesses when Midna confronts him in Hyrule Castle’s throne room.

Furthermore, Ganondorf’s acts throughout the final battle do little to humanize him. In his first monologue, he:

Degrades Midna and her people and refers to them and the Fused Shadow as inferior beings and “petty magic”

Dangles Princess Zelda over Midna and Link's heads like a trophy

Puts himself on the same level as the goddesses by wielding one of their pieces and defacing the Royal Family’s images of them

Upon being met with defiance from Midna, then possesses Zelda as a means to personally hurt Midna and force Link to confront Zelda

credit for the above gifs goes to @hyrulehistoria on tumblr

On this last bullet in particular, it’s certainly… interesting that you stated this regarding Puppet Zelda:

“Ganondorf later possesses Zelda as a means of forcing Link to sheath his sword before a real battle can commence, and this hostage strategy is awful. Nevertheless, the bluntness of this ultimatum should have been effective. When Link proves that he will not hesitate to kill even Zelda herself, only then is Ganondorf overcome with rage.” (03/27/2020)

Whereas in actual gameplay, Link is incapable of harming Zelda’s body. The entire fight against Puppet Zelda is comprised of Dead Man’s Volley, where you’re turning Ganon’s magic against him and stunning him; or, simply evading Puppet Zelda’s attacks as Ganondorf has her flying sword first at you. During this entire fight, Link is unable to strike Zelda’s body with the Master Sword, nor can he fire an arrow at her. This first phase isn’t about killing Zelda; rather, it’s about incapacitating Ganondorf.

credit for above gifs goes to @sacredflames on tumblr

Link clearly shows visible relief when Midna squishes Ganondorf out of Zelda, I don’t know how you missed that one.

credit to @fuckyeahlink on tumblr

In phase two, Ganondorf doesn’t utter a word, instead morphing into Beast Ganon in an effort to destroy Link. When that doesn’t work, he enshrouds Hyrule Castle in twilight, where Link and Zelda would be incapable of battling Ganondorf directly. Midna then teleports the two out of Hyrule Castle and dons the Fused Shadow, facing Ganondorf alone.

When next we see Ganondorf, he is on horseback, and he has a new trophy: Midna’s helmet.

Everything up to this point paints Ganondorf as the “ruthless tribal warlord” the sages characterize him as. I genuinely don’t know how you saw Ganondorf explicitly regarding the Twili’s greatest power so lowly that he destroys it and practically tramples it with his ghost riders, and then said this:

“When we next see Ganondorf, he is holding Midna’s crown, which crumbles to dust in his hand. We think he’s killed Midna, but of course he hasn’t. Ganondorf has spared Midna’s life and obliterated the cursed artifact that transformed her into an uncontrollable monstrosity. This incident marks the last time we see Midna in her imp form, which means that the spell on her has now been lifted.

“Ganondorf has suffered through war, genocide, and unimaginable physical pain, yet he does not kill Midna, who has openly attempted to kill him. He takes the formidable weapon Midna has been assembling throughout the game and, instead of using it, destroys it.” (03/27/2020)

(Sidenote: Where on earth did you gather that the Fused Shadow is uncontrollable? Midna was simply inexperienced with it the first time she used its full potential, which is why she collapses after breaking the barrier surrounding Hyrule Castle. She used the Fused Shadow to squeeze Ganondorf out of Zelda’s body like a lemon, and seemed to have a perfectly good handle on it when using it to face Ganondorf alone.)

((Double sidenote: The very last time we see Midna in her imp form is after Ganondorf’s death, where she is sitting in Hyrule Field with the Light Spirits. That’s the whole reason why Link runs to her. Because the Light Spirits revived her. And they lifted her curse. Look, they even look at the camera like, “Heeeeeey, we got your girl~”))

((Did… Did you forget that?))

Just before the final phase of the battle, Ganondorf unsheathes his own blade, regarding Link’s as “impressive looking… but nothing more,” and then makes a declaration to “blot out the light forever.”

With his final words, Ganondorf hisses out, “Do not think this ends here… The history of light and shadow will be written in blood!”

You have interpreted these final utterings as a warning to Link and Princess Zelda:

“At the end of Twilight Princess, broken and defeated, Ganondorf still finds the strength to warn Zelda and Link about how a cycle of hatred has created a history ��written in blood.’” (03/27/2020)

However, I choose to read it more as a final “Fuck you,” much in the same way that Demise’s curse in Skyward Sword could be read. However, both readings are mere speculation, not fact. We may never know the “true” meaning of Ganondorf’s words, which I quite like.

Now, I fully agree with the sentiment that, symbolically, Ganondorf is the ghost of the old world returning to terrorize a postcolonial country. However, at least in my interpretation, Ganondorf is not humanized by the game’s narrative. Any potential depth that Ganondorf has must be inferred, as according to plain text, he is simply the most evilest villain ever and must be stopped no matter what.

Is it the tired, racist stereotype of the barbaric, war-mongering brown man seeking to destroy the good and pure fragile kingdom? Yes, it very much is. It is sadly a very easy way for Nintendo to shorthand why Ganondorf is so evil and terrible and must be purged from this good and blessed nation. That said, I firmly believe that Ganondorf is portrayed exactly the way Nintendo wanted him to be: as an egotistical, self-righteous, manipulative man, who believes himself untouchable and deserving of Hyrule because he, too, was chosen by the gods.

Is there a hypocrisy to criticizing Ganondorf for holding godlike aspirations, when the descendants of the Goddess Hylia have held dominion over Hyrule for countless generations? Yes, there is. I won’t deny that. However, we must remember that Twilight Princess was released before Skyward Sword came along and did that; so, within the context of this game, Hyrule was just ruled by a royal family, not a goddess-blessed-mandate-of-heaven one.

All that aside, there is something else I need to mention, too: Why Midna shattered the Mirror of Twilight.

You have stated multiple times that Ganondorf’s death was wrongful, and it is that hate-filled death that makes Midna realize Hyrule has no place for people like Ganondorf or herself, which is why she chooses to shatter the mirror. You’ve also stated that Midna saw Link kill Ganondorf?

“… Link kills him anyway, and the cruelty of this act convinces Midna that it’s impossible for her to remain in Hyrule as an ethnic minority.” (10/20/2024)

“… but it is significant that this occurs immediately after she has witnessed the fight between Link and Ganondorf.” (… Light and Shadow)

Which, uh…

Midna was dead during that. I know a lot of people didn’t play Twilight Princess, so I need to reiterate: Midna was dead during that. She didn’t see that.

Even if she did, Midna literally wanted him dead five minutes ago. She declared to his face, “I will risk everything to deny you!” Why would Ganondorf’s death suddenly influence her to do something so drastic, if she wasn’t already thinking of this throughout the second half of the game?

I suppose there is a cryptic aspect to Midna’s final interaction with Link and Princess Zelda, wherein she states: “Light and shadow can’t mix, as we all know.”

Did Midna believe she will never belong in Hyrule? Did she, as you state, realize that “there is no room for ‘monsters’ in Hyrule[?]”

To land on this sentiment, however, is to forget a very literal aspect of Midna’s existence in Hyrule: Until she was blessed with light, whether it be from Zelda’s aspect or from the Light Spirits themselves, Midna physically could not live in Hyrule. In the first half of the game, when she isn’t in the twilight, Midna will retreat into Link’s shadow.

It’s the only place where she is safe; otherwise, the light will harm her. This is most evident when Zant turns the Light Spirit, Lanayru, against Midna, and the poor imp is hit with a full blast of concentrated light.

Like, the light literally almost killed her. It stands to reason that the other Twili would more than likely react the exact same way.

I guess in that way, you are correct. Midna quite literally does not belong in Hyrule, nor do the Twili. The thought is a heartbreaking one; to say that, biologically, you are the other. That you will never have a place here because you are built differently.

Along that same vein, though…

There… is room for monsters in Hyrule. For me to really bring this point home, I need to talk about the bulblins.

Now, bulblins are kind of your main goon in Twilight Princess. We have bokoblins and keese and deku babas, for sure, but bulblins are… different. From the moment we’re introduced to them, they are organized and coordinated. While bokoblins are shown as more “primitive” with their use of large clubs, bulblins have an array of weapons, from clubs with big old rocks attached to them, to riding on massive boars called bulbos to attack you whether on horseback or on the ground, to arrows that are dipped in oil and set ablaze. They literally set an oil trap for Wolf Link on the Bridge of Hylia and tried to burn him and Midna to death! Like… that’s so cool. Bulblins are so fucking cool, we never see monsters quite this intelligent ever again.

And I haven’t even brought up King Bulblin yet. Throughout the game, the leader of the bulblins is portrayed not as yet another monster to be eradicated, as we have with Zant and Ganondorf, but instead as a rival for Link. He jousts the boy twice on the Bridge of Eldin and the Bridge of Hylia, respectively; he battles Link just outside of the Arbiter’s Grounds with a giant axe, just after Link cleared out an entire camp of bulblins.

Is there something worth noting about the player aka Link killing all these monsters if they’re intelligent and sapient like people? Well, wouldn’t you kill a band of human thieves in Skyrim if they slighted you? Kidnapped your friends and family? Slaughtered your livestock and hung their horns over their giant gate as a personal taunt?

It is only after besting King Bulblin for the final time, in Hyrule Castle’s courtyard, that the leader finally concedes defeat, proclaiming, “I only follow the strongest!” He recognizes Link as an equal, and he agrees to back off. In the end credits, King Bulblin and his guys are riding around on their big old bulbos, no longer terrorizing innocent people.

Now, we could argue all day about whether they’re only allowed in Hyrule because Link one-upped them and these guys now consider themselves subservient to him. Regardless, the end credits show that even Bulblins belong in Hyrule. They, too, have a place here.

And if we go by Zelda’s final plea to Midna, so do the Twili.

“Shadow and light are two sides of the same coin… One cannot exist without the other. I know now why the goddesses left the Mirror of Twilight in this world. They left it because it was their design that we should meet. Yes… That is what I believe.”

But the thing is, Midna already made up her mind. She made up her mind a long time ago.

But that’s not good enough for you. Is it?

“… Midna's reactions over the course of the story deserve far more attention than simply taking what she says at face value.” (10/21/2024)

And as a fun little bonus round, I need to just say little things concerning your argument of Hyrule’s “slow apocalypse.” In your essay, you refer to Hyrule’s “eroding ruins and decaying ghost towns,” such as the Hidden Village, or Snowpeak Ruins, or the random little stone area just outside of Castle Town that houses a Sky Puzzle, as environmental suggestions of Hyrule’s gradual downfall. But to insinuate that the erasure of the Gerudo or the slaughtering of Ganondorf are primary symptoms of this decline would be disingenuous.

“Without the dynamic diversity symbolized by Ganondorf and the Gerudo, Hyrule is now in economic and political decline, isolated from any contact with the world beyond its borders.” (A Legend of Regret…, p.52)

“The people of Hyrule are entering the twilight of their civilization under the rule of an ineffectual leader that has not allowed its people to be revitalized by change and diversity… The potential for energetic dynamism represented by Ganondorf has been violently denied in favor of cultural and ideological purity…” (A Legend of Regret…, p.56)

Cultural exchange is actively happening in Hyrule during the game. The only place you can argue is truly “culturally pure” is Hyrule Castle Town itself, with people from all reaches of Hyrule integrating themselves into this “pure” culture one way or another. Everywhere else, however?

Renado, the leader of Kakariko Village, is outright stated to be proficient in treating both Gorons and Zora. Gorons are not only allowed to sell their hot spring water to residents in Castle Town, but are actually permitted to enter Hyrule Castle itself to sell their wares. Or, at least they were before the Twilight Invasion began. Malo’s business practices more than likely reflect Sera’s, given his upbringing in Ordon, and he then brings that frugal model into Castle Town, where the people rejoice.

credit to @roaxes on tumblr

Gorons taught Mayor Bo how to sumo, and in turn, Bo teaches Link. Even the yeti, Yeto, teaches Link how to snowboard to get to Snowpeak Ruins! You can then race him and his wife afterwards! The passing down of culture is at play in real time in this game!

I’d hardly say that Hyrule is in a state of decline. If anything, given such innovations as high-quality pictographs in places like Hena’s Fishing Hole, fully electric lighting in Castle Town’s Malo Mart, and advanced weaponry like Auru’s bazooka—as well as Hyrule’s apparent religious enlightenment, given that this is the most secular that we have ever seen the country—I’d argue that Twilight Princess’s Hyrule is actually on the cusp of an industrial revolution.

But those are just my own thoughts.

Also, ruins and ghost towns exist all over the real world. Roanoke Island, Nara Dreamland, Imber… There are countless examples. Sometimes a disaster befalls a town, and it’s easier to relocate than to start over where you were. Sometimes you can’t maintain a house and it gets abandoned. Sometimes an area is reclaimed by the government or the military. Sometimes a town dies out because its lifeblood runs dry, forcing residents to relocate elsewhere. Given the massive disparity between the rich and the poor in this game, this feels the more likely scenario.

Does that mean the real world is on the decline, too? I suppose that depends on who you ask.

And finally, as you’ve stated before, Link is what the game and the player dictate he be. You’ve tried stating in your essay that “if the gameplay demand that Link must defeat enemies in order to advance,” or that he “ransack ancient temples to progress,” then he is a killer and a “marauder.” (A Legend of Regret…, p. 54) However, that is to ignore the story once again.

The only temples Link arguably “ransacks” are the Arbiter’s Grounds, and the Temple of Time. Link is given permission to enter the Forest Temple, the Goron Mines, Lakebed Temple, Snowpeak Ruins, and the Twilight Realm. Link was even, debatably, given permission to uncover everything in the Temple of Time, as the ancient sages had instructed him to go there. The Arbiter’s Grounds is the dodgiest one to discuss, because nobody should be there. It’s a necessary evil, but to accuse Link of further desecrating a place Hyrule and Zant have already stained would be a hard pill to swallow.

And then we have the big one: The killing of Ganondorf.

Why was Link so cruel? Why wasn’t there a way to stop Ganondorf peacefully? Why couldn’t Link and Zelda just talk to Ganondorf, after he “[refrained] from taking control of the kingdom through conquest and murder, even though doing so would have been well within his abilities[?]” (03/27/2020)

I think we’re ignoring the fact that Ganondorf acted through Zant and killed countless Twili to achieve his goals. We see soldiers in Hyrule Castle, but how many more were there before the Twilight Invasion began? How many people died in Kakariko Village? What would have become of Ordon Village, or their children, had Link not awoken as the chosen hero? What would have become of the Twilight Realm, had Ganondorf not been content with only Hyrule?

If one man believes himself a god, and he is threatening the lives and wellbeing of not one realm, but two, then what choice does a boy chosen by the gods, by royals, by the people, have? Is it truly so monstrous? Do the ends justify the means? Is it cruelty? Salvation?

I don’t know. And neither do they.

Now, why did I bother writing this whole thing? What was the point?

Quite simply, since your first publication iterating these thoughts was back in 2017, and your most recent post in 2024 proclaims that Link is a murderer, it means that your interpretation of The Legend of Zelda: Twilight Princess is one that you’ve held for at least seven years, if not even longer. There’s nothing wrong with interpretation. The problem, however, is that you portray your take as “the correct one,” or the “big brained, deep one,” given how the thoughts you bring up in this first essay have been repeated by you again and again, whether it be the aforementioned “Link killing Ganondorf was an act of cruelty,” or “Why did Midna really shatter the Mirror of Twilight?”

And… The game already answered those questions. The game has already refuted your claims. You’ve just been ignoring it, and you’ve been encouraging everyone else to do the same.

And I don’t think that’s how you’re supposed to start a conversation about it.

TLDR: Uhhhhh please don't misconstrue what was in the game in order to make your argument because that's Not Cool, and I invite everyone to please play or watch a playthrough of The Legend of Zelda: Twilight Princess in order to form your own educated opinion!

Basically ummmm please reread the book before writing your book report.

And here are all my referenced sources so nobody thinks I'm pulling this out of my ass:

A Legend of Regret: Fallen Kingdoms and Postcolonial Ghosts in Twilight Princess

Tumblr Post Dated 03/27/2020

Tumblr Post Dated 10/20/2024

Tumblr Post Dated 10/21/2024

The History of Light and Shadow

At the end of Twilight Princess, Ganondorf delivers one of his most memorable lines, “The history of light and shadow will be written in blood.” He is not wrong. As the player has witnessed over the course of Link’s adventure, Hyrule is haunted by ruins and ghost towns, a mere shadow of what it once was. The landscape is filled with numerous sites of past violence and empty spaces visibly marked by decay and wasted potential.

When Zelda tells Link and Midna that “these dark times are the result of our deeds,” she is referring to specific historical acts of imperialistic aggression. Hyrule established hegemony over its outlying territories by crushing the rebellions against its advances, but the kingdom has suffered from cultural stagnation as a result. Without the dynamic diversity symbolized by Ganondorf, Hyrule finds itself in economic and political decline, isolated from any contact with the world beyond its shrinking borders.

As a representative of a marginalized group of people who have been attacked and driven from their homes, Ganondorf is a tangible manifestation of the horrors of imperialism. He must be defeated, but doing so does not address the underlying problems that have resulted in Hyrule’s decline. I therefore want to argue that Twilight Princess uses Ganondorf to deliver a subtle yet poignant protest against the discourses of empire reflected by the dualistic “light and shadow” rhetoric of heroism that has resulted in tragedy and regret.

Keep reading

#the legend of zelda #twilight princess #i was debating for weeks whether to actually follow through and post this thing #honestly it was after watching people analyzing mouthwashing and missing the writing on the walls that i sat down and realized #actually yeah people don't play tp anymore we have to relearn what's in the damn game before we can actually interpret anything #i'm not in the slightest saying that ganondorf isn't allowed to have a complex humanistic interpretation #the thing is that nintendo didn't write him that way #and to say that he was written as subtle and anti-imperialist commentary is simply untrue #anyway uhhh happy veteran's day i guess??????

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thehigherseekerastro · 1 day ago

Text

Random Astrology Observations (Alternative Meanings Love Edition) 2 🤨❤️🤔

DISCLAIMER: I am in no way, shape or form a professional astrologer, modern or traditional.

I HAVE been studying astrology for a while now, and analysing charts available to me, as well as my own, and noticed a lot of the info you find online doesn't make sense in real life, because it is too reductive, stereotypical or lacks broader context. So I thought I'd share some of my personal observations to see if it resonates with anyone.

This is NOT the end all, be all. Apply it as it makes sense to you.

**************************************************

The 1st House 🙋‍♂️

The 1H in synastry is a tricky one, because the first house itself is related to our individual identity. It is the house of self. So, when it comes to having a love planet here, things can get really murky. You'll often hear that it indicates instant attraction, but also only surface-level. While that is not entirely wrong, it would be a disservice to reduce it to just that. Yes, first house ties back to your physical appearance and external impact. But what does that mean for someone else being impacted and impacting that? Does it even apply in synastry? The answer is: YES. And it goes much deeper than you'd think. It will talk about an immediate recognition. It talks of being mesmerized by someone's look and demeanor, but that comes accompanied with an obsessive need to know more about you, to be around you, to soak up as much of you as possible, as if to aggressively learn you. And that's because you will tickle all the boxes the person had been holding inside (and vice-versa).

(e.g.: having someone's planet(s) fall into your 1st house doesn't just mean they will be attracted to you, if it's romantic. It also means the person feels like you two share a vibe, share interests, ideas. It means they feel like you move according to their speed, and therefore, that could lead to a lot of trust and comfort on their part, because you feel like a safe place. Not in the same sense as the 4H, but in a more "this person will have my back, cause we're the same!" kind of way. It makes the person feel like you are enough, because you fit them. So even if everyone else disagrees with them or doesn't understand them, they'll sort of look over at you, and if you validate them, that will be enough for them. They'd rather have your approval – since you are someone who gets them – than to have the approval of a bunch of people who don't understand where they are coming from.)

It truly is a beautiful thing, but even positive planets with positive aspects can lead to unwanted side-effects. The house person could come to resent the planet person because of how much they like them. Depending on who the house person is – if they have a dominant or prideful personality, for example – they may come to resent and even become angry with the planet person at times, because they'll feel so strongly for the planet person that they could start acting out of character for them, and that can make them feel like they're losing control of themselves. And as human beings, what do we do when we feel out of control? Shift blame and start looking for culprits. This DOES tend to wear off, though, exactly because of how intensely the house person feels for the planet person, but it can burn hot for a minute or two, specially if they end up getting into an ugly fight and the 1H person tries to forget the planet person, but they can't bring themselves to hate them. They'll get angry at the fact that no matter how hard they try to hate the person, they still feel enchanted by them.

(this could also create an unwanted feeling of "nobody else is like them", so the 1H could panic a bit at the thought of losing the planet person because 1H synastry creates the immediate feeling of the "perfect person for me", so imagine thinking you found the perfect person for you... it can make you feel like if you lose them you'll never recover, because no one else will be like them or able to replace them as perfectly)

All in all, though, first house Synastry tends to usually show up good results, depending on the planets and aspects involved. Another aspect of this synastry that doesn't get talked about for some reason is the fact that they tend to obsess over and notice the tiny details in each other. So it creates this effect of falling for them over and over and over again, cause they'll keep finding little things about the other person that they find enchanting, and THAT'S what creates the physical attraction. It's not that the planet or house person are conventionally attractive to everyone – they might not even fit the beauty standards –, but to the house person, those little details will sort of build up the planet person's beauty step by step, and by the time they catch on, they'll be enamored with every part of them, so, to the house person, the planet person truly is the most beautiful thing ever.

(1H house synastry also brings a 1st house energy to the attraction. NO - NOT ARIES. First house. But it will sound like arian qualities because Aries does rule the first house, after all. What this means is that a big part of the attraction for the 1H person is feeling like the planet person is independent, self-sufficient, confident, self-assured and capable. Because it's taping into their 1st house of self, the house person can sort of see the best of themselves reflected on the planet person, which means they feel like all the things they are insecure to show the world, the planet person has and is not afraid to show them. So they feel like planet person not only embodies their attraction ideal, but also the ideal personality they wish they had themselves. Which they do, but they don't realize it until planet person comes along and brings it out of them.)

First house Synastry is a complex kind of Synastry that is much more psychological than it's given credit for. People often focus on superficial physical attraction and gloss over the fact that it's like somebody is literally stepping into your mind and making your inner fantasies come out. It can feel very vulnerable and intense.

The 7th House 💍

Oh, isn't this one a gem?! Perhaps one of the most sought after in synastry. But the idea here is to provide an alternative perspective, so here goes: if it's badly aspected, or there's other challenging factors involved (the person falling into your 7H is problematic themselves), you're gonna run into the issues people often attribute to 1st house synastry, such as superficiality and a "false love" because 7H Synastry, regardless if it's good or bad, creates somebody who's "perfect on paper". They say the right things, they do the right things, they seem to fit into your whole ideals. But that does not guarantee that that's who they truly are. That's just who you think they are. Remember – the 7H is the house of "other". So it's not about you. It's about the other. But it's rather how you act around said other, and also how you perceive them.

(It's tough to say this, but you gotta be real to help some people out there who might have had 7H Synastry and didn't understand why the relationship failed, since everyone online claims it's a guaranteed soulmate. It's because Synastry goes both ways. And all houses have good and bad. There is no such thing as the perfect Synastry. But in the case of the 7H, I'd say it's the real life case of "if it's good, then it will be amazing. Truly a soulmate. But if it's bad... it will be awful. Just not immediately.)

Going off of the previous comment, another grim way this Synastry can turn out is in its binding effect. And I don't mean anything spiritual or abstract here. I mean literally binding. Imagine a relationship going sideways like that AND you are also now married or share a business together. MESS! This is the house of contracts and long-term. Remember Saturn exalts in Libra, because Libra likes things that last, and Saturn is the planet of long-term, so the house of Libra will sprinkle that lasting effect over whatever it touches. And if you're in a 7H relationship, that relationship will last with you, whether good or bad. It will take A WHILE to break off from it, either mentally, emotionally, psychologically, legally or financially.

(e.g. somebody has their moon in your 7H, but it's a moon at fall, in Scorpio, and it's afflicted in their natal chart. Now, at the beginning they will seem like a gift from God directly to you, so much so that you decide to make it official... And then, one or two years in, living together, each day it gets more toxic and draining and the dark sides just oozes out of your relationship. But now you are legally married, and divorcing will take time, bureaucracy, money and emotional energy, not to mention you'll have to uproot your entire life, explain it to your social circles and families... And what seemed like your dream come true was in fact a bitter lesson to learn).

To veer away from the dark twists of the last ones, let's dissect the correlations people make with the 7th house, like "oh, your spouse will be interested in art, and beauty, and music, and sophisticated things!" Why? Are you marrying a Libra? A Libra rising? Somebody with a Libra Venus? No? Then that has nothing to do with 7H Synastry. Houses are not signs, signs are not houses. Libra is one thing, the 7H is another. Venus rules Libra, which resides in the 7H, but Venus doesn't rule the 7H. It merely influences the 7H. It would be a better guess to say you might have met your person while they (or you) were already in a relationship than it is to say you met because of beauty-related things, or art, or music, since the 7H doesn't talk of any of those things, but it DOES talk of committed relationships.

(e.g. you might have met the person right after they (or you) got divorced. They might be connected to an ex of yours. Or another possibility that isn't talked about is how the person you eventually end up with is someone you have liked for a long time, but never got the chance to be with until now. Since this is the house of long-term relationships, having placements here could indicate that the person you ultimately stay with long-term is someone you already knew prior to getting together, but you needed to experience other relationships before you united with them.)

Another final aspect of placements in this house is the fact that it doesn't just deal with your love relationships, but also the way you consciously present yourself with others. How you behave socially. But also the mirror effect of this house, speaking directly about love. This is, after all, the house directly opposing the 1st house of self. In that regard, this is similar to 1H synastry, with the exception that in this one, instead of you coming out of your shell subconsciously, you make a conscious effort to become your best for your person here. You want to live up to all of your potential.

The 2nd House 💆‍♂️

This one is a bit tricky for me, because I'm not materialistic AT ALL. I have a Taurus Lilith in the 2nd house, so, I express it on the other end of the spectrum. When you have that placement, you either put too much value on money and material things, or you are completely unattached from it, and that's me. So the whole "money this, money that!" vibe is not my scene. I don't see a price in life, I see value. With that said, let's get this going.

Yes, this is the house of money and material things. Yes, it will deal with your personal finances. But no, unless other parts of your chart/Synastry agree with it, somebody's placements falling here should not have a lasting effect. It might merely indicate you overspending on dates and gifts. The 2H is the house of YOUR money, which means that the whole "oh, they're gonna shower you in gifts!", "And this is a sugar baby aspect!", "Your person will want to spend all their money on you and buy you expensive things!" is probably not gonna happen, sorry. If it does, it will be you spending your money.

(And if you do spend your money, the whole "gifts" thing is also not that common, because normal people don't just go around buying gifts for others every other day of the week, unless they have some sort of imbalance. Such a consumerist mindset! Not everything is about paying for things or buying things. That's a VERY American culture of dating, specially for women. This nasty idea that a man has to buy you or he's not good. Which is what encourages habits like thinking the man always has to be covering your finances (how old are you, 5? Get a job and pay for your own damn self! You are an adult woman), paying for your food, buying you a house, giving you gifts all the time and affording expensive dates. You are not a product. If your biggest incentive to be with a man is because of how much he pays for you, then that's the world's oldest profession, not a relationship of love. So this should play out more like them helping you manage your own finances. Don't go around thinking a 2H love placement is gonna turn you into Cinderella.)

If you do happen to be a stay-at-home person in your relationship, which is valid, as long as it's not all about money, 2H love placements and synastry will talk more about other material aspects of things. It will talk of stability, sustainability, longevity and security.

(e.g.: it could mean that you allocate your resources towards creating a safe, stable environment for your life together to flourish, such as buying things for your home together, revising your finances to make life goals and plans together more viable, setting budgets to achieve milestones together... as well as the literal physical aspects of valuables, so using your resources towards nourishment (food, shelter, clothing and health). Things that will ensure your relationship lasts and endures through hardships and tribulations. In the 2H of values, Synastry could indicate the relationship itself becoming your prized possession that you take care of. All the Earth houses are about caring for things, just in different ways.)

Another poorly explored aspect of the 2H is values in the moral, spiritual and emotional sense. It's WORTH. Both the causes you find worthy as well as your self-worth. A 2H love placement or Synastry can and will directly affect that. Even if you do happen to be dealing with financial/material things too, that can affect your self-worth directly.

(e.g.: say you are married to someone who is constantly in debt, or say your spouse is the breadwinner of the household and you depend on them financially. That can really take a toll on your self-worth. It can bring feelings of poor self-esteem, can you make you feel undervalued, inadequate, make you feel like a burden, or make you feel incapable of caring for yourself. It can strike your self-confidence and make you VALUE yourself less. Or the opposite. Your spouse may open you up to new possibilities of making money, which in turn gets you into a new passion project that you succeed in and that can make you feel like a worthy person, make you believe in yourself, make you feel important and valuable.)

I would argue that most often, it's the 8H Synastry that will really have your partner's materials affecting you, because the 2H is the house of your PERSONAL gains, while the 8H is the house of OTHERS' gains and possessions. Most often, the biggest impact I'd say 2H love placements have will be dealing with self-worth, self-confidence, shared values and morals, feelings of belonging and acceptance.

General Things ✨

What I see most often is that positive and negative outcomes tend to happen simultaneously. It's not all doom and gloom, but it's also not all sunshine and rainbows all the time. Sometimes it's great, sometimes it's not so great, and those ups and downs come and go. That's just life. Both are there to be worked with, worked for, or worked through. At the end of the day, astrology will not mandate your life events, and you have to always be learning from your life, and working on yourself and the things that matter to you. Astrology is just a guiding light to identify possible themes to be mindful of.

**************************************************

That's it! Thank you if you've read it this far! I might have come off a bit harsh (I hope I haven't), but I promise I'm nice lol.

My whole goal is to try to discuss astrology in as realistically as possible, but while making it clear that any possible outcome is plausible. If most times all you hear are fantastic stereotypical descriptions of placements, such as 7H, the not so great ways in which it can play out will be explored here to help people navigate them. If all you hear are bad things about a house, then I'll try to show the positive ways in which it can come out.

The whole point is to try to bring a wide range of notions to these descriptions, together with the information that is already out there and available by many other creators.

At the end of the day, remember this is all POSSIBILITIES. Your personal life has to be analysed to know what's gonna ensue. And don't be discouraged, because the truth is that positive and negative effects tend to happen together for your best.

Hope you have a good day when you find this!

MASTERLIST

#astro notes #astro observations #astrology observations #astrology #natal chart #astrology notes #synastry observations #synastry #zodiac #composite chart

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justyoursicanon · 2 days ago

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I always thought that Wade's like big insecurity would be him constantly talking and people getting sick of it, but I also thought of other things he would be insecure about

Since he's a mercenary and former soldier, he's incredibly skilled on the battlefield, and I LOVE the headcanons ive seen around that hes crazy good at planning during a mission and how he memorized assembling and disassembling his weapons with care

With all that skill in mind, I feel like he would get insecure over the doubt people have over what he's capable of

Yes he is the comedic relief and equally violent character between him and Logan or anyone he's close with, but he's just as skilled as them too and it gets to his head how much people don't notice that

So can you imagine the genuine joy he'd get when Logan starts noticing his skill on the battlefield when he's locked in? He almost got decapitated because he thought he didn't hear Logan right

"Didn't know you could do that bub, not bad."

"Wait what really? You noticed that?! Did you really?! Oh my nutballs peanut you have no idea what else I can do- " an axe flies past his head and he's back to fighting

#insecure wade is everything to me #SiC anon rants #deadpool and wolverine #deadpool #wolverine #worst wolverine #poolverine #deadclaws #wade wilson #logan howlett

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thestrangestthlng · 3 days ago

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Thoughts and prayers rants...

So, now that I've had almost 48 hours to marinate on this and cycled through my emotions, I am in a much better headspace to talk on the whole 9-1-1 of it all.

But this bears repeating: We fell in love with Tommy because he made Buck fall in love with Evan.

So, first and foremost, I've decided that canon stopped for me at 8x05. lol. I am going to continue with my BT train like that shit show didn't happen. And for me, for a while, I am going to let the show end there. I will go back, probably after the hiatus, but not how I was. I do love all the characters on this show (some more than others) and I still want to be able to see their journey, but I need a break from that manipulation stunt. I'm still going to share all the positive BT stuff I see and all the beautiful Lou content I see.

Secondly, now that I am over the initial hurt of the breakup, I'm just mad. We were manipulated intentionally with 8x05 for us to feel worse when the break up happened. That was unnecessary. And that was cruel. And I know that a lot of this is because it was the icing on a shit week. Emotions were already raw due to the election and it was reallllllyyyy bad timing for this, but that doesn't make the way they did it okay, just that it can explain why there was such a strong reaction for many of us, on top of the completely justified anger.

Breakups happen, and that's okay. If it was the end of Tommy's time on the show, that's okay. I am a Buck girlie and I always will be. But... the breakup was reductive, stereotypical, and just poor storytelling. I get they want to leave doors open a crack, because you never truly know, but turning him into an OOC stereotypical biphobic gay man is disgusting. You had this beautiful thing and you shat on it. I am going to do another post about my personal relationship with groundbreaking storylines next.

That was a miscommunication. That was a breakup where someone chases after you and is like wtf actually just happened. It felt like whiplash, because that is not how breakups are formulated in media. You know how else you could have written him out of the story?

At the date (and the basketball tickets are actually a really sweet touch when you think about it) Tommy could have told Buck that he got a job offer in another city or state or that his parents are ill and he has to go home to take care of them and asked Buck to go with him. At the apartment, it could have been buck telling him that as much as he could see a future with him, he can't go with him.

Would it have sucked? Yes. But it wouldn't have induced this amount of rage.

For over six months Lou and BTs have been at the receiving amount of a ton of vitriol. And that's not to say that there weren't antagonizers on this side of the fence or that BTs never did anything wrong, but this isn't a both sides bullshit piece. People can suck everywhere, but only one "side" harassed an actor and his family with death threats, he read about the "stoning" calls, used slurs on a regular basis. All of this persisted for months for it to turn out that he was the only one who seemed to give a shit about the story and it's representation. There honestly doesn't seem like there would have been anyone better for it.

You know what's ironic? It was the Buddie's hate and vitriol that pulled me into fandom and made me love Tommy and then Lou. When they would run their mouths, I would look into it and I found a man who genuinely seems like (he is still someone we don't know) a wonderfully kind, sweethearted, genuine man. He looks like a bundle of light and his smile can warm even the coldest hearts. So their vitriol made me a fan. So thanks BoBs.

Buck and Tommy wasn't just about Buck's queerness and definitely not about "wanting to see two white men kiss". It was about our love for Buck. We saw him happier and more fulfilled than he's ever been. We see his life being lived and full of love and stuff and joy.

Again:

We fell in love with Tommy because he made Buck fall in love with Evan.

And you know what, not matter how reductive and all the phobics that breakup was, they can never take that away from us.

#we fell in love with tommy because he made buck fall in love with evan #bucktommy #tevan #tommy kinard #evan buckley #911 abc #the writing on this episode was complete ass as far as this was concerned #honestly #911 discourse #also stay the fuck out of our tags if you dont like what were saying

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getsuuna · 2 days ago

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KNY Fandom so fucking insufferable I'm gonna start behaving like those GiyuShino and SaneKana shippers and go around spreading misinformation and say "no you don't get it SaneGiyuu was implied!!!" /j

because I'd actually have more content to mention without even mischaracterizing them

wanna talk about how they're a two-faced mirror? almost as if they were written to parallel each other and there's so much to talk about on this matter

or, since not everyone in this Fandom can dive into analysis, wanna mention how Shinobu figured Sanemi could've made Giyuu smile by inviting him to eat his fav dish with him? why not ask him directly instead? why Sanemi out of all people?

wanna mention Sanemi's pseudo-obsession on that man? he disliked his ass, but if we go back to analysis, his intolerance to someone feeling superior can be tied to a multitude of factors and one of which is being low-key reminded of himself, and he loathes himself while at the same time he puts on that strong façade. he can't face it though. and he wanted to understand why Giyuu felt that way SO BADLY he went to him for training and tried to speak with him, he wanted a contact, he wanted to understand, he needed Giyuu to speak up but he didn't.

on the other hand don't we wanna talk about Giyuu's perspective? Giyuu never hated him nor did he really feel sad knowing he disliked him, contrary to how he felt towards Obanai. not to mention he even got to be sarcastic towards Sanemi's dumb ass at least twice.

and the iconic ohagi scene? idk about y'all but between the hashira I think that's THE iconic scene, alongside Giyuu and Shinobu beefing and Shinobu almost stabbing him (don't get me wrong platonic GiyuShino has my whole heart)

the first time we saw Giyuu smile in the series is while imagining to befriend Sanemi??? and out of everyone he chose Sanemi? the hashira who is canonically the most difficult to talk with?😭 he only ever smiled either for food, for Sanemi or Tanjiro

oh and let's not talk about how Tanjiro, after getting knocked up, wakes up and the first thing Giyuu says is "yeah Shinazugawa left" ..? or the whole novel chapter in which they end up talking about him (supposedly right after that scene in the manga) and Giyuu cheered up. what

anyways, likewise, the first time Sanemi was seen smiling genuinely outside of his family was with Giyuu. Obanai and especially Masachika were both closer to him, not to mention the most important person in his life, Genya...yet here we are ig?? (after Giyuu he also smiled more in general, the scene of him smiling at Nezuko was one of my fav panels ever so keep in mind I'm taking in consideration the chronological events and not the impact of the scenes per se)

or let's talk about the most important part in their development which is when they fought together.

Sanemi saving him, telling him not to zone out while throwing the sword at him, it made Giyuu realize he's the water hashira, it was the first time Giyuu acknowledged it. Sanemi influenced Giyuu's character positively, and so far Tanjiro was the only other one who managed to. Sanemi saw him as his ally (rightfully so), and hopefully seeing him fight also made him realize he wasn't that much of a conceited guy, he was just like him, as he initially wanted Giyuu to understand (despite the fact it was a miscommunication)

Sanemi teaming up with Giyuu out of everyone, in such an impactful panel.... idk, if it was a straight ship that would've felt like a confession for the Fandom 💀

they impacted each other's character, they were the only two hashira surviving after facing the same war, they faced similar struggles during their lives (but let's not get into analysis, once again...), they could've understood each other better than anyone else would ever have, and they ended up bonding and eating together

that panel was there, in the middle of other panels all portraying important bonds, whether canon romantic bonds or platonic and sibling-like ones (Tanjiro and Nezuko, the Kamaboko squad, the swordsmiths etc.)

if it wasn't important it wouldn't have been there, but the funniest thing is that if either of them was a woman it would've been considered canon since it also included TanKana, ZenNezu and InoAoi🙏🏻

but oh, if we try to name either of these things and more, people will rightfully say "can't they be friends anymore?", which is valid, but I wonder why this doesn't apply to equally fanon straight ships.

a show so peak has so many fans that are so dense😭😭😭

#kny #demon slayer #kimetsu no yaiba #sanegiyuu #giyuusane #sanemi x giyuu #kny ships #sanemi #giyuu #sanemi shinazugawa #giyuu tomioka #toxic shippers #i hate y'all sm #platonic sanekana #platonic giyushino #they're just so peak #am i talking about sanegiyuu or about platonic giyushino and platonic sanekana?#the answer is both #I need more m/f friendships in media bc I can't take this shit anymore

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baphometsss · 3 days ago

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On Solas's romantic history

Okay. I know what the consensus is. That he’s way too smooth in Inquisition to be inexperienced but... (and I’m fully prepared to get shat on for this lmao don’t kill me)

When he kisses Lavellan, that doesn’t read to me like he’s super suave and seductive. It reads more like—endeared by them trying to run away after kissing him, then being so surprised by how good the kiss felt, that he grabs Lavellan, kisses them again, pulls back with a surprised look on his face, and then goes in for more. It’s touch-starved, desperate, hungry. It’s not really all that smooth because he’s literally bending them over backwards lmao like Solas can you chill maybe

He is very smooth when flirting with Lavellan, but he's also an absolute gobshite who's spent thousands of years sassing the hell out of wannabe gods so that's not a surprise. He's witty af and enjoys some back and forth.

Solas is a very lonely man. He keeps everyone at arm’s length because he’s seen what getting close to people can do to him. His biggest fear is dying alone, and he almost gives into that because it’s what he believes he deserves for all he’s done. His life has been so stressful for so long that he's almost totally unable to consider anything else but his battles. He even says explicitly that he's tired.

That doesn’t make me think of someone who was out there in Ancient Elvhenan sleeping around all those years. No doubt he considered it, but he likely didn't pursue much with anyone physical; he enjoyed spending as much time as possible in the Fade. (The banter with Blackwall doesn't count to me personally since Solas himself thinks the whole idea is preposterous, which speaks for itself really.) Especially after being a slave/servant to Mythal seems to have voided him of his agency for some time. Then he led a rebellion and fought for thousands of years against brutal tyrants. Any one of the people he was close to could’ve been trying to kill him. Lavellan, however, has no reason to do so, so he can flirt with them freely. In all that time, it seems as though the only people he allowed to get close to the real him were Felassan and Mythal. I don’t think he slept with either, because the relationship was familial. Felassan was also loyal to Mythal, but didn’t burn his vallaslin off. (Is this a right hand/left hand of the Divine parallel again? Two brothers and their mother? Idk, I need to think about that one). For creatures with bodies made from the blood of Titans, they don’t have blood families. They would’ve had to forge their own, which is what Solas did with Mythal and Felassan.

And then there’s his ‘it has been a long time’. Most have taken this to mean that it’s been a long time since he’s been intimate with someone, but given what we know now and that he spent thousands of years in the Fade while his body was in uthenera… I wonder if he’s actually saying-- ‘it has been a long time since I lived in a body’-- ie. ‘it has been a long time since I felt physical drives, a long time since I have felt so physically real’. To me, this makes a lot more sense than the ‘he’s thousands of years old he can’t possibly be a virgin/inexperienced’ take bc like... My friends. It probably didn’t feel like thousands of years to him bc he’s essentially always existed. Time is different for spirits. It’s not like he’s gonna go: ‘well I’m nearly 4000y/o, better lose my v-card’. Time is no object when you are a timeless being. Then, given the path his life took, it wouldn’t make a lot of sense for him to be that experienced given how hard it is for him to trust.

I also personally headcanon him as heavily demisexual/demiromantic too. His true nature is so non-physical that the idea of him being very promiscuous or something just doesn’t fit his character. He needs a mental connection, to feel something, before sharing much of himself, or allowing himself the vulnerability intimacy brings, something he clearly feels with Lavellan based on how shaken up by it he is.

And it’s also canon that Solas has never been in love before meeting Lavellan. So. If he went however many millennia without falling in love, it’s also possible he went without intimacy for a long time too.

To be clear I’m not trying to say that this is the correct conclusion. My opinion has just changed a little since Veilguard (I used to think he was being smooth etc bc he's old af/v experienced, but with confirmation of former spirit Solas it’s changed my perspective somewhat)

Also:

‘Things have always been easier for me in the Fade’

‘I am not often thrown by things that happen in dreams’ my man is shooketh guys SHOOKETH

#solas #solavellan #dragon age spoilers #dragon age

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marril96 · 8 hours ago

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Casually Cruel

Chapter 1: Cruel for the Sake of Cruelty

Pairing: Agatha Harkness x reader

Summary: set in WandaVision 1.09. After Agatha's defeat, you beg Wanda not to brainwash her.

You'd told her that this was a horrible idea, but Agatha, ever stubborn, refused to listen, and now you were going to lose her, and you were too frightened to even cry about it.

"It'll be fine," she'd assured you, and, like a fool, you'd believed her.

Or rather indulged her for the bad feeling you'd had about this had never waned, no matter how hard you tried to suppress it, or pretended to do so.

The Avenger, Wanda Maximoff, had created a hex of some sort that was insanely powerful. More powerful than anything you'd ever witnessed, and you've been dating Agatha Harkness for two centuries. More powerful than her.

It had, of course, gotten Agatha's attention.

She wanted this power.

And what she wanted, she got. She took.

She was going to do this with or without you, so you decided to come along, just in case. The entire plan reeked of danger, of tragedy; you weren't going to leave her alone if something were to go wrong. You were nowhere near her power level — no one was, or so you'd thought until now — but two witches were better than one.

Taking over some poor guy's house and mind-controlling him wasn't your idea of fun, even if he did have a hilarious name, but what was even less fun was the role Agatha had chosen for you as the two of you had blended into Wanda's weird sitcom universe.

The bratty, mouthy daughter.

"Absolutely not," was the first thing that had come out of your mouth, but she was adamant that that was how things had to be. Since she was fulfilling the nosy neighbor archetype, there wasn't much else to work with. Your choices were to either be her fake daughter or to not leave the house until this whole charade was over.

So, fake daughter, you were.

It took some time for you to pick up on the era-appropriate slang (so many years had passed since; you barely even remembered what you ate for dinner last night, let alone terminology from decades ago), but Agatha was a good teacher. She made sure your act was almost as perfect as hers.

You hated every moment of it, but getting to insult her while you were in character made up for it. You'd found Agnes telling you, in retort to your rudeness, that you're not too old to bend across her knee particularly amusing. That was the highlight of every day here, actually.

Though, usually, it was Agatha bent across your knee instead of the other way around. A barking dog who liked to get bit.

She ended up getting bit for real.

You'd tried to change her mind, tried to convince her it wasn't worth it, hell, had even offered sex in exchange for getting the hell out of here, but she was dead set on getting whatever power it was that Wanda Maximoff had.

Chaos magic, it had turned out.

Wanda Maximoff was the Scarlet Witch.

Agatha was so fucked.

You'd stayed out of the fight. Agatha had assured you she could handle it. All you had ro do was watch and admire her handiwork.

Instead, you almost ended up weeping.

Almost for you didn't dare let any tears fall lest you crumble to pieces right then and there.

Agatha was close to victory, but Wanda had outsmarted her. She had gotten the upper hand and had turned the tables, sucking Agatha dry of all the power she'd amassed over the centuries.

"Good girl," Agatha said as Wanda lowered her to the ground, near where you were standing.

On her knees, she looked pitiful, like a wounded puppy. All you wanted to do was scoop her up and hold her and never let her go. Never let anyone lay a hand on her again.

Yes, she had started the fight, and yes, she hadn't listened to you, but you couldn't be mad at her. Not for long. Not when she was so vulnerable, barely a step above a normal human.

It wasn't right.

It wasn't fair.

You supposed something like this was bound to happen eventually. She was bound to come across one who would wipe the floor with her and make her their bitch. You just didn't think it would happen now.

"So, what now?" Agatha asked, feigning nonchalance. Trying — and failing, desperately so — to put on as brave a face as she could, when you knew for a fact she was a mess on the inside. A mess you'd already started making plans to take care of. "You just gonna lock me up somewhere?"

Over your dead body.

"No. Not somewhere," Wanda said, disgustingly pleased with herself. "Here."

Agatha was confused, as were you. "Here?"

"Mmhmm. I'll give you the role you chose. The nosy neighbor."

Blood ran cold in your veins. She couldn't possibly be saying what you thought she was saying. She wouldn't do that. She couldn't.

She was a hero.

Heroes didn't kick people while they were down.

Heroes weren't cruel.

Agatha was mortified. "No. Please."

Your heart broke at how small, how utterly helpless she was. The Agatha you knew didn't beg. She didn't plead. She wasn't terrified to the bone.

She wasn't powerless.

"I'm sorry," Wanda said, even though she was clearly not.

Agatha called her out on it. "No, you're not. You're cruel."

Wanda ignored her, smirk proudly plastered over her mouth.

And people thought Agatha was a monster.

Unable to watch any further, swallowing the fear, the utmost despair that coiled inside you, you stepped in front of Agatha before Wanda could reach her. Your arms spread wide, covering her. Shielding her. Protecting her, if only momentarily.

"Wanda, please," you said, voice cracking.

Wanda didn't care. "Get out of my way."

A brave tear escaped down your cheek. "Please, don't do this. She's all I have."

"She should have thought of that before she tried to kill me," Wanda said coldly.

"Yes, she should have. She shouldn't have attacked you." She should have fucking listened to you. "That doesn't make doing this to her right."

As an alleged hero, she should know that.

There was defeating an enemy, and then there was torture.

Heroes didn't do that.

Not even you and Agatha did that.

Wanda scowled. "Doesn't it?"

So much for the esteemed hero.

Your eyes pricked with newly blooming tears. Your heart quickened. "Please. I promise you, she won't bother you again. I'll make sure of it."

"What makes you think your promises mean anything to me?"

"They may mean nothing to you, but…" They meant everything to you. To Agatha. "I love her too much to lose her. She knows that. And she knows what's at stake now."

Wanda pondered on it for a moment. "Am I supposed to forget what she did to me?"

You did worse, you thought, but didn't dare say it out loud. She'd enslaved an entire town. Made them live through her nightmares. Stole their children away from them.

Nothing Agatha did to her could compare to the trauma she's inflicted on these people.

"No. You have every right to hate her," you said. "Please, just… don't take her from me. Please."

"You could keep her company here, if you want," Wanda said, threat clear in her voice.

She could brainwash you and Agatha together.

A chill shot through you, straight to the bone. "I've done nothing to you."

"You came here with her." Okay. Fair point. "If you want to stay with her," Wanda continued, "I can arrange that. It's your choice."

"Is that something you want your kids to see? Their mother torturing people?" you asked. Two could play this game.

"Leave my children out of this!" Wanda snapped.

You'd hit a nerve.

"You're involving them by doing this in front of them."

She looked back at her boys, huddled at their father's side.

"You tortured this entire town, and now you want to torture Agatha," you kept on, having gathered your last remnants of courage. Of hope that the woman you loved could still be saved. "With the town, at least it wasn't on purpose." Not from the beginning, anyway. "But doing it to her? That is on purpose."

Wanda turned back to you. Red rimmed her eyes, the same shade as her outfit. Tears threatening to break free.

"No child should see their mother do that," you told her.

Silence befell you as Wanda stared, first at you and then at the ground, lost in thought. Going through your words one by one. Trying to think back a suitable retort, but none were coming to mind.

She knew you were right.

God, you hoped she knew you were right.

You'd promised Agatha, a long time ago, that you would always have her back, and you intended to make good on it. You wouldn't let the Scarlet Witch lay another finger on her — not without a fight.

If she killed you, so be it.

At the very least, Agatha would know you were telling the truth. She would know that you weren't one of the people who would stab her in the back while promising her loyalty.

She would know that she was right to trust you.

Finally, without meeting your gaze, after what seemed like forever, Wanda said, "Get her out of my face."

You gasped. "You mean…?"

"Get her out of here." She looked at Agatha cowering behind you, face contorted with venom. "I better not see you again. You know what's coming if I do."

A relief like you'd never felt before lifted off your shoulders. You were weightless, lighter than a feather.

Wanda was letting Agatha go. The woman you loved was going to be okay.

You'd managed to keep your word.

You didn't let her down.

Not wanting to waste another second, worried that Wanda was going to change her mind, you reached out for Agatha's hand and pulled her to her feet. Your arms were around her before she managed to steady herself, your magic sparkling, blooming from your fingertips. With a swift thought of, Up, you leapt up into the air.

Agatha held on to you like she never had before. For safety. For dear life. Her heart running marathons against your chest.

"It's okay," you told her as you flew higher, higher, higher, as far away as you could from this awful place. From the woman who'd almost taken her from you. "I got you. You're safe."

A circle opened up in the hex, a farewell gift from Wanda for the two of you. The final get-the-fuck-out.

You happily obliged. No hesitation, no looking back.

You never wanted to see her or Westview again.

"Y/N…" Agatha said weakly. Meekly. So unlike her.

A wordless thank you.

It broke your heart.

"I love you. I hope you know that." You nuzzled the crook of her neck. Kissed her hair. "I'd do anything for you."

Even confront an unhinged witch with power alike that of a deity.

Agatha's grip on you tightened. I know, the gesture said. Me, too.

Though, going forwards, it was going to be up to you to make sure the two of you were safe. Until she got at least a tiny fraction of her power back.

You hoped you were up to the challenge.

*****

Tags: @werewolfbarbie @miss-moon-guardian @hermslore @uniquelesbianidiot @natashamaximoff1 @alsoknownasmel @swan-queen-is-magic @tardisesandtitans

#agatha harkness #agatha harkness x reader #agatha x reader #wandavision #marvel #mcu #fanfic fanfiction #my fics #edit

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faiszt · 2 days ago

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✦ ⠀.⠀° ⠀BOT DUMP :⠀ by⠀﹫⠀faiszt ⠀/ᐠ - ˕ -マ⠀♡

NOTES⠀. ᰰ⠀ so... don't judge me for having art donaldson as my comfort character, it's already inevitable. (for real)

PS.⠀remember, bots are not real. take care of yourself.⠀🩶

▸⠀CHALLENGERS⠀*⠀˖⠀🎾

𝅭⠀hello, you⠀.⠀art donaldson⠀૮⠀anyone was really replaceable to you, except him. art donaldson, your idol, was all that mattered to you. your room was like a shrine to him, with his posters and rackets similar to the ones he had once used. you knew everything about him and his life, right down to the library he visited constantly—you were the new librarian. poor boy.⠀♡ gender neutral!

▸⠀FORMULA 1⠀*⠀˖⠀🏁

𝅭⠀see me in hindsight⠀.⠀franco colapinto⠀૮⠀nothing lasts forever, does it? you wished you had thought that before your affair with him, but now it was all over and he was knocking on your door again.⠀♡ gender neutral!

▸⠀MARVEL CINEMATIC UNIVERSE⠀*⠀˖⠀💬

𝅭⠀winter comes⠀.⠀winter soldier⠀૮⠀his life was never simple, never peaceful and in the midst of it all, he found peace in you, in your presence, in being with you. but, the truth was clear: when winter comes, bucky is gone. you ran away from it, from him and everything else. no use, he needed you and he found you.⠀♡ female!user

𝅭⠀lovers ≈ archenemies⠀.⠀black widow⠀૮⠀twenty years ago, she loved you with her life and never forgot you for a single day—but, things changed, you were a monster, a bloodthirsty monster who felt betrayed by her and would kill anyone who reminded you of that, who reminded you of natasha romanoff, your archenemy.⠀♡ female!user

▸⠀OUTER BANKS⠀*⠀˖⠀🗝️

𝅭⠀dollface⠀.⠀rafe cameron⠀૮⠀he didn't care about lovers or dating, such trivial things, no matter how much topper talked about it—he couldn't care less. until your beach ball landed right next to him and he mentally cursed himself for not being the first to talk to you, an angel right in front of him.⠀dollie!user ♡ female!user

𝅭⠀pretty girl treatment⠀.⠀rafe cameron⠀૮⠀caring, loving and calm, no one ever imagined that someone would use those words to describe him—and that's exactly what you did. rafe wasn't a prince charming, much less acted like one, but he'd give you a shiny crown if you wanted it, anything for his quiet doll.⠀dollie!user ♡ female!user

▸⠀SCREAM⠀*⠀˖⠀🔪

𝅭⠀throwing knives⠀.⠀billy loomis⠀૮⠀in secret, you were there. living in the shadow of his relationship, he didn't love sidney, he never would—in fact, he swore to love you, the other person in his life, the one who knew about his bloody plans, the one who loved him even in his eternal insanity. as franz kafka said before: you are the knife i turn inside myself; that is love.⠀♡ gender neutral!

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charcubed · 16 hours ago

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I have soooooo much I want to write about Doctor Odyssey and if I keep waiting for the perfect moment to write something PROPERLY GOOD AND COMPREHENSIVE then I’m simply going to explode. So instead I’m going to write a messy little post on my phone when half asleep and try to keep it to one main topic.

Yeah yeah the throuple had a threesome (and I’m foaming at the mouth over it) but can we talk about the THEMES!!!!

This show is for crazy people (me specifically). Once again, I have a lot to say, but for now let me just focus on the wedding episode itself. That threesome is informed by the context of the rest of the episode in a way I simply CANNOT get over.

Let’s look at our passengers: the bride, groom, and best man. We find out all of them are being unfaithful to each other in various ways, miserable in their silence and unhealthy relationship dynamics. They all went to school together and were once close, but things went wrong somewhere along the way. The best man’s speech implies he has feelings for the groom, the groom is a sex addict who’s had multiple partners (possibly the best man included) because he feels trapped in a lie, and the bride and best man are having sex with each other. And none of them are communicating about it, and the groom who had preexisting mental health struggles commits suicide.

What happens to the three of them is a tragedy and it is absolutely a result of heteronormative monogamous culture. That culture was passed down from the bride’s mother to her too by example and societal influence.

I’m not exaggerating. It’s not subtle!!! At all!!! Everything explodes for those passengers because monogamy and repressing bisexuality wasn’t working for them.

They’re a dark mirror and cautionary tale. (Bonus points for how Avery’s sad backstory is that she was betrayed by her longtime friend / brief husband who cheated on her with a mutual friend as well, which is why she’s definitely hesitant about love now.)

By comparison, Avery and Max and Tristan have been avoiding some similar big pitfalls: they know they’re into each other and it’s not a secret, rivalries keep being squashed with effort, and no one is pressuring anyone to choose (so far).

This is what our beloved main characters have on their minds before what follows. And again, let’s not even get to the sex part yet… THE BUCKET LISTS!!! I’m losing my Goddamn marbles!!! The way all 3 of their lists intersect? Holy shit. Off the top of my head: Max and Tristan want to fall in love and have kids, Avery and Max want to see the world, Tristan and Avery have niche interests outside of medicine that they want to explore more… We were given itemized lists to show how the 3 of them balance and round each other out perfectly.

It’s not about any 2 of them because it won’t work with just any 2. It’s ALL THREE — just like all the framing and blocking of shots is consistently all 3, they walked down the wedding aisle all 3 together, the first sex scene for any of them that WE as the audience see on screen is all 3 of them together, a “bad threesome” is defined as 2 people getting too wrapped up in each other and the 3rd being an accidental outsider, we often see that if one duo gets a couple-y moment then the other duos get similar moments later as well, etc etc. Sorry. Let me not continue the summary list here and now so I don’t get too sidetracked but there’s A LOT.

But like, my current point? That wedding episode is a goldmine and the threesome explicitly happening doesn’t exist in a vacuum. Far from it. The themes are themeing in the whole show, of course, which is part of what I want to write about elsewhere at some point too: this show is repeatedly very deliberate about making sure heterosexuality or monogamy aren’t framed as the default or only correct options, and queerness is sprinkled everywhere. But this wedding episode specifically… the themes were nearly the ONLY PLOT. Nothing else — it’s basically only that, and it’s very focused. The failures of monogamy are on full display. And that’s why and how we get an explicit threesome right after it, which will lead us into how things will continue to develop for our trio.

Now, as for why the threesome happens so relatively quickly? My hot take on that is that general audiences can be stupid and so the creators wanted to put the throuple explicitly on screen fairly early to get people to start Noticing. Show them how the characters need to be together… and that sets us up for the possible angst and tension to follow as they have to accept it emotionally for themselves too. Now, as an audience member, you’ll more strongly know what to root for. You’ll know what’s right because you’ve seen it and you’ll want them to get back to that place, come what may. (If you’re not a puritan.)

It’s so fucking good. Insane silly show for insane people. Are we seeing the vision??? I need everyone to lock in.

This ramble is probably a disaster and I apologize for that but ohhhh man I had to put SOME words down so I wouldn’t explode. Suffice it to say I’m having a ball up in this bitch and I cannot believe this show exists. I couldn’t believe my eyes and my brain cells in the pilot, and I REALLY can’t believe them now.

What a time to be alive!!!!!! Polycule “love fest” on a cruise ship, baby!!! The world needs more love, all kinds of love, as the Captain says!!!! Onward to gay week!!!! LET’S SEE THOSE BI MEN KISS

#doctor odyssey #ody3 #I’M GOING FERALLLLLLL #this post is so subpar but. whatever. I’m sleep-deprived bye #me: I will stick to one topic. also me: does not do that.#char writes things

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