#or criticism of a character but not the writing

[1296-very-good-year]

For ppl who liked Arcane season 2, is the honeymoon over yet?

Can we agree that S1 and S2 are completely different shows?

That none of the themes carried over between them?

That Piltover did nothing to earn Zaun coming to their rescue in the final battle?

That Viktor's "cure all weakness" shit came out of nowhere?

That understanding any of Jayce's actions post-talking to mageViktor requires a PhD in eyebrow twitches and nonsense?

That Viktor saving baby Jayce was an unambiguous retcon?

That Vi was just a cardboard cutout that Jinx and Caitlyn wrestled over?

That Vander lived and died at least 2 times too many?

That Isha was just a cute pet for Jinx to monologue at?

That Jinx turned from unhinged terrorist to a defanged, quirky jokester?

That Caitlyn's blink and you'll miss it dictator arc changed nothing and there were zero repercussions for it?

That Ambessa became a hypocritical moron whose anti-mage sentiment ate shit and died when she teamed up with robot mage Viktor, who didn't even PRETEND he wasnt going to hivemind her along with everyone else?

That Silco being close to Powder and Vi's mom, knowing them since they were born, only serves to weaken his relationship with Jinx?

That Mel went from a morally complex, savvy politician into a heroic battle mage, (in like 5 mins of screentime) while all other kinds of magic + Hextech were evil and corrupting and had to be destroyed?

That Ekko convinces Jinx that he went to an alternate reality and fell in love with her and she shouldnt kill herself and to become a revolutionary hero(?) OFF SCREEN?

IS THE HONEYMOON OVER YET?

[betbinbag]

No class, the above post might look like "good media criticism" because it's criticising people with poor media literacy but actually this is VERY BAD media criticism. Implying people are either morally reprehensible or stupid for not interpreting a movie the exact same way you did is a shit take.

This looks to be an almost entirely emotional response to how OP related their lived experience to an aspect of a character arc for a single character. I don't see any exploration of the context of the movie, the history of the story of nosferatu, the historical setting, or the nuances of both the character writing and acting.

Media and literary criticism is supposed to broaden your understanding of media and open you up to other perspectives. It is not meant to be rigid criteria of the correct and incorrect way to interpret media, or pigeon hole a movie in to having a singular meaning and saying it can't possibly have any other interpretation.

And now, I say this as a CSA victim, me watching the new Nosferatu and not thinking "yes, this is just like my rape and abuse" doesn't make me worse than you.

People not comprehending Nosferatu correctly might kill me. Yes it's erotic and about pleasure but yes it's devastating and about child sexual abuse. It's a movie about victimhood, about being already dead, about longing for the great beyond, about never feeling safe from your abuser, about always expecting one more rape must be endured. It is about being an ugly victim, a neurotic victim. About your supposed allies tying you down for fear you will rip their world to ribbons. It is about facing the abuser, facing the pleasure the abuser brought. It is about men seeking to silence a plague in the quiet of the night when grooming and abuse can only be destroyed by pulling it into the light of morning.

[cybrasigilism]

husband dae ho and dad dae ho hc NOWW jkjk plsssssz

I love your work

ahh thank you so much! i try my best for you all ^_^

of course i will cook up some more content for my babygirl you don’t even gotta ASK

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Husband/Father Dae-ho Headcanons!

warnings: no NSFW!| certain hcs imply a f!reader, but for the most part the readers gender is pretty inconspicuous | not proofread | lowercase intended | these are my headcanons for this character, please be respectful even if my opinions about the character differ from yours

character: kang dae-ho (player 388)

A/N: i think it goes without saying that this is a non-games AU! thank you sm to the anon that requested this, dad-ho is such a cute idea :) as always i hope you enjoy!

───── ⋆⋅☆⋅⋆ ─────

➸ we all know that dae-ho is the epitome of the husband standard

➸ his favourite part of the day is hearing all about how your’s went; if your day was especially hard he’ll insist on giving you a backrub + lots of kisses/if you aren’t a super affectionate person he’ll cook you your favourite meal or even just lend an ear for you to vent about whatever nonsense you had to deal with at work

➸ worships the very ground his spouse walks on. he will proudly show you off and when you talk he looks at you like you’re a work of art in a museum. everyday he thanks his lucky stars that he met someone as perfect as you, even more that you agreed to marry him

➸ cried on your wedding day, he could hardly get through his vows the poor sweetheart

➸ will make you breakfast in bed, even if there’s no special occasion. if you bring this fact up he’ll simply kiss you on the forehead and state that to him, everyday he gets to wake up next to you is a special occasion

➸ was absolutely chuffed when he found out you were pregnant, he could not stop smiling for two whole days + he 100% told all of his close family and friends the good news (with your consent ofc)

➸ you couldn’t have asked for a more supportive partner during the pregnancy, he was incredibly accommodating to your new sensitivities to certain smells/foods, and you already know he was more than willing to go on late-night craving runs. whether it be day or night, you knew you could count on dae-ho to make sure you were as taken care of as possible

➸ he insists that you let him do everything around the house for you, he will not let you lift a finger especially when you get closer to your due date

➸ he definitely read every single parenthood book he could in order to be thoroughly prepared

➸ you just know dae-ho would be the worlds best dad

➸ he makes an effort with the kids, if you’re overwhelmed with work or even just stressed out about life he will gladly take the kids out, taking one thing off your plate

➸ he takes those pretend tea parties very seriously

➸ while he would be a great boy dad, lets not kid ourselves, kang dae-ho was born to be a girl dad

➸ goes to every single daddy-daughter dance

➸ he gets just as immersed in the bedtime stories as the kids do when you tell them, he’ll hunker down right next to the kids when you read stories

➸ definitely gets just as involved in christmas shopping for them as you are, hell, he might even be more involved

➸ takes santa claus/the tooth fairy/easter bunny extremely seriously. he’ll go the whole nine yards in making it look like any three of them stopped in the night before their respective events

➸ will happily dress up in group costumes for the kids if they need an extra

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thank you again anon for requesting this! i had lots of fun crafting up some headcanons for husband/dad! dae-ho and i certainly hope i did not disappoint! as always, any advice/constructive criticism on how i can improve my writing is not only appreciated but requested! thanks for reading :)

[wttcsms]

thinking about delinquent!character x unloved rich girl!reader. after your father dies when you’re young, your mom remarries a wealthy businessman for stability; it’s a transactional relationship, and he harbors no love for either of you, honestly. when your mother passes away, too, you know you can’t handle staying with your cruel stepfather and step-uncle. they were always critical of you, forcing you into etiquette lessons, doling out corporal punishment every time they thought you were an embarrassment to the family. they suffocated you with the ideals of purity culture and ruined your sense of self from a young age. your only saving grace is your estranged grandmother; you find her and write letters, begging her to take you in. you don’t care that she lives in one of the roughest towns in the area or that she doesn’t have much money. you’ll find a way to support you both; you just need to get out of this house.

your stepfamily agrees to let you stay there, thinking you’re nothing more than a foolish girl. you’ll finish out high school there and then once you’re of age, you’ll be quick to emancipate yourself. even if the town is rough and you stick out like a sore thumb, you don’t care. this is your first taste of freedom.

the only issue is, because of your upbringing, you’re a bit shy and awkward and self conscious. and quiet. when a group of guys corner you, even going so far as to snap your locket off your neck — a gift from your mother — you can barely find the courage to scream for help. you manage to run back to safety, but you shut yourself in your room for days, upset over the fact that you lost the one remaining piece of your mother.

but one day, you get a knock at the door. it’s an intimidating looking guy around your age or maybe even a little older. his knuckles are bloody, and held in his hand is the familiar gold heart shaped locket.

you’re shocked, and you don’t know what burst of confidence takes over you as you blurt out an invitation. he’s hurt, you think, and you won’t take no for an answer. you usher him inside the house, applying alcohol and ointment and then a bandaid for his ruined knuckles.

“yknow you’re pretty good at this.” he tells you, looking down at you as you’re kneeling, examining his fists.

you’ve never been this close to anyone before, nevertheless a boy. this spirals into him standing by the stop sign by your house, almost like he’s keeping watch. he walks with you around town. he stops by your house when he’s hurt. he shows you a taste of freedom and adolescence that you’ve never experienced before, and you show him unconditional kindness and a softness he’s been missing for quite some time.

but you’re from two different worlds, and things never quite go your way. he’s good at saving you, but when your stepfather comes to collect you, you don’t know how character’s going to save you this time.

[bonbonly]

𝐓𝐚𝐬𝐭𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐅𝐚𝐥𝐥𝐞𝐧

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: heavily inspired by hannibal - after hearing tons of praise in regards to psychiatrist!max verstappen, you decide to test your luck and see what his true colors are 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: this is a dark fic! you have been warned! do not read if you're not comfortable with dark fics or any of the following in this fic: dubcon, drugging/aphrodisiac, knife play, cunnilingus, p in v, character death, reader is not a good person, blood/gore, slapping 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 5k 𝐚𝐮𝐭𝐡𝐨𝐫'𝐬 𝐧𝐨𝐭𝐞: i want to give a special shoutout to @gokyrts because look at the abomination she's made me write, oh my god...

"mr. verstappen's skills knows no bounds, but the only ones being bound under his spell are the countless patients he must've paid to spread his work as if it were a gospel," you echoed the words that you wrote onto your laptop, the rough draft being filled with small notes on the side of the document to remind you of any criticism of the man that you might've missed the first time. your fingers drummed against the keys of your laptop, your brows furrowed as you tried to find another sentence to add. to spite him. to inform him that he had to be a greedy, money hungry hoax. your friends always told you that his appointments were so relaxing, they were very helpful but you saw through his lies. you knew that something had to be up. working as a forensic scientist for the BAU, and secretly organizing a crime blog under a pseudonym, you've racked up enough credentials to be under verstappen's radar. perhaps he was the only one that knew about the blog, and it irked you.

he mentioned once after you stopped by his office to request his presence in the lab. direct orders from your boss, you stated, making it very clear with your tone that you didn't ask for it. you'd rather die than have him near the corpse, stealing all the credit that should rightfully go to you. the depths you went to find the real perpetrator days later was overshadowed by the single fact that verstappen had walked in and saw a petal of a rose just underneath the right calf of the corpse. a careless mistake, he told your boss, but one that could be easily tweaked if you had just scheduled an appointment with him so he could discuss parts of your childhood that you locked away, buried underneath your heels so that every time you stomped around, you imagined it to be the throat of your parents. you were told to accompany the psychiatrist back to his office, and when you dropped him off he merely smiled at you, his dutch accent infiltrating your ears, "you always miss the details, which is surprising because you never seem to do it under your blog, caroli- i mean, ms. (l/n)."

your blood ran cold at his words, and you stumbled out of his office with a hardened glare. he was reading your blog, and had somehow directed it to you. how did he know? there was no possible way for him to know. you worked for the fbi, for peter's sake, you knew how to tidy up evidence, to be careful when lurking through unclear waters. how did the bastard know about this? so, when you typed up the new article criticizing his work and suggesting that he might be behind the disappearance of a few colleagues of yours, you knew he would read it. with full confidence, you wanted him to read it and storm into your office ready to snap your neck.

but he never did. in fact, he never even looked at you at all the next day. or the day after. or the week after. he smiled at your associates, then locked himself in his room, welcoming in patients and booking appointments for the ones too timid to ask him for one. during a lunch break, you walked past his hallway and pressed your ear against his door to listen in to an appointment he had with your friend. the shattering of glass, a muffled scream, the sound of a bullet, metal cracking against her skull, any sound would do for you. you just needed one piece of evidence, but you received none. your friend walked out unscathed, a happy smile on her face as she greeted you back in the lab. your eyes cast down to your hands, a feeling of momentary guilt rising in your gut. you wanted to forge your hands into the fire for writing that article and painting him in a bad light; no favorable colors, no accurate brush strokes, a half-assed attempt where the paint bled through the canvas, seeping through the lines that you carefully concocted. it didn't make sense, you were so sure of it! all the victims -charles, lewis, carlos, daniel - your good friends who were missing had one thing in common: they had booked appointments with verstappen before their disappearance. they also were in contention to get a promotion, daniel had also been a psychiatrist, eagerly waiting for his new life to become the head of the department one day. it was a risky move, but you figured that if you pushed his buttons enough, he'd slip up. he'd expose himself, he'd make a mistake and then you'd have him trapped. the entire BAU would understand that they had a criminal right under their noses this entire time.

for this entire plan to succeed, you had to do a few things. your first plan was to write more articles on your secret blog. while the BAU was scratching their heads about how their confidential cases were being exposed so easily, you were dropping bombshell after bombshell on your blog, your finger always pointing to the psychiatrist that would now look at you across the room with a deadly glint in his eyes. his lips were always in a thin line, and occasionally you caught him smirking whenever you'd miss a detail during analysis. you were predictable to him, and you needed to find a way to defeat him at his own game. there was a reason as to why he hadn't exposed you yet, perhaps the lack of evidence but you realized that there was something about you that made him keep quiet. you had power over him, the thought of it made you giggle uncontrollably at your desk one day, spinning around your chair like a little school girl. the second plan was to use his own tricks against him, which meant finally noticing the smaller details, being smarter than the rest of the team and most importantly, being incredibly fast. whether it be responding to your boss, showing up to a meeting, scavenging a crime scene to find clues or evidence, you had to be first. this entire time the team thought of him as reliable because he was the first one present at all times. you had to change that, had to show the team that the tide was turning to your favor. you noticed the way he'd bite the inside of his cheek, the light illuminating from the side would highlight his cheekbones, the dent a shadow amongst the very little light on his face.

and then finally, the third part of your plan. book the appointment with him. this one hurt your ego the most, but in order to catch him you had to stoop down to his level. making him think that you were willing to open up to him should give him the opportunity to do the same with you, and once vulnerable you could easily coax the truth out of him. you sat across from him on a velvet chair, legs crossed as your eyes traveled around the room, memorizing the layout of his office and the objects that were on display.

"lots of cars i see here," you pointed towards one large model of an RB19 on his shelf. he buried his hands in his pockets, teetering on his toes as he let out a small chuckle,

"i like things that are fast. things that fly, speed through... run," the last word sent shivers down your spine, but you swallowed the bile that threatened to rise and forced a smile at him.

"care for a drink? i got some wine if you'd like?" he walked over to the stand of champagne bottles on display. the glass sparkled under the light, its contents swishing around with each step that he took closer. it reminded you of your guts wanting to spill out and as he grabbed the bottle's neck, you gulped and felt the ghost of his hands tightening around yours. with a cough, you shook your head but he rolled his shoulders in a way of disbelief and stalked over to you with a wine glass in his hand, "please, i think you need it. it's ok, it'll help you relax."

the liquid pooled down your throat, but you kept your eyes open in fear that he might take advantage of you like this. you couldn't let your guard down, not like this. you watched as he settles down on the couch directly across from you, his legs spread out giving you an ample view of what you assumed to be his cock fighting to be restrained in his pants but with a firm snap of his fingers, your eyes flicker up to his face and then you saw the smallest hint of a smile on his face. you hadn't seen one in weeks.

"so why exactly did you book this appointment?" he asked, tilting his head. his hands clasped together, the forefingers coming up to touch his lips. you shrugged in response, before quickly shaking your head. shit, you needed to follow along with the plan you made!

"just... just been having some bad nightmares about my past," you responded. the topic of your parents was sensitive, one that you kept hidden for many years after you graduated high school. their death was their own doing, but somehow you felt that you had a part in it. had the murderer been you, it would've made no difference because the guilt remained. the bystander was far worse than the actual criminal. your mother's head rolling down the hill as your father watched with a twisted back. you winced at the memories, the glass slipping from your hands, "fuck!"

max watched your reactions carefully. his eyes were drawn to the way your fingers hovered over the glass, almost afraid that it would grab you. you paid no mind to the wine stain, but the countless apologies that spilled from your lips was music to his ears. he wanted to hear you say them, but in a very different circumstance. he read every article you wrote, he noticed your shift in behavior around him. he was a psychiatrist; if you wanted to play mind games with him, he was already ten steps ahead. while guiding you to stand near the shelf of cars, he went over to his closet to grab the broom and dustpan. he took off his coat, rolling the sleeves of his shirt before crouching down to gently grab the large pieces of glass. he dragged his finger onto the pool of wine on the floor and licked a long stripe, "such a shame. i always hate seeing my appetite go to waste."

the appointment was cut short much to your chagrin. your carelessness, you thought to yourself, you just didn't understand why you kept making small mistakes like this. you had to train your mind to be better. you sighed and gave one last glance to the RB19 model when you noticed the initials D.R. in italics on the edge of the car. before you could step closer, you felt strong arms grab onto your shoulders, guiding you out the door, "ms. (l/n), i am so sorry about what happened here. i would love to hear more about your past, but perhaps in a setting that might not scare you too much. dinner at my house, maybe? would that be an offer you're willing to take up?"

you frowned at his words, wriggling away from his touch, "you invite all your patients to your house for dinner?"

"only the ones i believe i have a strong connection with," he responded, licking his lips as he leant against the doorframe. you tapped your heels a couple times, thinking the offer over. if you declined, you'd have to come back to his stupid office. but... but if you accepted, you'd be able to catch him in his environment - and while he had the advantage of home ground - he definitely had to be hiding things there.

"you mind if i bring a friend over?" you asked, and he smiled,

"the more the merrier, but i don't think we can talk about your history then."

"it's ok. we can talk about my life later."

"6:30 at my place, i'll send the address down to you shortly."

"oh, mr. verstappen, dinner is very lovely! did you make this all by yourself?" your friend asked while taking a bite of the lasagna. her words are tuned out as you shifted through your food with a fork. the darkness of the dining room did little to ease any of your fears. you had walked in feeling confident, ready to tackle the monster down with your bare hands, but his kindness. his professionalism. his unwavering stare. they all made you feel as if you were being suffocated. you didn't have much energy in you to continue with the fake conversations. excusing yourself to use the bathroom to then explore his mansion would be too cliche, he'd be waiting for you to do it anyway. being too predictable would bore him, which would mean the chances of you being killed would be higher.

"not liking the food, ms. (l/n)?" max asked, his eyes flickering down to the food he cooked being tossed around like a bird amongst hyenas.

"no, i'm just... not very hungry, unfortunately," you responded, grabbing the wine to drink.

"a bite wouldn't hurt. just one bite, i spent hours cooking for tonight," he chuckled, and your friend kicked your leg under the table, her eyes narrowing at you to take a bite. you could already hear what she was saying in her mind. the poor man went out of his way for dinner and here you are, being a rude guest! with a very reluctant sigh, you grab hold of the fork and let your teeth sink onto the lasagna, the flavor melting into your tastebuds as you let out a slow hum of approval. it tasted nice, very nice actually. so you took another bite, and then another. her appetite's back, your friend laughed and max nodded his head, smiling at you.

but when dessert rolled in, you felt uneasy. your insides felt empty, as if craving for something that you couldn't quite place. your thighs clenched together as your gripped onto the arms of the chair. you couldn't make out whatever max was saying. he was asking you if you were alright, but his eyes asked a different question. you hadn't noticed how big his eyes were before, or the fact that his pupils were so dilated. how did you miss that detail before? was he always like this? you quickly excused yourself, running to the bathroom but each brush of your thigh under the thigh made you choke on air, your mind hazy. upon locking yourself inside, you immediately collapsed onto the ground, your head in your hands. you felt strong pair of hands around your waist, groping at your tits that spilled out of your dress - or was it be ripped off of you? your pussy bare against the cold dampness of the room, your mouth propped open with fingers as the sweet taste of an apple made its way. your jaw was sore at how your teeth delved into the fruit and stood rooted there as your arms were bound above your head. was that the woody scent of a candle, or the fireplace that was underneath you? where was that burning sensation? under you... or inside you? your legs were being spread apart, the itchy rope curling around your limbs to make sure you wouldn't move. you opened your eyes lazily to see a figure with dirty blonde hair at the end of the table, his shiny teeth visible amongst the evil grin you saw.

"my favorite meal... all to myself." he whispered, letting his tongue rake over your glistening folds. your strangled moans are swallowed by the apple in your mouth, your body aching for more as his nose nudges your clit. his teeth nip at your labia, tongue invading your womanhood as you can't do anything but scream out loud, drooling from the corners of your mouth. his tongue rolls your clit around, lapping at any juice that seeps from your cunt. he wants to ensure your taste is on his tongue forever. the sweetest dessert that one would ask for. his fingers spread your mound to get a good look at his masterpiece and he lets his saliva stalk down to your pussy before harshly rubbing your clit. when you finally look past your tits to see who this figure was: your heart stopped at the sight of max staring down at you with a predatory look.

you screamed as you woke up in your bed, cold sweat dripping down your forehead. you glanced down to your hands, your feet, your clothes that covered your body. you looked around your room, unsure as to how you were back in your bedroom. it felt real... was it real? you couldn't tell. you pulled the waistband of your panties down, check to see if you were still a wet mess. nothing. laying back down on your bed, you placed a hand on your heaving chest and ran your free hand down your face. what just happened? what was going on? you had to find out, you had to get to the bottom of this.

which meant having to go back to his house. on guard, and once again with someone. you decided to bring a colleague that you despised, but it would be better to sacrifice her than your friend.

you sat across the dining table, and despite how predictable it was, you excused yourself to the bathroom, keeping note as to how his eyes focused on your ass. never miss the details, you thought to yourself. you headed to the bathroom, opening the door to turn the lights on before shutting the door. with a few fake thuds just outside the bathroom door, you took your heels off and carefully took them with you around the staircase. with the layout of the house, the dining room wouldn't give clear access to the left side of the kitchen. which meant that the pantry could be entered carefully without him noticing. your colleague was busy entertaining him about her vacation in milan, her loud voice thunderous enough to rattle the house... and enough to mask the creaking of the pantry door as you slipped inside. it was cold, almost like entering the arctic as you pulled out a tiny flashlight to guide you through the foreign place. the meat hung forlornly from the hooks, the torse of a pig on display. you frowned at the ink patterns on the meat, and you hesitantly turned it around. you'd seen these marks before somewhere. a vacation trip with your friends that you planned one evening. someone had dragged you into the pool as a prank and when you floated to the surface, spluttering out the chlorine water, your hands found the shoulders of a man inked with tattoos on his back. it was lewis. your flashlight slipped out of your hands and clattered onto the metal railings.

"fuck, fuck, fuck!" you hissed, scrambling to grab the small material. you were delighted that your suspicions were correct, that this entire time you were right about verstappen. but you needed to get out. you could see the shadow of footsteps underneath the pantry door. there was a back entrance to the pantry, and you stumbled towards it. from the corner of your eye you noticed a bottle of liquid and you uncapped it with your teeth, chugging the liquid down. you really needed some wine to calm your nerves down at the moment. letting the bottle roll back onto the metal table, you ran out the door into the open woods. you'd have to go around the path to get back to your car in the front of the house. the more minutes you stood to think about a plan, the more time was being wasted. from the distance, you could hear the back entrance of his house being opened and you whined out loud, pushing your feet to continue running. you didn't want to die, not like this... no, not now, not ever!

and yet with each step that you took, you felt a strong pain inside you. that pain you felt when you had dinner for the first time at his house. you were craving for something, you didn't know. was it his tongue again? no, what? why were you thinking about that awful nightmare? you remembered the outline of his cock during your first appointment, oh it looked delectable. you could've gotten on your knees then and sucked him as payment for the appointment! as your mind was reeling with uncontrolled desire, your knees buckled and your leg caught onto a root from a tree. crashing forward with a loud groan, you struggled to get back up on your feet when you felt the underside of a boot press gently against your neck, pushing your face onto the ground.

"i told you before i liked things that run. at this point, you're just teasing me," a familiar dutch voice rang from above you. the boot nudged you over onto your back, causing you to hold back a whimper at the sensation. you were sensitive to everything, your skin on fire as he trailed his foot down your body and right below your heat. right below where your desire was burning.

"y-you killed them. i was right, you killed them all," you weakly laughed, "i was right this entire fucking time."

"round of applause for you, ms. (l/n), oh wait..." he paused, looking around the empty woods before he glanced down to you, "no one's here." he rubbed the toe-box of his boot against your clothed cunt, enjoying the way your back arched, squealing at the way your clit was being dragged along your damp panties.

"tsk tsk tsk," he circled to stand right in front of you between your legs, "you always missed the details. you could've made it, you know? you could've gotten to your car and made it back to your house, schatje. but it's your carelessness... what did you drink before you came out here?"

"w-w-wine?" you responded, tilting your head. you let out another moan as the boot dug deeper onto your mound.

"wine mixed into the aphrodisiac. which would've been my last resort if you had properly rescheduled the appointment that we never finished. details, ms. (l/n), always look at the details," he knelt down, letting his hand replace his boot. the warmth of his fingers made you whine, begging him to end your suffering. your mind was purely empty - save the thought of having him satisfy your primal needs. he bunched up your panties, tugging them up to see your pussy coat the fabric with more of your juices, "fuck... you're so wet. it must hurt doesn't it? you wish you had someone to help you, schat?"

"yes, yes, yes please... please!" you cried, bucking your hips up. max laughed, seeing the way your pussy was grinding against your panties. he ripped them off of you, throwing them over his shoulder as he picked you up into his arms, carrying you as if you were his bride.

"i think a change of environment will put you in your place." he mumbled, and while you didn't catch onto it at first, when he tossed you onto the metal table in his pantry, you felt fear course through your body. "such a nice suit i had on today, and now you made me ruin it."

he slips off his coat and vest, rolling the sleeves of his shirt that hugged his biceps. he searched around the pantry for a while before grabbing an apron, tying it around his slim waist. he gazed up at you as his chin tucked into his neck and he let out a dry laugh, "you know... if you had just stuck to your job, this wouldn't have been a problem. always wanting to be the hero, when you're the villain yourself."

he grabbed the butcher knife, tossing it in the air a couple times, "i used to keep him with a bunch of other knives, all neatly organized just like i love. had to use him so often these days that he gets his own special spot. what do you think? he's beautiful isn't he?" he holds the knife up to your hooded eyes, and when you don't respond, he uses the butt of the utensil to slap your face, beckoning you to respond.

"i-it's nice," you mumbled, and he nods his appreciatively, letting the sharp edge of the object gently kiss your skin before he cut away at your dress and bra, exposing all of you to him. he saw the lump in your throat when you swallowed, and he brought the edge of the knife to your neck, watching you crane around to avoid the sharp edge. he tossed the knife in the air once again, which caused you to shriek out loud in fear that it'll slice you but he caught it and tapped the butt of the knife on your lips.

"suck," he commanded, and still clouded by the aphrodisiac, you do what he asked and twirled your tongue around the tip before opening your mouth wider and letting it fully devour your throat. you caught your reflection in the metal, and you can't even believe how blinded you must be. the details, the details, the details. the body of daniel hanging above you, staring at you with closed eyes and parted lips should have you screaming as you rolled your eyes back, but instead you're feeling yourself growing wetter, eager to please max. the weapon hits your teeth as max trailed your saliva down the valley of your tits, over your navel and to your cunt that's been so desperate this entire time. he pursed his lips as if he was deep in thought and then brought his free hand to spread your legs wider, shoving the butt of the knife into you. the feeling of being stretched out, of finally being filled - even if only a little - had your back escape the confines of the metal table, your tits out in the air as you're sobbing in joy. max saw the way you're mewling, body contorting in pleasure and he left your cunt empty once again before slamming the butcher knife right beside your head. your breath hitched in your throat, the fear once again settling but it made your heart race in excitement. there was a small thrill present, maybe he was right earlier. you were the villain all along. you were worse than him. he took off the apron, unbuckling his belt and he snickered,

"you could've grabbed the knife and stabbed me by now, but you didn't... too desperate to get fucked, isn't that right, liefje?"

he let his cock spring free from the confines that tormented him since the day he saw you at the BAU. head held high, a haughty gleam in your eyes. the arrogance as you talked down to him, acted as if you were superior. he was waiting all along for this moment. his cock slid against your folds and when he pushed in, the tears that flowed from your eyes combined with the guttural moan made him smile. something was missing though, something that could make this so much more better for him. and as he began to thrust, he glanced up to see another corpse from a previous victim hanging to the side. a cruel idea formed in his mind and he grinned down at you,

"schatje, i don't think i could bring myself to hurt you... not when you're being such a good slut for me," he cooed, "but... but a man can't help but imagine..."

he grabbed hold of the butcher knife, slicing the corpse and letting the blood splatter onto the top half of your body. it trickled onto the table beneath you, the tiled floor now the canvas of a new twisted desire. he laughed out loud at the sight of half of your face covered in blood, and he brought the coated knife to your neck, continuing to thrust his aching cock into you as you screamed out loud in a horrid mix of fear and desire. you could feel your cunt clamp onto his cock, so close to cumming as his thrusts became more erratic.

"i knew you'd like this... you came all this way here to see if you could understand me. schat, but do you even know who you are?" he questioned, letting the edge of the knife kiss your neck. and as you came undone with a scream, your vision blurring at the intensity, you realized he was right all along. the details, you missed all the details. your parents death wasn't because of some man that had swerved the car late at night. it was you. you swung the sledgehammer at the car while they were driving down the highway, drunk out of your mind out of anguish from all the abuse you faced as a child. the man stopped to see the commotion and you sent his body flying down the hill. you'd done it, you were a murderer. you were twisted, you were... you were as bad as him. you glanced up to see max still bullying your cunt, pushing you to another orgasm before you could process the toll your body was taking in the process.

"your scent always drove me wild," he whispered, leaning down to bite your nipple, "fuck, schatje... i'll give you a deal." he lifted his head slightly to meet your gaze, "we can work together, you know? with your skill and this cunt of yours, i could keep you around. no harm to you at all, unless of course you'd like it."

"t-the blog... no, no, i can't... i'm better than you. i'm not you, i'm not fucked up like - oh fuck, don't stop!" your argument melts away with each snap of his hips,

"you have no other choice here. there's two ways this can go. you keep coming to my office, be my personal slut, trained completely to take my cock and i'll let you live... with the added benefit of working and helping me. and if you don't," the butcher knife digs a bit deeper into your neck, "i think you understand what i mean, right schatje?"

you nod your head, throwing your head back as you let out another visceral scream as your second orgasm rips through your body. he captures your lips in a bruising kiss, murmuring praises at how perfect you'd be, how you were always destined for this, no matter how much your ego told you differently.

and yet as you laid beside him on his bed that night, well-cleaned and taken care of as his new trophy, you secretly uploaded the photos of his pantry to your blog and slipped out of his house, past your dead colleague in the living room. he'd come after you, that was for sure. but he liked to hunt, and you've learned to run.

[empress-violetlight]

"I write for fun and don't want to stress over it" and "I genuinely want to improve my craft and welcome truly constructive criticism" are statements that can co-exist.

Just as "fanfic should be as good as professional writing" is wrong, so is "fanfic sucks because it's fanfic and don't expect or try to do otherwise." There is a middle ground.

I don't think it's overly terrible for readers to want to see basic grammar and spelling (for native speakers of the language), to write in paragraphs instead of giant walls of text, and for writers to at least spell the characters' names correctly. And it's not wrong for readers to politely point that out, with the understanding, on both sides, that nothing malicious or mean is intended.

As an editor, I find a good approach is to point out something good and that you liked about a work for every "needs improvement" point. It also encourages people to actually interact with a story, to leave comments, when they can be sure the author won't bite their heads off for doing so.

Just don't be a jerk -- both writers and readers. It's that simple.

At some point "fanfic can be as good as professional writing" became "fanfic should be as good as professional writing" and that's caused major damage to fandom spaces.

[mangotangerine]

what if ozzie created hell's version of ao3 and then radiostatic became one of the most popular ships but alastor didn't find out because ew, technology, until one day he did, but the top 69 fics are written by the same person & have incredibly realistic aspects that only one other person in hell would know

well, i wrote it. see below the cut for what i have so far

vox writes fanfic (and his username is alastors_babygirl)

Alastor goes nearly a century without acquiring any of those ridiculous, overdesigned electronic devices that the rest of Hell rots their brain with.

×

Things have been odd as of late. Angel Dust has been giving him strange looks—not the usual objectifying leer meant to evoke discomfort, but something more inquisitive—and Niffty has taken to giggling every time he walks past that tacky television they keep in the lounge. It hadn’t bothered him at first, as Angel Dust has always been a strange fellow, and Niffty is… well, Alastor isn’t sure if even she understands her own whimsy, sometimes.

But now, it’s getting a bit out of hand.

“Niffty, my dear,” Alastor says, “I have a question for you.”

She giggles, likely because he is standing next to the television. She manages to get it under control, though he can still hear the laughter in her voice as she says, “Yes?”

He glances pointedly at the television, then back at Niffty, and her grin widens. She kicks her feet and covers her mouth to hold back the giggles that threaten to erupt, and Alastor sighs. He is not going to get satisfying answers from her. “Never mind,” he says, weary. “Perhaps Charlie knows.”

×

Charlie blushes a bright red and flips her phone face-down in a panic, when he finally asks her in her office.

“Um—um, well…” she trails off, body language broadcasting her discomfort.

“This is getting tiring,” Alastor says, letting irritation bleed into his voice. “Despite my confidence that it is not the case, because who would be so foolish, I feel as though I’m being mocked. It is quite unpleasant.”

“No! No no no!” she squeaks. “No, it’s not that, it’s just…” she takes a deep breath. “The fan fiction.”

“The what now?” Alastor asks, eyebrows furrowing.

She bites her lip, glancing down at her phone. “Asmodeus um… launched this new website,” she starts, and Alastor wrinkles his nose in disgust. Ugh, not this nonsense again. “And, well… people write stories on it about... about media or things they’re fans of. Like—like use the characters and setting, and… andyou’rethemostpopularship,” she says in a rush.

Alastor looks down at himself, and then back up at Charlie. “I didn’t take you for the type to be critical of somebody’s figure, regardless of the inaccuracy of your statement,” he says, clearly disappointed, and Charlie gasps.

“No! Ship—ship, like relationship! Not—I would never.” She’s offended now, frowning at him. “Why would you think I’d—”

“Please, Charlie,” Alastor says sharply, “Explain to me in plain language.”

She bites her lip, then shrinks a little in her seat. “Sometimes people… um, write stories about people, who they think would be good in a relationship… like romance stories.”

“What does this have to do with anything?” Alastor snaps.

“You’re the top—you’re the um, most popular, uh, ship. Relationship. Well, not just you, it takes two—anyway.” She stops, and smiles at him nervously.

“Who is the second party in this ‘relationship’ involving myself?” he asks, eyes narrowed.

When she tells him, he very politely demands to be shown this website, and she meekly flips her phone over and slides it toward him. He looks through it, smile fading slowly until it’s just a barely-there quirk of the lips. “Who?” he asks, unable to hide the venom in his voice. “Who is writing these?”

“Many—many people, Alastor. It’s—there’s—I, I mean, you see how many stories!” she squeaks.

“Do you read the ones where I’m involved with your father?” he asks, suspicious, as he points at the device. She gasps.

“No!” Charlie practically yells. “No, I do—I do not read sex stories about my—”

“Sex stories?” Alastor asks, voice thick with radio distortion, and she covers her mouth in horror at her own mistake.

“I—I mean, not all of them are—I mean, there are a ton that are just—and not just with my dad, but with—you know, him, and they’re—they’re so sweet, Alastor!”

The exhaustion is settling in his bones now, his ever-present smile twisted into a sardonic grimace. “I fail to understand how there can be any stories involving me and that—that walking billboard that are sweet.”

“Well, um…” she hesitates, nervous. “You could… you could read some?”

“I will most certainly not be doing that,” he says. “I will be going now. I appreciate your transparency, as painful as the information was to extract from you.”

Alastor leaves with his signature flourish, melting into the shadows.

×

He goes a week before he folds, though he has one of those egg creatures Sir Pentious left behind procure an electronic device for him instead of trying to find one himself. He then commands it to demonstrate how to navigate to that vapid archive of obscenities everyone seems so enraptured by.

Though there are a lot of these creepy little stories, and just as many writers, the most popular of these ‘fan fiction’ novellas are all written under the same pen name and have very specific personal details that only one other person in Hell would know.

Well, he supposes it has been quite a while since he’s gone to terrorize that tower in person. Why, he’s been positively angelic since his return to the public sphere. It’s time to pay his old friend a visit.

×

He could go in the front door, cause a scene, really ham it up for Vox’s pervasive cameras, but that’s too easy. Too predictable, and what sort of performer would he be if he didn’t improvise and change things up a bit?

Alastor materializes in Vox’s office, behind his chair. He is, unfortunately, not alone, as Alastor had hoped. Startled, Velvette screams, and Alastor turns to blink at her owlishly.

“Was that really necessary?” he asks.

Vox spins around in his chair so fast it keeps spinning, makes 3 revolutions before Vox manages to stop it. Alastor looks Vox up and down, nose wrinkled in distaste.

“I just greased it!” Vox says defensively. “It doesn’t do that all the time, I can—I can control my chair!”

“Why is he here?” Velvette hisses, and Vox points menacingly at Alastor.

“Yeah! Why is he—why are you here?”

Alastor inhales deeply, and lets out a slow, disappointed sigh. “We need to talk.”

“Get out of my fucking tower,” Vox snaps.

“I’d love to,” Alastor says, “as soon as you answer some questions about the creepy little love stories you’ve been writing online.”

Vox blanches, as much as a television screen can blanch—that is, his face turns greyscale, reminding Alastor very distinctly of the picture shows his mother used to take him to as a child. It’s very amusing, on Vox.

“Velvette, get out,” Vox orders, voice sharp. The color slowly bleeds back into his face, one pixel at a time.

Velvette gets up, looking like she’s about to argue, when Alastor turns to face her directly, twirling his microphone in hand as his smile grows.

“Fine, fuck you,” she spits, and makes her way out.

Then it’s just Alastor and Vox. Vox and Alastor. Two old friends. Two old buddies. Pals. Former pals. Ex-partners.

“I can explain,” Vox says, panicked.

“Oh,” Alastor says, sounding delighted. “You’re admitting to it so easily? Usually you’re more difficult than that.”

“Fuck,” Vox groans.

[dazeddoodles]

Beware for Owl House fans of the user @Daystarvoyage (Homophobic/General Harassment)

This user also goes by "Daystarcosplay" on Twitter, Instagram, and YouTube. It is important you block them on every single one.

Despite claiming to be a "TOH Critic", their main problem with the show is the inclusion of LGBT characters. Homophobia is not criticism.

They have been going around harassing anyone who posts something TOH-related they don't like whether it be a ship (specifically going after gay ships, most notably Lumity) or an opinion. And will go on to stalk and harass their victims on every other social media after being blocked.

I first encountered this user after posting this artwork

They insisted that Luz should have ended up with Hunter and not a girl. After I told them no, they proceeded to harass me. (Tumblr deletes dms after blocking someone, but I still took some screenshots at the time)

They sent me hate fanfiction they wrote of TOH's creator Dana Terrace being harmed, and rants about how she is a bad writer for having Luz in a relationship with another girl, and including gay/trans people in general.

After blocking them, they immediately went after me on Twitter and Instagram (within the same hour of blocking them)

When I posted about this publicly, others came foward to tell me they were harassed by this person on every social media as well. And other shippers of Luz and Hunter expressing bad experiences with this person.

Though I was sent hate fanfiction this user wrote of Dana Terrace, they sent others smut fanfiction they wrote of Hunter raping Luz. Particularly under Pride Month posts.

Most recently they went after and stalked another artist this past month, last messaging them on New Years

From my experience and hearing others, it seems like the common pattern this user goes on about when harassing someone is ranting about how much they hate Dana Terrace, how she's a terrible writer, complaining about the show being "woke" (having gay characters), Luz ending up with another girl instead of Hunter, Luz not being feminine/pretty enough, weird rants about their personal life, and claiming the person who they are harassing "started it" and is the toxic fan.

By how immature and bad their writing is, you may think this is a child, but unfortunately not. (Also yes English is their first language, revealed to me during thier rant about their personal life) Many of their harassment messages include ranting about "this generation" being too sensitive and calling their victims "kid/brat" as an insult.

Also, in a post they made defending villain characters like Belos and Odalia, they said those two were demonized for being an adult. Just like how THEY are demonized for being an adult by gen z apparently.

It's best if you block them now before they interact with you first, as they have started making alt accounts.

[what-even-is-thiss]

Part of the reason I stopped writing fanfic was because my audience expected sanders sides from me and I was sort of petering out on that series already. There was more to it than that though. I could’ve moved on to other fandoms. Maybe gotten an ao3 account and just been someone that writes for a lot of fandoms. But there’s other things about it I don’t really find fulfilling anymore.

Fanfiction is by its nature really limiting. You’ve gotta stick to certain characters, certain archetypes, certain specific tropes if you want to get back a lot of positive feedback. Or feedback in general.

And constructive criticism doesn’t really exist in fandom space either. People are either really positive about your work or huge dicks to the point of easy dismissal. And that’s partially because of all the unspoken rules. Only say nice things or don’t say anything at all. Which I don’t necessarily disagree with because fanfic is free brain candy made for you by a person who’s just passionate about what they’re doing. It’s nearly cruel to try and offer unsolicited criticism in that kind of situation.

But people just want certain things from fanfiction. Fantasy fulfillment, love, very specific types of catharsis, 14 year old goth kid levels of dark and edgy. And there was a point in my life I was fine with that but I can’t anymore.

My ideas got too different. People stopped reading. I stopped wanting to finish things. My prose style is often abrupt and short and poetic. I enjoy being experimental. Experimentation isn’t generally appreciated in fanfiction. Not as much as it is in published fiction in my opinion.

Yes published fiction has its own issues. Its readers are also creatures of habit. But not quite as much as fanfiction readers. And at the end of the day, I realized I want to be a writer. Like a professional writer. Even if that just ends up being a side thing for me. And fanfiction doesn’t really get you there most of the time. For some select few it has, but those folks are often in the romance or smut marketplace. I am not.

Fanfiction has its place. It had its place in my past. I got a lot of practice. I met some good people. But I don’t really read or write it anymore.

I guess what I’m saying is that if fanfiction isn’t fulfilling for you anymore, you’re under no obligation to keep writing it or reading it. I’ve got a perfectly happy online life these days hopping from one fandom to another on a whim without any fanfiction at all. I feel a lot better getting feedback on my writing by talking with other writers and my friends and family about it. I no longer feel like I’m just sending something out into the world to be met with silence. I’m no longer embarrassed to show people I know in my personal life my writing because they haven’t seen the source material the work is based on. My work is just my work, unconnected to the baggage of a source material. I get more ideas from reading, I’m reading a larger variety of things, I’m meeting people who like reading and writing published fiction.

Fanfiction can be great, it can be for some people the kind of writing they want to do forever. But there’s a whole world outside of it. And depending on who you are, it might be holding you back. Just something worth thinking about.

[psalm22-6]

Source: The Catholic Northwest Progress, 22 October 1920

Written by Rev. Albert Muntsch, S. J., for the Press Bulletin Service of the C. B. of the C. V. Catholic teachers are so often asked why the Church forbids the reading of Hugo’s “Notre Dame de Paris” (The Hunchback of Notre Dame), and of “Les Miserables” that it seems worth while to set forth briefly the reasons of this condemnation. Both works are explicitly condemned, the former in a decree of July 28, 1834, the latter in one of June 20, 1864. Popular opinion ranks both books among the outstanding productions of world-literature. Those who share this view are frequently unable to give any reasonable ground for their admiration. They have heard others speak in glowing terms of the romances and have never formed an opinion based on close reading. Unfortunately, many books which have no literary or artistic value whatever thus achieve a wide reputation which all the opposition of sound criticism cannot restrict to sober limits. [. . .] "Les Miserables," a social romance, begun in 1848, was finished in 1862, and is an indictment against the existing order of society. The work glorifies opposition to the established social order, and though some of the characters are inspired by high ideals, the tendency of the work, as a whole, is revolutionary and unsound. It may be called a great Socialistic epic. There are of course eloquent pages in the book, and the social evils so mercilessly exposed, unfortunately weigh heavily upon large sections of every community. But this does not justify the tenor of the development of the tale. There is not only no need to spread a sentimental halo around an unfortunate mother like Fantine, from whom the first part of the story is named, but it is ethically wrong to do so. A moral transgression is always deserving of censure, and the writer who uses his literary art to ennoble wrongdoing is an enemy to society. His book ought to be branded as evil. As an illustration of the method employed by Hugo to belittle, and even to calumniate, as much as lay in his power, a sacred institution of the Church, we mention the strange and shockingly grotesque picture of religious orders in Part 11, Book 7, of “Les Miserables.” We read: “From the point of view of history, of reason. and of truth, monachism (the religious life), is condemned. . . . Monasteries . . . are detestable in the nineteenth century." In the same paragraph it is said that Italy and Spain are beginning to recover from the curse of monasticism, “thanks to the sane and vigorous hygiene of 1789 (the French Revolution).” The long eulogy of the bishop in the opening chapters of the book make this distorted and calumnious sketch all the more abominable. For unthinking persons may be led to believe that Hugo writes as a loyal son of the Church. No matter how one regards “the Index of Forbidden Books” drawn up by the Church, an unbiased mind will recognize the wisdom of the precautionary measures taken by her to safeguard the spiritual interests of her children. That promiscuous reading of pernicious literature has caused untold harm, no one can deny. A large amount of the irreligiousness of the modern world and the general looseness of morals may be attributed to the vicious productions of the press. Just now the works of Blasco Ibanez are widely advertised “with a great noise of tomtoms and circus paradings,” as one critic has well expressed it. But works like “The Shadow of the Cathedral” sow the seeds of anarchy and discontent among unthinking classes. To banish them from our people, or at least to restrict the sphere of their civil influence, is not an offense against art, but a high form of social service.

[lithosaurus]

Not to vague at anyone but I've been seeing a lot of posts responding to Veilguard criticism that entirely miss the point of those criticisms.

No, my frustration with Rook's characterization isn't that there are limitations to a video games PC. It's that there are scant options to RP in the RPG and fewer options to make choices beyond 'do you want to do this quest y/n?' in a game series which previously bent over backwards to explore the idea of how far is too far for the greater good.

No, my frustration with the way the world seems to have changed is not that the there is a change or even that those changes are underexplained. It's that those changes feel more like reboots that don't want to continue the narrative of the previous games. Sure, the differences in the Crows could be chocked up to a differences in the Houses, or the change in how Circles are described could be because how the Mage-Templar war ended but A) that's never actually addressed or even lamp shaded B) the worldstate removal means that the changes can't be a consequence for past actions because it happened regardless of whatever occurred in the last three games!

No, the number of times the word 'okay' is used doesn't inherently make the game poorly written. The change in the writing voice, anachronist word choices, and flattening of characters into marvel quip speak is just best quantified by word choice.

Perhaps most frustratingly, No, my trans ass isn't somehow scandalized by the mere existence of a nonbinary person. There is plenty of transphobic bs being flung at the game, at Taash, and at the devs but acting like being critical of how Taash is written is exclusively due to transphobia just isn't true and it does boil my blood just a little when I see a post claiming that everyone critical of Taash's character is antitrans.

[violue]

God, I cannot overstate how much I DON'T want to hear what someone thinks I did wrong with a fic I posted in 2016, unless there is something genuinely harmful (no, having a m/m pairing with the "wrong" character topping does not count) that needs to be addressed.

What are people expecting? An apology? A draft of a rewrite?

An enthusiastic, kind ao3 comment can brighten a day. A nitpicky negative comment can RUIN a day, especially for someone like me that struggles with rejection sensitive dysphoria.

The ONLY benefit of criticizing a work that did not ask for critique is to make you feel better by announcing how the story failed to meet your standards. You're not helping the writer "become a better writer", you're not leaving criticism you're "entitled to" because you paid for the story, since it's free. You're making yourself feel good at the expense of the writer who spent hours on their story.

A couple years ago I got into an argument with someone who had left a multi-paragraph comment on a friend's (VERY POPULAR BTW) fic from several years ago, about how they felt the story had the characterizations all wrong, they didn't like the direction the plot went, etc. Then they were offended that they were being told their opinion wasn't welcome. So they dished it out and couldn't take it I guess. When the author blocked them, they came to MY account to comment on a fic to continue the argument. They complained that the author was a fragile snowflake and not recognizing that THEY were the fragile on if they were this defensive about their opinion that they "make no apologies for". (There's also a large time gap in the argument where they for some reason came back to continue bitching after nearly a YEAR??)

That's fan entitlement. That's having so much fic to choose from that you think it needs to be an author's problem when they don't meet your standards. That's you being so self centered that you think people owe it to you to know your opinion.

I'm an incredibly picky reader. I'll drop a story three paragraphs in because I don't like the "voice", or the characterization, etc... but that doesn't need to be the author's problem. They didn't do something wrong, their story just didn't gel with me.

Internalize this: SHARING YOUR OPINION IS NOT VITAL.

That was a phrase that helped me become (somewhat)less of an asshole on social media. Take a second to consider the benefit of the comment you're leaving. A kind word, an acknowledgement, an enthusiastic joyful rant about your favorite parts... that all benefits you and the author that put time and effort and sometimes even tears into their story. A list of things you think the author failed at? That benefits ONLY you. It makes YOU feel a little better for two seconds at the expense of someone else. There is no value to that unless you think you're the only person that matters.

So, you don't like a fic you just read? Vaguepost a rant on your social media. Jot your feelings down and then throw the page in the trash. Or... WRITE YOUR OWN FUCKING STORY AND POST IT.

I wanna know where people have lately gotten the audacity to leave comments on fanfics talking about how much the fanfic sucked and negatively critiquing an author's fic like it's a published book review.

It pisses me off cause I've seen authors abandoned or delete their fics because of this.

You're getting fanfics for FREE! No one asked for your opinion.

I hope y'all know as authors we get email notifications when you comment so we see EVERY comment that's been left.

We also can see the negative reviews you leave when you bookmark our fics

[literaryvein-reblogs]

Do you have any notes on hair and hairstyles by any chance?

Writing Notes: Hairstyles

Some writing tips to describe your character's hair:

Frame your character’s face with a hairstyle that reflects their story. A crewcut might signify a military soldier or someone who likes to be in control. A ponytail or pigtails might indicate a young character. Describe a character’s hair color—black hair, dark hair, brunette, redhead, blonde, gray, or white—in interesting ways instead of just stating the shade. It makes a difference whether your character dyes their hair or keeps it its natural shade. Describe the length of their hair. A confident businesswoman might have short or shoulder-length hair. A musician might have longer hair. Match your character’s hairstyle with their personality.

Make facial hair an element of a character’s style. How a male character keeps his facial hair is telling. If he’s constantly clean-shaven, he might go to a regular corporate job. A bit of stubble can signify a more casual career. From a beard to sideburns to a goatee, facial hair helps paint a picture of a male character and can help represent their life and what they do.

Write detailed character descriptions. Visualize a character in your own mind. Make them three dimensional by fleshing out both the character’s personality and physical appearance. Write down their physical details like hairstyle and hair color—do they have brown hair, blond hair, or dark hair? Describe how they move through the world and hint at what their body language and mannerisms reveal.

Here are some words to help you select more precise language and improve the clarity in your writing:

Descriptive Words to Describe Hair

Hair Texture. Relates to the circumference of individual hairs as well as the curl pattern and general state of the hair, with regards to how it looks and feels.

body, bouncy, bristly, brittle, bushy, coarse, crinkly, delicate, downy, fine, flat, fluffy, frizzy, fuzzy, glossy, lank, limp, listless, luxuriant, luxurious, medium, nappy, no body, puffy, rough, satiny, silky, sleek, smooth, soft, sticky, stiff, straight, straw-like, supple, touchable, velvety, wavy, wiry

Hair Thickness. This means the same thing as hair density. There are a number of terms for how thick a person’s hair is.

lush, scraggly, sparse, stringy, thick, thin, voluminous, wispy, wooly

Hair Styles or Cuts. Properly describing how hair is cut or styled is critical in describing the appearance of a character in a story or the subject of a work of nonfiction.

afro, a-line, angled, asymmetrical, bangs, beehive, blunt, bob, bouffant, bowl cut, braided, braids, brushed back, bun, buzzed, center part, chignon, chopped, choppy, clipped, coils, comb over, corkscrew curls, cornrows, crew cut, curled, dreadlocks, ducktail, emo, extensions, face-framing, feathered, fishtail braid, flat top, flyaway, french braids, french twist, fringe, Jheri curl, kinked, layered, long layers, loose, military cut, mohawk, mullet, natural, pageboy, parted, pigtails, pin curls, pixie, plaited, pompadour, ponytail, Rasta, rat tail, ratted, ringlets, shag, shaved, side part, slicked down, spiked, spiky, spirals, springy, stacked, straightened, swept back, swept to the side, swept up, teased, topknot, trimmed, twisted, undercut, up, updo, waterfall braids, weave, wedge, wings, wrapped

Hair Length. Hair can vary greatly in length. Choosing the right descriptive word for hair length helps readers get a better picture of the character or person about whom you are writing.

cascading, chin length, close cropped, cropped, ear length, flowing, long, medium length, mid-back length, neck length, short, shoulder length, tailbone length, trailing, waist length

Hair Color or Tints. Since there are many hair colors in different tones, some natural and some not, it’s really important to choose the right descriptive word for hair color.

ash brown, auburn, black, bleached blond, blonde, blue, bluish, bottle blonde, brown, brunette, burgundy, burnished, chestnut, coppery, dark, flaxen, ginger, golden blonde, gray, green, honey, jet black, light, mousy, multi-colored, natural blonde, oil slick, ombre, peroxide blonde, pink, platinum, purple, rainbow, raven, red, salt and pepper, silver, strawberry blonde, streaked, sun-kissed, sun-streaked, wheat blonde, white, yellow, yellowing

Treated Hair. There are a number of treatments people can use to alter the appearance of their hair.

bleached, body wave, brassy, colored, conditioned, deep conditioned, dyed,frosted, highlighted, highlights, lowlights, permed, relaxed, smoothing, tinted

Messy Hair. There are a number of ways to convey to readers that a person has messy hair. Whether the individual’s hair is messy due to a lack of care, general unruliness, or having been engaged in activity that caused it to become messy, choose the right word so readers will understand.

bad hair day, bedhead, clumpy, disarray, disheveled, drooping, knotted, matted, overgrown, shaggy, snarled, tangled, tousled, towheaded, uncombed, uncontrollable, unkempt, unmanageable, unruly, unstyled, untamed, untidy, windblown, windswept

Neatly Styled Hair. Some people take great pains to ensure their hair is the exact opposite of messy. Use these terms when you want to describe someone with neatly styled hair.

blown out, coiffed, coiffured, done, neat, runway-ready, tamed, tidy, well-groomed

More Ways to Describe the Appearance of Hair. The categories listed above aren’t all inclusive when it comes to describing hair.

beautiful, brushed, classy, clean, combed, damp, dirty, dripping, dull, elegant, enviable, fashionable, filthy, gorgeous, greasy, healthy, luscious, lustrous, nourished, shiny, singed, slick, soaked, squeaky clean, stylish, sweaty, trendy, vibrant, voluminous, wet

Words to Describe Hair Problems. There are a number of different hair problems. If the person or character you are writing about has a visible issue with his or her hair, be sure to choose the best word to describe it.

alopecia, bald, balding, bald patch, broken, damaged, dandruff, dry, flaky, fried, hair loss, lice, needs a touch-up, nits, oily, overly processed, pattern baldness, receding, roots are showing, shedding, split ends, thinning, thin on top, widow’s peak

Hair Accessories. Thoroughly describing a person or character’s appearance may require giving some information about hair accessories the person is wearing. Choose the best term to describe any items placed in or on the individual’s hair.

ball cap, barrette, beret, bobby pin, bow, butterfly clip, chopsticks, elastic, feather, flower, hair clip, hairpin, hat, headband, headscarf, kerchief, ribbon, scarf, scrunchie, side comb, snap clip, sweatband, tiara, tieback

Names of Hair Tools. When you need to describe what someone uses to style their hair, be sure to accurately describe the type of tool the individual uses.

blow dryer, clippers, comb, curling iron, diffuser, dryer, duckbill clips, fine-tooth comb, flat iron, hairbrush, hot rollers, rollers, round brush, scissors, thinning shears

Sources: 1 2 3 ⚜ More: Notes ⚜ Writing Resources PDFs ⚜ Facial Hair

Hope this helps with your writing!

[cl0ckworkpuppet]

hi enstarries! due to. R Recent events. i think it's important to mention that enstars has always had very shitty writing and treated its characters horribly, mischaracterized them for plot convenience and forced tension, and not listened to extreme waves of (even polite and civil) fan criticism.

HappyElements Is Not Your Friend.

They want Money more than anything else, and like 80-90% of their profit come from the top 1% of spenders. this is how gacha games function.

that being said, the choice is yours to decide whether or not you want to continue financially supporting happyele. if you're okay with your money going there, i can't stop you. I won't try to push you in either direction, but i will personally be stopping

instead, what I can do is provide some alternatives to pulling on the next banner if you still want to love the little freaks this company made:

SUPPORT FAN CREATORS!!!!!!

read that fanfiction! find a good story translation on Tumblr (maybe one from a unit you don't think about often)! look through someone's art! buy a fan zine! buy stuff from etsy!

make stuff yourself, too! it doesnt have to be big either: maybe just one paragraph ideas for stories you thought of! do some lazy card edits that you think look like shit! edit a mashup of two songs! make a cover! draw little sketches!

don't like canon enstars? hit da bricks!!! it won't solve the terrible problems with the game and its stories, but it might be a valuable use of your time, you never know!

[thedissonantverses]

The Solas Problem:

A Lesson in Narrative Tension in DATV

This isn’t a Solas critical write-up, nor is it positive. It’s only an essay on how narrative tension works. We take Solas as he is here. Media Literacy 101 is back in session under the cut.

TL;DR: Giving Solas more screen time would have stripped Veilguard of one of its best parts. Solas.

“No real god need prove himself. Anyone who tries is mad or lying.”

We actually have two major problems with Solas right off the bat. The first is power. The power creep on this man is absurd. He’s been around for thousands of years and his magic has affected the fabric of reality in Thedas. He can kill people in their dreams. He can turn people to stone with his mind. The blight. Just…the blight. Altering the course of history is what he does best.

When we first meet him in Inquisition he is a considerable threat but not anything special for Thedas. In his reveal in Tresspasser he sent chills down my spine. In Veilguard he’s had years to accumulate enough power to tear down the Veil. If it had been a real fight with Solas in the beginning Rook would have been obliterated.

Even if Solas was an ally, it wouldn’t work. This is very similar to why Superman had kryptonite because he’s already overpowered without it. If Solas is around the whole game pulling Rook out of every fight, Veilguard would suck. It’d be so boring. There is no good way to deal with his raw power without trapping, severely injuring, or putting him to sleep or on a side quest the whole game. Put a pin in this, we’ll get back to it.

The second large writing problem with Solas is he is ruthless. This man clearly follows his own rules and he’s survived a long time against enemies many more times more powerful than the Veilguard. It’s why Rook and the team seem so “nice” in comparison. None of them would have stabbed their friends for the greater good. None of them could or ever would do what he and Mythal did to the Titans. Whatever his motivations are at any given moment are largely driven by his own sense of right or wrong. He does have one. It’s just not the same as us mortals’. Run afoul of his moral code and you’re dead.

I’m going to go on a bit of an aside but I promise it’s related. The first Alien movie is a good horror move, in part to a technique movies use to great effect. Tease your audience. The reason they don’t show the alien too much is because it would look fucking goofy. No matter how good your effects were back then, a human in a suit moves like a human in a suit. What that movie does really well in its horror is show glimpses of the man in the mask but not the whole thing at once. Let the audience’s minds fill in the gaps.

That’s what Veilguard is doing with Solas throughout the game. We know Solas is powerful. But the first time we see him it’s him failing. Then he’s trapped in time and space. We get echoes of what he can do. We don’t fully realize how powerful until you see him flinging blight back in Minrathous with the same amount of effort a regular character would use to shoot their bow. We get glimpses of his deeper motivations and foibles, but we don’t feel what’s it’s truly like to be in his way until Tearstone Island. We don’t learn about Varric until the wolf has already cornered us.

So why did they trap him?

Trapping Solas in a prison of his own design, where the key is regret, is excellent character work. We know Solas doesn’t see himself as the villain. We know he’s the type of man who thinks of himself as not just Elgar’nan’s equal, but his better. Which, maybe he is, but he is still a self-righteous man with rivers of blood on his hands who was ready to destroy the world Thedas has become in order to restore a past that can never be again. Solas is static. Unyielding. Frozen by regret. He won’t change to suit the world, he will change the world to suit him.

The examples used of how Solas could be dealt with work, but to varying degrees depending on how well they’re executed. Why matters as much as how. What the writers did was look at Solas’ prior character work and pick the best one to suit him. The way they executed this solves multiple problems at once, using the character’s own fatal flaw against him.

It’s a simple solution, really.

[superectojazzmage]

The ones listed off by dasha arguably don't even count since they're not adaptations, just independent works made in response to others. And in the case of Watchmen particularly, it's not even that; the use of the Charlton characters wasn't meant as some kind of dig against them, it was just because DC got the rights to those characters and wanted to use them in a story, but after reading Moore's pitch it was felt that having them be used in Watchmen would render them unusable past that book (and they were right, considering how to this day Moore, Gibbons, and their sycophants show nothing but snide, self-righteous contempt at even the INSINUATION of follow-ups to Watchmen and it took literal decades for anyone to adapt it, let alone make prequels/sequels). And it should be noted that - at the time if nothing else - the creators AGREED with DC that it was better to not use the Charlton characters for Watchmen, since it gave Moore and Gibbons more creative freedom.

Anyways, the closest I can think of to anything like OP describes is Knights Of The Old Republic II, but that one also barely counts since while it's built around criticizing and deconstructing Star Wars and the attitudes behind it's creators and fandom, it does so by directly using the canon and the writers heavily researched said canon before writing it, and the conclusion it reaches is less "this thing sucks unlike MY thing which is so much better" and more "this series has a lot of issues born out of people fussing over whose headcanons are better instead of moving things forward". It did go against the grain, but in the name of having an actual intelligent conversation about the series' history, not just for it's own sake.

has there literally ever been an instance of an adaptation/followup/whatever of some beloved piece of media where the creators say some shit like "we went against the grain and ignored the source/fuck the original fans this is something else entirely/etc." where it was actually received even decently well because i don't think this ever works but it keeps happening