#or better yet the 3 spiderverse guys

[amarriageoftrueminds]

Thinking about how great CATWS was and how Marvel dropped the ball on all the characters from that movie.

Steve? Got character assassinated beyond repair.

Natasha? Killed off, didn't even get an on-screen funeral and her only solo movie was more about introducing Yelena than her.

Bucky? Never got a prober story, was victim blamed, and will possibly die in Thunderbolts.

Nick Fury? Got character assassinated in Secret Invasion.

Maria Hill? Was killed off in SI.

Sharon Carter? Turned into a villian.

Sam Wilson? Unlike the rest they haven't completely fumbled the bag with his character but he was still screwed by FATWS in many ways, and his first solo movie doesn't look very promising either.

Also consider that their sequel to the movie where we find out Howard Stark knew about Nazis in SHIELD (the specific Nazi that tortured Bucky and killed members of the 107, and tried to kill Steve) ...was a movie where Howard is assassinated by Hydra and yet Bucky gets blamed and brutally attacked for it. Even though this is the same movie where we find out Bucky was mind-controlled.

And their sequel to the movie where we find out Peggy knew about Nazis in SHIELD is..... Uh. Nothing. They never address it. A character who died offscreen gets screen time wasted on a fulblown Royal funeral (attended by people who didn't even fucking know her!!)

They treat her like some kind of living saint, to the point where she's now a full blown Mary Sue, with yet another bloody tv show where every storyline must be about her, and her possessing Steve, and Steve is reduced to a Stepford Husband wheeled out to repeat 'Peggy. Is. Perfect' type lines. 😬 (Steve. Blink if you need rescuing.)

All Bucky's everything now belongs to Peggy.

Oh, apart from the blame of course! He gets to keep all of that! 🙂

(Oh, and as per What If, Sam is no longer part of CATWS, his own intro movie, and even Natasha's own movie is now about- guess who?? Peggy! And Peggy having Steve!)

Apparently Sharon has been turned into a villain in the comics, too. Just as they start product-synergy introducing MCU!Peggy to over-ride comics Peggy. I wonder why...

(It's so funny that TFATWS assigned MCU-Sharon MCU-Peggy's annoyance at being overlooked by men (cough the man she's relentlessly hitting on cough) and decided that this would be her villain origin story... and yet nobody has connected the dots to Peggy and her behaviour?)

Sharon and Sam's characterisation only feels like an organic continuation because, frankly, the MCU never bothered to write them being particularly nice people to begin with?

Sam being a fratbro-style dick to Bucky in TFATWS, with a side of dispensing unsound self-contradictory counselling advice, is consistent with being a dick to Bucky (and arguing against helping him) since CATWS and quitting a counselling job at the drop of a hat. (Only the 1980s movie locker-room homophobia queerbait is new.)

Sharon being a villain is consistent with being a Carter not being asked to join the 'bringing down Hydra' team in CATWS, dressing up as the same profession as Steve's dead mother to 'befriend' him while she's just spying on him (contrast: the calling-out Nat got from Steve just for not telling him something), staying in SHIELD while they were hunting down Steve and Natasha, immediately joining the CIA (aka, the people who just happen to have a superhero-proof electric chair and want to shoot Bucky on sight, who also have Everett 'ex-husband of Madame Hydra who laughs at the idea of Bucky getting a lawyer' Ross on staff), ...which is easily infiltrated by a (thinly-veiled-Hydra) villain who wants to mind-control TWS to bring down the Avengers (deja vu??), being snippy to Sam for no reason, continuing to lie about herself beyond the point of it being necessary, and also being a creep who expects a thank you kiss from Steve just for doing one basic helpful thing when asked. *phew!*

But the geniuses who inherited the job of writing her in TFATWS can't see any of that... They see no issues, so they think they've written her 'turning' bad. The writing is still shonky because it still isn't self-aware about what it's portraying. The cognitive dissonance is still dissonant.

(Same problem with Fury. They keep giving him 'bad' things to do, showing him instinctively first joining the 'bad side', eg. Pierce's SHIELD, the Kree, etc. But with the exclusion of Steve yelling at him in CATWS -- and only so that Nick gets called out, but not precious Saint Margaret, ofc -- it's never addressed. They can't do anything interesting with the moral charcoal that they've accidentally cooked up, because they aren't even aware that it's there. 🤦‍♀️)

We were mercifully spared from Joss Whedon's terrible ideas for Maria... (supposed to be a villain in A1, baffled as to what to do with a female character so obviously she should be hinted as a love interest for Steve out of fuckn nowhere in A2) ...only to end like that.

Outside of that AOU Avengers party, where she was chill and kinda gay, I feel like the best characterisation we got for her was when- was it in one of the Spidey movies?? -she was a Skrull. 😤 If only I could say the same of Steve...

[fuxuannie]

↳ pairing : miles morales x g-neutral reader

↳ synopsis : (first part of) sfw alphabet with miles !!

↳ authors note : could contain astv spoilers ?? i think i'll do another alphabet w a spiderverse character soon when i finish this!! ive been working on a hobie fic but his british is killing me PLZ save me im SOBBING its being delayed just cause hes british thats crazy

— ❥ Affection - is he the affectionate type?

☆☆ I think Miles is really affectionate with his partner, holding hands and all of that. Tries to be a romantic (and fails sometimes cause hes far too silly for that) but he's doing his best!! Affection is definitely very important to him so :)

— ❥ BEGINNER - is he new 2 relationships?

☆☆ Definitely, you'd be his first love and so he tries his best with you. He'll make sure to take you out on good dates, meet your parents, make like thousands drawings of you in his sketchbook and just generally try to hide the nerves of being in a relationship. Of course, Miles isn't perfect, but you understand that and just accept him nevertheless.

— ❥ CUDDLING - does he like 2 cuddle ?? how does he like 2 cuddle :)) ??

☆☆ Cuddling is a need, it is a requirement. He will demand cuddling at least once every day just so he feels something in his cold and empty soul. (he's being sarcastic, please cuddle him hes so sad when you don't)

— ❥ Domestic - does he wanna settle some day ?? how good is he at household chores ??

☆☆ Miles is a teenager, that kind of thing has yet to cross his mind or atleast think of it super seriously. But he would love to move in with you at some point, make you breakfast in bed and stuff like that. He definitely used to help his mom when he was younger, just gives off the vibe :))

— ❥ Ending - how n why would he end things with you ??

☆☆ The only thing that would push Miles that far is for your own safety. When he dates someone, he doesn't wanna do it just because you two like each other, he dates to stay together and not for a fleeting feeling that'll come to pass. But it hurts him more to leave someone he still loves, but knows its for your safety <\3

— ❥ Fiance(e) - marriage? commitment?

☆☆ I mean, same reason with the letter D, he's a teenager so that thing doesn't really cross his mind. He does like to joke around that he'll propose to you with a bagel or something.. (uh oh)

— ❥ Gentle - is he gentle physically and emotionally ??

☆☆ He tries his best to be. He understands how a lot of things can be overwhelming and hard to understand, so whether you need his emotional or physical help he's always willing to give it. He'll give you words of affirmation or hold you till you feel better. :)

— ❥ Hugs - does he like em ?? does he hate em??

☆☆ Miles LOVES it when you hug him, especially when you initiate it first. He'll sometimes pick you up and do a little spin because it makes him that happy T_T♡ Please hug him, he needs it badly after everything

— ❥ I love you - how long did it take for him to say it ?? does he say it often ??

☆☆ Miles took his time when it came to finally saying 'I love you'. He wanted to make sure that he'd mean it, and will continue to mean it while you guys are together. When it comes to saying I love you, he wants it to be in appropriate times and places but he usually says it when hes sleepy and just has no filter at all.

— ❥ Jealousy - does he get jealous often ??

☆☆ Yes and Miles makes it very obvious. You find it amusing every time he'll pull you by your waist towards him so he can hold you by his side. He'll urge you to continue your conversation, but the person you're speaking to can tell he is one minor inconvenience away to picking you up and just running off. (he'll only ever act like this if the person has clear intentions that were NOT approved of by him)

— ❥ Kissing - does he like kissing ?? how does he like 2 kiss ??

☆☆ He does the upside down kiss at like any given moment while he's on patrol. HE LOVES DOING IT he thinks its the most silly thing ever and the way the first time he tried it, his web snapped and he fell before he could kiss is ENGRAVED in your memory. Of course, he'll enjoy smaller kisses like on the nose or on his forehead cause it makes him feel soso soft.

— ❥ Little Ones - is he good with kidz ?!

☆☆ HES AWFUL. have you seen the scene with him and Mayday?! He has never held a child a day in his life, he will call an infant baby 'bro' or something and try to take it skateboarding. He will try if you have younger siblings, it's like training to get into the family; if you can handle the little menaces you are welcomed <3.

[unactive-shroom]

VALENTINES EVENT ♡

Hey guys! So, as a thank you for being so patient while I was inactive for exams, I've decided to hold a Valentines day event! To request, simply head to my ask box, say what character you want it for and what prompt you want with it.

PLEASE CHECK HERE IN CASE YOUR PROMPT AND CHARACTER HAS ALREADY BEEN REQUESTED: HERE

Normal rules apply! see here for fandom list &lt;3

Examples:

"Hey! Can I get Eren Yeager with prompt #5?"

"Hii, could I get Sally Face with prompt #14?"

"Hello! May I request Hobie Brown with prompt #13? Thanks! "

PROMPTS:

Prompt #1: Love Letters ♡

"Coming home one evening to your empty apartment... It seems your partner has left a neat stack of letters for you on the kitchen counter, tied with a pink ribbon..."

Prompt #2: Jerk ♡

"'What kinda Jerk breaks up with their partner on Valentine's?' It seems your friend has some very vocal opinions on your partner ex. Maybe they could treat you better..."

Prompt #3: Love Language ♡

"What's your partners Love Language? How does it change throughout your relationship?"

Prompt #4: Proposal ♡

"It seems like someone has a very important question to ask... and what better time to do it but on Valentine's night?"

Prompt #5: Jealousy, Jealousy ♡

"After receiving a few anonymous Valentine's, it doesn't seem like your partner's too happy about it..."

Prompt #6: Gifts ♡

"What did your partner get you for Valentine's day? What did you get them?"

Prompt #7: It's a Date. ♡

"Looks like someone's worked up the courage to ask you out for Valentines...!"

Prompt #8: Trouble in Paradise ♡ (Specify Angst/fluff, please!)

"You and your partner spent the day before Valentine's arguing and yelling. Will you make it up before Valentine's is through? Or will this years Valentine be the worst yet..?"

Prompt #9: Meet me at the lakes...♡

"Seems like someone has sent you a valentine! They're asking to meet you... Who could it be?"

Prompt #10: Forgotten ♡ (Specify Angst/fluff, please!)

"Your partner seems to have forgotten all about Valentines... or maybe, just forgotten about you."

Prompt #11: Ready ♡

"Getting ready with your partner to go out for Valentine's! Is your partner used to dressing up? How long does it take to get ready with them?"

Prompt #12: Help from a few friends ♡

"Your partner has planned the best surprise for you! Of course, they needed the help of a few friends though...Let's hope there's no third wheels!"

Prompt #13: Double Date! ♡

"You, your bestfriend, their partner, and your partner, are going out for a double date! Will both of your partners get along? Or will the night end in a dairy queen parking lot, scolding your partner for their behaviour? "

Prompt #14: Hand in marriage ♡

"Valentine's has to be the best day to get married on... right? or is this a spur of the moment, Hollywood-esque marriage? Or, maybe you and your partner simply don't have the time to waste." => aimed alot at aot characters... marrying them before they (or both of you) go to war... :(

I'd also like this event to acknowledge the expansion of fandoms I write for, In particular, I am reopening requests for Attack on Titan, Percy Jackson (From Heroes of Olympus +) and Jujitsu Kaisen, and I will now write for SHADOW AND BONE/SIX OF CROWS, HARRY POTTER*, and SPIDERMAN: ACROSS THE SPIDERVERSE.

That's all! Hope you enjoy :P And happy Valentine's Day !!

[stardustmuncher]

get to know me!!

okay, wow. guess who has not expected their art to get any attention at all, let alone even incoming requests for art. i apologize if i haven't done ur request yet btw, i've been awfully busy!

however, since i am getting traction and my bday is today (yippi to me, even tho my age is now much too serious) i think its appropriate for me to do a bit of an introduction post..

so without further ado, i present t you...

ME!

hello!! my name is aj, aka stardustmuncher we're being all official with name tags and stuff

i'm bi and use any pronouns! like, fr, any pronouns. get creative guys.

i like to think of myself as somewhat of an artist. i wanna study animation one day, so that's pretty cool i guess.

i'm american, not proudly but i'm still surviving.

also, i'm a total band kid. i'm apart of my school's percussion ensemble, which is neat. it's pretty cool, i suppose.

some of my other hobbies include:

attending drama club like the nerd i am

writing for my school paper

listening to music

sleeping a bunch

hanging out with my friends and being idiots

baking

fashion. (i'm a huge fashion nerd..)

i'm an artist, sure. which means i'm in a lot of communities, i guess. my fandoms consist of:

the owl house (proudly a goldric shipper)

gravity falls

five nights at freddy's

mouthwashing

sally face

don't hug me i'm scared

hamilton

heathers the musical

mean girls

class of 09

helluva boss/hazbin hotel

the spiderverse series

nimona

miraculous

tim burton films

the amazing digital circus

i also LOVE my music, like a bunch.

some of my favorite artists are:

tv girl

chappell roan

olivia rodrigo

mitski

the moldy peaches

tyler the creator

lil peep

dazey and the scouts

laufey

adrienne lenker

pinkpanthersss

madilyn mei

now... my favorite songs.

anyone else but you by the moldy peaches

do the act like you've never met me by tv girl

nuts by lil peep

prom queen by beach bunny

kiss her you fool by kids that fly

break it off by pinkpanthersss

before he cheats by carrie underwood

good luck babe by chappell roan

hot to go by chappell roan

not allowed by tv girl

hate yourself by tv girl

now.. just some fun facts abt me!!

for no particular reason, i am cross-eyed. like i js came out this way idk??

i wear the same barbie pants like every other week. i love these pants.

honestly i prefer chocolate over fruity flavors, they're js better

always looking for more music recommendations, hmu if you got smth good

dms are always open if you need to vent :D or if you just want someone to yap ur interests to, either way

also art requests r always open. i will draw it like one day or smth but ive been busy.. maybe this next week ill draw again

big stuffed animal fan, i sleep with the same three everynight

i have a guinea pig named amity, yes after the toh character

i also have a fish named mr blubs

and two dogs and two cats, i love my pets so much

also i love queer stuff, im way too easy to queerbait i fear

always open to friends and mutuals, just ask!! <3

some of my fav youtubers r louis mcclung, chadchad, drama mama/benoftheweek, drama kween and heather grayce

thanks for reading this total yap session, hopes this helps the people of the tumblr site to know who i am!!

much love,

aj (stardustmuncher) !!

[badchoicesworld]

hi again, i’m the guy who requested hobie x trans vigilante reader and i LOVED IT. the details felt so true to his character and all in all it was an amazing read. you’re definitely one of, if not my favorite spiderverse writer. (btw, your spidersona sounds very interesting.) so, as expected, i have another request for you!

if you’d like, will you do a hobie x masc reader where they’re in bands? of course, hobie would be a part of a punk group, but maybe reader is in a metal one? they keep running into each other at shows and people think they might not get along, but they instantly get comfortable around each other. it’d be cute if they wore the other’s merch and showed up to some gigs. thank you :)

hobie’s punk, you’re metal (band edition)

hobie brown x masc!reader

EYYYYYYY ANON

had me gripping my knee, tucking hair behind my ear and kicking my feet fr ily tysm - if you’re planning to keep coming back (more than welcome <3) feel free to give me some kinda name to call you ! claim an emoji if you’d like or give me some kinda alias if you’d like, or remain anon, completely up to you !!

anyway such a slay idea thank you so much !

i’m gonna have to be a little brief w details cause i know hobie’s band is completely different in the comics and i have no fuckin clue what’s going on w this hobie’s band, no clue if gwen’s the drummer or what so mans being BRIEF but as far as i’m aware hobie does all of his gigs as “spider-punk” so secret identity still stands. i’m not gonna call him that cause he doesn’t like the name, but you know what i’m tryna insinuate

i’m a guy who can listen to all types of music so i enjoyed indulging in punk and metal music to get a better feel for this, so thank you !

i tried to do research into style, music and history so i hope this is half decent lmao

also wanna stress that i know there’s a shit ton of political stuff when it comes to punk and metal scenes, i ain’t touching it and i want none of you to ask me about it

warnings: none

pairing: hobie brown x masc!reader

requests: OPEN actually begging for them im stuck in a car tomorrow

★⋆ ⋆☆⋆ ☠︎︎ ⋆☆⋆⋆★✧

AIGHT ! so you twos both belong to bands that are pretty prominent in london, and if someone doesn’t know one then they’ll eventually learn about the other

you both like to perform at these smaller gigs instead of going mainstream, and it results in you two bumping shoulders every now and again

now, it’s impossible to miss hobie since he’s dressed as a punk spider-man

the same can apply to you if you choose to also have a secret identity lmao

but it’s on sight

it’s a common thing for people to think that punk and metal fans are like cats and dogs (an expression, animals are lovely.) for some fuckin reason

so naturally, both of your fans had always speculated the day that you crossed paths

what would you do ? fist fight ? poke hobie’s eyes out w the 🤘 gesture ? dear god will hobie swing his guitar at you ?!?!

no lmao

it’s like two old friends meeting, you guys have definitely heard of each other before but not yet met, so you’re both pretty psyched to see each other in the flesh !

it’s more like a “Ayy! my guy!” kinda thing instead of typical london stabbing

friendly hug, accidentally get impaled on a spike, that kinda thing

if your fans are sane they’re just kinda like “oh dope lmao” instead of “NOOOOOOOO” because who tf would

instead, opens doors to unlimited possibilities

friendly rivalry ? i think so

depending on what you play/your role in the band, you can get competitive for funsies

if you’re both guitarists you’ve got this ongoing joke about who’s the better one, shows are dope whenever you two are competing cause you go above and beyond for the sake of bragging rights

you win, metal takes a lot more out of a man (from the research i’ve done metal takes more “skill” in a literal sense, way more going on w the cords, correct me if i’m wrong)

hobie insists there are no losers, of course (he doesn’t believe in losing)

hella friendly banter, nudges, cutely whiplashing each other w water at shows whenever you spot the other in a crowd while they’re performing

collaboration ? possibly, imagine that shit

speculation of you two dating ? no because hobie doesn’t like labels

i’m gonna let u decide if hobie is the typa guy to kiss whoever else is on stage w him

back to secret identities for a little- aight so we all know hobie’s identity is a secret because he’s this spider-lad saving london, a conversation starter fr

in the events that you bring it up, he’ll probably just brush it off and tell you to focus on your scene, not in a mean condescending way but because he’d rather talk about music together since it’s his passion

depending on where your guys’ relationship goes determined if he’d reveal his secret identity to you or not, same applies to you if you have a secret identity

but i’ll leave that up to you

back to the gigs ! if you two ever spot each other in the crowds, it’s on sight

wether you recognise each other as your alter egos or secret identities, you will be either drowned by the end of the gig or mercilessly stared at

don’t think hobie would bring people up on stage unless you’re both performing, it can be a super awkward thing, other people might be uncomfortable and also favouritism aint his thing

wear each others merch, see what happens

you don’t have a secret identity and you wear it casually ? will likely catch the eyes of the media and words will spread

i cant actually imagine hobie having official merch, i think he’d like it more if his fans just made things so there’s not that whole “poser” stuff i’ve been seeing (again if i’m wrong and band shirts have significance other than sentimental value let me know)

punk is about diy, so he’d love his fans all the more if the “merch” he had was super unique diy stuff all hand made by his fans :]

so hobie either makes you merch, or you make your own ! he’ll probably make his own merch of you band, too

absolutely wears it to gigs, why wouldn’t he ? how fuckin punk is that ammarite

trade guitar picks, do it

you’re both real comfortable around each other, it’s an honest treat to cross paths whenever you’re both at a gig and if you guys become friends outside of it, that’s all the better

slaps stickers on your instruments case while walking by you, they have accumulated overtime

a lot of friendly call outs at the start or throughout shows, shit like “this one goes out to y/n, he ate my fuckin sandwich” before playing or probably banter along the lines of “refund his show and come to mine instead, it just makes sense” if your shows aren’t free

i expect you to do the same

you are each others worse nightmare

★⋆ ⋆☆⋆ ☠︎︎ ⋆☆⋆⋆★✧

[heartpascal]

HELLO BEAUTIFUL PEOPLE!!!

it’s the final week of exams!! (or will be in about an hour) which is very exciting stuff as you can imagine!! so come friday i hope y’all are ready and active for me to return (though probably without any fics to post immediately) !!!

just to let you guys know what i have in the works:

- approximately 4 halfway written joel father figure fics, including but not limited to: joel coming to terms with being a dad (again), reader with the tendency to run from anything that could be good in their life, tommy introducing reader to the two newcomers in jackson (aka tricking joel into adopting you)!!!

- part two of is it freedom?

- tommy miller platonic fic ITS GONNA HAPPEN

- considering some moon knight fic ideas (if you guys would want that)

so YEAH THOSE ARE THE CURRENT PLANS!!! oh AND a compilation of everything the amazing howl has contributed for my fics <3

and here’s your reminder to cast your vote on this post for how the is it freedom? universe is gonna go <3

other than that i wanted to show you guys this tiktok because i saw it as i was writing is it freedom? and it made me so :((( so yeah. and on the topic of is it freedom,,,,

i’m hoping for it to be my most inclusive fic yet!!! which means no gender, no white-coded reader, just complete anonymity. so this also means no physical descriptions of the reader’s parents, other than their behaviours and the backstory!!! i’m HOPING. obviously i won’t always get everything right but i am hopeful that if i get anything wrong you guys will be able to correct me :’) but also hopefully in a nice and respectful way!!!

i am not a spanish speaker, which means that i won’t be including any spanish unless i’m advised by someone who DOES speak the language!! which also means we can avoid that whole thing of the reader being unable to understand spanish although some of y’all might be able to!!

i don’t exactly know where that fic is going yet, but i have a lot of hope for it!! i think it has potential for sure!!! and i’m excited to be writing something new, even though i’m kinda struggling with pinning down the spiderverse characterisations!!

so yeah. part two of that IS coming and i also do have some gender neutral joel fics in the works too :’) i understand how frustrating it can be to read x reader fics and the descriptions be so incredibly not aimed at you. i cant make promises and i will probably make mistakes but in the new era of post a level writing i’m hoping to be better and more inclusive <3 love you all sm.

[beanxiv]

beanxiv's 100 follower bash ! ✩࿐

hi guys 🫶 so first and foremost, i wanna say thank you all for 100 followers <33 i love you all and im super grateful to all of you ! second, i wanna say i'm sorry for taking so long to do this, i was trying to figure out what kind of event i would do 😭 i ended up picking just a prompt list that you can request from, (the simplest thing ever ik💔) but i hope u guys like it !!

REQUESTS FOR THIS EVENT HAVE NOW CLOSED!

EVENT RULES ✩࿐

you can find all my posts for this event under the tag #beanxiv's bash!

obviously, my normal request rules still apply. (you can find them here.) if your request goes against my rules, i won't accept it.

i prefer if you request off of anon, so that i can tag you - but if you're still on anon it's okay.

speaking of tagging— if you want to be tagged in my work fill out this form!

i'll only do one character per request if its a scenario, but i can do up to 3 if they're headcanons.

you can ask for up to 2 prompts in your request.

you can make as many requests as you want though! just do it in separate asks please

specify the details of your request! (reader preference, any details about the request, genre– like if you want angst or fluff, etc)

also specify who you want to say the line-- for example if the prompt is "you make me happy," specify if you want the reader or character to say the line.

CHARACTERS ✩࿐

these are the characters i'll accept requests for-- if you request for a character not listed here, i won't accept your request.

my hero academia: bakugou katsuki, izuku midoriya, shoto todoroki, denki kaminari, kirishima eijirou, sero hanta, iida tenya, tamaki amajiki, keigo takami (hawks), touya todoroki (dabi)

obey me: lucifer, mammon, leviathan, satan, asmodeus, beelzebub, belphegor, simeon, solomon, diavolo, barbatos

haikyuu: hinata shouyou, kageyama tobio, nishinoya yuu, sugawara koushi, kenma kozume, kuroo tetsurou, oikawa touro, iwaizumi hajime, bokuto kotaro, akaashi keiji, suna rintaro, atsumu miya, sakusa kiyoomi

blue lock: isagi yoichi, bachira meguru, kunigami rensuke, chigiri hyoma, itoshi rin, itoshi sae, shidou ryusei, reo mikage, nagi seishiro, otoya eita

jujutsu kaisen: gojo satoru, itadori yuuji, megumi fushiguro, inumaki toge

attack on titan: eren yeager, armin arlert, jean kirsten, connie springer, levi ackerman

heroes of olympus: percy jackson, leo valdez, will solace, connor stoll

shatter me: aaron warner, kenji kishimoto

demon slayer: tanjirou kamado, inosuke hashibara, zenitsu agatsuma, giyuu tomioka, obanai iguro, uzui tengen

twisted wonderland: riddle rosehearts, ace trapolla, deuce spade, cater diamond, leona kingscholar, ruggie bucchi, floyd leech, kalim al-assim, jamil viper, idia shroud, malleus draconia, silver

the spiderverse: miles morales, miguel o'hara, hobie brown

PROMPT LIST:

"i cant stop thinking about you... it's distracting.."

"are we really just friends?"

"sorry, you're just so cute when you're pissed."

"...i just realized how in love i am with you."

"i like listening to you talk."

"stay with me a little longer, please?"

"never say that about yourself when i know you deserve everything and more."

"you're so perfect."

"how could i ever say no to you when you look at me like that?"

"i made something for you."

"i miss you. so much."

"hey, why'd you stop? keep doing that, it feels good."

"don't leave me yet... please."

""is something burning??"

"i could die happy like this."

"i really want to kiss you right now."

"can't you see i'm trying?"

"i had a nightmare and i had to make sure you were still here."

"i'm yours. all yours."

"you drive me crazy."

"i'll kiss it better."

"let's spend forever together, okay?"

"you're taking up all of the blanket!"

"i'm scared, can you please hold my hand?"

"one more kiss, another, and another-- what? i can never get too many of your kisses."

"i'm going to marry you one day. i promise."

"you make me so happy."

"let's run away together."

"don't look at them, look at me."

"i'm a mess, but i'm your mess."

[the-s1lly-corner]

*tagging this since a lot of reoccuring folk who interact or ask things dont follow me (no hate I get it!!)

Oh oh also! I feel the need to bring this up since I'm getting loads of new followers from my spot/Jonathan x y/n ohnn posts!

Future admin note; TLDR below IS the entire post because it summed up everything I needed/wanted to say better than the initial ramble and I'm too silly to reword it into

Not being a TLDR

TLDR since a lot of it is admin rambling and getting off topic; this is a multi fandom blog that primarily centers around the admins current hyperfixiation (due to how strong the admin experiences brainrot), but defaults to creepypasta content when the admin either

A) doesnt have a particular rot

B) is embarassed of their current rot (I'm cringe and not free)

C) the fandom is very obscure or small

On average a hyperfixiation for the admin can last from a few weeks to a few months, and usually when one dies it can take a long time to reignite if at all. Because of how intense their interests get, it can become incredibly difficult for the admin to write outside of the current fandom.

Basically I just wanna warn you guys that I'm uncertain how long I'll be writing for spot and for how long my hc lists for him will remain decent quality and I want you guys to know ahead of time before the spiderverse rot inevitably dies <\3

It won't be an outright ban on spot writings though!! I'll probably rework my pinned to have two lists; one for main interests and a side for characters I'm comfy writing with

The only real thing that will change is a fluctuation in passion and posting frequency

I will say when my spiderverse fixiation dies I can almost guarantee that it'll be revived when beyond comes out

That's just a fact, whenever a new part to an old interest is released it always comes back

Seen it with the owl house (the finale episodes coming out), seen it with Fran Bow (creators getting REAL active with releasing character stuff and merch recently), Overwatch (I blame ramattra for bringing back that one. Before that the last time I touched OVW was in like. 2016? So literally when the game first came out) and probably a few others

Those are the only two examples I can think of

Anyways

Yeah!! Thats really all! I guess I'd just feel guilty if I suddenly had a visible attitude shift in passion and hype around spot <\3

And I dont want to throw any one off with that random shift when it comes, esp because so many of you like my silly rambles

As of now the interest is fairly strong so yall dont gotta worry yet!!

So yeah!!

Remember to drink water and get plenty of rest, take your meds and have an amazing day!

TLDR for the TLDR that turned into the entire post;

Admin is autistic (/srs) and bounces around fandoms a lot as interests come and go, said interests sometimes totally consuming their entire brain to the point they cant think/create/interact with anything outside the hyperfixiation, and when a new fixiation comes in the old one dies leaving behind little to no incentive to create for it

Admin really doesnt like how their brain works for this but :(

[gazzhowie]

My Top 25 Movies of 2023.

Sitting in cinema screens in 2023 has continued to re-enforce that it is a weird time for the industry, with huge three hundred million dollar (!) blockbusters attracting only ten or twenty people per screen on opening weekend and highly acclaimed independent movies being given no home except for a dumped VOD release. This year felt ‘tough’ being a fan of both great films and the big screen experience. 

Anyway, scaremongering over... it is time for me to dust off the cobwebs from my Tumblr account and post my Top 25 movies of this year, 2023.

[Years 2008 through to present are available in the archive.] 

As always, films listed are based on their UK release date whether that’s in the cinema or on DVD, VOD etc. Which was a tough rule to stick to this year because I thoroughly enjoyed the lean and effective b-movie action horror antics of Last Voyage of the Detmer, which could’ve earned a slot on my list had its UK release not been pulled 2 weeks prior to its date due to its European distributor going bankrupt. 

Frequent visitors know that I’ll throw out a few special mentions to all the films that I wish I could’ve included but couldn’t make fit yet believe they deserve a shout-out regardless and then I get stuck into what I think are the 25 best films of the year. Anyway, without further ado, here are the ‘also-rans’ and ‘near-misses’ separated per genre that very nearly made the final list:

Action movies that I have enjoyed this year include The Covenant which holds the distinction of being an actually enjoyable and tolerable Guy Ritchie movie, John Wick: Chapter 4 who’s bludgeoning and unnecessary excess gives way to a final hour that is part ode to Walter Hill’s The Warriors and part ‘modern action classic’ effort, Guardians of the Galaxy 3 which was uneven but still the best Marvel effort in quite some time (though that is a low compliment), the first part of the French two-parter Three Musketeers: D'Artagnan which brings John Wick-ian action to the oft-told tale, the Gerard Butler ‘Prime Exclusive’ double-bill that was Kandahar and Plane, Denzel Washington’s (“final”) entry in his Equalizer series and Thomas Jane’s cheapo Brannigan / Coogan’s Bluff b-movie tribute, One Ranger. 

Not many comedies impressed me this year but going off the ones that made me laugh and surprised me some what were the kind of delightful Woody Harrelson sporting underdog remake Champions, the vastly better than we all thought it was going to be / surprise sleeper success of the year No Hard Feelings and the ‘animals saying uncouth things’ silliness that was Strays. 

I liked a lot of horrors this year; the legitimately great (no seriously!) Influencer, the gimmick-heavy but incredibly effective No One Will Save You, the immensely fun Kids Vs Aliens, the Covid-19 slasher that you didn’t realise you secretly sort of wanted that was Sick, the semi-disappointing yet still enjoyable recalibration that was Evil Dead Rise, the Godzilla-homaging creature feature The Lake and the frankly insane / insanely nasty Project Wolf Hunting. 

Not a huge amount of animation blew me away this year but Leo was a stand-out for not just being shockingly good but for the sheer amount of repeated viewings it has gone through in my house with my boys without it losing too much. I have to also give props to Spiderman: Across The Spiderverse which was gorgeous to look at and immensely entertaining but excessive and unwieldly to its own detriment.

It was a good year for documentaries with both Milli Vanilli and The Pigeon Tunnel impressing me immensely. The former being surprising in its depth and emotion. But within the documentary form it was a banner year for the ‘biography’ approach with genuinely excellent and thorough studies of fascinating people. I loved Mr Dress Up, Still: A Michael J. Fox Movie, Judy Blume Forever, Hatton and Albert Brooks: Defending My Life.

Dramas I’ve liked a lot in 2023 have been Till which moved me immensely, the justifiably acclaimed May December, The Burial which was far more captivating than it had any cause to be, the Netflix survivalist preposterousness that was Nowhere, Ben Affleck’s fabulously entertaining Air which was another entry in the ‘business origins’ subgenre that continues to somehow flourish, Michael B. Jordan’s overdirected but strong Creed 3, the ode to old-fashioned 1990s studio potboiler thrillers that was To Catch a Killer, the Sky Original Dead Shot and the smart phone / techno warning Unlocked.

And in a little section all of its own marked ‘better than they had any right to be’ I’ve got to give a shout-out to Elizabeth Banks’ incompetently directed but decidedly fun Cocaine Bear, the Jackie Chan / John Cena greenscreen-heavy team-up Hidden Strike, the wonky but fun Scream 6, the exhaustive Extraction 2, the low-bar hurdling Blue Beetle and the absolutely insane (and mildly better than the last two excretable efforts) Fast X.

And now… my Top 25 favourite movies of 2023… but for those who know me to be an enormous John Woo aficionado I will make clear from the outset that at the time of compiling this I still have not seen Silent Night. Sorry. 

25. The Caine Mutiny Court-Martial

We must mention William Friedkin’s last film before his death - a reminder that the man was a master filmmaker across the board but specifically a master at letting the material and the performance(s) lead. Never has that felt more reinforced than with his interpretation of The Caine Mutiny Court-Martial where, like what he did with his excellent made-for-tv redo of 12 Angry Men, he lets the power of one single setting, a very good cast and exceptional material (in this case a soft update of Herman Wouk's 1953 play of the same name) lead and he gets out of the way and stays there. A more fragile or less confident director at the age Friedkin was, at that point in his career / so close to the end, would've likely been tempted to go big or get flashy to show they've still "got it". There was nothing fragile or unconfident about Friedkin right up to the end. This is an impressively engrossing watch with a great kick at the end that Jason Clarke absolutely sells the shit out of.

24. Talk to Me

I genuinely thought the 'hype' machine was going to have seriously done a number on this, a la BARBIE, but thankfully that turned out not to be the case.

Directors Danny and Michael Philippou have taken a weathered and well-worn concept - that grief and trauma can be open gateways for otherworldly malevolence to exploit - and they've injected it with a fresh voice / energy, whilst respecting 'old standards' like practical effects work.

The concept is decidedly hokey and the lead character isn't particularly likable to say the least (though Sophie Wilde is excellent playing her), but the Philippou Brothers are so thoroughly committed here and the practical effects work is so impressive that it's infectious.

You're almost pulled 'in' despite yourself because the scares are so well-executed and the feeling of dread is so effectively threaded. You know you're being 'played' and you try to fight against it, but it's a mark of its quality that it gets you anyway.

23. Beau Is Afraid 

If Taika Waititi parlayed the goodwill and acclaim from a series of beloved low-budget Kiwi comedies into a mainstream career making multimillion dollar Marvel movies and becoming one of the most sought after studio hires of the last decade, then Ari Aster has used the instantly accepted and highly regarded successes of HEREDITARY and MIDSOMMER to... *checks notes* ... work through some complicated shit involving his relationship with his mother (and his father - who may or may not be an actual 'penis monster') and have arthouse kingmakers A24 pay $35 million for it.

This made less than a third of its $35 million budget back (because, come on now, how on earth do you effectively market this thing?) so it's tiring but true that the label "cult classic" has •already• been applied to it.

Look, I'm offering zero defence to accusations against the film that it is overlong, incredibly self-indulgent, ill-disciplined, carrying nowhere near the depth it claims to, tiresome and exhausting. It IS all those things. By the final stretch it is floundering haaard and there's a serious feeling of being trolled starting to set in.

But, first of all, it shouldn't be discounted how excellent and effective Joaquin Phoenix is here and Aster's wildly uneven material is greatly assisted by his casting. Secondly, it has to be acknowledged that there's moments - long stretches, in fact - where there's absolute brilliance at play here.

There's masterfully crafted moments of genuine hilarity (dark hilarity, for sure) alongside flashes of abject discomforting horror. I'd go so far as to say some of the most interesting, inventive, unique and intriguing moments in cinema this year are tucked away inside this behemoth of a clusterfuck.

People pushed hard for the extended cut of MIDSOMMER to be released. I'm pushing for the reduced cut of this.

22. There’s Something in the Barn 

 I thoroughly enjoyed and had a great time with this. It's not at all embarrassed to lean into its influences, evoking affectionate RARE EXPORTS / GREMLINS vibes without coming across like its heavily plagiarising from them.

 It’s got a terrific dry wit to it thanks to writer Aleksander Kirkwood Brown's script and which the cast, especially Martin Starr (essentially doing his SPIDER-MAN shtick here) and a very winsome Amrita Acharia, sell well. And director Magnus Martens doesn't skimp on the dark stuff and sense of foreboding either.

 There's no snobbishness to put up against this thing - it's a horror comedy that made me laugh multiple times and jump occasionally. That's a very solid success to me and I highly recommend it if the likes of RARE EXPORTS, KRAMPUS, CHRISTMAS BLOODY CHRISTMAS and SINT are favourites of yours.

21. Pearl

I'm a big fan of Ti West and I really enjoyed X, which was one of my Top 25 of 2022 and which in my review I defended by saying:

"... It's very easy to dismiss what West is doing here as just an exacting homage to THE TEXAS CHAINSAW MASSACRE but it's more than that. Obviously there's overt nods to it but you could also suggest West is doffing his cap affectionately to Paul Thomas Anderson's BOOGIE NIGHTS, Alfred Hitchcock's PSYCHO and, yes, both Lewis Teague's ALLIGATOR and Tobe Hooper's EATEN ALIVE as well..."

This is an interesting companion piece to that movie (with a third entry, MAXXXINE, imminent) made more fascinating due to how it came into existence:

 Whilst in their Covid 'bubble' prior to production beginning out in New Zealand for X, director Ti West and star Mia Goth became so enamoured with the backstory they were creating for the character of Pearl that they wrote an entire prequel, pitched it to A24 and built filming into the back end of the original production. A high value 'two-ffer' if ever there was one.

The end result is something less blatantly and broadly enjoyable than the first (second) story but it's definitely the more curious and interesting one; if X really was Ti West's TEXAS CHAINSAW MASSACRE / BOOGIE NIGHTS / PSYCHO / EATEN ALIVE bastardisation, this is his Douglas Sirk melodrama injected with Technicolor and falsely set loose as a 'follow your dreams' fable gone really, really wrong.

It obviously lives and dies by the lead performance and, by crikey, Mia Goth is so good here. That much-memed final credits thing is lauded but it's that late stage monologue that drops your jaw a little. If horror wasn't so easily dismissed her performance would've won awards.

For years we've always considered horror prequels to be the nadir of the genre. After all, who cares if Leatherface only became Leatherface because he was made redundant? Or Jason Vorhees killing nubile teens because he got his pot farm trampled on? Or... or... how no one taking Michael Myers trick or treating turned him into a psychopath? Here though, PEARL indicates that doesn't always have to be the case.

20. Reality 

For those worrying as to whether Sydney Sweeney's tsunami of scantily-clad content across advertising and social media platforms has left her precariously overexposed (in more ways than one), along comes this fascinating and considered film to remind you that behind the bikinis, the false nails and the airbrushing is an extremely talented actress capable of incredibly powerful work.

Devoid of make-up, carrying the film nearly 70% of the time in close-up shots she can't fake her way free from and regimentally parroting the actual recorded FBI transcripts down to every sigh, stumble and gulp Sweeney is frankly astonishing in how she carries this thing.

Director Tina Satter keeps things tight in terms of both location, framing and running time (it plays as an almost real-time exercise) and as a result the film becomes a riveting, claustrophobic and maddening display (how did Reality Winner's actual charges and ridiculous sentence stand when all of this occurred without correct due process and legal entitlements being followed from the outset?) from a first-time film director showing exceptional command of her cast and her visual space.

19. Fair Play 

Chloe Domont's corporate morality play / torchlight on gender politics by way of a recalibration of the 1990s style erotic thriller is all the more astounding because of how assured and masterfully controlled it is for someone's feature directorial debut.

 Driven by two excellent performances from Phoebe Dynevor (who I'd not seen before in anything and was astonished by her) and Alden Ehrenreich (who I think is terrific and deserves treated way better by the industry), and supported by atypically great turns from Eddie Marsan and Rich Sommer, this thing has no right to be as engulfing and nail-biting as it is for what it is.

 Domont refuses to make compromises or concessions in the way she presents latent sexism, money, toxic alpha cultures, wounded pride and corporate backstabbing infecting her characters. It's a brutal, relentless ride she takes us on.

 One where the brash bloodied cunnilingus opener keeps returning to your conscience like it was heavy foreboding for what feels inevitable - these two can't keep tearing away at each other like this, surely? Not without someone dying at the other's hands.

 You keep trying to shake that feeling off, telling yourself that it's not ~that~ kind of film. But as this thing starts to barrel towards its third act it is testament to Domont, and how Dynevor / Ehrenreich are executing her material, that you come to realise all bets are off.

18. Mission: Impossible – Dead Reckoning Part One 

There's action movie franchises and then there's •this• action movie franchise; hitting its stride at the fourth entry, delivering back-to-back masterpieces with its fifth and sixth and now this - a seventh entry so frickin good it rides out evident flaws (and Mark Gatiss' horrendous "accent") that would absolutely fatally decimate other films!

Because it feels sacrilegious to even say this but the latest entry manages to straddle both being very good, decidedly high end, etc etc and... *whispers it* ... kinda 'samey' to what we've had since Christopher McQuarrie became 'grand master':

Still no one trusts the inherent righteous genius of Ethan Hunt, forcing him to go against one and all. Blah blah. There's excessive shots of Tom Cruise running. Yes, yes. There's elaborate stunts seamed together by a 'not as clever as it thinks' plot. Of course. And too many characters. Far too many. Confoundingly, it feels somehow a little stale and yet brilliant.

The film's 'grand' action sequence this time round has been so overexposed, so heavily spoilt (a making of dissection for it ran before the film itself at my screening for Christ's sake) that you naturally assume it'd deflate a little by the time you see it 'in context'. That's not so. Mainly because it is actually just the entrée to the main course which is the train finale.

The climax is an utter masterwork of technical execution, mixing real stuntwork with very well done greenscreen and (yes, shocking as it is to say for a Tom Cruise movie) CGI facial replacement alongside terrifically accomplished narrative construction.

 If like me you continue to be aggrieved by the presence of Simon Pegg's Benji and how he's ostensibly exactly the same character as Luther with exactly the same skillset, routinely forcibly sidelining a vastly superior Ving Rhames, then that's more evident here than ever before. So much so that they literally 'Poochie' Luther out of the film in the third act. Which is obviously racist bullshit. Also, I know I stand alone in my apathy towards Rebecca Ferguson (I really don't get the adoration for her / her character at all) and my hatred for Vanessa Kirby and all the stupid gurning that comes with her, but both are drowned out by a crackin' turn by Pom Klementieff and a performance from Hayley Atwell that you really need to believe the hype on; she lights up the screen and is a tremendous comedy player amongst all the weighty waffle.

And that's the film's biggest flaw that ROGUE NATION and FALLOUT both managed to masterfully swerve - the minute the action stops the film starts to sink under the weight of really heavy exposition. Mounds and mounds of the stuff, in fact.  I know McQuarrie and Cruise have been open about how they conceive a script around action set-pieces but this is the first time where the stitchwork is so headache-inducing having to listen to it that you start to see a wobble in the method for the first time... even more so now McQ and Cruise have started injecting all this whiffery about "the choice" and portentous context about how IMF agents work, are recruited, etc. Like, what are you doing trying to 'John LeCarre' my fucking MISSION: IMPOSSIBLE movies, goddamnit?

 Still, it's the most minor of hardships considering you're never more than 10 minutes off from getting out the other side of all that exposition and getting to another sublime action sequence or a close up of Atwell's wonderous smile.

17. Sisu 

"Sisu is a Finnish concept described as stoic determination, tenacity of purpose, grit, bravery, resilience, and hardiness, and is held by Finns themselves to express their national character. It is generally considered not to have a literal equivalent in English (tenacity, grit, resilience and hardiness are much the same things, but do not necessarily imply stoicism or bravery)."- Wikipedia

The RAMBO sequels should look to this, kneel before it and weep just for being in its presence.

And we better start doing the same with Jalmari Helander, who in just three movies has done Finnish 'interpretations' of John Carpenter horrors, 80s Amblin movies and now 'lone warrior' action films to magnificent effect.

This is a gloriously ridiculous live action cartoon of violent excess and bonkers propulsion; land, water and air set-pieces of utter insanity stitched together with inventive, nasty gore.

It is outlandish in its speed, its fat-free story construction and its refusal to ever stop or give way to wimpy, silly things like character development.

16. Puss in Boots: The Last Wish

I totally get Hollywood's whoreish mentality for seeing something succeed and then bastardising it to the point that what we once loved is something we become bored by - it's why we suffered through a noughties onslaught of what felt like nothing but zombie movies because 28 DAYS LATER landed well or why everyone's trying to do "shared universes" now because of Marvel.

Or why after the massive success and instant affection for INTO THE SPIDER-VERSE every animated movie of late has been plagiarising the hell out of it.

You saw the trailer for this - a heavily belated sequel to a spin-off from a SHREK sequel - pulling that very shit and it just felt a bit like your old dad after your mum's left him, spraying on the 'hair filler' and squeezing into skinny jeans to "get back out there" and prove he's "still got it"...

... and then it just casually reveals itself to be a film of massively inventive design (both visually and narratively), that's surprisingly deep and very funny - and as a result superior to both its predecessor and the entire franchise from which it was born.

You don't •think• you NEED time spent in the company of Olivia Colman and Ray Winstone as Mama Bear and Papa Bear or Florence Pugh as Goldilocks and John Mulaney as Jack Horner... or best of all ELITE SQUAD's Wagner Moura as Death... but you absolutely do! Don't make the mistake of thinking you're 'above' this sort of thing, cos I can guarantee you you're not.

It's a delight!

15. Indiana Jones and the Dial of Destiny 

It feels like I've got to be apologetic in my opinion of this if 'Film Twitter' / the critical majority is to be believed, in which case I'm sorry but I enjoyed this. I just don't think you should ever underestimate the positive impact factor(s) that can be drawn from this particular actor turning up on screen as this particular character, scored to John Williams' music. And I'm saying this as someone who's seen KINGDOM OF THE CRYSTAL SKULL.

 I can see why people would have issue with this latest / last outing; it's overlong to the point of bagginess (there's a staleness that starts to set in from the repetition of Jones and Co landing at a location, having the baddies immediately show up, outwit them and make off with the macguffin only for Jones to steal it back) and the character of Helena Shaw is a fairly odious and unlikeable one who exists to cause more shit for Indiana Jones than is tolerable (and I was no fan for the most part of how Phoebe Waller-Bridge played her).

And then there's the 'look' of it too. Did it HAVE to have such a shitty, plastic sheen to it? It cannot be overstated that one of the most tremendous qualities of those first three INDIANA JONES movies was in how Spielberg went out to REAL locations and had Vic Armstrong and Harrison Ford REALLY ride REAL horses and jumped on top of REAL tanks or fall under REAL trucks. Here, it's pixels and screens. Again. With nothing learnt from the issues KINGDOM OF THE CRYSTAL SKULL generated.

James Mangold has done a commendable job of 'apeing' Steven Spielberg and there's a lot - and I mean a lot - of great action here. But the vast majority of it has the shine taken off by continually cutting into terrifically adrenalinised action sequences to insert very obvious greenscreened shots of Ford and Waller-Bridge bickering and shouting like they were really honestly / definitely / maybe there involved with the sequence when it was getting filmed.

It's infuriating because this thing is stacked to the gills with thoroughly enjoyable, legitimately well-designed action sequences - the escape from the castle in the French Alps, the Apollo 11 parade and New York City Subway chase, the Tangier sequence, the Aegean Sea set-piece, the Ear of Dionysius cavern stuff and the airfield chase - but in every single one there's moments of really quite shoddy CGI that draws you right out of the moment to remind you 80% of this was done on computers. There's not ever a moment to make you gasp in awe at how the stunt-man survived like in the original trilogy. But there's a LOT of moments that has you thinking "This thing cost $350 million?"

But all that said, Mangold making a 'fan' version of a Steven Spielberg INDIANA JONES movie is better than Steven Spielberg phoning in one. And I'm not going to lie, this thing had me from the minute the font come up in the opening titles and we got a straight-up legitimate 1940s set INDIANA JONES mini-movie (which seemed to sit as an eery bedfellow to MISSION: IMPOSSIBLE 7, weirdly enough) with the best... though still not flawless... de-ageing techniques I've seen.

14. The Fabelmans

It's more than a little disingenuous for all involved, specifically Steven Spielberg himself, to describe this as "semi-autobiographical" and "loosely based" on his adolescence and first years as a filmmaker when anyone who's read any number of books on the man or watched director Susan Lacy's 2017 biographical documentary can see the beats are all there, wholesale. If THIS is "loosely" then the biopic version would be the greatest invasion of privacy ever committed. This ~isn't~ a "fable", man!

I can also see with it why some have braced against it and the instant critical adoration that was applied to it, because the longer it sticks around the more muddled it becomes about what its point of view is and whether it has anything left to say. By the end it slides to a stop after 2½ hours with an admittedly wonderful (and wonderfully bizarro) comedic bon mot having scattered barely etched vignettes / sketches in its final stretch. And tonally, there's questions as to really what was trying to be said with that late 'Ditch Day' subplot and whether co-writer Tony Kushner was working through his OWN stuff within Spielberg's memory bank.

That being said, I loved it in all honesty. For the first two thirds of its running time, I thought it was •really• something special - and anyone pushing out the notion that this is Spielberg on autopilot ain't watching this properly. That cold pan cutting his [screen] father from the frame in a moment of parental happiness but leaving in his [screen] mother and her lover? That's some brutal, subtle craftsmanship there. And layered on top of choices like that is more precision cinematography from Janusz Kamiński and scoring (for the final time?) by John Williams.

The performances across the board from Gabriel LaBelle (as 'Sammy' / Spielberg), Michelle Williams, Paul Dano, [CENSORED] and Seth Rogen are extremely good. Though as atypically great as Williams is here, I'm not certain this ends up being the 'ode' to Spielberg's mum, Leah Adler, that some think it to be.

I totally understand the perspective of those that see this cynically as a 'pre-designed awards hoover' - you can't help but come away from Judd Hirsch's cameo feeling like the entire thing was written as a Best Supporting Actor Oscar clip reel - but for me it just hit me right in the chest... exactly as it will for anyone who spent some of their best summers with their dearest friends, being creative, making films, watching films, dreaming of a future that involved cinema, fending off unsupportive family and trying to hold close those that did try to help your talent flourish.

13. Babylon

As much as Film Twitter has taken against BABYLON's final moment, it must be said that for a "love letter" to cinema and the movie industry overall, Chazelle can 'sign it off' how he likes (and "SINGIN' IN THE RAIN to AVATAR" is certainly •a• take!) with no obligation to be subtle. However, considering there's NOTHING subtle about this film whatsoever preceding it, why you'd think it's conclusion would be any different is silly.

I'm a Damien Chazelle fan. I liked WHIPLASH and LA LA LAND enormously and I genuinely consider FIRST MAN one of the finest films of the last decade. No matter its flaws (of which there are several), I drew a great deal of enjoyment from this, his latest effort. Repeat viewings have put it as one of my favourite films of 2023.

It's a very, very messy film. Chazelle seems to believe the debauchery and excess of the era his narrative lands within - Hollywood's transition from silent to sound films in the late 1920s - gives him unrestrained reign with an overindulgent running time and a cavalcade of graphic content. Added to all the blood, vomit, excrement, etc etc the opening Kinoscope Studios Exec's bacchanalian mansion party is the "opening sequence of SAVING PRIVATE RYAN" of debauched, drug-fuelled, orgy sequences in cinema.

There's no real consistent throughline to any of this which makes it all the more difficult to embrace across 190 minutes and because it plays like a plethora of sketches it has massive peaks and troughs Chazelle doesn't always seem to have total control of - the vignette involving Margot Robbie's Nellie LaRoy first experience of recording a 'sound' take starts solid, gets funny, outstays its welcome and then beats you into submission.

There's a lot of excellence here though. Whether that's in Brad Pitt's surprisingly layered, moving and deft turn or through the sojourns onto the desert location shoots of multiple oscillating productions, topped off with the very 'on' appearance of Spike Jonze's 'Not Otto Preminger' Otto Von Strassberger.

I'm thinking that opening on elephant defecation and sordid acts of urolagnia is something that in retrospect director Damien Chazelle may well be regretting now critics have been "pissy" about his latest film and it's now considered the big box office "turd" of the year.

12. The Killer 

I've seen a few people talk about this as if it's "beneath" David Fincher, inarguably one of our greatest working filmmakers today. Like a tight hitman-out-for-revenge yarn based on Alexis Nolent and Luc Jacamon's comic book series is not "worthy" of him or something. Clearly these people are forgetting this is the same guy who spent 6 years in development hell on a WORLD WAR Z sequel, gave us the glorious (if flawed) bit of pulp that was THE GAME, the immensely effective b-movie in an a-picture gown in PANIC ROOM and remade an adaptation of a popular airport potboiler with THE GIRL WITH THE DRAGON TATTOO in amongst whatever is regarded as his "prestige" flicks.

It's absolutely a David Fincher movie; that's apparent in the droll humour, the Trent Reznor and Atticus Ross soundtrack and the clever visual flourishes - like the entire Amazon 'bit' in the final stretch.

It's a caper. A yarn, if you will. A bit of pulp, just with high end flourishes - such as Fincher's meticulous choices, Erik Messerschmidt's cinematography and the casting itself (Fassbender, Arliss Howard, Charles Parnell and Tilda Swinton).

There's this brilliant layering here between the clinical, detailed voiceover Michael Fassbender provides (that leads us to believe this is an assassin at the peak of his 'game') and the actions we physically see from him on screen (missed shots, beat downs suffered, etc) that indicate there's a little bit more than what's on the surface.

I had an absolute blast with this - a tight / immensely refreshing sub two hour, jet black comedic (the aliases!!) thriller that sits as Fincher's hat tip to Jean-Pierre Melville's classic, LE SAMOURAÏ.

... Though I do want to deduct a star off my final rating for the bit where Tilda Swinton co-opted my favourite 'go to' pub joke that I've relied on for 20 years. Now whenever I tell it people are going to say I've just ripped it off this, goddamnit!

11. Are You There God? It’s Me, Margaret.

What an absolute gem of a film!

You knew you were in steady hands because Judy Blume's 1970 source novel is just that good, Kelly Fremon Craig's EDGE OF SEVENTEEN is an instant classic and there's a dependable excellence that comes with casting the likes of Rachel McAdams and Kathy Bates.

But there was always the risk that this COULD'VE got fucked up. Some idiot at the studio might have tried to modernise it. Or believe that it needed more 'incident'. Or cast someone too precocious in the lead role. But James L. Brooks clearly bodyguarded this thing correctly.

The final result is a sweet, funny and very lovely little film with an absolute sweetheart of a turn from Abby Ryder Fortson as the title character.

I genuinely loved spending time watching this.

10. 20 Days in Mariupol 

There's a moment in this - Mstyslav Chernov's truly harrowing frontline documentary of the twenty days he and his colleagues spent besieged in Mariupol after Russia began its invasion of Ukraine - involving an emergency cesarean and an unresponsive newborn that is more upsetting, more thrilling and more uplifting than the combination of every horror and every feelgood drama released in the last five years.

This is the most important and vital film you'll see this year and then never ever want to see again.

More so because as humans in this modern age we rather callously only seem to have the heart / stomach / attention-span for one 'war' at a time, and we appear to have abandoned the Ukrainian conflict to refocus our outrage on what's going on in Gaza instead.

For large parts of it we feel like Mstyslav Chernov's been given exclusive access to the pits of hell and he's taking us on a tour. This is intense and riveting, shockingly so considering the unrepentant footage of dead or dying children.

9. The Night of the 12th 

I've worked in the field of investigation for over 20 years and I can tell you this much - this movie fuckin gets 'it', man.

In opening with the title card that it does it offsets any eventual disappointment you may feel when the ending arrives. You don't feel short-changed because you've been brought in from the start to share the frustration with the characters.

There's nothing easy here. Nothing pat. Just real investigatory pathways followed with dead ends jumping out in front when everything in your gut says this lead, that lead or the next was going to be 'the one'.

It painstakingly shows that the work is in the hours. And the work can become an obsession. An obsession that gives nothing back equitable to what it takes from you.

It starts with a suitably harrowing and upsetting sequence and it ends on character uplift in lieu of narrative resolution. It also sits as one of the best movies about the art and reality of investigation in modern cinema.

8. The Creator 

If there's anyone out there still 'over crediting' Tony Gilroy for the success of ROGUE ONE - one of the best (and the last great) STAR WARS films - this is the "fuck you" exhibit.

Gareth Edwards' sci-fi action epic doesn't entirely land its thematic intentions and hampers itself somewhat by placing dramatic reliance on the anti-acting vessel that is Gemma Chan, but by crikey is it an enthralling and gorgeous-looking ride. (John David Washington remains a magnetic watch, though I do wonder because he sounds so much like his dad whether we're all just hooked on the idea that they've 'prequelised' Denzel?)

You're gifted something here that feels like 1982 Ridley Scott and 1993 James Cameron have got together to play with action figures and do a sci-fi Vietnam movie... it's glorious stuff!

Full of some of the best effects and well realised set-pieces of the year, it's the old 'protect the child' trope given a beautiful lick of paint thick to feel make it feel just about unique enough and a) stand out in an ocean of comic book movies and sequels, and b) probably make Neil Blomkamp go "Ahhh. That's how you do this? Riii-ght!"

So of course no fucker showed up to watch it!

7. Close 

I don't really have friends. I don't have the sort of 'personality' that lends itself to people being able to find me tolerable at the most basic level - at least for more than a couple of hours at a time anyway. 

I've come to accept and acknowledge this fact the older I've got in life. I've always tried to make friends / keep friends etc but the type of person I am seemingly lends itself to being easily used and/or quickly put down.

It wasn't always like this though. When I was a child there was a boy who saw something in me that others did not and could not. He was in my class and lived close by my grandparents, where I spent most of my time. We were bonded by our loneliness amidst a sea of heads at school as much as our shared sense of humour. Even at a young age I came to appreciate this friend for simply •liking• me and we quickly became inseparable.

On the last day of school, with a vast and limitless summer ahead of us before separate high schools would provide an inevitable divide, we had an argument. A silly, stupid, ~nothing~ argument - significant enough in postscript that I can still recall it now 31 years on - that degenerated into shoving and me accidentally banging his head off a bathroom wall during lunchbreak.

We left school that day with our friendship impacted and the first week of the summer holiday's heavily damaged by him not being by my side in it. And on the very night that I finally decided I didn't want this to continue any longer... that the very next morning I would pick up the phone and ask him if he wanted to go ride bikes in the dene... he died.

An asthma attack. A fuckin asthma attack.

He died not believing that I was his friend and that devastated me. It still does. 31 years later, I think about Neil at least once a week. I see clips of talent show magicians and KNOW that'd have been him. I've tried all my life to replicate a friendship like it and I've never succeeded. But can we ever generate that closeness in adulthood towards someone like we could as children, when we were free of responsibility and bonded by limitless possibility?

I've frequently wondered what my life would've been like if Neil had still been in it, telling myself over and over that this would've been one of the rare pre-teen childhood friendships that lasted.

I miss him and would give anything to be able to deliver the apology to him that he deserved then and is still owed now.

So... all THAT said... it goes without saying that this deeply human, carefully etched and very naturally drawn drama hit me like a train travelling at 150mph.

This is one of the most effective and important films about grief, trauma-processing, adolescence and friendship that there's been in some time.

It really is a brilliant piece of cinema that should be shown in schools to every kid from twelve upwards.

6. The Eight Mountains 

Felix van Groeningen and Charlotte Vandermeersch's adaption of Paolo Cognetti's novel is a (both visually and emotionally) astonishingly beautiful effort with two fascinating and textured performances from Alessandro Borghi as the adult Bruno and Luca Marinelli as the adult Pietro.

It's an intimate epic; a careful, patient and quietly profound treaty on friendship, life, love, ambition, Buddhist concepts, ancient Indian cosmology, growth, nature and the weight of legacy.

Come for the stunning footage of the gorgeous Italian Alps, but stay to be deeply moved by something really rather special, wholehearted and sincere that steps right over whatever BROKEBACK MOUNTAIN esque expectations or assumptions you may well carry into this.

5. Teenage Mutant Ninja Turtles: Mutant Mayhem 

I've never understood anyone - especially the aged fanboys frequently responsible for ruining the STAR WARS and MARVEL 'discourse' - who's shown territoriality over the TEENAGE MUTANT NINJA TURTLES as a "franchise".

The reason this ramshackle 1984 indie comic by Kevin Eastman and Peter Laird has blown up into five television series, seven films, multiple video games and a range of toys / merchandise for four decades is mostly down to the way it sorta reinvents itself every five or so years. Which means there's some form of TEENAGE MUTANT NINJA TURTLES 'content' now for all of us in one way or another.

And one of the most impressive - but not THE most impressive - things about this film is how it incorporates something from everything that's gone before without becoming a complete mess. The spirit of the comic book source material is front and centre alongside the legitimate effort of the 1990 movie adaptation. The "that'll do" crappy clart of its sequels is avoided whilst the huge scale of the maligned Bay-ified 2014 - 2016 movies is represented. It definitely captures everything about the first Saturday morning cartoon that enamoured the property to us way back when.

It's a glorious effort. It truly is. I watched it with my son and his friends and the huge grins on their faces was infectious. I struggled to think of another entertainment entity that has moved so effortlessly through the generations like this has.

It's a visually resplendent film. It takes the reconfiguration of the animated form a la the SPIDER-VERSE movies and delivers a surprisingly more focused and tighter effort than the latest SPIDER-VERSE sequel. It is dripping with an energy and confidence that will surprise you, as well as a whole heap of heart and humour that will delight.

Yeah, there's moments here and there where the energetic visual styling becomes a little too cluttered in its action sequences but it is a minor grumble against what is a surprising instant masterpiece of its type:

A sweet and funny teen movie walking in the shoes of an animated giant sized comic book blockbuster wearing the coat of a New York conspiracy film, drenched in classic East Coast hip-hop and a score by by Trent Reznor and Atticus Ross, and performed by one of the most impressively eclectic voice casts of recent.

(Within a roster of Hannibal Buress, Rose Byrne, John Cena, Ice Cube, Natasia Demetriou, Ayo Edebiri, Giancarlo Esposito, Post Malone, Rogen, Paul Rudd, Maya Rudolph, Micah Abbey, Shamon Brown Jr, Nicolas Cantu and Brady Noon, it is Jackie Chan that absolutely steals this thing by a considerable distance!)

4. Asteroid City 

If you aren't a Wes Anderson fan this is not the film that is going to convert you. An immaculately stylised and composed metatextual 'Russian Nesting Doll' celebration of the construction of art and the art of storytelling? No way. No how.

There was elements of it that didn't work for me but what •did• work I was head over heels in love with. The [CENSORED]*constructs felt almost like afterthoughts and didn't particularly resonate. A lot of reviews hit Anderson for being unfocused and overindulgent, and I kinda can see where they're coming from. But only with regards to that particular element.

[* censored by me and hopefully by everyone else because they've done a wonderful job of hiding the story construct from the marketing]

The rest of the film is primo Wes Anderson in his most astonishingly stylised form with his attention to detail never more sharp.

A complaint that must be noted though is in the casting, where the usual 'Anderson Players' appear to have ran a 'pyramid scheme'; bringing in actors who's casting has attracted other actors to the point of it being too cluttered an ensemble in too lean a film to let everyone truly shine. Despite all the plaudits, I think Scarlett Johansson is well out of her depth here. And I just think if you're going to hire the likes of Steve Carell (replacing a Covid-addled Bill Murray at the last minute), Margot Robbie (who should've played Johansson's part, and vice versa) and the sublime Sophia Lillis but barely use them properly it's almost a crime!

When it's funny it is hilarious. When it is delightful it sits as a heavenly confection. And when it wobbles it still isn't as ponderous and disappointing as some of the lesser elements of THE FRENCH DISPATCH.

3. Oppenheimer 

I found every plaudit for this to be true and what a reward it was to receive as cinema lies stale in its current state, crusted with the stale decay of innumerable shitty-sheened superhero movies and sequels to things no one was asking for.

Here's a mature, complex, expertly constructed character study of great depth and intelligence; a film primarily made up of scientists and mathematicians thinking and squabbling amongst themselves whilst a non-linear deep betrayal born of immense pettiness plays out almost as an appendices to the traditional biopic... yet, thanks to the music of Ludwig Göransson and editing by Jennifer Lame, it moves like this insanely kinetic action thriller instead.

The ending stretch feels almost ~too~ trite and neat though, it must be said. Although maybe I'm tarnished by a feeling that no movie should depend on the cripplingly irritating overacting of Rami Malek to play last-minute 'saviour'.

Cillian Murphy is frankly outstanding here and whilst most critics have the Best Supporting Actor Oscar locked for Robert Downey Jr (who's brilliant and who's Lewis Strauss receives a 'kiss off' by Nolan here that almost feels like a Marvel Cinematic Universe esque tease for a sequel about Strauss arranging the JFK assassination!) it would be good to see Matt Damon get some recognition here as his General Groves very nearly steals the whole movie with very little.

The casting is so sumptous overall that every scene induces a "Hey! That's..." as the likes of Kenneth Branagh, Josh Hartnett, Casey Affleck, David Krumholtz, Matthew Modine, Benny Safdie, Jason Clarke, Michael Angarano, Jack Quaid, Josh Peck, Olivia Thirlby, Macon Blair, Tom Conti, James D'Arcy, David Dastmalchian, Dane DeHaan, Alden Ehrenreich, Tony Goldwyn, Alex Wolff, James Remar, James Urbaniak and (is it a spoiler to say?) Gary Oldman as Harry S. Truman roll out to 'play' for one or two minutes.

It's the sort of movie so stacked and packed even at 3 hours that it puts Emily Blunt (as Katherine "Kitty" Oppenheimer) in such an undercooked and underdeveloped role you wonder why they cast a 'star' in it... until that clearance hearing scene near the end where she goes and delivers the impact of a... well... an atomic bomb and you think to yourself "Oh. That's why they cast Emily Blunt!"

It's a gorgeous-looking - Hoyte van Hoytema's cinematography is luscious - cinematic achievement by Christopher Nolan, where his visual ambition and clinical cinematic technique have really come together once again to remind you the term "modern great" as a filmmaker is well earned.

2. Dungeons & Dragons: Honor Among Thieves 

A "great time" - seeing as the film itself had my beloved GAME NIGHT's Jonathan Goldstein and John Francis Daley at the helm - perhaps. But a resoundingly delightful time that left me instantly eager for more of these movies and DEFINITELY future revisits of this one? I'm shocked at just how brilliant this was.

I can't believe that one of my favourite films of the year is a 'fantasy heist action comedy adventure' based on the infamous tabletop role-playing game.

Especially considering I've never played nor have any frame of reference / interest towards the tabletop game (my sole DUNGEONS & DRAGONS 'knowledge' stems from the 1980s cartoon series - which gets a pretty terrific nod here!) and one-third of the cast is made up of actors (Michelle Rodriguez and Regé-Jean Page) I can't normally stand.

I've been a big Chris Pine fan for a long time now and his performance in this only increases the fandom. And I've flat-out crushed on Sophia Lillis since IT and she's pretty tremendous (if a little underserved) here. The whole cast - yeah, including Rodriguez - are pretty wonderful with Hugh Grant clearly having a grand ol' time, a "big star" mid-movie cameo that'll only land depending on your opinion of this diversive 'talent' and Justice Smith very nearly stealing the movie out from under Pine.

This thing is built within the framework of a marriage between THE PRINCESS BRIDE and the aforementioned GAME NIGHT. It's ostensibly LORDS OF THE RINGS meets OCEAN'S 11; a series of ever escalating challenges and heists that are thrillingly executed within a film that's very, very, VERY funny. The opening prologue is a complete statement of intent ("Where's Jonathan?") that tells you exactly the movie you're going to get.

Killers of the Flower Moon / Godzilla: Minus One 

Simply astonishing to indulge in - there's such a deft, surprising delicacy to elements of Martin Scorsese's Killers of the Flower Moon that's all the more astounding considering the abhorrent subject matter.

That comes mainly from the performance Lily Gladstone provides this film with. In a sea of tremendous work - and by God it's both magnificent to see Robert DeNiro be great again and for Leonardo DiCaprio to finally do something in my eyes that lives up to his [overstated] reputation - she is working on some other stratospheric level.

Comments about the length by some don't resonate with me. I certainly didn't feel it, necessarily. It's probably the length it needs to be to do justice to the masterful source material its adapted, deliver a legitimate love story (of which, don't be fooled by its toxicity, this is), a film of weighted historical and cultural context AND a true life / true crime procedural.

It's surprisingly less gratuitous than you'd probably expect too. Especially considering we're in the hands of our greatest living filmmaker, someone who's never shied away from presenting us with absolute violence of an uncompromised nature.

There's also these splashes of jet black comedy occasionally popping up too - like the horribly bleak but darkly funny scene in which one henchman asks a lawyer about whether adopting then killing his Osage wife's kids would make him a benefactor of their riches. When the lawyer rightly points out it sounds like he's confessing to planning child murders he replies not unless the lawyer's answer would be affirmative.

This is a film that consumes you. It pulls you in and drags you down - you're in the presence of pure evil and weak character, and Scorsese expertly holds you there so escape feels as impossible as justice must have to the Osage.

It's very easy to 'throw around' the term "masterpiece" when it comes to Martin Scorsese. Mainly because the fucker keeps effortlessly making 'em. But by crikey this really is one.

Equally majestic as a piece of cinema, but in an entirely different form and genre is Takashi Yamazaki's Godzilla: Minus One.

By concentrating on making an interesting drama with genuinely well-etched characters (that just so happens to have a giant radioactive monster passing through intermittently) equal to a barnstorming blockbuster creature feature (that allows itself to be infected with enthralling drama and character development), this steps up in the year of the Godzilla franchise’s 70th year to take the position as its best entry [by a considerable distance] in its illustrious history.

Buzzing with some of the best set-pieces of the year soundtracked to a thumping and all-consuming score by Naoki Sato, there’s genius in recalibrating a Godzilla movie – of all things – in order to develop an incredibly touching human drama and social commentary about what makes a family, what is the true definition of patriotism and courage, what real service to one’s country presents as and how to find air to breathe / the will to go on in a post-war Japan where unrelenting despair hangs in the atmosphere wherever your head turns and ‘fear’ manifests itself as a skyscraper-sized lizard-of-sorts.

We know we’re being played with the cute kid and the manipulative makeshift family relations, but that doesn’t stop it being wonderful. The marriage of sincere impacts caused by war and loss with sci-fi fantasy (but no less tense) fantasy action shouldn’t work, but they very much do. This thing is firing on multiple levels and it succeeds across the board to stand as the best blockbuster of the year.   

------------------------------------------------------------------------------

Here's a Letterboxd link for this whole thing if you're that way inclined.

Tell your mum I said hello.

See you next year...

[tartrazeen]

I have finally seen Across the Spiderverse!

tl;dr - amazing movie, folks here need to be more normal about Miguel

The longer version:

1. I'm so happy you people put that "Gwen is trans" theory in my head.

I got to watch the whole beginning of the movie like, "Omg, her dad is so supportive of her!"

And then I got to watch that part where Miles tells her, "We're the same. Uh - I mean, in the important ways, we're same," and be like "(⁠☞ﾟ⁠∀ﾟ⁠)⁠☞ Solid recovery, man."

And then I got to watch the part where Gwen comes back home, and when her dad asks her where she's been, appreciate the metaphor that'd be in, "I was off murdering all my best friends." Like - oof. I would not have caught the added meaning in a trans girl telling that to her father without this theory. A bit of "I guess he's not that supportive" followed by "Oh thank God, he's going to try harder through the power of movie magic and love and acceptance."

And that really hammered home the "Spider-man is a metaphor for coming out" with Miles, because he can't exactly pull a Misha Collins and come out as straight. As bi, though? As part of a big, interconnected web of LGBTQ2I+? Yeeeesssss.

Separately from that, I hope he and Gwen get together, really building off the "I'm gonna do my own thing" arc he's going through, paired with the "It doesn't end well" bit about Gwen falling for a Spider-man.

2. Loved how quickly they set up Spot.

I get him, I get the story, but they kept the pacing perfectly focused on the Spiderverse stuff. Spot's in the background but also developed well in the background. It's a perfect case of 'not too little' but especially - more importantly! - not too much.

3. Hobie is a fucking bro.

He showed up to help everyone - like one of the first things out of his mouth was, "Hey Miles, you can do better with your powers, here's some help." Loved him. And the fucking COMMON SENSE this guy had? I loved his little "haha anarchy" jokes, but this guy was on the Spiderverse's side completely - right up until he realized, "Nope, this shit has crossed a line" and immediately fought back against them. He didn't just help Miles and then quit. He helped Miles, quit, probably left assuming that Miguel wasn't gonna go completely batshit, and despite that assumption, still had the presence of mind to pass on his not-a-watch to Gwen.

And I think someone else wrote that he ran away? I disagree with characterization. He didn't panic and leave, and he didn't even abandon anybody. He disagreed, withdrew his support, and then left the others to come around at their own speed. I mean, Miguel hurried that speed up a lot, but that just speaks to how fast Hobie moved from "I agree with the Spiderverse" to "You guys are fucking facists." And the second he was tagged to help - after realizing how correct he was about the 'facist' thing - he was immediately back to actively fighting alongside Gwen. There was no passiveness on his side whatsoever. What a bro. And he even gave Gwen a place to stay when she needed it, which was such an extra point of community. 💖

4. Uhhhhhh can everyone please be more normal about Miguel...?

Because I watched that movie. I know like 5% of who this guy is. They gave us the Cliff notes of Sad Backstory and a glimpse - a glimpse! - into how he probably felt, but it was all from behind an iron mask. We haven't gotten into any of the real him yet, just the anger and outrage and fury.

So... people taking running with an obviously incomplete character? That's normal, fine, sure.

People taking that and running with it to slot him in as an uwu Top for Peter B.? Did you only go in looking for a ship, and did you have to be so weird about making it be the guy whose only defining traits are "Big" when his other and MORE IMPORTANT defining trait is "PoC whose race has been historically and actively fetishized for being violent sex objects"? 'Cause it's like everyone just scrubbed that 5% of what we know away to put him into this predefined "Big Dom Top" role with zero self-reflection, and handwaved how that once again perpetuates every racist stereotype this relates to. All to woobify the white guy some more.

I'm all for shipping, but you people literally don't know him. His story's pretty clearly being saved for the next movie, comic book sales show so many of you don't read those and definitely didn't before this (likely just stopping at what Wikipedia says), and went off of ~v i b e s~

And just happened to not notice how creepy and fetishizing it is that those were the vibes you were left with.

5. I teared up when Miles' story started. Yes, right after the opening title.

I wasn't expecting it, but as soon as the music started and that atmosphere was set, I just got hit with such a wave of, "This is unapologetically black." I heard the Puerto Rican vibes coming in later and both of them perfectly throughout the movie, but the centering of his blackness through the music alone. It was a 'great opening for a sequel' before that point. At that point? It was 'a brand-new story.' 💖💖💖💖 Representation bbyyyyy

[dans-den]

My Top 5 Best Movies of 2022

Hey how's going everyone? It's Dan here and were approaching the end of 2022 so were ending with my Top 5 best movies of 2022!

I know I was suppose to do it yesterday but I got busy yesterday so I'm doing it now. I'll repeat this one more time, this is all subjective and my opinion, we can agree to disagree, okay? good, lets begin!

Number 5 goes to the Bad Guys from Dreamworks (7.5/10)

This movie is based on the children's book and the book itself is quite popular, even at my job we have one of the books for the kids. When I saw the movie trailer, I was an instant fan of the animation style. It's going for that 2D done like 3D style similar to the SpiderVerse movies and that's what makes it unique. I had given my thoughts about it in the review back in April so if ya wanna see that go check it out. The plot itself is the classic never judge a book by its cover as well as everyone can redeem themselves, nothing groundbreaking but I did enjoy the way it was executed in the film. The characters are what really made this movie memorable. My favorite character has to be Mr. Wolf since he's just charismatic and a likeable guy even when he's committing crime you just can't help but love the guy. The character interactions and dynamics are what sell this movie in my eyes. It's on Netflix right now so I'd say give it a watch, I also heard it has more projects in the work so I think it is safe to say that this movie helped bring Dreamworks back in a big way this year (with Puss in Boots: Last Wish following that momentum too).

Number 4 goes to Doctor Strange in the Multiverse of Madness from Marvel/Disney (8/10)

Wow! a Marvel/Disney movie I'm not disappointed in! I had given a review for this movie back in May so if ya wanna check it out, go ahead. To summarize that review, I love the VFX, just like the first film the VFX are what carry this movie and each one is like a trip. Now keep in mind this is part of the MCU so there are a lot of films and even some shows to watch so that you can fully understand the plot and the characters motivations for what they do. I gave what films and shows to watch during my review so use that as a base line on where to start for story. Even if ya don't watch any of the movies or shows, the plot itself is still rather decent and the characters are still who they are (besides Scarlet Witch) so it'll still be fun time and plenty of magic going on. I still think Spiderman: No Way Home is a better multiverse movie, but this is a good contender with plenty going for it. Though some VFX look a bit lazy at times, it's forgivable compared to what we get a majority of the time. I also wanna point out that Sam Raimi (the director of the Tobey Spiderman movies) directed this film and gave it some of his personal touches even adding Bruce Campbell in for a cameo so I appreciate that too.

Number 3 goes to The Batman from DC/Warner Bros. (8/10)

This movie is when I knew we were eating good this year when it came to movies. This film much like Morbius was in Limbo due to the Pandemic, Luckily it made it's way to theaters and it was a real banger! This was the first review I did back in march and if ya wanna see it go ahead and check it out. This is definitely one of the better Batman performances I've seen and definitely the better representation of Gotham City. Robert Pattinson gave a phenomenal performance as the Dark Knight and even though I feel his performance as Bruce Wayne could have been better, this is still in the early stages of Batmans crime fighting career so Bruce hasn't quite found that balance and secret identity aspect just yet. He is still figuring out what he needs to be for Gotham City and I do hope that they continue to build on this in the future, I would like to see the character growth and development of Bruce Wayne/Batman. Paul Dano as the Riddler was something I was pleasantly surprised with, this darker take on the Riddler was refreshing to see since traditionally the Riddler is one of the more comical villains in Batman's Rogue Gallery. I felt immersed into the City of Gotham and in the story of Bruce Wayne's family, they did well expanding on his history. The action was gritty and more martial art based (which I love) as well as showing off Batman's detective skills trying to solve the riddles. This film truly kicked off the year and I'd say this is definitely the best superhero film of the year, beating out any movies from Marvel and itself.

Number 2 goes to Sonic the Hedgehog 2 from Sega/Paramount (9/10)

I've said this once, and I will say it again, 2022 has been the Sonic Renaissance and were living it up, baby! This is the sequel to the Sonic the Hedgehog movie that came out in 2020 and while the first film was pretty decent and it was more of a testing waters phase, it still did a great job and was one of the main reasons people started to lose that "Video Games can't be adapted to good movies" stigma. Now the sequel builds upon that success, I had given my review for this movie back in April but all the points I made still hold up and I'll support that with further evidence now. After the positive reception of the first film, Jeff Fowler and his crew went into the next phase and decided to build upon and dive into the lore of Sonic the Hedgehog. I also appreciate them having the humans take a backseat this time around and having the story more centered around Sonic, Tails, Knuckles, and Dr. Robotnik (aka Eggman). We got to see settings such as Angel Island and Gerald Robotnik's secret lab where Shadow is in suspended animation (post credit shows Shadow for the upcoming third film). We even saw the Master emerald which was made up of the seven chaos emeralds used in this movie and gave us the special appearance of Super Sonic! As I said earlier, this is the year of Sonic, with a successful sequel, a great game in Sonic Frontiers, a great show in Sonic Prime and the upcoming third movie, Sonic is going fast in the right direction. Hopefully, he continues to rise this momentum into 2023 and beyond, I'm a big sonic fan so it's great to see him doing well after a long time.

Before I get into the number one spot, I'm going to give a few honorable mentions

First mention goes to Top Gun: Maverick from Skydance/Paramount (7.5/10)

This was a sequel to the nearly 40 year old movie Top Gun, however unlike other random sequels, this one is actually far superior than the original. The original is definitely a cheesy 80's movie, but the sequel manages to build upon and create a real story here making Maverick a mentor with something left to give to the next generation. It's a fun movie to watch and it has plenty of charm to it. All the actors did a phenomenal job and I was pleasantly surprised that this movie was as good as it was.

Next mention is the Elvis Movie from BazMark/Warner Bros. (7/5/10)

This movie is yet another Biopic of a famous Celebrity/Musician, but what really shoots it up there as one of the better Biopics is the performance of Austin Butler and Tom Hanks. Austin truly did Elvis justice with his performance. His mannerisms, the speech, his moves, I can tell Austin gave it his all and I think we can all appreciate that. Tom Hanks as the Colonel was a true villain and foil to the story. I enjoyed the narration from him which added to the tone of this cautionary tale. I gave a review back in July so if you wanna see more head over there. But this is definitely one of the better biopics.

Last mention I wanna give is the movie Turning Red from Pixar/Disney Plus (7/10)

This is a true coming of age story I can get behind. I gave my review for this back in March so if you wanna see my full thoughts on it, go check it out. This film is unique for so many reasons and I can say I enjoy this film, I watched it twice and I enjoy the animation style and how it takes inspiration from anime as well. The characters are a fun to watch and the mature themes here are done well and respectively. I wish more Disney films were like this but you know them. Luckily Pixar is doing their best to bring us unique stories and great animation trying something new each time. I may not be the targeted audience for this film, but even I can recognize the passion that went into it and I feel it's a film for young teens and even adults to enjoy.

Now for the moment you've all been waiting for, the Number one movie of 2022 goes to....

Number one goes to WEIRD: The Al Yankovic Story from Funny or Die/Roku (10/10)

I'm sure no one saw this one coming, you're likely scratching your head and asking "first off..Weird Al has a movie on Roku?! Second...Why is this the best film of the year?!". Well stop asking so many questions and I'll tell ya! This film is technically a biopic just like Elvis or other biopics from other celebrities...but its a parody of that entire biopic genre. As we all know, these biopics tend to exaggerate the truth for the sake of the film being dramatic and entertaining, some things in the film are not quite what actually happened in the real life of that celebrity but rather exaggerated. Weird Al cranks that exaggeration and dramatic antics to the MAX! Unlike those other films, this is not meant to be taken at all serious and you can tell. The first half was already kind of exaggerated but was still telling the truth of how Al got his start in music (to a degree). But once we get to the second half of the film....it just goes hog wild and turns the film into full blown insanity and it is without a doubt hilarious! I got some Bohemian Rhapsody vibes from this movie with how Al starts out good but then gets into hard drinking, gets into a toxic relationship with Madonna, confronts Pablo Escobar to save Madonna only for her to take over the drug cartel....You can see why I said this is not meant to be taken seriously. It's all just a huge parody of celebrity biopics and its meant to be a joke and I love it! Weird Al was heavily involved with making this since he's still alive so I'm sure he would want to have a say in how it should be done and he's the one responsible for getting the boy who lived to portray him. Daniel Radcliffe did a phenomenal job as Weird Al being hilarious, dramatic and both at the same time and Weird Al himself actually has a role in the movie as not himself...but parodying an executive at a record label. This movie is just a fun watch, I was laughing the entire hour and a half. Each of these movies on my top 5 have something special, the Bad Guys are the best animated film, Doctor Strange is best Visuals in a film, Batman the best superhero film, Sonic is the best video game adaptation film, but Weird: the Al Yankovic story is not only the best Parody film, but the Best film of 2022!

Thanks for staying till the end, Hope everyone has a Happy New Year, and I can't wait for the content to come out in 2023!

See ya!

[clubsheartsspades]

So @alukardtheabysswalker tagged me in the "get to know your friends a bit better tag game", thank you! Sorry this is a bit late!

Three Ships: Roadrage is one of my favourite ships currently and it gets the first place because I'm deep into rain world ^^'

Pinescone is one I kind of always come back to, it's just always cute <3

JonGerry because I have written a lot of JonMartin but I was kind of thinking I should write more about Gerry (and Jon) that might be a fun dynamic

Last Film: I think it was Across the Spiderverse, pretty sure actually.

Currently Watching: Shadow and Bone S2, yeah I know it got cancelled, but I'm not done with it yet, I watch it with my mom and we live in different states, so that's sometimes a bit difficult lol

Currently Reading: Still the Starless Sea, I forgot my book at my parents' place, so I'll be on that for a little longer

Currently Craving: Some matcha, as I always do, also some of that good jasmine plum tea I had in New York that was unfortunately the best thing to ever happen to me and I miss it

I'm tagging.... @colorfullyminded and @jade-island-lives and @soul-write and also @1face2souls-blog because I think you guys will have fun with this

[candycoatedrox]

ocs masterpost (the main guys)

so you've stumbled upon my blog and you see me constantly talking about these characters to a mentally ill degree. and you're like, who are these people. WELL I'M GLAD YOU ASKED cause i haven't made an intro post about them yet aaaaaaaaaaa -

I WILL LINK IT HERE WHEN I MAKE ONE BUT FOR NOW. this post is mostly a tag breakdown because i love organizing things and thus have an insane amount of niche tags for them and now really want to have a list of them somewhere. main tag is molls' fucking creechurs. sometimes random ramble posts won't be tagged with that but art/more coherent rambles will definitely be. often i tag the incoherent rambles using niche tags even without the main tag.

gonna put a read more so i don't flood people's dashes when i post this!! tags will be separated into categories below the cut. because again, i am insane.

au tags

erm i have too many aus... its like. a problem

this list is just gonna keep growing i have 15 aus and counting. it all depends on when i actually post about them on here

fallen angel timeline: i only let myself call the tag "timeline" cause i realized fallen angel au would make it sound like its actually an angel au. FALLEN ANGEL IS THE NAME OF THE STORY OKAY it's just the dark timeline of my main lore okay. wade dies i'm so sorry

shooting star au: once again, just the name of the story... slightly better version of fallen angel where wade does not die bc i had too many ideas. lol

sgw au: stands for stained glass window, you'll notice that i like using glass imagery relating to v a lot. hehehe. shooting star au but it actually follows up-to-date lore because v didn't exist when i wrote fallen angel, aka wade and v actually met. this causes infinitely more trauma for everyone involved.

itwl au: au where v is agent 3. yes itwl stands for something. no i will not tell you what it is teehee

hexsquad au: au where my ocs replace the main characters in toh!!

owl house au: ORIGINAL au of my ocs set in the toh universe. not the same as hexsquad au. sobs

sd au: au where my ocs are magical girls (or, uh, magical kids?) in the universe of sleepless domain! VERY good comic i HIGHLY recommend reading it's sooo good

spiderverse au: au where my ocs are spider-people!!! hehehehe

[cocogrrrl]

good GOD dude RENDEZVOUS IS SO GOOD ALREADY I am violently shaking in happiness reading it bc aavGvabsjsjdojxklsbsvshaajckllKAMABAV I can’t wait for the others to get introduced as well I just can’t WAAiiiiTtttTTTGGHHGGH also red supremacy I’m so happy she’s here I love her

PLZZZZ NOT THE RACCOON HAIR CLIP LMFAO oh ALSO I LISTENED TO BJORK AND BORN WITHOUT BONES I rly liked thunderbolt + victimhood and privileges + cancelled, respectively :))) bjork especially was out of my usual listening sphere but now I gotta take a huge deep dive into whatever genre her music is called >:)) (electronic? experimental?)

OH OK OK I’m honestly such a huge animation fan bc I’ve dabbled in it and know how much blood and tears and sweat goes into making a film SO my fav movie has to be into the spiderverse (the first one) bc it was just. So good. Amazing soundtrack + revolutionized the animation industry + the mc is basically my one and only kin ever so it’s just UGHHH the film is so so big in my heart 😭😭 like I even flew to ny bc they were do a live orchestral showing for it and I just could not resist the urge (tho my bank acc was yelling at me the whole time) do u have a fav movie?? and OH WAIT U DIDNT SEE BARBIE YET i hope u enjoy tell me ur thoughts after!!

- 💫 anon

OMG THANK U ���🥹🥹🥹 i already have the third chapter prepped up so be ready for that 😇 i was actually thinking about using wendy instead of red but i was like "i use wendy as a BFF too much let me use other characters for a change" LMAO besides i feel red fits the bill a lot better than her

OMGOGMOM IM IN LOVE W U ANON /p/ lh thank u for listening to my recs it makes me really happy hehehehehe :3 omg anon ur favs r some of mine too! (namely cancelled and thunderbolt ;0) bjork is definitely outside my usual circle as well LOL altho i listen to other avant pop/experimental artists like grimes and fka twigs , bjork rly is the mother of avant grade music 4 me LMAO

YESSS spiderverse is such a juggernaut of a film i believe it is one of the most perfect film out there and one of the most impactful of our time as well like you can really see the animation seep into other movies like pib2 and the bad guys . its such a masterful and amazingly crafted film that like most words said will not be able to do the film justice since its like THAT good holy crap

ill def let u know my thoughts on barbie!!! my fav film changes from time to time but i think the film i always go back to is jojo rabbit :D i watched it for the first time back in 2021 and like IT PHYSICALLY ALTERED MY BRAIN CHEMISTRY... the almost ww2 kid in me was quaking its such a fantastic and kinda uncomfortable film for me that no other film has made me feel /pos the humor is great, the cinematography is stunning, and god the characters are just such a treat

[badchoicesworld]

blog guide !!

requests are closed, but feel free to send them in regardless. just expect them to be answered a little later !

this is (for now) an across the spiderverse blog !

please allow me up to a week to write up your asks

characters i write for :

Miguel O’hara

Miles Morales

Miles 42

Hobie (let’s go brit rep)

Pavitr Prabhakar

The Spot

Peter B. Parker

Spider-Noir

general info :

i cannot stress this enough, i exclusively write everything but fem reader, y’all got enough .

that being said, feel free to request anything else at all- when it’s not specified i will just assume gender neutral for the sake of inclusion

trans readers, non-binary, everything in between and all about is completely valid here and i’m more than willing to write about it <3

i do have a health condition that can catch me some days, so there may be times where i’m inactive but it should never be for long periods of time

feel free to get oddly specific with requests ! the more i can work with, the better

but i also don’t mind if they’re just general requests that don’t require a lot of detail

i will NOT write explicit NSFW, i draw the line at clothes being removed unless it has something to do with a prompt (e.g. seeing top surgery scars for the first time), some of these characters ages are not specified yet and i don’t feel comfortable potentially writing NSFW for minors. that is a crime.

there will be some requests i won’t obviously be able to complete for a number of reasons, please do not spam me if this is the case. if i’m willing to fulfil a request i will try my best to communicate with you if needed :]

i have the right to deny requests.

i do wanna say that i am a white guy so i can’t write from first hand experience, but if you request something that includes diversity like a specific race or cultural aspects i will try my absolute best to deliver accurate works. I’ll research to whatever extent i need to (if you don’t already give some information) so i can provide for groups of people that are seriously neglected when it comes to fanfiction and such. and please, in the future, if i ever do fuck up PLEASE hold me accountable and if you can show me what i’ve done wrong and what i should’ve done; what i can do to improve, i would be so appreciative- my goal is to be as inclusive as possible with my writing and the last thing i want is to offend any body of people.

finally, there will be types of writing i can’t do for specific characters. for example, spot, idk how tf i would write like a whole one-shot when my man is how he is now so i’d probably just have to stick to headcanons n such

what i will write :

requests can be either platonic or romantic dynamics, potentially other stuff if you have any ideas. just lemme know ! i do like to consider myself half decent at writing, i’ve studied english literature and linguistics my whole life and i love it very dearly <3 i’m going on to study english as a whole at a higher level (literature, language, linguistics, creative writing)

i'm happy to also apply these headcanons to the cc's, so transgender miguel for instance! just let me know :]

i typically write in bullet points because im a mess

x male reader

x nb reader (feel free to specify if they’re ambiguous, masc leaning or whatever if it’s relevant to the ask)

x trans reader

x cis reader

x spider reader

x mutant reader

character x reader

if you request multiple characters (which is fine <3) i’ll likely default to headcanons for the sake of ease

what i won’t write :

x fem reader .

character x character

NSFW

triggering topics (excluding canon events)

weird fetish/kink stuff :[

hate speech, everyone is welcome here

masterlist :

hobie brown:

how i think Hobie would react to GN!reader calling them their husband casually, even though they’re not married

hobie brown with a transgender, vigilante reader (ftm reader)

hobie admires your fighting spirit (gn reader)

hobie’s punk, you’re metal (band edition, masc reader)

where you and hobie have the most loving connection, but don’t label it (gn reader)

where hobie meets gwens older brother (masc reader)

hobie notices how startled you get when he kisses you (gn!)

hobie realises you’re not as naive as he thought ! (gn reader)

with an s/o that cries a lot ! (gn!reader)

hobie with a snake mutated boyfriend !

hobie with a butterfly mutated boyfriend !

defending his trans partner !

miles morales

miles with an artistic boyfriend riddled with anxieties

miles with a snake mutated boyfriend !

defending his trans partner !

miles 42:

miles 42 w/ an artistic spider-reader ! (masc reader)

miles42 with a butterfly mutated boyfriend !

miles 42 w/ and alien boyfriend !

defending his trans partner !

the spot:

the spot getting flustered by masc!reader

the spot falls into winged readers home (gn)

spider-noir:

spider-noir finds out you’re transmasc on a mission !

helping noir understand trans issues (deadnaming, ftm reader)

with an s/o that cries a lot ! (gn!reader)

noir finds out you wear trans tape (transmasc!reader)

defending his trans partner !

[kaypeace21]

Analyzing the 5 plays in this drama club poster .From the bts pics of stranger things 4.

So... some of ya’ll know I'm going through the st s4 films given to us by the official st twitter + the films reffed in the show itself or mentioned by the Duffers in interviews .

So I decided to look at the plays mentioned here. Because even if we don't see the monologues in the show directly - the Duffers wouldn't name drop anything unless it inspired them in some way. Similar to films name dropped in the show. Tw : for some dark themes .

This is just a quick little analysis I decided to do since we probably won't get any new st content today (3/22). Nothing too deep. Just mentioning things that caught my interest especially cause these plays have a lot of narrative connections to the st s4 movies I've been watching.

Invitation to a march (Authur laurents)

Reminds me of the stancy/jancy love triangle. "A young woman is having second thoughts about doing the right thing and marrying a respectable , rich, kind, young man with good prospects.By way of a prewedding diversion, this woman becomes interested in the passionate but poor and entirely unsuitable son of a local landlord.Basically, the plot concerns the efforts of Norma Brown to choose between a conventional fiance who "puts her to sleep" but is wealthy (like what her own mother did) or go for this new-poor guy. The play is principally interested in how this youthful love triangle affects the three mothers involved (whether the kids like it or not)

12th night (Shakespeare)

 - viola (el) wrongly assumes a family member (hopper) is dead. She dresses up as a man named 'cesario'. A girl named Olivia falls for 'cesario' (violet dressed as a man). "Finally, when 'Cesario' and Sebastian (violet's twin brother: assumed to have drowned - Will) appear in the presence of Olivia there is more wonder and confusion at their physical similarity. Taking Sebastian for 'Cesario', Olivia asks him to marry her, and they are secretly married in a church. Cough if Olivia is 'straight' cause she fell for Viola (as a doppleganger dressed like her twin brother).Mike being into el who multiple characters in s1 said looked like a boy and specifically like Will is...suspish and a hint he's not straight lol. just like Olivia they're both into guys . plus, this play just has a butt load of love triangles (ugh i hated that aspect). There was also romantically coded letters (which was in the s4 films) . One character is also thrown into an insane asylum and framed as 'insane'.'Pretending that Malvolio is insane, they lock him up in a dark chamber. Feste visits him to mock his insanity'. We all know the psych hospital will be narratively important- talked about it more here.

The seagull (Anton Chekhov-russian)

similar to how I believed s4 will show m*#even already broken up since the months between s3-4 : act 3 (s3) ends with Nina begging for one last chance to be with Trigorin before he leaves/moves away. They kiss and make plans to meet again in Moscow.And in act 4 there's a timeskip where it shows they've been broken up for a long time between acts- and its established they never actually loved eachother. Do i even have to spell out why this parallels the m*#even ending in s3? There is also a play within the play (this is common in a lot of the st films- they have plays- or a story within a story- which illustrate certain themes or emotions of the characters within said film : blackswan, children of paradise, highschool musical, Rushmore, book of Henry, welcome to marwen, never ending story, romancing the stone, wet hot American summer, etc).The play is Konstantin's latest attempt at creating a dense symbolist work. There is also alot of love triangles in the seagull. TW!: for se#ual ab*se/su*cidal thoughts/ inc*st (here and in other play segments). The seagull motif reminds me a lot of Jonathan's rabbit story.Konstantin romantically into Nina shows up to give her a gull that he has shot. Nina is confused and horrified . Trigorin sees the gull that Konstantin has shot and muses to Nina on how he could use it as a subject for a short story: "The plot for the short story: a young girl lives all her life on the shore of a lake. She loves the lake, like a gull, and she's happy and free, like a gull. But a man arrives by chance, and when he sees her, he destroys her, out of sheer boredom. Like this gull."  This immediately reminded me of jon's rabbit story and some of the movies on the s4 list . Like in forrest gump- Jenny (who is poor) was se*ually ab*sed as a very young girl by her father. As a child she runs away into a field-away from her alcoholic father yelling at her -there she prays that she can "be a bird so I can fly far far away" .

Jenny as an adult struggles with this unresolved trauma- being with ab*sive partners, doing dr*gs, and having su*cidal thoughts . She as an adult when contemplating su*icide, jokes 'you think i can fly like a bird ?' while looking down at a bridge.God-i'm worried about jonathan (Jenny was also a musician sort of like jon). In another s4 movie example ' mystic river ' :(in the 80s) a preteen baseball playing boy is r*ped by men in the woods. He later says he wishes he could become an undead monster to not feel the pain of that experience - cause quote " if I'm not human anymore maybe the pain will stop" (Will) . slightly off topic but he also has another personality, imagines a alternate word that dissappears when he turns his head. And as a less direct animal parallel to the play - the boy from the film also imagined his perpetrators as monsters and wolves to cope.In 'getout' the photographer character sees a dead deer in the woods and it represents a parent/his own childhood tra*ma relating to his past. similarly in 'prince of tides' the 2 siblings as kids were ra*ed by men. The older brother remembered it and the younger sibling developed DID (so didn't remember but she would draw wolves- as the perpetrators/villains in her picture stories she created . In the film they also had an ab*sive dad and were very poor. She also tried k*ling herself multiple times-but started to get better after remembering the source of her pain and trauma.  There is also the theme of multiple attempted su*cides in the play- and the play ends with yet another attempt- and the audience is left unaware of the artist's fate at the end of the play.

The tempest (Shakespeare)

Prospereo - (the perceived antagonist) is a wizard with monstrous looks, storm powers , and ability to create monster-dogs

He wants revenge on a man who tried ra*ing his family member & revenge on his other family member who wronged him years ago. I mean... pretty much my did theory.But in the end.Prospero decides to show his enemies the mercy that they did not show him twelve years earlier. He tells Ariel to bring the men to him, he will restore their sanity and then renounce magic forever.Prospero breaks the spell that the men are under .

Diary of a scoundrel (Alexander Ostrovsky-Russian)

-  I suppose this could loosely relate to Jonathan? Glumov, is a young man from an impoverished family lacking status seeking entrance into society's pampered class. A 19th-century Russian scoundrel must scheme his way out of his meager life in a small apartment -whatever it takes.He has a quick mind and some talent for seeing through the hypocrisies of people around him ( Jonathan does make a lot of social critiques about society). That gives him some advantages. A tale of one man's mission to finagle his way into upper-class society and find a cushy job. Set in 1874, this social comedy follows Glumov, a Russian youth who begins his ambitious ascent to social esteem. He progresses by wit, guile and rhetoric. Pitting one stupid person against another, he soon gains his ends. To reach these goals, Glumov will lie, flatter, and cater to the vanities of the wealthy. Unable to contain his disgust with his victims, Glumov decides to relieve his unvoiced satirical comments by recording his schemes in a diary. But he is tripped up by his uncle's wife, to whom he has made passionate love on his way to success. At the end of the play, his diary is stolen and his duplicity exposed, but he can nevertheless suceeds. The author is much more critical about the high society itself than about the main character, so the play keeps attracting generations of directors by opening possibilities for political criticism while also avoiding naming names of the current rulers.The play's aim was to overthrow bourgeois tradition and establish a class-conscious art called eccentricism giving a deliberately comic portrayal of reality.

I suppose I notice some possible commonalities-  besides s3 critiquing the wealthy/capitalism in comedic ways . jonathan since s1 has worried about his family's finances / had some resentment toward the rich . In some of the s4 movies ‘orphan’ & ‘ girl interrupted’ someone reads their diary out loud to get at them (in girl interrupted the winona character’s diary even had critiques of her new friends).  Alot of movies also have someone (usually a teen/young adult) making a documentary about their life -which could narratively replace said diary? A few movies have a poor guy adjusting to snobby rich social circles (or being poor and then getting money)- titanic, kingsmen, karate kid, the craft , godfather,  wardogs,into the spiderverse,flashdance, and many others . And movies like wardogs has a poor-young-character do shady things to finacially support his family . There’s also that whole uncle’s wife thing- which makes me uncomfortable for obvious reasons (but I’m just thinking of Lonnie’s creepy gf who was into him). A few movies had the guy’s step mom innappropriately hit on him- orange county & you got mail. And him trying to avoid her advances. Or...not to mention ... it may be a problematic coincidence /trope. But in enter the void -the guy who needs to finacially support his sibling/ does dr*gs -hooks up with his dr*g dealing friend’s married mom (who would give him money).  Or in gilbert grape- the poor teen-who has to finacially support his siblings/single mom-has his endgame relationship be a girl his own age. But before that he h*oked up with a married woman -who would give him money. Don’s plum -young film guy-propositioned by older female film director (for dream job). Not even mentioning the other films that have the guy hooking up with toxic older women (like ‘the graduate’). Or analyze this-where the therapist accuses him of having an Oedipus complex (not touching that one... but the guy in ‘enter the void’ a 100% had one). It’s possible those movies were just- inspo for s3?  A coincidence? Or s3 was foreshadowing for this in s4- but unlike s3 it will accurately be played as wrong  and a sign of Jonathan recreating past tra*ma caused by Lonnie (cough like the photos) /being desperate for money. And not played ‘comedically’ like how it mostly was in s3. But shown as self destructive  (for Jon) and immoral on the Woman’s end. Like... Billy and Jon are character foils. Both are older siblings into rock music, with ab*sive dads who shoved them into walls. Both lose it (and beat steve to a pulp when Steve accidentally triggers their daddy issues). In s3 it’s established womanizer Billy has mommy issues, than he tries ho*king up with someone his mom’s age, and the characters ref ‘back to the future ‘ and Steve incorrectly says it’s about “alex p keaton trying to bang his mom.” This could illustrate his subconscious issues with parental figures/adults cause of Lonnie’s  possible past se*ual ab*se . One film the friend even says to the guy “you don’t have friends!” guy b: i have friends! him:  no you have acquaintances! ADMIT IT! YOU’RE AFRAID OF MEN!I mean-Jonathan liked Nancy- but he initially hooked up with her cause he wanted to prove he didn’t have ‘trust issues’ from his dad. Also it’s prob a bit of a reach (and maybe a coincidence)- but the fact Murray in the same breath compares Steve (Nancy’s then bf) and Lonnie  ... uh... if you think too long about it ... it’s very sinister .  Especially because in s3: muray tells Joyce  that despite her wanting to be with a nice guy, she’s curious about “the brute” Hopper despite him reminding her of a past “bad relationship”(aka Lonnie). Like- yeah connect some dots.  Quite a few films (other than forrest gump) also have the character who (as a kid) was  r*ped by their dad/parent-  begin to do dr*gs/be pr*miscuous as adults since they never learned to properly cope with their trauma (’girl with the dragon tattoo’,  ‘black swan’, and ‘magnolia’). Unfortunately the whole relative doing such things to kid-relatives is in at least 30+ movies. 

Personally, i would be MUCH happier if Jon had a age appropriate romance- and had not a single creepy adult near him. A few movies actually imply Lonnie gets yet another ‘new model’  replacing his gf in her 20s with a new gf- who is ‘barely l*gal” and just turned 18. so there’s that possibility as well- that she’s jonathan’s age.I just want Jonathan-happy &safe. GOD. IS THAT TOO MUCH TO ASK?