#or at least some of the answers are

[callisteios]

hello. I've made another uquiz! it tells you what kind of supernatural creature you are give it a go :)

[uncanny-tranny]

The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:

[cozylittleartblog]

happy pride month. i did not make this up for th ememe

[frogisanut]

gammastuck au !

au with my friend that goes something like "earth c kids discover glitched version of sburb and the codes goes so wild that caretakers and beta kids are switched so badly that these are completely different versions"

eM - "mom lalonde" mF - "bro strider" eN - "dad egbert" fN - "bec"

[tunemyart]

So I've just watched the finale and I'm feeling... Weird. I think part of it is because this show started with everything I like in a story (cool badass ladies, a queer romance, found family, redemption, etc etc) and ended up being... Not all that (most characters die, the romance is doomed, and I guess the redemption mostly happened but wasn't entirely satisfactory to me). Also, I'm someone who as Trauma (tm) with death so, I guess my brain's first reaction is "fuck that I just want them all happy and safe" and it takes me a while to accept when stories take these paths, however well written they might be.

Still, I thought it all went a bit fast in the last 2 eps, with parts of the show ringing just a little bit more hollow than I would have expected? I'm left feeling like the characters of Alice, Mrs Hart and Jen were treated a bit superficially (Lillia's story felt more complete). I also wished we had seen more of Agatha's past because spending centuries just conning witches then killing them is... a bit boring? (maybe we learn more about her in WandaVision, I haven't seen it). And obviously I wished we had seen more of Agatha and Rio. It's like the show couldn't decide if it was about Agatha or about Billy (partly because, I'm guessing it's setting up a 3rd show about him?), and with this short format we ended losing a bit on Agatha's part.

Anyway, curious of what you think of all that because your analysis are always super interesting, and like I said my own brain might be a bit biased towards resistance with this one. And obviously would love to read your fanfic(s) should you write any!

So, I've started and restarted a reply to this a few times, but I think what my answer boils down to is: we're meant to have multilayered responses to this finale. We're meant to sit with it. It's meant to change our experience of the show we've had to this point.

I think the best metaphor for this is the fact the revelation that Rio is Death. Bear with me, because I know this got spoiled for us way early on and we all knew it and were all just waiting for the revelation to drop - but imagine for a second that we didn't know that Rio, Agatha's ex-girlfriend and spooky fun vaguely-a-psychopath as played by the delightful Aubrey Plaza, is death. Your perception of Rio would have been turned on its head. Your perception of Agatha would have been turned on its head. Your perception of the Witches' Road and what we're even doing here with Death walking alongside us as a tourist would have been turned on its head.

Now, we all had an incredibly fun time even with the knowledge that Rio is death before we should have had it. But I think some of the power for what it meant for the story - and our perception of what was really happening - was muted.

Jen, at the beginning of 1.08, says, "She told us who she was from the very beginning."

Sit with that - because the same is true of this story.

---

It turns out that the Road is a metaphor for death. This isn't fully illustrated for us until Nicky, the author of the Ballad, walks down the road with Death's hand in his, and we go, oh. Oh.

Agatha tells us in the beginning that the Road doesn't exist, a rare instance of her giving anyone unbridled truth. And sure - the Road that our coven walked down doesn't exist. The Road that all the witches Agatha lured to the deaths believed in doesn't exist. It's a fiction. But it's significant that Agatha lured them all to the Road and killed them. They wanted to walk the Road. They died. Not "they died instead" - it's a two-fold statement. They wanted to walk the Road and they died. In a gruesome way, Agatha's been taking witches on the Witches' Road since the 1750s.

I don't think the significance of that is lost on Agatha, either, especially where we pick up at the beginning of 1.08. Lilia's dead, and everybody's reeling.

Perhaps Agatha more than anybody.

---

I also want to quickly take a look at Rio's accusation of Agatha regarding Billy.

"The bodies are really piling up." "Did you doubt me?" "Yeah, I did. I thought there'd be a trick in there somewhere. And there was! You were distracting me from him."

Because this is a revelation about Agatha's actions toward not just Rio, but any audience watching her - i.e., us the viewers. She's been distracting us! Not from who Billy is, we know that of course, but with regard to what the Road itself is. Agatha's known the Road isn't real the entire time. She's been protecting Billy from that knowledge. She's been protecting Billy from Rio. She's been protecting the coven itself from disintegrating. And, the biggest con woman move of them all, she's been distracting us - with less and less success as the show goes on - from the fact that she is not even the slightest bit in control.

---

So I definitely want to circle back to what you said about how the show started out with everything you like in a story, because oof, yeah, I felt that. I felt that hard in the finale. Coming off the impact of the incredible storytelling in 1.07, and the queer jokes and campy Wicked cosplay balancing out the sad, I think many of us spent the next week expecting some kind of emotional resolution that probably involved the remaining coven banding together in some more of that found family we've felt them becoming along the way.

Here's where things starts going wrong, right off the bat: they don't. Instead, they splinter. Not only are you aware of just how few of them are left (Jen, Billy, Agatha), but Jen and Agatha can't handle Lilia's death. Jen's distraught. The close up on Agatha running away out of the trial and back onto the Road, alone, shows her looking hunted and wild in her guilt. Everything that follows has its seeds in that moment of rending that began with Lilia's death.

From the beginning, the point has been that Agatha Harkness is a covenless witch. It's something we've seen her revel in - maybe simply because she has no choice but to own it. But the fact is that here, for the first time in centuries, she had a coven. She didn't intend to have one - she intended to kill them all in her basement and not think twice about them again. But events transpired the way they did. They became her coven. And one by one, they all died on the Road.

Rio, of course, has the words to cut right to the quick: "Your coven is shrinking," she teases Agatha cruelly. Agatha looks wild - because she's right. The worst thing is that she killed Alice - and she didn't mean to. She didn't want to. But she did, and in exactly the same way she'd intended to kill her at the beginning, the same way she's been killing witches for hundreds of years. "Your coven is shrinking," and it's Agatha's fault. It's Agatha's coven. It's Agatha's coven.

Hold on to that, too.

---

One of the things that I've been mulling over most is Agatha's character. She's so much fun in the beginning. We're all fucking charmed by her. We also don't have the full context of just how much of a serial killer she is.

So for me, at least, watching 1.08 and not only not getting found family, but getting an Agatha so far away from a "redemption" story that she only just barely is willing to not sacrifice Billy for herself, was kind of a rude awakening. Agatha's a lot more of a villain that I was prepared for. Surprise!

Agatha's so far away from "redemption", in fact, that she's only just barely starting to feel empathy for other witches. She's just starting to be affected by people who aren't #1. And that's a trauma response. And it's so, so, so deeply rooted in her that she's only just starting to be able to conceive of the idea of people who care for her. Of the possibility of being able to live in community. She's not ready for a redemption arc. There was no way that the kind of redemption arc she'd need could fit into nine episodes, because so much of it would for her be predicated on a mental shift that Agatha just hasn't arrived at yet. She's still so angry. She's still so traumatized. She's done almost none of the work. And even at the end, even with the final gesture of sacrificing herself for Billy, that's not a final act of redemption, oh Agatha's now a good person/forgiven/insert word frame of choice.

What this show did in terms of redemption for Agatha was set her up to be in a place where she might want it - where she might want to do and be better for Billy, and someday, for Nicky.

And it's significant that that point comes for Agatha in dying… and after death.

---

This show is about death. The Road is about death. Death is a character on the show.

Like, okay, you're saying. Fine. But what about my gay fun times? What about my queer romance, my found family?

And please know that I'm there with you.

I'm not hugely in touch with what the larger fandom is saying and how they're reacting because I have my little echo chamber here on tumblr and a few friends who have actual social media, but even here I get the sense that we're all kind of :/ for fairly similar reasons. What happened to the show I fell in love with?

And for me, the last few days, I think it's been important to realize that the fact that the show I fell in love with didn't suddenly become a different show. It didn't pull a bait and switch. No twists were in bad faith. Everything has been right here in the text of the show from the very beginning.

And I think it's important to see the story that Jac Schaeffer et al. were actually telling vs. our expectations of what they were telling, or worse, what we wanted them to tell. For just one example, I was convinced we were going to see Alice again - maybe Lorna Wu, too. I wasn't expecting it to be for the sole purpose of recognizing that not only is she dead, but to give Alice herself the space to say that it wasn't fair, that she wasn't ready, that she'd just broken her family's curse, that now she can really do something with her life! Because, ugh, yeah! It's not fair, for all those reasons! But that's also death. Likewise, Sharon's just dead, and worse, her death was pretty much meaningless. Lilia rediscovered herself again, and she chose her death to save everyone else - extremely meaningful. But at the end - she's just dead. We don't see her again. She's gone. She, like the others, walked the Road and away with Death.

I loved these covenless witches. I loved them finding themselves together. I loved them bonding around the campfire and discovering community. I miss them all, so so much. But they told us from the beginning how haunted by death all of them were: Alice and her mom, Lilia and her coven in Sicily, Billy and William Kaplan, Agatha and her son and her ex-lover. And of course, Death herself. Forget haunting these individuals - she came to actually join the temporary coven. Like, fuck. They told us what this show was about.

---

This show is about death, but it's more complicated than that: we'll take our cue from Rio again, who, in being Death, is also the original Green Witch. In short, this show is about Green Craft, "growth and decay in constant flow."

So yes - almost every single witch in the coven dies. Yes, it's permanent. No, the queer romance isn't resolved happily. No, Agatha doesn't have a redemption, satisfying or otherwise. And no, none of it follows what we've come to expect from found family story trajectories.

But the focus shouldn't be solely on the decay. There's a whole cycle of growth coming up after it, even now, and it's being made possible by the death and decay that we just witnessed. And most importantly, it's confirmed that this isn't the end of the story - just the end of "Agatha All Along."

---

I'll finish by actually answering your question - I've been sitting with the finale for a few days, because I also felt weird about it. And I think that's the right word: "Weird." Very spooky season-esque, first of all, but also not tipping all the way right into "bad".

The first thing to acknowledge is that no story is perfect - they were limited by nine episodes by what they had the space to show, and finales are really hard to get just right. The second is that you're allowed to not like any or all of it, especially when something happens that asks you to change your entire understanding of the story thus far, i.e. the Road isn't real, or when you have a particular trauma around death and it turns out that that's what the whole show is about in ways we hadn't fully realized. The third is that it's worth sitting with stories sometimes and seeing how they marinate and develop in your brain and your soul over time. All of these things can and should coexist.

This isn't my first go-round with a series finale that initially made me ???, so I was fortunate in that I felt like I had a cheat sheet. I've still got some marinating to do to see how this continues to change for me. But it's helped me to realize that my ??? reaction is what the story wanted me to have - that the characters are reeling right along with me. Not just Alice in shock about her death, but also Billy at the implications of his creation of the Road regarding his responsiblity for what happened on it. We're meant to feel this way… and then we're meant to reconsider the journey we've been on, the Road we've walked with all of them and the death we've died alongside them, and see it anew for what it really is.

[raceweek]

hello. alexalblondo's rude anon coming here to humbly and politely beg for galex primer because i dont understand their history. george said he lived at alex's family's house at one point? how - weren't they already racing? sorry thank you humble thank you 🙏🙏

hello!!! thanks chris for the referral FKFJDKD

i have overwhelmed my alex and george tags so much that i fear i could never capture all of it but my galex key moment anthology is under the cut!!

karting/early single seaters

Alex thinks they met in 2011 but the footage in georges flip phone says he knew alex back in 2009.

Their first actual interaction (so far as they've told the world) was when alex was world champion with the intrepid karting team and bc he was their reference driver he was asked to help pick the drivers who were quick to replace him when he moved up and he picked george (and charles) so they were then part of that same intrepid driver programme for a while. Interestingly, alex was always at least one year above him bc of their ages and george says the fact they didn't really race directly against each other before 2016 was probably why they became such good friends.

They did a deep dive of their camera rolls from this time on twitch a couple years back and talked about the oldest pictures they have of each other in their camera rolls (1:25:36) which was cute.

2017

2017 is the year george basically lived with alex. They were also sharing a trainer whilst alex was competing in gp2 and george was in gp3. George was doing mercedes sim work at their factory so rented a flat in milton keynes near where alex lived but according to alex that rent was wasted money bc george had more meals at alexs' house than he did that year. Also as detailed in those links, the Great Mountain Biking Incident of 2017 occurred at this time so we have the fun mental image of george literally wheeling alex into a&e on a wheelchair bc that is an actual event that happened.

2018

George and alex both in f2 fighting for the title year wooooo!! They never really fought on track but we did get fun tidbits like when alex pipped george to the win at silverstone bc george had a slow pit stop and giggled about it in parc ferme (5:42) & these post session interviews.

also some incredible photoshoots.

2019

Promotion to f1!!! We started the year at winter testing and this nugget that they have both accepted that they are actually tied together by the strings of fate. They're doing fun media stuff like karting and bullying each other over percentage of apexs hit at the skypad (video). 2019 also the start of the umbrella sharing. They were just together a lot… more skypad analysis!!!

2019 also has MY personal favourite galex moment which was hockenheim 2019 and the 45 minute phone call galex had on the way home after george missed out on scoring what would have been his first point in f1 and only point of the season.

There was also the summer break and enjoying a training camp together, exchanging infections etc. Alex also took george to meet lily for the first time, bc that’s a normal thing to do.

There was also the rookie of the year vid, and the rookie season review vid at the end of the year. Much was happening.

2020

The year started with f1 trying to race during a global pandemic. Fun! On the singular media day before everyone realised just how stupid that was they were being annoying. The lockdowns did give us the twitch streams. George was initially so bad at virtual racing he had to secretly consult alex's brother for help behind alexs back. George was also actively seeking alex out like a missile at any given opportunity and at one point felt necessary to declare that he wasn't alexs boyfriend when someone asked if alex was going to be streaming that day. Anyway my lockdown twitchscapades tag has a post with a playlist of all the streams that haven't been lost or deleted if you want to feel joy and have a spare million hours.

Racing resumed in July with the covid team bubbles and within two races and one qualifying session george was defending alexs honour to sky sports and the world in a truly remarkable fashion.

At the end of the year alex was unemployed....even more tragic than this loss was that alexs career difficulties were so extreme he started ghosting george, which devastated him to the extent he needed to publicly drag him for it.

There was also george asking lily to post alexs n*des on instagram and lily responding with if anyone has them it would be you which was perhaps the last time george had access to his own social media password.

Despite george not liking it they celebrated alexs first podium by going golfing! and reverse! George was also gifted an alex albon signed autograph card for christmas and said that he'll put it somewhere special x

2021

The beginning of 2021 was during lockdown and there was more fun virtual gps except the only two drivers doing it were george and alex so they were just bitching and gossiping and threatening to steal strategies and abu dhabi 2016 each other. Particular shoutout to the time they had a virtual race on valentines day and alex put a suit on for it and george was baffled. Immediately after valentines day was georges birthday which lily used to thank george for letting her borrow his boyfriend from time to time.

Then the season started with george enduring the season alexless and not letting anyone forget about it. Alex was turning up to races after being locked in the simulator until the early hours posting stuff like this on instagram and otherwise stumbling over his words after getting whipped on the ass.

Perhaps the defining moment of the galex 2021 season was george pushing the williams board to sign alex so heavily that they had to actively shut him out of proceedings. Also at this time there was this cute congrats from alexs family and one from alex to georgie about the mercedes seat.

anyway here's some more random 2021 nuggets:

i've seen him topless a few times

george getting alex a good deal on a merc x

yet More golf

the handover

georges driver room

2022

They truly lost every inch of personal space in 2022 like. Hello. Hello. Hello. Hello. Hello. Hello. The back signing Hello.

2022 had alex having his appendix out, nearly dying and alexs family updating george whilst alex was in the icu and then when alex returned for the next race in signapore a couple weeks later (insane behaviour) george was like mmm audacious of him to be here.

Elsewhere alex discovered georges photoshoot and was making screensavers about it. Alex also discovered hair dye and george was making instagram stories about it.

other random 2022 nuggets:

george is alexs fave f1 driver excluding himself

this skit williams did of lily finding a huge picture of george in alexs driver room

whatever this image is of lily george and alex

private plane carpool

double date

2023

@onadarklingplain covers the whole year for you much MUCH better than i ever could here!!!!!

and that brings us to present where they're just as weird and freaky with each other as ever!!!

[ask-whitepearl-and-steven]

Is Rebecca Sugar aware of your SU AU?

I think she's probably a tad too busy to be reading random AUs. Though if they DID read it, I'd be flattered, of course.

[14dayswithyou]

tell ren to turn his location on👉👈

I saw one of the posts of how ren does get jealous of pets being loved over him and alll that so now I have the thought of the one meme of ‘ah yes, me, my partner and their [enter normal pet size] foot [pet]’

I don’t have anything else, it did pop into my head though and I thought I’d share with the class.

⌞♥⌝ ItsNotVivy on Twitter actually made that exact meme with Ren a looong time ago!!

[astralzeraphias]

“he was mentally ill. this monster was a- was a sick fantasy. a product of his dementia.”

“…i saw it too. does that make me disturbed? demented? does… that make me sick too?”

[canisalbus]

today I had a dream you were in my class, but in a weird way. You were represented by Machete. I went by and handed him some fanart of your ocs, he took a look at it and said "you do know that's not how you draw dog faces, right?" Other than that, he was really mellow, even concerned for me sometimes.

.

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[xxplastic-cubexx]

erik will genuinely jump at any chance he can to steal charles' last name and be so catty about it i know this for a fact WHAT is his deal

[Magneto (2011)]

[ganondoodle]

About Shargon: What kind of compound are their horns made of? Is it the same as his teeth or skeleton? What’s the reason behind their glow? I think it’s really cool so I thought I’d ask

Thank you for the ask!

so, alot of demon anatomy revolves around their demonic heart and its blood (which is concentrated energy/magic- the color of which is determined by their elemental type, Shargon is type lightning, which is generally a mid blue going into greenish, but there are always slight color variations even between the same types) their bones too are made of crystalized demonic blood, its coated in a black layer of depleted blood (so the substance without energy) that acts as a sort of armor and makes the bones more durable and able to withstand even alot of bending (when a demon shape shifts their bones have to decrystalize to some extent to shift into different forms and sizes, its really uncomfortable or even painful depending on how well trained they are or in stressful situations since that process is something that needs to be done right or they end up really messy and vunerable) bones are also hollow and filled with demonic blood, it also aids their flexibility and the shapeshifting process and makes sure that if one is broken its quickly healed again since the bone doesnt have to decrystalize first

teeth and claws are not hollow and lack the black layer bc it eases using magic/energy through them and makes them harder to break, unlike the bones they are as hard as possible instead of flexible; the liquid blood isnt necessary since a broken tooth or claw usually gets discarded entirely and regrown from the ground up

horns are a mix of both, they dont have a black layer but are hollow (at least partly through) and filled with an even more concentrated version of demonic blood, very similar to heartblood (only found in the heart, the most concentrated version with a similar consistency; like a thick floaty liquid) and connected to it (you could see or feel a pulse in Shargons horns) but it lacks the genetic information actual heartblood carries- horns act mainly as a sensing aid ... like antenna in a way, or how whales melons work, it aids in sensing energy nearby, navigation, limited long range communication or if an energy wave that was sent out has hit something like a living demon .. or a dead one if theres still some remaining energy left (works best between demons of the same elemental type, but isnt limited to them and also depends on how skilled or mighty a demon is- for example, Eadrya, type water but extraordinarily powerful, could sent out even a really weak energy wave and they would be able to sense if it hits Shargon while Shargon himself might just feel there was some energy, but not from who or what type) and can pick up frequencies of distress calls that have lost the hearable part

the downside to that is if a horn was to break it might actually be the most painful thing to happen to a demon, even worse so if it draws blood, its like stabbing the most sensitive nerve that goes through their head and spine and heart, depending on the severity of the injury it might be paralyzing or drive a demon temporarily mad- worse than a stabwound into the heart itself

not all demons have horns, they are a very diverse kind of creatures that are each built better for different things (Eadrya doesnt have horns, the extreme amount of energy at their disposal pretty much closes any gap horns could have made in aiding senses- an advantage being less vunerability, a downside though is easy disturbance of anything relating to those senses by other energy types or frequencies .... and a general downside to Eadryas .. overproduction of magic even, is being basically the most detectable demon in the world due to them constantly emitting energy at very high levels if they are in good health)

(since Shargon (he/they) is the main example here, hes a demon that is built for speed and flexibility, for quick strikes out of the shadows, his bones are thin and bendable, his teeth are long, sharp and angled in various ways so if he bites he can lock it down hard without escape, even if the force of his bite isnt the strongest in itself- he can turn his head fully around multiple times (like an owl but worse) and his throat is largely made of pure muscle (the most muscle on him is his throat and to the big primary arms) perfect to bite and pull and twist until whatever he bit into gives out, getting him off of something is rather impossible without doing massive damage to it in the process (unless he lets go willingly of course)

-since i compared him to Eadrya (they/them) already- they are quick but only in water, their sheer size, thick skin, bones and well, body is really hard to damage, their teeth are small and all in the same shape in two rows on both sides, their maw is really wide and their bite force is pretty strong- if they bite it is with the intent to bite clean through, if that doesnt work they would need to let go and go for it again here older art but just to give you a general idea for Eadrya (demon form):

Thor (any pronouns) is another one that is really different- they are massive and armored with thick, hard plates, they are slow and have little mobility but are nigh impossible to take down unless you know exactly how; they dont have alot of teeth, rather small and probably not very sharp either and due to her two big tusks going forward its rather hard to actually get to anything to bite into, if she were though it would be somewhat akin to alligators (i think) that just smash their massive bones together to break whatever is in between with little to no actual 'biting' going on

(rather outdated art that i still, somehow, like- her humaoid form:

and an even MORE outdated ancient doodle of her demon form:

the only somewhat accurate part is the general shape and head, though the mouth isnt accurate anymore either ... barely anything is but something is better than nothing and the roughly lobster inspired design idea is still currently the idea)

OC lore ramble over :3

[lizzybeeee]

DATV is overly reliant on Supplemental Media - especially if you are a returning player

TL;DR: Supplemental material should not be required reading in order to understand what's going on in the main game -> it's additional material that enhances what we were given. If what we were given is lacking and unable to coherently tell us a story, then the writers and those in charge did not prioritize what was important.

Not a take that's unique to Dragon Age, but one that is very relevant when talking about DATV. I've made a few posts about plot/story points that either make no sense or have been dropped entirely in the lead up from DAI to DATV. Every now and then I get a few comments or messages about how certain points I made were addressed in supplemental material released in the lead up to this games release.

This isn't a call out post, by the way! But it's frustrating, to me, that this games writing is so lacking that my understanding is being inhibited because I can't remember details from a book I read two years ago - not to mention various podcasts, comics, and short stories. My understanding of a video game in a video game series should not be reliant on additional/optional content.

DATV is a weird game in that it is absolutely a 'soft/scorched earth' reboot while also marketing itself as a continuation to what was set up in Inquisition and Trespasser. Personally, I think that if you are up to number 4 in a game series, one with a continuous story-line, it should be expected that new players won't be able to catch up to everything -> it's the game developers job to make the world and story intriguing enough that the new players will go back to previous games in the series and fill in the blanks themselves.

Veilguard, as a sequel, is overly reliant on content that comes from outside the games themselves (including DLC's) if you want to make sense of the world and story. Trespasser left us with an epilogue that set up some plot points for the next game: Solas & the Veil, the Elven Rebellion, and War with the Qun - plot points that have been built up since the time of Origins. But when we get into DATV two of these points have been dropped and resolved, off-screen.

There are more questions, but these are the ones that bothered me the most while playing the game:

What happened to the Agents of Fen'harel/ Elven Rebellion? -> answered in a cursed reddit AMA.

What happened to the Qunari following Trespasser -> addressed in Tevinter Nights, and a codex entry you can pick up (optional).

Why is Skyhold infested with demons? -> mentioned in Tevinter Nights.

How did the Dalish go from worshiping their own pantheon to knowing they are false gods? (specifically those we meet in the Veil Jumpers) -> mentioned in the Missing comic series.

What's up with Nevarra's Royals? -> Tevinter Nights addresses that there is a power struggle in the Pentaghast family and the role of the Mortalitasi in making it worse - though it does not address the whole 'mage puppeting a corpse' issue and all the implications it has.

This is a video game series -> the bulk of the information required for me to understand the story and its relation to previous entries needs to be included in the final game version. I am playing a video game and not attending a uni class - I should not need to have a required reading list in order to understand what the fuck is going on. I should definitely not need to go onto a reddit AMA to understand what happened in-game, either.

What makes this stand out the most is that DAI was very successful in tying in previous games, DLC's, movies, and books! Inquisition did a great job in getting you up to speed on the events of the previous games early on, providing personalization if you played those games, and giving the player the opportunity to inquire into these events.

Hiding away the answers in additional material or a codex entry that may be missed is not good game design or good writing. DAI didn't assume that you had bought and played the Legacy DLC -> it made certain you experienced the conversation with Varric and Hawke if you wanted to proceed in the game. It didn't hide away imperative information in codex entries - it had characters talk about it in scripted scenes and encourage the player to ask more. You would actively need to avoid interacting with characters for you to not experience this information in DAI.

Leliana talks about her role during the Blight, her calling by the Maker, and her relationship with Dorothea/Justinia -> DAO and Leliana's Song DLC.

Cullen talks about his time as a templar at Kinloch & Kirkwall -> DAO and DA2.

Cassandra speaks about her history, investigation into Hawke, and the Seekers -> Dawn of the Seeker movie, DA2, & Asunder novel.

Varric talks about Hawke, Kirkwall, and Corypheous -> DA2 and Legacy DLC.

Cole talks about how he discovered he was a 'demon' - it leads to further conversations about Rhys, Evangeline, and Lord-Seeker Lambert -> Asunder novel.

Wicked Eyes and Wicked Hearts -> the game literally continues what the Masked Empire novel sets up, the Orlesian Civil War. The game does a decent job of telling us about the players (Celene, Gaspard, Briala etc...) and the reasoning behind the conflict through dialogue, the ability to explore the battlefields, quests, ambient dialogue, etc... The book is not required reading - though it greatly adds to the complexity of the characters, motivations, and political intrigue!

I never once, playing DA2 or DAI, felt penalized or like my experience was lacking because I had not engaged with supplemental material or DLC's. I got into Dragon Age when I was in high school, it wasn't until I graduated and began working after that I had the disposable income available for experiencing the extra material. I cannot say that for DATV - If you have played Inquisition and go into DATV straight from that you will, absolutely, be confused about how we got from A to B.

Which is especially strange to me!? Why is it that new players will be less confused than those that are returning players? It's like the game is actively punishing you for playing and caring about previous games in the series.

Supplemental media is bought because the main product has earned your investment, love, or interest. Not everyone has the income available to buy it with their own money - especially if you live outside the US and have to pay additional shipping costs. Not everyone has the ability to buy or 'obtain' the digital versions either. My understanding of the main story of a video game in a video game series should not require additional monetary investment into other mediums.

The game itself should be enough and DATV is not enough.

[l-in-the-light]

Trafalgar Law and his rare friendships (Law and closeness series part 4)

Let's venture into less explored territory. And we will start with no one else but our beloved Kinemon!

They met at Punk Hazard, Kinemon doing some rampage and Law was sent by Caesar to stop him. At first he cut him up into three pieces apparently, but I think Kin is colorizing here a lot.

Because let's take a look at his awesome feats. He might be cut into pieces, but he's still a decent threat despite that! I think Law started by cutting Kinemon in half, then got surprised he still tried to fight him, and then he cut off his head as well only to realize that even the head alone is probably bouncing around as well! So he caught it, but in the meantime the legs already run somewhere else and the torso escaped Law on his way back to lab somehow which is where Brook finds it later. And Law was probably like "screw it, I don't have time for this" and left it be for now. But I bet it wasn't "letting his torso to rot, and feed legs to wild beasts" like Kinemon claims. After all his legs turned out to be just fine lol. And we know by now that Kin's legs just run off on their own aimlessly, so this is probably what actually happened.

And this is how Strawhats find Kin. I guess Kinemon was still causing a lot of trouble despite being only a head. Maybe he tried to bite Law? Anyway, he must have been really *mad* to cut him up into that many tiny pieces. I think Kinemon was behaving like a little shit. It's important to mention Law never did that to anyone else before.

And he attempts to do the same to Tashigi who is also trying to bounce around while being cut in half.

Yeah, Kinemon and Law started off on a great note there. But I think Kin earned Law's respect for that, because this is probably what Kin shouted at him while being cut into smaller and smaller pieces:

And Law shoved his head into some closed off room, instead of giving it to Caesar. I think he was trying to spare him and hoping he can restore him back later on.

As soon as they both end up on Strawhats ship, Kinemon already treats Law with respect! It's no longer "that warlord" but "Law-dono".

It seems that despite what Kinemon says, Law actually earned his respect back there already. He even tried to catch his name or the title to know who he is.

It's so sweet he's already asking Law to give him a ride to Zou and before he can get an answer Luffy butts-in haha.

He's always listening carefully to Law's plan in Dressrosa and keeps closely with his assigned group. And yes, it's implied that Law was the one who strategically seperated the groups.

Kin is the first one to raise a concern to stick to the plan and not waste any time. He understands the stakes but won't venture off on his own, instead making sure the whole group knows what to do. That's because they left before Law finished going over the plan again. Kinemon took it on himself to make sure "they got the memo", so to speak.

Kin's also the one who seems most worried about Law, probably because when he almost rescued him he realized in what kind of terrible state he was. "Answer me!!" there is a lot of concern there he didn't show for any of the Strawhats yet, but he did for Law.

His idea to distract and cause some chaos by disguising himself was also something Law would approve of.

On Barto's ship Kin is already taking care of the dangers ahead of others, because he's aware his friends are still recoving from their injuries.

Kinemon never forgets that Strawhats and Law are in alliance and are two seperate crews. He asks Law specifically for help as well, clearly surprising him with that request. Kin's amazement seems to be very genuine and he is very polite in how he asks for help.

And then alliance happens, they bump fists together I bet Law must have braced himself for it and Luffy declares "Being in alliance means we're friends!". This is the moment Luffy defines what Kinemon and Law's relationship is supposed to be from now on: friendship. And of course Law is annoyed about that, it should be up to him to decide stuff like that! Luffy doesn't care though, pushing Law's boundaries further for him.

Law already takes on his role in the alliance, assuring Kin they will be safe in his submarine and no one will be able to suddenly attack them on his watch. Now this is a turn of 180 degrees, Law takes them as his own personal responsibility from now on, gives emotional reassurance and basically saying "count on me" but with different words. He already succumbed to the fate Luffy bestowed upon him.

And take a look at this. There is team Luffy, team Nekomamushi, Team Inuarashi and Team Kinemon. Do you know what that means? Yes, Law handed the leadership over the group to Kinemon! Meanwhile himself taking the role of a support and protection. And this trend will continue all the way in Wano as well.

Apparently he visited Kinemon at the castle ruins every single day. Most likely worried about his health condition.

Law apologized immediately to Kinemon the moment the other asks what's going on. Even takes the blame for himself, but also takes extra time to reassure Kin that his part of the plan is unaffected and no one knows about the samurais. I think it's implied again that it was Law who seperated the tasks in each group meanwhile taking a supervisor role himself. He told Kinemon to find Akazaya samurais and they had a whole operation going on in the background with gathering supplies of weapons and food, bit by bit, while officially putting the blame on some third party. Knowing Kinemon he wouldn't be smart enough to think of it this way, so Law at the very least helped him organize stuff. Besides we don't see Kinemon running around and making sure everything works out: that's Law actually, checking up with all the groups and resolving any potential crisis situations (like when he warned Sanji of trouble and took it on himself to lead the whole group to safety). Besides we have Sanji's words for proof when Law apologized to Kinemon: "What kind of shoddy operation are you running, Law?!" which is pretty direct in pointing out who the actual mastermind is behind the Wano's battle.

Seeing how Kin also wasn't the smartest at reading the coded picture message about the raid, I think it was originally Law's idea as well that the message should be some sort of code only people involved would understand. The raid picture also mentions meeting up at a port specifically, and that seems to be a reoccuring point plan in every of Law's plans ever since Rocky PORT Incident. Even in Dressrosa and Punk Hazard the chosen meeting points for all seperated groups were told to be specific ports.

When it turns out there was a traitor in the midst of their core team, it's Law who seems to have taken it on himself to dig up information from Hawkins. Interestingly enough every last samurai arrives for the raid despite that every single bridge in the country had been destroyed. I have no evidence but I think it's likely Law helped all those people travel to the "true" meeting spot. After all we didn't see him for days before the raid, and while many fans believed Law turned into a snitch, the raid itself denies it: Law was from the very beginning to the very end on the alliance's side. But then why didn't he take credit for what he did to make the raid a success? Well, he didn't take any credit at all before either, giving it all to Kinemon, so why would he start to take it for himself suddenly?

Here Law rescues the samurais, scolding them for underestimating the sea. Doesn't it look similar to you? Law is rising them up just like Oden did on his execution day. This symbolically proves Law is the actual person carrying the whole battle operation on his back. Just like his full name, Trafalgar Waterloo, should have hinted us all along. His reactions to all the others discussing what's happening are also very telling - Law's the only one not surprised that samurais aren't there yet, that there is a traitor, not even surprised that Kid is there. But he is taken aback about news of Big Mom and Jinbei, because that's some wild cards he didn't know anything about before.

Even though Law protests his submarine isn't samurais garrison, it's pretty clear who samurais themselves think runs their plan in reality. And worthy to notice here: Law no longer calls Kinemon by his full name. It's "Kin" from now on. And how many people did we ever see Law using such an affectionate name for before? With him you're either "something-ya" or a full name basis. Kin is literally the only exception. You can't see it as anything else but affectionate. Throughout Wano they became really close friends.

And of course Law saves Kinemon's skin by coming up with a backup plan on the fly and even decides he will carry the samurais to the back entrance of the island on his submarine. He also allows Kinemon to take the full credit, not really expecting any gratitude. He just sits there in the background, letting others take the spotlight.

And this is a good moment to remind us of what Sengoku told Law about love. It should be unconditional, which means you don't expect anything in return for your help. Law usually operates on "favour for a favour" basis or impersonal alliance level. But in this "alliance" he doesn't even want the credit, doesn't expect anything in return, and breaks his own rule of not calling people in affectionate ways. And does he even get anything for himself from this alliance besides the rise in his own bounty?

Imo there's only one possible conclusion here: Law accepted the condition of the alliance Luffy set up all the way back in Zou, it's supposed to be a friendship. Law indeed fullfilled that condition, he truly became friends with Kin. Of course he still wouldn't admit openly that they're friends, but like always with Law, we need to actually look at his actions and subtext. This friendship wouldn't have happened if friendship with Luffy didn't happen first! After the raid Law doesn't stay at the shogun's palace and instead stays with the ships at the port, but I bet you anything Kinemon ran to him at least once to tell him how grateful he was for his help.

So that's one confirmed friendship of Law we see in the series (besides the one he has with Luffy, but I elaborated on that one all the way back in part 2). The other friendships we can see in the series is that with Bepo, Penguin and Shachi, and Wolf in Law's novel. We know that Law created Hearts Pirates together with them, he doesn't consider Hearts to be his own creation, it's theirs as much as it's Law's. That friendship started off on a sour ground, Penguin and Shachi were bullying Bepo and Law saved him. But they quickly became friends and Law's strength and attitude earned their deepest respect. Penguin and Shachi sometimes allow themselves very cheeky comments ("Captain! You're so sexy now!"), they're also slightly older than him, but despite that they have really big respect for Law and always listen to him, despite sometimes complaining ("Captain got carried away" or "stop him Bepo!!"). They know each other well and as teens they spent a lot of late nights just talking together. They would sacrifice their lives for Law and Law would do the same for them, but he's also not beyond sending them to safety instead and taking all the risk on himself. They often shower Law in compliments, almost like they know he has low self-esteem, but then they know him for 13 years already, of course they would be best friends at this point and know that stuff about him (about his touching trauma probably as well).

Bepo is the only one privileaged with any physical affection, he is Law's safe haven, the last one he allowed himself to keep. The main Hearts also know of Law's past and his full name, as well as the fact he is a D. Of course they also started doing those silly power rangers-like poses when Law introduces his crew and I bet you anything it's a nod to Sora Warrior of the Sea. They're all fanboying the comics together. Law is probably slightly more affectionate with his Hearts than anyone else (which in this case means he allows himself to be a bit more open, but he still keeps some distance from them), but we can see he still acts like a leader for them, trying his best to earn the respect he received. But we also see him worrying about Bepo a lot in Wano when the mink ate a poisoned fish. He almost threw his own raid plan out of the window just because Bepo asked to not leave him alone; clearly they are his firstmost priority. Too bad we don't have that many of their interactions to analyze.

And then we have his friendship with the old man Wolf, inventor from North Blue, who took Law in (spoilers ahead for Law's novel!). At first their relations are mostly "favour for a favour" kind, something that Law knows well because he tends to operate on same basis. So, Law is allowed to stay at Wolf's place if he finds a job and helps with chores and testing the inventions. They take turns preparing the meals. Everything changes when Wolf has an unfortunate accident and Law saves his life. Wolf then asks for a friendship and Law thinks to himself that he can't really refuse a request from someone who doesn't usually do "friendships", he feels honoured with that trust. Wolf still acts as their mentor but it feels more like they became a family. Law is very grateful to Wolf for standing in defense of Penguin and Shachi. Wolf is also the one who teaches young Law how to be a captain and puts it into his head that he needs to take responsibility at all times. In general Wolf acts rather cold and rough, but always shows a kind heart when any of them needs it, and I bet Law took on his habits because that feels a lot like how Law himself acts on many occassions.

Wolf definitely became some sort of a rolemodel for him, but there were also few occassions when Law allowed himself to say some really spoiled and cheeky things to him (like: you do the dishes from now on). Law also helps Wolf make a tough decision: to resign from taking responsibility for his son's actions and not to kill him with his own hands, he literally stops his effort by saying "Family shouldn't kill each other". At the end Wolf gives them a partying gift: a yellow submarine, and encourages Law to go out to seas to look for freedom and experience life as he wants. Even 3 years later both of them think of each other fondly, implying that maybe one day Heart Pirates will return to share stories about their adventures.

That's all the canon provides us. Law generally keeps to himself, but in Law's novel he doesn't seem to have any problem to make friendships, every person he saves becomes eventually his friend, which really gives one more argument that there's no way Luffy would be the exception to that rule. But it becomes clear that the older Law gets the more reserved he becomes and doesn't seek out friendships. He probably wouldn't have perceived Kinemon as his friend if not for the condition of the alliance Luffy applied. And this begs to ask about the elephant in the room: why? Why is he that reserved and why did he allow himself to accept Kinemon as friend in the end? I think he felt it's okay to become friends with Kinemon, because he's a samurai thrugh and through. Even if they win and Kin lives, Law would leave Wano and probably never see him again. I guess that made the decision easier on him to some degree.

I have some ideas about possible reasons why Law avoids any new friendships or affectionate bonds with people and instead tries as much as he can to keep it impersonal. He clearly can be a caring and dedicated friend and I don't think his trauma is the only reason why he avoids people. Because there's no reason anymore (after defeating Doffy and Kaido) to not openly admit he made new friends. I will take a closer look at his possible reasons in the next post.

[ryllen]

ur Yuu is so adorable!!! can I ask how old is she? or is this a self-insert?

Honestly i always find it ridiculous when u guys start asking about numbers bcs it feels like u guys are trying so hard to find fault & problem in everything

I just refuse to answer it as an act of rebellion but i'm getting tired

Yuu is in normal school age, just count the numbers urself if u will

I guess to u guys self insert always means a total 100% copy paste immersion, but to me self insert also covers the way the character we play share bits of our personality & way of thinking

It has always been that way, even with characters we roleplayed as that are not even an OC, as they are the extended expression of ourself

I can tell u for certain, I can't even dream to be as cool as Yuu. She would be more of an anxious introvert mess if she is actually me.

She has part of me that is nonchalant, but the rest is up to her. She just has my hope to be as cool as she is.

Anyhow, ease up. Put those pitch forks and torches behind y'all's backs down. We're not here for a hunt.

We're here to draw, have peace, and have fun. And let it be that way.