#or at least being capable of manipulation and betrayal

[ghostdrinkssoup]

watched more succession today and guys greg is lowkey a snake in the grass omg. he seems like this benign guy, inexperienced and stumbling blindly through the corporate world, but he milks every situation he’s in and appears highly observant to me. by episode two he’s figured out that shiv is more savvy and authoritative than roman and by episode four he’s already turned on tom. and it’s interesting because tom actively antagonises greg to compensate for his own lack of power in the family/chain of command, projecting onto him and completely exploiting what little authority he has, which seems inconsequential because of how greg comes across. and yet greg subtly manipulates this to his advantage too… suddenly tom is revealing sensitive information to him which he only shares with his fiancée like… I don’t know how this is going to escalate but I hope this turns into a codependent power struggle with greg coming out on top and reversing the initial power imbalance between them, exposing how powerless and pathetic tom really is

[baldursgate3tempobsessed]

Past Astarion Meets His Future

This is a weird ass idea, but I'm doing it anyway. Some time travel fuckery. But the gist is: What if Astarion, decades before the Mind-flayers captured him, was on his last leg? Just on the verge of doing, what was at the time, his only way out. But what if something a little unworldly stopped him?

TW: Suicidal thoughts. M/F, me phoning it in with the dnd lore, Cazador is evil. Like, torture, physically and mentally, manipulation, literal horror shit. He's here so bad things happen to randos and our poor guy. I'm also using this as the backstory again for why Astarion can be in the sun in the future because it's so god damned convenient for drabbles.

~

Astarion watched the crowded bar with focused eyes, a feigned, relaxed smirk on his lips. But even with the acting, he could feel the smile on his face start to tremble, a tell-tale sign that he was truly on his last leg. It had been a long, horrible night, one that had no end in sight. Cazador was in rare form, demanding multiple warm bodies in the span of less than five hours. Astarion wasn't sure what had angered him this time, but he was taking it on the victims in a particularly savage way.

Twice already he had forced Astarion to stay in the room with the poor souls he'd brought back. And then Cazador... made him watch what he did to them. The monster truly had a knack for keeping them alive until the last possible moment. Beating them, assaulting them, laughing at their cries for help. He drank from them last, feasting on their blood until they were just on the edge of death before tossing to them ground. Then Astarion was dismissed with the order to find another.

He hated it. It was the worst part of his nights by far, not including when he was the one being tortured in their place. It didn't help that he always looked at their faces, full of terror and betrayal.

Why did he always have to look? It was a question he knew the answer to. It was because he did that to them. Perhaps not literally, but what was the difference? Astarion had led them straight into his hands.

That was all he did. His entire existence had been reduced to this. A slave, a rat, scuttling through the streets, only capable of inflicting the same torment on strangers. It was a hell that no one should experience, and one that Astarion had been in for nearly 130 years.

How could he continue like this? What was the point? He'd spent so long living on pure survival instinct, waiting for the impossible day where luck would be on his side. Where Cazador would kill the wrong stranger, where the possibility of his murder could become a reality. It was delusional, a poor excuse to continue clinging to this farce of a life.

But there was another option. There always had been. All he needs to do is wander off and wait for the sun to rise, and everything could finally be over. It's far from the first time he's thought about it. But Astarion is nothing but a coward. He'd seen the pure pain and misery of a death of that nature, your insides boiling from within as your skin turned to dust. It was horrifying, one of the worst ways someone could go. And yet... it was starting to seem like the only reasonable option he had left.

Maybe... maybe today would be the day, the first time he'd seen the sun in decades. And the last time he'd ever take a breath.

"Are you alone?" A voice asked, followed by a gentle touch to his arm.

Astarion turned, that same shallow smile instantly reappearing on his face. It was a man, one that was handsome enough for Astarion to probably not feel completely sick during the deed. Then again... he could always ignore them and go back to his final plan.

Or he could wait it out one more day, and pray for a miracle. Astarion nodded towards him, still slightly torn but willing to at least try. It's not like he could go home empty handed if things turned out that way.

"Come to my room?"

Well this was certainly easy. Astarion didn't even have to take the energy to bite out a subpar pick up line. He just followed the man to his room, a plan forming in his head on how he could convince him back to the manor. Not to mention his own escape if he turned out to have less than savory intentions.

The stranger shut the door behind him, sitting on the side of his bed with his hands folded in his lap, his eyes staring straight ahead. Astarion barely stopped himself from rolling his own. Great. A weirdo. What a lovely way to end the night, spending it seducing a complete freak. But Astarion had dealt with worse. He perched next to him, crossing his legs as he waited to see where this would go.

"I can see it," He finally said, his voice gravelly as he turned to stare at Astarion.

Astarion raised his brow, wondering for the first time if this particular prey had been partaking in some mind altering substances, "And what exactly are you seeing?"

"You."

Suddenly, the man was wrapping a tight hand around Astarion's wrist, his eyes shining with an unnatural green light, "You're close to the edge. Too close. My lord needs you breathing."

Astarion froze, equally parts horrified and confused at what he was alluding to. How on earth did he know his thoughts? What lord? Or the more likely reality; How wasted could one person be?

Astarion tried to pull back, frowning when he realized the grip on his wrist was iron-clad. He could feel a bit of panic start to swell inside him as he struggled, his voice rising, "I have no idea what you're talking about. Let go of me-"

"You must live," He said, the color of his eyes only getting brighter and brighter, near twin flames in the darkness of the room, "There is no other way. Kelemvor has work for you yet."

His confusion was quickly evaporating into rage. He didn't know what this thing wanted from him, nor why the god of death would have any interest in his life. But how dare he insist on Astarion's pathetic existence having meaning. He knew nothing.

His mask was slipping, his righteous anger spilling forth, "Let go. Before I rip your fucking arm off."

But he made no moves to back down. Instead he started to chant, an incantation that had Astarion officially panicking. Whatever magic he was using, it was powerful. Reality was shifting right beneath Astarion's feet, morphing into something different. The next thing he knew they were somewhere else entirely, his reality melting into something new right before his eyes.

The entire thing was so shocking that Astarion didn't even realize he was seeing sunlight. Without a single pain. He frantically looked around, the insane stranger's grip finally loosening as he twisted away. They were on a couch, in the middle of what looked like a brightly lit townhouse, voices spilling out of the other room.

Astarion stood quickly, a hiss escaping him, "Where in the hells are we?"

"Nowhere," The man said cryptically, his eyes still aflame, "Neither the present of the future. We are in nothing but a glimpse, taken and made for you."

That did nothing to answer his question. But it did make his mind go into more reasonable directions. This had to be an illusion, there was no other explanation for why he wasn't being burned alive. But an illusion of what? And for what purpose?

Astarion pinched the bridge of his nose, at a complete loss at what to do. He could try and kill him and pray that that would break the spell. But there was also the chance that he wouldn't live through an altercation with someone who could warp his senses so easily. Or perhaps this whole thing was a nightmare, a horrifying dream he'd cooked up after a night in the torture chamber.

Still at a loss, he settled on asking another question, "Then what is this a glimpse of?"

"Home," The man said simply before slipping off the couch. The cryptic bastard.

He started walking towards the next room towards the unknown voices; Astarion feeling helpless but to follow.

He lingered at the entryway, his eyes widening at the sight of a woman standing there, cooing at a teary-eyed child she had on her hip. They were right in her line of sight, but she had no reaction to their presence, instead calling out into the other room, "Did you find it yet?"

Another voice called back, oddly familiar as it groaned, "If I had, would I still be on my hands and knees here?"

Astarion stepped forward, more than ready to see if he could enlist the help of strangers for his predicament.

"They can not perceive us," The stranger said, interrupting the call for help that was on the tip of Astarion's tongue, "They are not real. Merely copies of what is, what will be."

"Lovely," Astarion growled out, his fingers itching to fight back against this demon of a man, "Now what in the gods' names does this have to do with me?"

"Watch and you will see," He said, his eyes blazing straight ahead, "The Lord of Death works in mysterious ways."

Astarion's theory of this being a torture-induced dream was becoming more and more believable. He didn't even bother questioning it, not when one more inane answer would send him into a tailspin. Instead he stared ahead, waiting for the moment he would wake up.

The baby was still squirming. Annoying whining sounds spilling from its lips, nearly on the edge of crying. But the woman still had a bright smile on her face, calling back "I told you we should have looked for it last night!"

"Well when she threw it across the room I assumed that meant it had fallen out of favor!" That same familiar voice yelled back, followed by an excited ah-ha! sound.

"Isabella's gonna have a fit, isn't she?" The woman sing-songed, bouncing the child on her hip, "I guess Mommy's going to have to let you start sucking on Daddy's hair again, huh?"

"I heard that!" The muffled voice called back, getting clearer and clearer by the moment. And then another man was walking into the room, grinning ear to ear as he held up a pacifier, "And I will not be forgetting it darling. Don't come crying to me the next time she's gnawing on your nose."

He leaned over to kiss the woman on the cheek before popping the pacifier in the girl's mouth, laughing when it instantly made her calm down. He was tall and pale, an elf with piercing red eyes and pure white hair.

No. It couldn't be-

"There. All better," The man sighed, his voice crystal clear in the calmness of the room, "She has quite the arm for a toddler."

It was a voice that Astarion knew, better than anyone else. It was his own.

Astarion watched, wide-eyed as his other self lifted the baby up in his arms, laughing as the child squealed around the pacifier, "She sure is cute for someone who can be such a brat. She takes after her mother doesn't she?"

The woman rolled her eyes, but she was still smiling. Almost like she couldn't help but do anything else as she watched the duo, "Brave words for someone of your nature. Not to mention how she's your twin."

"Nonsense. She looks just like you, we should have named her Tav Jr," Other Astarion playfully argued, taking his other arm to wrap around the woman's shoulders, "I'm only responsible for the corpse-like complexion."

Astarion stared at them, in complete shock. He didn't-why would anyone or anything want to show him this? It didn't make sense. How would it be possible for him to be in the sunlight? Let alone to have a family. Astarion knew that this had to be a lie, there was no other explanation.

But that didn't stop his heart from aching from being forced to witness it. He was too shell-shocked to speak as he followed the duo to the other room, listening as his other self set the child in a crib, still cooing at her, "Auntie Karlach is coming over and you'll need your rest. How else will you be annoying together?"

"Astarion!"

He watched himself laugh as he pulled back, kissing her little forehead before murmuring, "Mommy only says my name like that when she has no comeback, isn't that right princess?"

"You're going to regret telling her everything when she can start talking," The woman, Tav, piped up from next to him, "I hope you realize she'll tell me all of your secrets."

Astarion rolled his eyes before pulling her against him, pressing a sweet and lingering kiss to her lips, "What secrets do I have that you don't know? Please, enlighten me."

What kind of cruel joke was this? Astarion, the real Astarion, had seen enough. He turned to the bastard that had sent him here, growling through gritted teeth, "Why are you doing this to me? Have I not suffered through enough?"

The man offered nothing of value, "We offer you what could be, if you can survive. No more, no less."

No. No, no, no. He wouldn't believe him. He refused to. There was no future for him. There couldn't be. I-It wasn't possible. Not with Cazador looming, not when he couldn't walk in the sun without being burned alive. And especially not when he couldn't even fathom letting himself care form someone enough to have a family with.

But that's what was in front of him. He turned back, his morbid curiosity getting the better of him. Just in time to see the couple standing there, holding each other while they made out like teenagers.

"I love you," His other self sighed happily, the words free and unbidden from his own lips between kisses, "More than anything my sweet."

"With one exception?" Tav asked, her arms wrapped around his neck.

Astarion laughed, nodding towards the crib with a knowing grin, "With one exception."

Astarion stared at them, a horrifying feeling starting to grow in his chest.

Hope.

It's the greatest betrayal he could give himself, an eternity's sentence to his own personal hell on the delusional belief that something better would come. He couldn't give in to it. He wouldn't.

But the question still escapes his lips, "How long?"

"Seventy years until you meet," The stranger said, "You must live to see it. Five more until you're here."

Astarion watched, wide-eyed as the alternate reality started to fade, the stranger's eyes becoming more dull and human-like by the moment. He stared until the last possible moment, trying to commit it all to memory.

But it was difficult. Like thoughts he couldn't quite grasp, slipping through his fingers. Something wasn't right.

"Will I remember this?" He asked, even though he was already on the edge of forgetting.

"No," The man said simply. They were back in the room, sitting on the bed as though nothing had happened, "But you'll remember the hope."

It was the equivalent of a curse, one that Astarion could barely fathom as magic twisted his memories. But he could feel it there, festering in his heart. The yearning for a new life, stronger than ever.

Astarion left Shar's Caress that night feeling dazed and confused. He barely managed to drag a wasted loner back to the manor with him, preying on him in the back aisles. It was startling to think that he'd almost forgotten his original mission considering the consequences. But whatever happened had... done something to him. Something that he couldn't quite name.

But he didn't see the sun that day. Or the next. Or the day after that. Instead he continued to struggle, to suffer at the hands of his sadistic sire with no end in sight. Not until years and years later, when the worst and best thing to ever happen to him occurred. He was kidnapped by mind flayers, but gifted with a disgusting parasite that allowed him to live in the sun.

It wasn't ideal but it was better than being under Cazador's thumb. Not to mention how he found companions relatively quickly. It had been pure luck that you stumbled upon him, even luckier still that you were the type to forgive a man for having a knife to your throat.

He was happy to accompany you. He was happy to do whatever it took to increase his chances of survival, frankly. It helped that he felt... strangely drawn to you. You looked oddly familiar. He didn't know how else to describe it, but it was almost as though he'd met someone from a past life.

[turtlelioni]

Krisnix has the potential to be so deliciously fucked up hear me out

We always talk about Kristoph's influence on Phoenix, how it drove him to be this secretive, conniving sleazebag that we see in AA4, how Phoenix had to bear this man watching his every move for seven years and put up the friendship front at least every day every week. Can we talk about how resilient that is of him I couldn't stand to suffer that in silence with all my loved ones away from me. And to pretend you're that bitch's friend without bitching about it to anyone later? self inflicted torture.

but also

Phoenix, for however long he suspected Kristoph of ruining his career, never suspected him as capable of murder. And I don't believe that he was capable, not of the hands-on kind that he commited with Zak, but Kristoph was driven to the edges of his sanity with Phoenix as well. We know that he attempted to poison Drew and Vera Misham almost at the same time he got Phoenix disbarred, and while it was vile, it was all calculated. Flawless. Clean.

Which is why the way he murdered Zak is so fascinating. Kristoph Gavin, the coolest defense in the west, the gentleman attorney, hit this man with a bottle over the head. It's messy. It's desperate. It's his last shred of composure being obliterated, because during the seven years that he stalked and manipulated Phoenix, he was under his scrutiny as well.

He knew that Phoenix suspected him to some extent. Aside from the loose ends that he hoped would be resolved in time, he knew that this man had friends with inexplicable "bring back the dead" powers and that his best friend was Miles Edgeworth, whom he most likely has gone up against. He knew that Phoenix was only playing dumb with him, because whoever could best him at poker every single time could not be a complete fool.

Phoenix drove this cold, calculated killer into a barfight murderer. He brought him to the brink of desperation in trying to cover his mess and they only knew half of the shit each other were doing during those seven years.

Just the poison as symbolism for their whole relationship, man. Phoenix trusting Kristoph at first, slowly realizing what he's really done to him, him poisoning himself in return by being around him- the drinking, the dishevelled appearance, the backroom poker playing, Kristoph becoming more paranoid, more desperate, more risky.

Phoenix was aware of the fact that the man he was hanging out with had the potential to turn him and his loved ones out on the streets, but to find out that he was also a murderer? Capable of both the insidious kind and the hands-on kind? the betrayal. the anguish. just when you build a tolerance to him, he attacks you again.

I could easily see Phoenix develop an even deeper paranoia, having all of his house and belongings tested for poison after AA4.

I could see it actually being there.

[theharellan]

My rough thoughts/interpretation/reflection of Solas and his relationship with Mythal after a first playthrough. It's subject to change on future playthroughs, but probably by inches (if I can ever get my audio fixed). Note that while I am trying to base all of this on canon, there is reinterpretation involved, as I do feel Mythal/Flemythal/Morrimythal was neutered somewhat in the writing process.

Spoilers for the whole of DA: The Veilguard.

When I roleplayed Solas I mostly played the relationship as benign, in large part due to her being another character whose role in Solas's life was gestured at but never defined. Which in some ways, is still true, but I think at this point it's impossible to deny she had a negative impact on him (to say the least). Since moving into fic writing I started to lean into the darker implications of their relationship, and while for the sake of rp I'm adaptable, I do still want to talk about my feelings regarding them.

I believe Solas, by aiding her, is culpable in many of the crimes they committed together- make no mistake of that, but he is also a victim of her. She says at the end she used his wisdom as a weapon, but she also used her benevolence as a tool to manipulate him, appealing to his knowledge of her nature to get what she wanted.

Her coaxing him to take a body after he states outright that "he has no wish to live as humans do" (I'm going to ignore the confusing implication that humans were around) is but the first betrayal she subjects him to, and imo the greatest crime she commits against him, specifically. At least in canon, the game skirts around the issue of vallaslin, but if the "he didn't want a body but she asked him to come" is true, then it would follow that the follow-up, "he left a scar when he burned her off her face" would also be true.

The second would be rising to the heights of the gods, and calling him the traitor for rebellion. Morrigan calls Mythal corrupted 'Retribution,' and that may be true of Mythal after her murder, but I believe long before that her benevolence had gone awry. From what I can tell, we have no concrete timeline for Elvhenan and what the gods did before and after her death, and therefore no idea what Mythal even means by tempering the other evanuris. Slavery almost certainly existed, which honestly is enough for me to say she was doing a bad job. Past codices indicate that her punishments were not just so much as exact:

"Mythal, in her wisdom, interceded in an argument between Elgar'nan and Falon'Din. With clever words, she convinced them to settle their grievance through a battle of their champions. Elgar'nan and Falon'Din agreed, and set their champions against each other rather than declare war among the gods. May those knights long be remembered, and Mythal's wisdom be praised." (x)

This and the codex describing Mythal's judgment characterise her tenure as a god as being far from bloodless.

There are also indications that not all had as much faith in Mythal's ability to see reason or cede power:

"Solas always thought" is the key phrase for me in this note. Not "we," but "Solas."

What this all means for Solas is that Mythal someone he has a deep, ancient connection to, but also someone who has hurt him deeply, violated him, used him.

And he doesn't want to face that.

Solas is quite capable of admitting his mistakes, even as he is moving onto the next one literally in the same breath... but Mythal's mistakes are never addressed by him, even at the finish, when he is holding the pommel of the knife out for her taking.

I think Solas navigates around the wrongs committed against him throughout the course of their knowing each other. His rage against the mages who forced Wisdom to take a body, to kill, may lead him to murdering them, but he never directs such anger at Mythal. He can't. The regrets he has about her literally flake and dry upon the walls of the Lighthouse because he can't. He can't face her remnant in the FadeAnd it's only at the end where he receives any catharsis in the matter, any admittance of wrongdoing against him (albeit without apology).

So in most interactions with Mythal, Solas will be very close with her, at best brushing up against the sides of where there relationship chafes. Always willing to believe the best of her, and her death granting him the mercy of being able to persist in that belief.

I do also believe their relationship was entirely platonic, albeit at such an intensity (on his part at least) that I'm certain there was talk. Luckily, I've spent ten years with Thora and Solas doing the ground work for Solas having deeply intense platonic relationships that match his romantic ones for their dedication and devotion.

[vividachromatic]

Meant To Stay The Worst - Pt. 5

Alastor x reader

Marriage ♡

Tags: ongoing, marriage, confessions / proposals, manipulation and toxic relationships, canon typical violence and language

((<- Pt. 4 - Pt. 6 ->))

*

After being together for about 8 months in total, the two of you started seriously planning your wedding together.

While things weren't going well in the world right now, it only brought the two of you even closer.

Alastor and you had been planning your future home together for quite some time now. While the complicated things... like electricity or heating systems were left to Alastor and your father, you spent much more time with Alastor's mother and even his friend Mimzy.

Alastor's mother in particular was extremely happy for you and her son and always invited you to excitedly talk about Alastor's childhood and showed you a few photographs of him as a child. You could tell that she already loved you really much and saw you as part of the family. Which was further proven with how she insisted you call her 'mother'.

What you appreciated the most though, was that you had much more time to spend on your art and thoughts, and for the first time in your life you weren't put down for it. In fact, Alastor genuinely made an effort to let you know how much he appreciated your mind, art and the way you think quite often.

He even talked about you and why he likes your art on his radio show.

You were plannig to have a small radio station for Alastor on your future property, too.

While he was obviously not perfect: he definitely had some fucked-up morals at the very least; you were almost completely sure of his loyalty towards you at this point, despite your trust issues.

He never gave you any reason to think he'd even look at another woman or man in a weird way. In fact, he even went out of his way to express his extreme dislike towards cheating and betrayal.

(He once recommended a book to you where the husband cheats on his wife and she murders him, cooks him and eats him in response-)

While you never planned to; you were extremely sure that if you were ever to make the mistake of betraying Alastor in that way, you would definitely not survive it. Obviously this would be an extremely red flag in like... every situation.

But since you never did plan on betraying him and you were sure of his loyalty because of it, you digressed

The two of you had an unspoken understanding between each other: one that would be seen as problematic by almost anyone else.

You supported each other in everything.

------------------

"Y/N, my love..." You looked into Alastor's eyes, who recited his wedding vows to you.

Your heart was beating louder and faster than it ever has and you tried holding back tears to not look like a pussy or ruin your fucking make-up (it was very expensive).

And Alastor looked at you with pure love in his eyes. Which touched you to your core, since even when it was just the two of you he had a hard time letting his mask slip completely. But now it did.

"I love you. And I'm beyond grateful, to have you in my life and to have you want me in yours. So thank you, for giving your heart to me. I promise I will treat it like the most precious thing I have ever received. And I promise I will spend my entire life to protect you and make you the happiest woman in the world. I love you. So thank you for choosing me, being with me, and taking my last name."

You tried blinking away your tears and cleared your throat, so your voice wouldn't break.

"Alastor, I... I love you. More than I ever thought I was capable to love anyone-" You paused for a second, suddenly forgetting the lines you prepared and your heart started beating even faster - you thought you were actually going into cardiac arrest for a moment.

"I- I.... I'll-" you gritted your teeth and cleared your throat again.

Okay, get your fucking shit together now, Y/N.

"I will always stay with you. Through life and death. And I promise I will always be by your side. Through health and sickness; even if the whole world was against you." You managed to somewhat stutter out the rest of your speech.

And eventhough you fucked up, Alastor seemed to be geniunely touched by your words and gently moved his hand to hold your cheek.

The officiant probably told Alastor he can kiss you now, but you weren’t completely sure - it was like there was only static in your head, sending you on the verge of passing out.

You only regained the full awareness of your surroundings again, when you felt Alastor press his lips on to yours while the audience in your wedding cheered.

Even your family was there and you had to admit, that even when most of them were assholes and didn't care about you, they at least knew how to behave in a social setting.

Your offical wedding went better than you thought it would, your father led you to 'give you away' to Alastor and also held a speech later on.

(Your brother did too, but it was way more embarrassing since he insisted on bringing up embarrassing childhood memories and mentioning how he thought you'd die alone over and over again.)

When the official ceremony was over you held an after party with only your closest friends and Alastor's mother.

That part of the day was even more enjoyable than the first one. With a lot of music and dancing and only your closest friends giving you heartfelt words and gifts.

On the wedding night both of you treated each other patiently and lovingly.

...

During your marriage you tried the houswife / cooking and cleaning part as best as you could.

Though the cooking part went badly most of the time and Alastor ended up cooking dinner anyway...

(Though you did pride yourself on the fact that eventhough you couldn't cook very well, you could make good sandwiches. And Alastor was at least polite enough to pretend like that was at least somewhat comparable. )

The cleaning part went a little better. Although you did tend to hyperfixate on certain parts and neglect others from time to time...

All in all both of you had a very happy marriage. You loved each other. Even after the 'honeymoon phase'.

You always had enough money and supported each other's hobbies, while following your own.

Your own drawings and writings changed to be of or inspired by Alastor. Which was something he noticed (because he sniffed around your stuff), although he never mentioned it to you. And it did inflate his ego even more than it already was.

At the same time you knew, that his 'hunting trips' weren't for hunting animals, at least 9 out of 10 times.

But you were already sure of that before you even married him.

And since his radio studio was right next to your house right now, you could spend most of your time together.

You knew when he was going out to kill someone.

In fact you sometimes almost casually, although subtly, chatted about it with each other.

Talking about another bad person who would be better off dead. And the next day they were.

You liked this way more than you should. And Alastor obviously did too, since a lot of your most passionate nights ignited right after one of his 'hunting trips'.

You watched him clean off blood when he came back and helped him doing so more than once.

Alastor also made a great deal out of showing you actual self-defense and teaching you how to shoot, in case he wasn't there.

After a couple of years, you talked about expanding your family and even trying for a child.

Until one day the police knocked on your door.

____________________________________________________

Tag list:

@cryptidghostgirl @adeadreader @yourdoorisunlocked @spirit-of-the-hollow @droopingdatura @reikamasama @over-the-little-blue-house @wonderlandangelsposts @mysterypotatoink

(♡♡ thanks sm for your support! Tell me if you want to be added or removed)

A/N: Thank you for reading :D

Next chapter will be here soon and angsty.

Btw, I think this should be obvious, but I still wanna say that actually marrying someone in these circumstances would be quite stupid. This is like the perfect set up for an abusive relationship. But! This is fictional, so I'm writing this in a way it just works out for the two of them.

+ my girls, my boys, my nonbinary friends!! If you want me to actually write out the smut pls tell me if u actually want that. Bc I can, but I'm not sure if ppl actually want that. So comment pls (or write anonymously in my inbox) I'm just gonna do whatever I wanna do otherwise obviously, but I'd like to hear feedback anyways lol.

(On this note: thanks to 🍷 anon for your message :D I appreciate it. I'm just not answering publicly to avoid spoilers in case I'm using one of your suggestions(: )

Also this is obv to 90% an Oc/self-insert, so don't kill me if it's not 100% neutral, just change it in your head or don't read idk.

[taus-inc]

My thoughts and feelings on Uglies the movie

I'm starting to think I understand a bit of how people who read Percy Jackson before watching the movies feel. Uglies was... a movie. I have thoughts that I wanna share with a condensed version of my rant with the notes I took at the very bottom. I know in the end it's just a movie but at the moment it's important to me. Obviously SPOILERS for Uglies, the book (mainly the first one) and the movie.

I want to start with the things I liked since that's a much shorter list.

i LOOVEE the casting for Dr. Cable as Laverne Cox, Keith Powers as David, Brianne Tju as Shay. I also like the casting for David's parents, Croy, Sussy, Dex and An.

Not all the design elements hit for me but the look and sound of the hover cars and boards i really liked. As well as how the interface rings looked and worked, kinda showing how easy it was for things to be "hacked". The look of the operation tank wasn't something I thought too hard about but I like how they brought it to life. And "THE SMOKE LIVES" was beautifully done. While reading the books I imagined something more childish given the sparklers but the movie did them wonderfully.

And something small and rather insignificant, Tally telling Shay that Peris was the one who gave her the necklace makes a little more sense than some random person giving it to her and her caring enough to wear it all the way to the Smoke.

Now... on to the nitty gritty of the things I didn't like as much. Some are kinda nitpicky so take my word with a grain of salt as these are all just my personal opinions. I took notes as I watched so they will kind of be in chronological order.

First is the casting of Tally and Peris. I knew when I saw the trailers I wouldn't like Joey King as Tally Youngblood, I don't think she's that bad of an actress, she just doesn't fit my vision of Tally. I like alternatives of someone like HAVANA ROSE LIU !!!, Sophia Lillis, Emma Myers, Paris Berelc, Chandler Kinney, Inde Navarrette, Talia Ryder, Quintessa Swindell. Basically, anyone other than Joey King. Someone I could see being book 1 Tally but also becoming who she was in later books. And for Peris maybe someone like Archie Renaux, Archie Madekwe, Nico Hiraga, Brodie Townsend, Connor Sherry, maybe a Finn Little or even a Charlie Plummer. Clearly, I don't have a set look for these characters just vibes.

I don't like that Dr. Cable is a public figurehead. Most of the things she does and are capable of are because she's more secretive. She's a manipulator who works behind the scenes. I could've appreciated it if they had done more with it and made it a purposeful change but like many other things I don't see the point in it.

Tally's relationships with anyone are honestly one of the most disappointing things done and my #1 gripe with this movie. It just does not make me care at all. We're missing so many vital scenes that I'm sure they couldn't fit all of them in but because of what they cut out I couldn't buy into them as people. Everything just felt so temporary and non concrete. I know it was probably to save money from actors ( f you btw netflix) but I'm sad the only other scene with Tally's parents, them convincing her to give up Shay and the Smoke, was missing. Her and Peris' relationship falls very one note and her and Shay's just falls flat. No real friendship between the two, bonding over feeling lonely and (at least to Tally) beginning their next step to prettiness together. Shay's constant reassurance that she doesn't think Tally is ugly and how she feels about keeping her original face because she doesn't think of herself as ugly either. Shay's anger is completely missing for me when in the book it was a very big thing considering how much Tally's betrayal cost her. The same anger thing with Maddy happened too but more on that later. Even with Dr. Cable manipulating her I think it was so poorly done. She just straight up lied to her about what was going on in the Smoke instead of using everything Tally had wanted for the last 16 years against her.

Next is what I think to be one another major failing on the movie that I have to force myself to understand that they simply didn't have time for but.. Cutting basically all of Tally's journey to the Smoke really hurt me because I feel like throughout all the books Tally's relationship and outlook on the wild is some of the most important because it shows a lot about who she is as a person when she really has to be alone with herself in such dangerous conditions and situations. The wild is always the start of her radicalization and her free thinking. It helps her be more open about the Smoke and it honestly informs a lot of her decisions later down the line. Her puzzling through Shay's note and learning to survive (with the help of some city things) were very detrimental and sad almost none of it made it into the script. And they didn't even get the note right!!

Short and to the point- replacing the rangers who helped Tally (and gave lowkey clues about what she learns later) with the Smokies.. Again, I understand time and money restraints but still Ugh!

Them making Croy immediately overly aggressive and skeptical of Tally also just takes away from his character. Even in the books we have little to go on, but I think taking away making him slowly put pieces together about Tally's stories and the math of the SpagBols simply not mathing is a small but disappointing takeaway.

The entire time in the Smoke went by wayy too fast, they never let you or Tally just sit and exist with the people living there already so again i just don't care that it was raided! We missed out on Tally discovering the people who lived there along with more of her relationship with Shay being discarded. Taking out the library, Tally discovering all of the people and faces from before through books and magazines and the man who looked over all of that. Which flattens her character more seeing as that was one of the first deaths she experiences that she feels is her fault. Tally meeting David's parents felt rushed and their conversation about the lesions just felt like it was her entire reason for suddenly not wanting to listen to Dr. Cable instead of her forming her own opinions and that being her final straw.

Something the movie loved to do was take away so many crucial parts of the story, a major thing being the raid of The Smoke. In the movie it happens so quickly even though I'm sure they could've included a majority of it. Tally's desperation in fighting for something she had inadvertently helped destroy, her and the Boss fighting to protect the last of the books and her watching him get killed because of it. Because of her. Her getting captured and gaining trust and respect from people (Croy!) who previously doubted her, but at the same time her relationship with Shay hitting the fan because she instantly knew Tally was at fault. Her being smart enough to outwit and out maneuver a Special Circumstance soldier and escape. Her hiding in the cave with David. Her coming back to see Croy had convinced people to leave their shoes because she didn't have any while hoverboarding away. All which fuels her guilt and need to protect and rebuild The Smoke seeing as she felt it her fault. In the movie she hid out in the open.. ran out screaming when Az was killed... outed what she had done in front of everyone. Then she blew up a building and Dr. Cable literally just let her go for no apparent reason. David finding out what she had done and what she caused should've warranted more anger but of course we get none of that. Next we just jump into helping the captured Smokies escape and Tally's crazy ass plan that actually helped show the depth of how smart she is was glazed over. We lose the reveal of Dr. Cable testing on Az causing him to pass away which, on top of being a doctor, fuels Maddy's need to have someone give informed consent before testing the cure for the lesions. The movie also took Maddy rightful anger toward Tally away from her. It might seem small in the grand scheme of things but agreeing to be the test subject for an untested brain alter for a woman who dislikes you for having a part in her husband dying is a step in her trying to earn forgiveness.

Shay's reveal to be turned pretty was completely under done and felt because of the lack of depth they gave to her character along with her relationship with Tally. Shay never wanted to be turned pretty and Tally is a big part of the reason her choice was taken away from her. Her becoming pretty was another thing that made Tally completely regret all that she had done and showed more of the ripple effect of the consequences of her actions. Plus that fuck ass wig and ugly silver dress they had her running around in !!

Overall so many of the choices made by netflix just lets me know they never intended on continuing the series in future movies regardless of the outcome of this one. Like them making Peris special and then killing him off ??!! The Specials having special suits and not special bodies. Changing out the rangers to not expand on the lore. ((Edit: The flowers being made by the cities actually does so much to harm the story which also explains why they removed the rangers because it was cities fighting against yet ANOTHER rusty invention that was destroying the world. The cities (who knows how many) were fighting to preserve nature which lends to them dulling people to slow down their overconsumption and later Tally's mission to make sure the wild was protected when people eventually got their free will back.)) Making the ending open ended because there was no way they could fully close it out because of the nature of the books but every other choice felt so definitive as to an ending and nothing more, like showing Tally pretty at the end when the closing of the book was just her surrendering. The movie itself didn't expand on even just the first books’ lore and it just felt like an extremely lukewarm version of the story that happens over a 30 minute period even though the movie is an hour and a half long. Everything felt rushed and not true to Uglies the book at all and it upsets me to see these books introduced to people in this way.

Ok, rant over. Peace out.

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TLDR, my sparknote ver.

Things I liked:

Lavern Cox as Dr. Cable

Keith Powers as David

Brianne Tju as Shay

Design of the hover cars and boards

Design of the operation tanks

Design of the "THE SMOKE LIVES" message

Thing I did Not like:

how this movie is a TERRIBLE introduction into this world

their failed attempts at humor

joey king as tally youngblood

dr. cable being a public figure head

the montage that skips basically all the world building

tally and shays watered down relationship

tally and davids watered down relationship

tally's parents not coming to see her before peris and really showing she was pushed into working with dr. cable

making the crash bracelets work like a bungee jacket and not using the mechanics from the book

dr cable lying abt what david and the smoke were doing to that extent

montage of the tallys journey in the wild

replacing the rangers with smokies

croy being over aggressive abt not trusting tally when he was sly and smart abt figuring out her story doesn't make sense

david just going "these are my parents" and no one clarifying their names

tally not slowly coming to realize that the smoke isn't that bad and her doubts before learning abt the lesions

the talk abt the lesions

peris being special

the attack on the smoke

not meeting the boss who keeps track of the books/magazines

tally and david hiding out in the open during the attack on the smoke

peris killing az bc az dying from medical testing was important !!! + az's "wah are yu doin"

tally outing herself in front of everyone 😒 + her dumbass escape scene bc she literally just got let go

not explaining or using tally's very smart plan to get into special headquarters

no pretty speak

shays ATROCIOUS ASS WIG that thing looks like a lego piece on her head and them contacts and that dumb ass dress

that glass breaking as soon as the fire touches it

the pt 2 of the solution being so easy to find and maddy not stealing dr. cables interface ring

the body suit for the specials bc their body is what made them special not the suits

joey king breaking up peris and david's fights was giving the fighting from the kissing booth

peris dying ??!!(!(!(

maddy not RIGHTFULLY being mad at tally for destroying her home and getting her husband killed

croy all of a sudden being on tallys side 

[ultraericthered]

A tale of two evil Disney kings.

I put this out not to make any statement about how one villain compares to the other, but to compare how similar in the spirit and the details of their evilness these two are; the last straight up Big Bad of a Disney animated movie before the next decade and the first straight up Big Bad of a Disney animated movie we've gotten since.

And I also want to touch upon something that confounds me.

King Magnifico, despite the film teasing at him being a nuanced and even sympathetic character at first, ended up becoming a villain vile and irredeemably heinous enough to be upvoted as a Complete Monster on TV Tropes. Majority vote approved, so that's fair. ...But Turbo, the dude with a similar rap sheet, is still not only ruled a non-example, he's in the "never to be discussed again" category for all the nixing of adding him to the trope ever since 2012. Because why, exactly? I am legitimately finding no good justification for this now.

Turbo locked away his subjects' memories within Sugar Rush's code without giving them any say on the matter (whereas with Magnifico it's at least a contractual arrangement between him and the people who give their wishes to him), and while the Sugar Rush characters don't appear to be acting all that off in any way besides not remembering Vanellope, no one in Rosas really seems to be suffering, depressed, dispirited, and poor off from having given up their wishes and forgotten about them either: it's a frequent criticism that they all seem to happy and prospering, and that the bad side of Magnifico's reign is more told to us than shown. The suffering only really visibly occurs on-screen when Magnifico takes and breaks the wishes (though even then it's written off as "making people feel sad" by a lot of watchers, so it's not easy to argue it's all that heinous). And sure, Turbo's manipulation of Ralph left Ralph with more of a choice to make regarding Vanellope's cart and her ability to race compared to Magnifico with Simon, but that could be argued to make Turbo that much more insidious and reprehensible in his approach.

And then we have Cy-Bug Turbo vocally making clear his intent to overtake all games in the arcade he chooses and forcing Ralph to watch the Cybugs attack Vanellope, comparable to Magnifico vocally making clear his intent to break all wishes in Rosas in order to enslave the despirited masses forever and forcing them all to watch him torture Asha. Yes, the latter might hit harder since it's such a betrayal of all the people he was supposed to be protecting and caring for, but that doesn't make Turbo's climactic villainy any less heinous. Turbo lacks magic powers, he's just a program who overrode that of a Cy-Bug and intends to make full use of the bug's capabilities to infect the lifeblood of other games and to physically harm others, namely Ralph, who he tells straight to his face that he wants to kill. And like Magnifico with the dark magic tome, Turbo's code merging with the Cy-Bug doesn't destroy his moral agency, it only makes him into a more unhinged, unfiltered and destructive version of the same cruel, egomaniacal asshole he already was. The fact that he uses the words "virus", "arcade", and "game" in the same sentence proves he's not merely another instinctive Cy-Bug; he knows exactly what he's doing, and sets out to hurt countless others knowing that he's hurting them not caring, and even relishing it.

Well at least we have other trope wikis to look to if we wish to find Turbo under his rightful classification. He is a Complete Monster, period. With the raw deal TV Tropes has given him for over a whole decade, he's the one who should sing "This Is The Thanks I Get?"

Yes, I am aware that the Complete Monster trope is not a badge of honor or trophy for whatever villain ends up on it,

No, I could not pass up this image.

[lassieposting]

Serpine in therapy for the asks :)

Okay so my headcanon is actually that Nef doesn't get a choice about going to therapy. It's part of the parole agreement he makes with the Sanctuary when he immigrates to Roarhaven. Whether or not he is answerable for our Serpine's war crimes, and whether the Sanctuary here can try him for his war crimes back in Leibniz, is still up for debate by legal professionals and he'd rather not risk it, so in exchange for his freedom he agrees to comply with weekly check-ins with a parole officer (which ends up being Skug, because China is spiteful), regular therapy, and location monitoring.

And like. Honestly, he thinks the whole thing is a massive waste of time - the Sanctuary flexing its power over him to make a point. He shows up, he's charming and personable, he flirts with the therapist and the girl on reception and anyone else he happens to bump into - but he thinks that before long, he'll have them convinced that he's psychologically normal and doesn't need their services, and they'll discharge him.

But like. The thing about Nef, aside from having a sadistic streak a mile wide and Chronic Backstabbing Bitch Disease, is that he's spent the vast majority of (at least) his adult life surrounded by people who would turn on him in a heartbeat if it suited them to do so. He comes from a world where abuse, manipulation and betrayal are not only common, they're the norm. That's the only way to relate to the world and to others that he understands. The Faceless worshippers are a nasty bunch who all encourage each other's worst impulses and learn to care only for themselves, and on the rare occasion that they break those habits, they tend to get hurt by those who haven't. So like, Nef's normal meter is completely and utterly broken. In his Handbook backstory, his childhood was unstable and emotionally damaging. As an adult, he has nothing to do with his family - all he had was Mevolent and the Church. His relationship history is littered with violent psychopaths like Christophe Nocturnal and Jaron Gallow, people who approved of and supported Serpine's own sadistic tendencies, but also tended to vent theirs on him when it suited them. This. Man. Is. A mess.

The therapist suspects complex trauma - although, that's not as unusual a diagnosis as it is for mortals: it's a given for millions of sorcerers who survived the 500 Year War - narcissistic tendencies, though not to the point of a full blown personality disorder, and an obsessive focus on/one-sided rivalry with Skulduggery.

Honestly, I think Nef would mostly use it as an opportunity to annoy Skug. He pays attention, but mostly so he can take what the therapist tells him and put it to use while Skulduggery is stuck in the car with him for an eight hour stakeout. Psychoanalyse him. Armchair-diagnose him. Treat him to a three hour monologue of "My therapist said..."

But like. You know that thing where you start saying hewwo to mock other people who say hewwo, and it's kind of a mean-spirited joke at first, but suddenly you've unironically adopted hewwo into your daily vocabulary and can't stop saying it? Yeah.

Some of it starts to get in via osmosis and sheer habit. He spends so long mockingly telling Skug about all the problems that he (Nef) thinks he (Skug) has, that he actually starts to notice things for real. He can tell when Skug is dissociating. He can point out to Val that she has a tendency to pull away from and lash out at the people who want to help her, because she's terrified to be seen as anything other than competent and capable, and then he'll think, hold on, I do that too.

A lot of therapy goes in one ear and out the other because it doesn't work for him - complex trauma is just Like That. The standard practices - like CBT - seem like platitudinous drivel to you, and the fact that everyone else seems to think they work often feels like a great big joke everyone is playing on you. But he takes in enough to start making some small changes to how he interacts with others and how he behaves. He starts learning how to react appropriately to distress signals in the people who are becoming his friends, rather than seeing those signals as something to take advantage of, a soft spot to sink a knife into and twist. He's developing basic empathy, which actually helps him, because for once in his life he's in a situation where bonding with others is The Way To Get Ahead, rather than something that would get him killed.

And he's getting a better grade in therapy than Skug, by virtue of actually agreeing to go, so he gets to be smug about that.

[rw-repurposed]

Rain World Repurposed - Zen the Thunderbreaker

Zen, or at least what he was once called. He was Chasing Wind's beloved pet and friend for the longest time as one of the first repurposed organisms that Wind had ever created. Zen was a hybrid of a slugcat, scavenger, and even a small set of Wind's own DNA. Yes, in technicality Wind can even say that Zen was his son.

One day, however, Zen was caught in a rarefaction cell incident which caused the cell to have a meltdown. Resulting in Zen being infected by it and absorbing its unlimited energy. Wind was able to recover him, however, the scars of what happened always remained on every inch of his body. Now, Wind nicknamed Zen the Thunderbreaker as he gained new powers from the incident.

However, things soon changed for the worse. Wind became more maddened with insane and inhumane experiments inspired by Zen's incident. he repurposed creatures for his own selfish curious reasons and without any feeling of remorse or regret. Thunderbreaker took notice as time went on and the facility ground became a nightmare.

Thunderbreaker tried to help the others that were imprisoned for experiments escape, but Wind noticed his action as a betrayal. Wind tried to brain blast Thunderbreaker but due to Wind's genome inside of him, Thunderbreaker just countered the blast towards Wind and severely damaged him before he made his escape with the others.

Carnage was able to recover Wind and Wind repurposed his own body in just a few short cycles. However, he became hateful of Thunderbreaker and his kind, the slugcat. Ever since then, he ordered his minions to hunt down every single slugcats in existence ESPECIALLY Thunderbreaker.

To Wind, there was no more Zen, there is only Thunderbreaker.

===

Thunderbreaker was capable of many things:

He's able to use the power of the rarefaction cell and manipulate the gravity around him to his own will.

He's able to use electricity power as a side effect of having Wind's own genome inside of him. The rarefaction cell also boosted this effect by an insane margin.

This also means he's immune to any kind of electricity attack, such as the Centipedes or electric spear.

He's capable of charging objects into a Singularity Bombs, this, however, will drain his food pips.

He has a pair of sharp bones coming out of his arms that he used as a method of climbing walls but it's also a weapon to defend himself from attackers.

He has 13 food pips. He needed 4 to be able to hibernate, he needs another 8 to be able to use his powers and it slowly drains his food pips whenever he activated them. And he also has one extra food pip which if achieved he'd be able to unleash his MAX power which will drain his entire food pips to zero.

His MAX power turned him into an energy cell that overcharged creatures and exploded them. He also became incredibly fast and able to fly until his food pips drained out.

Due to him having Wind's genome. He's immune to an Iterator brain blast and has to be injured in other ways. This also made him more intelligent than any other slugcats.

His scavenger genome also allowed him to communicate with scavengers and even be accepted as one of their kind. Having a high reputation within their tribes.

Thunderbreaker might seem powerful, but in a world where every nightmare creature is actively hunting you down and nowhere is safe, you can't afford to not have it.

Bonus...

[pinkblahaj]

rick riordan's female characters pt 2: aphrodite's children

during my reread of pjo, rick riordan's portrayals of aphrodite's children was what made me first realize that his writing of teen girls might be problematic. it does make sense considering the demonization of femininity that used to be so popular, but it is valid to still be bothered by it. i have thoughts on how cabin 10 is described overall, as well as the specific characters.

cabin 10

in the earlier books, rick made the aphrodite cabin way too one-dimensional. yes, the goddess aphrodite is known for her vain and shallow personality, and yes, the other campers tend to possess well-known traits of their godly parents (ares' children are aggressive, hermes' children are tricksters, nike's children are competitive, etc.). but the way that aphrodite's children were portrayed as especially weak, preferring to look at their reflections and gossip rather than play capture the flag, did feel blatantly sexist to me. like of course because their mom is the most stereotypically feminine of the gods, they have the least battle skills.

at the beginning of HoO i thought rick might be atoning for some of these flaws. it was interesting that piper, a character who explicitly rejects traditional standards for femininity and beauty, turned out to be a child of aphrodite. but then her siblings were still very stereotypical and their cabin literally made her "gag". i found it unnecessary that rick specified in the lost hero that most of the cabin were girls. sure, it makes sense that aphrodite would want to have more daughters than sons, but that combined with the fact that they lack the skills of other demigods just doesn't look good. i liked that rick mentioned that despite her reputation, aphrodite was a war goddess and the oldest of the olympians, but i was disappointed that he continued to stereotype her children so harshly.

silena

i don't have many criticisms of this character, other than her being described as one of the few nice campers from cabin 10. i really liked that she valued love and kindness, which more of the aphrodite campers should have been like imo. although aphrodite and her children have a generally shallow reputation in the original pjo series, i appreciate the impact that silena had on the series and the way that she showed that aphrodite's children can still have bravery and strength.

i do wish that more attention is paid to how luke manipulated/groomed her and others (which i've been seeing the pjo fandom do more now, fortunately), as this is a big reason why i can't see him as a redeemable character.

drew

call me delusional but i am a proud drew tanaka defender. yes, silena was manipulated by luke and she sacrificed herself heroically. but she still betrayed camp half-blood and is part of the reason why several of them, including charles, died. drew likely looked up to silena and felt this betrayal extremely severely, and her bitterness is justified. i just don't believe that she became mean for no reason.

because rick is clearly capable of writing his characters with more depth, it's so disappointing that he put so little thought into drew. clarisse was a bully, but she is revealed to be under severe pressure from her dad and later becomes friends with percy. luke is a main antagonist but evokes sympathy from many readers. even octavian, who was unlikable from beginning to end, was suffering mentally and enabled by apollo, and thus didn't deserve all the blame. yes, some people are truly horrible for no good reason, but with all the trauma that the pjo characters go through, there was likely a much better explanation for why drew is the way she is. i hate that he just made her the most archetypal mean girl who immediately hates the female lead because they are interested in the same guy. (side note: it's funny that the only other living female asian character in pjo/hoo i can think of is annabeth's stepmom, who i do NOT claim)

piper

this character seems to be quite controversial, but i honestly was not as bothered by piper as i thought i would be upon rereading. her "not like other girls" phase lasts pretty much only one book... and it's realistic for teenagers to have cringey phase. since i do have a problem with the larger context of how rick wrote aphrodite's children, i do see why some are more bothered by it, bc rick portrays piper as better than her more feminine siblings. in this aspect, i do think piper had some lost potential. i think it's great that we have characters like piper and frank who aren't pure stereotypes based on their godly parents and who have to learn to embrace that side of them. but i wish we would have seen piper realize that being feminine does not mean you are stuck up and that she possibly had internalized misogyny. i really like the interpretation that her identities of being indigenous and queer affected her relationship with femininity and gender expression, but i doubt rick himself actually thought that deep into it. however, i've only read the first two books of toa, so there may be parts of her character i am missing.

i remember finding piper and jason to be boring characters during my first read of hoo, but after rereading, i think they are good characters who were placed in an extremely bland relationship. i personally am a subscriber to the lesbian piper + gay jason headcanon, as hera manipulating them into a relationship feels a lot like comphet. but i don't find their relationship unrealistic either. i feel like our standards were raised pretty high by percabeth, a relationship based on an actual friendship between two people who knew and loved each other deeply. but it's also normal for teenagers to get together quickly without knowing whether they are compatible. also, considering how short the expected lifespan of demigods are, it makes sense that we see couples like jiper and frazel who start dating less than a year after meeting. i also was never that bothered by piper being "obsessed" with jason... the other hoo couples tended to do that too, and her mother is the goddess of love.

piper's charmspeak was an interesting power, but i don't think it was super well thought out. obviously, there are some ethical questions about her using it on people, including her own friends, that are never answered-- especially because sometimes piper doesn't even realize she's using it. also, i found it hard to believe that in the lost hero she was already able to use it on gaea. i enjoyed the moments where we saw her other skills and would have liked to see more of them. her emotional intelligence (as seen in the way she helps annabeth defeat mimas) was underutilized and could have been a great staple for all of aphrodite's children.

[xxxkokin]

lolita is not a love story.

part I

the first thing i have to confess is that i started reading lolita because of lana del rey.

she wrote a song by the same name (utilizing the lines, “light of my life, fire of my loins” in the chorus) as well as including a more subtle version titled carmen in the same album. both of these songs were based on the events and imagery shown in the book.

the entire novel is narrated from the POV of humbert humbert, from prison, after he is caught having an illicit sexual affair with a child who he took in a cross-country trip. several times he makes commentary to his lawyer or quips about his own morality.

humbert humbert is terrifyingly charming in the first half of the book, with the gait of an abandoned man and the pale expression of a ghost. he’s educated, distinguished, even silly at times (referring to himself by several names, Humbert the Humble, Humbert the Brute) though this perception of an otherwise striking and eloquent European man falls apart at the seams as the book trails onward. he does not lie about being a pedophile, and being almost 3 times older than the objects of his affections. he is simply in a state of delusion—he sees certain children as “nymphets”, girls who are borderline demonic, seductresses who call to his heartstrings and attention (even unbeknownst to themselves, according to him). specifies ages 9-14. and though the reader knows what kind of advantage he holds over them, what kind of moral code he falls under, we want so badly to believe him. to think that some moments of his character are sweet or even likeably pathetic, that his love for dolores may even be somewhat genuine—alas, he is in love with her innocence. the idea of her. not for who she is. what claws at me the most is that i was unable to tell during some moments, whether he had professed true love or a dreadful perversion.

i experienced a betrayal in this book, almost as if i were in the shoes of dolores haze herself. so many of her traits feel kindred to how i was when i was younger: the brash stubbornness, the portrayal of flirtation based on her playful quips, tanned skin and freckles, her sharp humor, an even sharper mouth, and eventually, her sense of lost innocence. dolores (nicknamed “lo” by her mother, “lolita” by humbert) is initially affectionate with the protagonist, as the reader could be—teasing him, occasionally brushing up on him and comparing him to her british idol in the newspapers. however, as she realizes the deep and immense horror of her situation—the isolation, humbert’s calculated manipulation, the moral imperative of their age gap relationship—dolores haze finds her careless toying with a man becoming recklessly dangerous.

“Don’t do that. Don’t drool on me. You dirty man.”

she says this after a moment in the car where Humbert kisses her neck. page after page, the reader realizes that the very character of Lolita is told from the perspective of someone who wants to believe she was in control. Dolores Haze was a child. Dolores Haze has few lines and even fewer friends. She does not have a voice in the story, at least, not unless it is a “childish whine” to the protagonist. she is 12, later 13, later 14, capable of forming independent thought, and yet humbert treats her as an object of complete and untouched adorability. he throws out the fact that she has an IQ of 121 almost carelessly (again, she was in seventh grade?) and decides that she was ‘dumber than her quotient suggested’. humbert could not possibly interpret, or possibly, disclose, that dolores haze was terrified of being left alone after the death of her mother, financially and emotionally unable to sustain herself, and had forgone her logical thought for her safety.

[beemers-hell]

Can you drop more lore on Raina???

I wish I had visual images to accompany this, but oh well lmao, anyway Raina lore beneath the cut cause i like running my mouth!

Basically, Raina's kinda just vibing! Like Bank, she was born riiiiiight before Nevada went to absolute Hell, so she has very vague memories of what Nevada was like before the madness really took over n' everything. For a while, her and her family were doing well enough surviving through the early years of Nevada's newfound apocalypse state, however, one by one, her family members would be killed off, through random incidents. Eventually, around the time she turned 11, she was the only surviving member of her family, and she was, as you can imagine, incredibly distraught about it. Confused on what to do now that she was alone in the world, the only thing she could think of was making her way to a site inhabited by the Agency, since she at least knew there would certainly be adults there.

Obviously, since she was a tween, it's not like they were gonna hire her or anything, however the site she found herself at was in need of test subjects for a new series of experiments they were conducting, and, yanno, it's not like a kid is gonna survive for very long out in the wilds anyway, so they decided to take her in as fodder. There, she would be subjected to various experiments that were meant to test a new idea some scientists had been brewing; Maybe there was a way to turn Nevadeans into ultra powerful, supernaturally gifted entities, by somehow harnessing the powers of places and entities from beyond Nevada (ie. The Other Place, Dissonance, The Betrayers)? Which would certainly beef up their soldiers, if they were able to figure it out. So, the subjects of these experiments, including Raina, would be rung through the ringer in order to try and manipulate their bodies into becoming capable of supernatural abilities. Though many of these early attempts were unsuccessful, by the time Raina was registered into the experiment, the Scientists running it had finally broke through the initial troubles they were having and were at a place where some of the experiment subjects were actually surviving, and were displaying abilities they had not wielded before. So Raina's chance of survival/success was pretty assured.

And, yanno, trying to warp the body in order to make it capable of unnatural powers is gonna involve some pretty invasive procedures/testing, and Raina was subject to that shit! But she would eventually make it through the prep stages, which involved such procedures as; A couple of brain surgeries, multiple DNA splicing procedures, many rounds of injections with various substances, etc, etc...But she made it out alive so that's good! Though her physical body had been warped, as a result of her DNA and genetic material having been spliced with that of romp material. Oh well!

Raina showed pretty promising results; the Scientists in charge of her had been wanting to develop a way to engineer a grunt into being able to teleport, and they had managed to get it figured out with Raina. So she was teleporting! It was very uncontrolled and she seemed to have developed some sort of seizure disorder as a result of the signal misfirings occurring in her brain when she teleported, but kinks like those were to be expected and they were working on ironing it out with her. Unfortunately for them though, she managed to escape when a false alarm had been called on the facility she was stuck in, and managed to teleport herself outside of the perimeter of the building. And then she just fucking BOOKED it. By now she was around 14, and she was determined to figure out how to ensure her survival without relying on any outside help, since, yanno, her first attempt at relying on someone resulted in her getting turned into a science experiment lmao.

So she worked very hard on developing her survival skills, and learned how to make do for herself out in the wastelands. She'd picked up some skills from some of her fellow experiment prisoners, and had internalized a lot of the academic information she'd been exposed to from the scientists around her, so she spent a lot of her time split between honing in her ability to survive in the apocalypse, as well as nurturing her newfound interest in science and engineering.

Not much else happened in her life for a while, she was just busy surviving and learning, but by the time she turned 18, she had come across a little group of people calling themselves "W.M.S.Q." and at this point, she figured she could make a more educated judgement on if she could trust people around her by now, so she joined their little faction as a worker for them. And they were very good to her! So she stayed with them, and that's where she's at currently. She's a fantastic worker, a very skilled marksman, and extremely gifted in the engineering department, having gotten so good at her craft that she's just straight up inventing her own specialized weapons to use, just for herself. She's learned how to use her teleportation powers to the absolute effectiveness in combat situations, as well as whatever the hell it is that her weird romp abilities allow her to do. She's a very laid back type of guy in spite of the horrors she bore at a young age, in fact, due to them, she has no sense of fear left in her! Which has been proving to be a difficulty for her, but yanno, everyone's gotta struggle with something lol

[licorishh]

Welp. Binged the second half of the new ATLA show and finished it and I am still so incredibly impressed. Spoilers under the cut y'all know the drill

I freaking loved this adaptation. Slapped. Killed it. Nailed it. I'm gonna rewatch it over and over. Legitimately the only things I could really complain about are all related to Azula.

I really feel like Azula having screentime in season 1 served zero purpose here. I feel it would've been much more impactful to have her go entirely unmentioned until the finale when Zhao reveals to Zuko that Azula was behind everything (i.e. iy would've been cooler if Zhao were also revealing it to us, the audience, for the first time).

I also think it's a little odd how they're kind of totally changing the dynamic between Ozai and Azula (or at least the parts of the dynamic that we're supposed to believe is a representation of their relationship for the majority of the show). In the original show, Azula has no idea Ozai is simply manipulating her for the fun of it. She genuinely thinks he loves her, is proud of her, and is extremely impressed with her. It's not until almost the last episode that Ozai ever directly expresses his disdain for something she's done/said, unless I'm wrong. Ozai's expectations of her in the original show appear to be things she's easily capable of meeting, and she feels extremely confident in her abilities and is under the impression Ozai is equally confident in her. I find it strange that repeatedly in this adaptation Ozai is instead treating her pretty similarly to the way he treats Zuko. He doesn't appear to show her any kind of particular favor, doesn't expect anything but the most outrageously impossible from her, and regularly ridicules/undermines her and sows seeds of doubt in her mind that she's competent.

Azula doesn't show the slightest hint of cracking until the end of season 3 after Mai's and Ty Lee's betrayal. Sure, there are hints earlier on that she's a perfectionist and refuses to settle for anything less than the most flawless outcome, but she comes off as being incredibly confident and secure in her position. She doesn't doubt anything about her situation or her relationship with her father or brother. In other words, in the original show, the audience and Azula herself are never meant to realize until the very end that Ozai was pitting his children against each other. We (and her) are intended to believe that Ozai genuinely prefers Azula and is more pleased with her than he is with Zuko. In this version, there really doesn't seem to be much of that at all. It's just odd.

Smaller complaint, but I don't think that actress is necessarily just the most stellar choice for Azula, either. The casting for the show has been excellent so far, but this particular actress seems to be bringing out aspects of Azula's character that really weren't meant to be at the forefront until much later. Maybe it's the actress, maybe it's the writing, maybe it's both, but it doesn't feel like Azula. She doesn't feel like a substantial threat. Heck, Zhao is wayyy more compelling in this version than Azula is, and that's really not very good. She feels like just another competitor for Zuko.

Kind of branching off of that, and this one is a pretty small one, but Mai and Ty Lee are super boring. Granted, I don't really care about them at all in the original anyway (Mai has really no narrative reason to exist other than to be part of what causes Azula's spiral; I do like Ty Lee a little bit, but I could really take her or leave her), but they're just... so bland. There's no reason for them to be in those scenes other than to be cardboard boxes Azula can glare at. At least in the original, they serve as an excellent example of what's tethering Azula to reality and how she feels an incessant need to exert control over every aspect of her life. I reaaaaally wish they'd waited until later to bring them into the adaptation (it's also just reinforcing to me the fact that I simply cannot see Zuko with Mai at all in either version, but that's an issue for a different day).

Other than those things I wasn't too thrilled about, I really did love the show. The acting from the main cast was excellent, the stakes felt SO MUCH HIGHER and it was SUCH a nice tonal change, the bending looked incredible, the amount of effort put into accurately replicating the sets and the costumes was just astounding, and the pacing was excellent. I love how they were able to cut down on so much of the extraneous filler from the original season 1 by finding ways to compile them together in a way that still flowed excellently and allowed for a greater focus to be put on the main story. The main story in this adaptation never stops going, and for me, that makes it SO much easier and more fun to watch. It doesn't go off on forty-minute tangents that have zilch to do with the main point of the show.

Also Dallas Liu is literally the best possible pick for Zuko. He is capturing Zuko's miserable wet cat energy in a way no one but Dante Basco could do and that is saying something. He's also putting an excellent emphasis on how desperately obsessive Zuko is about catching Aang in season 1. He's completely blinded by his desire to find him, causing him to make completely illogical and irrational decisions driven purely by a desperate desire to measure up, and Dallas Liu is really doing an incredibly good job reinforcing that without having to actually say it.

Gordon Cormier is also absolutely killing it as Aang for me. I'm really not the biggest fan of Aang (I just don't usually like child characters; he's better in some parts of season 3 but he's just not really my favorite), but he's actually making Aang incredibly fun to watch. He's adorable and fun and silly without being painfully immature and difficult to be invested in. Yeah, I know, Aang's twelve and twelve year olds are immature, but that doesn't mean they're automatically fun to watch. He's really doing a great job there.

I also love this version of Zhao. I feel like he got way more screentime in this version than in the original, which was pretty cool. He turned out to be a much cooler and more dangerous villain than it felt like he was in the original.

I also liked this version of Yue WAYYYY more even though she was only in one episode because man!! She has a personality holy cow!! She's actually fun!! And entertaining!! Not just Phantom Menace Natalie Portman-levels of "Well she's a very nice person :)"

Also also, I loved the vibe of uhh episode 5, I think it was-?. Both of the Koh jumpscares legitimately startled me which I was not expecting 😭 normally I can eat simple jumpscares for lunch but they made him so frickin creepy which is honestly good because hE IS FRICKIN CREEPY

And I cried. Like three times. First time when frickin Leaves From the Vine played at Lu Ten's funeral (that one had me weeping as usual), I think a second time when Katara is remembering being a little girl and is hiding and she sees her mom being killed (that was honestly so much more impactful that we actually got to SEE such things instead of just hearing about it), and then I think again in Zuko's Agni Kai because my gosh he's been through it :((( the flashback parts before then though were so nice 😭 I lived long enough to see happy smiling Zuko in 4k which means I can die peacefully now

All of this is coming from someone who first watched the show as a young kid, was never really a huge Aang fan, and really doesn't care for the original season 1 and tends to skip it every time I watch the show. I have pretty unusual opinions about the original, so my opinions here may vary massively from the general consensus, and that's fine. I really loved this adaptation and I will be so heartbroken if they don't make a season 2 MAAAANNNN I NEED MORE 😭😭😭

Also the writers are goated for replacing Aang with Sokka in the Cave of Two Lovers and having Katara reinforce their family bond instead of pushing a self-insert crush a little boy has on a teenage girl who treats him like her son. And also that scarf scene which I think I will perhaps never not be thinking about. I will be forever indebted to them for that but again that's a topic for uhh not right now 👍

[danganronpasurvivoraskblog]

So, now that the asks are open again I figured now would be a good time to announce this. I think I’ve already you this in a post comment but there was no response so you might not have seen it: I’ve stopped reading the archives.

I had Celeste’s betrayal spoiled for me before I started this. I found a post where Makoto interrogated Celeste. I had no idea what was going on but after I started reading the archives and saw that there was a spy in the FF it wasn’t hard to put two and two together.

I love Celeste, I love all the characters in the main three Danganronpa game (Cept for Yasuhiro) so seeing she was going to be evil later on really hurt. Still, I pressed on. Reasoning with myself that everything else would be so well written that I’d be fine with it or at least able to ignore it/get over it.

Well, I’m on The Fugitive arc and…I still can’t get over it. I’m sorry but I’m not going to read any more of a story where a character I love is written like this. I’m out. I still read the other non-story related asks but aside from that…I’m done. I have no interest in seeing the rest of this. Not if Celeste is like this. Is that childish? IDK maybe but it’s how I feel. I wish it wasn’t but that’s how it is.

//The only issue I take is that I wish you would have said this to me in DM's so I didn't have to share this with the rest of the ask box who clearly do still enjoy my story and the way I write Celeste, but if that's really how you feel, then I'm perfectly fine with that. Thank you for being honest with me, and thanks for sticking around as much as possible.

//I do acknowledge that this story won't be for everyone, but I have made clear to people many times before that while I do take feedback into account, some just can't ever be pleased. And some people have reacted way more violently, and abrasive towards me, compared to just calmly putting their feelings down on the table and telling me this. If you don't want to read this story anymore, then that's perfectly alright. I won't stop you from leaving.

//However, please let me say a few things first and foremost, sort of trying to explain myself. I totally get it if you don't like seeing Celeste portrayed as an irredeemable villain; I'm fine if you care that much about it, but I need to drop some simple facts to you, and to everyone else.

//Celestia Ludenberg is a psychopath, a murderer, and a downright terrible person. Even if people like her to the point where they put this to the side, the facts are as follows:

The literal premise of her character is that she is highly manipulative, often using charm and deception to get what she wants. Throughout DR1, she maintains a calm, composed demeanor while secretly plotting to win the killing game, manipulating others into doing her bidding.

She has little to no empathy for anybody around her, and she's the only killer in the first game, besides big bad Junko Enoshima, who shows no remorse for her actions, including her willingness to kill others in cold blood to achieve her dream of living in a European castle, which doesn't even feel like a real dream, and more of an excuse to hurt people.

She has a strong sense of superiority, seeing herself as above others due to her talents in gambling and manipulation. Her fantasy of living in a castle with loyal servants reflects her inflated sense of self-importance, and she simply isn't capable of loving others more than she loves herself.

She lies habitually, using her expertise in gambling and manipulation to present false information or narratives. This skill at deception is central to her survival strategy in the killing game, and the most central aspect to every basis of her character.

Even when confronted about her actions, Celeste shows little remorse. Her focus remains on achieving her goals, without regard for the lives she is taking or the harm she causes others.

//The reason I made Celeste an antagonist in the first place, is because her being a hero makes little sense. I have seen many fanfics, stories, comics, and otherwise portraying her as a member of the Future Foundation, but in many of those, she is still very openly deceptive, and manipulative to her own allies.

//But I also need to make one thing abundantly clear to everybody. Do not, for a second, think that just because I made Celeste a villain means that I don't like her, or want to see her get punished for her mideeds.

//I made Celeste a villain because it MADE SENSE for Celeste to be a villain. The abuse Zetsubou get on a regular basis is not something that I foster; it's something that I let happen. I don't outwardly encourage people to beat up my characters, and I never will.

//And just so everyone knows it now, Phase 3 will feature some original backstory ticks, personalization, and development for Celeste as a character, showing why she is the way she is, and what it is that she REALLY wants.

//A charismatic villain is always compelling, and Celeste has a refined, mysterious aura that makes her intriguing, accompanied by a sadistic and violent side. Her aristocratic persona and air of sophistication could allow her to manipulate powerful allies or hide her evil intentions behind a mask of elegance. This makes her a formidable foe, as her true motives are difficult to discern.

//All of what I've just said is me basically trying to justify my decisions; not to convince you to keep reading. If you want to move on to other stories, I will respect that choice. I can only hope you can respect my choices in kind.

-Mod

[burning-sol]

I don't know everything about Swan Lake and I might need to read into it further to work out nuances, but hear me out for a first draft of an Apotheosis Swan Lake AU.

Obviously, Rumi is the prince and Thanatos is their friend, Peter is the White Swan, Exandroth is the Black Swan. I don't think Zuen is the one who CURSED Peter, so it's not a one-to-one recreation of Rothbart, but he is manipulating events for his own benefit.

Instead of there being a Queen, I think Zuen delivered a message posing as some sort of noble authority that Rumi needs to find a partner to complete their ascension to a position of divine royalty. Thanatos is a voice of dissent throughout the events, suggesting that Rumi needs to stop thinking about this and ends up leading Rumi the lake - and to Peter - after Thanatos suggests they go hunting swans. By day, Peter is a swan and by night Peter turns back into the form of a human, and his curse can only be broken if someone who has never loved before swears to love him forever. Rumi learns about the curse that had befallen the other, the pair of them fall in love, and Rumi swears that they're going to break the other's curse but they don't have time to talk further as it turns to dawn and Peter turns back into a swan.

Zuen had hoped that leading Rumi to the lake would lead them to seeking out the source of the curse, but instead Rumi is a hopeless romantic who only fixates on Peter and being his saving grace. This is where Exandroth enters as the Black Swan, sent to the upcoming ball to swoon Rumi and to ensure that the other will not be capable of lifting Peter's curse. It's through acting as Peter's doppelganger that over the course of the ball Exandroth falls in love with Rumi, causing guilt over the betrayal as Peter arrives late and watches as Rumi accidentally proposes to Exandroth instead of him.

Peter runs off to the lake, Rumi following behind, Exandroth following Rumi, Thanatos following Exandroth. By some form of accident, Peter ends up dying before Rumi can catch up with the other, falling into despair at the love of their life dying. Exandroth catches up, Rumi lashing out at it initially but Exandroth explains how it has fallen in love with Rumi and informs them of the one who started it all, Zuen. While Rumi calms down enough to not entirely forgive but at the least understand Exandroth, Thanatos, who has not heard the explanation, rushes in and kills Exandroth. Everything has gone horribly HORRIBLY wrong.

Zuen appears before them, angry at the events that transpired. Rumi was promised divinity under the pretense that this sequence of events would lead to them finding the one who cursed Peter and, as is now revealed, Zuen's friends. Zuen berates them for failing while Rumi and Thanatos get pretty angry about being unknowingly used as tools. Zuen's mistake in revealing himself gives Rumi and Thanatos the opportunity to kill them and take what power Zuen had. I think there is a temptation that Rumi could take Zuen's place, try to do better than Zuen, live to be what Rumi was hoping to become even if it had been an illusion made to manipulate them.. But of course Rumi doesn't, using their power to resurrect Peter.

Whoever is the source of the curse is still out there, and Zuen's power was only strong enough to resurrect and lift the curse of a single individual.. But despite the imperfect ending, at least they're all together <3 And Exandroth is dead because I gotta do her a solid and give him a death as tragic as canon LOL.

[dxmoness]

𝑴𝐎𝐑𝐄 | 𝐄. 𝐕𝐚𝐬𝐢𝐥𝐢𝐨𝐬

𝑵𝐎𝐓𝐄: Okay, this has been in the drafts + my mind for a long while now, so it's time I break my writer's block lol.

𝑪𝐎𝐍𝐓𝐄𝐍𝐓 𝐖𝐀𝐑𝐍𝐈𝐍𝐆: stalking, cursing, near murder.

𝑷𝐀𝐑𝐓𝐒: I . II . III . IV . V

The prince's words followed her to her room. A voice so mysteriously enticing. Had she been any other person she would've fallen on her knees. But, her remembrance of who she was did not let that happen.

But either way the words he spoken haunted her no matter what she did to try and prevent its returns from her head.

Eros Vasilios had simply captivated her mind beyond a doubt.

Was it because of him saving her life? Or just a mere span of words of care? No, it had to be the first. Anyone could form words and manage to make it seem real, but no one could spin a blade fast enough to kill an assailant.

"I'd truly enjoy such an honor." Those words gave her feelings endless debates. Debates in which she failed to see which one the side. He sounded sincere, but even the most sincere words could be framed if you were born with the capability. Hadn't her father warned her of the prince's endless feats of manipulation?

Then again she didn't plan on leaving. Medea Solon was the reason she was brought and is here. She will not repay her hospitality with the betrayal of leaving in another's home.

A brief look from Medea at the ball made her notice that she hated Eros. If truth be told, no one could blame her.

From stories that passed through the Empire Name's gates, it was told that Medea had been badly played by the current emperor. So much that he even played with her most trusted 'friend' Psyche Callista at the same time.

Perhaps that was the reason why her attitude towards him seemed so... annoyed, frustrated even. Him being on the throne must not be a good thing. But, then again Name was not from here so how would she understand the empire's situation? She couldn't ask either, it would seem nosy to wonder of such things.

Muffled noises came to her attention, ending her thoughts. What was going on? Quietly walking towards the door, she heard faint voices. Pressing her ear against it, she caught a whispered conversation held by two unknown voices.

"You do realize how much of a threat he could be once he realizes right?" A hushed tone ushered to the other who replied with a firm. "I know, but she is our only hope. A weakness of his that cannot be obliterated at all costs." That voice made her heartbeat race. The duchess was talking with someone.

"If that is the case, then why not try killing her? Eros would do anything for her right?" Huh? Killing who? Her? Name bit her lip in hope that it was not the case, but the next sentence confirmed it almost immediately.

"If we kill Name, we kill a most likely alliance between me and her father. That will not do anything but harm us."

"But keeping her from her father will harm us too. You know who she is Medea!" The voice finally gave its recognition to her. Perion. The cardinal, was it? Why would he be here? At this time of night. That didn't make much sense and it didn't help that the two were ushering about her possible demise when they were right in front of her room. Was this intentionally placed so she could be aware of her possibilities?

"I know. Which is why we are keeping her happy here. At the very least we could keep her away from both her father and her own stalker." The tone was laced with annoyance. Stalker? Who was the stalker? This didn't add up whatsoever.

"What difference does it make to—" "Shush." Medea sounded really annoyed now. On the verge of angry even. "It's my plan and I'll deal with it however I think, I doubt you dare question me?"

After that there was silence. Then a shuffling of feet. It seemed the male had given up.

This exchange brought more questions than answers. Though one thing was clear Medea's intentions were not kind towards her. Perhaps at the part of keeping her happy, and maybe away from this stalker, but she was also keeping her from the man who risks everything for her.

Her own father.

Should she agree on staying with the prince now? Even the prince could be danger though... Best possible option would be to leave with no trace. Perhaps leaving her whole life behind even.

No, she shouldn't think that. Leaving meant a war her father might put up. And war with this empire was the last thing she wanted.

The next morning came quickly as she felt a sickening feeling in her stomach upon the recollection of last night. Fixing herself up, she took the initiative to come down without the maids calling for her per usual.

"Good morning." She murmured as she sat down. The duchess and her brother returned the greeting with much reluctance and ate while speaking quietly to one another through their eyes.

The meal was done in a silent manner. Far from the usual whereas they spoke to her, this time they seemed to hesitate even asking her sorts. Had the duchess realized she had overheard? She hoped not. If she had then Medea would send her away.

Suddenly Bertie barged in with much panic. Ushering towards the duchess she whispered in a rushed tone about someone's arrival, this caused Medea to jerk up while Dekis shot a worried glance towards Name's way.

"Your Highness, how about you go rest in your room for a moment? Someone important has arrived and will not wait for another time." Medea sounded calm and collected, but her angry face said otherwise. The person must be someone she very much disliked.

Dekis took Name's hand and rushed her to her room with one more word to stay put.

Staring at the now shut and locked door with frustration, she fiddled with the hem of her dress.

The temptations of checking the window finally took over as she walked towards the huge window for her to see a royal coach. It seems the prince had come to visit. She could see the male talking with duchess whilst standing outside.

A sound of a click was heard behind her caught her attention as her breath got caught in her throat. Who?

Turning around she managed to see a maid standing there with a maniacal smile before she felt dizzy. What had been placed in the food she ate earlier?

Holding her head, she collapsed onto her knees. Her vision grew blurry as she looked back at the maid. Eyes fixating though barely she realized this was the one that had been caring and making her food. So she was behind this. She'd been drugged.

A cough emerged from as she fell into a dark oblivion.

𝒕𝐚𝐠𝐠𝐢𝐧𝐠, @sidra-29 , @roseadleyn , @rouecentric , @mysticmeena , @d10nsaint , @that-one-pretty-bitch