#operation caricature

[honestlynotgonnalie]

[tomwambsmilk]

As a side note I think what makes Succession such an excellent critique of capitalism is how it handles the idea of meritocracy. It's very easy to imagine conservatives (especially wealthy conservatives) as Scrooge McDuck kind of figures who really just want whatever brings in the most money. But the truth is that most of them are deeply, deeply invested in the belief that capitalism is a meritocracy, and that their own success is the result of hard work and others' failure is the result of personal failings. They are so invested in this idea that they will go to amazing lengths to reinterpret any piece of information that challenges it. Succession does a really, really good job of depicting that conviction, and depicting it so well that the audience will be occasionally sucked into it, before slapping you in the face with the utter pathetic incompetency of these people who are essentially running America.

I think that's one of the things that really sets it above a lot of other 'eat the rich' type movies that write their wealthy characters with more of a Scrooge McDuck mindset. Personally, I think any good critique is written so that the critiqued party can see themselves in the story. They may not accept the critique, but if it's good and it's accurate there will be a character they recognize as themselves. No conservative is going to see themselves in Miles Bron, a man who is clearly out of his depth and incompetent and stealing other people's ideas, or the rich people from Squid Game, who insist on 'levelling the playing field' through random chance. But they DO see themselves in characters like Tom Wamsbgans and Kendall Roy (hence why an army of reddit bros turn out to defend their every move), and I think that's what gives Succession's critique a fighting chance of actually landing with the people who need to hear it

[hp-lonesome-actual-art]

Another batch or Mr. Puzzles quick sketches. I kept forgetting to draw his side pocket in the last couple ones. Random character featured in the little comic-ish Live Interview is some version of doodlesona. Can’t guarantee the dialogue will be believable/sound in character for Puzzles because honestly I’m still working on understanding his talking style and when he sarcastically jokes around or when he chooses to be serious and drop performance act. But in the off chance you wanna read it goes from left to right with reading

[pascalkirchmair]

"Sade Adu", gouache, black and sepia ink on paper, 30 x 40 cm 

シャーデー・アデュ

[taliabhattwrites]

The most widespread form of transmisogyny within the queer community is denying trans women epistemic authority.

Which means: people do not believe us on our own experiences. They frequently assume any and all oppression we face must be mild or must simply be anti-effeminacy instead of "real misogyny". We are considered to be exaggerating the material consequences of bigotry on us and assumed to not experience various harms that we in fact do, including medical misogyny, sexual violence, CSA, being infantilized and dismissed, being inadequately represented (since most popular depictions of us are cissexist caricatures and do not authentically portray our lived realities!), and more besides.

Perhaps the most hysteria inducing aspect of this is being told that our testimony is not frequently dismissed, BY PEOPLE WHO ARE ACTIVELY DISMISSING OUR TESTIMONY ON HOW MUCH MISOGYNY AND DEGENDERING AND VIOLENCE WE EXPERIENCE.

We are not "new to oppression". We do not have to be taught what it is like to be feminized and dehumanized under patriarchy. We are painfully familiar with how misogyny operates and experience it regularly, in addition to having to justify even to "our" communities that we do in fact experience it!

That, my friends, is the core of transmisogyny: being dehumanized while being denied the right to even name one's oppression or have it be acknowledged as such!

[prokopetz]

Not posting this as a reblog because I don't want to screw with somebody else's notes, but the whole "theological implications of Tolkien's orcs" business has some interesting history behind it.

In brief, a big part of why the Lord of the Rings Extended Universe™ is so cagey about what orcs are and where they come from is that later in his life, Tolkien came to believe that orcs as he'd depicted them were problematic – albeit not because of, you know, all the grotesque racial caricature.

Rather, he'd come to the conclusion that the idea of an inherently evil sapient species – a species that's incapable of seeking salvation – was incompatible with Christian ethics. Basically, it's one of those "used the wrong formula and got the right answer" situations.

In his notes and letters, Tolkien played around with several potential solutions to this problem. (Though contrary to the assertions of certain self-proclaimed Tolkien scholars, there's no evidence that he ever seriously planned to re-write his previous works to incorporate these ideas.) In one proposal, orcs are incarnated demons, and "killing" them simply returns them to their naturally immaterial state; in another, orcs are a sort of fleshy automaton remotely operated by the will of Sauron, essentially anticipating the idea of drone warfare.

Of course, this is all just historical trivia; any criticism of The Lord of the Rings must be directed at the books that were actually published, not the books we imagine might have been published if Tolkien had spent a few more years thinking through the implications of what he was writing. However, the direction of his thoughts on the matter is striking for two reasons:

Tolkien's orc conundrum is very nearly word for the word the problem that many contemporary fantasy authors are grappling with fifty years later. They want epic battles with morally clean heroes, and they're running up against exactly the same difficulty that Tolkien himself did – i.e., that describing a human-like species who are ontologically okay to kill is an impossible task.

After all the work he put into solving this impossible problem, one of Tolkien's proposals was literally just "what if they're not really killing the orcs, they're just sending them to the Shadow Realm?"

[rabbits-of-negative-euphoria]

how to drive me absolutely bonkers crazy:

> read a 19th century book on 19th century lifestyles/etiquette

> get to the part where it talks about respecting women as thinking feeling people

> “surprisingly progressive!”

[psychotrenny]

I reckon the whole HalimedeMF thing was a funny enough bit by itself, but it's a really grim sign that so many people completely missed the point. Like you've got this comical exaggeration of a Chaser "ally", someone whose "support" for trans women is clearly nothing but the product of dehumanising sexual desire, and yet Trans Women are such a viciously marginalised demographic that so many girls will latch onto every illusory shred of support and "acceptance" they see. It's especially miserable when you think about how that's more or less the way real chasers operate too; exploiting our vulnerability for their own gratification and half the time getting thanked for it

Your average HalimedeMF post was something like "It's so sad that Trans suffers when she should be giving me dick. Dick specifically. Did I mention the dick?" and so many people responded like "Wow she actually thinks it's sad when Trans suffers? I need her so bad". Like girl this isn't someone you're meant to want around this is the caricature of someone to be laughed at and blocked.

And I know a lot of girls were just playing along with the bit but there was consistently a scary amount of sincerity to that sort of thing. Like seeing girls so desperate to feel wanted in any way that they develop positive feelings towards the shadow of an exploitative creep really reminds you of just how dire things are. Living under societal transmisogyny really does make you feel like a lower form of life; even scraps of decency seem like a privilege

[mywitchyblog]

Debunking anti-Aging Rethoric (Again)

Thanks @lizzy4president for this post, and I will debunk it accordingly. It seems that these cultists/Shiftokers don’t know shit about shifting or how it works. No matter how much theoretical knowledge you have about shifting, there are things you will never know unless you have shifted yourself—and I mean full-on shifts, not minishifts. That said, I will debunk this:

My age Changing Post :

My Masterlist :

So, let’s talk about the whole “aging down is weird because your consciousness retains your current age” nonsense that these people keep pushing. First off, this argument shows a fundamental misunderstanding of how reality shifting works. When you shift to a different age in your Desired Reality (DR), you're not just playing dress-up or pretending to be younger—you become that age in every sense of the word.

Immersive Experience: The Reality of Aging Down

In your DR, you don’t just take on a younger appearance while keeping the maturity of your Original Reality (OR) self. No, it’s way deeper than that. Your entire cognitive and emotional framework adapts to the age you’ve shifted to. If you script yourself as a 14-year-old, you don’t walk around with the mindset of a 30-year-old stuck in a teenager’s body. You fully embody the mindset, emotions, and maturity of a 14-year-old. This isn’t just about physical changes—your brain, your thoughts, and your emotional responses align with that younger age.

Neuroscience backs this up too. Maturity is tied to the development of specific brain regions, like the prefrontal cortex, which is responsible for things like decision-making and impulse control. When you shift, your consciousness adapts to the brain development appropriate for that age in your DR. You’re not lugging your OR brain around; instead, you’re operating with the cognitive equipment that matches your DR age. This means that in your DR, you’re not a 30-year-old thinking like a 14-year-old—you’re truly 14 with the maturity that comes with that age​.

Debunking the Consciousness Retention Myth

Now, some folks seem to think that when you shift to a younger age, you somehow retain your OR “adult consciousness.” This is pure bullshit. When you shift, your consciousness isn’t this fixed, immovable thing that drags your OR mentality into your DR. It’s adaptable and fluid. If you script or intend to be a teenager, your consciousness adjusts to that reality—period. There’s no “adult awareness” hanging around in the background. Your thoughts, decisions, and reactions all align with your DR age​.

The Fallacies Behind Anti-Aging Rhetoric

Let’s get into the nitty-gritty of why these anti-aging arguments are straight-up flawed. The rhetoric used against aging down is packed with logical fallacies that just don’t hold up when you actually understand shifting.

Straw Man Fallacy: This is when someone misrepresents an argument to make it easier to attack. Anti-aging down critics love to claim that anyone who shifts to a younger age is doing it for creepy, inappropriate reasons. They simplify the complexity of shifting into a caricature, which makes it easier for them to criticize. But that’s not how it works. Shifters age down for countless reasons—healing, exploration, nostalgia—and it’s not all about sexual or romantic intentions​.

Hasty Generalization: This fallacy happens when someone takes a limited number of cases and makes a broad, sweeping statement. Anti-aging rhetoric often assumes that if one person ages down for inappropriate reasons, then everyone who ages down must be doing the same. This ignores the vast majority of shifters who age down for completely innocent and personal reasons. Thesehoes need to stop making assumptions based on a few bad apples and recognize the diversity of experiences in the shifting community​.

False Equivalence: Here’s a big one. Critics often equate shifting to a younger age with being an adult in a child’s body in the OR, implying that it’s somehow the same as being predatory or inappropriate in the OR. This is a total false equivalence. When you shift, you fully become that younger self—your consciousness, maturity, and experiences align with that age in the DR. It’s not even remotely comparable to being an adult trying to live as a child in the OR​.

Slippery Slope: This fallacy suggests that if you allow one thing to happen (like aging down), it will inevitably lead to something much worse. Anti-aging critics often argue that allowing or accepting aging down will lead to more predatory behavior or normalize inappropriate desires or even the presence of pedophiles in the Shifting Community. But there’s no evidence to back this up. Aging down is about fully embracing and experiencing life at a different age, not about some slippery slope into immoral behavior​.

Addressing the Ethical Concerns

A lot of people throw around ethical concerns like they’re confetti, especially when it comes to aging down. They’re quick to scream, “But it’s creepy!” without understanding the actual reasons why someone might want to age down. Spoiler: it’s not always about romance or sex and in some cases it s even acceptable because you dont know why they do the things that they do what if someone got an traumatic event like SA in highschool and wish to replace it with a healthy moment ? Or someone got chated on and wished to see how things wouldve been ? Or someone was going to have an aooportunity like that but has missed out on it ? If someone yearns for the teenage romance eveyone and their mother in films movies and TV series love to push ? This is not shifting for predatory reasons far from it.

For many shifters, aging down is about healing or exploring stages of life they didn’t get to fully experience in their OR. It could be about reliving a simpler time, overcoming past traumas, or just enjoying the freedom and innocence that comes with being younger. It’s a deeply personal process, and it’s not inherently sexual or predatory​.

Infinite Realities and Subjective Morals

Let’s not forget that shifting involves infinite realities, each with its own set of rules and morals. What might be seen as inappropriate in one reality could be completely normal in another. This idea that OR morals are the blueprint for every DR is just plain wrong. If you’re aging down in your DR, it’s because that reality’s context allows it, and there’s nothing inherently weird or wrong about that. It’s time to stop judging DR experiences by OR standards​.

Conclusion: Embrace the Full Experience

In conclusion, aging down isn’t weird, predatory, or inappropriate. When you shift, you become that age completely—mentally, emotionally, and cognitively. The arguments against this practice are based on misunderstandings, fallacies, and a lack of real shifting experience. Shifting is about exploring and fully immersing yourself in another reality, and that includes becoming the age you choose to shift to. So, the next time someone tells you that aging down is weird, just remember: they don’t know what they’re talking about, and you’re the one who truly understands the depth of the shifting experience.

[literaryvein-reblogs]

Writing Notes: Morally Grey Characters

Morally grey characters - operate beyond the dichotomy of good versus evil.

These characters will usually make the choice to pursue their own ambitions over those of the greater good or evil.

Because their goals are removed from these qualities, they could be inherently good or bad, so long as they serve the character's ultimate purposes.

However, that’s not to say that morally grey characters don’t aim to make the world better (or worse) in some way.

They may have a larger goal that they’re striving to achieve.

Example: Immortality for all or taking down a corrupt government.

But this doesn’t necessarily mean morally grey characters won’t see others suffer, regardless of intent.

They are often described as being reserved and unfeeling—a dramatic outward expression for characters whose inner selves are anything but, yet appropriate to exemplify the secrets they keep locked away.

The beauty of morally grey characters is that they don't fit into a mold like many other character tropes, which makes them instantly feel more real.

Tips to Writing Morally Grey Characters

Your morally grey characters should still feel like a living, breathing person and not just a caricature of one. In order to realistically portray them, there are 4 important things to consider:

1. What is your morally grey character's life's mission?

This needs to become their guiding belief, their driving force.

These characters are very goal-oriented.

More than anything else, this is why they make the choices that they do, for better or worse.

2. How far are they willing to go to achieve their goals?

They are unique in that they are capable of making hard decisions that most of us might otherwise struggle with, and they often seem to do so with ease.

What matters is achieving their goals—not necessarily how they go about doing so.

3. They need to still have a system of core values to abide by.

Even morally grey characters have an internally consistent scale of, well, morality (albeit on their own terms).

Give your character a code to live by that even they wouldn’t break.

4. What is their role in your story?

Don’t create morally grey characters just for the sake of it.

Whether their storyline is part of the main plot, or whether they have subplots that influence the overall story, there needs to be a point to it all regardless.

Morally Grey Character or Villain?

What may differentiate a morally grey character from a true villain are the following 3 things.

Recognition: Your morally grey character should recognize that their choices can cause harm, intentionally or otherwise.

Remorse: Following that recognition, and often as a result of it, they must understand and experience remorse.

Redemption: Finally, when even they feel things have gone too far, your morally grey character must seek redemption however that manifests itself in your story.

Source ⚜ Writing Notes & References

[honestlynotgonnalie]

Not a comic but,,, some characters of another idea i had

This one has been something I've been developing since middle school and i think you all would enjoy it uvu will be spending time on this concept now than the other since its still got work to do,,,

Here's the main cast!

[mariacallous]

Rhetoric has a history. The words democracy and tyranny were debated in ancient Greece; the phrase separation of powers became important in the 17th and 18th centuries. The word vermin, as a political term, dates from the 1930s and ’40s, when both fascists and communists liked to describe their political enemies as vermin, parasites, and blood infections, as well as insects, weeds, dirt, and animals. The term has been revived and reanimated, in an American presidential campaign, with Donald Trump’s description of his opponents as “radical-left thugs” who “live like vermin.”

This language isn’t merely ugly or repellant: These words belong to a particular tradition. Adolf Hitler used these kinds of terms often. In 1938, he praised his compatriots who had helped “cleanse Germany of all those parasites who drank at the well of the despair of the Fatherland and the People.” In occupied Warsaw, a 1941 poster displayed a drawing of a louse with a caricature of a Jewish face. The slogan: “Jews are lice: they cause typhus.” Germans, by contrast, were clean, pure, healthy, and vermin-free. Hitler once described the Nazi flag as “the victorious sign of freedom and the purity of our blood.”

Stalin used the same kind of language at about the same time. He called his opponents the “enemies of the people,” implying that they were not citizens and that they enjoyed no rights. He portrayed them as vermin, pollution, filth that had to be “subjected to ongoing purification,” and he inspired his fellow communists to employ similar rhetoric. In my files, I have the notes from a 1955 meeting of the leaders of the Stasi, the East German secret police, during which one of them called for a struggle against “vermin activities” (there is, inevitably, a German word for this: Schädlingstätigkeiten), by which he meant the purge and arrest of the regime’s critics. In this same era, the Stasi forcibly moved suspicious people away from the border with West Germany, a project nicknamed “Operation Vermin.”

This kind of language was not limited to Europe. Mao Zedong also described his political opponents as “poisonous weeds.” Pol Pot spoke of “cleansing” hundreds of thousands of his compatriots so that Cambodia would be “purified.”

In each of these very different societies, the purpose of this kind of rhetoric was the same. If you connect your opponents with disease, illness, and poisoned blood, if you dehumanize them as insects or animals, if you speak of squashing them or cleansing them as if they were pests or bacteria, then you can much more easily arrest them, deprive them of rights, exclude them, or even kill them. If they are parasites, they aren’t human. If they are vermin, they don’t get to enjoy freedom of speech, or freedoms of any kind. And if you squash them, you won’t be held accountable.

Until recently, this kind of language was not a normal part of American presidential politics. Even George Wallace’s notorious, racist, neo-Confederate 1963 speech, his inaugural speech as Alabama governor and the prelude to his first presidential campaign, avoided such language. Wallace called for “segregation today, segregation tomorrow, segregation forever.” But he did not speak of his political opponents as “vermin” or talk about them poisoning the nation’s blood. Franklin D. Roosevelt’s Executive Order 9066, which ordered Japanese Americans into internment camps following the outbreak of World War II, spoke of “alien enemies” but not parasites.

In the 2024 campaign, that line has been crossed. Trump blurs the distinction between illegal immigrants and legal immigrants—the latter including his wife, his late ex-wife, the in-laws of his running mate, and many others. He has said of immigrants, “They’re poisoning the blood of our country” and “They’re destroying the blood of our country.” He has claimed that many have “bad genes.” He has also been more explicit: “They’re not humans; they’re animals”; they are “cold-blooded killers.” He refers more broadly to his opponents—American citizens, some of whom are elected officials—as “the enemy from within … sick people, radical-left lunatics.” Not only do they have no rights; they should be “handled by,” he has said, “if necessary, National Guard, or if really necessary, by the military.”

In using this language, Trump knows exactly what he is doing. He understands which era and what kind of politics this language evokes. “I haven’t read Mein Kampf,” he declared, unprovoked, during one rally—an admission that he knows what Hitler’s manifesto contains, whether or not he has actually read it. “If you don’t use certain rhetoric,” he told an interviewer, “if you don’t use certain words, and maybe they’re not very nice words, nothing will happen.”

His talk of mass deportation is equally calculating. When he suggests that he would target both legal and illegal immigrants, or use the military arbitrarily against U.S. citizens, he does so knowing that past dictatorships have used public displays of violence to build popular support. By calling for mass violence, he hints at his admiration for these dictatorships but also demonstrates disdain for the rule of law and prepares his followers to accept the idea that his regime could, like its predecessors, break the law with impunity.

These are not jokes, and Trump is not laughing. Nor are the people around him. Delegates at the Republican National Convention held up prefabricated signs: Mass Deportation Now. Just this week, when Trump was swaying to music at a surreal rally, he did so in front of a huge slogan: Trump Was Right About Everything. This is language borrowed directly from Benito Mussolini, the Italian fascist. Soon after the rally, the scholar Ruth Ben-Ghiat posted a photograph of a building in Mussolini’s Italy displaying his slogan: Mussolini Is Always Right.

These phrases have not been put on posters and banners at random in the final weeks of an American election season. With less than three weeks left to go, most candidates would be fighting for the middle ground, for the swing voters. Trump is doing the exact opposite. Why? There can be only one answer: because he and his campaign team believe that by using the tactics of the 1930s, they can win. The deliberate dehumanization of whole groups of people; the references to police, to violence, to the “bloodbath” that Trump has said will unfold if he doesn’t win; the cultivation of hatred not only against immigrants but also against political opponents—none of this has been used successfully in modern American politics.

But neither has this rhetoric been tried in modern American politics. Several generations of American politicians have assumed that American voters, most of whom learned to pledge allegiance to the flag in school, grew up with the rule of law, and have never experienced occupation or invasion, would be resistant to this kind of language and imagery. Trump is gambling—knowingly and cynically—that we are not.

[power-handmaiden]

Day 64: Pounded In The Butt By My Irrational Bigoted Fear Of Humans Who Were Born As Unicorns Using A Human Restroom

While I had conflicting feelings on "Angry Man Pounded By The Fear Of His Latent Gayness Over A Dinosaur Transitioning Into A Unicorn" in light of how the conversation on trans rights and visibility has evolved, I feel like this tingler, published only 11 months later, holds up incredibly well. It tackles gender in a similar way to robot fiction, in the way that the protagonist feels insecurity over his humanity when someone he would not traditionally recognize as a human is able to inhabit human spaces.

One aspect that I appreciate a lot is that the story makes it very clear that the character that the protagonist initially directs his species transphobia towards does not pass as a human at all; the bigoted protagonist and the waitress who is dismissive of his bigotry both refer to the character as a unicorn based on appearance. A major point in this tingler is that the man deserves dignity whether or not he "looks" like he should be in a human space. A lot of transphobes love to make arguments that operate in this heightened reality. It's not hard to imagine one saying, "what, should we accept it if someone identifies as a unicorn?" I mean, the furry panic is basically that, using some on-its-face absurd otherkin caricature as a proxy for trans people. This tingler meets them in their invented space where they think their argument is the most ironclad and says, yes, that would be fine actually, even if we did all live in your thought experiment and even took it a step further by introducing other sapient species with clear physical differences. People of different species peeing in the same room is not going to break the fabric of society.

(Side note not entirely related, people who care about such things are also just.... really bad at telling who "belongs", which is addressed in the story somewhat but I just like to mention whenever I have the chance that it includes false positives on their Wrong Sex Detector too. I use the bathroom that corresponds to my birth certificate and I've been stared at, yelled at, one time someone just watched me piss?? So much for bathrooms being a harrassment free space.)

I also love that nothing sexual takes place in the bathroom. The protagonist recovering from his bigotry fucks a sentient restroom sign right in the middle of the diner. Absolute madman, I can't help but respect it.

[hmslusitania]

For the OTP prompts - TimKon #2 👀

Please enjoy some boys being very silly in a nebulous Young Justice timeline, to the prompt of "I'm dying." "You're not dying."

“I’m dying,” Kon proclaims, draping himself dramatically over the back of the couch in their headquarters, his wrist pressed to his forehead like a caricature of a Victorian maiden swooning on a fainting couch.

“You’re not dying,” Tim snaps, rolling his eyes. He’s trying to fill out reports, because that had been part of the Justice League’s terms for letting them continue to operate — paperwork. He and Cassie had rock-paper-scissored about which of them had to do said paperwork, and after losing and taking one look at the Batman-formatted report papers, she’d declared that she was making him Young Justice’s secretary, and declared it his responsibility.

“You don’t know,” Kon complains, pushing off from the ground so he rolls all the way over the back of the couch. He manages to twist while he falls so that he lands on his stomach with his arms folded around one of the throw pillows Cissie had brought in because they “brightened up the place.” “I totally could be.”

“You can’t actually die of boredom,” Tim scolds.

“I’m sure there’s gotta be a rogue somewhere who can do that,” Kon says, which is… almost certainly true and Tim kinda hates that. “For all you know, I got whammied by it, and now unless you entertain me, I’m gonna die of the stupidest bullshit ever.”

“I am the wrong Robin if you want entertainment,” Tim says. “Dick was the one who was a literal circus performer.”

“Yeah, because I’m just gonna pop over to Titans tower and ask Nightwing to do backflips for my entertainment,” Kon scoffs.

“Well, I’m not gonna do backflips for your entertainment,” Tim replies, signs the bottom of the report, and flips it into the finished stack. As he reaches for the next one, Kon scrambles down to the end of the couch closest to Tim’s table.

“Can you actually do a backflip?” he asks.

Tim sighs. “Yeah.”

“Woooow,” Kon says, dragging the syllable out. Tim makes the mistake of glancing his way and discovers Kon watching him with a challenge brightening his face. “That would be super hot, if I believed you.”

“See, I know you’re just trying to goad me, so that’s not gonna work,” Tim says, and focuses on his paperwork. The looming, omnipresent threat of Bruce’s disapproval if he doesn’t get them filled out correctly and in a timely manner is good enough incentive to keep him from being distracted by Kon’s… everything.

“Sure, okay,” Kon says, and flips over onto his back with his hands folded behind his head. Tim makes a further mistake when he looks again and gets a good eyeful of the way Kon’s biceps are straining the leather of his jacket these days.

In a kinder world, growing up surrounded by superheroes had rendered him immune to distraction by traditional superhero physique. Unfortunately, no one’s ever accused their corner of the multiverse of being a kinder world.

Well. Except Earth-3 people, but that’s a special case.

“I’ll just sit here, content in the knowledge you lied about something stupid so that you could sound cool,” Kon says.

It shouldn’t actually get to him, but it does, and Tim kind of hates himself for that a little.

Grumbling the whole time so Kon knows exactly how much of a pain in the ass he’s being, Tim stands up, checks his clearances, and does a backflip, exactly like Dick taught him.

To his surprise, Kon doesn’t verbally respond. When Tim looks over to see what’s wrong with him, or what’s distracted him, he finds Kon just… staring at him. Blinking widely. Face slightly pink.

It makes Tim blush in response as well, without meaning to, and he kind of hates that too.

“See, I was just fucking with you—”

“Yeah, I noticed, actually.”

“—but that was actually super hot.”

Tim’s blush goes from faint to on-the-verge-of-combustion, and he takes his seat back at the table to keep doing his reports, vividly aware that Kon is now staring at him from the couch with an expression on his face that’s not wholly dissimilar to one of Damian’s cats when it’s getting ready to pounce.

“Tim,” Kon says, and Tim swears to god there’s a hint of a purr in the back of his throat.

Kryptonians and Cats. There’s probably a whole research paper in there Tim could cook up if he wanted to.

“I’m trying to keep the Justice League from shutting us down,” Tim protests. “I’m not doing another backflip for you.”

Kon huffs and launches himself into the air only to hover over Tim’s head, looking down at him and looming ominously. Tim doesn’t flinch when Kon leans down to grab his face in both hands, but it’s only Batman training that saves him. Batman training, and rapidly growing annoyance when Kon squishes his cheeks together and lowers down until Kon’s upside down face is directly in front of his.

“Tim,” Kon repeats. “You’re hot.”

“Thanks,” Tim says, voice coming out weirdly squashed thanks to Kon’s compression of his face. “So are you.”

Kon beams at him and brushes the tip of his nose against Tim’s, and then drops down another few inches so he can kiss him.

It’s not their first kiss, or even their first outside of sleepover night truth or dare and spin-the-bottle games, but this whole thing developing between them is still new enough that it might be within the counting-on-his-fingers range.

Kon nibbles lightly on his bottom lip and then faster than Tim can blink, he’s flipping around in mid-air only to land in Tim’s lap, hands still squishing Tim’s cheeks together.

“And I think, you should kiss me some more before I die of boredom and you have to find a new heavy hitter for your team,” Kon says. “Think about it. Do you want to get this paperwork submitted just on time rather than obnoxiously early, or do you want to have to figure out how to fill out paperwork for ‘I accidentally let Kon-El languish away to nothing out of boredom because I wouldn’t kiss him’ paperwork?”

“I think I’d make up a different cause of death for the paperwork,” Tim replies, waits until Kon’s scrunched up his nose and his whole face in disappointment, and only then does he give up on paperwork for the time being, and kiss him.

[edwardsissyhandsthtdanceslikeabb]

why exactly is geto such a good character?

(not compared to naoya but using naoya as an example lol. i have no opinion on naoya other than that hes apparently a misogynist but some ppl like him for some reason idk.)

geto is arguably jjk's best written character —which isnt an indictment of naoya but an anime only's premature opinion lol— and a testament to jjk's initial narrative strength. reducing geto's motives down to toji massively undermines the layers that catalyzed his breakdown, which ultimately, was loss and disempowerment leading him to break. it was him being unable to reconcile his moralistic outlook with the mechanistic nature of jujutsu society and the utter dehumanization it demanded of its sorcerers, it was his disdain for the self-sustaining nature of human vice and negativity and its perpetuation of their system of futile sacrifice and loss.

this disdain stems from the bleak reality of being surrounded by its grimiest depths, by the thanklessness of choosing platitudes and lofty ideals for those who spit in your face for it, who exploit you, objectify you. which is why amanai dying is what truly began his undoing, the personification of everything he believed to be worth fighting for snuffed unthinkingly by those he's told are too feeble to know better. its the malignance of pure ppl like haibara dying while evil endures, of the godless nature of being a sorcerer, and how its ungoverned and unphased by any morality or goodness or purity. and why it ended with him discovering the girls in the cage, the most innocent of society, who couldn't have possibly deserved it, who were persecuted for their nature, the actual people endangered for it. its him flipping the ontological framework jujutsu society operates on, questioning why they have to pay for humanity's vices and fallibility, why they cant fight back too, prioritize their own pitfalls, and thusly him giving gravitas to humanity's evil underbelly. while also recognizing the strength and brilliance of sorcerers and choosing to be selfish with this excellence, self-serving instead of self flagellatory, not leaving them to be fed to the beast of human weakness but instead unabashed in their talents and strength. bc at every turn he's told to temper himself, to fight for goodness, but is only ever met with cruelty, haunted by sorcerers' disenfranchisement looming over him.

contradictory to his newfound ideals, geto chooses family and love by vowing to sacrifice humanity instead, he reframes gojo and all those relegated cogs in the jujutsu machine to the ppl really worth fighting for, as precious enough to matter, to be sacrificed for. its why he forms a pseudo family while pursuing his plans, and why he embodies such a performative personality thereafter, bc ideals consume geto. he has to expunge himself of humanity and embody hatred bc that's whats contrary to his former ideals and disposition. that's what he thinks he has to be. but when the heart of his wants shine through, when he allows himself grace around those close to his heart, we see the core of who he is and always has been shine through (e.g at his death scene). geto sees vulnerability and sympathy as inherent to humanity and the things indenturing sorcerers to them, despite his fight for sorcerers being grounded in fighting for the weak, but he doesn't want to give into that human aspect to his motivations. he wants to determine his own future, beholden to no one. (e.g the reason he fights against kenjaku, and is given strength by gojo's words)

now naoya very well may be a better character and commentary on jujutsu society than geto, but using his attire as reason for it isnt exactly equivocal to the aforementioned layers i've outlined. geto's brilliance is in how aptly they condensed all these angles relative to his screen time. now that doesnt mean he's beyond critique: his characterization post-defection is a bit too caricatured for me, and amanai wasnt utilized to the extent that she could've been to complicate his motivations and expand/clarify his thoughts on humanity, plus his plan to exterminate humanity is just as futile as his former sorcerer work, but thats the point. that ideals are fallible and often arbitrary, and that being governed by them can be detrimental and self-destructive. geto wanted to protect those he cared abt above everything, and conjured smth just as grand and insurmountable as the jujutsu system to rival it without taking into account how that obfuscated things, that ultimately, ideals weren't ever what was important, but actually those around him. bc in actuality, what he's doing doesnt center them, it centers him. he who literally tasted the rot and gore of humanity, took it into his body and used it as a weapon for their service, until that poison metastasized and he vowed to amputate his brokenness, without realizing that he'd just opted for another poison instead. he's a tragic character.

having said that, you dont have to care abt him. but he's defintely not badly written lol.

[demilypyro]

Do we ever even actually meet any communists in Fallout. The commentary of those games is so solely focused on US imperialism, I don't think they actually say much of anything about communism. Even when we fight communists in Operation Anchorage, they're actually just virtual caricatures of what fascist Americans think communists are like, there for the purpose of propaganda. Like