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pale-opal · 2 months ago

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I Listened to "The Wisdom Saga" and I Have Some Thoughts - Part 2

This is the sequel to this post. I will be picking up right where I left off, starting with:

4. Love in Paradise - I feel as if I've been tricked, been backstabbed, and quite possibly, bamboozled. - I came into this expecting unrequited-love related hijinks. - Do you wanna know what I got instead? - The most emotionally taxing song in the entire freaking saga. - I have listened to this song several times and so far, every time it ends I feel sad. But when the song starts, you have no idea what you're in for. - "Love in Paradise"? More like "Suffering in Paradise" (/j). - We begin with a medley of some of the most iconic songs from past sagas, starting with "Remember Them" from "The Cyclops Saga". After that point, the rest of the songs go by quickly, with Athena speedrunning through a montage of Odysseus' past up until his current point. The remaining songs in the medley are:

Keep Your Friends Close

Ruthlessness (I love how this song was changed for the medley, by the way. The faster tempo puts more emphasis on the drums and I think that's so fun)

Done For

No Longer You

Different Beast

Scylla

Thunder Bringer

- Afterwards, Athena finds out where Odysseus has been for the past seven years: the ✨Isle of Calypso!✨ - He is not okay. - We will get to that shortly. - For now, Calypso has decided to wake Odysseus up:

"[CALYPSO] Morning, sleepyhead You've been resting for a while I swore that you were dead When you washed up on my isle Did you know you talk in your sleep? Tell me, though, who's Penelope?

[ODYSSEUS] She's my wife" - This man just woke up from being knocked out cold, and the first thing he does is talk about his wife. - I know that he was asked who she was, but one would expect him to be like: "She's my wife - where am I?/How'd I get here?/Who are you?" - But, no. He just says "She's my wife" and leaves it at that. He couldn't care less about everything else at this point. - This does not stop Calypso from ignoring this and acting like her and Odysseus are newlyweds, however. - And I just want to take a second to talk about these lyrics:

"[ODYSSEUS] I'm not your man

[CALYPSO] I'm what you want here I'm what you need here Just you and me, my love in paradise Now 'til the end of time From here on out, you're mine, all mine" - "I'm not your man" is sung the same way as "I'm just a man", which means that Odysseus is saying: "Just because I'm a man, that doesn't mean I'm a free piece of meat for you to make out with." - Meanwhile, Calypso is NOT listening. She is thoroughly convinced that she and Odysseus are in-love with each other, and that they're basically already married. - I would like to bring up that in Greek mythology, Apollo and Calypso are husband and wife. And we know that Apollo is part of the "Epic" canon, because he appears in the next song. From this, we can draw two potential conclusions:

Apollo and Calypso are not married in "Epic", either because they haven't met, or because they are divorced.

Apollo and Calypso ARE married, BUT Apollo doesn't visit his wife... for some reason.

- Odyessus decides to try to get Calypso off his back by threatening her with death, but she deflects this by revealing that she can't kill her, because she's a goddess:

"[CALYPSO] You're adorable Bow down now to the immortal Calypso, here to entertain But fear not, I bring no pain ... Under my spell, we're stuck in paradise No one can come nor go, my island stays unknown" - Calypso going from flirting with Odysseus to mockingly calling him "adorable" and telling him to bow to her actually works really well. Sure, she's in "love" with him, but she's still a goddess, and Odysseus is still a mortal man that just threatened to kill her. To her, she has to put him in his place, regardless of whether or not he's the "love of her life". - "I bring no pain" is really ironic, considering how much Odysseus does NOT want to be on this island with this woman. - I also find it interesting how Calypso and Circe both have similar things going on with the whole "secluded secret islands in the middle of the ocean" thing. Not only that, but they both had a thing for Odysseus. - Also, the line about the spell Calypso put on the island works as an explanation for why she instantly "fell in love" with Odysseus: she's lonely! - Now then: is this an excuse for what she's doing here? No. The buck stops at it being an explanation - everyone experiences loneliness, and a lot of people do some weird and not always understandable things because of it. But usually, those things don't involve ignoring other people's boundaries and forcing them to accept your company. Relationships are a two-way street, and if someone doesn't want to meet you in the middle, then that's their choice. You need to know when to back off and let it go. - After Calypso reveals who she is and that it isn't really possible for Odysseus to leave the island, he starts to panic (the way the line "No, no" is sung really sells this). - At this point, I have to provide a content warning for implications of attempted suicide, and discussion of PTSD, due to the subject matter the rest of the song deals with. If you don't want to read my analysis of the lyrics dealing with that material, please skip to the section for "God Games", or click off of this post. Your mental health is much more important than some silly essay about some random people from Greek mythology. - Furthermore, if you feel that you or someone else may need help dealing with suicidal thoughts, please contact the national suicide hotline (United States) at 1-800-273-TALK, or the national crisis hotline at 988. - Lastly, I am not a psychologist, nor am I anyone else qualified to be giving medical assistance or help with mental health. Therefore, treat anything I say in relation to mental health with skepticism, and do not use it as a substitute for real medical advice.

Now let us continue:

"[ATHENA] Seven years, she's kept you trapped, out of your control Time can take a heavy toll...

[ODYSSEUS] All I hear are screams

[CALYPSO, spoken] Ody, get away from the ledge!

[ODYSSEUS] You don't know what I've gone through You don't know what I've sacrificed Every comrade I long knew Every friend, I saw them die And all I hear are screams"

- For some reason, I didn't see Odysseus developing post-traumatic stress disorder coming sooner. I suppose that's because he was in "the thick of it" for so long. - PTSD tends to show itself after a person experiences trauma, and is being reacclimated to a safe environment/the feeling of safety (however, it's not impossible for people to experience PTSD while in the midst of a traumatic experience, specifically if that experience takes place over an extended period of time. One example of this is how some soldiers who served in the Vietnam War showed symptoms of what was once called "shell shock" while they were still serving, with one of the most prominent signs being the "one-hundred yard stare" (which we now recognize as a form of disassociation)). - I also didn't expect Odysseus wanting to kill himself. He's reached the point where he just wants to be done. It's not even about Penelope anymore. He's just... tired. So tired that he's forgotten why he let himself go through all that suffering to begin with. - Calypso telling Odysseus that "life would be so much worse/if you had died" and telling her to stay in her "open arms" absolutely hurts, especially since he wants absolutely nothing to do with her. - Odysseus desperately screaming for Athena at the end just makes the whole thing worse.

5. God Games - This is arguably the song that had the most hype before its release. It had a bunch of animatics on YouTube back when all we really had to work with were a few snippets, and that hype stuck around for almost a full year. - And after listening to the song, it's easy for me to say that the hype was definitely deserved. - Another thing that I would like to say is that this song has a really fast pace. At first, I thought this made the song feel rushed, but then I realized something: that's the point. Mr. Rivera-Herrans has stated on multiple occasions that "Epic" takes inspiration from video games. With that in mind, considering how each of the gods has their own themes, as well as how fast the song is, it makes it clear that this song is meant to be a boss rush. The song goes fast because it HAS to. There's no time to be dragging out each debate, because Athena has to make sure she's ready for the next one. - On that note, "Love in Paradise" feels like a cutscene that takes place when "switching characters" over to Athena from Telemachus. - The first verse starts us off with Athena making it clear as to why she was considered to be Zeus' daughter in the Greek canon: "Father, God King Rarely do I ask for favors Now, I'm knocking on your door With hopes to save a friendship with one who's a prisoner far from home Odysseus"

- I did not expect Athena to be sucking up to anybody, but considering how egotistical Zeus is (ironic, considering how "Thunder Bringer" implies that he doesn't have any patience for hubris), this is most likely the best move she could have made. - I also noticed an interesting change that was made in the final cut of the song in comparison to the snippets: originally, Zeus tells Athena to convince Apollo, Hephaestus, Aphrodite, Ares, Hera, and him to set Odysseus free. However, in this version, he tells her to choose between persuading the aforementioned gods or him. Athena picks what is arguably the harder option. Keep this in mind. It will be important later. - The first god Athena has to go up against is Apollo: "You all know I'm a fan of catchy songs So with so many sirens gone, I think Ody's in the wrong" - Right off the bat, I was not expecting Apollo to lowkey sound like a hipster. That's cool, though. It works. - I like how Apollo being troubled by the siren deaths that took place back in "Different Beast" isn't because he doesn't approve of the murders themselves, but because the sirens were good singers. - Fun fact about the sirens: initially in Greek mythology, they were large birds with the heads of women. However, as time passed, they became replaced with mermaid-like creatures. - Luckily, Athena knows exactly how respond to such weird logic: by telling him that this actually helps the remaining sirens to stick around to sing more songs later.

"They were trying to do him worse All he did was reimburse them Now they'll tread with caution first To live another day and sing another verse"

- Now it's time for Hephaestus (and did y'all know that he's voiced by Jorge's dad? Both of his parents have shown up in this musical in important supporting roles. I think that's neat): "Trust is not given, it's forged Why should I give him my support? He sacrificed his own cohorts" - Hephaestus valuing trust and being upset with Odysseus for being willing to sacrifice his own crew members to Scylla works out so well when you consider that Aphrodite is constantly cheating on him with Ares. Why they didn't get a divorce is beyond me. The ancient Greeks divorced each other quite often, and it was easy for men to leave their wives. And there's even a myth were Hephaestus catches Aphrodite with Ares. So... yeah. Leave her, Hephaestus. You can do better. "Did you forget they failed to listen? He was betrayed and then imprisoned But if you make the right decision He can still build a future with those who miss him"

- What Athena is essentially saying here is: "Yeah, he did sacrifice his own men. But then they turned around and betrayed him right back. Nobody was innocent in that situation. But if you let him go, he can redeem himself with the people he has left." - Hephaestus (albeit begrudgingly) agrees with this. And Aphrodite, fittingly enough, is opponent number three (3): "[APHRODITE] Your little high and mighty Odysseus Claims to love his mother But let her die of a broken heart

[ATHENA] He was busy fighting

[APHRODITE] More like busy spiting the cyclops Let him feel the pain that his mother felt and rot" - I think Aphrodite's reasoning is highly flawed. Yes, the latter ten (10) years of Odysseus being missing from Ithaca could have been avoided if he didn't do the equivalent of giving the cyclops his government name, legal address, and social security number. BUT. She's acting as if he strayed off the path on purpose. Not only that, but in "The Underworld", Odysseus' mom's part of the song is all about how she died chilling in her rocking chair, willing to wait for her son for as long as it took. If anything, she died of old age, not of a "broken heart" as Aphrodite claims. - Furthermore, the part of the crew members who died heavily implies that the consciousness' of the dead in the underworld are a mixture of their memories and how they felt when they died. Hence why the crew members are confused as to why Odysseus spared the cyclops and are able to quote "Ruthlessness", and why Polities (😿) is still trying to encourage Odysseus to live with "open arms". In other words? Homegirl was not depressed when she died. Her lyrics about how much she loves her son and how she doesn't mind waiting for him is a representation of how she felt in her last moments. - TL;DR: Aphrodite is either making stuff up, doesn't truly know what happened, or is manipulating the situation to make it hard for Athena to argue with her. Hence why Athena pulls her into quick-thought. However, now Athena has another problem to deal with: "[ARES] Really Athena? These old tricks?

[ATHENA, spoken] Ares!" - Here we have another change from the snippets. In the older draft, Athena sounded more like she was in pain due to Ares interfering with her powers, but now she just sounds angry. Angry that he's interfering. - Ares' argument goes like this:

"What kind of sick coward Holds back his power While his friends get devoured? He didn't even fight Scylla Didn't even try to kill her Hides inside a wooden horse to get the job done Never handles things upfront Pathetic and weak like his son" - Before I lay into Ares' logic, I would like to explain more ancient Greek lore: both Ares and Athena were believed to be gods of warfare (and Aphrodite may have been considered to be one at some point as well). However, they both dealt with different "facets" of warfare. Athena was also considered the goddess of wisdom, and she was more associated with the strategic, "honorable" parts of war. Meanwhile, Ares was in charge of the bloody, tragic parts of war (which meant that not a whole lot of Greeks worshipped him). With this in mind, Ares' stance on Odysseus' methods makes more sense. However. That doesn't mean his reasoning isn't extraordinarily unsound: 1. "...sick coward/Holds back his power/While his friends get devoured": Odysseus willingly gave his friends over to get eaten by Scylla. Ares makes it sound like he was cowering in a corner while his friends were dying. 2. "...didn't even fight Scylla/Didn't even try to kill her": How could he?! Scylla's body has six dog heads, hence the six torches. Each of those heads, along with Scylla herself, are absolutely massive. Not only that, but the heads are attached to tentacles, meaning that they're chilling in the water most of the time. If one wanted to attack the heads, they would have to wait until they came out - and in that case, the heads are getting ready to strike. Fighting Scylla would've been a death wish. If Odysseus tried to fight her, WAY more than six people would've died that day, and it's likely that NOBODY would've been getting out of that alive. What good would a bloody, violent battle be if it was all completely pointless? 3. "Hides inside a wooden horse to get the job done": Oh, yeah. As if the Trojans would've just let the men of Ithaca inside. They had to sneak in because Troy was a walled city. If they wanted to force their way in on foot, they would have to either break down the walls or knock down the door. And while doing something like that wouldn't be impossible, they would've been at risk of giving the Trojans enough time to gather a force to confront them once they got in, making the battle take way longer and have much more casualties on the side of the Ithacans than needed, and/or they would've had to face archers shooting at them from the walls. And it seems like it would be pretty hard to break into a city if you have to hold a shield above your head the whole time to keep yourself from getting killed. 4. "Never handles things up front": Convenient how Ares just ignores the Winion confrontation, the cyclops battle, as well as the confrontation with Circe. Odysseus has no problem directly dealing with people. He's just smart enough to not get himself killed. 5. "Pathetic and weak like his son": Telemachus was never taught how to fight. He and his mother have been trying to keep caring for the suitors from putting them into poverty and from forcing Penelope to marry one of them. They have bigger fish to fry than getting into fights for no good reason. Furthermore, the one time Telemachus did get into a fight, he did so willingly, even though he lacked combat experience and was going up against someone stronger than him. He wanted to keep his mother safe that much. And he didn't even mind losing. How Ares could think he is "pathetic" is beyond me. - And don't get me started on him calling Odysseus pathetic. Please. We would be here all day. - Athena also has some choice words for Ares and Aphrodite: "Hold your tongue now His son's my friend And tell your lover that a broken heart can mend You want more bloodshed? Then set him free To get back to his homestead, he'll make everybody bleed" - GET 'EM ATHENA. TELL 'EM. TELL THEM HOW WHACK THEY ARE. - Let's move on to Hera: "[HERA] So many heroes So many tales Give me one good reason why yours should prevail

[ATHENA] He’s got the mind of a genius

[HERA] Try harder.

[ATHENA] He’s pretty skilled with words

[HERA] You can do better than that!" - One thing that can be noticed right away is that unlike the other gods Athena has faced, Hera isn't concerned about Odysseus' actions - she care more about his character, who he is as a person. - And Athena, like the gaslight, gatekeep, girlboss she is, figures out what will convince Hera after a few tries: "[ATHENA] Never once has he cheated on his wife

[HERA, spoken] ...Release him." - Before "The Circe Saga" came out, I thought Athena was lying here. After all, in the original "Odyssey", Odysseus does cheat on his wife. Twice (that we know of), actually. First with Circe (for an entire YEAR), and again with Calypso (even though being trapped on that island made him depressed, he was not above sleeping with her). - I am so glad that Jay cut both of those plotlines. While the ancient Greeks might have considered Odysseus to still be faithful, modern audiences would have had trouble buying that idea. - Furthermore, telling Hera that Odysseus never cheated on Penelope works for two reasons: 1. Hera was seen as the goddess of marriage. 2. Zeus cheated on Hera with a LOT of women, and has a LOT of illegitimate children. Hera has tried to kill some of them (see: The Labors of Heracles/Hercules) (with that said, I think its sweet how Hera's encouraging Athena instead of antagonizing her, since she's also an illegitimate child of Zeus'). - And would you look at that! Athena did it! She completed the task. Now let's see how Zeus reacts... "[ATHENA, spoken] I've played your game and won! Release him!

[ZEUS] You dare to defy me?! To make me feel shame?! No one beats me, NO ONE WINS MY GAME! THUNDER, BRING HER THROUGH THE WRINGER! SHOW HER I'M THE JUDGEMENT CALL, THE ONE WHO MAKES HER KINGDOM FALL!"

- Zeus responds to being beaten by striking his favorite daughter with lightning. - The question is: why?! She did what she was told, and she didn't cheat. Did he not expect her to win? Did he really think that the alleged goddess of wisdom wouldn't be able to outsmart her fellow Olympians? And if he didn't want her to succeed, why not add Poseidon to the lineup? He'd be enraged about Odysseus being alive at all. - Not only that, but she picked the harder option. Let me say again that Athena was supposed to be Zeus' favorite. She could've easily convinced her father by appealing to his ego and making a deal or two. But instead, she decided to increase her workload. And her reward for going above-and-beyond to prove herself is getting electrocuted? - Yeah, no. Zeus is now on the priority list for defenestration. And even then, getting yeeted out of a window might be too good for this man, once we take into account his treatment of Hera and women in general. - Ares asks if Athena is dead. A piano rendition of "Warrior of the Mind" begins to play. And based on how sad it sounds, I wouldn't be surprised if it was in a minor key. It doesn't look like Athena is getting up. As a matter of fact, it looks like this might be the end. - But this is what I'm going to call a "musical fakeout". Because next thing you know, a small part of "Legendary" starts playing, and then the brass kicks in. We are back in a major key. Athena has remembered Telemachus. She has remembered that Odysseus still needs her. She remembered why she's here. And she's not taking no for an answer: "Let him go, please... Let him go..." - Even after getting struck by lighting and what should've been an easy victory, Athena still finds the strength to get up and continue pleading for Odysseus' freedom. How awesome is that? - Oh, and based on Athena's tone here and the usage of the word "please", we know now why Zeus was so angry: Athena wasn't cowering enough when she told him that she beat him (do you think the Greek gods had windows large enough for a whole person to fit out of on Mount Olympus? Just asking...) - Also, this is the first final song out of all the sagas that doesn't feel like it has an ending moment of catharsis. All the other final songs had reached a place plot-wise that made ending its particular saga there make sense, or they had a brief instrumental at the end that let you know the saga was over. But this song simply ends with Athena asking for Odysseus be set free, and... that's it. We don't know Zeus' response. I was actually shocked (pun not intended... again) by this lack of closure. But I think it was done on purpose. We're not going to be "playing" as Athena anymore. The next saga switches us back to Odysseus, so we need to know how things go on his end (that, and it kills the tension for an answer to Athena's plea to be given explicitly by Zeus, or implied by the music). Final Thoughts - This should've been called "The Angst Saga" with all the emotional damage it has caused (exhibit A: me). - I hope "King" ends with an epic 1v1 fight between Antinous and Odysseus (or Telemachus. Telemachus works too), with Antinous getting knocked out of a window. - On that note, once again, please do not confuse anything negative I may have said about the characters with the actors or crew members of "Epic". I think the cast and crew of "Epic" are all great. Do not think that me talking smack about a character or wanting to see a character face karma is me speaking ill of or wishing harm on the actors, crew, or any other real people, because it is not. Thank you. - Somehow, the "Epic" team keeps making each saga better than the last. I have played this particular one three (3) times so far, and I will do it again.

Correction 11/4/24: Apollo was in a relationship with the muse Calliope, not Calypso. I got their names mixed up while writing this. I'm sorry about that.

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