#only took fifteen years !

[unproduciblesmackdown]

Lackadaisy Enrichment

[tj-crochets]

The orange canvas and national parks tote for my uncle is done!!

I’ll take photos with better lighting tomorrow when the sun is up again, but I’m so happy with how this turned out. I made the bag pattern myself, because I couldn’t find one the size I wanted, and it’s got two patch pockets on the inside because I bought way too much national parks fabric and because pockets are useful

[pevensiedmund]

california song || the mountain goats

(It's the color of the young star) coming on down / I got joy, joy, joy in my soul tonight / I got joy, joy, joy in my arms alright / Although you treat me badly, I love you madly / You really got a hold on me, you really got a hold on me.

twitter

(i hit season 6 in my m*a*s*h watch and realized i had to start making fanvids with episodes i'd already watched & could download, or else i was going to break my promise to no longer watch ahead. i'd do unspeakable things for a full dl of s1-11 sans laugh track if you're out there!!)

[a-mellowtea]

Interview: Lindsay Jones RWBY Archives: Remnant Promenade Volume 1-8

Q.1. Tell me how you became involved as a production staff member and cast member. Also, please share any general thoughts on it.

I voice the main character of this work, Ruby Rose, the leader of Team RWBY. It’s been a very rewarding and daunting challenge to voice her as a character and grow alongside her. To put it lightly, “RWBY” has changed my life.

Q.2. What was your impression when you first saw the finished version of “RWBY”?

Being a long-time anime fan, it was literally a dream come true to be a part of something with such a classic plot and story. Ruby has so much of my own personality in her. It was a hybrid combination of my career dreams coming true and a new version of myself. She’s way cooler than me, though.

Q.3. What do you think the appeal of "RWBY" is, and what are your favorite characters and episodes?

Compared to many production companies, we had fewer people involved at first but, in exchange, we were able to work more intimately, which is what makes "RWBY" so appealing. Fans and people in the industry say that it’s a little rougher than other anime, but it’s a very straightforward one. One of my favorite characters is Nora. I’ve always liked characters who appear cheerful on the surface, but who have a true nature to reveal underneath. As for episodes, I’d say Vol. 1 Episode 8, “Players and Pieces”. It’s the first episode where we see Team RWBY and JNPR working together in a situation that seems out of control.

Q.4. Please give a look back on production from the beginning to the present, when over 100 episodes have been produced, including Vol. 8.

I can’t say that nothing has changed. We’ve been swept up in a wave of support, not only domestically but worldwide. "RWBY" is in everything. Games, comics, manga, etc. Ruby has even become a VTuber. We've added more details to everything surrounding RWBY, we've seen the characters grow, we've been able to take the girls to different worlds, we’ve been able to add new weapons. It's gone from a small world to a universe called "RWBY".

Q.5. “RWBY” has become a long-running series, with numerous spin-offs and mixed media works in addition to the main story. What do you think is the reason it has grown this way, with so many fans around the world?

“RWBY” has a universal appeal and many people can identify with every character. There is a character for everyone. I personally identify with many of the characters, especially Ruby herself. I know that people turn to media as a source of solace and inspiration, and RWBY is one of those places.

Q.6. In addition to the Japanese dubbed version, there are various media properties, such as comics and goods. What are your impressions of the development in Japan, such as the production of the original work “Ice Queendom” by Japanese staff? Also, what kind of developments do you expect in the future?

I remember when I talked to Monty, he had a strong desire to enter the Japanese market, a medium that inspired him. Many studios such as Sanzigen, who produced “Black Rock Shooter”, inspired him. Now, we've been able to work with a Japanese partner to see his dream come true, and it feels like his spirit’s come full circle. It’s also great to see "RWBY" redone in the traditional 2D format, giving us a new look at the classic characters.

Q.7. What is the appeal of your character?

The appeal of Ruby’s character is that she is innocent, yet driven. There's triumph in her simple soul, she has an almost childlike purity and innocence, but she also needs to grow up. I think a lot of viewers, especially young viewers, can relate to that. It’s a formative time in life, a time when you’re discovering who you are and who you want to be.

Q.8. Please tell us about the points of your performance and story that you want people to pay attention to. Also, what episodes, scenes, or lines have left a particularly strong impression on you in the past 10 years of acting?

Episode 8 of Vol. 1 is the first time Ruby faces serious difficulties. Expression her core and innermost feelings through the battle was a big challenge for me, but at the same time it was meaningful. In Vol. 3, after Ruby picks up Penny’s sword, she says “Leave her alone!” and I had to convey a variety of emotions with just three words. If I’m hearing the audience right, I think I did a good job. That moment opened the door to the dark scenes of “RWBY” and helped set the tone for the rest of the leads.

Q.9. Please tell us about the character’s growth from her first appearance to the end of Vol. 8. Was there any change in your acting from her first scene to the end?

Yes, there’s more uncertainty behind her. She had to find her footing in Beacon, but there were people guiding her. As she's grown, those people have become neutral figures or are gone from her life. So she has to find her own compass within herself.

Q.10. What do you think are some similarities and differences between you and Ruby?

[laughs politely] Before Monty offered me the role, he literally said to me, “You’re not very social.” Yep! Socially awkward, but endlessly optimistic. I was eager to prove myself, and I definitely had my own struggles with finding myself, believing in myself over other people, and not letting anyone else speak for me.

Q.11. Please give us your thoughts on the future development of the character and your message to them.

I want Ruby to show more leadership. With so many obstacles in front of her and hope fading, she'll have to find her inner strength and support her team as much as she can. My message to Ruby is, “Choose yourself. Never stop choosing yourself. And no capes”.

Q.12. Please leave a message for your fans around the world.

First of all, I want to sincerely thank you for all your support over the years. Without you all, this work would not have been possible. My main message is to keep moving forward. As the team leader, I think that that’s the most appropriate thing to say to everyone.

— Translation by yours truly.

[almoststedytimetravel]

Finally finished Ghost Trick, final conclusion? Play Ghost Trick!

[leadersguilt]

cant remember bringing this up for a while so honestly i'll never be over the reiiteration that jean himself has a bleeding heart. he is going to be both blunt and honest with whoever hes speaking to, but in a way that he hopes will come to help them understand the situation but also does it so whoever he's speaking with actually understands the full situation and what that may entail despite the gruesome outcome.

[themonolithicmystique]

@sizeable-spider-gwen

“You know what she isn’t a part of my rouges gallery. I ain’t dealing with this.” Spider-Woman mumbled as a giantess Mystique stomped throughout the streets of New York. For the first time the arachnid hero felt like her namesake in the presence of this massive woman.

The omniscient narrator who occasionally deigns to actually narrate the non-dialogue portions of roleplay for the blog rather than simply speaking in parentheticals while pointedly not actually writing their characters COULD open with a snarky self-deprecating remark about how typical it is for Mystique to be found stomping around a city at skyscraper size when her true canon scale is somewhere on the range of "could lose stars in her pores," what with their blogs' tendency towards star characters of godly ability being immensely underpowered whenever they enter an actual scenario.

But then they remember they did sorta say the blog was resetting down to Mytique at a more reasonable size, only to immediately abandon that the second a galactic-scale idea sounded fun, and they can't rightly recall when they even DID that anyways because so much time passes between posts. You set yourself rules for canon and consistency, promising yourself it'll all work out, and then boop - it's two years later and everything's gone all chaotic again and you're still thinking it was last week.

So. Whadda hell, let's roll with it.

Mystique gave a derisive sniff as she paused and turned her head towards Gwen's location aside a brownstone twenty blocks down. "I heard that, you know," she boomed, swinging a hip into a neighboring office building for emphasis. "If you're under the impression I play by the niceties who who ought fight whom you homo sapiens observe..." The streets shuddered as she began a menacing stride forward.

"Then you more than deserve the swatting coming your way."

[dezwade]

started thinking about Marcus too hard again. 50 dead, 100 injured

[autoneurotic]

fuck you guys fuck everyone i’m employee of the month

[goodcanine]

in my :3 era

[keymintt]

not the 'sweet tags anon' but another, equally appreciative anon!!! I do wonder though if there's a reason you don't use the queue if you can't 'just reblog one'? You could do a ton whenever the mood strikes without overwhelming your/followers dash, just go ham <3

hello! :D

y'know that's a good question and the answer really is just that it never stuck with me. i'll queue up my art to post at certain times/days if i have a large backlog of unposted stuff, but aside from that, the idea of my blog posting stuff in whatever order at certain times of day while i was away never really appealed to me. that and i could never come up with a clever queue tag hkflghdl

thank you for the ask though! :>

[grapefruittwostep]

Happy Pride/Summer, here’s Snek Girlfriends

[teamahwol]

okay but what if I cut my own hair off again

[pallases]

worst idea ever but what if i did an english major after all

[inbabylontheywept]

I was walking out of the Walmart today, and a car passed me, and I got this incredibly vivid impression. It wasn't really in words, but if I had to put it into words, the two key points would be

a). I needed to watch that car and

b). That I needed to be careful, because the driver of the car was a massive bitch.

It kind of took me by surprise, because I really had no reason to be beefing with that car, and I also hadn't really had an impression like that since I was religious, which was in my teen years. Right? It'd been a decade since I had a little voice whisper in my ear, and I'd basically written it off as nonsense.

Anyway, I watched the car, because The Spirits or whatever were very insistent that I did. Car drove fine, went into the parking spot, inched forward, and right when it should've just stopped, the driver gunned it for some reason and it ran into the curb and cracked its bumper.

So, the driver got out, and she went to the front of the car to check that yes, she had cracked her bumper, and then she turned to look at me. The parking lot wasn't empty, but we were the only two people standing in that row, and I'd probably been staring at her for tenish seconds now.

She demanded very angrily to know why I hadn't warned her of the curb. And I could have said I didn't know you were about to gun it or is it my job to help every stranger park, or even could you have even heard me, inside your car?

And all of those would have been fine, but I was really, really busy digesting that I had somehow communed with Mormon Jesus again for the first time in fifteen years, and that the communion had mostly been there to let me watch someone park badly (?), so what I responded with was:

"Because it was foretold."

And I can't tell which would be funnier, if she went silent because there's not much to be said to that, or if she went silent because in Utah, she might actually believe me, but we parted ways without more words.

I'm still kind of digesting this myself, actually.

[astronicht]

I pulled up the sketchy online Old English version of Beowulf and yeah it has 3,182 lines. If you took 5 seconds per line you’d need four and a half hours to recite it (or specifically to recite the one version that got both written down and preserved for a thousand years) (only a little charred). But I mean 5 seconds per line is for chumps who don’t want to unlock the Beowulf speedrun.

Also ok for SCIENCE I timed myself and quickly reciting the first 5 lines took 16 seconds, let’s call that fifteen because I mispronounced meodosetla. At that pace (if you could keep it up consistently and I mean never cough never take a drink) you’d be looking at 2.65 hours, or 2 hours and 39 minutes (or 159 minutes). This is actually 20 minutes shorter than the theatrical run-time of Peter Jackson’s Two Towers (179 minutes).

Now, the original post was about reciting Beowulf in an hour, so 2 hours and 39 minutes is not gonna cut it, and is so far over time that even doubling your pace can’t save you. You’re gonna lose this speedrun and Æthelflæd’s new scop poet is going to laugh at you. However, there’s a cheat to exploit here. In the period when Old English (language of Beowulf) was spoken, people often just said there were 12 hours in a day and 12 hours in a night, no longer how long or short daylight actually was. This made the concept of a daylight hour stretch in summer, when daylight lasts way longer than 12 hours. There’s a good article on this I’ll find it if anyone wants it. I don’t actually expect anyone to have read this far.

ANYWAY, the longest day in Jarrow (furthest north Old English speaking town I could think of) in 2024 (sorry this data is not calibrated for the 10th century) was of course midsummer: June 20th, at 17 modern hours 22 modern minutes and 1 modern second. This means each early medieval hour that day actually lasted 1 hour and 26 minutes. Still not nearly enough lads, but this is when it becomes a skill game. Because I wasn’t going ALL that fast. We need to squeeze 159 minutes of Beowulf (aka basically Two Towers) into 86 minutes. If you could half my pace-per-five-lines from 15 seconds to 7.5 seconds, you’d be able to do it, one day of the year, in Jarrow. Iceland is cheating. Good luck.