#only putting the ones not in the actual magazine

[pursued-by-the-squid]

v. dance with the devil

pairing: gi-hun x gn!reader x in-ho

word count: 7.9k

content warning: things get a little intense in this chapter, so please be careful when reading. there will never be any rape/non-con/assault tropes in this story, but there is a home invasion scene at the very end that i want y'all to be mindful of. take care of yourselves!

ao3 | masterlist

Gi-hun drops you home later than he usually does. It’s a Tuesday night; you have class tomorrow, plus a few assignments due by the end of the week that you’ve been putting off, so you really shouldn’t be out so late. You shouldn’t be lying to Gi-hun about your workload either, but if he knew how much homework you have, then he never would have agreed to a mid-week shooting lesson.

I miss you, you had wanted to say, but you didn’t have the courage to vocalize it. What had seemed at first to be a serotonin withdrawal triggered by switching from your carefree summer life to a more regulated academic life had become suspicion of a vitamin deficiency. Just an odd mix of chemicals messing with your head to make you crave things you shouldn’t.

And then you’d seen him for the first time in two weeks and been so overwhelmed with delight that your chest started to hurt.

Gi-hun had smiled at you – actually smiled! – and handed you a pistol, the very one you’ve been eyeing for the past month but had been too hesitant to ask for. The semiautomatic just fits so nicely in your hands and you hadn’t wanted to ruin your streak by trying something new, but he knew. He knew and he gave it to you without any prelude or pause. He’d shown you how to hold it with both of his hands over yours, his thumbs pressing into your knuckles and your pulse thundering at your wrists, and you had wondered for a moment if he could hear the way your breath caught.

And then the moment had passed and you settled into the usual routine.

The light flickers on as you come inside, buzzing softly overhead. Your keys drop onto the counter, then your backpack is deposited into your chair and your shoes are toed off.

The very thought of sitting down to read through fifteen pages of dry, unengaging instruction makes you want to cry. You’d rather watch paint dry. Or watch Gi-hun.

Aim. Shoot. Reload.

Don’t look at him.

Aim. Shoot. Reload.

Don’t notice the way his shoulders move under his jacket, how his hips flex when he takes his stance.

Aim.

Don’t notice how heavily he breathes before he squeezes the trigger.

Shoot.

Don’t think about the sharpness of his aim, or his eye, or his canines when he smiles and how the light catches them.

Reload.

Don’t notice. Don’t look.

He’d tilted his head just so when he passed you. His shoulder brushed yours, his breath fanned across the nape of your neck when he reached behind for another magazine.

You aimed. Gi-hun’s shoe nudged against yours. You squeezed the trigger. He’d huffed, so lightly that you might have imagined it, and you missed. You fucking missed and you’d immediately felt the hot rush of embarrassment settle in your chest. But then he’d caught your eyes, so soft and encouraging, and whatever irritation or embarrassment you had felt before suddenly dissipated, as suddenly as mist evaporating in the sunlight.

You go about your nightly routine, settling into your comfiest pajamas and falling into bed with a contented sigh. The lights are dim enough to lull you into a relaxed state while you scroll through your phone, checking whatever messages you had missed and replying to the most important ones. Young-il has been distant of late, your coffee meetings less frequent as his work schedule begins ramping up, his messages brief and less engaging than usual, so you send him a couple of texts.

You miss him too, though you would certainly never say it. Not to Gi-hun, who has unofficially become the closest friend you have, and not to Young-il either, whose status as your friend and confidant is trumped only by Gi-hun’s. He’s been good to you this past year. If not for Young-il, you’re not sure you would have passed your last final – he’d been there to calm your nerves when Gi-hun was busy searching the subway. And he’d made you laugh when you’d had a nightmare – 455 bodies and the haunting sound of children laughing – even if his jokes were some of the stupidest ones you’d heard in years.

But as has been the case for the past few weeks, Young-il does not respond. It stings. You try not to take it to heart because he always comes back in the end, no matter the distance or time, but still.

Gi-hun responds, though. He’s gotten better at it. ‘Get some rest, you’ve earned it. And be careful tomorrow.’ He doesn’t worry so much these days, but it still is a constant request, a little piece of him that nestles inside you and warms you to the bones.

‘I always am.’

The lights turn off with a click, your phone buzzes with one final message bearing Gi-hun’s name, and you drift off with a smile on your face.

Bzzzz. Bzzzz.

…

Bzzzz. Bzzzz.

…

Bzzz–

You nearly fall out of bed trying to shut your phone off. It clatters to the ground, wedged between the wall and the mattress, vibrating so loudly that it sounds like a jackhammer is going off in your room. You have to crawl halfway under the bed to grab it and by then, you’ve already missed two calls and several texts from Gi-hun.

“What is it?” you slur sleepily, your free hand rubbing at your eyes. “Are y–”

“Listen to me. Don’t leave your apartment today.”

“Mm, I have class later today,” you groan. The realization that this is extremely abnormal takes a second to hit you in your freshly awakened state. “What’re you talking about?”

“It’s too dangerous for you,” he snaps, and that, at last, is enough to jolt your brain into gear. “Lock your door. Keep your phone close. Promise me.”

A white-hot rush of dread sweeps over your body, singing every nerve-ending and twitching muscle. “I promise.” You can feel the knot of your own fear bobbing where it’s lodged in your throat. “Gi-hun, what’s going on?”

You can just make out the sound of his car revving on the other end of the line. “There’s no time for that. I’m sending you a name, he’s an old friend of mine. If I don’t come back–”

“What do you mean, if you don’t come back?”

“[___],” he sighs, the way he always does when he’s being serious. The way he did an eternity ago when he finally told you who he was. “If I don’t come back, I want you to find him. We grew up together. He’ll take care of you.”

Tears prick at the edge of your waterline. You feel like you’ve just been slapped in the face. He’s talking like he’s dying. But that’s ridiculous, right? He’s not dying. He’s not going to die.

“Why are you saying this?”

He doesn’t respond. “How much money do you have?”

“Gi-hun.”

“How much?”

A sob breaks through your voice box. Your body slumps uselessly on the bed. This is wrong, it’s all wrong. He’s talking like a dead man and he’s not a dead man.

“Enough,” you hiccup through the veil of your tears. “Gi-hun, please. You’re scaring me.”

“I’ll send you what you need,” he says. “Take care of yourself, [___].”

The line drops and so does your heart. “Gi-hun,” you whimper into the receiver, but there’s no one left to hear you.

A few notifications pop up on your phone several minutes later:

[ Park Jung-bae, Dragon Bar, Ssanmung-dong. Give him my name. ] [ incoming transaction from Seong Gi-hun – ₩2,000,000,000 ]

You very nearly dry heave on the floor.

“Are you alright?” In-ho is sure to soften the edges of his voice, lowering it a notch or two to match the soothing pitch you seem to like from him. His eyes flicker across the tablet propped against his computer – he’s more than aware that you are not alright, but Young-il isn’t supposed to know that. So he asks.

“No,” you croak, your voice cracking under the weight of your tears. Your shoulders are hunched over, your body withdrawing into itself as you curl into a sad, pathetic mass of limbs on the sofa.

“What is it? What’s wrong?”

The line of your bottom lip trembles enough to be noticeable on camera. “It’s… It’s my friend.” You’re struggling to get through even a single sentence, all glassy eyes and shuddering breaths, and for a moment In-ho feels caught between irritation and genuine pity. He supposes that, were he in your position, the terror of knowing that his dearest friend is endangering himself would be enough to send him into a panic as well.

It seems that 456 and his recruiter have finally reunited, or are about to. He’s been tracking the recruiter all day and as a result, has also been tracking the movement of the two fools Gi-hun has sent in his stead. It’s a mistake. In-ho doesn’t employ those with a tendency for mercy, but that’s a lesson that will have to be learned through experience.

“What can I do?” he asks once the words have manifested themselves and your bleeding heart is left quivering in his palm.

Your head bobs on the screen. “I don’t know, I… I’m scared. I-I think he’s in trouble. He said… he said he might not come back and I don’t know what to do.”

Something inside his chest twists – curiosity, he thinks. Did he now? Did Seong Gi-hun finally take up gambling again? Finally betting on his own life instead of yours? Three years of trying to get the bastard off his tail and all it took was a meeting with a recruiter. How ironic.

In-ho swirls the glass in his free hand once, twice, before taking a quiet sip. Not once do his eyes leave the screen. Not once does he look away from the miserable shape you make as you fall apart.

“Can you come over?”

His heart lurches, pushing the words past his lips before he can doubt himself. “Are you sure?” Because he is curious to know. Are you sure enough of him? Do you really trust him? Has all his hard work finally come to fruition?

The answer is later given in the wide arc of your door when it opens to him, in the curve of your arms as they wrap around his torso. The name he has given you falls from your lips without the customary honorific – there is no room for social niceties in the wake of your grief, though it isn’t something he can fault you for. Neither can he fault you, he discovers, for the salty, snotty mess you leave on his chest.

It's a weakness. A reminder of days long since past and forever lost, but a weakness all the same. Hwang In-ho does not tolerate weaknesses. He does not grant mercy in a world that once chose to overlook him when he asked for it. But today, just this once, he allows himself to break his greatest rule. Perhaps it’s because he still remembers the weight of his wife’s head upon his shoulder. Or perhaps it’s because he knows that René Magritte’s book still sits on your bedside table.

A weakness, yes, but one he knows how to eliminate and it won’t be long now until the opportunity presents itself.

“He’ll be alright,” he murmurs into your hair, running his hand over the swell of your scalp as you cry.

A distressed groan sounds from the center of his chest where you’ve pressed your cheek. “But what if he isn’t? Wh-What if he doesn’t come back?”

In truth, he has no inkling whether Gi-hun will live or die tonight. The man is reckless and less intelligent than he assumes himself to be, but he’s also irritatingly tenacious, always turning up in the unlikeliest of places like a pebble permanently wedged in In-ho’s shoe. If he were a betting man – if he were 456 – he would place his money on the recruiter whose eyes have never once shone with a glimmer of true humanity in the past nine years.

But then again, Seong Gi-hun has won the races once before. There’s always the chance he’ll do it again.

In-ho’s teeth grind together for a moment, sending pain up and down his jawbone until he has the clarity of mind to unlock the joint and regather his thoughts. “He will,” he assures you. One of his hands finds your cheek and gently guides your face until it’s tilted up towards his. Old habits, he tells himself, and he smiles the way that only Young-il does. “It’ll be alright, [___]. I promise.”

Only time will tell if he’s bet on the right horse. In the meantime, however, he is content to continue playing the curious little game you have unknowingly entered into with him.

“Your friend. You said he hasn’t answered his phone since he contacted you?” The slight press of your head against his palm – a brief nod of dissent – encourages him to continue, to prod at the bruise of Gi-hun’s disappearance until you do something interesting. “Had you thought of calling the police?” Though what you might say to them is beyond him, he wants to know if it had occurred to you.

How delicious it is to see the way your expression darkens and your eyes shift, as if he’s stumbled by chance upon a secret you dare not repeat to another soul. So 456 has told you, then, and more than what little he has managed to hear from the camera in your wall.

“I don’t think they’d be able to help,” you respond, several long seconds of deliberation later.

“Why do you say that?” Aren’t you confident in the skills of the unnumbered dedicated and mindless drones wasting away behind the walls of police academies and city halls? Surely the friend who regularly supplies you with obscene amounts of money and black market shooting lessons is someone whose fate you can trust to the unblemished record of the Seoul Metropolitan Police Agency?

You shrug lightly, your eyes flickering away when he tries to catch them. “Just a feeling.” And he smiles to himself, however briefly, because you are a truly terrible liar.

He presses further, digging his thumb deeper into the bruise upon your heart. “Is there… any way you can find him yourself, perhaps?” How far, he wonders, will you go for a piece of gutter trash that should have died in his arena? How much risk are you willing to shoulder for the reward of Gi-hun’s life?

Oh, you protest, of course, you squirm uncomfortably at the thought of putting yourself in any real danger, but he sees the momentary consideration when it first sparks. He nurtures that spark with every softly murmured question, fans in into a flame. Surely you know him better than anyone – who else would be able to help him? To save him? He grants you the notion of becoming Gi-hun’s hero. This friend of yours, whoever he is, he must care about you a great deal to say goodbye. Maybe he needs you. Let you think yourself capable of such a thing. Let you create your own destruction. Because if you are this clueless to his manipulations, then you deserve to fall as much as Gi-hun does.

It’s the final night in August when Seong Gi-hun comes face to face with the recruiter. He knows even before stepping inside the four walls he’s sequestered himself behind for the past two years that this may be the last thing he ever does, the last face he ever sees. Two years of baited breath and sleepless nights, two years of fighting a fight he’s not even sure he can ever win. Two whole years and it comes to this – a man, a gun, and the rules of the game.

“I've always wondered how you made it out of there alive.”

It was luck, plain and simple, he thinks. Or fate playing tricks with a corpse who doesn’t even know he’s already dead.

“For one thing, you were even terrible at ddakji.”

Ddakji. His eomma. The little street cat. Jung-bae. You.

The pistol clicks and Gi-hun feels the barrel shake where it digs into his skull. He’s… still alive?

He has only a moment to process the fact before the recruiter snatches the gun off the table and squeezes the trigger, his face contorted with… he doesn’t even know what. He’s not even sure the man is human. All he’s sure of is that the chamber has fired twice and neither of them is dead.

The odds are 3 in 1. He used to bet on horses with worse chances than that.

You’re our horses.

Sang-woo. Sae-byok. Ali.

Click.

Three rounds left and his face is still intact. His brains haven’t splattered across the ceiling. He’s alive.

I didn’t expect you to finish your race.

He’s still fucking alive. So why does he feel so dead inside?

The recruiter is far too smug for his liking. The fucker gets off on being a predator the same way Gi-hun used to get off on betting.

“You’re a piece of trash, just like everyone else. A piece of trash who got lucky and made it out of the dumpster.”

Well, if that’s true, then they’re kindred spirits. Gi-hun knew he was damned a long time ago. He knew he was worthless the night Ga-yeong was born and rather than her sweet eyes and tiny toes, he could only see the battered skull of a man who used to be alive. He knew he was worthless the millionth time he let her down. I’ll make it up to you next year. What complete and utter bullshit.

Click.

He’ll never forget the way the recruiter’s head snaps back when the pistol finally fires, not even on his deathbed. He took a bet and he won, the first win he’s had since he woke up to find 45.6 billion won shoved down his throat. All that death, all that regret, and it’s only now that he feels the stirrings of life in the pit of his stomach.

Neither will he forget the immediate wash of panic that overcomes all that bright and bursting life when the police officer slams him against the bathroom glass, gun to his head, and he thinks it’s all over. Nearly three years of fighting and searching, only to get himself arrested before he can do anything about it.

He’ll never forget the realization that Kim Jeong-rae is dead, that the stripped and bound man crying before him is yet another victim of the path that Gi-hun has chosen to take. He left the Games behind so long ago, yet death keeps chasing after him and everyone around him. Was Sang-woo’s death not enough? Ali and Sae-byok and every other tortured soul who died, were they not enough to satisfy the demand for blood? What about every innocent person left behind – the mothers, brothers, and children? Is their sacrifice not enough?

He lowers his gun as the regret starts to sink in. Blood and brain matter have stained the entire stretch of wall above the recruiter’s chair, drenching Gi-hun’s subway maps and scribbled notes. He looks down at the pistol in his hands and wonders how it ever came to this, how he managed to lose his way so thoroughly.

That’s why he can never forget the moments after, when the young officer is finally dragged into the bathroom and cuffed to the tub, when Jeong-rae’s partner is scrubbing the bits of flesh and blood from the walls, and you come running into the room. He doesn’t know it’s you at first. Paranoia comes before logic, so he’s already whirling around with his weapon in the air, determined to gun down whatever monster the game runner has sent to kill him this time. Only it isn’t some cruel, faceless beast in a pink suit. It’s the farthest possible thing.

His stomach drops down to his boots, along with his gun.

“[___],” he starts, raising his hands in supplication to show he means you no harm, but you’ve already backed yourself against the wall.

“What the fuck?” Your eyes are watery and bloodshot when you look past him – at the body, the blood, the carnage he’s left behind – and he suddenly wishes he was the one with a bullet in his brain instead. This is everything he didn’t want. You weren’t supposed to know about any of this, you weren’t supposed to ever see behind the curtain he has so carefully pulled around the brutalized parts of his life.

He takes a step forward. “I can explain–”

One of your palms slams against the wall to brace yourself while the other flashes before his eyes, wrapped around the handle of the taser he’d gifted you. “He’s dead.”

“I know,” he nods. He places one foot in front of the other, as slowly and deliberately as he can manage, his hands still raised, and he prays that you can understand somehow. “Just let me explain.”

But the taser is brandished before him like a blade. No matter how much your fingers are shaking, Gi-hun knows you’re capable of hurting him. He doesn’t even need to see the terror in your eyes to confirm it, he only needs to think of the hours you’ve spent at his side, squeezing the trigger of every firearm he has given to you and shattering his expectations at every turn.

Well, you’ve shattered them once again. Didn’t he tell you to stay home, to not leave or allow anyone inside? What could possibly have driven you to disobey him when you know the risks, when he’s made it perfectly clear the amount of danger you’re in and how important it is that you protect yourself? Why? Why would you come here? Why would you ruin everything by being so reckless?

“Why… the fuck… do you have a dead body in your room?”

Gi-hun takes a deep breath. God, he needs a fucking cigarette. “I told you I was looking for the recruiters,” he says, as if that explains everything.

Disbelief contorts the shape of your eyes until they’re practically bulging from your skull. “You didn’t say you were gonna kill them!”

“And you told me you would stay inside,” he snaps. He can’t take it back, not even when your mouth drops open, but he finds that he doesn’t want to. Because he’s angry and scared out of his mind, and you, for the first time since he’s known you, are a remarkably easy target to pin his frustrations upon. “He would have killed you if he’d gotten his hands on you!”

Your body surges forward, then, all blazing eyes and furrowed brows as you jab the end of the taser into his chest. The shock never comes, but he braces himself for it anyway. “What about you?” He’s too busy watching the light in your pupils to notice that you’ve shifted your finger off the trigger. “I thought you were dead! I thought you ran off and got yourself killed!”

“I was trying to protect you,” he grits through clenched teeth.

“By scaring me? By not even having the decency to say goodbye to my fucking face?” The taser presses harder against his chest until it hits bone and Gi-hun leans his weight into the ache, desperate to feel your agony as deeply as you do, to punish himself for ever daring to drag you into this mess. “I don’t give a shit about your money, Gi-hun, I just want you alive.”

It’s enough to punch the air from his lungs. And then he sees the tears threatening to spill over your lower lashes. He notices how your lips are shaking, not just because you are so horrifically angry, but because you’re trying desperately not to cry.

When he reaches for you this time, you don’t pull away and Gi-hun counts it as a victory. He closes his hand around the curve of your shoulder and sighs. “I’m alive.” Somehow. He’s done everything wrong every step of the way, yet somehow he keeps breathing.

Your face is contorted with every possible emotion, each one breaking against you like the tide, each one breaking your resistance further and further until finally, you allow yourself to fall into his arms. For a minute, he’s not sure what to do. He knows what he wants to do, but it feels wrong to touch you with the very hands that offered the weapon that ended the recruiter’s life. But then you rest your cheek on his collarbone, then you sniff and your shoulders ripple, and he’s drawing you into his chest before he can doubt himself any further.

“Don’t do that to me again,” you whisper. Your voice cracks somewhere in the middle and it may as well be a dagger to his heart because he knows that this is the one promise he cannot keep, let alone make. “Please.”

There’s an apology forming on his lips, his mouth already opening to beg you for penance, when he hears the initial shriek of handcuffs on metal. The pair of you start and turn to look inside the bathroom where the young officer is waking up, rubbing at the back of his head and yanking hard on the cuffs keeping him in place. Shit.

“Seong Gi-hun-ssi!” He yanks hard against the faucet and Gi-hun almost expects him to yank the thing right out of the wall; as if he doesn’t have enough to worry about already.

You can’t stay for this. He doesn’t want you sitting in the same room as a dead body, a half-naked stranger, and Gi-hun’s attempt interrogation of an officer of the law. He might not have to shoot the boy, and he sincerely hopes it won’t come to that, but if it does? You can’t see him like that. But where else can he send you that you’ll be safe? It’s dark and the game runner knows he’s caught on to their scent, so he can’t send you back home alone.

He turns and blocks the bathroom with the breadth of his shoulders, guiding you to look up at him. “Go to the range. Wait for me there.” At least there you’ll be able to defend yourself.

Your focus darts past his shoulder when the officer is struggling and shouting. “… Gi-hun–”

“Please.” Just this once, he needs you to listen. Just this once, he needs you to do as he says and not ask any further questions. “I’ll come find you. Just… wait for me. Please.”

It isn’t until he’s heard the door to the range open and close that he picks up his gun again. He sits himself on the toilet, lid down, and glares. “Who are you?”

You’ve been dancing around each other for the past twelve minutes, awkwardly sipping your drinks, eyes lowered, never daring to speak except to remark on the coffee or the weather or the piece of fuzz on Young-il’s jacket. It’s agonizing.

You know he wants to ensure that you’re alright, that your disappearing friend is also alright, and you want nothing more than to tell him that everything is fine, back to normal, and there’s nothing to worry about. It’s just that you’d be lying if you did.

Gi-hun has been distant. Still present, yes, but farther than he’s been in months, maybe even years by now. He’s brushed you off the last two times you’ve texted him about meeting for lunch. You’ve only asked a couple times since that night, but it’s unlike him to be so abrasive. After the discussion you’d had, after everything you’d seen, you thought things would be different. Now they’re different in a bad way and you hate it.

There’s also the fact that you can’t unsee the image of blood and brains sprayed across his bedroom wall. Every time you close your eyes, it’s there. Someone will smile at you and the wind will catch their hair just right, and they’ll look just like the corpse in the suit. You haven’t been able to pick up a gun since then either. It’s one thing to shoot an unmoving, non-sentient target; it’s something else entirely to shoot another person and watch their life ooze out of them.

You push your drink aside, your appetite suddenly spoiled. Young-il notices, as he ever does, and his expression sharpens. He shifts forward in his seat and braces his elbows on the table. “What is it?”

The smile you offer him is forced at best and unbelievable at worst. “Nothing. It’s just not as good as usual.”

His chin drops. “[___].”

“It’s nothing,” you assure him. “Please, just… it’s okay.”

Only it’s not nothing. It’s everything. Your grades are slipping again, like they had been in the months before Gi-hun found you. You aren’t sleeping well, you’re not eating as much as usual, you’re constantly tired, constantly irritated, and you wake up feeling scared and alone more often than not. You’re in over your head. Lectures are almost impossible to sit through. Everything reminds you of the dead recruiter, or of Gi-hun, or of the space his absence has left behind in your life. Every morning you think it might be the day where Gi-hun has sent you a final farewell via text and you’ll find his face on the news – local man gunned down in abandoned motel, more at noon.

Young-il reaches across the table to curl his fingers under yours. It isn’t the first time he’s initiated contact with you, but it strikes you as different somehow, in a way you can’t articulate. “Your friend,” he starts somewhat hesitantly. “Is he…?”

You swallow tightly. “He’s alright.” He’s alive. Sometimes you still can’t believe it.

He nods then as a contemplative expression drifts across his face. He looks like he understands, though you can’t imagine how that’s possible. He’s a businessman. What would he know about befriending an obscenely wealthy middle-aged man with a potential inclination for suicidal ideation?

“Are you on speaking terms?”

It’s easier to wrap your fingers tighter around his hand than it is to look him in the eye. “Somewhat.”

“That doesn’t sound very hopeful,” he says, but it’s light, almost a joke. Maybe he’s trying to make you smile.

A half-hearted shrug is the most effort you can muster. “He’s preoccupied, I think.”

Still determined to track down the people running the games, still working himself to the bone doing God knows what and with God knows who. You know the police officer – Jun-ho, you think his name was; he was very respectful when you were introduced and had insisted on giving you his contact details in case of emergencies. You still don’t know why, but it feels nice to be cared for, even by a stranger. You should probably blame yourself for that, but half the blame goes to Gi-hun anyways. He’s the one who got you into this mess.

“He works a lot.” That’s one way to put it. “And I think something big is coming up, some kind of… work project. So, he’s been busy.” And you’ve been left alone. You know you shouldn’t blame him for it, shouldn’t feel bitter when he’s trying to save innocent lives, but he’s still your friend, isn’t he? Is it so wrong of you to miss him?

“I’m sorry,” he hums after a moment. “Do you want to–?” But you’re already shaking your head ‘no’. If you talk about it (which you can’t), you’re afraid you’ll burst into tears and never stop. Or maybe you’ll scream until your head bursts. “Then what can I do?”

Looking into Young-il’s eyes is like gazing into the mouth of the universe. They’re dark like the night, all shadows and coffee grounds and sleek, cold metal, but they sparkle too when the light hits them just right. And the light hits them right. His hand rests lightly over yours, his thumb rubbing at the joint of your last knuckle. It suddenly strikes you just how pretty he is when he’s being kind.

“Just this,” you assure him with wet, red-rimmed eyes and an itchy nose. “Just this is enough.”

‘You up for dinner? I finished all my homework for the week, so I don’t have anything to do.’

The message glows brightly in the shadows of his room, the cursor in the message bar blinking patiently in anticipation of a response. Jun-ho is at the table, chin in his hand as he studies his own mobile. It’s getting late. There are still so many things he needs to get done, plans to be made, contingencies to be strategized.

His stomach twists with regret. ‘Not tonight.’

He tells himself he can’t afford any more distractions and you’ve been distraction enough, though it’s not your fault. It’s never been your fault.

The little green ‘active’ dot by your name blinks out and Gi-hun feels his stomach twist tighter. He knows without asking that he’s hurt your feelings and he’s sure that when he sees you again – if he sees you again – you’ll give him hell for it. He sincerely hopes you do, if only to prove to himself that he’s doing the right thing.

As the days tick by and the calendar drifts closer and closer to late September, then early October, Gi-hun finalizes his plans. He trades a tooth for a tracker and lighthearted afternoons with you for late night training sessions with his assembled band of soldiers, each of them sacrifices for the greater good. He sharpens his aim with the blade he’s impaled himself upon – the bastards who built the Games, the people who tracked you down and preyed upon you like a helpless calf in the wild, the VIPs who watched his friends slaughter each other or die in the process are all going to pay. If it kills him, they’re all going to pay for what they’ve done.

Arrangements are made in the event of his death. Half of his money will transfer to Ga-yeong, the other half will transfer to you. Someone will get you in contact with Jung-bae and with Jun-ho’s mother, hopefully Jun-ho himself but he can’t guarantee the boy’s safety as much as he can’t guarantee his own. At least you won’t need to be alone anymore. You’ll be safe. Ga-yeong will be safe. That’s all that matters.

All that’s left is to say goodbye.

It should be easy, shouldn’t it? At least, that’s what he thought. He calls his daughter. He can’t bring himself to say a single fucking word because he’s a coward, he can’t bring himself to say any of the things he’s been wanting to tell her. How much he misses her. How proud he is of her. But he gets to hear her voice one last time and it’s enough, it’s enough to keep on fighting, to keep living for however long he has left.

He calls you – or rather, he tries to. His thumb hovers over the call button until the screen goes dark and then he has to unlock it, pull your name back up and talk himself into doing it. Except he can’t. He doesn’t understand why. You’re not Ga-yeong, you are not more important to him than his own daughter and he didn’t even have the stomach to speak a goddamn word to her, so why is this so much harder? Why can’t he do it?

He stares at his phone for what feels like hours, days. Memory after memory filters through his head. Your laughter, your voice, the scent of you that he thinks he can almost detect when he wakes every morning, like you’ve soaked into the mattress too and left your mark there. The way you’d beamed at him the first time you shot a bullseye and Gi-hun had been caught between smiling and wanting to embrace you, to crush you until you collapsed against him and he could finally – no. He can’t let himself go there. He can’t. It wouldn’t be fair to you.

That’s what he tells himself when he grabs his car keys. That’s what he tells himself when he pulls the belt across his chest. It wouldn’t be fair to take from you in the hours before what he can only assume will be his death. That’s what he tells himself when he pulls into the parking lot outside your apartment, when he presses the button that will lift him to your floor.

You’re so young. You have so much to live for. You’re meant for great things, things that a man like Gi-hun could never give you, and he knows that. He’s known that for months now. But if he’s going to lead himself to the slaughter, then he may as well be selfish one last time, right?

It won’t be fair to you, but it might just be enough to give him peace.

Your eyes are tired when you open the door for him. Now that he thinks about it, it’s a school night. You probably have class tomorrow. “Gi-hun?” But you opened the door for him.

He’s never allowed himself to dwell on how pleasant he finds your features. He allows it tonight.

“What is it? Is something wrong?”

He stands there in the hallway like an idiot and he memorizes the way the light bends across your nose. He watches the way your eyes flicker with uncertainty, then concern, then confusion. He glances down to your shoulders where the neck of your shirt has been pulled aside – were you sleeping? – and he can just make out the edge of your collarbone.

“Gi-hun. Can you talk to me? What’s wrong?”

I’m dying, he thinks, that’s what’s wrong. His pulse is thundering so heavy and hard against his skin that he almost wonders if he’s having a heart attack. I’m dying and I’ve never wanted anything the way that I want you.

If it’s his last chance to do something about it, then Gi-hun will take that gamble. What’s a little death without a little reward?

His body moves almost without conscious thought. He’s watching his body from outside himself, watching his hand rub palm first against your cheek, watching your mouth drop open and your face go still. Watching your eyes go wide and your lashes flutter. And then he’s slamming back inside his body so he can kiss you.

He’s out of practice. His teeth knock against yours and he presses his lips a little too firmly, but it’s a kiss all the same. He never thought he’d want to kiss someone again. Hell, he never thought he’d want to kiss you, but it feels right somehow. Or maybe he’s delusional and desperate like all men are in their final hours.

It’s not right, he knows it’s not, but even as Gi-hun withdraws and prepares himself for the disgust and repulsion he’s sure to find on your face, he cannot bring himself to regret a single thing that’s led him here.

“I’m sorry,” he mumbles, and he really, truly is.

His thumb drifts across the meat of your cheek, pressing into your flesh until it dimples, and he thinks he’s never seen anything more breathtaking than you in your pajamas and flushed from the second worst kiss he’s ever given.

Your eyes are so comically large that he feels like he might fall right into them and drown. That would be a nicer way to go than whatever the game runner – the Captain – has in store for him, of that he has no doubt.

He kisses you again, something softer and sweeter like you actually deserve, and he asks you not to follow him. Stay here where it’s safe. He takes one last look before he goes. Stay alive for me. And when the elevator doors close in on him, he doesn’t lift his head. He lets the memory of your lips tingle on his and he hopes, oh he hopes, that when he dies, he’ll die with his mouth still remembering the taste of the sweetest gamble he’s ever played.

You stand in the kitchen for an eternity, one hand pressed against the ticking pulse in your throat and the other braced against the counter to keep you from falling over.

I’m sorry, he’d said.

Sorry that he kissed you? Sorry enough that he’d gone and kissed you again?

Squeezing your eyes shut doesn’t release the tension in your chest, nor does it recover your ability to fucking breathe, but it allows you the chance to recall his face when he’d leaned in, how his mouth had dropped open when he pulled away. It allows you the chance to press your fingers to your lips and feel where he’s touched you.

He’s going to get himself killed. You’re almost certain of it now. Why else would he come here after ditching you for the millionth weekend in a row? Why else would he tell you to stay here, to take care of yourself? Why else would he kiss you?

You don’t even realize you’re sobbing until you’re doubled over and gasping for air. It feels like someone’s just punched a hole in your chest and is squeezing your heart until it bursts. Because Gi-hun kissed you. Because all this time you thought you were imagining things or overthinking things, seeing chemistry where there was none. Because one of you finally had the guts to take what they wanted and the only reason it happened is because Gi-hun’s probably in the middle of being shot to death right now.

Your hands go scrambling for your phone. ‘Don’t you dare get yourself killed.’ The message goes unread.

You call him. He doesn’t answer.

‘Talk to me.’

Nothing.

‘GI-HUN. TALK TO ME!!’

The phone goes flying across the room until it smacks screen-first into the leg of the sofa and you collapse on the floor, a mess of snot, tears, and too little air in a body that feels too full of grief to properly exist.

Three years. Three fucking years of making himself essential to you and your daily life. Three years of caring for you in the only ways he knows how. Three years of corner store ramyeon and half-formed smiles and fleeting glances, and this is how he wants to end it? By killing himself?

It wasn’t supposed to end like this. You don’t know how it was supposed to end, but it shouldn’t have been like this. Maybe with you going back home and missing him for the rest of your life, but at least then he would have been alive.

You find yourself crawling on your hands and knees like a miserable sack of bones. It’s pathetic. This is what Gi-hun has reduced you to and you hate him for it. You hate him so much it makes you sick.

‘Jun-ho, what the hell is going on?? Where’s Gi-hun?’

But for a cop so concerned about your apparent safety, he’s not very good at replying to his fucking texts.

You have half a mind to snag a taxi and drag yourself down to the motel, really give that moron a piece of your mind. Because how dare he try to get himself killed after finally kissing you? How dare he do this to you again, as if the first time with the recruiter wasn’t enough? You’re just about to grab your keys and go when there’s a sound at the door.

It’s faint, like the scratching of a key in the lock. Your landlord, maybe? Then you remember it’s Halloween night and there’s bound to be at least a few kids running up and down the halls in search of candy. You’d stick a bowl outside, but you’ve already eaten everything.

“Sorry,” you call, “I’m out of candy! Try next door!” The words kind of stick in your throat like cotton. It feels strange to talk about something so mundane when someone you care about is off risking his life like an idiot.

The sound continues, though, and you really do not have the patience. You don’t care if it’s the cutest little five year old on the planet begging for sweets, you frankly have more important things to worry about than elementary mischief on a school night! Keys still in hand, you unlock the top latch and swing the door open, totally prepared to give a stern scolding to a very naughty child, only to find yourself face-to-face with a… very large adult.

Apprehension prickles at the base of your skull. You figure it’s a man under there, judging by the height and the broad shoulders, but the round face mask and black onesie/hoodie combo makes it a little difficult to tell. The figure stares at you for a moment, probably surprised that they got caught, and you tighten your grip on the door handle.

“Can I help you?”

The large white square on the figure’s mask stands out against the black like a lighthouse in the fog, and you’re sure the warning is one you should heed. Why the hell didn’t you look before you opened the door?

It’s fine. It’s fine, probably, just be polite and firm and everything will be fine. “I think you have the wrong apartment, sir.”

“[___ ___]?” the figure asks. The sound of your full name is heavily distorted when he speaks.

“I–.” You’d almost said yes. Like an idiot. What the hell are you thinking?! “Sorry, you’ve got the wrong person. Try downst–”

The figure catches the door as you start to slam it, his gloved hand wrapped around the wood and pushing until you’re stumbling further into the apartment. Shit, shit. Where’s your phone? No, there’s no time for your phone, where’s your fucking taser?

The door slams shut behind him and then the figure advances, faster and more determined than you’re prepared for. Your limbs pinwheel frantically as you rush backwards, entirely blind. You throw the first thing your hands land on, but the remote goes sailing harmlessly over his shoulder.

“Help!”

Only there’s no one to help you. Or they just don’t care. You scramble over furniture and try barricading yourself in the bedroom, but this man is fast, strong, and has absolutely no trouble catching you, no matter how hard you fight him. And you fight hard. Elbows and feet are thrown without prejudice. Your teeth lock around the flesh of his thumb when he slaps a hand over your mouth. If he’d had any skin showing, you’re sure you would have already clawed his face raw.

He slams you bodily into the ground, pinning your arms behind you with a knee pressed into your spine. You don’t even have the chance to scream again because by the time you’ve recovered the breath he knocked out of you, he has a cloth pressed into your mouth and nose. You get one whiff of the intense chemical smell before your brain starts to get foggy, but still you fight. You will not let this man take advantage of you, kill you, not… not now that…

Your vision goes hazy, then fully blurs, and the last thing you see is the illumination of your phone as the screen lights up somewhere in the maelstrom of your sitting room.

[midnight--sadness]

so, i've been thinking and seeing people's reactions, and have a few theories about the photos:

noeul was the one who shot gyeongseok, non fatally, and she put him in a guard's uniform (kinda spoiled by that phoo park gyu-young posts on insta). she is trying to get him out of the island so he can be with his daughter. now, he either runs away from her to try and get help and she runs after him, finding herself outside. or, they try to get off the island together, but i don't think that's very likely.

if you enhance on hyunje's jacket, you can see the number of the ajcet begins with a 2. it's obviously not hers, because her number is 120. daeho can be seen at the far back, and it seem like namgyu is next to him. and myunggi looks to be on the top left. now, i think the body in the coffin is jungbae, to show the people who revolted what happens when you considered yourself about the rules and as a way to turn the O players against gihun.

this one is tricky. at first i thought it was inho's personal room but the bed is like the ones in the dormitory and the floor is similar. now, the light is very warm, which means it could be night time and only the piggy bank is glowing. if so, i think this is daeho, coming to talk to gihun. i think gihun would be upset at first, since he knows that daeho didn't deliver those magazines and he had to hand his own to youngil, thus depriving of ammo that could save jungbae's life. but i think after daeho explains, gihun will forgive instantly (not that there is anything to forgive) and comfort him, and they will grieve jungbae together.

now, if this isn't during the night, and gihun is handcuffed to the bed while the other players play the fourth game, then maybe this could be the front man. the curve is very smooth, not angular like a face and there is no hair in the way, which could be explained by a hood being pulled up. this could be the reveal™.

inho is obviously doing some self-reflection. maybe realizing that the games have corrupted him and he still has time to save the people in the games? maybe seeing how gihun is right or thinking of gihun's reaction to him being the front man if this is post reveal.

we can see the shadows of younghee and chulsoo, so, along with the post credit teaser, we can assume the next game is dongdaemun. what is different is that no blood is on the ground, unlike the posters of the two previous seasons. could be a clue to a different ending?

i have no idea what the flowers mean, i can't even tell what kind they are. i actually thought they could be about inho's wife, since we see a photo of her holding flowers and junho puts fresh ones in her grave (and the camera lingers on them for a few seconds). i can't screenshot netflix but the flowers look very similar to these ones.

alternatively, the vips' room also has a lot of floral decorations. we seet it in this picture below. it's very colorful, very bright.

here i think inho is waiting for the vips. i've seen some people say this is gihun, but i don't know why they would think that? is there anything in the photo that points to this being gihun?

what do you guys think? i wanna hear everyone's theories!!

[diamantdog]

HUNTER DOOHAN | BEHIND THE BLINDS SS24 Crazy Love Issue (x)

[fatehbaz]

patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.

this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.

the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.

so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.

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ok, found some

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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.

Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.

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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?

Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]

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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.

Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]

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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.

Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.

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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).

Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.

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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].

Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]

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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.

Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]

[icewindandboringhorror]

I've referenced before how I have a big google document to keep track of every media I've ever seen in my entire life (just for reference because I like to track everything possible lol… I am the Data Collector), but recently as I was updating it, I thought of actually evaluating them to find out random percentages (like for example, out of Total Shows Watched, what percentage did I finish vs. stop watching, what percentage did I like or dislike, etc.)...

Evaluating these things is made easier by the fact that I already place everything on each subsection of the list into 6 broad ranking categories, so I don't have to go back and guess to figure out how I feel about them or anything. The categories are: Ranking 5 - overall best* (despite some criticisms of course because I'm too much of an Analyzer to ever find anything Perfect lol) Ranking 4 - more positive than neutral, but not good enough to be 5 Ranking 3 - either the good + bad negate each other, OR it's just not memorable/interesting in any way enough to be ranked higher or lower (this is the Default category ALL things are placed in if no other rank applies) Ranking 2 - maybe a few redeemable elements but largely more negatives than positives Ranking 1 - So bad that it circles around to being fascinating to observe in some way (not necessarily Funny, or Good, but just interesting somehow) Ranking 0 - Bad in a genuinely frustrating or obnoxious manner

*("best" primarily defined here as most interesting, rather than most good in a technical sense, or some other measure. I tend to value more highly whether there's something novel or thoughtful about the worldbuilding, tone, writing, base premise, etc - than about whether it's actually executed perfectly.)

And here's the amount of shows that have so far been placed into each category -

TV shows ~ Rank 5 (highest) - 20 shows ~ Rank 4 (mid-high) - 28 shows ~ Rank 3 (neutral/default/meh) - 114 shows ~ Rank 2 (mid low) -33 shows ~ Rank 1 (low low but intriguingly so) - 14 shows ~ Rank 0 (iredeemably low) - 2 shows

This would make for a total of 211 TV shows overall. However, there are 57 shows within these list marked as "didn't finish" (typically meaning I quit on the very first or second episode - but log them still to keep a record that I at least had a brief view of them).

So my total of genuinely fully watched shows would be more 154. 211 Total, but a More Accurate Total of 154.

Counting them all and using the Total Number Of The List (211) -- that means roughly 9.5% of all total shows I have ever watched (or at least attempted to watch) have been Mostly Good, 13% have been Moderately Okay, 54% have been either entirely Forgettable or some mix of good + bad that lands them right in the Neutral Middle, 15.6% have been Mostly Bad, 6.6% have been Bad (but in an interesting way), and 0.9% have been Terribly Bad.

Additionally, I didn't even get past the first two episodes of about 27% of the total.

Sooo, discounting ones I didn't finish, my total TV shows ever watched in my life would be about 154 (maybe give or take a few, assuming I might have forgotten some from very long ago).

But instead of entire life, let's just say this is the total for 'About 20 Years' (so, not counting very early childhood when I likely wouldn't remember things I saw/have no detailed recollection of them (like for example, I'm sure at some point when I was like 4yrs old I must have seen an episode of Spongebob or something, but I have zero distinct memories of it, can't quote anything of it, and barely recall the premise - so I don't count it on the list, etc.)).

In that case, 154 divided by 20 would be roughly 7.7 shows a year.

Which is actually surprisingly low considering that I often have stuff on in the background for hours whilst I make sculptures and do costumes and stuff (maybe I should have also marked some distinction between 'things I fully paid attention to' and 'things I kind of half listened to whilst sculpting', but that would further split the categories too much probably lol), but I guess a lot of that is youtube videos or random documentaries, so .. eh.. maybe I get it being lower.

Now, doing the same thing for movies-

Movies ~ Rank 5 (highest) - 4 movies (3.4% of total) ~ Rank 4 (mid-high) - 12 movies (10.3% of total) ~ Rank 3 (neutral/default/meh) - 91 movies (78.4% of total) ~ Rank 2 (mid low) - 8 movies (6.8% of total) ~ Rank 1 (low but interesting) - 1 movie (0.8% of total) ~ Rank 0 (irredeemably low) - none in this category (0%)

That makes 116 for a Total (Actually Remembered) Movies Watched In Lifetime (Or At Least In 20 Years).

116 divided by 20 is roughly 5 or 6 movies a year (I feel this has probably been skewed though by adding everything since like elementary school onwards, as I remember a lot more movies from child/teen years.. Whereas, the past 3 years I feel like I've barely seen maybe even 5 movies?? lol). I also have "Didn't Finish" marked on 18 of them. Which means I quit halfway through about 15% of the total movies.

So, a for broader summary stuff..

I seem to be less forgiving to movies than tv shows, by far. Which makes sense to me, I guess, because I love elaboration and details, so "short form" things that only last an hour or two are often lost on me a bit. My biggest complaint with movies is indeed usually walking away just wishing there had been more exposition, more scenes where characters are doing nothing, more "mindless bantering" conversations, more Quiet Downtime and Lore Elaboration and so on lol, so... of course most 1-2hr films end up feeling a bit Not Enough To Draw My Interest/Nothingy to me.

If you count 5 and 4 as "like" and rankings 2 to 0 as "dislike", then for TV shows I at least somewhat liked 48 of them, and at least somewhat disliked 47 of them.. So it's almost exactly the same lol. I'm just about equally as likely to find something bad as I am to find something redeeming about it. But overall, the largest chance is that I just won't really care much for it at all and it will be tossed into the 'neutral' pile, forgotten forever. Movies have a bit better of a balance, "liking" 16 of them, and "disliking" only 9 of them. So I'm slightly more likely to enjoy a movie than to find it annoying - though still VASTLY more likely to just not find it anything in particular, possibly not even finishing it.

ANYWAY.. this is vague and literally pointless, but like I said, I just really find information fun. Like my document where I've rated every apple flavor I've ever tried (like 40 of them now?), or reviewed every oreo flavor (32?), or ranking data from my entire 10 years of Trying To Make Friends process (out of 100 people, roughly 8% chance of a moderate compatibility, 3% chance of high), or etc. etc.. I love to have random pointless things to analyze I suppose lol.

I doubt anyone tracks things in their life in this same exact way, but I'd be interested in hearing any at least somewhat similar data !!! (like, how many TV shows you watch a year on average, and what percentage of those you like vs. dislike (if you keep track of that sort of thing), etc.)). I guess it might be easier with movies, since I think some people use those websites where you curate a list of movies you've seen and you can rate them or something, so maybe the numbers are already available on those places. :0

[instantpansies]

formal literary analysis is just fanfic for nerds

[running-in-the-dark]

me before: wow I'm not nervous about my appointment at all, cool!

me in the waiting room: hm I wonder why I can't stop shaking, and sweating like I'm running a marathon, and feeling like I'm about to die

[jaejoongs-nipple-piercing]

@bandluvr97 @dreamlesswonder86

Look at my babies!!

[neil-gaiman]

I apologize if you’ve been asked this question before I’m sure you have, but how do you feel about AI in writing? One of my teachers was “writing” stories using ChatGPT then was bragging about how good they were (they were not good) and said he was going to sell them. To put aside any legal concerns in that, I’m just trying to talk him down from that because, personally, I would not enjoy dream job being taken by AI.

The poor man.

Many magazines have closed their submission portals because people thought they could send in AI-written stories.

For years I would tell people who wanted to be writers that the only way to be a writer was to write your own stories because elves would not come in the night and do it for you.

With AI, drunk plagiaristic elves who cannot actually write and would not know an idea or a sentence if it bit their little elvish arses will actually turn up and write something unpublishable for you. This is not a good thing.

[wibben]

Photogenic

----------------------------------------------------------

Nanami does not like his picture taken.

It’s a shame, really, because he’s painfully and effortlessly photogenic. Even the begrudging shots – the ones taken mid-grimace or right as that frown of his settles in – turn out looking unfairly good.

You’d seen it firsthand. There was that one birthday dinner at Shoko’s, where she’d caught him mid-toast, glass raised and mouth sloping into a small, tolerant smile as she snapped a quick shot of the table. The photo looked like something out of a magazine ad, his cheeks warmed from the sake, his eyes a little brighter. But when she’d tried to show him, he shook his head with an unimpressed grunt.

Or the time Gojo had insisted on a group photo after a team mission. Gojo teased Kento into standing there, arms crossed and brow knitted in simmering annoyance, looking thoroughly put out. But somehow, he just looked like he was on the cover of GQ: chin tilted just right, sleeves rolled up perfectly, even his hair slightly tousled from the fight before. You might’ve whimpered a little when Kento insisted it be deleted (and maybe almost sobbed again with joy when Gojo refused).

No matter the context, Kento managed to look remarkable. And yet, he loathed each and every photo ever taken of him.

You couldn’t quite place where this aversion came from. Maybe a bad childhood haircut immortalized in an old family album, or one too many “just one more!”s from well-meaning friends. Either way, you’d mostly given up trying to capture him on camera. He existed as some sort of cryptid, like Bigfoot or the Loch Ness Monster: either you knew him in person, or he didn’t exist at all. But that hadn’t stopped Yuji – occasional agent of chaos – from sneaking in a few shots here and there. And that’s where your favorite picture of him came from.

You remember the day it was taken vividly. 

You’d insisted on a celebratory lunch for Yuji – a reward for a particularly tough job handled with flying colors (or, in short, because he’d actually listened to Kento’s instructions). Yuji joked his way through most of the meal, poking fun at everything from Kento’s meticulous folding of his napkin to his tactical approach to his plate, eating in the order of salad, then sides, then his main course. 

It had been right after you’d done… well, you couldn’t remember exactly what, as unremarkable as it was. Maybe a bad impression of Gojo, maybe a terrible joke. But whatever it was, Kento broke, his shoulders dropping as he graced the table with a genuine, unrestrained laugh that only you seemed capable of pulling out of him. Yuji had been quick to draw, snapping the photo before either of you noticed. 

Later, Yuji sent it to you with a sly grin. “Mrs. Nanami’s gotta have the good stuff,” he’d whispered, nudging you as he tilted his phone towards you. 

You stared, speechless, your heart doing a little stammering skip. There it was – Kento, your Kento, laughing, his shoulders relaxed, the faint lines by his eyes softened by that rare brightness in his gaze as he looked at you. You couldn’t help it; you’d immediately favorited it the moment it hit your inbox, tucked it into a private album, and maybe, possibly, looked at it embarrassingly often.

A few weeks later, though not remotely forgotten to you, it remained blissfully unknown to him.

One evening as you flipped through your camera roll, Kento leaned over the back of the couch, his arm bracing himself as he studied the photos of the fancy dinner the two of you had recently gone to. You’d taken more than one, trying to capture every detail of the delicate plating at his insistence so he could try and recreate it at home.

“Do you have a close-up of that risotto?” he asked, leaning in closer, his arm casually wound around the front of your chest and his breath drifting soft feathers across your cheek. “I want to see how they plated it.”

You nodded with an affirmative hum, flipping back a few photos – only to scroll back just a bit too far and that picture fills your screen, in all of it’s HD, no-longer-secret glory.

Your heart tripped as Kento’s gaze landed on it. You felt the warmth of his presence beside you grow a bit more rigid as he examined the photo, brows raising ever so slightly.

“...That isn’t dinner,” he remarked, clearing his throat beside your ear.

“Oh! That’s, um, just a… candid,” you stumbled, trying desperately for nonchalance. “Yuji took it, and it’s a really nice picture and I don’t have many, so I just…” your efforts to play it cool are skillfully undone by the plucking of your nerves… self-imposed, of course, because Kento remains quiet.

But he was still looking at it, brows drawing together as he studied it with a rare, quiet intensity.

“You favorited it,” he murmured, eyes flicking back to you.

His voice was low, gentle, but you stewed with nervousness all the same. “Well, I mean – look at you!” you laughed, feeling shy under his gaze, like you’d been caught doing something you shouldn’t have. “The only pictures I have of you smiling are from our wedding! Let me have this–”

Kento plucked the phone from your hands and you screeched, immediately trying to claw it back. “Wait, don’t delete it!” you laughed, a cauldron of nerves and panic bubbling in your chest as he holds it just out of reach of your swiping hands, his mouth curving in that calm way it always does. You’re sure he’s about to grumble about “nonsense” or “unnecessary photos” or “living in the moment.”

But he didn’t delete it. Instead, he adjusted his glasses and held your phone closer to his face, gazing down at the screen with a gentleness that stopped your protests cold. You caught the flicker of something tender in his eyes as he studied the photo – lingering on you, the way you lean toward him, how happy you look together.

He was silent for a moment, the slightest hint of a smile tugging at his lips. Then, almost shyly, “Could you… send it to me?”

You felt your eyebrows lift to be lost in your hairline, staring at him as if he’d just asked for the moon. “You… you want me to send it?”

He nodded. “Yes. I think I’d like to keep it.”

Your heart did a little stutter, a flash of warmth rushing to your face as you quickly sent him the photo. You didn’t think your grin could get any wider – but it did as you watched him save it, his expression somewhere between fond and exasperated, like he wasn’t quite sure how he’d gotten here, holding on to a picture of himself simply because it had been yours.

The next morning, with toothbrush in hand and foam dripping down your chin, you checked your phone and blinked, frozen in the middle of a brushstroke. That picture – that picture – was staring back at you as his profile picture, right there on the one or two social media accounts he’d reluctantly made but never actually used. You barely resisted the urge to squeal.

And then, later that day, it happened again: catching the briefest flash of his phone screen across the kitchen table, you saw the photo on his lock screen too. He looked up, catching your wide-eyed staring with a soft smile, one that was just for you, and undeniably better than any picture could ever be.

[ridingtorohan]

hey!! i saw ur recent post about the tulpar crew walking in on reader touching themselves, could u do the same but vice versa?

Ask and ye shall receive!

𓇻 ft. tulpar crew x gn reader

𓇻 content. 18+ content, minors dni. possible second hand embarrassment. masturbation, sexual propositions, the whole shebang. this is a sequel to this post. this one can definitely be read on its own though. lightly implied that reader didn't accept swansea or daisuke's offers in the prequel but that can be left up to interpretation. jimmy's definitely happened though.

𓇻 enjoy! feel free to like, reblog, or send in asks!

‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎Masterlist - Want to Join my Taglist?

Curly is just so damn tired. Tired of the reports, faxes, checking the straps in the cargo bay. One of the few downtimes he gets is when he can sit and watch the constellations pass on the common room monitor. The Augira, Constantine and Mitena were all ones that he recognized from this sect of the system, all penned from the eyes of Saturn and further.

Movies are a scarce commodity on the screen, given Jimmy's track record of not wanting to hook the systems up, but it helps him nod off most times.

Working out, though? Working out he can do. Pony Express has given him permission to bring his weights on board, alongside a slew of magazines and audiobooks to listen to.

While Curly doesn't think of himself as a gym rat, those moments to himself are some of the best. Nothing but the burn of iron, the strain of his muscles with each rep. It's methodical work, one that sets his mind at ease and off of reports for once.

Some days, he can get Jimmy in on the action, but most of the time his co-pilot bemoans it. Each time they worked out, the stretches between the next session grew longer.

He's pleased when you agree to attend a few sessions with him. By then, it's almost amicable between you two, as if him walking in you didn't even happen. He's very much acted the part of a dutiful captain, though, he can't help his own eyes from wandering when he sees you stretch. Can't help himself from putting his hands firmly on you when he goes to correct your stance. It doesn't linger, doesn't wander, but goddamn, does he wish he could throw propriety out the window.

It's after one of his solo workout sessions when he chooses another way to unwind. Really, that's the only explanation for it. One that he tells himself anyway, because the strain of propriety is heavy. If he still thinks of you from time to time, if your face crops up in his thoughts while he touches himself, that's his business.

The only places you'd catch him in the act is either in the bathroom or his room.

Curly has always been imaginative, thoughts trailing to roads not travelled, paths that burn out of sight. Of you, sprawled out on the bed, and how he wished he had stayed. How he'd have given anything to hike your legs over his waist and kiss you senseless when he slid against you.

As it always is, every fantasy comes to an abrupt end. Every night that he had dreamed of walking in to find you waiting, you found him. Wifebeater drenched in sweat, towel draped over his shoulders, every line of his well built body on display, hand fisted around his cock.

There's a difference between wishing you'd walk in on him and actually receiving it.

A painful, terse moment lingers between you two, tension so thick he swears he can cut it. His hand completes the motion, wiping from his base to the tip, each breath deep. Despite how uncomfortable he felt (for more than one reason), he also felt more prepared. "Hold on a minute." He'll cover himself, boxers and uniform hiding himself from view.

If you believe you could flee from the room without Curly following you, you're dead wrong. He'll track you down, put this to bed once and for all. He'll catch you, half-dressed in his uniform, blue workwear draped around his waist, hand against the wall. "We have to talk about this."

Regardless if you stay or leave, not talking about it is no longer an option. You've both seen more of each other than was warranted, then what you both signed up for, but dammit he wants this. And he's so tired of shying away from things that he wants. From the person that he wants. All because of some higher-ups sitting cozy back home saying that it's wrong to do. He can't do it anymore, not when he feels like he's on the cusp of something great for once in his life.

"I know that what happened isn't what either of us expected," he'll start, voice low and perhaps far too sensual to be appropriate considered his half-dressed state. "And frankly, we can keep it to ourselves, pretend we never saw it." Biting the bullet is one of the fewest things he's done in life, but this is something that he wants to do. By fractions, Curly leans in closer, his voice entering a low murmur. "But... it doesn't have to be. We could give each other a.. hand, so to speak."

Routine. That's one thing that the Tulpar is good at. Routine. Each meal time, the rigid necessity of clocking in and out on time, even bathing. Pony Express may be a shit machine but it's well oiled, worked raw by the people under it. Delivering the payload is a smooth easy task because they all work on it together.

Part of that routine is shift work. Jimmy, ever the night-owl, works evening and night shift. This makes it so incredibly easy to avoid him if you wanted, especially since he walked in on you tending to yourself.

But he doesn't let you forget it. Since that moment, there's a smoldering heat in his gaze, eyes hooded as he watches you go about the room. Watched as you did your tasks, always standing too close - enough that you can get a whiff of his woodsy cologne, or feel his arm against yours.

He's almost helpful, even when your tasks really don't necessitate the need for another. His hands linger, hot against your uniform, his hips against the back of yours whenever he steadied you, or reached above you. Each word a rumble in his throat.

Except there's never really any change to talk to him about what happened. Not when every moment is tense, fraught with unresolved desires and need. Not when Daisuke or Curly walk into the room, silencing the burning questions and words that haunt your lips. Jimmy seems especially disgruntled about the interruptions, getting almost snappy towards the other crewmembers.

All in all, you rarely have a moment to speak with him. It's the furthest thing from your mind when you step out of the shower, more than eager to collapse face first into bed and sleep the weariness away.

If you're the sort to bring clothes into the washroom to change into, the absence of them is noted fast. No amount of scrounging around turns them up either. At a loss, it's to your sleeping quarters to wrangle up something else to wear.

Except you're very much not alone the second you step into your door. The door swishes behind you but you're effectively grounded, eyes drawn to the man lounging on your bed.

His head is tilted, messy hair falling across his hooded eyes, a dark and smoldering look to them. A slow stretch of a smirk crawls across his face, a pleased look darting into his eyes.

Jimmy is just as bare as the day he was born, an arm languidly thrown over your pillow. A leg bent up, not at all coy about having himself on display. His other arm is resting against his thigh, one hand smoothing along his flushed cock in a slow, slick motion. His fingerstips are all but slathered in precum - or actual cum, as you might suspiciously think when you look at your clothes haphazardly thrown onto the floor, looking sticky.

"There you are. Took you long enough." He breathes out your name, chin tilted upward, something primal lurking deep in his eyes. Jimmy clicks his tongue, ever the disapproving copilot. "You should know better than to keep someone waiting." Despite the curt, wanting tone to his words, he doesn't move towards you. Letting you go to him. Like he knows you will.

"I've been thinking," each word is low and deep, husky in his mouth. Jimmy's hand very much doesn't stop moving, stroking himself as you're rooted to the spot. Whenever you glance down between his thighs, his smirk deepens. "That you owe me for what I did for you."

It's not like you could dance around the topic forever; each touch, every interrupted conversation, it all would have culminated to this. Jimmy waiting for you, eager to put his hands back on you, to feel you tremble and shudder beneath him as he pulls you apart.

The thing was, you realize, it'd be terribly easy to leave him here. To not respond to his advances. The door was to your back and even Jimmy had enough sense not to walk out nude in pursuit of you. It'd be easy to walk to another crewmate's quarters and pilfer clothes. It'd be laughed off, brushed under the rug just as another incident, excused as you being unable to enter your room because of 'technical difficulties'.

The thing is, though, you can clearly remember how his hands felt, the way he moved. How Jimmy watched you with the same intensity now, his eyes a dark promise of a repeat experience, if not more.

You don't really want to refuse such an offer, do you?

Try as Anya might, she can't get the image of you out of her head. The sounds you made, how your hands moved. She'd tried to be civil, though how quickly she averts her gaze and fidgety hands betray how much it affected her. Nerves, she'd try to excuse it. Nothing ever related to you, of course, because that sounds too much like blame. She blames herself for walking in on you masturbating, and blames herself for wishing that she hadn't left.

But by god, did it make her needy and so sexually frustrated. She's found every excuse under the sun to touch you then jerk back, at war with herself. She has to act professional. Doesn't she?

Something about you, seeing you like that, had coiled something burning inside of her. Something hot, that festered low in her gut.

For the most part, she can act professional. Mostly. But she can only get so far from letting her eyes trace your silhouette, from sitting on her leg whenever you talk to her. It's risky business, even riskier when she decides to keeps a few tokens of yours. Things that smell like you, even distantly - papers, a bracelet. Things that you've lent to her before.

It's been a while since she got laid, since she's even been attracted to anyone. But something about you just sets her on fire, burning with want and need. She needs you like she's never needed anyone before.

Realistically, Anya knows it's because of the forbidden nature; because of the close proximity day in and day out, but there's something so tantalizingly beautiful about it too. She's a sucker for it.

One of her favourite places to get off is in the medbay; she can lock herself in it - but she doesn't. Because it's so much more tantalizing when she thinks about you walking in. When she thinks about pressing you against the desk and using her medical expertise on you. She wants to hear you - taste you - feel you. Is that too much to ask for?

That's exactly where you catch her. Her breath coming out in hot breaths, eyes shut tightly, uniform pulled open. It'd be so easy to mistake it for something else, such as the room being hot - if it weren't for where her hands were.

One has all but ridden up her shirt, rolling the peak of her breast between her fingers. The zipper has gone all the way down to her waist, one hand curled tightly in her underwear, motions jerky as she fingers herself.

Every inch of her wishes that it was you, your fingers working her over, touching her clit and prodding at her walls. She feels so close, having edged herself for a bit until you came in.

It was just to ask her her input on supper, or for a nonsensical question that very well could have waited for another moment.

The door swishes shut behind you and her eyes flutter, dark as she looks up at you, flush all but crawling up her neck.

Seeing how you look at her - how you came to look for her- needing her for something, a question halfway on your lips - and it's her undoing. She moans your name, guttural and hoarse, hips jerking, dripping over her knuckles. "Wait-" Singlehandedly one of the better orgasms she's had, better than when she pined endlessly.

When her senses come back, Anya is breathless and shaken - and you're long gone.

She's not letting you go this time. Not when a new, burning question lodges inside her. Did you like what you see? Did you wish you weren't there?

Anya approaches your door at night, knocking crisply and when you grant entrance, she stands there, the atmosphere almost palpably awkward. She takes a few steps closer, feeling flighty and desperate, eyes searching your face, whispering your name.

"I'm sorry you had to see that," she whispers, voice low in the room, nerves biting at her throat. She can't not know anymore. "But I'm... glad that you did."

"Is this.. tension between us all in my head, or, do you want me too?"

It's one thing after the next. Couplings came loose, Daisuke's homework is not up to par, the lightbulbs need to be changed but no one seems capable of doing it. It all amounts to a sort of frustration winding up in him. Swansea has enough grace not to lash out at anyone, but it's there, palpable in his tone.

By some saving grace, you're willing to help him out with his work. Passing over screwdrivers and wrenches, new copper wire as he needs it. Swansea has noticed that you're attentive and eager like that; willing to help. Sometimes, he really wished you were his intern instead of Daisuke, not that he blames the kid.

He really needs a damn beer.

Wanking out his frustrations as a teenager and young adult had really suited him just fine, and with each passing day, it becomes a far more likely possibility.

It surely does not help when every little moment with you feels charged. Knuckles brushing when you supply him with mechanic tools, or when his arm brushed against your thigh as he steadied the ladder for you.

Swansea finds his gaze lingering.. on how your uniform bunches, the sway of your walk, the excited chatter to your tone when you've launched into some spiel or other. Each look he gives you is in quiet contemplation, though perhaps not as obvious as to why.

He's long since brushed off your curious questions.

It's when Anya outright slipped and fell over an oil spill that Swansea called it quits. There's only so many small annoyances that he could take before it became a hazardous snowstorm.

After it's suitably cleaned, he tried to find a place to tuck himself away. Keyword: tried. Something else always needed to be fixed, and he had enough years under his belt to know the ins and out of everything. Leaky faucet? Hold his glass. Vaccuum given up? He's got it. Curly, goddammit, he has it.

It's so grueling to find a moment of peace, so he takes what he can. That just so happened to be in the utility room, frustrations to a boiling point.

He knows his body, knows just the right way to stroke himself, the perfect amount of pressure. Learned it long since his youthful days, since his amicable divorce from his wife. Sure, it might feel mechanic at a certain point, but to him, it was a small reprieve. A getaway that only booze came close to.

Foreskin pulled back, his head is tucked low, eyes heavily lidded, fingertips pressing under the tip of the head just like he likes.

Swansea has himself sticky with precum when the utility door rattles and open. "Swansea, I found your keys-"

His eyes track up, eyebrows raised. Whatever hasty attempt you may have made, it's blocked by the aging mechanics of the utility door. It's from an older rig, one that still uses keys instead of the security bars that the medbay and cockpit use. Which means it's faulty as shit.

He sighs, head tipped back, eyes still on you. "That's on me for not leaving a sock out there," he grumbles, voice gruff and husky. A reference to how he told you to ward off people when he caught you masturbating earlier.

Moving his hand from his cock, his gaze is surprisingly steady, arm draped against the back of the chair. "Listen, kid, I won't say shit about this if you don't. Keep it jammed tight better than a olive jar when making margaritas. But." He rolls his neck, feeling a satisfying crack run through him. "I can show ya a few things that the ole cap' or other men won't, if yer interested."

Daisuke has been, for lack of a better word, edgy around you. Hovering, then trying to create distance. He can't seem to decide how to act around you. Not when he's seen you that way, pleasuring yourself. When he wishes you'd involve him.

He's seen plenty of naked people before, got hard over them, but wow, did you take it to the next level. Even how you tilt your head or roll up your sleeves has him in an outright tizzy, straining hard in his pants.

Daisuke often has to excuse himself from your presence. Ignoring Swansea's rolling eyes and knowing scoffs is easy; ignoring you is harder.

It's during one of those mundane tasks, where you're prattling about your work to the others, his eyes glued to your form, absorbing every word that he can't take it anymore. Excusing himself, he pops right out of the room, awkwardly striking towards his bunk.

But of course that is the exact moment you decide you need to return his gameboy - or comic, or whatever he had lent you a few weeks prior.

Daisuke is completely in the groove, pants folded down, back propped to the wall, knees folded and lips parted with each heavy breath. He's always been loud, noisy and boisterous. But his saving (and falling) grace is that he's also often playing movies in his room, and what muffled sounds you may hear from the other side of the door is easily chalked up to that. (Or perhaps, you knew.)

You catch him like that, hand fisted around his lean cock, shirt ridden up over his stomach, his movements sharp and jerky. It's bad enough that you walk in on him like this - but another to hear Daisuke rattle out your name, the sound breathy and full of want coming from his lips.

He's a poor, flushed mess, eyes wide when he looks up at you - and it's so plainly obvious to the both of you that he didn't call out because he heard you come in.

"I- I can totally explain." Except he really can't, can he, when he has his dick in his hand, just moaning your name literally seconds ago.

Any attempt to backtrack out of the room will be greeted with a hasty, "Oh my god, no, pleasewait!" As he all but tries to leap from his bed, tripping over his pants in his haste to get to you. Daisuke is nothing but determined and will try to talk to you about this, even if you manage to successfully flee.

Choosing to stay has him utterly red-faced, almost ashamed as he rambles through a tirade of, "Okay, so," punctuated by repeated, stumbled phrases before he manages to get out, "So, me calling out your name just now - total accident. Unlessyoudon'twantittobe? But, like, I definitely understand if you want to leave but I'dreallyratheryoustaybecause I really can't stop thinking about you and, - oh hey, is that my gameboy? You can just set it-- that's not important! I just. Really don't want you to leave. Please."

[bi-writes]

attached | ghost x f!reader

i have no idea what it is that binds us together. but it doesn't really matter.

type: one-shot (8.4k)

cw: zombie apocalypse au, mature language and content, suggestive language and content, dark!ghost, dark!reader, reader described as curvy/plus-sized + has hair long enough to braid, graphic depictions of violence + murder + gore, depictions of suicidal thoughts + intentions (no actual action), mentions of depression + sadness + loneliness, depictions of assault + harassment (not by ghost), horror movie vibes, unprotected piv, allusions to baby trapping, cumplay, oral (fem!receiving), 18+

Death can be a curious thing. It used to be something definitive. Exact. It used to mean the end of something.

No, now it's a beginning. Not a sweet beginning, but a beginning nonetheless. It turns a new tide. Reactivates cells that were once dead. Sparks nerves that used to be dormant, that used to be dark. It makes muscles move even when they aren't supposed to. Brain-dead, but still hungry.

He hasn't been able to understand the phenomenon quite yet. He's tried. He's picked up a few books and tried to do his own research, but it's difficult when there is no way for him to view the cellular structure of it all on a micro-level. He cannot see the way it grows or how it takes over. He hasn't been able to figure out what techniques it uses to keep a body awake even when the central organs no longer function the way they're supposed to. What keeps it moving? What keeps the feet running and the stomach hungry and the saliva warm?

Why is it that when he plunges his blade through its heart, it still kicks? The brain is its engine, as with his own body, but this is different. The brain runs even when it has lost its necessary components. Blood circulation, oxygen, the things it needs to thrive; but this state of being is not like his own. It doesn't need the same things it used to need because its purpose is not to keep a body running. Its purpose is to eat. To infect. And that is all.

He likes to play games these days. He has a lucky silver euro, one he pried off the dead body of someone that he hated. He spit on that body before raiding his pockets. He hated that fucking brute; he disgraced the style of wearing a mask by using a fucking t-shirt instead. Perhaps Austria is a beautiful country, but it certainly produced one of the most unlikable of men. He thinks even if the world was still right-side up, he would've killed him anyway. The only thing useful about him was that he was carrying a few extra magazines and this coin in his front pocket.

Every morning, when he wakes up, he makes whatever will happen that day a game. If the coin lands on heads, he gets to kill himself today. If it lands on tails, he has to endure 24 more hours before he can play again. The rules are simple. The game is easy. Everyone knows how to play it, but not everyone will like to win it.

Today, he decides to do something different. Today, he decides if he wins, he will wait another day. He has never won this game; he decides if he can't win it, he'll manipulate it until he gets what he wants.

It hits the table with a light clink. It rattles around in a few circles before settling, and when he leans back in his chair, he sighs. He knows what it will be even without looking, but he looks anyway. When he sees the carved outline of its face-side up, his eyes flash. He won.

He never wins.

Something is keeping him here. He chooses not to ask questions. There isn't anyone to ask anyways. No one answers when he speaks. He doesn't think there is anyone left to listen.

If someone would ask him why he doesn't just put the muzzle to his temple and pull the trigger, he would just say that it was because that was how the game is played. Those are the rules. He can't try unless that's what it tells him to do. There is no fun in cheating the game; it wouldn't be proper, it wouldn't be correct. It would be grounds for disqualification, and that just wouldn't do, not for him.

He has to do things the right way. Always. It's how you keep order in a world that has none left. It's how you maintain structure even without the lines drawn in the sand. This is the way things are done; God is not waiting at the end of a very long staircase, He is rattling that coin on the table and waiting for Ghost to take a peek.

He thinks it keeps landing on tails because perhaps God is tired of playing this game with him; Ghost has never been surprised. He will always be ready for disappointment. Giving a gift is no fun when the recipient simply receives it.

It landed on heads today. He won the game. He tried to play it differently, but someone won't let him.

There's snow on the ground this morning. It snowed all night, coating the ground in a few inches of powdery ice. He looks away from the window and back towards the mirror, continue to run the razor over his head. His blonde hair falls in clumps in the sink. He keeps it neat and short, close to the head, and then he does the same with his face. He cuts the stubble close, keeping his face clean, but it doesn't wipe away the rest of his face, the things he can't just cut away. The scars, the ridges, the skin that closed over wounds angry and white and uneven. He can see his teeth through the broken skin above his lip, the yellowing of them now that he only brushes them a few times a week with his lack of proper toothpaste, and he grimaces when he sees the new red spots of raised skin left behind from the dirty mask he wears now. He dips his toothbrush into his bottle of water before brushing, careful to scrub his gums properly before spitting into the sink.

When he finishes, he makes his way back into the bedroom to get dressed. He did the washing yesterday; he found a creek only half frozen over, and he made use of the bar soap he keeps and managed to clean off most of his clothes. He feels a little better slipping into his cargos now that they aren't drenched in sweat or dirt. He tucks a long-sleeve into his pants before putting a thick windbreaker on over it, but he finally feels complete once he slips his mask on over his face. In the mirror, he adjusts it, making the skull straight, and he blinks back at himself. The mask does more than just hide him from the dead.

It keeps the living walking a careful circle around him, and he wants to keep it that way. He hasn't spoken to a single person since it began. He stopped counting the days once his boots ran out of space for notches. Anyone he sees now, he scares them off with one look, or he puts them down before they can take a step closer to finding out if he's real or not.

He doesn't take chances. He has always had a special skill, being able to sniff out the bullshit before it begins. He leans into it now, and it isn't a bullet wasted if it stops the chaos before it can wind up.

He still wears his tactical gear. He can't part with it. His holsters have not failed him, still buckled around his thighs. His vest is still strapped on, and without it, he feels naked. He has long since discarded of the Union Jack patch on his chest; there is no king nor country anymore. They are colors in different shapes, and they mean nothing now; they were buried a long time ago.

His backpack feels light. He's running out of bullets, and he doesn't like how it feels. Nowadays, he has to go further and further to get what he needs, and recently, he's taken to picking up everything and simply moving to make the trips all the easier with no home to go back to.

It's not all that different to the life he had before. He never stayed in one place too long then either. He signed the shortest leases, and he would move once it was up, never lingering and never buying more things than he could carry in the back of his truck. His memories are in his head and nowhere else. He keeps no trinkets. He saves no pictures. There is nothing from the old life that needs to be brought into the new. He shifts between both lives, one foot in the past and one in the future, and he thinks that's what really makes him live up to his name.

He's a Ghost. A drifter. Standing between two places at the same time, not knowing which to stay in and which to leave. It would hurt, if he was really human inside, if he could feel anything at all.

But he's not. His insides are nothing but organic matter. His head is a clock, ticking, counting down, but he's not aware of when it runs out.

He digs the heel of his boot into the snow to gauge the depth. It barely comes up over his toes. He huffs a little before taking a peek at the map tucked into his vest. He had circled a place just north, a main street he is hoping will have a stash of things he will need.

Ammunition. Weapons. Food. Water. A new book, for fuck's sake, maybe a Sudoku puzzle that isn't already scribbled into.

The forest gives him cover, so he sticks to it. Out in the open, he would stick out, dressed in all black. He keeps to the trees, ducking under the leaves and trying not to leave too much of a track behind. He doesn't plan on staying in that cabin again, but if he must, he doesn't want anyone seeing a way to come back to it.

The one thing he does appreciate about this new place is the quiet. It lingers, and it's calm, and when he breathes, the world breathes back. He feels like he had always been telling everyone to shut up, but now, his voice hasn't been used in months. Even when he passes other people, he doesn't speak to them. If they don't spot him, he keeps to the shadows, and if they do, they don't see him for long enough to know what hit them.

It's a good stash. The store had been rifled through by now, but in the office, there had been a nice drawer filled with supplies. A few boxes of ammunition, a revolver, and a new blade to stick in one of his boots. He picks up some other odds and ends. Batteries. A roll of yarn. A small sewing kit. A few pens. His backpack feels a little heavier, and it's a weight he appreciates when he makes his way back outside.

He sticks to the alleyways as he searches for the roof over his head for the night. He decides the cabin he slept in last night was too close to the road; if anyone was driving or following it, they could find that place too easily, and he wouldn't be able to sleep another night comfortably there knowing this truth.

He finds himself veering off road just enough. It's fucking cold, freezing, and he's grateful to the mask for helping him keep it together as he ducks under the wind and keeps an eye out for any nearby landmarks. Sometimes, on slow days like this, he would sit on a ridge and kill infected for sport. Practice focusing his sight, calculating the wind, keep his mind in check by hitting his targets and ridding the world of another one of those things.

There are different kinds of hunters out today.

He hears them before he sees them. He knows what kind they are when he hears their laughter. Low and untamed, sloppy and fucking messy. They always are. These kind spoil their treasures. They eat their food until it makes them sick, and then they do it all over again. They never learn their lesson.

When he settles his rifle down along a fallen tree, he eyes them through his scope. There are two of them. Both are fattened, with dark hair and lazy eyes, and they look greasy. Their clothes are in ruins, and their packs are light, and Ghost figures that they look enough alike to be perhaps brothers, or maybe cousins. Their smiles are equally as sadistic. The taller one tugs something along, and when Ghost aims the scope down a little, he sees her.

Her.

He's dragging her by her legs. She's kicking, but it's hard for her to do much when her arms and legs are bound by mismatched bits of fabric and rope. She's crying, that much is clear, squirming as she spits and gargles around the gag in her mouth as she tries to break free. She has heart, but she isn’t a fighter. If she was, she would’ve realized her teeth could snap that fabric of her gag, and she would know that the knot they’ve tied succumbs easily to upwards pressure.

He follows them. They keep going, dragging you and laughing as they make it to a makeshift camp hidden amongst a clearing. There's a few tents set up, a small dip in the earth to hold a campfire, and when they settle on tree trunks to sit, the smaller one takes a blade and cuts your gag off, leaning over you with a low chuckle. They mean to maim and to take and then to kill, and you know this when you look into his eyes.

"Hello, darling."

"Bite me."

He laughs again, dropping onto his knees over you, but when he gets close enough, you sit up with what little strength you have and bite him along his ear. The cartilage rips, and you tear half his ear off, and then he's scrambling off of you, screaming, holding the side of his head as he rolls around in circles in the snow. He colors it red, and you snarl with satisfaction. Ghost takes a deep breath in and lets it out shakily. The look in your eyes–he can taste that, roll it around on his tongue. You did not clock the poorly-tied knots, but you do see opportunity, and you are the kind to take it.

"You bitch!"

Just as the taller one is about to get on top of you, Ghost decides he's seen enough. He closes one eye, lines up the sight, and he lets out a cool breath as he drops the both of them within a second of each other. They fall easy; a bullet clean through the back of their heads, and now they're finally quiet again. They will not get up, either.

Your lip trembles as you look towards the trees. You watch as the leaves rustle, and when you see a man emerge from the thick of them, you start to cry. You think maybe you're seeing things; you must be so dehydrated, so hungry, that a reaper has come for you, and you are much deader than you thought.

The reaper stares down at you curiously. He swings his rifle over his shoulder, tilting his head to the side as he bends, getting a blade out of his boot before he cuts the restraints that bind you. He doesn’t hesitate when he does this; he does not deem you enough of a threat to keep you bound.

You sit up slowly, wiping your face, and when you meet his eyes, you're surprised to see how human they are. They're dark, but alive, and he has blonde lashes and pale skin underneath. He covers himself, but you can still see him. There's a man under there, not a reaper.

Just a man.

I hate men.

You shake off the rest of the restraints, turning your wrists and ankles and flexing your muscles for good measure. When you realize you are nothing but a little shaken up, you look back up. He's still staring at you, hard eyes lowered in a glare as he looks you over. He's sizing you up, maybe, deciding what to do with you. You meet his eyes one more time before gathering the saliva into your mouth and spitting onto the floor. It's a garbled mess of blood, from the flesh you had severed from that man.

He blinks slowly at that, makes some decision that he doesn’t voice out loud, and then he starts to walk away.

You stand on shaky legs, taking it as your cue. You watch as he rips open the flimsy tents that those men had left behind, and he's already grabbing backpacks and rifling through them for goods. He already starts filling his own vest and backpack with the things he finds; some flashlights, fishing line, more food and ammunition. You follow him, moving to the other tent beside it and starting to grab their things and toss them outside. You get to your knees and open the packs, laying out what you find carefully. They have interesting materials in here, ones you associate with explosives. C4. Lighters. Batteries. Wiring. You clench your jaw when you pull out the last box in the bag.

Condoms.

Bunch of pricks.

He finds your discoveries useful. He opens up an empty pack he found and fills it to the brim with supplies. When he zips it up, your stomach drops when you think he might toss it over his shoulder and leave. It only sinks for a moment before he turns the backpack around, holding it up for you.

You pause for a little and think. It only takes a few seconds for you to decide to stand up and slip your arms through the straps.

When he walks again, you follow.

The sun is setting by the time you find somewhere to sleep, but it looks like luxury to you. A quaint little brick house tucked between the hills, a ways from the road and positively hidden. He spotted it through his scope a few hours ago, and he made a beeline for it. It's difficult to keep up with him; he has incredible stamina and the longest legs. He moves like a ghost, too quiet for his own good. You would never know from looking at him how stealthy he could be. For such a huge man, you would never notice him before he could get the drop on you. It makes you conscious of your own steps and how loud they are, and you try to mimic the way he moves as you keep walking.

You don't know why, but you think he must be very pleased with how quiet you've gotten. You don't know why that fact pleases you, too.

He makes you stay outside when you arrive. He pulls a small handgun out of his backpack, and he checks the chamber before handing it to you. He clicks his tongue, forcing your eyes on his, and he puts a finger to his mask-covered lips, telling you to keep quiet. You take the gun from him, pointing it at the ground and holding it at your side, and he touches a knuckle under your chin before he twists a silencer onto his own gun.

You watch with rapt attention as he clears the house. His movements are quick and calculated, and he keeps low to the ground. It's mesmerizing. Big and capable, one with the shadows. The only thing you see in the dark is the white of the skull over his face, and if you didn't know it was him, you would think that you have just seen God.

But God isn't real. Apparently ghosts are.

He is back outside in less than ten minutes, nodding his head at you. You take it as your cue to come towards him, and you hand him the gun back when you pass him. You go into the house and immediately start to light some of the candles scattered around. You set your backpack down, rubbing your shoulders out, and you take a seat on the couch.

It hits you then, the gravity of it all. Men are your captors, and then they are your savior. They'll never leave you alone. They'll never let you go. You were ruled by their iron fist in a previous life, and you will endure their wrath in this new one.

You start to cry. It's the first sound you've made since screaming. You cover your face with your hands, and you don't know why you feel safe enough to cry, but you do, and it comes out of you fast.

He tilts his head to the side as he watches you. It's a strange thing to see something so...alive. He's used to only seeing things moving that can't speak back to him. If he does see things alive, he puts them down as if they are rabid dogs.

He can't find it in himself to kill you. Something is so odd about it. About you.

Everything about today seems more than coincidence. He won the game today. And then he found you.

When he tries the sink in the bathroom, he's surprised to find it working. He grabs a bowl and fills it with water, and when he comes back into the living room, you are staring at one of the flickering candles blankly, shivering. You have stopped crying, but your face is still wet with fat, lingering tears.

It looks like you've been hit by a brick wall. Your hair is matted in places, in tangles. It’s in desperate need of a cut. It's stuck to your face around the perimeter, caked by sweat and mud and dried blood. Your clothes are in ruins; you wear a ripped jumper, thin jeans, and the soles of your boots are starting to fray and come off, and he can see where you've tried to mend them unsuccessfully with duct tape. You wear no jewelry, and your fingernails need to be cut. Those men have left marks on you, but those will fade.

He kneels in front of where you sit on the couch. Using a threadbare cloth, he dips it into the water and raises it to your face. You show no resistance. You let him wipe your face off, the tears, the dirt, the blood. It stains the cloth ugly, but you can't look at anything else except for his eyes.

They're so dark. Brown, like bark, like honey. You haven't spoken a word to him yet, but the silence is sort of bliss. All you can hear is the drip of the water when he rings out the cloth.

He helped you. He didn't have to. He could've kept walking, but he stayed with you. He didn't leave you. He could've walked away again, but he let you follow.

He isn't a good man. You know that. Anyone who has lasted this long isn't a good person. You've done the same. You've let it take you, once or twice, let the snarl in the back of your throat guide your hand. You've let the voices fester, let them eat at the acid in your stomach until they begged for more, and you won't admit it, but it felt good. Felt good to protect yourself. To rid the earth of something terrible. To say no.

He must understand that. He's decorated in its essence, the one of understanding, the one that says I know what it's like to take matters into your own hands, and he did it with you, too.

He's doing it now, cleaning you up, and you don't know him, or his face, or his name, but you'll try hard to give it back. To give him something. To tell him you are worthy and not useless. It doesn't show today, how far you've come, but you'll try.

"Thank you," you finally whisper. He's dragging the cloth over your bottom lip, and he blinks rapidly, as if a bit startled by hearing your voice. When you speak again, it's to tell him your name, and he thinks for a few moments before continuing, wiping under your jaw.

He doesn't sleep that night. He stares out the window, like a guard dog, and he lets the soft breaths of your sleep keep him awake.

The gas lighter on the stove still works. It takes a match to light it properly, but when the fire starts, you take some of the soup cans from your pack and make breakfast.

Your smile when he comes into the kitchen nearly blinds him. You look more rested than yesterday, and you ladle some soup into a bowl for him, setting it down at the table. He notices the two bowls, his and yours, and he notices that his bowl has more food.

It is then that he decides to keep you.

What he doesn't know is that you've decided the same. The world has thrown you the way out. A man, built like a bear, happy finger on the trigger and capable of getting you out of harm's way. You need to convince him that you are worthy. You need to convince him that you are valuable. A keepsake.

Men are what start wars, not what end them. Men are the cause of chaos and destruction, it is prevalent throughout history, and it is why you are here now, in a place that doesn’t exist, where people don’t breathe the same air anymore. A man thought himself correct, but he was wrong, and he didn’t listen when someone told him otherwise. They are the ones that take advantage of your vulnerability, and instead of trying to understand it, they use it to get what they want.

You can do the same.

You start by mending his clothes. He's laid some out to dry after washing, and you notice the tears in his shirts. When he comes back a little while later, with dinner hanging off his shoulder, you are seated on the couch, feet tucked under you, with a needle in your hand as you sew up one of his shirts.

You've bathed, found new clothes, warmer ones, and your hair is braided and off your face. He hates to say he prefers you a little dirty, but he likes this, too. A natural beauty. A soft face.

You make a real dinner that night. There's canned vegetables that you try to spruce up with the spices you find in the cupboards, but the real meal is the venison you're served. He butchers it outside like a professional, and he sears it on the stove with a perfect touch. When he feeds you that first bite, your mouth explodes with flavor. Your belly is full that evening, and when he blows out the candles for bed, he eats you out in the dark of the corner bedroom.

He's not sloppy like you thought he might be. Not overeager. He's easy with it, casual. Big hunk of a man smothered between your thighs, and he laves his tongue through your folds like his very own personal dessert. He drinks straight from the source, holy water spilling sweet between his teeth, and when he gets his tongue inside of you and holds it there, you nearly leave earth for somewhere else. You come like that, too, his filthy mouth sucking on your clit before he's slipping that tongue in you again, and you mewl against the bed as he tucks his hand under your ass and spreads you wider.

He tells you his name a few nights later. He doesn't speak, not ever, but when you're crying around his thick fingers, he whispers it against your ear.

"'s Simon," he growls, and you know what he means by that. He wants you to say it while you bounce on his fingers, when you rut against his thigh. He wants you to say his name when you're coming undone riding his face, when you're wetting his mask with your pussy and making him choke on your cum. Such a wet, sweet girl you are, and sometimes he skips wash day for his mask so he can shove it into his mouth and pant around it and taste you while he fucks his own fist.

It's insanity, he thinks, as he's cleaning his rifle. The idea of traditional. But it's what befallen him, what he sees all around him, and he tucks his index finger into a hole too small to pinch himself just to make sure he isn't living a dream. You're in the kitchen, mending more clothes, something warm boiling on the stove. There were seeds in the greenhouse, and you're saving them to plant in the spring, so for now, you make do with canned goods and whatever Simon hunts for during the day. You found books in the attic, and you read them at night, head in Simon's lap as he plays with your hair or rubs your sore ankles or cuts your nails. You're the only one that ever speaks; he hasn't said a word to you except for telling you his name, and you're content to be the only one that uses their voice.

He always listens. You told him one time that you loved the shade of green that the trees wore, and he came back one day with a sweatshirt of the same color for you. He noticed you trying to mend those terrible boots, and he found a new pair for you, your size this time, barely worn and fit for winter. He brings lots of things for you; books, clothes, even rocks sometimes, when he just thinks he found one that you might like.

You do like them. You have started filling a small bowl with the ones he brings, and he notices you rifling through it sometimes, just looking at them, and it makes his chest swell with pride.

Like giving a treat to a dog. Like giving him a fucking bone.

He teaches you how to shoot. You know how to pull a trigger, but that’s the extent of your expertise. He teaches you how to stand, how to turn the safety on and off, how to hold the gun between two hands so not even his own can take it away from you. He makes sounds when you please him. Hums low, lets out a soft breath, sucks in the air through his teeth. You can’t see his face, but the way he looks at you when you fire a bullet and knock bottles off their ledges, it warms you, all the way down your spine, reaching your toes. You want him to keep looking at you this way, so you try hard, and he notices.

You’ll never be what he is, but the small victories are what have him chubbing up in his cargos and falling asleep between your thighs. You give, and he takes, and he keeps coming back for more.

He teaches you that distance is your strength. You aren’t like him; you aren’t built like a brick house, you won’t be bigger than a lot of your opponents. You need to keep them away from you, however you can. He makes you good with that gun because it’s your best chance, but in the even that you lose it or you run out of bullets, he shows you how to aim a hatchet so that the blade always lines up between someone’s shoulders.

The way you listen makes him salivate. The way you blink up at him and say yes, Simon and take his orders, it makes it difficult to keep away from you. 

Today marks two months in the house tucked on the hill. Simon hunts, and you cook, and you live in some sick, twisted housewife fantasy at the end of the fucking world. Simon provides, and you keep, and when the box of condoms falls out of your backpack one day, you glance at Simon for just a moment before he's on you.

It's animal, that first time. He tackles you practically onto the carpet of the living room, and he props you up onto your elbows and only pulls down your jeans enough that he can fit his cock between your thighs. You hear the tear of the condom wrapping, and then he's laying over your back, sinking to the base, cock nestled inside of you as he grips your throat gently and fucks you into the carpet. Poor beast, he's definitely going to need his knees massaged after this, but you can't think about that much when you're taking the fattest cock of your entire life and trying to survive underneath him. It's that fine line between pleasure and pain that you're desperate for, and you pull threads out of the carpet as you try to hang on and take it like a good girl.

You can hear his voice. It's low, and subtle, but he grunts with each agonizing thrust, hips snapping against your ass as he fucks you back onto him over and over and over again.

It's primal. Nasty. You wish he wasn't wearing a condom, you want him to be in your skin, you want him to fill you until you're full, let it spill over, and then do it all over again. You want him to bite into your throat and tear, and you want him to eat you and then put you back together, and then do it again and again and again.

"So big," you gasp, and he falters at that. You recognize it, the need for praise, and you latch onto it with claws and stay there. I need him to stay here with me. "So good...so good t-to me, Simon–"

He groans. It's music.

Keep me. Keep me. Keep me.

"Simon, please–" You scratch at his arm, not satisfied until you feel blood. When you break the skin, he laughs, a breathless laugh that has your eyes rolling back in your head as he shoves your face into the carpet and mounts you like a fucking horse. The deep slap, slap, slap of skin is enough to send you away, send you home, your mind foggy as your pussy squeezes him for all he's worth. The slick of the condom is pleasant, but you want it raw. You want every part of him carved into you, and you arch your back, suck him in, whine and cry and beg for him to just, "please, Simon, I need it, I need it."

"Need wot?"

The sound of his voice is whiplash. He hisses when he sinks deep, staying there, holding you at a sharp angle so he can knead your ass and watch it bounce back on him. He sucks on his teeth, and there's drool slipping out of your mouth. That accent, his voice, like velvet, from deep within his chest. You want to hear more of it.

"Be a man," you gasp. "Be a man, and fuck me."

He doesn't see the desperate look on your face when he slips out of you. He doesn't see the relief that washes over you when you hear the condom come off, latex crumbling as he tosses it, but he feels the warmth of your pretty pussy when he sinks back in, skin to skin, and feels you clench for dear fucking life.

"Fuckin' Christ," Simon groans, and you reach back for him, gripping his arms, forcing him to fall over on top of you. He settles with his elbows on either side of your head, and you bow your back and grip the carpet again as he fucks into you nice and slow, deep, fat head leaking precum and making you cry because finally, yes, please, this is it, what I want, I'll have you forever.

You're so pretty. Even in his past life, Simon never got to have anything pretty. He was too ugly, too big, too awkward. Any woman of good faith stayed 100 yards away, as if his mere presence was a warning alarm, some invisible radius that kept them away from him. He always thought it was for the better. He always thought good riddance, they shouldn't have me, I shouldn't have anyone. Not when only days before, he had tortured a Russian militant until he had no teeth and hung his severed fingers on twine around his own neck.

But you won't run away. He's given you opportunity. He's left the cottage and staked out the outside just to watch you, and all he sees is you moving between windows, shaking out the dust from old blankets and washing the dishes. All he sees is you sewing his clothes and cooking his food, and when he comes back inside, all he sees is your smile and your face and your pretty mouth that falls open when he makes you come all over his hand.

Now it's the end of the world, and he lets a coin flip decide whether or not he lives or dies. And even when he flips it now, it never agrees. When he asks to die, the coin tells him no. When he asks to live, it’s always interrupted by you.

Yes, it tells him. Yes, yes, yes, because it's been keeping him here, because it knows, because it saw, because he couldn't see both sides of the coin, but he can see it now, plain as day, and she's underneath him now, letting him inside, and she's begging him to come and to fill her up, and she's crying because he's such a big man, and she wants him everywhere and always and all at once, and Simon is nothing if he isn't an insatiable bastard that can finally be fucking selfish.

The way you say his name could make him move mountains. That soft breath you take. The falter of your voice. The whine. The world has gone quiet, but he'll make a new one, and he will leave it at your feet for you to step on or pick up.

Whichever you choose. You can do no wrong.

When he comes, he moans. Into your ear, he lets you hear him, lets you bask in his pleasure as he spurts hot inside of you, hauling you a little higher on your knees so he can make sure you come, too. He gives you the palm of his hand to grind on, fucking into you at the same time, humming deep when he feels you squeeze around him and shatter like glass.

He takes his mask off for the first time that night. You see his face, all of it, not just glimpses when he lifts it to eat or to drink, you see the whole thing. He has a terrible looking face. Something only a mother could love. Too old of scars to be from this new life. They slash across his brow, across his cheeks. He has a jagged nose, and the skin around his lips had been reconstructed poorly from however they had been slit.

He's a terrifying piece of flesh. He is surprised when you lean in and kiss him. He's even more surprised when you kick off your jeans, turn over, and fuck him again.

The mantra that sounds like mine repeats in his head over and over. He feels it, deep, warm and beating under his ribs alongside his heart that hasn't moved in a long while.

He found you in those woods, kicking amongst predators, and he took you home with him. Picked you up like a stray, fed you, clothed you, and now you've stayed. For a moment, he thought it wasn't real. Thought your full belly is what kept you here, the warm house. He didn't mind pretending, but he figured it wouldn't last.

He doesn't think that anymore. Not with the way you kiss his severed face. You nuzzle into it, cup his cheeks, and he finds it agony when you pull away.

He hovers now. In whatever room you are in, Simon must also be in it. If he leaves, he makes you board the doors, and you are only allowed to open them if he knocks in his special way. He tested you once, came back earlier than expected, and he was so pleased you did not open the door to his casual knock and only the special one that he made you come one, two, three times with your thighs locked around his face.

A terrible thing happens.

Not to you.

You're searching the greenhouse. Hoping to find some flower pots for the herb seeds you found, you're rummaging through the cabinets beside it. Your gun is sitting away from you, and although Simon would chastise you for this, you feel safe here, and it doesn't bother you.

It flings itself at you. It cries, what used to be a teenage girl, reaching for you because it wants a chunk of your softness, of the life you pump into the muscles that keep you running. You're protected by all the clothes you wear for the weather, and it is slow because of the cold freezing their rigid, dead bones, but it does not lessen the hunger, the fight, the determination to eat and spread.

Before it can bite, the back of its head explodes. You close your mouth and shut your eyes as rancid brain matter splatters the white snow and you, and it is wrenched off of you immediately. Simon stands there, his pistol in hand, and you have never seen him quite so angry as he is right now.

His eyes are wild. He heaves under that tact vest, breathing hard, and his grip on the handgun shakes, so much that he has to shove it back into the holster at his thigh and lean over to pick you up off the ground.

He jostles you. Growls. Is nearly an animal himself as he shoves you up against the glass of the greenhouse and snarls.

"Wot the fuck is wrong with ya?!" Simon snaps. "Is y'r fuckin' head on?!"

It's so quiet in your head even as he yells. Your eyes tear, but not because you're upset. You reach out and cup his face gently, and he stops. Stops talking, just watches, just looks at you as he bends and leans his forehead against yours and squeezes you to his chest.

What is this thing you have? What have you become? What innate thing has festered between you? He’s gripping the edge of the glass so hard, you hear it crack under his hand. There is some kind of sick sense of devotion among you. Some kind of responsibility. He’s angry because something under his tongue tasted bitter when he saw you struggling. It won’t be this easy. He won’t make it this easy. If he doesn’t get to die, then neither do you, and he will make sure of that, because that is the only way this game can remain fair.

You never wander to the greenhouse again. He makes you promise (lest he wastes his cum between your thighs instead of inside you, that's it, promise me).

Another terrible thing happens.

Not to you.

They're wanderers. When they knock at the door, they don't use Simon's special knock, so you don't open it. Instead, you blow out the candles and hide, peeking at them from the fogged window in the attic.

They are men (you aren't surprised, they seem to be the only thing that survives nature's heavy hand). Cold. Shivering. One of them is bleeding, you can see it from the blood trail he leaves in the snow that seeps from somewhere under the hem of his jeans. The one uninjured tries to force his way through the door, but Simon added more deadbolts to it, and it doesn't give under his weak attempts. You trade your handgun for the rifle, aiming it at them. If they get through the door, maybe you can draw them back out, keep them away from the house.

You try to stay quiet, but the healthier one uses his body and a log of wood to get through. They're desperate, desperate enough to not care that breaking through the door cuts him severely, splits through his jacket. The second man limps behind him, getting inside, and you decide to put the rifle back.

You will stay quiet until Simon gets back. Your strength is not being a bulldozer, so you'll hide until he can be that for you. You steady your breathing; even if they make it to the attic, you won't go quietly. You tried that last time, and if it wasn't for Simon, you'd surely be naked and dead in that clearing that you were dragged to.

This time, if you go, you will take someone with you at least. Severed ears are not enough. You will not make them artists, you will make them forgettable and unrecognizable, and you will give back what they give you tenfold. Even if it kills you.

It takes them all night before they finally make it to the attic. They eat your food and take showers in your bathroom and stink up the living room, you can hear them. And when their bellies are full and their minds wander, you dread the pull of the attic door as he wrenches it open and the ladder falls.

You manage to kill one as he drags you out from the corner. He latches onto your ankle, and as he pulls, you put your finger on the trigger of your handgun, and you put one right between his eyes. The other takes advantage of your moment of pause, turning you over onto your stomach so hard the gun flies across the attic from your hand. He tosses you down from the attic, and you land on your side in the hallway, and you cry as you get to your elbows and crawl, trying to get to your feet, but he's larger than you.

He catches you in the kitchen. Slams you over the kitchen counter, using his weight to pin you down, but Simon taught you better than that. He taught you not to give in. He taught you not to give up. You think about him when your fingers find the discarded fork on the counter and you drive it right through his fucking eye.

You don't stop. You don't let his cries keep you from bringing your arm down again. And again. And again. You make his face your blank canvas, and you paint it with your anger. For every man that ever touched you. For every man that ever thought himself worthy to have you. For every man that tried to make your body his prize, you poke a thousand holes in him, and you scream with him as you do it until he can't scream anymore.

You're holding the fork and standing over him when Simon comes home. His handgun drawn, silent as he makes his way in, his body visibly relaxing when he sees you. He glances at the man at your feet, still alive, gurgling there, choking on his own blood as he tries to breathe through the holes that are scattered across his face and neck. You meet his eyes, and you smile. It's uncanny to do it now, but you are happy to see him.

"There's..." You sniffle, wiping your face with your sleeve. "There's another i-in the attic."

You don’t get to see him smile under the mask. You don’t hear the near purr that leaves him as he climbs the ladder and sees the perfect place you’ve left your mark. He’d frame it if it wouldn’t rot.

You twirl the fork in your hand before going to the sink, dropping it in there, and you close your eyes as you listen to Simon's footsteps as he goes into the attic. It takes him a little less than an hour to get the bodies out the back door, and when he comes back inside, you're already wiping up the floor in the kitchen.

There's nothing to talk about. This is normal. This is just another day. Tomorrow, you might have to do it again, and you'll still cook dinner after sunset and clean the kitchen like you're doing now and sit Simon on the edge of the bathtub and cut his hair.

Simon found chocolate on his trip today, and you make cake with it. You sit in his lap under the candlelight, and you feed each other, bite by bite, and you giggle when Simon gets it all over his lips.

You kiss him to clean it off, and then you reach for another bite of cake. There's some measure of satisfaction you feel when your tongue finds the dent in the fork prongs from when you used it earlier. The chocolate tastes better somehow. Sweeter.

You catch him in the morning, limbs tangled with yours under the sheets, flipping a coin. You smooth a hand over his thick chest, along his pudgy stomach, and you watch with him as the coin lands on the bedside table, falling flat.

It comes up tails.

He decides then that he doesn't have to flip it anymore. It's pointless. He asked for answers, and he got one.

You were not luck. You were fate. And because of it, the coin will always land the same way.

His thoughts are interrupted when you reach for the coin. You twirl it between your fingers, thinking. He doesn't see what you see, but that's okay. Maybe he'll let you play now. Some other game, a better one.

Heads or tails, win or lose, alive or dead. Either way, you are attached. Woven together, thread by thread. There are no vows to say in this new place, but you aren't tested by the same kinds of things. There is no law to keep two people together, no governing power of men that say if left is truly left and that right is really right.

You are drawn together by shared experiences. The same trauma. You won't leave each other not because you said you wouldn't leave, but because there is no one else in the world that has seen the same things you have seen and has done the same things you have done. There is no one else in the world that will forgive you for what you had to do to survive. That will love you not just in spite of it, but because of it, because you did what was necessary, and you are here now to learn a lesson and not suffer its consequences.

It's just a game. If you win, he wins. If you lose, he loses. If you're alive, he's alive.

And if you're dead, then he must be, too.

[comfortless]

dog hybrid recruit König thots??

content/warnings: 18+. minors do not interact. more loner x loner because it is a treat for me. fem (afab) reader. König is a man just with ears and a tail. vague smut.

He’s the one that was never picked.

So maybe you’re too busy for a puppy hybrid, but maybe you’re a bit too lonely for an empty apartment. You don’t have the space for a big, excitable dog. The cats and bunnies are in high demand, too, there’s no shot of you adopting one of the cute, softer things within your budget. So you settle for a dog. The only dog left at the shelter.

His papers state that he comes from Austria, aged twenty-five and never been put into an actual home before. He’s endured some rigorous military training: scenting, tracking, breaking down thick doors with only a shoulder and an efficient push. A hunter through and through. Then, following his merits: erratic, jumpy, impulsive, and more than a little aggressive.

This dog doesn’t growl, only bites.

The paper sits crumpled in your hands as you eye the dimly lit hallway to your left. Posters of information line the beige walls to either side, some with photos of proud kitties and dogs, hand-in-hand with their companions and cheery phrases printed above in a bright, yellow cursive.

If anything, those are the ones that give you the final push to adopt this unloved, discarded experimental soldier. He’s only been given this one very last chance before… You would rather not think of what comes if you’re to turn away and leave him to rot and wither here. It must have happened a dozen times already: ambitious families looking for a more intriguing addition only to lock eyes with this pitiful thing and shake their heads ‘no’ for him to be put on death row like this.

“He’s scary,” the clerk reminds you once you’re finally led down the hall to the tiny room your new pet— no, friend, must be kept in. It was easy to think of them as something else sometimes. Animal instincts as prevalent as their claws, teeth, and fuzzy little ears. But you didn’t need a pet, there were an abundance of shops for those. You needed a good soul to spill your guts to and maybe pet from time to time.

“I’m sure he’s fine.”

The poor thing is locked away to fester in what more closely resembles a cell than anything resembling a home. A steel door with a thin, narrow gap in the middle like a peephole keeps him locked in tight. Peering through that narrow gap, you only then seem to realize just what an impulsive decision you’re making.

König is exactly what the clerk said, continues to say next to you as she searches for the correct key on the ring. He’s bigger than any other hybrid you’ve seen before, built narrow at the waist but broad and deadly where it matters most; arms like narrow trees and thighs larger than your head, all muscle and intimidation, even with the cute, perky ears peeking out of the top of his helmet. He was definitely used for guarding and killing, and how a man his stature could even begin to fail that was unknown to you. Not that it was necessary. At most, he may need to shoo a scuttling pest out of the front door and put away a dish or two.

When the door swings open, the clerk offers a hesitant nod before dismissing herself back down the hall, and you’re left stood with a pair of blue eyes locked directly onto you.

König assesses with a tilt of his head and a slow ascent to his feet. He’s clad in layers of black, an empty vest where magazines or grenades must have been in place prior. Hell if you knew. He should have been given a fresh change of clothes after being discharged and sent to this place. A proper bed, too, considering the only furniture in this barren place seemed to be a cot that could never hope to hold him.

If not for the swaying of his tail, you might even find yourself nervous, but he does well to try and look approachable, even greets you with a thickly accented tongue beneath that hood. A simple, “Hallo.”

“I’ve adopted you,” you explain, and it sounds ridiculous. You can’t just adopt a full-grown man. Maybe a puppy or some hybrid child, never a man better suited for a gladiator pit than a home. “I mean that… if you want to come home with me, you can.”

He gives you a huff, a burst of breath that pushes the hood out from his face and a near imperceptible roll of his eyes as a step is taken toward you. It must sound stupid, even to him, but the wiry tail at his back does not cease its wagging. No matter how stern the glimpses of his face seem to look and how alarming his size may be, he’s nothing but an eager pup it seemed.

“Richtig… Then let’s go.”

Life with your big soldier turns out to be remarkably easy.

The first few weeks are dedicated to stoking up some sort of bond and rationing out chores. Simple tasks to see how he adapts, and small rewards in the form of pets along the velvety fur of his ears and scratches beneath his chin. The walks with you seem to be his favorite and tend to be long, but he remains right at your side the entire way. The only barking to be heard comes from nosy passersby that warn you to keep your beast on a leash, but you let him be reasoning that it wouldn’t do you any good at all. Your strength was that of a tiny rabbit’s by comparison.

König is clean enough from his prior military training and does as you ask without complaint. Even things you don’t request, such as your laundry are taken care of before you ever even return from work. He’s overbearing on those evenings, when you’ve been apart and he sates himself drunk on the scent of your perfume still clinging to the collar of an old sweater. Excitable and sweet, though, when he curls at your side while some movie plays on the television screen.

It amazes you how easily he’s shifted from stiff to adoring in a matter of days, but it’s rare to have a moment to yourself now. The hybrid is insistent on pulling you up into his lap when you’re curled on the couch, or rushing behind to hoist you up and pin you between an expanse of chest and the kitchen counter with drooly licks against the side of your neck and cheek. Biting, too. You try your best to bully that out of him, flicking at his ears or shoving against his face, but there’s always a mark left behind.

When a coworker gives you a mischievous grin and asks if there’s a new man in your life at the sight of a purplish bruise against your throat, that is when you decide that a collar may actually be nice. Weave your fingers between leather and skin and give König a sharp tug when he gets too rowdy, maybe that would teach him. Spray bottles and warnings spoken through giggles just aren’t enough.

You find one that you think might fit at a shop specializing in hybrid needs. It’s thick and well-made, a black leather hold to match that big scary demeanor that he tries his best to uphold. The cutesy silver bell attached to it is just a bonus. At least you would hear him coming the next time he insisted on peppering you in kisses with his tail a blur behind him.

He greets you at the door as always, unlocks it for you and pulls it open before you ever even make it to the top of the landing. It’s cute how giddy he seems each day when you return, how he doesn’t hesitate to walk right up to you with his hands at his sides, his own silent request for a hug or some form of affection whilst staring down at you and mumbling a “hallo” like the most awkward gentleman in the entire world.

“I got you a present,” you excitedly tell him instead of blessing him with your usual embrace, lifting up the little gift bag with a smile.

When the collar is retrieved from the bag by a massive hand, König does not mirror your enthusiasm. Any light in the placid blue of his eyes seems to extinguish, smothered and fizzled out to pave way for a look of the purest disdain. He rolls the leather between both palms, only then regarding you with as a heavy sigh stirs up from his chest to whistle past the open mouth beneath the hood.

Maybe he would have preferred something with spikes. Something heavy and intimidating with a tag that read “FUCK YOU” in red, painted letters.

“I don’t wear collars,” he finally says, flatly.

Or maybe a muzzle would have been best…

“You do now, big guy,” you challenge with an airy laugh, slipping past him to cross into your home. Tidy as ever, he’s been working today it seemed. The bulb in the living room has been replaced, a few pieces of furniture rearranged. It all just looks… cozy. More habitable now that someone else lives here too.

König follows you inside with his head lowered and tail pushed between his thighs. The collar rests in one hand, fingers curled over it so tightly it almost seemed he wished the damned thing to dissipate into dust.

“Nein. I won’t wear it.” The door is locked behind him. It’s the first time he’s refused you anything. Even cleaning up around the kitchen wasn’t met with a rejection. It’s odd, almost uncharacteristic for him.

“I just thought…” You would want to be mine. Properly. With a nice symbol of it right around his neck, with a sturdy leash to lead him by, with…

Any thought in your head puffs into a plume of smoke back there behind your eyes when you feel two hands grasp at your shoulders, push you back towards the wall to hold you there. Hugging, lifting, cuddling up against, even licking… those things were commonplace. This was foreign and surprisingly rough; there’s no give to his hold, no room to even try to move away as his head lowers to stare you straight in the eyes.

“I killed my last handler.”

“Did you…?”

“Ja.”

That confession should have sent icy dread to the pit of your stomach, should have spurred you to claw and kick and bite. Surely the shelter would have known, could have warned you too. That would have spared you from looking like a terrified little rabbit now, yet a part of you knew it wouldn’t have changed a thing. König sort of… belonged here, as if written in some silly reading of the stars.

His ears flatten against his skull, large hands trembling where they hold you in place. The dam begins to crack as his eyes grow glassy, gaze far away in a concoction of pain and contemplation. He stares through you, not at, reliving something you dared not ask for an explanation for. The whys and hows die on your tongue.

And there’s nothing scary about him anymore.

There’s only a wounded soldier here.

A good boy.

Your hands rise to flip up the hood, rest it over the top of his head to cup his jaw in your palms, stroking over his cheeks with both thumbs to soothe and comfort. His unwinding comes immediate, hands slipping down to your lower back to pull you in closer.

You don’t apologize and neither does he. Everything just falls back into a comfortable lull, some fuzzy droning from both sides as you wish one another good night. He walks you to your bedroom door, the very best he can do to prove that he’s not some mutt with froth coming from his jaw. You bite your tongue to prevent yourself from encouraging that he sleep next to you.

“You’re a good boy, you know that?,” you tell him as you lean against the door in preparation to push it closed. “The very best there is.”

He doesn’t respond, but the tail behind him wags at a frantic pace from those words alone.

The following morning is different.

There’s food on the table and coffee already brewing by the time you cross from your room into the kitchen. The air bears the scent of sandalwood and geranium, a forgotten candle sat burning on the countertop. You eat your breakfast of too-sweet pancakes and prep your coffee to go all while the shower runs from somewhere down the hallway.

He usually waits, tells you goodbye before you’re off to work, bites at your neck and asks which will be better: a movie after dinner or some fresh air. Instead, there’s a note attached to the door. Something simple and mischievous, a scribbled, lopsided heart and some phrase in German written with handwriting so sloppy that there was no hope of your still sleep-addled mind translating it.

You chalk it up to him being fully adjusted in this new space, let him go about his business while you go about yours.

It would be a walk tonight.

Arriving home twists what is simply different into the realm of bizarre. No hugging by the door, it sits closed and untouched since you left this morning. You inhale something heavy, trepidation or maybe a bit of yearning there, while you fumble with your key in the lock. A click, a push, and then everything just changes. There’s no crashing and burning, only a very firm and insistent buzzing that rises to your chest, because the sight inside is just…

König.

Your König.

The hood has been discarded and set aside on the polished wood of a nearby table, the little bell collar sits right along his throat. It jingles when his ears perk and his tail begins that gentle sway, swishing with every step that you take into the apartment, rampant and unyielding when the sparkles in your eyes cluster like the tiniest, most insignificant stars.

No apologies, but this was something better.

“Gut?,” he asks you, kneels before you with the cutest stare that you’ve ever seen on a man. Constellations sit there waiting to be mapped, and your giant puppy waits for just a little praise.

You stroke his ears first, then dip your head to press a kiss to his cheek.

“The best boy,” you tell him.

“I have a present for you too.”

No protest comes when he herds you out of the door, still in your stiff uniform with your hair a mess. The sun begins its setting out on the horizon, bathing the world in purple and gold. Trees with spring blossoms and wildflowers all abloom tinge the air in something sweet. It’s not your usual trail, and König doesn’t walk at your side this time, only ahead. You watch him fondly as he grazes his fingertips against the blooms hanging from branches just overhead, how he shies away from the curious nesting birds in bushes as to not startle them.

It isn’t the usual trail, but he walks it with confidence. There are no people out so late in the day, and apart from the occasional quip between the both of you, the setting only bears the sound of the chiming of his bell and a few night birds beginning to call. Peace morphs to something greater when the sun tucks itself away and sets the stage for a bright, waning moon. There’s a small clearing, a meadow cut straight through by the dirt path you walk, and only then are you pulled aside.

“Here,” he huffs against your chest when your back meets soft grass and a hazy, spring sky is painted out above you.

Maybe you’re not the best with men, but there have been signs.

So many in abundance that the pitiful squeak that leaves you when his nose finds its way up your skirt is only an embarrassment. König must have found it charming, reaches for both of your hands as he laps at your sex through the thin lace of your panties until your body grows tense and your nails leave little crescents on the backs of his hands.

The words don’t come, they don’t have to when he speaks them for you, little whispers and coos into your hair when any barrier between you is discarded with the descent of a zipper and the sound of tearing lace. There’s an outpouring of thanks in the form of a tiny, fragile, “I missed you.”

The night birds calling washes out each sound that escapes from either of you then, only outdone by the symphony of impact when König loses himself entirely to you. Limbs curling around narrow hips and a broad back, pools of blue so shimmery and pretty they outdo even the moon hanging above locked onto you. He doesn’t look away even as you try to bury your face into the width of his shoulder, only then guides you back down with a gentle hand and a muffled, needywhine.

“Good boy,” comes as a mere peep when he fully sheaths himself and laps at the corner of your mouth as you speak. The praise only causes him to still, pries the words from his panting mouth and reduces them to a series of pleasured, stuttering groans.

“What did the note say?,” you ask him in the silence that comes comfortable once the act is done, nestled into a pair of strong arms with a cheek pressed against an expanse of chest.

“Oh.” König laughs breathily, coming down from the height of both love and need.

“That you found home?,” you ask when he pets at your hair, twirls strands between his fingertips. “Because I think that I may have, too…”

“Something like that.” He shrugs, loosens his grip around your body for a mere second before pulling you in closer, tighter to him, as if letting go would end the world entirely. “Heaven.”

[ladykailitha]

Photographer Steve and Model Eddie

Eddie is a famous model known for his temper tantrums and being aloof. No photographer has been able to catch any other side of him but bitchy and distant.

He has final say on everything, clothes, makeup and even the pictures they’re allowed to use. Photographers hate him. They actually draw straws or play roshambo for the dubious pleasure of photographing him.

That all changes when former war photographer Steve Harrington comes into the mix. He has his own set of rules. Max Mayfield is his makeup artist, Robin Buckley on hair, and Elinor Hopper as his fashion designer. He won’t use anyone else.

When a famous makeup brand decides to come out with a metal line, Eddie is the first to jump on board. And then he hears who the photographer is and throws a fit. But the makeup brand won’t budge. Either Eddie sucks it up or they go with someone else. Like Billy Hargrove.

That shuts Eddie up fast. The dude claims he’s “metal” but he’s punk and the very reason people confuse the two.

So he does his bitchy best to scare Steve off. He shows up an hour late in a raggedy band shirt, sweats, and flip-flops with an almost finished latte.

But Steve is unfazed. He knew Eddie would show up late so he doesn’t even start setting up until Eddie gets there.

Eddie pouts.

Then he notices that the only one there is Steve. There is no makeup artist, stylist, or hair stylist there. The clothes are though, which is weird.

Steve introduces himself and tells him that he likes to make sure his models are comfortable first before they even start getting ready. Especially with the fact that make brand wanted a naked shoot as part of it. That would be put in all the 18+ magazines.

Eddie is blinking at him in confusion. No one had asked about his comfort before and it stuns him for a moment. And he changes tactics. If being a brat won’t make this guy leave, maybe heavy flirting will and turns the charm up to eleven.

Steve is charmed, but he remains professional as he shows Eddie his ideas for the photo shoot and fuck, Eddie can’t help but like the idea. Starting the shoot off in white, fully clothed, and then the less clothes Eddie wears the darker the clothes get until the outfit right before the nude stuff is a black thong with a black, satin robe flowing over top.

Then the nudes would be photographed on red satin sheets, highlighting the makeup.

Eddie keeps dialing up the charm especially with Steve’s ladies as Eddie called them, but about half way through, he keeps the charm up because he actually likes them. Especially Steve.

Then it’s time to take the nude shots and Steve is on the bed with him taking close-ups and intimate shots that no one had dared take before.

Then the ad comes out and everyone is blown away. Not just of the makeup, but of how Steve photographed him. Like a lover taking personal shots for just the two them.

Suddenly Eddie, who was already a high class model, gets shot up to supermodel status. Wins model of the year and even several fashion awards for the shoot.

Then all those photographers who hated doing his shoots are instantly clamoring at his door for a chance to photograph him. But he refuses. He’ll only work with Steve and his team.

Then over the course of many shoots, they fall in love and everyone can see their relationship progress through the pictures Steve takes.

[milkloafy]

SILENT BUT RECKLESS — TODOROKI SHOUTO

⋆｡˚ ❀ summary: in which pro hero!shouto saves you from getting run over by a car and finds himself immediately enraptured by you.  ⋆｡˚ ❀ contents: pro hero!shouto, fluff, gn!reader ⋆｡˚ ❀ wc: 1.3k ⋆｡˚ ❀ a/n: aka…pro hero!shouto is a pr nightmare and no u cannot convince me otherwise ! ahdjskc but frl this is so unserious but i miss the og anime loml so here we are :>

Shouto wasn’t exactly known for his talkative nature. 

It was quite the opposite, in fact, with news agencies and magazines often referring to him as the quiet one of the Big Three. Though, he supposed that was better than being known as the one with the family trauma. 

But people often mistook his silence for thoughtfulness, he realized. Or an intense observation of sorts. And while at times that was the case, most times, it was simply because he didn’t have anything to say. 

Shouto blinked as he realized the situation he was in. 

He had just stopped a villain from robbing a luxury clothing store for the third time this month, nothing too exciting, yet the journalists showed up each time for an interview with him after. 

“Sir, we are live,” the reporter reminded with a nervous laugh. “We asked if you had a message for any…”

She kept talking, but Shouto was unable to concentrate. Not because he had heard it millions of times before, but because he noticed a strange movement from the corner of his eyes. 

This was one of the times he was both silent and observant. 

Shouto spotted you crossing the street on your phone, staring at your screen and completely oblivious that a car was headed your way with little to no sign of stopping. 

Without thinking of how it would look to the public for him to ditch an interview mid-sentence, he ran over to you before he even processed his legs moving. Throwing his right arm out in front of him, he sent a wall of ice up to block the vehicle’s predicted path, reaching you just in time to sweep you off your feet and carry you away from the road as the ice began to shatter from the impact. 

The ice wall was thick enough that the car slowed before fully breaking through, but that didn’t stop Shouto from instinctively shielding you with his body in the event that ice shards propelled towards you. 

Once he heard the sound of a crash and alarms, he figured the vehicle was fully stopped and the authorities arrived to assess the situation themselves. Would he get scolded by his agency for putting up an ice wall and potentially damaging someone’s vehicle? It was likely so. But that was better than someone actually getting hit by a car instead. 

The world wanted heroes, but only when they fit into their ideal mold. And while rules and regulations helped keep order in the world, in moments like these when someone’s life was in danger, Shouto couldn’t be bothered to care.

Slowly, his body relaxed and he was able to finally take a look at you. At the person who, for some reason, was so focused on their phone they didn’t notice a car coming at them. 

Any criticisms that threatened to come out of his lips stayed there once he got a good look at your features. He found himself taken aback by how beautiful you looked, though he quickly cleared his throat and recovered from his blatant staring. 

“Be careful when you’re crossing the street,” said Shouto, walking over to a section of grass and away from the commotion that was happening on the road, with you still in his arms. “What was keeping you so occupied?” 

You looked up at him guiltily, your phone clutched between your hands. “I was trying to order my food…” 

He blinked. As a pro hero, he shouldn’t be one the judge victims. But he couldn’t help but raise his brow just a bit. 

“I was really hungry,” you said sheepishly, hiding your face in embarrassment. “But I can’t believe I was so focused on my order I didn’t realize the car wasn’t stopping!” You sighed to yourself before meeting Shouto’s eyes once more. “Thank you for saving me, Shouto. I’m sure you had much more pressing matters to attend to instead of saving some random person off the street.”

He shook his head. “That’s the most important part of the job. Saving people.” 

You smiled gratefully at him and he almost had to look away from your dazzling grin. “Well, thank you for saving this idiotic person right here.” You gestured towards yourself. “Still, I hope my order went through…”

A mixture between a snort and a laugh escaped his lips. You had almost gotten run over and your biggest concern was whether or not your dinner was on its way? 

“It’s didn’t!” you cried in exasperation as you peeked at your phone. “Well, I might as well get a convenience store meal at this point.” Sighing, you leaned your head against his chest for a brief moment of comfort. “By the way, you can set me down now. I think people are taking pictures of us.” 

“Oh,” said Shouto, “right.”

Carefully, he loosened his hold on you and set your feet carefully onto the floor. Before fully letting go of you, he made sure you were stable and steady. For some, it took a while for the events to process and the panic to settle in, and he wanted to ensure you were truly okay. 

You had a worried look on your face as you noticed the video cameras still focused on the two of you. 

“Will you get in trouble for this?” you whispered, leaning close to his ear. 

“For rescuing someone from a getting hit by a car and talking to them after?” He considered things for a moment. “Most likely. But it’s okay. The most important thing is you are safe, both physically and mentally.”

Giggling, you nodded, reaching up to pat him on top of his head. Shouto was startled by the sudden touch, but he didn’t pull away.

“Who knew Shouto was such a worrywart,” you teased. “I’m safe and unharmed, all thanks to you. In fact, to show my gratitude… Why don’t I treat you to some convenience store dinner? On me, of course!” 

Shouto was silent for a bit. There were plenty of things he should be thinking about right now. The headlines that would be made about Pro Hero Shouto saving someone and then going on a “date” with them right after. The damage it could do to his reputation. The overtime hours the agency would make his public relations team work.

Instead, his silence was used to think of what he exactly he wanted to get at the convenience store. 

“Okay,” Shouto said once he made up his mind. “I’ll take a curry bun.” 

You laughed and gestured for him to follow you to the nearest convenience store. “I like that, too. You have good taste.” 

He followed along beside you, pleased with himself when he heard your captivating laugh. 

“I think I want an egg sandwich tonight,” you stated, a thoughtful look on your face. “Or maybe some fried chicken. Or an egg sandwich and fried chicken? And a smoothie for a drink and dessert all in one item! But maybe I want a crepe instead…”

As you rambled on, Shouto suddenly understood how you were too engrossed with trying to order food on your phone that you didn’t realize a vehicle was approaching you earlier. And while that was dangerous, he found it slightly endearing. Just as long as you were away from any cars. 

Shouto was so focused on listening to you that he hardly paid attention to the look of shock on the reporters’ faces and the influx of calls he was receiving from his agency. 

Right now, he simply wanted to hear you talk more and eat a curry bun. 

The rest, he could deal with later. 

[dumbbitchenergy17]

Reunion Interview

Plot: A reunion of our two favorite actors following their crazy lives after the ending of the fan-favorite show: The Mandalorian

Word Count: 4.7K

Pairing: Platonic!Pedro Pascal x Platonic!Reader, Paul Mescal x Reader

Warnings: sweet "father-daughter" moments, laughter giggles, just general fluff

A/N: This is something that's been on my mind for a while and with Gladiator 2 this only fueled it. CONTAINS CLAN OF THREE SPOILERS+WHERE THE WILD THINGS ARE. Read all of the Clan of Three Series here and also read Where the Wild Things Are here

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“Alright, we are all ready?” The interviewer asks and the cameramen and sound people each give their sounds of agreement and then turn to give the go-ahead to start, “Hello guys it’s a pleasure meeting you two. It must be good to reunite once again. Let’s get a little introduction then go crazy.” He greets the two actors sitting next to each other.

“Hello world I’m Pedro Pascal.” “And I’m Y/n L/n and we’re here with Variety Magazine.” The two of you greet the camera before looking at one another. Pedro gives a fake serious look and you roll your eyes at his antics and he burst into laughter.

“This is what I dealt with for five years oh god how did I do it.” You pinch the bridge of your nose while the older man dies down his chuckles.

“Don’t act all innocent you were in just as much mischief as I was.” Pedro points at you, “I was barely an adult on set you’re supposed to be the responsible one.” It seemed like years had flown by. This TV show was your breakthrough role and allowed your career to skyrocket and it was all thanks to meeting this man.

“Plenty of fun stories from set between the cast and crew.” The interviewer asks you both and Pedro nods enthusiastically.

“The first two seasons this one was attached to my hip. I couldn’t even go for a nap without her waiting outside of my trailer.” He says with a chuckle and you cross your arms.

“You were the only person on set who was childish enough to want to hang out with a high schooler.” You reply sassily and the interviewer has to cover his mouth to hide his laughter while Pedro gasps dramatically while holding his chest. “How dare you call me childish.”

“So Y/n being the youngest person of the cast and growing up on the show how did it affect your character?” You smile smoothing out the wrinkle in your pants.

“Well, I was cast in 2018 a couple of months after Pedro was already cast. It’s funny cause Dave and Jon actually when creating this show my character was never meant to be in this show just an idea thrown around.” You explain, “But they decided why not add another bounty for Mando to take care of, but through the show, they both learn to take care of each other and he becomes a father figure to her.”

“And Pedro how was that playing a role of becoming a father figure and being there in her life?” He asks and Pedro scratches his beard.

“I mean at first not gonna lie I was very nervous. I have worked with younger actors before but this was something different. It wasn’t a child actor that played my son or daughter, or someone who was an adult it was a teenager that I would be working with quite closely. I mean we met for our first table read and you were just this shy girl who was meant to be this sassy badass character. But you blew me and the crew away when we started working together,” Pedro says glancing over at you with a nostalgic look in his eyes, “Both the relationship of our characters had this whole evolution from being adversaries and not even friendly with one another to a bond that ran deeper than blood. I watched her grow up with every episode and season from that timid little girl to this strong intelligent woman before me.” You give a pouting smile before putting your face in your hands.

��I hate you. You’re gonna make me cry.” You sigh making the interviewer and Pedro laugh and wraps his arms around your hunched-over body rocking you side to side. “You’re not the only one teary-eyed,” The interviewer says fanning his eyes and you smile at his attempt to not single you out.

“It’s all good I’m professional.” You steel your face wiping away any trace of sadness from his touching speech. “Yeah, Pedro is an alright guy I guess.” You shrug and Pedro bursts into laughter throwing his head back

“Okay getting back on track. You’ve both been very busy this past year. Season 3 of The Mandalorian has been out and fans are both crying over how good this show is and how you tore us all apart with the ending.” He says and Pedro fake cries remembering the ending.

“Hey, I didn’t want her to leave me. She went to go find herself.” He points his thumb at me and you slap it away, “I didn’t have a decision in it as well. You should have seen him on my final day of filming, so as you know this man over here was gone pretty much all of season three cause he was filming his show with his other kids.” Referencing Bella Ramsey and Nico Parker his two other ‘children’ in The Last Of Us.

“Pedro is just our favorite father figure.” The interviewer says and you nod in agreement. “You have too many children to keep count of.” You say and Pedro gives a sheepish grin.

“I’m just good with kids.” He shrugs.

“But anyways so since he was busy filming for that show we were able to have his amazing stunt doubles, I love you Brendan and Lateef become him. So comes my final scene where I leave and Din is left all sad with Grogu. I think he’s in Canada filming and we block out the scene Dave and Jon tell us we’re all set. That scene feels very close to me 'cause it feels like my goodbye to both the character and to the crew who’s been there since I was eighteen.” You remember the sadness that day on set knowing that this was your final hours with this group.

“So we start rolling and I go through my whole monologue,”

“Which was amazing by the way.” The interviewer butts in and you smile,

“Oh thank you. So I do my thing and who I think is Brendan just breaks down crying before he can say his line I panic and try to improvise to get him back on track but when Dave calls cut I expect it to be Brendan to take off the helmet and apologize but turns out it was this crybaby.” You point your thumb to an embarrassed Pedro.

“Did you expect no waterworks when you were leaving me?” He defends himself, “I didn’t expect you there in the first place! But it was sweet and after many takes because he couldn’t get through his lines without crying we finished my last scenes.”

“I have seen that video from Dave Filoni of the behind-the-scenes of your final day on set.” On the TV beside the interviewer plays a video that shows the set and crew and there are the two of you going through the scene before Jon calls cut.

You remember that take vividly it ended up being the one used for the final cut, the second ‘Cut!’ was shouted the crew broke into cheers. You immediately crouch and break into tears and Pedro removes his helmet pulling you into a bearhug crying into your shoulder you both cry out your characters and each other's final goodbyes on set.

“Give it up to Y/n for her final scene! That’s a wrap for her.” Dave says behind the camera as it moves closer to you and Pedro. Both of you were teary-eyed, Pedro looking like a wreck as you give a cheesy grin through tears and Pedro presses a kiss to your temple before pulling you into another tight hug and that’s when the video ends.

“A very heartfelt video that shows the bond you two have working together over five years.” He says and the two of you smile. Just being a part of the Star Wars franchise had been a dream, growing up watching the original and the prequels as a child and now being involved in this story was game-changing. “Outside of Star Wars, you’ve both been very busy Pedro with Wonder Woman, The Unbearable Weight, hosting SNL, and one of the most popular shows of this year The Last of Us.”

“Stop it you’re making me blush.” Pedro waves his hand acting bashfully, “Don’t forget the three Emmy nominations.” You pipe in and Pedro covers his face at all the compliments headed his way. This man was way too humble.

“You’re not off the hook either you’ve been very busy yourself, you got your nomination for an Emmy for ‘The Mandalorian’, you’ve been in Bullet Train, Across the Spider-Verse, In the Heights, the latest Indiana Jones, and you just wrapped up A Quiet Place: Day One, all while going to school and getting your college degree now finally enjoying adulthood, how is that like.” The interviewer reminds you of the work you’ve done in the past five years.

You laugh twisting the rings that adore your fingers, “I mean high school was easier as I had an on-set teacher and graduated right around in the middle of filming In the Heights. Then for college right as the pandemic hit we all were on lockdown I continued with online courses and once it lifted it was working a schedule of classes and work but all the films I’ve been on have been so accommodating. With the program I took I graduated right after we wrapped Season 3 and before the Press Tour,” Pedro makes a cheering noise as the interviewer laughs.

“I’m assuming you were in attendance for that Pedro?” He questions and Pedro nods enthusiastically, “Of course, I was there for both high school and college! I made a sign and everything.” He and the interviewer laugh as you shake your head.

“Did he?!”

“It was the same big sign with a bunch of horrible pictures of me I think it said, ‘Y/n L/n my unofficial daughter’ with like a bunch of hearts.” You can picture the sign clearly remembering both high school and college walking across the stage to receive your diploma and hearing your friends and family cheer Pedro being one of the loudest.

“Since graduating and now fully dedicating yourself to film how has it been?” The interviewer questions and you give a wide smile.

“I love it so much, while it was stressful balancing work and classes being done is so rewarding. I’ve been able to accept so many new projects and attend so many events I couldn’t before due to classes.” In college, you and your manager had discussed your schedule working around sets while focusing on your education. You decided to strictly do online courses just to make things easier if you do need to travel for work but you’ve been to school events and made friends in college despite your virtual learning.

“Is this the first time you are meeting back up in person since the premiere of Season Three?” He asks and it makes sense with your guys’ busy schedules.

“No surprisingly since we wrapped Season Three there was a time when we didn’t see each other, with Pedro busy with Strange Way of Life, and I had just ended college. Plus I just moved to New York and then got involved with A Quiet Place we didn’t see each other in person until I think it was when you hosted SNL..?” You explain and Pedro perks up.

“Nooo you were there for the premiere of The Last of Us.” He calls you out and your jaw drops you completely forget how busy and how many premieres it all blends. “I would say you kinda stole the show when you appeared on the carpet, none of us were expecting you to be there.” The interviewer says with a laugh.

“That would be an understatement. So it’s the night before the premiere I’m in LA and I think she’s still in New York I remember I called you cause I felt like I was going to die,” Pedro retells and you laugh remembering picking up the phone to see a very nervous Pedro who was pacing in a panic about the premiere for the show.

“You were fine just being a big baby as usual you did the same thing during season one.” He shushes you trying to cover your mouth with his hand but you dodge from it.

“ANYWAYS,” He raises his voice, “Night of the premiere and I feel like I’m going to puke and crap myself all at the same time. But I get there everything is alright I see the rest of the cast happy to see Bellie again all those good things. I’m doing an interview and I think Bella was still on the carpet taking some photos when this roar of cheers came from the beginning. I’m thinking it’s Ashley Johnson or Troy Baker the original Joel and Ellie but I can’t see from down there. So they want me to get some photos with Bella and how I couldn’t tell they were planning something is beyond me.” You and the interviewer start giggling and you see queued up is a video from that night.

“Oh god, you have a video!” Pedro groans covering his face and you nudge him forcing him to watch.

The shouts of fans and photographers as Pedro poses for photos and you can see Bella go over and pull him over as the pair take photos together. Pedro places his hand on his stomach a technique he has used for years to quell his anxiety. The flashing lights and screams of fans only grow louder for a second and he just laughs confused at them. Bella squeezes his arm from his right side and he can sense a presence on his left side and he assumes it’s another cast member.

“Hey P…” A voice whispers in his ear and his eyes widen comically and he whips to turn to face you who has a cheesy smile on your face.

“What the fuck!”

The cameras show Pedro quickly wrapping his arms around your waist and lifting you in the air and you laugh loudly before he puts you down and immediately talks rapidly questioning how you are here, how this happened, when you planned this, he had just called you a few hours before. The cameras start yelling at you two to pose and the pair of you pose a big grin spread across Pedro’s face. The video ends as he pulls Bella and Nico making it a group photo of all his on-screen daughters.

You laugh as it freezes at the photo of all of you smiling and laughing.

“I’m still in shock you managed to pull a fast one on me but that truly made my night,” Pedro says.

“It was all Bella and Nico’s planning I didn’t even know how they even managed to keep it from you during all those press tours. I was fully there like four days before the premiere,” You say, and on the screen are photos you had posted following the surprise of you hanging with Bella and Nico, and the rest of the last of us crew. One photo that makes you giggle is you standing before a snoring Pedro on a couch in a green room that you had Bella take for you when you snuck to watch their interviews.

“Speaking of Bella and Nico. I would say you including Sophie Thatcher blew up the internet in the ‘Children of Pedro’ interview,” The interviewer mentions and you smile and a thumbnail of the interview with you and these amazing actors and actresses.

“Oh, that interview was so much fun. It was the first time I met Bella and Nico as I worked alongside Sophie during Boba Fett and we all had this instant chemistry. Following that we all became good friends and we try to hang out when any of us are in town or plan stuff.” You explain and you see Pedro has a warm smile happy to see all the people he cares deeply for are friends, “Pedro’s glad all his children aren’t fighting.” You smirk and both the interviewer and Pedro laugh at your comment.

“I’m glad my home has some form of order,” Pedro bounces off your quip and the interviewer looks over some of his notes.

“Alright, I have some fan questions sent in for the both of you to answer if that’s alright.” He asks as both you and Pedro take sips from your drinks.

“Sounds great!” “Hit me with them.”

The interviewer nods excitedly looking over at you, “Alright Y/n we’ll start with you. This is a question from @pedroswife1975 ‘I was just as gagged at Pedro’s SNL performance I wanted to know if you had any clue of Pedro’s plans or did you go in just as blind as everyone else.’.” The screen shows a college work on Pedro’s SNL night.

“Oh, that was a crazy night, I was so excited to hear he was hosting SNL cause I was used to this guy’s craziness,” You say pointing a thumb at the older man, “I didn’t realize he was dropping hints or asking for my opinion like the fan cam skit he asked me about how I felt about like fan edits. To those watching I love them so much and genuinely lay in bed kicking my legs seeing the crazy shit yall make of me or people I know. Also, that fucking voice in the memory lost one.” Pedro bursts into laughter.

“What voice? This is my normal talking voice.” He flawlessly does the valley girl's voice that makes you speak through giggles.

“I think it was when he was in New York to rehearse for SNL and we’ve been meeting up and hanging out and we were at this cafe and he slips into this voice and I literally couldn’t help giggling,” You say, “So when I go to the taping I had to cover my mouth to stop from giggling everyone second.”

“It’s an amazing voice though.” The interviewer says in the valley girl accent, “Oh totally it’s completely amazingggg.” You respond by going heavy on the vocal fry unable to burst into a fit of giggles alongside Pedro.

“Okay, next question for Pedro. This is from @y/nssoulmate ‘I’m dying to know cause those Instagram photos were insane, but how crazy was Y/n’s 21st birthday?! Please I’m dying to know I’ll give my first child to know!!’.” You immediately groan covering your face and the pair laugh. On the screen appears a photo of your twenty-first birthday it’s partially blurry but it’s of you looking plastered. A ‘21’ crown halfway on your frizzy hair from the humidity of Pedro’s apartment that he transformed into a club vibe, a drunk grin on your face with an arm around Pedro’s shoulder the other holding a martini. Pedro is practically holding you up looking drunk as well as a beer in his free hand.

Pedro chuckles rubbing the back of his neck, “I’m going to be so honest I don’t remember much of that night. Someone thought it was a good idea to try and outdrink each other.”

“Hey! I was given full rein since it was my birthday. You were meant to be the responsible adult. Luckily Sarah Paulson and Oscar Issac were the actual adults that night,” You defend yourself. Truly that night was a blur but it was such a fun night. Your friends had taken you out for breakfast and a full day of celebration before you received a text from Pedro to go to his apartment to get his gift that he accidentally shipped to his place. Turns out it was a surprise and he was able to come back from shooting for The Last of Us and bring along your close friends and family.

“For my soulmate unfortunately neither Pedro nor I remember that night but trust from what those there that night it was the best birthday someone could through for me. Though I did avoid alcohol for like a month.” You say and Pedro groans remembering the hangout you both suffered the following day.

“Okay question for you Ms. Partyer. @imstillsadfromkazsdeath,” You laugh at hearing from the person’s social handle, “Their question is with news of both Wicked which you worked alongside Director John Chu during In the Heights, and Gladiator 2 has your co-star, Joseph Quinn, your father-figure Pedro, and your friend Paul Mescal coming out at the same time. Which are you seeing first Wicked or Gladiator 2?” On the screen, it shows a college of you with each respective person mentioned. A photo of you nineteen on set in New York City with John Chu and Lin Manuel Miranda, a picture of you and Pedro during premiere of season 3 of Mandalorian, a picture of you and Joseph Quinn on the set of A Quiet Place both dusty and covered in fake blood, and finally a picture of you and Paul Mescal at the this recent Met Gala a candid photo of inside the event talking during dinner.

“One more of a sidebar, I’m still sad about Kaz’s death if I could’ve changed it I would’ve both Freddy and I were so bummed filming those scenes. But for your question fuck you.” You answer so seriously that both Pedro and the interviewer burst into laughter.

“Seriously fuck you for making me choose. One I love John Chu and I am so excited to see Wicked I’ve been obsessed with it since a kid and I saw Idina and Kristin on Broadway so I need to see what Cynthia and Ariana do with this. But I also love all three guys and want to support them too 'cause I also love Gladiator and I know my father would be super betrayed since it’s our go-to movie to watch.” You were in such a rough spot.

“Can I clone myself?” You ask and both Pedro and the interviewer shake their head which makes you let out a frustrated groan, “You know what? I’ll see whatever movie I get invited to first. This leaves me not to choose it’s in the hands of John and the boys so they need to battle it out.”

“Wow, seriously such a cop-out,” Pedro whines and you shrug, “You can’t force me to decide if I don’t have the choice.”

“Very well played. Alright, our final question for Pedro from @pedroiszaddyfr they ask ‘Hey Pedro if I get chosen I’m absolutely in love with you and just want you to know that.”

“Aw, I love you too,” Pedro replies and the interviewer continues.

“So my question is in The Last of Us after season 1 in the books ‘The Last of Us: Where the Wild Things Are’ we do get introduced to Joel’s second biological daughter is there any potential plans to include them in the show making them canon since they aren’t in Part 2 and if so. Please for the love of all these mighty get Y/n to play your daughter she would kill the role!” The interviewer chuckles at the question and you look over at Pedro who thinks over the question.

“Well as I’m sure many of you do know in the books we do get an extremely interesting character that changes and adds more depth to the characters of the game. I’d love them to add her into the show and we see the change in Joel and Ellie during the period before season two. I mean I’d be so down for Y/n to be a part of this but that’s in the hands of Craig and Neil. Unless you know something I don’t?” Pedro turns to look at you and you raise your hands shaking your head.

“I’m just as clueless as you. But I would love to be a part of the show. I’ve read the book and she truly is such an interesting character. I mean that opening fight scene in the cabin before Joel and Tommy pull up is so fucking cool. But yeah Craig and Neil hit me up before Pedro starts begging and whining.” You say and a bark of laughter comes from the older man.

“Well thank you both so much for taking the time and talking about your lives and this amazing reunion. Is this the last you too will see each other until the next reunion?” The interviewer says.

“Nope! This girl can’t get rid of me now that we’re both back in New York for the time being.” Pedro says wrapping an arm around your shoulder and resting his head on top of yours.

“If anyone wants to take this old man off my hand you can have him,” You comment and Pedro gasps pushing you away from him as you giggle, “I’m kidding I love him and he’s amazing but yeah we got tickets for Beyonce coming up so I am very excited while I need this one to listen to her entire discography before we go,” You point your thumb at him and he raises his hand.

“Hey, I got a decent chunk under my belt. Plus I’ve known Beyonce longer than you.” Pedro says and the pair of you being bickering having that be the outro of the interview.

The pair of you collect your items from your dressing rooms before heading outside. Pedro has his arm wrapped around your shoulder to make sure you don’t bump into anything your gaze glued to your phone. The cool New York breeze sends chills down your spine as you scroll through Instagram. A buzz from your phone a text saying ‘Look up’ and when you look up you see Paul standing a few feet away in a pair of jeans and a t-shirt a trench coat over it with a cap and glasses.

“Paul!” You smile lowering your phone and pulling away from Pedro to go over to Paul who welcomes you in his arms, “I thought we were gonna meet at dinner?”

He shrugs a half grin on his face, “Thought I surprise you and then we can head together. What’s up Pedro” You smile at his thoughtfulness. Pedro accepts his handshake.

“Good to see you Paul, how’s the city treating you?” He asks knowing that Paul came here just a few days ago from London when you mentioned it.

“Good real good. You know how the city usually is but luckily I have a good guide,” Paul says squeezing your shoulder and you flush shying away. Pedro smiles glad to see you are happy as the pair of you look at each other with loving looks.

“Well, I’ll leave you both be to enjoy the rest of your night. I got plans to meet with Sarah and Lux soon,” He says giving Paul a handshake before you pull away and give Pedro a big hug which he equally reciprocates.

“Send Sarah and Lux my regards.” You say and Pedro nods, “Lux wants to see you soon so be sure to reach out to her.”

“I will and don’t forget we have drinks this Friday,” You say pointing your finger at him and he nods while pulling out his headphones.

“Yes, mom…” He rolls his eyes before starting to walk away sending a final wave, “Have a good night!”

“Bye Pedro.” “Bye P I love you!” You shout so he can hear over his headphones.

“Love you too kid!” He says blowing you a kiss before disappearing within the crowd. You bring your attention back to Paul who tucks a stray strand behind your ear.

“What are you looking at? Is something on my face?” You ask trying to reach for your face but he stops you holding your hand and giving a squeeze.

“I’m just looking at you, a chuisle mo chroí. You’re just beautiful is all.” He says slipping to Irish so easily it sends a shiver down your spine at his accent.

“Stop being so cheesy,” Your face flushes hot as you shove him away starting in the direction of the subway station. You hear him run up after you easily wrapping his arm around your waist before placing a kiss on your lips which you eagerly accept your hand reaching up to cup his cheek. Pulling away a bit, he gives a familiar smirk that makes you grin as you fully step back taking hand and the pair make their way to your plans.

“You’re such a sap.”

“A sap for you my love~”

“Shut up!”

a/n: y'all I'm alive I swear these finals have truly been killing me and TRUST, any paused work will be coming back I swear on my unborn child.