#online music concert

[musicaltrends]

How to start online music concert

With the rise of digital platforms and virtual events, online music concerts have become a powerful way for artists to connect with fans, no matter where they are in the world. If you’re thinking about starting an online music concert, whether as an artist, event organizer, or music enthusiast, this guide will walk you through everything you need to know to get started

1. Choose Your Concert Type and Format

Before diving into the logistics, online music concert you need to establish your concert’s purpose and format. online music concert Ask yourself these questions: Is it a solo performance or a multi-artist event?Will it be live-streamed or pre-recorded?What’s the genre and theme of the concert?

2. Select the Best Platform

There are many platforms available to host online concerts, and the right one depends on your goals and audience size. Some popular choices include:

YouTube Live: A powerful option with built-in monetization features like ads and Super Chats.

Facebook Live/Instagram Live: Great for reaching your existing social media audience, with an emphasis on quick setup and ease of use.

Zoom: Perfect for smaller, intimate shows where interaction with your audience is key.

Twitch: Popular for live streaming and has a strong music community with several monetization options, including subscriptions and donations.

Dedicated Platforms (e.g., Stageit, Veeps): Specifically designed for live concerts, offering ticket sales and fan engagement features.

3. Prepare the Necessary Equipment

You don’t need an elaborate setup to start an online concert, but having the right equipment will make a significant difference in the quality of your event. Here’s what you’ll need:

Camera: A high-definition camera or a good-quality webcam is essential. You can also use a smartphone if it has a good camera.

Microphone: Audio quality is the most important aspect of a music concert. Invest in a high-quality microphone to capture your sound clearly.

Audio Interface: If you’re using professional instruments or equipment, an audio interface will help connect them to your computer for better sound quality.

Lighting: Good lighting can enhance the video quality, making your performance look professional. You can use natural light, ring lights, or softboxes.

Streaming Software: Programs like OBS (Open Broadcaster Software) help you manage your stream, allowing you to add multiple camera angles, graphics, or overlays.

4. Set Up a Virtual Stage

Even though your concert is online, creating a visually appealing performance area will elevate the experience:

Choose a Background: The setting should complement your music. Whether it’s a simple home studio, a well-lit living room, or an outdoor space, make it visually interesting.

Decorations and Props: Add some artistic touches, like posters, plants, or LED lights, to enhance the mood and make your virtual stage look inviting.

Camera Placement: Experiment with different camera angles and framing to capture your performance in a dynamic way.

[sugaggukkie]

Back from the dead for more kpop opinions no one asked for but I have to share: Le Sserafim at Coachella edition:

You would think the way people online were talking about this set, the girlies went on stage and BOMBED. I was prepared to watch the worst live set I’ve ever seen. INSTEAD. It was so fun?????? Like incredibly undeniably extremely super fucking FUN!!!!!!!!!! I literally can’t believe the shit yall say on dolly parton’s internet about this group.

Firstly. Since the SECOND I got into kpop all I have seen is endless debate on the overuse of lip syncing and vocal smoothing and loud backtracks etc etc etc and I have always always always been on the side, as someone who has seen quite literally hundreds of live sets, of LIVE. VOCALS. I want to hear breathing I want to hear cracks I want to hear imperfections I want to hear actual singing from a real live person standing on stage. Were their vocals perfect? Obviously not. Were they still giving it their all, dancing at full energy, and putting on an insanely fun show???? YEAH GIRL. Not one person on planet earth bar beyonce can dance at that level and give absolutely flawless vocals and for the energy they were expending the vocals still sounded fine and most importantly, conveyed the emotion of the set they were going for. It was high energy! It was hot and fun! It was a party! Of course they’re going to yell and scream and hype up the crowd and run around, THANK GOD THEY DID.

Secondly, if I had watched it and the crowd hated it and the energy was bad and everything was awkward and weird that’d be one thing. But the ENTIRE time everyone in the crowd was losing their minds, screaming the girls’ names, and SINGING ALONG!!!!!!!! The energy was so good and fun and you could tell everyone there was having a blast which in my opinion is the absolute 100% nonnegotiable most important part of a live set.

Thirdly, I’ve watched all of their encores, other live stages by them, and I feel like I know what they sound like live in general and this was actually truly leagues better than they’ve been in the past and that wasn’t because their vocals were worlds better, they were definitely improved but not by like A TON. what actually made this their best performance I’ve ever seen was how fucking fun the entire set was and how you could tell what they practiced was their actual stage presence and the show they put on and it PAID OFF!!!!!!!!!! The entire thing was just so enjoyable to watch and I truly didn’t want it to end because you could tell they were having so much fun and really working the crowd.

My favorite parts were eve psyche in English, the bit about going out for a drink but then realizing eunchae and kazhua are underage, the live band, THE NEW SONG!!!!!! WHERE THE HECK IS SAKI!!!!!! and of course “Coachella shake some fucking ass”

In conclusion, you guys don’t go to enough live shows, don’t know anything about what makes a performance good, love to be miserable, and hate having fun. I on the other hand, who love to have fun, love talented young ladies putting on a great show, and love live music for all its flaws and imperfections, had an absolute blast watching this set.

[bloomingonionbitch]

(i must be truly missing something because what is the deal with parents fussing about Sabrina Carpenter's tour outfits? they're similar enough to some of Taylor Swift's bodysuits, maybe minus the straps from time to time? is it the garters? both of their looks are just sparkly Esther Williams-synchronized swimmer suits, no? is it the cheeky towel bit at the beginning? it's literally like a "Look at Me I'm Sandra Dee" sleepover look - which is fun!!)

[trevination]

potentially gonna be forced to cancel my voice lessons until february bc of hadestown rehearsals and i’m genuinely gonna lose it

[lokisasylum]

Armys spending weeks or a month boycotting Hybe, the member's merch and new projects (even though they NEVER boycotted during Golden), demanding they get rid of Scooter Braun and stop working with zionists (even though, AGAIN, they had NO problem with them during Seven, 3D, Justin Timberlake, or even Usher who publicly showed his support for 🇮🇱 days after announcing the collab between him & Jk).

Meanwhile, Scooty scoot-scoot and Bongo are taking couple pics to post for social media. And if that ain't the biggest SLAP in the face to the fans after all that? …but ya'll still daydreaming with that 2025 reunion like its the Second Coming of Christ.

Lets be brutally honest here, BTS coming back from "hiatus"/Military Service ain't gonna fix shit. WHY? Because Hybe, Bongo and 🛴 only care about MONEY. They don't give a shit what the fans want, they don't give a shit what's going on in the world or that they're contributing to it, because all they hear is KA-CHING KA-CHING$$$.

In fact they never did. It only became more obvious the minute that 🛴became ceo of Hybe America.

So either keep wasting your energy boycotting forever with your hashtags (which get deleted off social media cause Hybe has THAT much control to do so) and harassing/bullying other fans on twitter.

OR! Y'know, learn to boycott the old fashion way:

[heatherbelleeisen]

(via GIPHY)

[seaofreverie]

The Me who bought tickets to see TMBG in february 2023 and the Me who's going to actually go to the show next month are two completely different people

[pokabrows]

Concert in VRchat tomorrow night, March 30th at 10:30 Eastern.

Live music performance without having to leave your home.

VRchat is a game that can be played with or without a VR headset, they even have an android app though I don't recommend it.

In game the group is Midnight Munchies which you can search for and join the instance off of, or search for the midnight munchies theater world and join the midnight munchies group instance.

They also have a twitch which is midnightmunchiesmanifesto. So you can watch without being in VRchat.

Links in a reblog because I know Tumblr is weird about links.

[calmbigdipper]

sooo it’s been a couple of days since I went to Miku Expo and like… I think I’m still reeling from the fact that I actually went since I’ve been listening to vocal synth music since my childhood and I never expected that I’d actually be able to go to one of these concerts?

some thoughts and highlights under the cut!

the show I went to was sold out (in D.C.) and I stood in line + waited for like, 6 or 7 hours? but I had so much fun that it was worth it!

I helped some people put film inside their penlights, and it was nice chatting with them while we were waiting!

some groups of elderly people who were hanging out in the area were confused about what was going on and after asking some concert-goers to explain they started laughing LMAO (some puzzled passerby’s asked me too and I just said “oh it’s a J-pop concert!” because I didn’t want to go into what Vocaloid was in full detail haha)

there were so many cute cosplays there; I saw a lot of people in Miku’s Vampire outfit and was surprised to also see an Oliver cosplayer, there were also some dressed as Project Sekai characters too!

before the show, every time someone in the audience held up a Miku plush, everyone around them would cheer and hold up their penlights

some people also brought Miku plushes that were bald and whenever they held up those, everyone would shout “BALD, BALD, BALD!” (and I heard someone say “MY EYES!!!”)

the songs the crowd were the loudest for were Miku, Vampire, and World is Mine (it was… so loud during World is Mine LOL)

Kaito fans were being Kaito fans when he did his solo (ILY Kaito fans you’re so iconic) and there was also a notable amount of hype when Luka’s solo finally happened since it took until halfway through the show to get to her

I know the setlist was quite controversial when it was released online but I honestly liked hearing it in person, I feel like the band really elevated the experience (kudos to them!), I really liked how they played for Literacy and Hyper Reality Show in particular

and maybe a hot take but the screen wasn’t… that bad to me? but that was also because I was in the very front and the venue put lights around the stage as well, so I may be biased

[dhampiravidi]

soundcloud basic subscription costs $1 less if you get it online instead of through the app/Apple--

yep. I didn't know that. 😤

[frecht]

trying soooo so sooo hard not to send a pretentious text. can you be proud of me

[virtualrealitynewstoday]

元宇宙音樂盛會：Jack Harlow入駐與全新虛擬現實探索方式

在元宇宙的世界中，Meta Horizon Worlds正開啟一個新篇章，無論是從最初的開發者套件時代就開始加入的老玩家，還是仍在期待自己首個頭戴式顯示器的新用戶，都能在這個平台上找到屬於自己的空間。從現在起至明年一月，Meta Horizon Worlds將提供一系列的活動、遊戲、社區聚會和新功能，旨在提升每位用戶的虛擬現實體驗。 重要的亮點是，知名音樂藝人Jack Harlow將於1月4日在音樂谷中首次登陸虛擬現實世界。這位藝人將帶領他的粉絲進入一個沉浸式的VR體驗，其中包括一場獨特而親密的音樂會，以及一次深入探索他在肯塔基州家鄉的旅程。這將是一個不容錯過的音樂盛事。 Meta Quest也引入了新功能Horizon Central，這是一種沉浸式的虛擬現實內容探索方式。Horizon…

[autisticmight]

sorry that vocaloid "hot take" (come on. it's been a ~hot take~ since like 2003. it is lukewarm at this point) is just. so annoying to me. genuinely upsetting. i am also a singer!!! so are a bunch of the people who lend their voices to vocaloid!!! vocal synths are a way to sing when you can't; a voice that you will never yourself have come from your mouth but which still shapes the words that you cannot!!!

dismissing them in such a way just feels disrespectful to all of the humans involved in the vocal synth community, from the producers to artists to animators to the humans who cover those songs, all of whom add a little part of themselves to the songs

[genderfreakxx]

It really makes me so sad that Ronnie Radke is transphobic in that very Twitter specific way

[diabeticgirl4]

I think. My external hard drive got wiped. Frick.

[musicthroughthecenturies]

How Beneficial The European Music Concert Registration Can Be?

With so many opportunities to show off their skills and gain recognition, the stage is set for musicians who specialize in wind instruments. Competitions for wind instruments and registrations for European music concerts give them a chance to show their artistry, reach a wider audience, and progress professionally.

European music concert registration

A competition usually challenges an artist to realize a blend between technique, interpretation, and stage presence. Apart from the competition itself, valuable feed-back is obtained by the artists through the judgment by the expert panel that more finely tunes their art. And winning or even taking part in such events usually brings participants greater exposure, which opens up the doors for performance opportunities and other collaborations.

The other significance of Wind instrument competitions, aside from personal recognition, is that it allows for cultural exchange opportunities. It becomes a shared space where musicians of many backgrounds share their versions of classical and contemporary works. Through this interaction, it is through which wind instrumentalists find their community. It helps in the ideas and techniques that enrich them along their musical journey.

Competition in wind instruments and European music concert registration is not just a performance but a tool to grow, gain recognition, and build a legacy. It helps musicians sharpen their skills, become bold, and establish a great position in the competitive music world. Whether it's the thrill of competition or the honor of performing at the most prestigious venues of Europe, these experiences prove to be invaluable steps in any musician's career. Such opportunities need to be taken and treasured as part of a wider artistic journey by any wind instrumentalist and musician seeking to make their mark.