#one piece pov

[dragonbonez]

He adopted him after that.

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[betaminshitto]

"i really am a coward, huh" - shanks probably

[a-scary-lack-of-common-sense]

ANTAGONIST FIDDLEFORD❗️⁉️❗️❗️💥💥💥 FUCK SHIT UP BABYGIRL, I BELIEVE WOMEN'S RIGHTS AND WRONGS <33

30 years ago, during Ford and Bill's fallout; instead of threatening to steal Ford's eyeballs, Bill just goes ahead and steals Fiddleford's! Which then further leads to Fiddleford parting ways with Ford as his research assistant.

In my perfect world, where my AU is a 40-episode fully animated show; this episode would reveal the seemingly unsuspecting Old Man Mcgucket as the leader of a powerful secret cult of memory erasure. Mcgucket, believing Ford to still be under the influence of "the demon that stares," kidnaps him and attempts to "exorcise"/erase the so-called demon out of Ford's brain.

However, with the metal plate bolted into Ford's skull not only keeping out demons such as Bill, but also keeping them in; Bill is forced to instead take over Ford's body with nowhere else to go. Together with the twins who've come to rescue their Grunkle Ford, they frantically run from a hoard of cultists and their terrifying leader.

The twins discover that their Grunkle Ford's past goes much deeper than they had originally anticipated, and that their Uncle Bill isn't who they think he is....

[wellfine]

An extremely embarrassing screencap redraw for both me and Sanji

[sunclown]

Hah?

[sp0o0kylights]

Part Two / Part Three

Ao3

It's 8:45 am. 

The Red Barn, which is neither red nor a barn, has been open since 7, catering to the early morning crowd with rounds of coffee and pancakes.

It was no Benny's, but given the size of Hawkins and the lack of alternatives?

No one was complaining. 

They were all too happy someone had opened up another watering hole for the working class man (or lass, as Foreman Shelly will dutifully remind you) which meant the place was packed with both day and night shift regulars, passing each other in staggered waves. 

It also meant Wayne was sharing the packed breakfast counter with a warehouse worker by the name of John Cheese on one side and Police Chief Jim Hopper on the other.

He doesn't mind it.

Wayne's a man on a budget thinner than his shoelace, but he's also a man who understands that small indulgences need to be made in life or you didn't truly live it.

This is how he convinces himself to get a coffee at the Barn after work everyday, reading the morning newspaper and chatting with the other regulars before he heads home.

Bonus, it gets him out of the rapid-fire franticness that is his nephew in the mornings.

(All the love in the world wouldn't change the fact that all that Eddie came with a lot of noise. 

The kind of noise that was a tried and true recipe for a headache right after a long shift.)

As a trade off, Wayne went to bed early so he could wake up in time for dinner with Eddie.

 It was a nice little system that worked for them. 

A routine Wayne was reminiscing fondly on, when the pager on Chief Hopper started to chirp. With a sad moan, the man fished out a few crumbled bills and threw them on the counter, abandoning his coffee to trudge out to his truck.

This was not unusual.

Particularly recently, given they were but a scant few weeks past that whole mall ordeal. A fact all too easy to remember when one caught sight of the Chief’s still healing face. 

What was unusual, was when he came storming through the doors a minute later, face now a furious shade of red with his hat clenched in his hand. 

The energy in the room shifted, taking on something a little watchful as Hopper swept his gaze from side to side, like a dog on the hunt.

Judging by the way he stilled when he caught sight of Wayne, the latter assumed he found what he was looking for and could only pray it was the person behind him. 

(He liked John, but Wayne had enough trouble this year and he wasn't looking for any more.) 

"Munson." Hopper called, striding over and dashing all his hopes. There was a choked fury emitting off him, and given the way John audibly scooted his chair away, Wayne knew everyone had clocked it. 

"Chief." Wayne greeted, inclining his head towards him.

Idly he wondered what the hell his nephew had done this time.

'So help me if he stole all the town's lawn flamingos and put them in that damn teachers yard again….'

Wayne didn't even get to finish his threat, the Chief was already next to him. 

"Mind if I have a word outside?" 

Dammit Eddie.

"Ah hell, what's he done now?" Wayne asked with a sigh, eyeing the coffee he had left morosely. 

There was still almost half of it left and the pot had tasted fresh for once. 

"What?" Hopper said, and then Wayne got to watch as the man ran through an entire chain of thoughts, each one punctuated by things like; "Oh," and "No. " 

"This is something else." He finished, flushed and fidgeting, anger making him antsy. 

Wayne stared up at him. 

"Something else?" He repeated, not sure he heard.

"Yes, something else." Hopper snapped impatiently, before leaning forward, voice dropping low. "This doesn't involve your nephew, but we both know you owe me for how many times I've let that kid off, Wayne. That's a damn big favor I've been doing you and I'm calling it in." 

If it were any other cop, it'd sound like a threat.

It was Hopper though. The same Hopper who Wayne had gone to school with.

They'd never been friends exactly, but they had been friendly and remained so. Even now, after Wayne had taken Eddie in, who’d gone on to be an undeniable pain in the local PD’s ass. 

Hopper really did let the kid off easy. 

Wayne really did owe him. 

So he put down his coffee with a sigh, passed his newspaper over to John and stood up, motioning for Hopper to lead the way. Got into the Chief’s truck when he waved him in, and didn’t make a big fuss when Hopper tore out of the parking lot like hell was about to open up under them. 

"Not a lot of the kids involved in the mall fire could be identified, but a few of them were." Hopper started, which felt nonsensical given the utter lack of context. 

Wayne hummed to show he’d heard. 

“Some of them got banged up more than others, and a lot of people wouldn’t be surprised if they didn’t make it.” 

A pause, Hopper white knuckling the steering wheel as he swung the truck hard around a turn. 

“For certain people, those kids dying is the preferred outcome.” 

A mix of fear and warning swopped low in Wayne’s gut. 

"Jim." Wayne said, dropping the use of a last name because if any situation called for it, it was this one. "What exactly are you saying here?" 

The Chief chewed on his split lip. 

"I know you're smart, Munson. I know you, and plenty of others are aware that something's happening, been happening in this town." 

Which was a hell of an understatement if you asked Wayne. Plenty of the upper classes might be able to bury their heads when it came to the military parading about and the flow of “accidents” they brought in their wake, but then, they didn't see all the other signs of trouble. 

The absolute oddity that was Starcourt’s construction. 

How it had been built using primarily outside crews and anyone who'd taken a singular look at the site could tell you they were building it weird. 

Weird as in it looked like it would have a multi-level basement, and not what a mall should have. 

Then there were the constant electrical problems. The backups upon backups that failed. The late night delivery vans headed out to the Hawkins Lab. 

The things in the woods that kept spooking all the deer and the weird markings they left behind that unnerved even the hardest of hunters. 

This didn’t even touch the Russian military that more than one reputable person swore was hanging around. 

The very same Wayne himself had seen, on more than one occasion. 

(And you couldn’t deny it; those boys were military. Past or present, it didn’t matter. They moved like a threat, and Wayne treated them like one, staying well clear.)

"Yeah." Wayne admitted. "I also know better than to stick my nose in it." 

"That makes you a smarter man than me.' Hop complained under his breath, but the anger was self directed. 

"The point is, there are some government types crawling around, doing shit they shouldn't be doing, and more than a few of them are in the business of making people disappear.” 

This was absolutely not where Wayne had thought this was going. 

Hopper took a breath. Than another.

A third.

It was starting to make Wayne nervous, in a way he hadn’t felt since a social worker had brought Eddie to him for the last time and final time. It was the feeling that things were about to shift in a way that would change the course of his life. 

"Steve Harrington is sitting in my office right now, beat to absolute shit.” Hopper admitted.

Wayne gave him the floor to talk, letting him go at his own pace without interruptions. 

“He's there because some of those government types finally figured out his parents are never fucking home.” 

Wayne sucked in a breath. 

"We both know his parents, Wayne. Harassing them to come back and take care of their kid won't work, and frankly, I’m beginning to think all the phone lines are tapped anyway.” He winced here, like voicing such a thing pained him, and Wayne understood.

It sounded a little too out there, a little like he was buying into a conspiracy. 

Except he wasn’t. Wayne knew he wasn’t. 

Jim Hopper might have been an alcoholic, a man living in pain and unconcerned with his own life, but if there was one thing he was solid for, it was shit like this.

He didn’t jump to conclusions. Didn’t believe the first thing people told him. Even at his worst, he did the work to see what was really happening, and made his decisions from there. 

(Even if that decision was to accept the occasional bribe, or drive an intoxicated 13 year old Eddie home instead of hauling his ass into the drunk tank.) 

“Harrington won’t admit it, but he’s got a hell of a concussion if not a full blown brain injury and he’s not reacting as well as he should to Suites trying to run him off the road.” Hopper continued. Angrily, he added, “Damn kid didn’t even come to me until they tried to break into his house last night.” 

His fingers squeezed the wheel so hard Wayne heard the leather creak in protest. 

“I’d take him, but my cabin is being renovated from…” He trailed off, heaving a sigh.

 “A storm, so me and my kid are bunked with the Byers right now and we’re full up.” 

Hawkins hadn't had a storm like that in years, but Wayne wasn't going to call him out on the blatant lie. 

“I need a place to stash him for the next few weeks, until I can work with some of the higher ups sniffing around, and get them to call off their attack dogs.” 

“And you want to stuff him with me.” Wayne finished. 

“I know you don’t have the room.” Hopper admitted easily, stopping his truck at a red light and locking eyes with the other man. “But I also know you’ll be the last place anyone would look for him.” 

'Ain’t that the damn truth.'

“You’re really gonna go this far for a Harrington?” Wayne asked, instead of the million of other questions leaping to the forefront of his mind. 

This one, he figured, was the most important. 

“He’s not his dad.” Hopper said, as firm as Wayne had ever heard him. “He’s not either of his parents, and he saved my little girl.” 

Wayne hadn’t even known Hopper had another little girl, but he also knew better than to ask where the guy had found one. 

It wasn’t his business, just as nothing else Jim was involved in, was his business.

Except, apparently, Steve Harrington. 

“I’m gonna need my own truck if I’m takin' Harrington home.” Wayne said easily, instead of bothering to ask anything else.

If Jim said the kid was different than his daddy, then he was--because when it came to things like that, Jim didn't lie.

No point in it. 

“I know. Just needed to talk to you first, without anyone overhearing.” Jim said, before swinging the police truck around and heading back to the Barn. 

“I’ll stay in contact with you, and I’ll make sure Harrington pays you for the pleasure of your hospitality. Just--” Here Jim cut himself off, looking like he was struggling an awful lot with the next thing he wanted to say. 

Once again, Wayne waited him out.

“Don’t let Steve fool you. He’s good at fooling people, letting them think he’s okay. Too good at it, and between the two of us, I have a real good idea of the reason why.��� 

A memory came to Wayne unbidden, of Richard Harrington and Chet Hagan, beating some poor kid in the highschool bathroom bloody. The grins on their faces as the poor guy wailed for them to stop.

How they almost hadn’t. 

“Alright.” Wayne agreed.

Hopper swung back into the Barn's parking lot, and Wayne moved right to his own beat to shit truck, ready to follow Jim back to the police station.

He wasn’t a praying man, not anymore, but Catholisim wasn’t a thing that let you go easy. 

He found himself sending up a quick prayer, fingers flicking in a kind of miniature version of the sign of the cross. 

Considering his own kid’s history with Harrington, and the sheer small space of the trailer? 

Wayne had a feeling it was needed.

[captain-space-kin]

POV: You are Zane and/or Pixal

Silly little drawing I did based on an edit made by @inspectorghoul the drawing without all the effects, the original edit, and the tag list are under the cut!

Taglist -

@fading-through-existence @juniperjellyfish @carmelo-san @lightningchicken @crying-over-cartoons

@officercooks @mywasasi @ashclouds366 @basicallyjaywalker @finn-m-corvex

[attyrocious]

[monocub]

seven years with luffy will do that to you

this was completely based on this panel from ch 1102 (dw there's no egghead spoilers in it):

LOOK AT HOW PROUD HE IS OF HIS LITTLE BRO :(( I LOVE HIM :(((

like my man spat at him on day 1 and then bOOM he’s showing off his brother’s bounty to anybody with ears with the biggest smile on his face :((

anywaaaay ty oda this panel healed me despite the rest of the chapter destroying me

[the-obnoxious-sibling]

“Are you holding my feet hostage?” “That depends,” Shanks said, giving Buggy an unreadable look. “Are you leaving without saying goodbye?” Oh, this guy. On his own ship, surrounded on all sides by his most trusted officers, and still managing to look like some kind of miserable wet cat, terrified of being abandoned.

and so shanks and buggy return to their status quo: buggy shouting, shanks amused. i really cannot overstate how much i adore @midydoof’s art, y’all. the dreamy watercolors, the facial expressions… every piece, every time, a delight. i hope you are all as appreciative as i am.

for any new readers: this is part eight of eight (yes, we’ve reached the end!) of the long, post-marineford part of this shanks/buggy series! this part is about forty-six hundred words and brings us to the end of our story, with shanks and buggy going their separate ways—for now.

[novelconcepts]

One of the most fundamentally interesting things to me about YJ and writing fic, specifically, is how the blame changes hands depending on the story. On whose perspective you're writing from. On whose story it is at a given moment. The very thing I dislike about viewers missing the point becomes so fascinating to me from within the narrative. Who are these characters when seen through the eyes of their peers?

Who does Jackie become? If you're Shauna, she's the love of your life, and your greatest rival, and the other half of your soul, and the person you blame for your dead dreams. If you're Van, she's the respected captain who earns none of your respect in the woods, the one who left you to die without blinking, the easiest target for teenage malice. If you're Natalie, she's competition for affection, the blabbermouth who can't leave well enough alone, the hands putting themselves to no good use. If you're Jackie? You're just a girl. You're so tired. You're so scared. You're losing face a little more every day, and you're made of despair, and you can't even trust your best friend. It's not your fault. It's not your fault. It's not your fault.

Who does Lottie become? If you're Natalie, she's your direct foil, the splinter under the edge of your thumbnail, the smart mouth to match your own, the confusing amalgamation of normal friend and mad ritual. If you're Misty, she's the first shred of obvious power in months, a leader who might need to be nudged back into line, a fascinating exercise in hitching your wagon to the right star early on. If you're Taissa, she's flat-nuts and endlessly frustrating, she's got your girlfriend's full attention, she's incredibly dangerous. If you're Lottie? You're just a girl. You're so tired. You're so scared. You've built a pedestal you can't keep your balance on, and you're not sure if you're right or going crazy, and you didn't want this. It's not your fault. It's not your fault. It's not your fault.

From outside the narrative, there is no bad guy. There is no blame. It is no one's fault. It is Man v. Nature, they are doing the best they can with an impossible situation. They're all trying to contribute what they can to the story, for better or worse.

From inside the narrative, you are a teenager trapped in a society constructed entirely of bare-bones-survival with the wildest assortment of girls. From inside the narrative, to stay human, you have to love and fight, respect and judge. Every story changes the game. Every story shifts the blame. A hero in one has the bloodiest hands in the next. And that, to me, is such a thrilling sandbox to play in.

[arsmentae]

Robin cowboy hat enjoyers rise up

[acesmelody]

Day three: sacrifice!

[paperultra]

aries and the turtle.

Pairing: OPLA!Vinsmoke Sanji x Fem!Reader Word Count: 1,169 words Warnings: None

asterism (noun): a group of stars; a constellation; a cluster of stars

The first thought that comes to Sanji’s mind when he sees you curled up on the kitchen floor, rummaging through the box of herbs and spices, is that you’re the single most beautiful creature he’s ever laid eyes on.

“Darling,” he says softly, leaning against the doorframe and smiling a bit when you startle, “you could’ve woken me up if you wanted a midnight snack.”

“O-Oh! Um.” Your voice colors the gentle calm of night into something warmer – and like always, he’s drawn to it like a moth to a flame, walking over and squatting down next to you as you scramble to put back a jar of paprika. “I’m sorry, Sanji, I – er, well, um …”

“What are you looking for? I’ll help you.”

Under the yellow glow of the lantern, you seem to shrink. You duck your head and mumble into the collar of your pretty nightshirt. “That chamomile and lavender tea you made a couple nights ago …” you begin hesitantly. “I wanted to make some.” Your voice quiets further. “I can’t sleep.”

Sanji frowns, angling his head to catch a glimpse of your face. You do look a little more haggard than normal, your eyelids heavy, your shoulders burdened. His heart aches. How long had you laid in your hammock, tossing and turning, until you couldn’t stand it anymore?

“I see,” he murmurs. “Let’s make that tea right away, then, shall we?”

Sanji quickly finds the flowers and some lemon rinds he had sun-dried last week. You insist on helping at least a little bit despite his protests for you to just relax, fetching two teacups and setting some water on the stove to boil as he measures the right amount of each ingredient to put into the infuser.

Once the water is ready, steam billowing up past your heads and to the ceiling, he pours it into the teapot and covers it to steep.

(You don’t say anything while the two of you wait, and although Sanji yearns to coax a smile and a sweet conversation from you, he contents himself with the silence as well, which is just as sweet. You sneak glances at him every once in a while, though. He knows because he does the same, and the attention sends a thrill through his chest.)

Time passes. He pours the tea – first for you, then for him.

“Tell me when.” The silence breaks once more as Sanji spoons some honey into your cup.

“That’s good.”

He stirs the tea up, hands it to you. You blow across the top of it and then take a sip as he watches attentively.

“How does the madam like it?” he asks.

You exhale and meet his eyes for a split second before quickly looking away. A small smile touches your lips. “It’s perfect,” you reply from behind the cup. “Thank you, Sanji.”

Warmth stains his cheeks a gentle pink.

“The sky is clear tonight,” he ventures hopefully as he adds two teaspoons of honey for himself. He picks up his cup and gestures at the open door. “Stars and tea pair well together, if you have an appetite for it.”

You bite your bottom lip. His gaze immediately darts down to it, and he swallows, throat suddenly dry.

“Sure,” you whisper.

And so Sanji gains another precious sliver of time with you. Elbows resting on the railing, hot tea and your presence protecting him from the cold, he stands out on the deck of the Going Merry and tilts his head back to look up at the sky.

He knows how much you love the stars. They are one of the few topics you can talk about without your usual shyness, and he thinks of you every time he sees them, pinpricks of pure light shining through the darkness, guiding weary sailors home. Sometimes he thinks you must have been one yourself, carried down from the heavens. Ethereal. Out of reach.

“This time of year,” you say, and Sanji turns his attention over to the stars reflected in your eyes, “you can see my constellation.”

“Yours?” he questions.

“Yes. Those three stars over there.” Your arm stretches out to point at something on the left, your finger tracing an arc in the sky. “In my home village, parents dedicate their newborns to a constellation three days after birth. Mine dedicated me to the turtle.”

A turtle. That fits you incredibly well, he thinks to himself fondly, considering your quiet tenacity. “How come?”

“Turtles represent good luck and a long life.”

“I see. Well, do you think you’ve had good luck so far in life?”

You hum thoughtfully, looking down into your tea.

“I think so,” you say after some time, hushed. “I’m here, aren’t I?”

A chuckle escapes him. “I would argue that you’re the one who’s brought good luck to us, sweetheart.”

You bite back a smile and whisper a small ‘oh’ as he gently bumps your shoulder with his own. Even now, you’re unused to compliments, but no matter; he’ll praise you at every turn until you finally realize you deserve every word of it.

There’s a brief period of silence before he asks, “What do you think my constellation would be?”

“Your constellation?” It doesn’t take long at all before you reply, pointing upward into a spread of stars that he could never even begin to puzzle out, “The ram. Some call it Aries.”

“What does it mean?”

This question seems to fluster you. You cough and stammer for a few seconds. He sips his tea, the beverage sweet and floral on his tongue as he waits.

“Rams … are artists at heart,” you finally say, glancing over at him. Your eyes, normally wary and somber, glitter. “They’re strong and passionate, but also gentle and kind.”

Oh.

Sanji can feel a blush creeping up his neck to his cheeks. God. Surely, you’ll be the death of him, saying something like that so honestly and with eyes that look like that. He’d move heaven and earth for you if you asked.

“I’ll dedicate my life to living up to those qualities,” he breathes once he can speak again. “Just as much as you’ll live up to yours.”

You take a sharp breath.

“You already do,” he hears you whisper.

And Sanji truly, truly cannot resist anymore.

Your name leaves his lips. He reaches out, hand departing from the dying heat of the teacup and seeking out yours.

You do not pull away when his fingertips brush your cool skin over the railing; instead, you let him turn your hand over until palm touches palm, until the spaces between his fingers are filled with your own and his heart beats to the rhythm of yours.

Sanji squeezes your hand, and every cell in his body begs to falter and fall at your feet.

You rest your head on his shoulder.

The tea cools. But the stars remain as brilliant as ever, and your hand stays warm in his, and everything – everything is beautiful.

[cloudycloudsminusclouds]

not my best work but also like. who cares. woe explosion be upon ye