#one of his realest moments ever

[vitamin-zeeth]

experiencing fhjy while currently being in the equivalent of junior year is so. Yeah that's what it's like that's how school treats you that's how I'm feeling RIGHT NOW. I love how perfectly accurate it is and I also hate it so much because they don't deserve to go through this shit

[goldiipond]

these two images are strong contenders for the prettiest ray demizu has ever drawn

[itspileofgoodthings]

it’s the way Ryan Gosling plays Ken’s feelings for Barbie for me. because the feelings are unreal and fake in the way of a doll but they’re also intensely real in the way of his actual personality/who he actually is.

[daughterhouse]

"are you sure you don't want me to bring you anything, megumi?"

satoru stretches his back out, phone to his ear as he listens to the dry coughs on the other side. megumi has picked something up overnight and called to let gojo know he wouldn't be in class for the day.

"i'm fine. i just want to be alone. sleep it off."

gojo smiles, and hums into the phone. "it's been going around... you're not the only one off sick. maybe you should go see shoko..."

"no—i'm fine. i'm just going to rest, okay?"

gojo snorts. "oooookay..."

megumi hangs up on him and satoru can only feign offence for a moment before suguru is pushing between his shoulder blades and guiding him further into the city. "i still don't think spying on them is what we should be doing. he's a teenager, they lie��god knows we weren't saints at their age. maybe—"

"shhhhhhhh!" satoru points in the direction of the movie theatre, where a certain spiky-haired-fushiguro leads you in, hand-in-hand as the high school sweethearts satoru had begged megumi to tell him you were. "i knew it!"

there you two were, his two 'sick' students, the image of cute together. he watches as megumi rests his hand on your back and listens to something you say—and for the first time in a very long time, satoru watches his boy's lips curl up into the realest smile he's ever seen.

"are you... tearing up?" suguru cringes from beside him, but satoru waves him off dramatically.

"they grow up so fast!"

[kevindavidday]

aftg bonus content spoilers

after tkm the perception of andrew becomes so reliant on his personality through neil's love-tinted eyes, and there's such little about betsy that we know because neil avoids her like the plague. and then you get her pov.

you get her pov at one of the most damaging points in the series. and andrew minyard, in the middle of it all, still trying so hard to be seen as strong and unaffected, trying to look past all of it, and his mother, the truest, realest one he'll ever have, tells him: listen to me. i am proud of you.

and for a moment this indeterminably strong character is just a boy. he's just a twenty-ish year old boy looking at his mother, upset and possibly even afraid, before saying: everyone knows now, bee.

[imustspeakmyheart]

Here's my Earthsea tattoo I got as a little birthday present to myself. This illustration comes from the Bantam paperback editions; it's the little icon above the very first chapter of A Wizard of Earthsea, depicting the island of Gont.

Ramble about my FAVOURITE Earthsea passage below :)

So I've been obsessed with this quote ever since I first read it a couple years ago. The full thing goes as follows:

"As their eyes met, a bird sang aloud in the branches of the tree. In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves: it seemed to him that he himself was a word spoken by the sunlight" (35).

This happens in Roke's courtyard, the first time Ged enters the school and meets the Archmage. Objectively, it's just a lovely passage in a book series full of beautiful prose. It exemplifies exactly what Roke is: a place where magic coalesces and an understanding of the world can be reached. This knowledge is the very thing Ged has been wanting throughout the book so far, what has driven away from Ogion where the learning was too slow. And look here! He steps foot in the school and at an instant, this moment of transcendence. Lovely stuff in a small atmospheric scene.

But it does another thing I find way more interesting in that last phrase I put in bold. See, Wizard is a book very preoccupied with mastery over the world, in particular Ged's continuous longing for power, for overpowering others. That's, you know, his whole arc in this thing. Learning that power means knowing when or even whether to use it, and that magic (which in Earthsea means change, even the tiniest change, that ripples and ripples onward) takes consideration, time, patience.

So how wondrous is it that we get this phrase still at the very beginning of Ged's inner journey, still in his full hubris mode, that shows the world's influence over him. And look, I know this is a tiny itty bitty sentence right and it might not seem all that, but I don't think anything like this happens anywhere else in the books either? In a series where words are power and influence and change, literal magic, I think it really does mean something here that Ged feels like "he himself is a word spoken by the sunlight".

What does this mean? What does it mean to be spoken by the sunlight? That he feels made, created by the sunlight? Changed? Held in place? Either way, some influence is held over him by the very powers that wizards usually command themselves. The landscape is speaking him, the sunlight is commanding him, subsuming him, he's part of the world in the realest most primal way you can be in Earthsea. He's a word.

And another thing! Ged's entire struggle in this book is with what? His shadow. Yet this phrase reminds us that even at a moment where Ged has not learned his lesson yet, when he is yet to commit that terrible act, he has light in him. He's changed by that sunlight all the same. Light and shadow both; there can't be one without the other.

(Also this fountain Ged's at in the courtyard in this scene is the very same place Nemmerle dies after saving Ged from the shadow. Very important place, this.)

ANYWAY suffice to say I love this passage and I will never stop thinking about it.

[murasaki-cha]

Say what you want about Naruto The Last or NaruHina (actually don't you dare say anything bad about NaruHina here they're adorable and I freaking love them)

But I have to say the funniest and simultaneously the realest moment in the entire movie was when Hinata rejected Naruto a total of ONE times the the one singular time and he decided he would simply die. Like just straight up fall to his death. What even was the point anymore. Hope he explodes completely actually.

And when he didn't die he proceeded to be the most depressed wallowing sobbing pathetic wet cat to ever exist. He really was just:

Shikamaru: Naruto get up dude.

Naruto already crying: Hinata used to call me that

Shikamaru: it's your fucking name-

Literally that was so real of him the only appropriate reaction he should have had.

[maxwell-grant]

The Penguin: Episode 8 "Great or Little Thing" Series Finale Breakdown

So first and foremost I need to give a shout-out to everyone who's been following this with me and helped me week after week process and articulate this show, this brilliant Penguin Braintrust without which I would be incredibly lost on how to even begin breaking this thing down this way: @davidmann95, @wil4x, @book--wyrm and my friend Lucas who is not on Tumblr.

And so we're here at last, in the end of the show. This took forever. I need a goddamn break. This isn't enough and will never be enough but it'll have to do. So let's get to the episode that has had the world joining hands in the unanimous urge to see the absolute shit kicked out of Oswald, and has made the character at last earn this:

(Episode 1) (Episode 2) (Episode 3) (Episode 4) (Episode 5) (Episode 6) (Episode 7)

So who would have guessed that cartoon dirtbag Rex Calabrese was still gonna turn out to be less of a cartoon dirtbag than Oz the moment we stop seeing him through Oz's eyes. Still a terrible person by every metric, but terrible in the same way a lot of Sopranos characters are terrible: this is, at the end of the day, a job, and you can talk to them, you can sit at a table to get down to business with them, and you probably know people in your life like them, and maybe you can even count of them to get real and even help you when the chips are down, even if it doesn't mitigate everything else that they are or do. At the very end, he was neither the benevolent god-king that Oz saw him as, nor was he the absurd dirtbag gangster we had him pegged as - there was never anything exceptional about Rex Calabrese, he's just a real criminal. Maybe the realest in the show.

I said in the last post that Francis burned with hate at everyone in the world except the person who most ruined her life and haha WOW was I wrong, because it turns she's known the entire goddamn time, and quite possibly no one has ever hated him more than Francis.

Most people in the show who hate Oz do so because he's a destructive bastard who craps on their lives directly, or because he's a lying sneaky fuck who does nothing while their lives are ruined, and Francis has had to deal with both longer than anyone else. I can't possibly count every single way this wildly recontextualizes every single interaction, every moment, everything that Francis has shown us and done since the first episode, because I'd have to recap EVERY scene and line of dialogue she has and we still have so much else to get through.

Why was Francis was so effectively able to withhold affection and hold his feet to the fire and give him that bottomless pit of yearning in his stomach that's driven him to move mountains in pursuit of it? Because Francis wouldn't have loved him even if he gave her the entire world at age 12. She never had any affection or love left for him. Oz was always chasing nothing.

And all along it was Rex who shaped the entire course of Oswald's life, as well as prefiguring his dynamic with Victor, with a single conversation. Oswald spend his childhood wanting for Rex Calabrese to notice and like him and be his friend, and he has no idea how much Rex actually affected his life.

That fateful night at Monroe's was never the feel-good story about his Ma summoning the willpower to live by dancing away the grief, and it was never even just the night of the eternal promise that Oz thinks back to, it was a fucking trap to kill Oz. Nothing he has in his life is real, nothing he says is true, he has never not lived in complete total delusion.

The sheer disgust in Deirdre O'Connell's face at the "I do too". How much of her personality we completely understand was born from this absolute resentment she's nursed for decades towards Oz.

And this rotten little turd comes at her with a perfect speech that hits her every insecurity and bitterness and spite and situation and convinces her to give him another chance. The nature versus nurture thing again - Oswald was shaped by hardship, by decades of hard work and neglect, by the total absence of his mother's love while in turn being forced to live in stunted childhood dedicating himself to always taking care of her, and maybe what we're seeing here is heavily distorted by Francis's POV - or maybe he was always a little monster, because this guy talking to her is The Penguin, the same guy doing the same things in the same way, either way it doesn't matter. Again, born fucking ready.

So now we see our three major supporting characters - Sofia, Victor and Francis - all of them have shown that they had a chance to walk away from Oz, to not let him ruin their lives further. All of them could have left Oswald behind, and all of them should have left Oswald behind, but they had to come back and justify the choice to do so, they had to get satisfaction, it couldn't have been for nothing. Victor had his car and a girlfriend in a bus waiting for him, Sofia had a jet to take her to Italy, and Francis had Rex Calabrese ready and waiting to put him down without a word. All of them had a chance to get out of the show and never look back, but like Oz, they had to rectify and overcorrect for an insult.

Sofia can't walk away from Gotham without punishing Oz for turning her in, for killing Alberto and further lying to her, she can't accept that this man, this embodiment of Carmine's legacy and hold over her, is still out there unpunished getting away with what he's done. Victor can't walk away from Gotham knowing that his parents did everything right and still died for nothing, that every hurtful thing Oz said was right, he can't let "They don't give out awards for dying in the projects" be the last word in his and their lives. And Francis can't walk away from Oz, who killed her two sons and keeps lying about it, who ruined her life and now keeps promising he will take care of her and acting like everything will be fine, she can't let this pass even if she can't kill him either, and so she'll make him give her the world and die trying.

The tragedy of what happened is what hurt/broke them - the added insult of what Oz said or did is what they just can't live with. It can't be for nothing.

Goddamnit it, it was really just too telegraphed for it to not happen the way it did.

I fucking knew it the moment the episode started and we got the grungy boss orchestral take on the funny Penguin chords that we were in for some calamitous shit.

We see at first that, in spite of seemingly failing, Vic has graduated to the point he can give his own speeches, gain his own allies, run his own cons - he's not just Oz's proxy, but will manage to convince the others to become such as well, and he's coming at this from a place of complete sincere belief in everything that Oz says, all of the man of the people rhetoric he will so thoroughly pervert and then sell to the people actually responsible for everything he told Victor he was fighting against.

Zeke walks up to him nearly crying about how Sofia blew it all up and Vic instantly asks back where's Oz - not because he doesn't care about Crown Point, but he's already processed it and has already learned with Oz how to just barrel forward regardless, now it's time to get to work. Victor who so readily throws himself into rescuing Oz again and again. Victor who's lost everything - he doesn't have his family, he doesn't have Graciela, he doesn't have the other mobs backing him up, and right now he doesn't even have Crown Point anymore, all he has is Oz.

The man in red who reads the Law Gave him three weeks of life, Three little weeks in which to heal His soul of his soul's strife, And cleanse from every blot of blood The hand that held the knife - The Ballad of Reading Gaol

Sofia dressed in two thematically appropriate outfits - the red scarf echoing both the first outfit we see her in, back to covering her neck but in control of her own collar, and the outfit we see her the farthest back in time with at the start of Episode 4, and with her final crimson fur coat outfit accompanying her final greatest triumph and ultimate defeat in the show. Not only that, but in this episode she also gets to perform characteristically appropriate stylized torture - holding a family intervention and therapy session with mafioso torture tactics to try and wrench the truth out of her victimizer, enacting calculated sadistic yet righteous justice via psychological breakdown, and ultimately allowing the woman he victimized and wronged to take her killshot at him.

See, it's not just that Sofia Gigante is a Batman Villain, or that she's well passed the threshold of supervillain. Cristin Milioti doesn't play Sofia like she's a new character, which she basically is, and she isn't just playing a tortured gangster lady protagonist dipping into camp villain territory, which she also is - she plays Sofia Gigante like she's been a Batman Rogues headliner for decades now stepping into the spotlight once again, like she's the dark modern revamp of someone Adam West would have thought and she's just always been around showing up in stuff along with The Penguin, like she's only not fighting or teaming up with Two-Face in this because he's not here yet. It is crucially important that Sofia passes every standard of Batman Villain imaginable with flying colors, in part because it helps to reinforce that The Penguin is a monster all his own.

Even here, with as much power as she's ever possibly held over him, reduced him to a whimpering begging mess to be killed off in a second, she is so shocked at the sheer brazen selfishness and delusion and level of bullshit on display, that even now he won't break character and think about his actions and admit to what he's done not even to save his own mother from mutilation, that she just loses the script entirely. Her entire show of power collapses and she physically recoils from sheer disgust at just how low Oswald is, at just how much he lacks the ability to even suffer for what he's done. Realizing that there is simply not enough of a soul in this filthy beast to even torture, and that however much she hates Oswald for ruining her life, someone had a prior claim all along.

Eve - Sofia - Francis in the end united in, however much they may dislike each other, however different their circumstances may be, there is nothing they could possibly do to each other that would be worse than what Oswald has done to all of them, joined in silent agreement that their rage ultimately belongs in a bullet fired at Oz's head and that they deserve their kill shot at this man.

"I had enough to give, Oswald".

This really is gonna be the high point of Francis's life from this point on.

Aw man, I liked Sofia's scruffy dirtbag detective, I wanted him to stick around as one of the reocurring characters like the movie cops

Oh Victor, sweet kind Victor, you couldn't possibly ask for anything worse in the entire world.

Oz feebly already beginning to lie and spin his new version of the events, that Sofia stabbed him and fucked up with Ma, and here comes Victor with the reversal of their dynamic, seeing this guy who's been brought low by the oppressive force looming over his life that he must defeat (because all that Victor knows about Sofia at this point is that she used to be Oz's boss and is now out to kill them, that she is scary as hell, and regardless of whether or not she was the Hangman, she just bombed his fucking neighborhood) and reaching out to him with a speech about solidarity and dignity and self-worth and picking yourself up by your fucking bootstraps to save the day. And Oz responds by coaching him on how to be a better bullshitter. Because to Oz, he knows the playbook by heart, but Victor meant it all.

Victor rebuilds Oz from basically nothing by providing him with the validation that he so desperately always craved and never got, saying all the things he always wanted to hear, poised so they can finish this together, poised to give him not only the army he asked for, but a full-blown revolution, and he never once asks for anything in return. Just, goddamnit this isn't hurting any less.

"She, sh-she'll never look at me again, all right?....unless I get this done. Got a promise to keep." Maybe the one and only time his mask ever fully cracks. For a second. He rebuilds it right back up and gets to work, but it cracked. He knows what he's doing, up until the moment he doesn't. It's that simple.

A lot of what drives Oz is acceptance, and a lot of what drives him is his desire to be accepted in worlds that have been declared, by how they run themselves and by the people that inhabit these worlds, as worlds that he was never going to be included in. And one of those worlds is the hierarchy and the hoi polloi of the political realm and the power within the political realm because he understands that all politics are corrupt essentially, and the damage that he could do then in being part of a political infrastructure of Gotham interests him. I thought it would be nice if, in that time jump, he had been invited to maybe a gala or two, you know what I mean? It'd be awkward. He'd be slurping out of the fucking teacup, there'd be stains on the table, he wouldn't really fit in, but he’d fucking love being there. - Colin Farrell

Mirroring the scene in Episode 01 where he adjusts himself next to the car, scuffing himself up to look like the sleazy funnyman the Falcones keep around for kicks, now he's dressing up as much as he can and asking Victor for input, because he truly values what the kid thinks and, goddamnit.

"C'mahn, I don't bite", pfft yeah, not in this movie universe anyway. And to the same guy you did the nose-gushing-blood bit to, even.

Minutes inside of City Hall and he already parks his ass right on Bella Real's seat - not as any kind of intentional slight against her, it's just naturally where he goes to, even before the scene ends and we see his new plans start to come to fruition.

Guy who takes offense at Viti calling Sofia a psycho and then goes up to Councilman Hady talking about the unhinged loony bin broad who went "full psycho" that he's handing to him on a platter, pointedly calling her Falcone.

At first I thought it was funny that Sal Maroni was getting blamed here for Bliss and the underground lab, but then I remembered that he was actually the one who introduced Drops to Gotham and the whole epidemic that became, so if anything it is an extremely easy part of the story to sell, even without his body being down there and all.

"You're gonna have some trouble, Oz" - pointedly smiling and calling him Oz instead of Oswald as he had up to this point, because by that point he's already a crony and already willing to work with this guy handing him all these miracles.

"You wanna be welcome? You gotta look, clean" Yes Father Pal, I Shall Become A Capitalist Caricature

You can see in the walk around, in his look at Bella Real and the mayor's office high up above and the steps, how little Ozzie's gears turn once again and rebuild his life after losing the streets and everything that happened with Ma - This is the next nest, this is the next throne, this is next schmuck I gotta cozy up to, this is the next boss looking down on me that I gotta destroy, there's the reward waiting for me if I do. This is the one that matters, I did everything in the shit and now I'm gonna get me sum goddamn respeck, Feh Ma of course.

And before all of this we see Sofia's next move, showing the ways in which she is good at this, the ways in which she truly is something outside of the worldview of what these gangsters are used to, and why she is going to lose. "Because I can". She is good at commanding a room and promising rewards beyond the wildest dreams of these street crimelords because she can offer everything they want and lose nothing she cares about for it, she will hand them everything and dip because she can, and she is going to lose because she can lose. Because she still thinks there is an end in sight for her, she thinks she will get to walk away from this universe and go meet a happy ending at a cafe in Florence.

It's not just that Sofia was born into privilege and never really lived in Gotham and could just hop onto a plane out of here anytime, it's also that she has room in her life for introspection, self-awareness, consideration towards others, and all those things that come easier when you're "born full", and not when you're the starving hustler for whom leaving the city was never an option even if he had all the money in the world, the hungry animal who wants this, wants everything, harder than anyone has ever wanted anything. The guy who has no room for anything else in his brain other than a perpetual bullshit generator set to a 24/7 chorus of "I GOTTA WIIIIIIN"

Another element to her that I really love is, she's good at this. She knows she's good at this, she was supposed to take over the family. She may not know the ins and outs of the game as it currently stands, but she is good at this. Some of it is, I think that's the only world she knows, and some of it is there's something in there, that's always been there, and she believes it is rightfully hers. There's an element of, "I need to have made it worth it for something", and if that means power, then okay. - Cristin Milioti

There’s a level for both of them that they enjoy each other’s suffering, and that sort of leads to Sofia’s downfall. If she didn’t need to see Oz suffer she might have been free. And she really gets in her own way in that regard and largely because Oz is this crutch that she just cannot let go of. - Lauren LeFranc

And here we get to the end of season 1 of HBO's The Sofia Show, the bittersweet in hindsight but extremely cathartic torching of the set as a last hard-earned spiritual victory by our hard-done-by lady protagonist. All of her family is dead, the city is out for her blood, she gathered all the remaining criminals for One Last Job with everything on the line, and she is having a very fun time with her montage destroying her home and family name beyond recovery. She is going to finish her character arc, get to finally kill her former comedy sidekick turned mortal nemesis, and hop on a plane to The White Lotus resort straight away into greener (if only marginally less fucked up) genre territory away from this ugly nightmare city. Alas, this is not The Sofia Show, and it's time for her theme suite to catch up to her once again and tell us of how very badly this is all going to go for her.

And she can't even be that shocked, when the high of burning it all down goes away, when she sees that old Ozzie Cobb wriggled his way out of this jam regardless and is now coming at her with a speech, she can't even react to it. Deep down she knows how the rest of the night is going to go. She may not have expected Arkham outright, but she was braced for a loathsome fate.

It rules so much they give him a big fat fight the power speech with a bloody revolution montage, and we can only sit there aghast with Sofia at the sheer audacity of him to act like this, like a man of the people, thinking he truly has the right to be talking like this and to her of all people.

And now we see how Oz won the gang war, and the next domino to fall on the downfall of Gotham City, and the first effect of his own rise to power: like The Riddler, he has toppled the order of things and he has turned people into extensions of himself, Victor being the first and the one who gave him this revolution, of all the little mini Penguins out there devouring the social structure of Gotham crime forever. You kill the boss, you become the boss now. Everyone can bleed and everyone can be killed and everyone must be killed in the quest to the top, no handrails or codes, they wouldn't invite him and so he crashed. After he unified the criminal underdogs, Victor rallied the underdogs beneath the underdogs, and now the streets are a jungle where there will never be an end to the wars over who gets to be atop the food chain, because they are all fighting to see who gets to be the next Penguin.

For decades people have written Oswald Cobblepot as a creep and a sleaze and an incel who hurts/kills women for rejecting him, or who is chronically insecure about them and I can very confidently say nobody ever did anything half as horrible and half as truthful and half as meaningful as LeFranc did here. We see the other reason why it was so imperative to her that Oswald not be a misogynist, and it has nothing to do with just making him more likeable or sympathetic or honorable. We get in this episode the pay off to the thoughtline: okay, he's actually a gangster who respects women, he does not act like every other prestige drama gangster who ever lived, we are going to center women in this show and he will treat them with respect - now let's watch how he HORRIBLY screws them over in the name of this respectful gentleman persona he lives by, let's watch how he betrays them in the ways that matter most, how he even makes them wish they were dead without personally ever lifting a finger to harm them, let's do some grown-up feminist commentary in Batman for a change and highlight the ways in which men profit from belittling and oppressing and destroying women even when they're pointedly not misogynistic and even self-professed genuine allies to them.

And so it is that the only Falcone mobster who isn't misogynistic towards Sofia is the one who screws her the most horribly. He will murder every man he comes across, he will murder every man he could have been and every man who is even marginally better than him in any way, he will push all of his brothers out of the nest and not tolerate any other big shot in town bigger than him and not even the only man, the only person, in town who loves him will be spared. But he is a gentleman, so he leaves the women alive (well, except for Nadia Maroni, but she was a rival big shot and worse, his boss for a day or two, so she obviously had to go eventually).

I thought about his greatest fear, and it made a lot of sense to me that his greatest fear would be that love is transactional. That if he does not achieve a level of power and give Francis certain types of things that he’s promised her she might not love him. And that informs every relationship he has on the show It was always important to me, and this was always part of my initial pitch, that if Oz was to achieve a level of power—and that is something that was not up for discussion, that was my job that I was tasked with for the season—that he has to lose something emotionally. It can’t come without a cost. - Lauren LeFranc

"the crooked politics that have allowed wealthy elites like Sofia Falcone to wreak havoc". Oz has weaponized the status quo against her so throughly that she is going away under the exact same image that she did it the first time, as a privileged serial killer and Falcone. She doesn't even get to have her new name anymore, and the rest of Gotham does not see her as the new and strange and horrific new threat that she embodied in Oz's life - she is going away as just another upper-class monster like her dad.

The triumph that Oswald has fought his entire life for, the Big One that he's scraped and fought and hoped his entire life would happen and he'd get to show his Ma at the end, the thing that he's going to throw a party for at this moment, is just a politician on tv saying things that Oswald claims he told him to say.

All of our 3 major supporting characters will thus reach the high point of their lives, on the moment before it is ripped away and they are destroyed forever. Francis gets to finally spit all of her hatred back to Oz and take her revenge on him, and her babies appear before her alive and unharmed. Sofia gets to burn down her father and his legacy once and for all, and is on her way to kill her nemesis and finally be free of it all. Victor succeeds in helping Oz win, they have revolutionized the gangs and defeated the big bad Falcone and he's done right by his new family what he couldn't do with his old one.

And of course, Oswald finally wins - he is the last man standing, he's defeated his greatest enemy, he is the big shot of Gotham and his victory is, so he claims, right there on the tv for his Ma to see, he can finally get what he's always wanted now - and then he doesn't, and then his soul crumbles, before he finishes the job by murdering his heart.

Oz didn’t need to do that, like it wasn’t actually necessary. In that moment, Victor did not betray him. He did nothing wrong. In fact, the thing that he did “wrong” in Oz’s eyes is that he loves him and that he cares about him and Oz actually cares about Victor. I think by the end Oz sees that as a really big problem because he loves his mother so deeply and Sofia took advantage of that love, and then it became sort of a weakness in his eyes. Victor saw him at his most vulnerable and for Oz to achieve the power that he thinks he needs, he can’t have that level of humanity. He can’t have that heart with him anymore. So he stifles his own heart. He kills it. - Lauren LeFranc

When he said to Vic in the sewer, “They'll tell stories about us one day, kid,” he meant it. At that stage, he actually saw that he could rise and Vic could come with him. It's only when the vulnerability and the shock of his mother being taken from him, and the place of vulnerability and danger that puts him in, that he realizes there's no more love, there's no more affection, there's no one else I'm going to have in my life that can lead me to such vulnerability as my mother has led me to or as this kid could potentially lead me to. - Colin Farrell

He's not relishing being horrible. When he realizes, "Oh God, Victor makes me vulnerable. I can't have that shit anymore." The way that Lauren wrote it, and the way Colin played, there's such sadness under the horror. You're like, oh my God, how fucked up do you have to be that the one person who you feel you have any connection with now, you have to snuff out because it makes you weak. What happened to you? - Matt Reeves

"You think she forgives me?" Once again, the mask cracks. Only around Victor. Only because of Victor. And he can't have that again.

And thus we get to the final parallel between our 3 side characters - that in the end, all they did was serve Oz's own rise to power, and hand him the world in exchange for their lives. All they were to him were additional steps in the ladder that began with his brothers. Francis gave him his life, his drive, his motivation and eternal justification, the insatiable pit in his gut driving him to do this forever. Sofia got him his promotion to Falcone lackey, and then she got him another promotion by handing him the tools with which he could become an underground boss and rally them, and then she got him another promotion by handing him the keys to his political career on a silver platter. And Victor saved his life, more than once. He helped him, provided the justification he has craved for a lifetime, rebuilt him, gave him his revolution, gave him the streets, and showed him the last thing he needed to kill to make it to the top.

Wow man let me tell my good friend, The Family Butcherer, who butchers every family he gets his hands on whether a crime family or a literal one, how much I think of him as family.

"They don't give out awards for dying in the projects"

Just like with Squid, Vic's emotional intelligence dooms him. He sees this man whom is like family to him brought to his lowest point, crushed beyond measure, in what he assumes was just a phenomenally terrible stroke of fate and not something he had any blame whatsoever for, and reaches out to pat him in the back, emotionally reassure him that it wasn't all for nothing, that his family would surely be proud of him, and that there's things to look forward to.

Vic threw away his chance to walk away into the sunset with Graciela and he just had to come back to save Oz (AND Sofia, the one who'd bomb his neighborhood) from the Maronis, the least of all possible evils in his life and his city and who never even noticed him. Victor only narrowly missed out in 2 situations that Oz would have absolutely left him to die in, so there just had to be a third where he'd die in the absolute worst way possible. Not with Sofia's gunshot to the head, not bombed to rubble along with his neighborhood, no, Mr. Carmine 2 had to make it as painful and intimate as possible.

Vic the only Number Two in town who couldn't kill his boss and in fact never even considered doing so, and so he dies - there is just no room for him anymore, not in Oz's life, nor in the new Gotham that the two built together.

LEFRANC: "You see Oz become this next level monster, I remember the take too. Jennifer and I look at each other, Colin transforms his face in this really remarkable way, that I don't think any of us fully anticipated could be achieved in that way." - The Penguin Podcast Episode 8

I knew that the general sentiment was that, by the end, they kind of wanted to, in a way, kill the Oz that we met in the film. I felt that there was a sense of creative responsibility that leaned towards, “We cannot have this man as a likable character,” which is hard I think they wanted that in the earth by the end of the eight hours. They wanted that RIP. That's gone. I hated that scene. I really did. I was fucking so pissed off. It felt in performing it as — guess what? — you would like it to feel in viewing it. It felt gross, it felt cruel, it felt absolutely insane, and it felt like Oz was reaching a point of no return. - Colin Farrell

So the day after I watched this episode, my friend Lucas messaged me in the afternoon sending me audio messages, "Son of a bitch! Son of a bitch! He stole his identity, he didn't even die with his fucking name! They'll never find him! Fuck, goddamnit!" "ELE MORREU COMO INDIGENTE, PORRA" and, yeah. Yeah. That gets to the heart of it.

If Vic was just a guy taking his money, if Vic was purely transactional, if he was just another Link, he'd have made it. Oz wouldn't have given a shit about him, Oz would have died on the sidewalk when the Maronis hit at minimum. All this piece of shit wants is love, and when he gets it, when it's finally non-transactional, from the ONLY person in the entire show who loved him, he has to kill it, he doesn't know how to deal with it, he has to smother his heart.

He has to become Carmine Falcone 2, strangling the poor and vulnerable of Gotham while pinning all of his crimes on Sofia.

Vic just wanted his family back, man. He just wanted a family again, to at least show his family that they didn't die for nothing. The thing that Oz spits in his face as he dies. It wasn't for nothin.

This show has so many dozen little variations of Penguin getting his heart broken and retaliating cruelly, but this one hurts the most partially because it has no basis whatsoever on any pre-existing insult or cruelty, there was nothing that warranted this, and you still get why Oz felt that he had to do it. The lowest, weakest moment of his life, and he can never permit anything like it ever again.

Victor was his heart, and The Penguin remembered that his heart only exists to be broken.

Victor punctures the illusion, and he cannot have that. Everything about The Penguin hinges on that singular fact of his life: he cannot and will not break character. He cannot break character, otherwise he dies, otherwise Gotham City will eat him alive, otherwise he has done it all for nothing. That is the ultimate threat Sofia posed to him, and why his ultimate victory comes only from creating a perfect delusion and spinning everything that happened in service of it. Because all those things said at Monroe's? They weren't true - his Ma, y'know, it was just her disease acting up, that psycho did something to her, she wasn't thinkin straight, and it was really Sofia that stabbed him and did all that fucked up shit, and his Ma is really happy that she got the penthouse in the end and that he didn't put her down, look, she's crying tears of joy even, I gotta keep doing everything for her.

Everything and everyone in his life, he can spin in service of the delusion, they can all play dress-up with him forever, except Victor. Victor may not have the slightest clue as to what Oz actually did, but he's seen too much, he knows he has vulnerabilities, he knows the thing that Oz needs to bury far, far more than all the horrible things he's done. Killing Victor is maybe the one thing that he absolutely cannot in the slightest spin a decent delusion out of, that he did it for him or did it for noble reasons or anything other than out of disgusting self-serving weakness.

But who's Victor? Some kid who died in the projects and didn't even have a name? Someone with nobody left to mourn him, not even a street to get back to, nothing but a guy who's already forgot him?

That Victor Aguilar? Never heard of him

“I will never think my mother doesn't love me. She was having a bad day when she stuck that bottle in me. She was under a lot of pressure. She nearly lost her finger. She stuck a bottle in my belly. It was a bad day. She didn't get a good night's sleep the night before.” It's that kind of thing. He'll make up fucking whatever. He's already lying when he goes, and he's stitching up his belly, and Vic says, “What happened?” And he says, “Sofia, she stuck me with a bottle.” He's already beginning to bury the truth. - Colin Farrell

He needed your love, and then you didn't give it to him, and you didn't obey, and you didn't do those things that he needed, and then you mentally aren't there for him in the way that he needs, but he's got to physically keep you around because he's too weak to not do that. He can't give you the gift that he promised you in Episode Six, he's too weak of a man to do that. And so he needs to hold onto you, but under his terms. - Lauren LeFranc

There's a thing that happened on that last day that made my blood run cold, which was I felt Oz not love me anymore. I felt his coldness, and I think that Francis felt it too, and she always had so much of his attention and so much of his love. I don't even think she realized how much she had until he withdrew it. And when he withdrew it, it was utter and… slightly terrified. I was just lying in that bed, I just felt the love leave the room. It's a real thing, and it's gone, yeah, and I think Francis feels it, too. - Deirdre O'Connell

He's this man who is clawing his way to the top, and I knew he wanted power, but what what does that mean for him? That's where I started to conceive of like, he wants his mother's love, and he wants people's affection. He wants to be revered. That was like the main thrust for me of what defines power for Oz, and then by the end you realize that, when he doesn't get those things, he doesn't get his mother's acceptance, he still gets it. He makes sure he gets it. - Lauren LeFranc

So bowled over and miserable I was that I didn't even notice until later that he was wearing a version of the classic Bronze Age/Triumphant get-up.

If the pattern of his life is unjustifiably cruel retribution for slights and insults, perceived or not, by the end Francis had done it to him as well. That she never loved him and in fact always hated him more than anything and anyone else is the biggest insult of all, and so he punishes her the most cruelly, knowingly or not.

"You are who you are, and you couldn't change if you tried."

He will never stop telling Rex Calabrese stories, he will never stop bringing up his brothers and mom as a sympathy ploy, and even if he will never truly love her again, he will never stop ruining the world in her name, he will never stop, he will never stop, he will never stop.

You had to sit through 8 hours chipping away at all of his fun and charm and wacko comedy antics and motivations and all the scruples and principles that he turns out to have less and less of, until he butchers them all in the very end along with the heart of the show. Penguin burning through all of his lovable quirks and charm, everything that we loved about him in the movie, until he comes through as a black-hearted bastard of unlimited malice who will never stop growing and getting worse and putting more lives in danger. Not only as much of a lowlife backstabber as we initially assumed him to be in the movie, but far worse than what we could have imagined.

I said as much that the first episode marks the transition from The Batman to The Penguin with the titlecard, and this brings it back around. The show dies with Victor, we get Sofia's post-credits Nick Fury Tease with Selina's letter and with Selina's theme playing and a final grace note of hope for Sofia, and thus the only character in the show to end with anything resembling positive, and then we get the first scene of The Batman Part 2. showing us the horrible thing in this world that Batman will have to defeat for us.

RIP Bella Real, we all know this asshole is gonna become mayor, and he's not waiting for the next election.

Credit to @book--wyrm for pointing out one more horrible fucking thing, that at the final dance, his hands are covered in scratches, much like the hands of Carmine Falcone when he comforted Sofia.

“One of the very early things that Lauren pitched was that ending with Eve where she looks like Francis,” said Reeves. “He can’t get what he needed from his mother because she’s no longer in that state because of the dark events and what he’s done, so he recreates it in this other way with Eve, and it’s very disturbing,” said Reeves. “That was something we thought was a great idea and was so emblematic of this guy’s internal state. It’s like, even as he now seems to have gotten that first major step toward being the kingpin, you know that some part of him will never be filled. - Matt Reeves

When I read that, I was like, “Oh my god, we're going full Bates Motel here.” But again, it speaks to what has become a pathological inability to accept the world that he has played such a heavy hand in creating. As far as he's concerned, he's just doing what he needs to do to live the life of a good son. And look, his mother can't talk anymore, so he needs a surrogate. I mean, it would be kept out of the sexual realm — it wasn't about that. It was about the intimacy and the tenderness and the pride that Oz always so deeply needed to feel his mother had for him, and pride in him, that he never really got from her. The one time when he finally can say to her, can go to her bedside and say, “It's done. Everything you said that I was capable of, everything you said that I should aspire to, it's done. I am now the boss. I took it from everyone else.” And he gets nothing back. His mother's already gone. That's just too horrific for him, so he needs a surrogate. He would say to Eve, “Look, I'm grieving. I'm finding it hard to deal with the fact that my mother's alive, but she's not here. She's gone, but she's fully present at the same time, physically, but she's nowhere there. She doesn't recognize me. I don't recognize the woman she's become. Do me a favor. We used to dance together and talk at the end of the night. Would you put on her dress and just let me pretend?” But it was twisted. It was twisted, but I dug it. He needs it from his mom so much. And again, his imagination is so potent that he just cast her as that figure, that most prominent and most powerful figurehead in his life, which has always been his mother. She's got to stay alive. He's got to hear that he did well from her. He's got to hear that she's proud. Look, by the end, he's bananas, as they say in the film. Good cop, batshit cop. At the end, he's batshit. - Colin Farrell

Remember when this show had fun Dolly Parton end credits, remember when this almost looked like it was gonna be fun and light-hearted compared to the movie and The Riddler: Year One

So turns out all along they actually had something real twisted planned with the name Karlo, and the Clayface concept that evokes. Asking his prostitute girlfriend to shapeshift into his crying comatose mom in the room upstairs so he can finally get the dance with her atop the world that he craved his entire life and have her tell him how proud she is that he ruined everything forever.

It is not a good ending, but it is his happy ending. He achieved everything he wanted in the smallest possible amount and at the highest cost imaginable, and thus he burns more than ever to take more and more in the name of a satisfaction he will never, ever have. He ended his arch-nemesis, and he didn't have to kill her, that's not what a gentleman does. He got the streets, and he's poised to take political power, and there is nobody left to care about, nobody except the only person who's ever mattered. He can still keep taking care of Ma as a justification for all the shit he will do now and forever, but he doesn't actually have to take care of her anymore, he doesn't even have to love her or grovel her for validation anymore: He has a Ma who will tell him everything he wants to hear, forever.

Of course, he may not have his three dance partners anymore - his Ma is in a vegetative state, Sofia has been locked away once again, and that kid, what was his name again, ain't around. But then, he will simply move on to new ones: He didn't actually lose his first dance partner, his Ma is fine, look at her telling him how proud she is of him and everything he's done and how unstoppable he is now. And he has a new partner in City Hall who is all too eager to play along to everything he says and does, who will receive and spit back his rhetoric just as Vic did to the streets of Gotham. And if he's defeated his nemesis and dance partner, well, not for long. There's a new one waiting for him. He never wins without losing. He will never again live without his next dance partner there to hound and foil him at every turn. There will always be something in the way.

It was exciting to me, the idea that we’re going to meet Oz as a mobster, and to play him as just a man. There’s nothing fantastical about him. There’s so many people like Oz in our world who hold a lot of power, who also connect with people because they speak, on some level, the truth. They can be charming and engaging, but also really terrifying and calculated, and not necessarily doing what they say that they will do or caring for people in the way that they say that they will. It felt so timely and so important to really engage with a guy like Oz and not turn away from him, but actually turn towards him so we can start to unpack, in our own society, what makes a man like Oz so appealing, and what makes him equally appalling. - Lauren LeFranc

I think Oz has always been someone who believes that everything he’s saying in the moment is true, and he creates worlds and illusions for himself to merit his actions. He does it sometimes very briefly in impulsive moments, and then sometimes more methodically, and in the end the fact that he didn’t get from his mother what he’s always desired isn’t good enough for him. So he has to create this strange fantasy live in this delusion of his own making, and pay Eve to dress as his mother and force her to tell him he she’s proud of him. So mentally, emotionally, Oz is embracing his own delusion. I think, for the audience, I hope they more deeply understand him psychologically and realize that there is a deeply broken man inside. He is violent and problematic and and very emotional. And that’s really the man that will carry into the next film. - Lauren LeFranc

And it has to end in a total reversal of the movie ending - The Batman ends with showing there is a light in the darkness, that this tortured broken man can fix his mistakes and lead us into something better. The Penguin ends by grabbing your face and desperately yelling at you SOMEBODY FUCKING SAVE US, HE WILL ONLY GET WORSE. The Batman ends with telling us Batman can save us all, and The Penguin ends with telling us Penguin will kill every last one of us in real life if he hasn't already, if nobody stops him.

And so I'll leave these last partings words to the Penguin Braintrust as we close off this series - see you all in therapy and in theaters when The Batman: Part 2 drives us all completely insane once more.

@wil4x

I don't think this Penguin is someone Batman can tolerate, I don't think Bruce can ever save Gotham's soul with a force of corruption as big as Penguin taking root in the seats of power. No amount of informant work can justify letting a monster like Penguin stay "King of Gotham". I think there's an argument to be made that Oz is a bigger threat to Batman's overall long-term mission than guys like Joker or Riddler. Those are huge immediate threats, but Penguin does a lot more long-term damage to the very soul of Gotham and its people. As long as The Penguin is on top, there's no hope, Gotham will never not be the most corrupt and nightmarish place on earth with him in charge

@book--wyrm

He will truly climb anything no loss so great it can't be flipped into an asseet A nuke Francis armed out of pain and grief and desperation and despair And poor vic Only wanting to do good And instead he saves gotham’s own typhoid mary of misery

@davidmann95

so the thing is Oz kills hope for Gotham forever in this

he's replacing the mayor who stands for hope at the end of The Batman with a corrupt comics rando built on a lie so he can install himself as the power behind the power forever Batman can't be alluded to in the slightest until the very end because it can't be until there's no lingering 'aw, I don't want my boy to get Batman'ed' it can't be until we understand truly and completely why this man proves the necessity of someone out there to stop him

The other stabs at this with Oswald, from what I’ve seen, are trying to make him low-down and dirty and vile enough to be a ‘proper’ Batman villain. But this already made him low-down and dirty and vile. And made us love him for it. This isn’t about ‘fixing him’, this is about taking him all the way to the top He’d accept no less

This is about making him operatically nightmarish enough to be a guy Batman is going to fight forever

Lucas

VENGEANCE, GET OUT RIGHT FUCKING NOW.

[respectthepetty]

The Loyal Pin - Episode 5

To know if a dish is good or not, pay attention to the tortilla. If someone eats the entire plate and the tortilla, the dish is fine, but if someone eats the whole plate, then uses the tortilla to clean the plate, that dish is one of the best damn meals ever eaten.

The Loyal Pin is a plate cleaned with a tortilla.

Because just like Pin's amazing dishes, it's fucking delicious!

To begin this episode with Pin running away from Anin and locking herself in the room WHILE IN ANIN'S BLUE and Anin crying outside to be let in is exactly how I want my meal served!

Because Pin loves this Blue Beauty but she cannot bring herself to admit that such a love is possible.

So having Anin give her color and her love to Pin only to be left standing outside alone is the exact angst I needed from this sixteen-course meal.

Anin is making herself sick as she is quickly shut out, but all I know is Becky and Freen better win all of the awards because we are only five episodes in and I. Am. Invested!

Pin shows Anin she still cares by cooking her favorite meals, but she cannot bring herself to face her because she knows what is in her heart. Her pink is so light, it's almost white, yet her skirt is lines which shows Anin is always on her mind.

She is barely herself and the servants are running scared going as far as contemplating eating the food just so Pin will snap back to herself.

So by time her mother returns (still not in her color!), Pin has started turning into an AKA with the pink and green (This is a Greek-letter org joke, but I don't want no smoke from them very kind and fine ladies. They have phenomenal branding is all I'm saying, so good for them. Please and thank you.)

But, thankfully, Prik is a real one and quickly runs back to her princess upon her return only to find her talented and intelligent Blue Beauty passed out on the floor, so my girl runs to save the day.

Because Anin truly has made herself sick over Pin's rejection.

And her color-coded brother is freaking out already making arrangements for his sister-in-color and blood to move back into the big house immediately!

Luckily, Pin decides to take it upon herself to lift Anin's spirit, so Anin takes advantage of the situation and tries to lift some other things as well.

But that backfires and Pin reinforces that she feels nothing for Anin which makes Anin a different kind of blue.

And just like that, Anin loses her color!

She is putting on a brave face for her brother, but then she gets hits with even more bad news from her other color-coded brother.

Ueangfah's father has died!

But leave it up to the realest one in the house because Prik makes sure to always stay loyal to her beautiful and intelligent princess by spinning this dark tragedy into a golden opportunity to make Pin jealous! Sidenote: can we all appreciate the button on Looknam's top that is fighting for its life because it was all I could think about in this scene?

And BOOM, just like what I wanted to happen to that button, Pin snaps and is fully back in her pink color with a knife in her hand and jealously in her heart!

Sorry for your loss Ueangfah, but whatever gets the plot moving works with me.

Pin isn't afraid of what is in her heart anymore. She is a Pink Person once again in her floral skirt!

So once her mother returns (not in her color, so now I'm very worried!), Pin wears her pink skirt with lines for Anin and runs straight over to The Palace of Pines when she hears Anin is back.

Because even though Anin lost her color for a moment, she is as radiant as ever in a blue floral dress. It's clear her heart still belongs to Pin and @babyangelsky and I cheered!

But now it's time for Pin to give her heart to Anin (as well as a few other things).

And we finally got the title-relevant pins!

SO LET'S GO, LESBIANS! IT'S YOUR TIME TO THRIVE!

(well, until the angst returns again next week but until then . . .)

LET'S GO, LESBIANS!

[fairyhaos]

how seventeen end up falling for their s/o

requested by anon: "i wanna know from your opinion, things that make svt fall in love with their s/o? "

masterlist

seungcheol

your unwavering faith in him. there has never been a moment where you doubted him, nor where you doubted your love for him. you're always, always letting him know how much you trust him, and how much he's able to trust you in return, and even if those displays of faith are small, they're there, and knowing that you have his back is just one of the many, many things that made him lose his heart to you, honestly.

jeonghan

the way you made him work to gain your trust. jeonghan knows how to work hard, has had to for most of his life, but it amuses him how you're not falling into his lap instantly. it made him want to get to know you more, wanted to truly work to gain your interest, and as he's sitting there and thinking about how your relationship had progressed to where you are now, he knows that he wouldn't have loved it if you had been anything else. 

joshua

because you love him too. he loves you because you are so loving yourself, so free and willing to express just how much he me and to you, and in this way it makes him love you even more, because in being so loving it makes you an easy to love person too. he loves how you make him feel, and he wants you to feel the exact same way because of him as well. 

junhui

your willingness to go along with anything he does. sometimes, he does get insecure of himself, unsure of if he's doing the right thing, but you're always there to take his hand with a smile and say that you'll have a go, that you'll be there with him, that you want to see how it turns out too. it gives him strength, someone to smile with, and he loves you all the more for your willingness to stay by his side. 

hoshi

the push and pull of your dynamic. it wouldn't be fun if you just fell right into his arms, would it? he loves how you balance each other put perfectly, with him bright and hyper but quiet on the inside, and you being the exact opposite. it makes everything with you all the more interesting, and it means that you just understand each other perfectly. even if you look like you'll do anything but that. 

wonwoo

how bright you are. your unending enthusiasm, your chipper nature, the way you're so bright and lovely and make him smile no matter what you do. he's a quiet person, leading a quiet life, but then you came bounding up to him with your blinding smile and he realised he wouldn't have his life any other way. 

woozi

your endless understanding. woozi is not an easy person to understand, he gets that, because sometimes he's too snappish or too intimidating-looking and sometimes people don't want to take the chance. but you did, and you stayed, and he loves that you made that move to truly understand him because really, he thinks he's his realest self when he's with you. 

minghao

your warmth. minghao strikes me as someone who loves the brightness and positivity that others have, their vibrant nature, the way they make everyone feel warm in their presence. but with you, he's noticed that it's like lying on sun-warmed flagstones rather than being thrust under the heat of the sun. comforting. safe. 

mingyu

how you're always ready to tell him how proud you are of how he's doing. mingyu needs words of affirmation like he needs air, and to hear such words spilling out of your mouth so effortlessly like you were made to say them has him staring at you, starry-eyed, realising that he really does love you so much. and when he says "i love you" once you've finished talking he really means it with his whole entire heart

dokyeom

he's always been in love with you. from the moment he first saw you, from the first time he ever learned your name, he knew he was going to love you. love at first sight, if you will. he'll always trust his instincts, and his gut told him that you were someone he would love forever, and you know what? is instincts were right. because from that moment on, he's been in love with you. always. 

seungkwan

the quiet way you love him. seungkwan likes to fly, likes to soar in the skies amongst success, but it brings him comfort to be able to fall into your arms. into your unquestioning love, the gentle, calm, reassuring way you'll always be there for him, and perhaps it's not a loud love but it's there, and he appreciates you all the more for being there in that way. 

vernon

he's not entirely sure. that might sound terrible, but it's simply because he really just doesn't know. for him, he can't pinpoint which exact trait or characteristic of yours made him fall for you, because all of you is just so, so wonderful to him. it's a bit shallow to just say One thing was what made him fall for you, anyway. he just loves… you. 

chan

because you're just like him. you match his energy so, so well, understand him in the blink of an eye and it's almost as if your brains are wired identically, able to pass signals seamlessly as if you are one. it's a soulmate kind of feeling, he thinks, and having found someone who is exactly like him in so many ways is just one of the many reasons why he fell. 

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[astermath]

nemesis; part two.

pairing: carmen berzatto x fem!reader

summary: with carmen reworking the restaurant, you’d think his mind would be far too occupied to even think about anything else. yet he can’t shake the guilt from what he’d put you through a month prior. after some talks in therapy, he decides to take a leap of faith and see if he can talk it out with you. he not only wants to convince you that he can be better, but he's got an offer for you too. one you truly can't refuse.

♡ landing page ♡

word count: 4.9K

tags: carmen being unsure about his feelings but trying to be better episode 3265742, letting reader in a little more, APOLOGIES!!!, cursing ig, carm goes to therapy yippee, syd being the absolute realest, regular font below!

notes: sorry this took literally forever omg, I lost my carmen muse for a bit but we are SO back baby. I missed him so much and so sorry if some things don't follow the canon completely (I've been watching season 2 on and off bc I've been so busy lol BUT my fics never follow the canon completely anyways),, hope u guys enjoy and let me know if you'd like a part three ;))

lmk if you'd like to be added to the tag list for further carmen berzatto related content! comments and reblogs are highly appreciated!

Carmen’s life hadn’t known a moment of mental rest in ages. If you asked him when he last sat down with his thoughts or acknowledged his mental anguish, he probably would have said he couldn’t remember the last time. If ever.

With plans to completely revamp The Beef and everything that came with it, now his feelings should be the last thing on his mind. Renovation plans, unforeseen costs and a completely new menu, sure, he could worry his ass off about those, but feelings? Absolutely not. Good thing he was usually so good at suppressing those anyways.

So why was it that he couldn’t shake the thought of what he did to you?

Why, every time he had a moment to himself, would he be overtaken by this intense feeling of guilt? He didn’t even have to be alone, just a second of quiet and the image of you crying in distress would intrude on his thoughts.

It was getting to a point where he’d told his sister, Natalie, about it. Well, not all of it, he wasn’t even sure if he knew all of it. Just that he knows he hurt you, and that coming to terms with what he projected onto you might be a good first step in understanding himself better.

Or maybe it was something more along the lines of “I gotta talk my shit to some people”. Probably that.

To his surprise, it was actually helping. Besides the group therapy sessions where he’d talk about Mikey, the business and his future, he was talking to other people in his life too. Even told Sydney about you, kind of on accident. The words just seemed to… Flow out. It was probably the exhaustion doing its thing.

“I guess I just felt like,” he kept his eyes on the floor he was sweeping, “she was doing it all to fuck with me. I don’t even know where I got the sick idea that she had some obsession over me, but it— it drove me at the same time. It’s like her being on my heels at every aspect of culinary school just made me want to try even harder.”

“Maybe you painted her in that light because you knew it was a good way to keep pushing yourself.” Sydney spoke almost absentmindedly, sweeping the other side of the room. She listened to everything he said in the meantime, and though what he was telling her was a bit worrying, she was glad they got to have talks like this. Carmen often doesn’t like to bring up his past like that.

“Huh,” he paused sweeping for a moment, “yeah… yeah, maybe. Or maybe it was something else.”

Sydney wasn’t even sure he knew what he was referring to. It sounded like something entirely different, like a crush, but what kind of person treats their crushes like that?

Probably an overworked, pressured, overachieving culinary student with a dangerous need for validation. But she wasn’t about to tell him that.

“So yeah, I visited her restaurant, and… It just felt the exact same as back in New York, you know? Like she was rubbing it in my face again, and— and I know that sounds insane, or conceited, but I just can’t let it go. It’s like the thought of her is stuck to my brain like a stubborn piece of gum.” He wanted to smack himself for that stupid analogy, but what was said was said.

“So how’d you handle it?” Sydney’s head perked up, some of her braids now draping over her shoulders.

“Handle what?” Carmen became more and more uneasy the more he talked about you. Like his chest was tight, it was uncomfortable, but not in the way he was when the health inspection came by, it was different. Weirder. Unfamiliar. He didn’t like it, because he didn’t understand it.

“The talk with her.” She emptied the last bit of dust into the trash bag.

“Oh,” his mind took him back to the parking lot a month ago. The way he could almost taste the tears of your skin from how close he stood, he could hear the shakiness of your breath and the profound desperation in your voice when you apologized to him, when you really had no reason to.

If it was still so clear in his mind, then what must it be like for you?

“Carmen?” Sydney snapped him out of his oncoming train of thought.

“Yeah? Sorry, I— Uh, I don’t know it was…” He runs a hand through his hair, suddenly finding it in his best interest to look anywhere else but her face. “Bad. It was— It was bad.” He looks a bit shameful when he meets her eyes. “I fucked up. I like, went all New York boss on her. And then I just… Left.”

His colleague just stares at him for a moment. She knew what he was like when he snapped like that, but that was with his staff, people he liked. So how badly did he snap on you, a person he’d been resenting for years?

“I’m gonna go take out this trash, and uh… Head home.” She lifts the grey plastic bag she was holding. “But uh, Carm?”

“Yeah?”

“You got issues, man.” She has a bit of an awkward smile on her face, but he knows she means it. He knows she’s right. She usually is.

He nods, silently, letting her words sink in. He did have issues, everyone knew that, but most people didn’t just say it. That’s why he liked Sydney, she was so real, so honest. She was so good for the business, for the kitchen. And maybe her saying that to him was all part of grounding him in the reality of it all. Of his issues, just that they existed.

“Heard.” he says. His voice comes out raspier than he expected, like he’s struggling to say it.

“Goodnight, chef.”

“Night.”

He’d thought about what Sydney said the entire night. He does have issues, he knows that, he’s just mad at himself for letting everything get this far before seeking help. It scares him. Because it reminds him too much of Mikey. Or what he heard about him when things got bad.

He doesn’t want to make the same mistakes his brother did. Lock people out of his life just because it seems easier, because it’s better to minimize the damage than to figure out why you’re doing damage at all. And yes it’s uncomfortable, yes it’s scary, terrifying even. But he keeps being reminded of how it must feel for you.

It’s something he’d never considered before. He always thought he had you all figured out, all fake smiles and backhanded compliments to distract him. It never occurred to him to just… Ask. It was always just easier to assume. It fit his view of you and it kept him going, even if it was at the expense of ever getting to know you at all.

He’s hoping he can change that with a few text messages and a long, probably uncomfortable, talk over coffee. Just hoping, trying, that’s really all he can do. He’s well aware of how bad he is at communicating, but he has to give it a shot. For you, at least.

He stares at his phone screen for far longer than is necessary, continuously rereading the messages he’d typed. His eyes keep flicking to your contact, making sure he sent it to the right person. The only thing you two had texted about before was a time and place for him to try your new restaurant. His heart aches at the exclamation points and emojis you’d sent; you were so excited, and he drove all that excitement straight into the ground.

He closes his eyes and shuts off the phone. His chest hurts, like he’s been holding his breath the entire time. Maybe he has. You could have that effect on him, making it harder to breathe. He always wondered why he had such nervous reactions around you specifically. He always figured it had to do with your one sided rivalry, but it feels… Different. More complex.

Your eyes are finally peeled off your computer screen when numerous phone notifications alarm you. Truth be told, you’ve been trying your best to keep yourself occupied as much as possible. That usually helps when you get waves of emotions like this, keeping busy, distracting your mind from overthinking.

Ever since your last encounter with Carmen, you’ve been so on edge. Always trying to do something, anything, so you wouldn’t have to think about what happened, why he acted like that to you. Because you know if you did, you’d just start blaming yourself again, and you’d be back to square one.

Your eyebrows raise at the name of the contact. You were sure he’d blocked you, or at least deleted your number after last time. He was avoidant like that, and frankly, you weren’t sure if you wanted him to talk to you again after that anyways. Maybe it was just to drive the point home, make you feel even more worthless.

Still, you were curious. Even if it was just to cuss you out even more, at least you knew what to expect, right?

[carmen]: hey, I really want to talk to you about what happened last time.

[carmen]: well

[carmen]: I want to apologise

[carmen]: but I can’t do that like this

[carmen]: I’d much rather do it in person

[carmen]: if you’d let me

[carmen]: meet me at odette’s tomorrow around 10? coffee’s on me, I just want to talk

[carmen]: please

The last message was sent minutes later than the rest, while you were reading them. He was desperate for an answer, and though you wanted to hear him out, to talk to him, something in you felt off about the whole thing. Like he was just doing this to clear off his own guilt, only to then ditch you just like he ditched you after culinary school. Because you’re rivals, apparently. That’s what you do.

But then there’s something else in you too. The part that’s still nostalgic about New York with him. About the glances back and forth when you were timed on preparing certain things, about the way he’d stare at you when you got feedback, the ignorant bliss you lived in. When you still believed he might have liked you just a little.

That part of you takes the upper hand when you reply and take his offer. Your heart is in your throat, nerves overtaking you already and you weren’t even with him yet. He had that effect on you sometimes, making it harder to breathe.

You wondered what that meant.

Carmen sits alone at a booth, all the way at the back of the café he’d chosen. It’s rather quiet, as most Mondays are, yet at the same time, it’s so loud. Loud in the way he hears the clinking of every spoon against porcelain cups, the crinkling of a napkin and the not so subtle ticking of the clock above the entrance. 10:06. You were late.

Suddenly he's filled with more regret than he's ever felt before. He's not ready to see you again, only to be reminded of how he made you cry, and of his own tumultuous emotions and shortcomings that lead to this moment. It's surprising how fast the emotions he associates with you changed; he's not angry anymore, he's scared, guilty, nervous. He wants to see you so bad and yet he feels like you'd be better off never talking to him again.

It's too late to make a run for it when you finally walk through the door. Hair a little damp from the rain, just a bit disheveled from what he could only assume to be rushing over to the café. And that same angelic smile you offer to the barista that greets you, the same one you'd offer him every morning, whether he looked at you or not.

He had no choice but to look now.

Your smile falters into something more nervous, a little melancholic, when your eyes meet his across the café. Though you knew he was going to be there, something in you feels surprised to see him again. Maybe it’s because he isn’t yelling at you or throwing insults at your head this time. Or maybe because he’s actually looking you in the eye. Since when did he get so good at that?

You sit down across him, taking off your coat and putting your bag besides you.

“Hey.” You smile again, much more awkward this time.

“Hey.” He returns the same thin lipped smile.

It’s quiet for a few seconds. Carmen swears the whole café has gone silent in that moment, leaving the two of you to listen to the sound of your own breathing and heartrate picking up. You’re not sure where to look, not being used to being in such an intimate setting with him.

“Do you want a coffee?”

“Sorry I was late.”

You both talk over each other, and the urge to chuckle about it overtakes you. Carmen can’t help but smile as well. You seem nervous, and somehow that puts him a little more at ease. Like he’s not the only one who’s in their head about it.

“Sorry, I, uhm, yeah— I would like a coffee.” You scramble over your words. “Please.”

“Sure,” he nods, “and no worries.”

“Hm?”

“That you were late. I haven’t been here that long either.” He lied. He’d been there half an hour early, cursing himself for letting him sit along with his thoughts for that long and psyching himself out into almost leaving.

You both order and another heavy silence sits between you two. You both know why you’re there, what needs to be talked about. Yet neither of you know how to bring it up.

You’ve lived most of your lives believing this version of each other you had in your minds. Because it kept you grounded. Because it was easier. He never let you in and for the longest time, you were at peace with that. You could have a slightly distant view of who he was, your classmate, your rival. And he could do the same. Keep you out, pretend you were there to keep him on his toes, to always try to outdo him.

Those facades of each other don’t work anymore. The real world has forced you to reconcile with each other, whether you liked it or not.

Your coffee gets brought to your table, and both of you feel this urgency to say something, anything, at least.

“The pastries here are good too, if you want to get one.” He finally broke the awkward silence. He can start with talking about food, something he knows. If all else fails, resort back to that.

“I haven’t tried a pastry besides my own in a long time. Maybe I could learn a thing or two here.” You admit. He knows that feeling. He’s not nearly as adventurous with his food choices as he wants to be, but as a busy chef on the brink of a new entrepreneurship, it’s usually beef sandwiches and frozen meals.

“I think yours were better though.” He takes a sip of his coffee.

“Huh?” You look up, realizing you were avoiding eye contact by staring into your cup.

“The danish I tried at your place. It was fire.”

“Oh. Right. Thank you, we make everything from scratch.”

“I could tell.” He takes another sip. “I guess I— I kinda forgot to tell you that. In the heat of it all.” He huffs to himself. “Food was so good it made me upset.”

“Upset?” His word use frustrates you. Upset is when they forget to give you your sauce with your order. What happened back there was not upset. That was rage. Wrath. You raise an eyebrow and he realizes he said something wrong.

“Well, more than upset. Listen, I— We need to talk about what happened.” His blue eyes peer into your own. They’re almost distracting enough to avoid you noticing his fidgeting hands.

“I’m listening.” You lean back slightly in your seat. You’d played nice with Carmen all your life, given him every chance to return it. Now it was his turn to try.

"Right." Of course he has to talk. It's his fault, isn't it? He's the one who snapped-- why did he even imply you'd have to explain yourself? He runs a hand through his hair, and there he goes again, eyes darting across the café to find something to focus on as he sought out the right words. You'd almost find it endearing, how bad he is at this, if it wasn't so important to you.

"You don't do this often, do you?"

"What, like-- meeting up for coffee?"

"Talking about stuff. Your feelings and shit." You hid your slightly amused smile behind your coffee cup before taking a small sip.

"Oh. Yeah, no, I-- I don't. Not until recently." He takes a deep breath. Just like they had told him to. “I’ve been going to this therapy thing my sister recommended. S’not much, but… It’s a start. Talked about the restaurant, my brother—“

“Your brother?” Your eyebrows raise slightly.

“Yeah, my— my brother. Mikey.” He looks a bit surprised. He’s come to the shattering realization that he’s never told you anything about his personal life, ever. You don’t even know about one of the most important people in his life, his main drive. You’ve known each other for so long yet you know so little. “I never told you about him?”

“You never told me anything.” You answer curtly. “We never really… Talked, you know?”

“Yeah— yeah, you’re right. I just thought… Wow.” He smiles, more out of shock than anything. He feels so stupid. How immature is it to be feuding this much with a person who doesn’t know anything about you?

“I guess I really don’t know much about you either.” His fingers rake through his messy curls again. “Makes me feel like even more of an idiot for going off on you like that. Like I had you all figured out.”

“Yeah, that was uh... That was something." The mood shifts a little. His smile fades as soon as he sees the melancholy in your eyes return. Of course it wouldn't be that easy for you to forgive him, to feel better about all this. "You know, I never knew you thought of me like that." A small smile graces your features. Somehow it's sadder than the expression you had before.

"I mean, I knew you didn't like me. I was pretty much at peace with the fact that you were never going to like me, either. But I never thought you hated me that much." You sniffle, trying your hardest to blink away any oncoming tears. "Like your life, your entire career, would have been easier without me there at all."

His heart aches at the sight of you, all teary eyed and trying to be brave. You're much braver than him. Sadness is a much harder thing to express than anger. He's starting to figure that out more and more.

"I don't hate you." He starts. He sees the confusion contort your features, and he knows he's not making any sense. "I mean I did-- I did hate you. Or, maybe not you, just... The fucked up idea I had of you. And-- and that was on me, that was my own fault." He feels an urge to touch you; to rub your back, hold your hand, anything to comfort you. It's tearing him apart to know that he's the cause of all this.

"But why?" A single tear rolls down your cheek, leaving a wet streak on your skin in its wake. "Why did you think that about me? I-- I get that we had a little rivalry going but jesus Carmen, did you really think I spent my whole culinary school career trying to outdo you?"

"To be honest... Yeah." He feels ashamed. So ashamed. He hopes the waitress doesn't walk by and listen to any of this, see you crying, and make you feel even worse. "Cooking was always just... My thing. If I was good for anything, it would be that. So seeing you do so well at something I'd started to base my whole existence around, it made me jealous, so fucking jealous." He meets your eyes, even if it's hard. You have to know he's being sincere.

"And it's-- it's unfair, it's so unfair to you, I know, and I'm really fuckin' sorry. I'm trying to work on myself, on everything, and I hope I can prove that to you." His face has that red tint you recognize whenever he's nervous or stressed. You can tell this is taking a lot from him.

"Is that really all? You were just jealous?" Your voice is quieter, fragile almost.

"I don't know. I wanna think it's that simple but I really don't know. There's a lot I don't understand about me, or you, or us. My mind doesn't know how to react when I see you anymore I think, now that things are different." He takes a deep breath, like saying that took a physical toll on him. "You have this-- this weird effect on me, and I don't know how to cope with it. I think it was just easier to be mad at you than to be anything else."

Anger is easier to express than sadness. The easiest out of all emotions, actually. Sometimes a little too easy.

You look to the side, wiping your cheek with the back of your hand. You huff out something close to a laugh, and though he’s caught off guard by it, he doesn’t mind it. Even if you’re laughing at him, at least that means you’re not crying.

“You’ve got issues Berzatto. You know that?”

“Yeah. I’ve been told.” He smiles, and it’s heartfelt this time. Not nervous, or sad, or awkward. He’s happy to see you a little more at ease.

“It’s just really crazy to me.” You trace your finger over the edge of your coffee cup as you talk. “I spent so much time in culinary school looking up to you. And then I find out you were always just trying to keep up with me.”

Carmen’s eyebrows raise a little at your words. “Looked up to me?”

“Yeah, like… Your drive, your passion, it’s so impressive. Always looking to improve, to do better, it just— it inspired me to do better too. As cheesy as that may sound.” You smiled. “S’why I opened up in Chicago, you know.”

“Really? Huh.” He leaned back in his seat.

“Because I wanted to work with you. Or for you. Either would have been fine with me.” You sigh. “I like owning my own place, but… I don’t know, for some reason I always imagined us working together.” You smiled. “Is that stupid?”

“No,” he replied quickly, “no not at all, I— I totally get that.” He’s quiet for a few seconds, and you can practically hear the gears turning in his head when he stares at you for a moment.

“I mean you’re a remarkable chef, really, like— insanely remarkable, and, well, we’re revamping the restaurant completely right now. We need people— more people, new people, and so, I was wondering— or I’ve been thinking—“ He stops himself from losing his breath from all his rambling, before he freaks you out even more than he already has.

“I want you to come work for us at the Bear.” He puts his hands together, as if he’s about to beg. “Please.”

You can almost hear yourself blinking out of confusion. There’s suddenly no more loud silences, no, the café seems dead quiet for once. All you can do is stare at him, wait for a laugh, because clearly this was a joke right? There’s no way Carmen Berzatto, chef supreme, arch nemesis of yours, would want you anywhere near him, let alone work in his own establishment.

“I’m sorry?”

He feels stupid already. You had every reason to say no. He’d been the biggest asshole in the world to you, he’d kept his distance all his life, and now he expects you to be his employee. Or, well, colleague, more so.

“I’m uh— we’re redoing the restaurant entirely. New equipment, new staff, new everything.” He swallows; the thought of everything that needed to be done arises for a moment. “We need people that work hard, who know what they’re doing and who are passionate about it. And I barely know anyone who’s better at what you do than yourself.” He pauses, waiting for you to stop him. But you don’t.

“So I’m asking if you’d work for me. With me. It won’t be anything like old days, if anything I— I need to learn from you.” He scoffs at himself. “Could take a thing or two about how to communicate with my staff.”

You smile, and he genuinely thinks you’re about to start laughing at him. You chuckle, but it’s not mean, it’s honest. Cute.

“You know, you have great timing.” You grin.

“I do?” the smile on his face reflects the hope he feels.

“One of my chefs wants to take over the place for me. Well, has been wanting to. I haven’t had an exact reason to say yes to her yet.” You shrugged. “Guess I do now.”

“…Is that you saying yes?”

“It’s definitely not me saying no.” Your eyes meet his, and there’s something between you both that’s different now. It’s not like there’s a switch that’s been flipped. It‘s more like this conversation was the turning page of a new chapter.

“I’ll think about it. I want to see it first. Maybe talk to some of your staff.” Carmen’s chest strains a little when he thinks about you interacting with Richie. Then he’s reassured when he thinks about you interacting with Sydney or Marcus. You’d fit in well, you have great feeling for people.

“Yeah— yeah, I get that. Totally. I can arrange that. Uhm, we’re renovating right now, actually, it’s all really kinda wild, but if you wanna stop by, chat with Syd, or Nat, or talk about the plans, let me know. I’m sure they’d love to talk to you.” He’s not lying, you seem like you’d get along well with them. Especially Sydney. Your thinking processes are very similar to each other. And to his.

Carmen gets the bill, even though you try to pay for it.

“It’s just a coffee, just let me get this one.”

You let him have this one, simply because you can’t argue with him after the conversation you just had. You’re in too good of a mood after his proposition too.

He walks you to your car, hands in his pockets when you reach it. It’s cold outside, and his breath comes out in visible puffs of air. His nose is a little red, but you think it looks cute.

“Thanks for coming, by the way,” he starts, “I know you didn’t have to. Like— after how I acted to you. But— But I really do appreciate that you’re givin' me a chance here.” He’d always been confused about how positive and faithful you were in people. He never thought he’d be grateful for those exact features too.

“No worries, I… I had a good time. I’m glad we talked.” The keys jingle as you fidget with them. Among them is a keychain in the shape of a cherry, he recognizes it. It reminds him of how little you’ve both changed. And how much.

“Yeah.” He sighs. Relieved, almost. “Me too. But I’ll let you leave, might wanna tell your chef the good news.”

“Good news?” You quirk an eyebrow.

“That you’re selling them the business.”

“I haven’t decided yet, Carm.” You scoff. But he can tell you have, you look too excited about it all to not have your mind made up yet. It excites him too. Scares him a bit as well, but what’s a new chapter without a bit of tension?

“Right. Sorry.” He huffs. “Just text me when you wanna head over to see the place. It’s uh… It’s a work in progress, but it’s getting somewhere.”

“I believe you. I’m looking forward to it.” You lean back against your car a little.

“Yeah. Me too.”

“See y’around?” You unlock it and walk up to the driver’s side.

“Course. Uh, don’t be a stranger.”

You grin, leaning down to get into the vehicle. “Never with you, Berzatto.”

He watches you drive off, standing in the cold for far longer than any sensible person has any business standing there. But he feels good. He feels warm.

He thinks about what you said to him before you left. You were right, you were never a stranger to him. You were always like a constant in his life; whether you were actually present or not. And even if he didn’t know that much about you, which he was insistent on changing, you were never a stranger.

Never with him.

tag list <3

@beebslebobs @thatone-brightstar  @spr3id  @deadandstill  @777iii  @magicboytrash  @dogdevourer @wiipes @sierrahhh  @crayzmarvelfan800 @azxulaa  @astridyoo15   @rexorangecouny  @azxulaa @jointherebellion215 @diorrfairy @chanluuvr @idontexist-anymore @wolfiealina

[ode2rin]

we all love bf rin :((((

real. realest. the only truth ever.

since we're at it, bf rin is the type of boyfriend who would order your favorite or something he knows will suit your palate from the menu. he does this because whenever you try something “new” than your usual, he knows there's a higher possibility you wouldn't like it.

when your orders arrive, rin wouldn't even spare a glance at his food. he's focused on you— on your reaction as you take a full bite of your order.

the moment rin saw the tiny wrinkle formed between your brows, that moment he knew. you didn't say anything, but rin had loved you far too long to know what your silence meant. you didn't have to tell him. every miniscule expression you didn't even know you had—he had that memorized and engraved in his mind.  years of stolen glances would grant you that, he supposed. 

besides, if you liked your food, you would have offered him a bite the second the flavor spread on your taste buds. you're lovely like that— always wanting to share the good with him. it's one of the many things he loved dearly about you.

quickly, rin took a bite of his food. it was alright, but it's best because he knows you'll like it. softly, he calls your name.

“do you want to switch?”

“really?”

rin had to fight the urge to chuckle at your obvious excitement, as if you were secretly hoping he would say those magic words all this time. because first, he doesn't chuckle (he does—only in your presence, however). second, you might figure him out.

“i mean, why? you don't like it?” you clarify.

“no, it's too sweet,” he says.

“oh, okay. i don't mind,” you say, unsuspecting. “you're lucky i love you,” you mused at him as he swapped your plates.

he simply shook his head at your remark, but you saw the corner of his mouth twitching ever so slightly as he fought back a smile while taking a long sip of his drink.

looking down at your (his) food— you knew you were luckier because this was your usual and in no way sweet as he claims. he's not as slick as he likes to think.

[lovecanyon]

HARRY X STYLIST!Y/N INSTAGRAM BLURB

MASTERLIST | PATREON

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liked by harrystyles, mitchrowland and 201,749 others

yourinstagram mrs. styles (me) looking like a proud mom.

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harryfan6 I AM CRYING AND THROWING UP

harryfan10 knowing anne took this photo of y/n makes me 🥲

harrystyles Forever my pretty girl.

yourinstagram i love you sue!

harryfan8 A LITERAL POWER COUPLE

harryfan11 everyone’s mom and dad 💕

pillowpersonpp Truly the most gorgeous woman on earth xx

harryfan4 y/n is the most supportive wife ever

kidharpoon How many bracelets did you get from fans?

yourinstagram my left and right arm is covered! don’t be jealous! 🤭

liked by harryfan12, harryfan15 and 162,820 others

harryflorals “My wife and daughter are here tonight so let’s give them a round of applause. Let them know how loved they are.” HARRY ON STAGE TONIGHT TALKING ABOUT Y/N AND JULIET!

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harryfan18 he’s forever a family man 😭

harryfan14 JULIET MY FAVORITE NEPO BABY

harryfan16 she is going to get us the one direction reunion we all need

harryfan20 this is so cute omg

harryfan13 juliet needs a sister or brother…or something

harryfan19 harry deserves another child!!!

harryfan11 him being down bad for y/n needs to be studied 🙏

harryfan17 i’m getting hysterical over this

harryfan21 you can tell harry loves his family so much, i’m sobbing

harryfan23 I NEED HIM BADDDD

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stylesdaily Y/N AND JULIET OUT IN LONDON THIS MORNING!

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harryfan28 BEST MOM AND DAUGHTER DO

harryfan29 i just know juliet has that post concert depression

harryfan25 YOU ARE SO 😭😭

harryfan30 the life i need

harryfan22 okay but imagine being harry styles’ daughter…

harryfan33 juliet is our style icon

harryfan36 they are slaying

harryfan31 going to have myself reborn at the next styles child

harryfan34 the realest thing anyone has said 💯

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harrystyles Love On Tour. London ll. June, 2023.

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harryfan41 THE PHOTO OF Y/N??? I’M GOING INSANEEE

harryfan48 why is this so adorable 😭

yourinstagram i love you forever!

harrystyles I love you for infinity!

harryfan40 losing my shit over this

harryfan46 they are never breaking up, that’s just the truth 😩

mitchrowland My wine buddy 🍷🍷

harryfan49 need a man to me obsessed with me like this

anthonypham Two of the best people ever

harryfan42 not getting over this anytime soon

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yourinstagram can’t believe i’m spending the rest of my life with my best friend

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harryfan52 crying over the caption

harryfan58 Y/N AND HARRY BESTIES!!! YUPPP

harrystyles I love every moment with you.

yourinstagram don’t make me cry

harryfan51 LMAOO ME

harryfan55 harry and y/n’s love is so goddamn strong 😭

gemmastyles So sweet ❤️❤️ I love you three

harryfan53 julet wearing old merch is so real

pillowpersonpp Your story is truly a fairytale!

harryfan59 y/n wins at life officially

yourinstagram via stories

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tag list: @harrysmatcha @harryspinkpillow @helen-with-an-a @florencepughily @peterparkerbae @toji-dabi-wife @fallonx @drphilssoulmate @cherriesrae @alienorknight @valluvsu @ayeshathestyles @hazgoldenstyles @eiffelmezarry @tsukishimawhore @renatavieira @michellekstyles @eleanordaisy @shawnsblue @agustdpeach @hannahnikohl @whoscamila @ch3rryrry @msolbesg @seguin-styles1996 @futuristicpalacegardenpsychic @youusunshineyoutemptress @kaitieskidmore1 @cherryfragrancx @ssuziess @milkiane @golden-hoax @flwrmuse @sunshinemendes8 @your--sweetest--downfall @melllinaa @tenaciousperfectionunknown @cashtons-wife @stellarossii @scenesofobx @manifestrry @lomlolivia @b-reads-things

[ravers8fantasy]

🎶Disco kid headcanon's!!🪩

Honestly, one of the realest ones in all the circuits I fear...

ALSO HE IS 20 AND 6'3??? I thought he was 19...

Okay so turns out bro is 20 so I think he joined when he was 18 or 19

Sings proper flipping loudly in the shower, its a good thing he's good at singing

Will listen to anything, he is more of a melody person than a lyrics person

Has a drawer full of listening devices, he has like 5 pairs of headphones and so many speakers

Had a swag era in highschool (is still kinda in his swag era but remix)

Sometimes shows up to W.B.V.A meetings in full on 70s attire for fun. Im talking silk shirt and high waisted l bell bottoms

Usually catches everyone off guard as well since they are used to seeing him in more modern outfits (im basing these hcs around 2009 and perchance 2010s idk they change on my mood)

Can handle spicy food pretty well.... Even though he ate a singular taki one time and perished

I saw in his contender mode intro cutscene that his licence plate is custom made (its DISCO-1) which made me think he decorates his car

Like he has a pair of fuzzy dice hanging off the mirror in the front, has like stickers on the dashboard and has like custom made seats-

Also theres this nice looking house in the background with this music note gate, either he is rich or his parents are rich

Or is that normal for people in America to have a house like that, I live in an old af house in Scotland so I defo wouldnt know💀

His favourite color is blue, or pink, or mabye yellow and orange but then again he is a sucker for kitsch patterns-

He loves colour. Ik his ass would HATE to see maximalist antique homes turned into an all white sleek mininalist abyss

Is a beast at roller skating, has a pair of blue and yellow ones with little stars all over.

Hates roller blading tho he says 3 he cant dance properly in them which makes him sad

His hair is originally brown, saw someone at a party with buzzed bleached hair and thought it was so cool he decided to get the same thing

Does calisthenics, has been asked a bunch of questions by other boxers asking him how tf he does it

HATES furbies, had one when he was younger and he put it in a draw in his bedroom after it didnt shut up.

He woke up in the middle of the night to a voice asking to be fed and started crying, turns out it was the flippin furby inside the draw

Has the most perfect comedic timing ever, there is never a dull moment when your with Disco kid

Suprsingly doesnt mind horror films, his fave genre list would probably go 1.horror/thriller 2.Action 3.drama/romance

He was a tumbler in his high school's cheer team and did ballroom for a bit, has a bunch of trophies from cheer and competitive ballroom dancing

Loves going down to a deli and getting a sandwich, usually gets a new filling combination everytime he goes

Has the most amazing wardrobe out of all the boxers, I like to think he is like the 'lewis hamilton' of the W.B.V.A (in terms of style not boxing bless also YALL LEWIS HAMILTONS FASHION SENSE IS SO😼😼😼)

The type of guy who never shuts up when watching a film, he literally ends up narrating the whole thing

Literally never stops moving, if he is standing on the spot he will be tapping his foot or move his head to whatever beat is playing in his head

Also like as no beef or issues with any of the other boxers, some of them (Aran... Wait and perchance idk Soda and stuff yknow) might insult him and would just dance and say "ok! Thats your opinion, Not mine though I think im fabulous anyway"

Chat im giggling at this gif anyway if you see any mistakes in grammer please embarass me and call me out and I will correct it with the utmost haste😼

OK HOPE YALL ENJOYED GOODNIGHT (or good morning or uh good day or evening depending on where u are)

[fyeahaudiodrama]

Happy @podcastgirlsweek to all who celebrate! While I haven't had the time to properly work on fics (and probably won't this week because oops, hurt my hands yesterday) I still wanted to take the time to highlight some favorite podcast girlies along with everyone else!

The prompt for Monday is highlighting podcasts with women in the leading roles, so here's a few of mine (and hopefully, some new ones of yours if you don't know them yet):

Back Again, Back Again: Ilyaas, you absolutely fantastic disaster of a fantasy ace, never stop trying.

Breathing Space: While the show is anthology with a rotating cast, some of my favorites from across its run include:

Evie Yuriskin

Amity Archer

Any characters who were introduced one episode and then started referring to each other as "my wife" by the end or by their next appearance

Camlann: Some apocalypse survivors interpret dangerous dreams about dark magic to cope. Some knit sweaters. Both are valid and should kiss.

City of Ghosts: Featuring the grungy, disgruntled, tormented-by-visions LADY detective of your dreams.

Desperado: Take note - give your ladies knives. And god powers. And witchcraft. And a sniper rifle, for good measure.

Do You Copy?: I think [REDACTED] deserves three weeks of paid vacation

Fawx & Stallion: Madge Stallion is THE moment. She's six feet tall. She can't stop making innuendos. She's not your fucking Mrs. Hudson (although, she is - no, I shan't say).

Hi Nay: Mari & Laura are my everything - the loving and self-sacrificing hero and the newfound friend who chooses to stand by her side (fire axe and all).

Inn Between: Oh, my Inn Between girlies, where do I start? Fina and Betty, the OGs and life partners that even death couldn't stall? Rosie and Zara, the new best pals who chose to stay together? Phoebe, just one step at a time learning what she deserves and what she doesn't? All impeccable, A+.

It Makes A Sound: Any show focused on music is going to be a slam dunk for me, but Deirdre's quest to reclaim her memories as well as those that tied her to her mother is so damn real and compelling.

The Kingmaker Histories: No female character in this show has ever done anything wrong. Colette gets a migraine pass. Ariadne can turn people inside out. Daphne is owed this for working in a theme park.

Life With LEO(h): Janiiiiiine, so messy and smart and dedicated and she cares so much, I love yoooooou.

Me and AU: Kate's worries and desires and doubts are some of the realest out of any audio drama so when do I find an Ella too

Palimpsest: My faaaaavorite gothic horror anthology, each one fresh with a different brand of haunted, tormented, secret-keeping (and quite frequently gay) gothic protagonist

The Pasithea Powder: Jane and Sophie. Sophie and Jane. What more could you need? <3

The Silt Verses: Women who start cults/leave cults/seek an end to the endless cycle of meaningless sacrifice as so valid. For all your wet cat(fish) woman needs.

Second Star to the Left: Because I always love a good Ishani performance. Hi Gwen, please tell Boots I love them.

Small Victories: You want sad wet cat women? How about one that literally can't stop self-sabotaging (but at least manages to draw the line at sabotaging others...occasionally). She even gets stabbed!

Starfall: I mean, kind of a given, but anyway, Leona definitely exists because she's the kind of action protagonist woman I always wanted - one that could be unapologetically powerful, but still full of flaws and desires (especially ones that weren't about falling in love and minimizing her own strengths). She's even autistic!

Stories From Ylelmore: Keryth! Keryth, Keryth, Keryth! She reminds me so much of the kinds of characters I would make up when I was younger - I love her and her small magic so dearly.

The Strange Case of Starship Iris: Hi queer space pirates <3

Unseen: Another anthology show, but Harry Winters and Never-Ending Circles remains one of the most perfect premiere episodes I've ever heard in audio drama.

The Way We Haunt Now: Get your podcast ladies here, dead or alive!

We Fix Space Junk: My favorite type of repairman is a woman who could kick my ass.

Wolf 359: I don't think I need say much more here - y'all know and love 'em just as much as I do.