#one day i will stop rambling

[800db-cloud]

i’ve been wanting to do this since day one

[caelanglang]

The O(ccasionally)samu D(runk)azai

[lazylittledragon]

the thing that i love so much about my relationship is that i feel absolutely zero pressure for us to be in eachother's pockets constantly. not just in the way that we like to have our own space sometimes but that i don't feel guilty for getting fixated on a project and not texting him or leaving him on read for a few hours. we have a system where i just say "i'm so sorry, i fell down the Art Hole again" and he says "that's ok, was the art hole fun, can i see what you did in there?". or if i have a feeling i'm going to draw until late at night i'll be like "pre warning, i might be in the art hole this evening" and when i'm done he's texted me goodnight anyway.

tldr: find someone who doesn't get mad at you for crawling into a hole and instead helps you out of the hole and asks what you saw down there

[bluerosefox]

CAT Ghost INSTINCTS

Damian comes back to the manor one day with... a new school acquaintance (coughfriendcough) due to the fact they need to work on a school project together and Danny Fenton was the only one in that class that Damian would tolerate to have as a partner.

Everything about the kid seemed normal, heck very normal if a bit shy... or at least that was until the kid suddenly zero focused on a corner of the room and stared at it non blinking. Then after what felt like hours blinked once and returned to normal, chatting away like nothing happened.

....It also doesn't help that Alfred the cat... did the same thing.. at the same time as Danny.

Yeah something is... off about Damian's new friend.

[da-janela-lateral]

How funny would it be if the Kageyama parents were aware of Dimple. Strange things occasionally happen in their house while none of their psychic children are around, so they ask them about it, only to discover there is an evil spirit living on the house?? But its their friend and has never done anything too bad inside the Kageyama household. So they just know there is a fart shaped ghost they can't see in their place almost everyday. It's okay though because he at least doesn't break plates.

[mattodore]

birthday boy 🎂

[fortheloveofexy]

I've seen a lot of posts in the wake of tsc calling out how the Foxes mistreated Kevin and never really gave him the same degree of compassion and patience that they gave Neil (and like, fair enough, there's definitely a disparity in how the two are treated by the broader team) but I think it's important to remember that it's very likely most of the Foxes didn't know just how bad things in the Nest were, especially when Kevin first came to Palmetto.

Like, they knew he'd been hurt badly, but were they ever told the full extent of the abuse in thr Nest? Probably not, because unlike Jean, Kevin was media trained. It was ingrained habit for him to conceal the true conditions inside the Nest to all outsiders, and that's not a habit he'd have been able to break easily. The only people who knew the full extent of what he'd been through were probably Wymack, Bee and Andrew.

Add to that Kevin's abrasive personality and his tendency towards nitpicking and perfectionism, and it's no wonder that the Foxes' patience with him ran thin after a while.

[luna-loveboop]

Linktober day twelve- favourite game

Skyward sword! My favourite game forever :)) The duets with Fi are by far my favourite gameplay aspect and recurring scenes in the game.

The music is The Ballad of the Goddess with Link's harp accompaniment. I played through on three different instruments like fifteen times, and checked every note on ocarina before I carved it. So. It's very accurate. Close ups of the music +my reference because yes

Also I replaced the treble clef with the triforce

:)

[cup-noodle]

the cruelest thing about the world is that there's so many languages and a girl can't learn all of them

[drac-kool-aid]

Seward's bone deep desire to run away from the asylum is not exactly surprising. There have been a lot of really good meta posts about how the return of Van Helsing into his life is the turning point where we see the caring and good side of him and how we can interpret his life as a student in Amersterdam as one of freedom and happiness. How he is part of the tragedy of manners, how strict social expectations allow Dracula to persist, and how they only exacerbate the unhappiness of the characters.

And I think the tragedy of Seward is that, really, he should not be the head of an asylum. It's a job that brings him no joy, and he's BAD at it. We can all recognize that if your first reaction to going back to work is "What if I just leave it all." That isn't a healthy work environment.

Now, in the modern day, the ability to pick and choose a work environment, even to leave one that is damaging your mental health, is a privilege. (IT SHOULDNT BE, but it is). And, although it is definitely reaching crisis levels in modern times, major changes in your career have almost always been difficult (unless you are really rich, or a particular brand of academic in the 17th-18th century, or both).

Seward can't just leave and become a surgeon. To give up the lofty position of "Head of an Asylum" would be unthinkable in the 1890s, especially for a reason like "Being here is basically turning me into the Joker." Like, how would Seward explain that in polite society? Would they accept that reasoning? Would they create salacious gossip if they didn't? Can Seward leave his position without losing a great amount of social capital?

Probably not.

His rise to head of an asylum, as many have pointed out, was meteoric, to say the least. It has afforded him status and respect and also left him deeply, deeply fucked up. And he can't leave!

I think his desperate attempts to quantify Renfield's behaviors into a new mental illness are telling in this regard. Maybe he is too used to having to meet some sort of expectation, and now he thinks this is the logical next step (It's NOT, but I digress). The feeling of having to keep performing above expectations, grasping at straws to do so, and subsequently burning oneself out (as well as others around you) and engaging in unethical practices? Idk. It sounds like something that would happen today. (tbh there are probably a ton of Sewards out there today, as there are still systemic problems within the mental health system that allow for the dehumanizing and abuse of patients).

It doesn't excuse his behavior. Nothing he does to Renfield is excusable, but I think it does explain some of the *why*. He isn't just cruel for cruelty's sake.

So, tldr I guess: I think reading Seward as someone who got stuck on a career path that he realized was unfufilling and that he ends up hating. Social conventions restrict him from just quitting without and a (socially acceptable) good reason to do so, and a lifetime of being regarded as one of the smartest people in the room means he can not allow himself to fail. Unfortunately, this also means he can not admit when his actions or his ideas are wrong when it comes to his job.

(But he can show that uncertainty FOR Lucy, and TO Arthur and Van Helsing, which speaks his trust and love for them)

[xxplastic-cubexx]

it doesnt need to be said but its genuinely so funny how at-the-hip charles and erik are in krakoa like they really had the green light- the OBLIGATION- to be as obnoxiously close to each other as possible and abused that right to the fullest extent

[eyes-of-nine]

truly what a guy

[missholloween]

Paul's fate was sealed from the beginning, and I love all the ways The Guy uses to show us.

The first scene of tgwdlm (after the title song) introduces Paul as a character: who he is, where does he work, who does he work with. In this scene, thanks to Paul actions and words, we learn that Paul isn't the nicest of the guys... And that he doesn't have much going on. He rejects Bill's Mamma Mia invitation, but so does Melissa's soft ball team proposal. As the title song said, he's a grunch.

But then, the next scene is Paul going to Beannie's. We discover that Paul wants to talk to Emma, he wants to get to know her better, to make her laugh. We are introduced to his need, to what he desires, even if Paul isn't fully contious of it by this point.

Then plot starts, we've got our inciting incident (the meteor fall) and a couple of plot beats: our heroes meet the villain, Paul valiantly resists it in their first face to face (what do you want, paul?), and the threat grows stronger and stronger until it takes the first victim our protagonist cares about, that is, Charlotte.

Join us (and die) is the moment where our main cast sees everything the hive is capable of: it's been coy so far, just presenting itself as some dancing craze that controls people. But in that song we discover that those people are dead, and that the hive won't doubt to get nasty if it has to. When Hidgens is explaining this after the song, he's interrupted by Alice's call to Bill. Had the hive gotten into her already? Was it just bad luck? Given that we don't see Alice during the call, we cannot be truly certain of that.

It is then when a fight between Bill, panicked about his daughter, and, Ted, consumed by grief, starts. The fight is different from their previous banter with the whole "kick my head" bit, as both of them are now at their limit. Thankfully, Paul stops the fight by giving Bill a meaningful way to save his daughter. In that scene, Paul decides to go with Bill to get Alice, because he wants to help him.

When Paul says "which is why I'm gonna go with you to get your daughter back", a piano starts playing on that scene. It continues quietly as the scene goes on, just to climax with Emma and Paul's last conversation, where the Inevitable leitmotif starts playing. And then, act 1 finishes.

The Guy is not a conventional musical by any means: we don't have a big act 1 finale song, nor a big leap that the characters take. It is a really modest act 1 finale, and some viewers (including myself) might not notice the change of act on their first watch. However, a big change has happened, although it is subtle: Paul has taken his first step in his hero's journey. He is not only showing his desires (to help Bill, a dear friend to him), but also he's acting. He is taking the iniciative, he's being brave! That decision it's just the beginning of his downfall, that will come to an end in "Let it Out", and the shows knows it. The only thing the score does is to make it clearer for the spectator, if they notice it... And they'll probably won't, too enwrapped in the show.

[lazylittledragon]

slowly working through the list of things i'm mad about: i got a cameo from tim downie for my ex that i can NEVER watch again. the bastard took a chunk of my wallet AND a 4 minute video from tim downie away from me

[tiredsmashbros]

HAPPY BIRTHDAY MANGO !!! :3c 🍔✨

i legit found out yesterday last night but i was too tired to make something at the time so i began manifesting for a snowtrapped remaster UIGJEFDSXIUHJK

LEGIT I REMEMBER THINKIN AS A JOKE TO MYELEF "it would soooo cool if they added mango's art on their bday lmao" AND IT HAPPENED BRO THAT IS SO FUKIN AWESOME SRSLY CONGRATULATIONS U SRSLY DESERVE IT IUGJHBDECSX

i need to yeet now to eat and do hw but i really wanted to make smth for u even if its a bit scrappy atm aaa but i hope u like it man 💛🍔

[ninja-knox-ur-sox-off]

LEGO Ninjago Wobbly Hearts AU Refs

Ayyy what's up everybody now that i've got an obKNOXious watermark (mwahaha) we've got our first Wobbly Hearts character refs! The siblings! They're heavily based off their movie designs but there are some bits and pieces from the early OG show designs. Props to you if you can spot those details!

[do not steal/repost/save my art to other sites (including pintrest)or put it into A/I thanks]

Kai & Nya | Lloyd & Zane | Cole & Jay | Skylor & ?????

Wobbly Hearts Fic Ao3 | what is wobbly hearts?