#one at a time is nothing

[chibisquirt]

Last night I cleaned off my favorite counter so I could make split pea soup--delicious, by the way, 9/10, would've been 10/10 if I'd used fresher bacon--and this morning I cleaned off a different counter so I could plug in the keurig I got months ago so I could make a friend keurig-tea (I have regular tea too, but I think they like the keurig ones).

And it just looked so nice, it felt so good. Is this how neurotypical people feel every day?? This evening I was thinking about it and I got so happy I was actually excited to come home and clean off another counter. Who am I? What is happening to me??? I mean I like it--it's a good feeling!--but it is so weird!

I have literally never been excited about cleaning before in my life.

[blaithnne]

Live Mel reaction

[bananonbinary]

for ages i thought i didnt like drag because of internalized homophobia but it turned out i just don't like bright lights and loud music and really visually complicated things

spd is homophobic i guess is what im saying

[stargirl230]

thanks for the light

I was just trying to figure out how procreate works but then the op brainworms got to me and 35 hours later here we are! can you tell I miss home-cooked meals :')

(no reposts; reblogs appreciated)

[drop--pop--candy]

indie rpgs if they were WOKE

TRANSGENDERTALE

GAY THE PRINCESS

WOKE SHOT

IN STARS AND TIME

[reinbouxsworld]

twisted wonderland × kimetsu no yaiba (au!)

based on this post here.

I this this on a a japanese song only playlist and a wave of hiperfixation. So heres the context: Yuno (Yuu) and Leona were newly married and lived on his family’s land. On the night after the Town Below festival, Yuno returned home to find not only her husband’s family dead but also her younger brother, Grimm. Leona was the only one still alive, but as she tried to lead him down the mountain, she discovered that he was no longer human.

Silver, a demon slayer, confronted Leona. However, after witnessing him protect Yuno, he chose to spare the newly turned demon’s life, and send the couple to his master, Lilia.

Vil and Rook are the Tamayo and Yuuchiro of this universe. Vil lived more than 300 years only on serving face and hate, nonetheless showed kindness by helping Yuno and Leona after their encounter with the Demon King.

Ace and deuce are both slayers, one ranking above yuu. The three met during a mission, and the two decided to stick by her side from that point on.

[stiffyck]

Good luck during pride month to all the aroaces who are gonna be blasted with "love is love" everywhere

Edit:

This post includes aplatonic people, loveless aros and any other people who fall anywhere on the aro and ace spectrum.

Stop saying "but theres platonic love and familial love-"

[egophiliac]

still rolling around on the ground over the contrast between Jack and Mal. it's so...🤌🤌🤌

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[puppppppppy]

who is your favorite AA character? 👁️👁️

ziska… I hope capcom brings her back someday

[arthur-lesters-right-arm]

Thinking back to the time I was about halfway through TMA and was explaining the plot to a friend who has never listened to a single episode and they tried to make one of those "Soup was invented by John Soup when he wanted to drink a chicken" jokes and ended up saying something along the lines of "The Magnus Institute was created by John Magnus when he wanted to make an institute for all the fears" and at the time I was like haha good one bro but in hindsight I think I need to fucking throngle them with my bare hands

[vaguely-concerned]

the contrast in lucanis' early game responses to bellara and davrin are sooo funny and also quietly devastating. the vibe is like

BELLARA: heey so... how are you feeling lucanis? generally, I mean. or specifically, if you'd rather talk about something in particular! well, you usually don't, so no worries if not, you know, no pressure, only if you'd think it'd maybe, I don't know, help! I know it doesn't always. but ah, um... are you -- alright? (in the pantry. we should probably stop asking you about this but are you sure you're alright in there? it's where the parsnips live. and you now, too, I suppose! just... you and the onions. and a demon. sorry, didn't mean to remind you! you see I'm only asking because um for a second there I thought the dark circles under your eyes were actually bruises and it jumpscared me a bit)

LUCANIS (tired but soft): I'm fine, Bellara. Really. Don't worry about me.

VS.

DAVRIN: So hey lucanis. just out of interest. what the fuck is your damage anyway. why are you like this

LUCANIS (at his most 'orders one black coffee and drives away' and also honest): Well you see Davrin since you're asking: I am in hell. Also go fuck yourself.

[pikechris]

yeah the doctor hasn't kissed a man since 2005 but they also haven't kissed anyone on screen since missy in 2014. ten actual years. do you understand the significance of this

[stimpry]

a little out of character but i think thats ok.

[shotmrmiller]

tw:somno

living next door to ghoap and while they (mostly Johnny) like to strike up conversation with you whenever you're getting your mail or tossing out the trash, lately, they've been catching you at every opportunity. even before work and they'll keep you around long enough to almost make you late.

maybe that's why you've suddenly started having raunchy dreams about them both. (but what makes it weird is that they're never together. it's only ever one or the other.) it's hard keeping the shame that sits hot in your chest below the collar of your shirt when you always end up cornered by either johnny or simon just to ask you how you've been recently, if you've slept well, that your skin is glowing.

how can you tell them that you've been getting the best sleep you've had in months because every other night, you've been having an actual orgasm or three to your wet dreams? that you've been waking up in the morning with release sticking your inner thighs together, your sex hot and tender to the touch because (in your imagination) he and his boyfriend eat pussy like it's the last one on they'll ever have?

none of this would be an issue if you just had you a nice boyfriend to give you the attention your neighbors have been forcing upon giving you.

(you don't. you give them a shaky smile, a weak excuse and run straight to your flat. it prompts johnny to chide simon for being so overzealous with you. "told ye to give 'er a few to recover, ye'd gone into 'er room just two days ago," as if he hadn't lapped up all the slick you'd left on simon's face after an hour of eating you out. as if johnny wasn't the one to suckle on the sensitive skin of your inner thigh long enough to leave the mark you'd confused for a bruise. hypocrisy at its finest.)