#on why vampires are so fucking fascinating

[veryintricaterituals]

The point is that they are all monsters. They eat and kill people nearly every night. 128 boys in San Francisco. I had killed 7000 people by then. Claudia's room filled with body parts. Lestat slowly killing that poor man because he couldn't hit some notes. Armand torturing Daniel for six nights. They are all monsters, that's the point.

And yet. And yet the point is also that they are afraid, and alone and lonely. That they are desperate for connection, for love, for understanding. That they are entranced by the beauty of the world around them, entranced and seduced by its people. That they fall in love again and again, and they get hurt and stumble and cry and despair. The point is that they are so, so human. That is also the point.

The point is that they get to live forever and what a wonderful, what a horrible notion that is.

[indelicateink]

as an american, sam reid’s total inability to hide his contempt for overly fake-chipper american journalists, especially ones who Have Not Done The Assigned Reading know and care about the show, will never not be hilarious and iconic to me

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[rearranging-deck-chairs]

because im less breakable than you

[bunnis-monsters]

Different monsters reactions to your period

warning: lots of period sex, pussy eating, and blood. You have been warned!

A/N: I’m on my period and wanted to write something horny and comforting…

Werecreatures/hybrids are already going insane when you ovulate, but once you start bleeding they can’t resist properly mounting and mating you. You’re their sweet mate, and they both want to breed you and help with the pain by fucking you and eating you out until you’re too tired to think.

Vampires of course are immediately drawn to your pussy, the smell of your blood making them drool. Some are pushing your panties to the side the second you start your period, knowing before you do. They become attached to your pussy, and possibly save some of your blood for later once they’ve had their fill. They especially love to save your cum that’s mixed with period blood, finding the taste exquisite.

Mermen get extremely protective during this time, afraid you’ll attract some underwater predator that thinks you’re easy prey becuase you’re bleeding. They’ll get horny, but are more focused on protecting than procreating. They will slip into you and sing to you as they fill you will cum, though!

Androids are immediately worried, fussing over you as they scan your body to check your health status. They give you medicine, keep you in bed, and fuck their fingers into you to help soothe your bloody cunt. They sink their synthetic cock into you, claiming it’s to help with your pain, but really they just want to fuck that pretty pussy of yours and hear you mewl like never before.

Nagas stay coiled around you, struggling to understand your strange body and why they feel so horny and protective over you during this time. It makes them anxious, and they’re extra clingy as you keep their cock warm. They’re strangely fascinated by the way blood oozes from your pussy while they bounce you lightly, and definitely end up tasting it. They get addicted to it, now you have a needy, pussy drunk naga on your hands. At least it makes you feel better to cum while you’re cramping…

Incubi/demons of course become sex crazed, and you don’t get much rest while they’re keeping you pinned down. Your pussy is always puffy and abused during this time, and they lick up every last drop of your blood, seeing it as a sign that you’re healthy and ready to make love and produce offspring. After your period they become the clingiest, most doting partners ever and feel kind of bad that they went insane while you were menstruating.

[godzexperiment]

the vibes today just are odd as fuck

[stevieschrodinger]

"Robs I've got to stop staring. Make me look away."

"Errr...no. I'm staring too."

"But why?"

"Trying to work out what the fascination is. He looks like the love child of Ozzy Osbourne and an Ann Rice vampire."

Steve sips his drink, "he's not even that good looking," he says, distressed, "I just can't look away...there's just...something."

"Is it how pathetic he is?"

"He does walk like a baby deer on ice." And it's true, the guy is so uncoordinated. He clearly doesn't know how long his arms are, and keeps nearly taking people out by accident. There's just something... fascinating about it. "Oh my god Rob, make me look away, I'm being a creeper. This is so inappropriate, he must be about twelve years old."

"Steve. He's holding a beer, so even if he is just 21, that actually means there's only ten years between you."

"Only," Steve snorts with derision, "only she says. Who is he anyway."

"Wayne Munson's plus one."

"Wayne Munson the engineer guy?"

"Yeah."

"Didn't know he swung that way-"

Robin hits him with her purse, "it's his nephew you fucking dingus. Didn't you pay any attention?"

"No. Not really, you know I hate this shit."

"You can get through one company BBQ Steve, you won't die. Maybe you'll get introduced to him."

Steve makes a noise. A noise he really shouldn't make and definitely not in public. Because he wants to do mean, awful, terrible things to that boy. He wants to make him come until it hurts. Until he's sore and red and begging and trying to cry but he can't because there's nothing left because Steve has removed every drop of moisture from the boys body via his dick and he has got to stop staring.

"Robin, walk me to the bar. Walk me to the bathroom. Walk me to my car. Walk me to the ornamental fucking fountain so I can ornamentally fucking drown myself but please I am begging you. I have got to stop staring."

"Okay," Robin grabs him by his arm and turns them fully in a circle, and then starts marching him across the lawn towards the Munson's.

"Robin. Please. No."

"Shut up you big baby. Besides, he needs help, there might be things living in his hair."

"I can definitely fix him."

"That's the spirit."

Part Two

Read what happened next on AO3

[agnimybeloved]

my interests always regress so bad during finals so i’ve been reading the rest of the simon snow series after rereading carry on and its kind of just bad (shocker). i’m gonna read the third book though because i really want to know whether they decide racism is good or bad 🤨

[wizardpink]

@iamanoccasionaldoodler

Okay so,

There seems to be this negative reaction to the finale from a lot of Devil's Minion fans and I don't understand it for a lot of reasons, but one of them is ... I don't get why people are upset that, when read at it's worst, Armand and Daniel are seemingly not on good terms after Daniel is turned. I keep seeing this belief that Armand "abandoned" him, which I think is fully pulled from y'alls collective ass, and a disappointment that Daniel would call Armand a "fucking asshole."

But the thing about Armand/Daniel everyone seems to be forgetting is that even in the source material, they first had to tear each other down to their bare bones before they could see each other well enough to love one another -- REALLY love one another. Because Armand is a russian nesting doll of lies, masks, and emotional walls, and with Daniel, idek if I can explain it properly, but I think its some combination of Armand needing to break him a bit to get him on his level of broken freakitude, and also Armand not being able to relate to the 20th Century Human period and needing to drill down into Daniel's core, straight down into the monkey brain that every homo sapien has shared for eons, before he can find something he understands.

If we were to ever get a proper Devil's Minion storyline on this show (and we will), they've laid the perfect groundwork by having Daniel EVISCERATE Armand right to his face, slicing his Gorgon's knot of lies and schemes in half and leaving it lay on that table. And Armand's face! HIS FACE! He can't believe it! Seventy-seven years with Louis who never could unravel all the strings, or simply didn't care to even bother. And THIS guy who seemingly hates him found Armand fascinating enough to try. AND succeed!

And why wouldn't he? Daniel may not have remembered until they were nearing the end of the interview, but Armand SHOWED Daniel what was beneath the mask years ago, the very first time they met. The jealous, insecure, desperate creature that was hiding under there, that IS Armand to Daniel.

I'm getting off track here, but what I'm trying to say is that as much as Armand turning Daniel in the books is SUCH a flawless scene, ultimately, if you believe in the infinite and eternal nature of their love story, it doesn't matter whether Armand turned Daniel before they fell for each other, afterward, during a break-up or at the climax of their most romantic streak. Like Lestat said, "We'll be together ten thousand nights, a hundred thousand. What we're doing is hard."

So maybe Armand turned Daniel shortly after Daniel stripped him bare in front of Louis, and Louis was so disgusted by what he saw, he threw him into a stone wall. Daniel could have run, too. For some reason, he didnt. Armand could have killed him in an instant, sitting at that table or after Louis left. He didn't. Armand made a conscious decision to tie himself to this man who just exposed him for ETERNITY. Because as horrific an experience as it was, as devastating and life-altering, he was seen.

"It is difficult to explain how his words disarmed me, how efficiently succinct and impenetrable his argument was. All my conceptions, even my guilt and my wish to die, seemed utterly unimportant, and I completely forgot myself and the barbaric scene that surrounded me. For the first time in my life, I was seen."

Louis said those words about Lestat as he described being made a vampire, when he kissed Lestat on the altar.

That feeling, of someone cutting to the core of you and telling you exactly what you are as no one else has ever been able to understand, made Louis accept the Dark Gift from Lestat.

And it made Armand give that Gift to Daniel.

[daisynik7]

cw: f!reader, vampire (Alucard is half-human, half-vampire), smut - dry humping, cunnilingus and blowjob (69 position), PIV sex (cowgirl), creampie - MINORS DO NOT INTERACT

Author's Note: I binged Castlevania during my little break from here and Alucard/Adrian Tepes is currently living in my mind rent free right now. In fact, I'm actually living in his castle and I'm the one paying him (with sex) and this is the result. MDNI divider by @/cafekitsune.

Alucard fucks you with those slutty little belts wrapped around his waist because he knows how much you like them.

He doesn't quite understand the obsession himself; he wears it for practical reasons, a holster for his ridiculously long sword. "Why are you so fascinated with these?" he asks, watching your fingers work nimbly on the tight straps, tracing his cold skin beneath it.

You're with him in bed, one arm linked around his fondly, the other stretched over his torso. You give him a warm smooch on his cheek, smiling softly. "I think they're sexy. Is that so wrong?"

He rolls his eyes, still not understanding. "What's so sexy about practicality?"

Deciding that it's better for you to demonstrate rather than trying to explain it any further, you swing your leg over his lap, straddling him. You're in your silky nightgown, him bare-chested with his leather pants still on. And, of course, those belts criss-crossed right above his loins. You hook your finger around it, snapping it against his skin. He hisses, baring his fangs at you, surprised. "What are you doing?"

"Showing you just how sexy practicality can be," you smirk, grabbing his belts with both hands, like reins on a horse. He licks his lips while watching, relaxing against the pillows, relenting control to you.

You start slow, rocking your hips back and forth onto his lap, thin layers of fabric separating you. Soon, you feel him hardening against his britches and you rub yourself on his bulge until your panties are creamy with slick. His grip on your waist tightens as you throw your head back in pleasure, a sweet moan escaping your lips. "Adrian."

"Show me," he mutters, voice trembling, golden eyes half-lidded in a daze from watching you. You lift the hem of your nightgown up, displaying the wet spot leaking through your undergarments. He hisses again, expression wild with lust now. Swiftly, he strips you naked, turning you around to plop you down onto his face to lap at your arousal, tasting every drop of you. You lean down, removing his bottoms while he pleasures you, leaving only his belts on. With a firm grip on them, you sink your mouth onto his cock, bobbing up and down on his shaft, swallowing him to the hilt.

When the both of you are barely hanging on the edge, he directs you back onto his lap, facing him, your cunt wet and glistening with slick and spit. "You better hold on tight, darling," he grins, flashing his fangs at you. He guides himself inside you as you squeeze his leather straps, holding on for dear life while he fucks up into you with rough and deep thrusts. His long, pristine fingers squelch on your throbbing clit, waiting for you to come twice more before he releases inside you, filling you up with his seed.

When he sees your combined mess dripping onto his belt, he finally understands the appeal.

[ohnoitstbskyen]

I heard a raw line from Guilllermo Del Toro the other day about monsters being the perfect way to express human failure:

“…monsters, I believe, are patron saints of our blissful imperfection, and they allow and embody the possibility of failing.”

And i was wondering your take on this quote in relation to things like vampire and werewolf and other semi-monster subtexts. “Monstrous” humans that are ironically allowed to act more human more often than… humans. I just find the attempt to make an outlet for imperfection while still at large criticizing it fascinating.

I mean, yeah, there's a long history of interpreting monsters through queer, anti-colonial, feminist and other Outsider lenses for exactly those reasons. The monster is the Other who is vilified by the in-group, which represents all that the in-group hates. The monster must, by its nature, fail to live up to the standards and expectations of the in-group, which is why it must be destroyed. But that also means the monster is free from the standards and expectations of the in-group, including oppressive and bigoted ones.

So, as an example, if you're queer, and rhetorically treated as inhuman and monstrous and diseased anyway, or eugenically classified as a deviant mutation or sub-derivation of "real" people, there is real appeal and a real sense of resistance in claiming monsterhood, in embracing it and glorying in it.

In part, that's what the rallying cry "we're here, we're queer, get used to it!" meant and still means. It is a reclaiming of monsterhood as a source of strength and community and pride, rather than shame. Slurs are used to Other queer people, to set them apart from "real" people and mark them out as a monstrous deviation from the virtuous norm - slurs are used to call us monsters. And thus a lot of queer people find a lot of power and freedom in reclaiming them, in turning their Othering into a flag to rally around.

And I think that's still a big part of the appeal of the monster, honestly, that freedom from being what someone else thinks you ought to be.

If you're a monster, you don't have to have the perfect body, you don't have to suppress your lust or your love. You don't have to shave your body hair or dress correctly for your assigned gender, or have a white picket fence house with a spouse and 2.3 children. You don't have to sit primly at the dinner table, you don't have to repress your emotions, you don't have to hate the foreigner or despise the gays or fear the trans agenda. You don't have to have a small, straight nose or perfect cheekbones, you don't have to wait to fuck until you're married, or pretend you want to fuck at all. You don't have to want to get rich or be a CEO, you don't have to pull yourself up by your bootstraps or be on your grindset, or cheer when the cops clear out a homeless camp.

To be a monster is to be free from the inhumanity that is forced on us by white supremacy, by fatphobia, by heteronormativity, by imperialism, and by the interests of capital. To be a monster is to be human in all the ways that are inconvenient to oppression.

... but I went off on a tangent there a little bit - vampires and werewolves, right. I have no theoretical or academic basis for any of this, so this is entirely a personal hot take, but I think vampires are perhaps a bit more about "passing" as a fantasy. Not necessarily in a gender sense, but the ability to keep your true nature undetected by the "normal" folk, while the secret things that make you different also make you dangerous and powerful. Surviving by stealing sustenance from a world that hates you, on terms that are entirely yours to dictate. "I will survive even if it kills you," that kind of vibe.

Werewolves, on the other hand, feel more like a defiant, angry embrace of the monstrous. Transforming into something vast and powerful and furious, growing out of your skin, out of your form, out of your boundaries; howling your nature to the moon and mauling any motherfucker who has a problem with it. Giving in to all the beastly unnatural urges, and diving into the horrible monstrous wants and desires that boil inside you (which, remember, include things like Not Wanting To Fuck or Wanting To Hold A Girl's Hand In A Lesbian Sort Of Way). Less the "I outfoxed your social game and drank you dry" slick vampire power fantasy and more the "call me a slur one more time and I'm going to wear your entrails like a fucking scarf" power fantasy.

Again, that's just personal hot takes, everyone's understanding of the monstrous in relation to themselves is different. I've seen a number of genderfluid and nb people use monstrousness as a way to defy occupying a shape that can be gendered for example.

[heliza24]

Armand and Unbreakable Cycles

So (perhaps unsurprisingly at this point) I have a TON of Armand thoughts after yesterday’s episode. Specifically I want to talk about the function of the 1790s section, and how it perfectly illuminates the cycle of maladaptive behavior that Armand is caught up in and the difference between his stated wants and his actual needs. I think the setup we saw in this episode will also be crucial to understanding how Dubai plays out, so I want to talk about that too.

I know a lot of people love the show and TVC because of Lestat, and there’s some frustration that Lestat was presented in a way that was untrue or filtered. But I really think you have to view this episode as a lens into Armand, which we in turn need in order to understand Louis. Everyone has someone similar to Lestat’s role in Armand’s life; an ex or a situationship or a former friend who takes up so much real estate in your brain because of their outsized impact  on you, who probably never thinks of you in return. We give these people a role in the story we craft of how we became who we are. That narrativizing is kind of the only way to understand yourself and survive (especially if you’re going to live forever). So I don’t doubt that there are things that Armand says that are untrue, or exaggerated, or twisted in his favor. But I do think the important part is the emotional impact his encounter with Lestat had on him, and I do think he’s being honest about those emotions.

(That being said I am of course very excited to see these events play out again in season 3 from Lestat’s POV. Don’t fuck it up AMC!!!)

The main thing that the flashback does is set up the cycle that Armand finds himself in over and over again. He consistently finds himself clinging to control in an institution he is starting to lose faith in, and is then shaken out of his complacency by a new love that seems– falsely– to rescue him.

Depending on how they adapt his very early backstory, I think we can probably assume that this pattern started in childhood for him. Marius rescued him from being forced into sex work, and seemed to offer a much better life. But in reality he was just grooming Armand. (Thanks @toriangeli for correcting a piece of my Marius lore here!)

In Paris he continues maintaining a strictly enforced life of misery for the coven long after he stops believing in it himself, and (by his telling at least) he was grateful to Lestat for having the strength to end it when he could not. It’s so clear why Armand falls for Lestat. Lestat’s refusal to live in shame, his love of the arts, his ability to exist amongst humanity (at least when he is on stage). Lestat is of the world, while Armand and the coven hide from it. 

The reason I think it is so important that we got to see this play out in Paris is the way it illuminates the sometimes tricky relationship between Louis and Armand. Once again, Armand is the head of an institution that operates on strict and oppressive rules. Once again, we can feel Armand’s enthusiasm for this system waning (and see it reflected physically in the lack of ticket sales and general shabbiness of the theatre). And once again, Armand is swept off his feet by this new vampire who refuses to join, who loves humanity, and who has a passion for art. Louis is very much of the world. He refuses to be pinned down into coven life. Armand can’t resist taking what looks like the opportunity for escape in Louis’s love. 

What I think is so fascinating about this cycle is that it allows Armand to remain passive. He never has to be the one to make the hard call to walk away from a kind of life that is no longer serving him. He just has to wait for the next gorgeous man to arrive to deliver him.  As he says to Louis, “those with the most power are often the weakest”. His status and power in the coven prevents him from changing his own life. Or at least that’s what he believes. 

Thinking about this helped me understand the dynamic of what goes down in the sewers, when Armand threatens Louis’s life. Assad says in the behind the scenes clips that Armand goes into that encounter very set on killing Louis, and I believe him.  So I rewatched it a couple of times trying to understand when, and why, Armand changes his mind. The shift occurs when they start talking about Claudia, and Armand says that her mind will break apart soon because she was made too young. Louis says “you don’t know her,” and Armand responds, “I don’t have to. I’ve seen it before. I’ve seen too much.” That admission– I’ve lived through this cycle multiple times before, it is painful, and I don’t want to do it again– is what shifts Armand from being ready to kill Louis to letting him go. 

There is of course an irony here; mentally ill and child vampires do not necessarily need to go mad. Generally they go mad at least partially because of Armand’s actions. And as we’ve already discussed, Armand going to sleep with Louis instead of killing him is really just a repeat of his actions with Lestat. He isn’t really breaking a cycle at all. But I think in that moment he believes that he is. Maybe he even believes that by being with a man who enacted great violence on Lestat, he can drown out the love and anguish he still feels about Lestat. At the very least, Louis has also loved Lestat and can therefore understand Armand’s narration of his own life in a way that not many other people can. 

Ok, so now we are caught up on the past. Let’s talk about Dubai, and how once again Armand is engaged in the exact same cycle of behavior.

The penthouse is Armand’s new coven. He maintains perfect order by controlling the physical environment and shaping Louis’s moods and memories. But just like before, this way of life is no longer serving Armand (or Louis for that matter). You can see that the spark between them has died, only rekindled as a kind of performance when they are in front of Daniel. When Armand is telling Daniel about Lestat destroying the coven, and Daniel accuses Armand of leading Lestat to the coven intentionally… he might as well be talking about himself. Armand has let Daniel into his fortress, and there is at least a part of him that wants whatever destruction Daniel is about to bring into his life.

Daniel fits Armand’s type completely. Daniel is of course more human than Lestat or Louis could ever be. He knows about telenovelas and Bollywood and all other types of art. He’s whipsmart and inquisitive and is not going to let Armand get away with passively maintaining his old order. He’s of the world in a way that Armand finds irresistible. 

I specifically found it interesting how many of the “Great Laws” Armand would be breaking by being with Daniel. Granted, Armand isn’t in the coven anymore when he meets Daniel. But I imagine old habits are hard to break, and being with Daniel would break almost all of them. Daniel is a mortal Armand has revealed his true nature to and allowed to live, Daniel has written about and exposed vampire secrets, and (if we’re looking at book canon) Daniel begs for the dark gift himself, a thing only the maitre is supposed to be able to approve. 

Assuming that a chunk of Devil’s Minion did happen in the 1970s, something interrupted that love affair, before it could settle back down into a new but still oppressive status quo. Something prompted Armand to actively break his pattern of behavior and erase Daniel’s memories. I think it’s impossible not to think about Nicki’s example here, especially after seeing the 1790s flashback. I’m going to assume that 1970s Daniel was struggling with addiction and mental health issues in a way that may have been reminiscent of Nicki. How intentional was Armand in withdrawing because he saw what vampire involvement- his involvement- did to Nicki? How much was his treatment of Daniel a reparation for past mistakes he made?

These last couple of paragraphs are speculation, really, because we won’t know exactly what Armandaniel looked like until Ep 5. But I think it was crucial that we saw this part of Armand’s story before we see San Francisco, because his actions with Daniel will make more sense if we can compare them with the love affairs of Armand’s past.

Regardless, I do think the disparity between what Armand claims to want (maintaining the status quo) vs what he actually wants (to be liberated by a romantic partner) vs what I think he actually needs (to take action himself, instead of waiting for someone to do it for him) is going to play a role in the way Dubai unfolds. I don’t know that Armand will ever get to the point where he’s actively able to break out of the cycle he’s in, because this is Interview with the Vampire, the show of fucked up gothic romances. Vampire life is a series of bad decisions! It’s a weird arrested development you never quite get out of despite living for forever! So it would make total sense if the ending of Dubai mimics the ending of the Children of Satan and the Paris Coven in an unhealthy way. But regardless, it’s gonna be a fun ride, and I can’t wait to see it.

[limonmelon]

armandaniel reclist

Because I really have to start putting these somewhere and because I need everyone to read these and give them the love they deserve:

outcast of all this night by gaypiratedivorce - "After a month in Dubai, Daniel Molloy is back home and miraculously alive, eager to get to work on his first draft. The vampire Armand has other plans." first in an insanely good (and complete!) series.

two truths and a liar by andrealyn - "Facing down the press junket for his book, Daniel Molloy is prepared to hype up his hit novel. He's less prepared to have Armand crash the tour to play bodyguard and doting assistant and he's definitely not ready to have his secrets spilled on a world stage because Armand wants to play games. The longer he sticks around to torment Daniel as he chases him across the country, the longer he stays. So, who's really winning this game?"

to the edge of the earth by andrealyn (you can tell I love her Daniel voice) - "There's nowhere that Armand can run where Daniel won't find him. Using the Talamasca's information, his own dogged determination, and eternity sprawling ahead of them, Daniel's going to find his maker and figure out why Armand keeps running. When he catches him (and he will), he's going to prove that it's going to be the two of them, forever, and that he's going to love Armand the way no one has before."

and then what? by andrealyn - "The droning hum of Louis' boredom is going to drive Armand mad. Instead of accepting it, Armand seeks out the kaleidoscope chaos that is Daniel Molloy's mind to learn why he's so special, so fascinating, so interesting. Every city he finds him in, he learns more before he makes Daniel forget. Every city, Armand grows a little more addicted. And every city, Armand does something he's not supposed to do -- falls a little more in love and eager to give Daniel the memories of who they are together."

his thoughts were red thoughts by spqr - "Daniel’s barely thirty; he can’t fathom one century, let alone five. It’s probably a wonder Armand doesn’t spend his time skulking in a cave somewhere, muttering to himself, covered in the blood and muck of his innocent human victims."

care and keeping by katplanet - "Louis shakes his head. “And now he's got you stepping on him.” Daniel picks his drink up and necks the last half of it. “I have not,” he says, “stepped on him, as of yet.” “But you want to.” “I think so?” Daniel puts the empty glass back on the table and scoots it out of their immediate limb radius. “I think I could want to. I want to want to.” “There you go,” Louis says, “tell him that. That'll set the mood.”" With some really great Louis/Daniel friends who love each other and also fuck too.

Endearments by Nothing_But_Paisley - "Daniel never compared him to a Botticelli angel or a Bernini cherub, never called him a demon or an imp. Such images scarcely existed within that wonderfully secular modern brain of his. Daniel was entirely a creature of the flesh."

open up your skull, i'll be there by typefortydeductions - "He shakes his wrist free and brings it to his mouth, licking up the trail of blood, his eyes never leaving Armand’s. He turns, and walks away, and spends a restless night in his own bed with his dick half-hard and the memory of Armand’s blood and Armand’s hands and Armand’s final whispered words before he upped and left Daniel sprawled newborn on the floor." this series floored me it's so good please read it.

mystic seaport is that way by exastris_scientia - "Daniel should really get more sleep and stop getting himself into these situations..." this series has it's boot on my throat. written pre-Season 2.

bend your dream with the road | VOTE TO END OTW RACISM by meronicavars - "Daniel is asleep dreaming of his own unreliable recollection of Louis at Polynesian Mary's all those years ago and Armand wants to dive into his dream and wrench Louis out, shake him until he realizes that Daniel is his, Daniel has always been his. Isn’t this something Louis should know? That Daniel was his gift to Armand. Why must you torture me with his presence? He wants to ask. Why would you bring him here if not to punish me?" also part of great series and written pre-Season 2.

the man who wasn't there by obstra - ""I just couldn't bear to lose you and Louis in one day.” Armand is looking away from Daniel now and picking more ferociously at the edge of his sleeve, like he's avoiding something big. He's almost afraid to ask, somehow he can tell this is going somewhere significant “Why would losing me be the same as losing Louis Armand? Just some kid you met decades ago in San Francisco, tortured a little bit then threw aside? Explain to me why. Does this have anything to do with the fact that my memory of the 70s has more holes in it than swiss cheese? I thought it was just drugs but I also thought San Francisco was just drugs and look how that turned out.”"

a haunting just for company by valkyrisms - ""I know what a breakup looks like," Daniel says. "The better question is, why are you coming to me about it? I'm the one who broke up your little sham." "This is what humans do, don't they?" Armand asks, letting his voice drop. "Crashing on their friends' couches when there's a blip in their romances?""

Simplicity by WendigoDreaming - "Daniel's memory is a gaping hole morphing slowly into the shape of Armand." also part of an ongoing series!

The Beginning Is the End Is the Beginning by trinityofone - "He should have left when he had the chance. But he wanted to see how it ended. His mistake. Because the story wasn’t done with him. All at once it was grabbing him by the throat. (A version of Daniel's turning featuring visions, sex, and sexy visions.)"

forever's gonna start tonight by trinityofone (actually just read all their IWTV fic thank you) - "I’ve lost my mind, Daniel thinks, still lavishing kisses to the chest of the creature that killed him. He says the next part out loud: “I fucking hate you. And you hate me. So something is making us do this.” “I don’t hate you,” Armand pants. “You mean nothing to me. Don't stop.”"

more to come!

[frozenjokes]

Cub and mumbo is a ship I really want to like extremely badly but it hasn’t quite clicked in my brain how they would work so I just need to take a moment to ramble and brainstorm and make it happen.

I think they have a kind of vibe that’s like ‘I saw cub at the ‘eating people’ club!’ ‘what were YOU doing that the ‘eating people’ club?’ I imagine cub being charmed by S8 mumbo and his quite frankly insane workaround to stealing Grian’s soul instead of just cannibalism normal style. Cub might keep tabs on Mumbo after that, just curiosity with little interaction, and he ends up witnessing multiple instances of Technically Not Cannibalism? that leave him kind of baffled?? mumbo jumbo why are you jumping through hoops like this. I am fascinated by you but I think also you are in desperate need of tearing someone apart (and god I’d love to watch). They’ve said a total of five words to each other when cub wanders over to him and is like hey. if you wanted to 👉👈 you could ✌️ rip scar into a million pieces with me :) for fun :)

mumbo goes ?????????no????????"? and cub comes away from this interaction dejected and also with the impression that the issue here is that mumbo is simply repressed and is in desperate need of help and nothing else. commence slutfan135 (attraction and eating people are integrally linked which is a universal for everyone cub has decided)

from Mumbo’s perspective this is coming out of fucking nowhere and he’s deeply deeply confused until he’s chatting with scar one day and the subject comes up and scar’s like oh yeah lol he wants you to eat him soooooo bad he’s been talking my ear off about for weeks and mumbo goes Why. W hy. And scar shrugs. (Unhinged cubfan monologue would not have been understandable to anyone especially not scar but he’s just happy to listen to cub talk. Nothing is more fun than listening to an autistic person go off the rails about something insane.)

Mumbo just approaches cub the next day and goes dude I do not want to eat you and I’m not going to. And cub goes 🥺 please? Somehow this leads to a conversation about desire and carnal attraction and gore and shit and it’s nice probably. Mumbo doesn’t really want to hurt people so instead he chooses to hurt people in extremely convoluted ways instead. Cub suggests he go apeshit instead. you’ve been cannibalism edging me for weeks mumbo jumbo I am begging you. Something something guilt and shame and it’s all an extremely poorly disguised allegory for catholic guilt and shame in regards to sex. maybe it ends with mumbo suggesting cub eat him instead. This might fix him??? I enjoy a predator hunter/hunted dynamic so I think that would go hard with cub being like okay :3 only if I can chase you through my gay little labyrinth. Even better if the turns get tabled on cub and mumbo ends up killing him instead. I haven’t mentioned mumbo is a vampire yet but he is. Then they eat each other the end. cumbo win

[ariaste]

listen i've had a 100 degree fever for four days and i have not been able to string any thoughts together except for gently rotating Devil's Minion in my brain and the bleary conclusion i have come to is this:

we know armand is a control freak

we know armand has spooky psychic powers of imposing his desired reality on top of other people's lived realities

the interview is happening despite armand supposedly claiming that he thinks it's a bad idea

Armand gives in to participating in the interview awfully quick. including a theatrical reveal of his true self at exactly the right moment for maximum Drama.

therefore, stay with me here, I will argue that armand DOES ACTUALLY want the interview to be happening. Who else is going to be pushing for it? Louis??? If Louis pushed for something Armand didn't want, Armand would simply wipe it from Louis' mind and move on with his day. He has that power, and yet he didn't USE IT in this case. So that means that the little tissue paper objections are mostly for show and to camouflage his true intentions (see also, though: the scene in Paris where Louis comes in and is playing maitre and Armand offers just a teeny resistance of "oooh but i'm looking at Sam's new pages", so it's a documented behavior pattern). There is one exception, but we'll come back to that in a sec.

So then the questions are: Why does he want it to be happening now as opposed to any other time? What is his motivation for having it happen again at all? What changed between 1973 and now that caused this?

(the rest under a cut bc this is gonna get long and i don't wanna clutter people's dashes too much)

my wild fever hallucination theory rn is that armand (my canceled wife who i stand with) is manipulative and psychopathic enough that he may have looked at daniel at some point in the 1970s and said to himself "you know what, the one thing that I would change about him is if he was like 40 years older, because i'm kinda into that, and also maybe he hates me a little bit, because i'm kinda into that as well" and then set Daniel on the back burner to basically finish cooking into the Perfect Daddy Boyfriend.

so why is he doing this whole charade again? Because the first time Daniel had the interview, the end result was "omg omg omg make me a vampire PLEAAASE", right? So Armand's insane little brain is like "ok, so we do it again, and replicate the same results :) and this time i will win and get everything i want, just like always :))))"

Going back to the tissue-paper objections i mentioned above, the one exception that strikes true for me is when Armand tells Louis that he's lost control of the interview. What control? What control, babygirl? what are you trying to control about this interview? what is the goal that isn't being achieved rn? Are you worried that Daniel seems Jaded and Cynical and Unimpressed nowadays? Are you worried that Louis does not seem to be selling the Allure Of Being A Vampire as effectively as he did back then and that Daniel is not going to beg for it like he used to? Armand is so used to being around people who NEVER EVER CHANGE in hundreds of years and so maybe he has forgotten that mortals do change actually. Oh no. Science experiment cannot be replicated. Results are going awry. PANIC.

this would also explain why he keeps explaining himself to Daniel, censoring the diaries, and lying about his involvement in things. could it be that he thinks Daniel won't play along with what he's supposed to be doing (ie: being deeply into him) if he knows upfront that Armand is Fucknuts Crazy?

that is where he is wrong tho. Daniel thinks fucknuts crazy is irresistibly hot. Daniel "I want BOTH [to survive AND the book] >:\" Molloy, aka Daniel "YOU BOTH FUCKED LESTAT? :DDD" Molloy aka Daniel "Fascinating Boy" Molloy loves mess. he loves mess. he's an investigative journalist who interviews KGB agents and the most dangerous people in the world because he's an adrenaline junkie who sincerely loves the thrill of hanging out with people who might kill him. He has been chasing that high since 1973 (and I use that phrasing intentionally). Every time Armand tries to control the narrative and woobify himself and act like he's not absolutely insane bc actually he's innocent and blameless, he is shooting himself in the foot re: the pursuit of his endgame goals. And that's extremely funny to me. Bc Daniel's love language is "WHAT THE FUCK IS WRONG WITH YOU [enraptured, intrigued, captivated, fascinated]"

and in conclusion, that's why they're the ship of all time, ur honor. defense rests.

(will this make coherent sense once i'm not sick anymore? idk.)

[nightcolorz]

Could you tell me your interpretation of why the Devil's minion split up after qotd? I only read up to that book and i've been learning through spoilers

omg I love this question! I personally think it was sort of an inevitability. Armand and Daniel were super unstable, on and off again-y while Daniel was human, and the binding factor that kept them together was that Armand was a vampire and Daniel was a human. Daniel can’t stay away from Armand for long because he’s obsessed and enthralled with everything monstrous and other about him (he’s also quite literally addicted to his blood). Daniel is so attached to Armand partly I think because he desperately wants to experience vampirism and after the affair with Louis he can’t see a reality for himself without vampirism in his life—whenever he tries to live normally he has that nagging reminder that their r supernatural wonderful things he will never be a part of and it drives him crazy.

Armand is in love with Daniel because he’s fascinated by all the things that make Daniel human. He considers him his link to the “modern age” and the thing that connects him to what he craves the most (humanity). Armand finds it very difficult to connect with people and by extension the world after how isolated he’s been for a good chunk of his immortality, and connection is very important to him. Daniel is how he experiences that. Armand also I think very much envies humans and wishes in a way to return to his humanity, and in this he finds experiencing humanity through daniel and seeing it in him very enthralling and special. Also Armand considers Daniel a mirror to how he was as a human (immature, lustful, brave, obsessed with the supernatural, doomed to failure), and Armand is very very frightened of seeing someone who he considers an embodiment of all he loves about humanity and a representative of the naivety he once had fall down his same path and loose it all to madness and immortal hell.

and obviously this is a huge issue!! Because Daniel loves Armand for his vampirism and Armand loves Daniel for his humanity, and both of them fundamentally want to abandon the thing the other prizes them for. But the tragedy there is that it’s not so superficial!! They also just love each other in a simpler, more personal sense. Daniel feels free with Armand, he feels like he can be the insane person he rlly is when they’re together. Armand gives Daniel access to the type of unhinged freedom and intense connection that he wants from life. He’s a walking subject Daniel can study, someone who never stops being fascinating (perfect for a journalist). And he loves his layers and his complexity, all the gross and horrible parts of him. Daniel first falls for Armand when he hears him genuinely laugh. <3, For armand, Daniel basically the only person who’s rlly ever seen him for who he is and loved him for it. Armand has a pattern of being shaped by people into something else, or misperceived and loved for that false image, and Daniel is in love with all the worst parts of armand. He loves him for everything he is, Daniel even says he’s an Armand expert lol. He sees it all and he loves it. And Armand is experiencing this type of unconditionality for the first time. There’s real connection there! The issue is that despite this so much of their relationship is built upon the vampire and human dynamic and it’s super hard to move past that.

The choice that Armand makes when he turns Daniel is “do I value Daniel more then I value his humanity and what that represents” and of course, Armand chooses Daniel, even tho it breaks him to do what he considers to be unforgivable to this person he loves so deeply. Armand vowed very early on that he would never turn a person into a vampire. And it’s cuz Armand rlly doesn’t like being a vampire 😭 He knows he wasn’t supposed to be a vampire, his maker goes around talking all the time about how armand was a mistake he should have never made and he’s fucked up bcus of how vampirism has affected him. And Armand knows that bcus of this he is a distortion of whatever person he could have been, and he’s always longing to understand part of what he’s missing. it’s rlly pretty sad. And so it makes sense that Armand would hate to take on the responsibility of, as he sees it, potentially ruining someone he loves. But he’d rather have Daniel alive than dead, so he turns him. Already this is hard on Armand bcus he considers it a selfish defeat to turn Daniel, choosing his own feelings over what he knows would be best for him. Daniel meanwhile is thrilled. Not off to a great start already

so Daniel was turned under insane circumstances and Armand and him have very little time to process any of it. Daniel is afraid to take life which isn’t abnormal in itself, but it freaks them both out. Once the insanity of queen of the damned settles down and Daniel and Armand r living together as a vampire x vampire couple at night island the issues begin to set in. There’s a huge disconnect now, Daniel is thrilled to be experiencing vampirism as he’s always wanted, Armand is grieving daniels humanity, neither of them r talking about it. Also, Daniel still has his addictive personality and his mental health issues which r exasperated by being a new vampire, so ofc he’s kind of loopy and kind of unstable. And Armand is realizing this and he’s thinking oh my god I’ve ruined Daniel I’ve destroyed the person I love the most, I’ve taken this person who I consider just like myself when I was a human and I’ve repeated the cycle of destruction, I destroy everything I touch oh my god. And I imagine this thought pattern led to Armand distancing himself from Daniel and being agitated and off putting, and I can say that being rlly excited about a change that ur partner is passive aggressively hostile about is like actual hell.

And the kicker!!! Armand’s primary mode of communication with his loved ones is the mind gift. It’s basically his safety net, in tvl it’s explained that Armand rarely ever talks out loud because he finds speaking through his mind much more comfortable. He uses the mind gift to express his feelings when he can’t with words, which is a pretty handy tool in a relationship when ur someone who struggles with verbal communication. But when Armand turns Daniel!! He can not communicate through the mind gift with him anymore!! So basically all these issues Armand is having and all this grief and stress and resentment is being left unsaid, and therefore unresolved. A couple can nottt get over an issue they aren’t talking about.

I imagine Armand felt like daniels vampirism was a huge barrier blocking him from ever connecting with him as he did ever again. Which!! Obviously Daniel will notice that Armand is giving up on him, and old patterns begin to resurface. They don’t have the “Daniel wants to be a vampire but Armand doesn’t want to turn him” argument anymore, but they do have a tension that is being left both unresolved and not understood by either party. All they know is the spark is fading and there’s resentment and there’s pain. And that tension, with these crazies, results in big blow out yelling matches and crying and “I’m leaving u for good this time I mean it!!”

so in conclusion, what I think happened with Daniel and Armand after qotd is that combined with his preexisting issues and his vampirism inflicted overstimulation, Armand’s bitterness and his distance drives Daniel to a mental break, and after some fight or another he leaves night island and vows to never return. Daniel is in a very vulnerable mental state as an already mentally ill new vampire. Vampirism has a very overwhelming effect on some people where the change to sensory processing makes it hard for some vampires to function fully on their on because of how difficult it is for them to process information. And daniels got that. I feel like he could have possibly made it through well with a strong support system, open communication, and guidance on how to navigate this new life, but obviously he didn’t have that.

When Daniel was a human he’d do this often, leaving, but then he’d realize he couldn’t live without Armand and come back. But when Daniel is so out of his mind he gets distracted by a light bulb or smth, he doesn’t come back. Maybe he would have if he was in his right mind, but he’s lost it and there’s not the safety net of Armand’s mind gift to come and locate him. So Marius finds him, decides that Armand is too broken and immature to ever care for his own fledgling, and he takes him in. And I figure that Armand’s guilt becomes unbearable after this, and he internalizes the assumption that he isn’t fit to have his own functioning relationships bcus of his issues, and he gives up on Daniel completely. Of course until the pl trilogy when they r able to re connect!

so yeah!! That’s my interpretation, loved this ask thank u for letting me yap. I hope this was coherent lol. Thank u sm!