#on the rise rap (pop??) artist paul..

[x--daughters-of-darkness--x]

The 100 songs that changed metal (by Metal Hammer)

74. Within Temptation – Ice Queen (Mother Earth, 2000)

In the 90s, symphonic metal was more a glittering garnish than a scene in itself, something bands from Therion to Celtic Frost would sprinkle on their music to make it sparkle. And while the genre would start coming together into something more tangible towards the end of the decade, it wasn’t until a few years later that a song would emerge to put symphonic metal on the map.

That song was Within Temptation’s Ice Queen. A complete volte-face from the gothic doom of the Dutch metallers’ 1997 debut, Enter, it appeared on the follow-up, Mother Earth, in a flurry of lavish arrangements and fairytale histrionics. Buoyed by vocalist Sharon den Adel’s crystalline voice, it pushed metal towards a new frontier, quickly whipping up a buzz in mainland Europe. Ice Queen can take credit for being symphonic metal’s first major hit, pushing women to the forefront and influencing a brand new generation of bands.

81. Evanescence – Bring Me To Life (Fallen, 2003)

Evanescence’s debut single, Bring Me To Life, turned vocalist Amy Lee into a megastar. Arriving in 2003, when mainstream music was dominated by hyper-masculine men and overly sexualised pop stars, with her billowing long skirts, corset tops, arm socks and steely self-confidence, Amy redefined what a female artist could be, becoming a role model for millions of misfits and dreamers everywhere.

Despite its crunchy guitars and a rapped verse, courtesy of 12 Stones’ Paul McCoy – which Amy has since said she was forced to add by their label – Bring Me To Life’s cobwebby, goth fragility also brought something fresh to nu metal’s dick-swinging party, extending the mainstream’s flirtation with the genre for a little longer – as of 2019, it’s sold more than 3 million copies and has passed more than a billion streams on YouTube and Spotify.

82. Arch Enemy – We Will Rise (Anthems Of Rebellion, 2003)

We Will Rise was a huge song, not only for Arch Enemy but for the new generation of 21st-century melodic death metal they spearheaded. Guitarist Michael Amott had already laid down the melodeath blueprints with Carcass, while Arch Enemy themselves had already made three albums with singer Johan Liiva, but neither they nor anyone else had made an anthem quite like this.

As well as propelling the genre as a whole to greater heights and popularity, it provided a bigger platform for Angela Gossow – a hugely influential figure and one of the first prominent female vocalists to not only try but absolutely nail an extreme metal style. “Her emergence as a metal vocalist was, without hyperbole, revolutionary,” Svalbard’s Serena Cherry told us recently, and we’re not arguing.

84. Nightwish – Nemo (Once, 2004)

Nightwish didn’t invent symphonic metal, but alongside peers Within Temptation and Epica, they popularised it and packaged it to the masses. By 2004, the Finns had already established themselves as a major player in Europe, but with the sumptuous Nemo, they broke through on an unprecedented level.

No longer a niche concern in the geeky corners of the metal world, symphonic metal, in all its lavish, overwrought glory revelled under a global spotlight. Nemo’s fantastical magic, sparkling piano refrain and stirring melody has endured – it’s still the band’s best-known song – but its lasting image comes via its gothic music video, and then-singer Tarja Turunen singing in the snow in a blood-red coat. Nemo showed metal at its most fragile and beautiful.

95. Babymetal – Gimme Chocolate!! (Babymetal, 2014)

If elitists were tearing their hair out at the likes of Ghost, Bring Me The Horizon and Limp Bizkit being considered ‘metal’, then they might as well have just reached for the clippers for this one. The sight of three young Japanese girls rocking choreographed moves and singing sugary-sweet, J-pop-infused choruses about chocolate over heavy metal riffs was as shocking as it was delightful.

Babymetal hadn’t just broken the mould for metal, either; they’d given the West a fuller glimpse into the uniquely Japanese phenomenon of idol culture, and given the cutesy world of Kawaii a bigger global platform than ever. Overseen by band mastermind and producer extraordinaire, Key ‘Kobametal’ Kobayashi, Babymetal were unlike anything our world had seen before: equal parts hyper-polished girl band and full-on heavy metal experience, with their mysterious Kami Band backing musicians as formidable as any ‘proper’ metal band you could name.

Cynics moaned, but with the likes of Rob Halford, Metallica and Corey Taylor throwing in their support, the trio quickly transcended their ‘gimmick’ tag to become a legitimate force in the modern metal landscape.

99. Spiritbox – Holy Roller (Eternal Blue, 2022)

Spiritbox were already firmly established as Ones To Watch by the time Holy Roller, the first single from Eternal Blue, exploded like a hand grenade in the summer of 2020. Once those first, colossal riffs rang out, however, it was clear that the Canadian troupe hadn’t just levelled up considerably – they had successfully repositioned themselves as one of the most exciting and vital bands of their generation.

Backed by a memorable video inspired by Ari Aster’s disturbing Midsommar movie, Holy Roller was the perfect crystallisation of the last decade-plus of evolution in metal, packing djent, metalcore, nu metal and more into a massively crushing (but seriously catchy!) three minutes. “This song was never intended to be a single,” explained vocalist Courtney LaPlante later. “Our mission statement was, ‘Let’s make the most ridiculous song that we can.’”

[checkthreetimes]

𝗦𝘁𝗲𝘃𝗲 𝗛𝗮𝗿𝘄𝗲𝗹𝗹 — 𝗔 𝗧𝗿𝗶𝗯𝘂𝘁𝗲 𝘁𝗼 𝘁𝗵𝗲 𝗦𝗺𝗮𝘀𝗵 𝗠𝗼𝘂𝘁𝗵 𝗦𝗶𝗻𝗴𝗲𝗿 𝗪𝗵𝗼 𝗠𝗮𝗱𝗲 𝗨𝘀 𝗔𝗹𝗹 𝗕𝗲𝗹𝗶𝗲𝘃𝗲𝗿𝘀

The world of rock music has lost one of its brightest stars. Steve Harwell, the lead singer and co-founder of Smash Mouth, passed away on Monday, September 4, 2023, at his home in Boise, Idaho. He was 56 years old. His manager confirmed that he died of liver failure, a condition that he had been battling for a long time. Harwell was not only a talented singer, but also a pop culture icon. He was famous for his distinctive voice and charismatic personality, as well as his hit songs such as "All Star" and "I'm a Believer". He had an amazing career in the music industry, spanning over three decades and selling over 10 million albums worldwide with his band. He also had a colorful life, marked by his passion for music.

He was born on January 9, 1967, in Santa Clara, California. He grew up in San Jose, where he developed an interest in rap music and joined a group called F.O.S. (Freedom of Speech). He later switched to rock music and formed Smash Mouth with his friend Kevin Coleman, along with Greg Camp and Paul De Lisle. Harwell was influenced by various artists, such as Elvis Presley, The Beatles, The Beach Boys, and The Clash.

Harwell and his bandmates started their career in 1994, playing at local venues and festivals. They caught the attention of a radio station that played their demo songs, which led to a record deal with Interscope Records. Their debut album, Fush Yu Mang , was released in 1997 and featured their first hit single, "Walkin' on the Sun", which reached number one on the Billboard Modern Rock Tracks chart and number two on the Hot 100 chart.

Their second album, Astro Lounge , was released in 1999 and became their most successful album to date. It contained their signature song, "All Star", which topped the charts in several countries and became a pop culture phenomenon. The song was featured in the soundtrack of the animated film Shrek , as well as other movies and TV shows. It also earned them a Grammy nomination for Best Pop Performance by a Duo or Group. Another popular song from the album was "I'm a Believer", a cover of The Monkees' classic song, which also appeared in Shrek .

Smash Mouth continued to release more albums in the 2000s and 2010s, such as Get the Picture? , The Gift of Rock , Summer Girl , Magic , and Rise and Shine . They experimented with different genres and styles, such as ska punk, reggae, country, and disco. They also collaborated with other artists, such as Baha Men, Eddie Money, J.D. McPherson, and Caravan Palace. Harwell also pursued a solo career, releasing two songs for the animated film Pororo: The Racing Adventure in 2013.

Harwell received many accolades and achievements for his music career. He won several awards from MTV, Billboard , Teen Choice , ASCAP , BMI , and others. He also performed at various events and venues around the world, such as the Super Bowl XXXVII halftime show, the World Series , the Olympic Games , Disneyland , and Carnegie Hall . He also appeared on several TV shows and movies, such as The Surreal Life , Rat Race , American Idol , Dancing with the Stars , Family Guy , Kim Possible , Scooby-Doo! Mystery Incorporated , and SpongeBob SquarePants .

He died on September 4, 2023, after being in hospice care for final stage chronic liver failure. He is survived by his wife Michelle Laroque Harwell.

Harwell will be remembered as one of the most influential singers of his generation.

[aminlaboriel]

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Amin Laboriel Brand New Single “Chocolate Banana Pop It”

By  Ryan Martin—November 29, 2015

Artist/Songwriter, Amin Laboriel, released his first single in English and Spanish, “Chocolate Banana Pop It” and “Ella Quiere Choco Banano” featuring JC to the world via iTunes, Amazon and Spotify. More than 60,000 people already saw the official music video on YouTube, recently released on VEVO and scheduled to be released on MTV, AXS TV, BET JAMS, and VH1 in the upcoming days. Amin has certainly found a beat, rhythm and idea worthy of finding its way to the DJ decks in clubs across the world. With a performance that’s smooth, energetic and completely confident and music that pulses with all the right moves – any DJ that might get a hold of this “Chocolate Banana” would barely have to rub it on their turntable for the song to “Pop It” in the club and get the people jumping, noted JR from Sleeping Bag Studios.

Amin is a driven, passionate and charismatic artist with a unique approach to his blend of Urban/tropical/ Pop/House Music/Hip-hop and Reggeaton. His single “Chocolate Banana Pop It” was recorded at Lounge Studios NYC by Joe Angol and mixed and mastered by Mikaelin “BLUE” Bluespruce, who has recorded and mixed music for the industry’s biggest names including Akon, Chrisette Michelle, Kelly Rowland, Marsha Abrosius, and Prince Royce. The rhythm in the verse & chorus certainly work well; they’re big, building pieces of low-end sound that combine in energetic & explosive beats, remarked JR. The song will be featured on Amin’s upcoming album “Climax,” which will contain fifteen original tracks! Amin’s sound is all about connecting with the listeners through high-energy release that makes the floor shake!

“Chocolate Banana Pop It” & “Ella Quiere Choco Banano” introduces, sixteen year old, artist songwriter/rapper Julio Mejia, also known as “JC” to the world, a Rise To The Top Productions’ prodigy. About one-minute-forty seconds in the song, guest-star JC makes his first appearance…and it’s flat-out awesome. A short burst of precision-perfect rap, the percussion picks up the energy to match perfectly in a really effective and catchy highlight within this exotic & erotic beat. “It was really fascinating working on this song with JC and the rest of the team,” said Amin, flashing a smile as bright and wide as the ocean. He then continue saying, “the atmosphere inside the recording studio was magical. I want that same vibrant atmosphere to continue moving across peoples homes, clubs and radios, all around the world—pure joy.”

Amin comes from a long line of extraordinary musicians who emigrated from his native Honduras to America following their music calling. His father was the director of music at one of the most prestigious universities in Honduras. His uncle is the legendary six string bass player and performer Abraham Laboriel. His cousin is the extraordinary drummer Abe Laboriel Jr. currently on tour with Paul McCartney. Given that kind of pedigree, is apparent that Amin Laboriel also seems to be destined for great things in music.

Find out more and let the music tell you the rest of this story. Amin Laboriel– “Chocolate Banana Pop It” and “Ella Quiere Choco Banano” featuring JC is now available:

Spotify: https://open.spotify.com/album/5iPtsnNdazklmkaHXn1dpx

[dmtrecordspvtltd]

The Evolution of Hot Hollywood Songs: A Decade of Musical Masterpieces

Hollywood has long been the epicenter of music and entertainment, producing some of the most iconic hot Hollywood songs that continue to captivate global audiences. The relationship between Hollywood and music is inseparable, with soundtracks, singles, and albums often defining an era, an artist, or even an entire generation. From pop anthems and power ballads to hip-hop beats and EDM-infused tracks, Hollywood’s music industry has constantly reinvented itself, blending contemporary styles with nostalgic elements to keep listeners engaged. Whether it's a song from a blockbuster movie or an independent hit that takes over the streaming charts, Hollywood consistently delivers unforgettable musical experiences.

The Changing Sound of Hollywood Music

Music in Hollywood has evolved tremendously over the decades, reflecting cultural shifts, technological advancements, and changing audience preferences. In the early 2000s, the industry was heavily influenced by pop and R&B, with artists like Britney Spears, Usher, and Beyoncé dominating the charts. These songs were characterized by catchy hooks, upbeat rhythms, and heavily produced instrumentals that made them instant favorites. Meanwhile, rock bands like Linkin Park and Coldplay brought a different flavor to Hollywood music, blending alternative, rock, and electronic elements to create a fresh, distinct sound.

As the industry moved into the 2010s, the influence of EDM (Electronic Dance Music) became undeniable. With artists like Avicii, Calvin Harris, and David Guetta shaping the mainstream sound, electronic beats became a staple of many hot Hollywood songs. The rise of collaborations between pop artists and DJs, such as Rihanna with Calvin Harris on "We Found Love" and The Chainsmokers with Halsey on "Closer," showcased how Hollywood music had fully embraced electronic elements. Hip-hop and rap also experienced a massive surge, with artists like Drake, Post Malone, and Cardi B leading the charts.

By the late 2010s and early 2020s, Hollywood music had become more experimental, incorporating diverse influences from Latin, Afrobeat, K-pop, and indie genres. Songs like "Despacito" by Luis Fonsi and Daddy Yankee, "Old Town Road" by Lil Nas X, and BTS’s numerous chart-topping hits reflected the global reach of Hollywood music. With the rise of streaming platforms, independent artists also found opportunities to break into the mainstream, further diversifying the industry.

Iconic Hot Hollywood Songs That Defined Eras

Some songs not only top the charts but also leave a lasting cultural impact. Hollywood has produced a long list of songs that have become anthems of their time, staying relevant years after their release. These tracks have been played at parties, weddings, award shows, and even emotional farewells, proving their timeless appeal.

"Shallow" (2018) – Lady Gaga & Bradley Cooper – A soulful ballad that became the heart of A Star is Born, winning numerous awards and resonating with audiences worldwide.

"Blinding Lights" (2019) – The Weeknd – A perfect blend of retro and modern music that set streaming records and became one of the biggest hits of the decade.

"Uptown Funk" (2014) – Mark Ronson ft. Bruno Mars – This funky, feel-good anthem took over the airwaves, remaining one of the most played songs even years after its release.

"Rolling in the Deep" (2010) – Adele – A powerful song that catapulted Adele to international fame, known for its hauntingly beautiful lyrics and soulful vocals.

"See You Again" (2015) – Wiz Khalifa ft. Charlie Puth – An emotional tribute song that became a global hit, dedicated to the late actor Paul Walker from the Fast & Furious franchise.

These songs have not only dominated the charts but have also been closely associated with Hollywood films, proving the powerful link between music and cinema. Whether it’s a romantic ballad, a high-energy dance track, or a poignant farewell song, these hits remain some of the most cherished pieces of music.

Why Hot Hollywood Songs Continue to Thrive

One of the primary reasons Hollywood songs remain successful is their ability to evolve while maintaining a connection to listeners' emotions. The industry has a unique way of blending different genres, collaborating with international artists, and leveraging the power of technology to create fresh, exciting music. Another key factor is the role of movies and television in popularizing songs. Soundtracks and theme songs often become just as iconic as the films themselves, helping artists gain recognition and increasing the song’s lifespan.

Streaming platforms have further amplified the reach of Hollywood music, allowing songs to go viral overnight. TikTok, in particular, has played a crucial role in making songs trend, with millions of users participating in challenges, dance routines, and lip-sync videos that turn tracks into global sensations. The influence of social media has given artists a direct connection with their fans, making it easier for them to promote their music and build a loyal audience.

The commercial aspect of Hollywood music also contributes to its success. Record labels, producers, and marketing teams work together to create massive promotional campaigns, ensuring that new releases receive maximum exposure. From featuring songs in commercials and movie trailers to launching high-budget music videos and organizing world tours, the industry leaves no stone unturned in making a song a hit.

The Future of Hollywood Music: What Lies Ahead?

The future of Hollywood music is bound to be even more dynamic and unpredictable. With advancements in artificial intelligence, virtual reality concerts, and digital distribution, the way people consume and experience music is set to change dramatically. AI-generated music and deepfake technology are already making waves, with artists experimenting with synthetic sounds and hyper-realistic avatars. While some critics argue that this could take away the authenticity of music, others see it as an opportunity for limitless creativity.

Genre-blending will also continue to shape the industry, with more artists collaborating across borders to create unique fusions. We’ve already seen successful partnerships like Beyoncé and Shakira’s “Beautiful Liar,” Justin Bieber and Luis Fonsi’s “Despacito (Remix),” and BTS with Coldplay on “My Universe.” As technology erases geographical barriers, the global influence of Hollywood music will only expand further.

Despite all these changes, one thing remains certain—Hollywood’s ability to produce hot Hollywood songs will never fade. Whether through traditional pop hits, experimental new sounds, or nostalgic revivals, the industry will continue to create songs that define moments, connect people, and make history. The magic of Hollywood music lies in its power to inspire, entertain, and leave a lasting imprint on generations to come.

Related Articles:

For further reading, explore these related articles:

The Ultimate Movie Songs List: A Journey Through Timeless Hits

BTS Jimin’s Solo Album: A Beautiful Journey of Music and Emotions

The Story Behind "Wasted on You Lyrics"

The Beauty of "I Like You" Song Lyrics

For additional resources on music marketing and distribution, visit DMT Records Private Limited.

[lboogie1906]

Louis Johnson (April 13, 1955 – May 21, 2015) was a bass guitarist. He was known for his work with the group the Brothers Johnson and his session playing on several hit albums of the 1970s and 1980s, including the best-selling album of all time, Thriller.

His signature sound came from the Music Man StingRay bass guitar. He is ranked #38 on Bass Player magazine’s list of “the 100 Greatest Bass Players of All Time”.

His work appears on many well-known records by prominent artists. He played on Off the Wall and Dangerous, and hit songs “Billie Jean” and “Don’t Stop ‘Til You Get Enough”. He played on Give Me the Night. He was one of three bassists on the album Rise, which included its top-10, Grammy-winning disco/jazz title track. He was nicknamed “Thunder-Thumbs”.

His slap bass lines figure in his work on the Time Exposure album, his work with Grover Washington, Jr. (Hydra), George Duke (Guardian of the Light, Thief in the Night), Jeffrey Osborne (Jeffrey Osborne, and Stay with Me Tonight). The bass line for Michael McDonald’s “I Keep Forgettin’ (Every Time You’re Near)” has been sampled as a backing track for dozens of rap songs. He was the bassist on Earl Klugh’s jazz/pop album Living Inside Your Love and jazz/pop album Finger Paintings, as well as Quincy Jones’ Mellow Madness.

Johnson worked with Andrae Crouch, Angela Bofill, Anita Baker, Aretha Franklin, Billy Preston, Bill Withers, Björk, the Controllers, the Crusaders, Dave Grusin, David Diggs, Deniece Williams, Donna Summer, Donn Thomas, Gábor Szabó, Gene Van Buren, Harvey Mason, Herbie Hancock, Hiroshima, Irene Cara, the Jacksons, James Ingram, John Mellencamp, Karen Carpenter, Kent Jordan, Kenny Loggins, Lee Ritenour, Leon Haywood, Lesley Gore, Makoto Izumitani, Natalie Cole, Patti Austin, Paul McCartney, Peabo Bryson, Peggy Lee, Phil Collins, Pointer Sisters, Randy Badazz, Rene & Angela, the Ritz, Rufus, Sérgio Mendes, Side Effect, Sister Sledge, Stevie Nicks, Stevie Wonder, Sweet Comfort Band, Temptations, George Duke, Toshiki Kadomatsu and The Supremes. #africanhistory365 #africanexcellence

[musicarenagh]

‎Don Drago “Paradise”: The Ultimate Summer AnthemSummer’s just around the corner, and Don Drago’s latest single, “Paradise,” is the perfect soundtrack to heat things up. Featuring Bezz Believe and Nawlage 2K5, this rap-infused, dance-pop banger has all the ingredients to liven up any party or sunny day. https://open.spotify.com/track/6AwqrThQChBXLHtIi7OgFA?si=46b5275f9d1e4f92 Don Drago, a multi-talented rising star, is swiftly gaining prominence in the music industry. His unique style and catchy tunes are making a significant impact. As the temperatures rise, so do the expectations for summer anthems, and “Paradise” does not disappoint. From the moment you hit play on this tune, it transports you to a sun-soaked beach with the sand between your toes and a tropical drink in hand. The irresistible beat, infused with the heat of the dance floor, immediately sets the mood for an all-night celebration. Every verse is carefully crafted, blending the distinct styles of Don Drago, Bezz Believe, and Nawlage 2K5, giving listeners a taste of their individual contributions while maintaining a cohesive, thumping whole. As the song progresses, the interplay of rap verses with the infectious pop stylings makes for a dynamic listening experience. This catchy track emits an undeniable feel-good vibe, and you’ll effortlessly join in singing along. This tune makes you want to dance carefree all summer long. Drawing comparisons to the likes of Pitbull, Flo Rida, and Sean Paul, “Paradise” unapologetically showcases an appreciation for lively party tunes. But unlike those chart-toppers, Don Drago brings a certain unique charm and warmth to the proceedings that set the song apart from other generic party tracks. It’s clear that Don Drago’s passion for music and eclectic influences lends to his strength as a producer, songwriter, and performer. “Paradise” is not only testament to these skills but a showcase of how much fun they can have at the same time. The song’s spirit fosters a sincere bond between the artist and listeners. In short, “Paradise” by Don Drago, featuring Bezz Believe and Nawlage 2K5, is the quintessential summer anthem. It’s fresh, energizing, and captures that feel-good vibe we all crave during the warmer months. With its intoxicating fusion of rap, dance, and pop, and the undeniable charisma of Don Drago, this track has all the makings of a hit that will resonate long after the season has faded. So, do yourself a favor: slip into those flip flops, pop open an umbrella beverage, and let “Paradise” be the soundtrack to your perfect summer day. Follow Don on Website, Twitter, YouTube and Instagram.

[saralar]

Music

JAZZ

THE JAZZ IS...

Jazz is a musical genre that developed from the traditions of West Africa, Europe, and North America. It is found particularly in New Orleans, Louisiana, the cradle of the musical style, where large numbers of colored slaves arrived, mainly from West Africa. That is why jazz was born from the union of three traditions: the native American, the African and the European.

The first African-American musical representations were a mixture of rhythms and instruments associated with slave life and thus interpreted as songs of work and collective pleasure. In these early moments, improvisation was already a big part of this music, which contrasted with the music composed by whites.

The first record on which the word jazz appeared was recorded by the Original Dixieland Band in January 1917 in New York. During that year, in addition, the term would become popular, which had already been in common use in the oral language from 1913 to 1915.

Louis Armstrong

American jazz trumpeter, singer, and bandleader. In defining the artist, Duke Ellington was particularly on point when he said that if ever there was a Sir Sir, it would undoubtedly be Louis Armstrong. His musical career began in his hometown, where he played with various bands, until 1922, when Joe King Oliver inducted him into the Chicago Creole Jazz Band, where he married the band's pianist Lilian Hardin. . After performing in the Illinois state capital, Fletcher Henderson invited him to New York in 1924 to play with his big band and made recordings that showcased the musician's creativity and ingenuity. His virtuosity in improvisation had a great influence on jazz musicians in New York.

POP

Popular music is the source of the musical genre known as pop music. His name, pop, is an abbreviation of the word popular, which in Spanish means "popular", and is derived from English.

In the mid-20th century, England is where pop music first emerged, borrowing elements from various current popular music genres. This makes it a very eclectic genre, as it incorporates elements of more modern African-American musical styles such as rap and hip hop, as well as rock and roll, dance, gospel, soul, and folk music.

The verse-chorus-verse structure of pop music lyrical compositions, the short duration of its songs, and its catchy rhythms and choruses are some of its essential elements.

ADELE

The British artist published her album 30 last December and, since then, she has not stopped reaping successes. We were already used to the delicacy of Adele's music, to the sincere feeling that emanates from her lyrics. But in "30", the pop singer wanted to risk and show a much more vulnerable side by talking about her divorce.

ROCK AND ROLL

The history and origin of rock and roll cannot be told without going through gospel, blues, R&B and country. Today in Musical Vinyl we explain to you how that music was created that they thought would never last.

The birth of rock was the result of the combination of multiple musical genres through several decades, mainly in the US and the UK. Music has always been a means of expression for each generation and rock and roll was no exception, with it a whole musical and social revolution was born.

The Rolling Stones

Formed in 1962, the Rolling Stones have always been presented as the historical rivals of The Beatles. Within this comparison, the Stones represented the most aggressive current of rock music, even when they achieved stardom thanks to the song I wanna be your man, composed by the beatles John Lennon and Paul McCartney.

FUNK

Funk is a musical genre that was born between the mid and late 1960s, when mainly African-American musicians fused soul, jazz, Latin rhythms and R&B, giving rise to a new rhythmic and danceable musical form.

The Funk genre, heir to Rhythm'n Blues, spread in America from the '70s. Generally of moderate or slow speed, Funk rhythms are characterized by accents on sixteenth notes, which first influenced Blues, Rock and Jazz until entering Dance music and modern Hip Hop.

Mark Ronson

British singer, songwriter and producer, Mark Ronson had to wait until his second album, "Version", to see his musical activity recognized.

Winner of a Brit award in 2015 and two Grammys in 2016, he has also produced for other artists, such as the singer Adele or the late Amy Winehouse, for whom he produced her album "Back to Black", for which he received several Grammys, including the one for best producer and the one for best recording, for the song "Rehab".

DANCE...

SALSA

Although a specific point cannot be defined, it is known that it was in Cuba. It was during the 17th century, when the music of the Spanish and French colonists, and that of the African slaves, began to merge, giving rise to a curious mix of Afro-Caribbean musical styles that evolved to what we know today as dip. This fusion spread, with the passage of time, throughout Latin America and reached the United States at the end of the 1960s. There it began to gain popularity, especially in New York, where a large number of the Latino population that emigrated later accumulated. of the Second World War.

The origin of the salsa dance steps occurred a little later. The movements are also a fusion of African and European tradition. The steps, movements and figures typical of salsa are a clear reflection of many of the dances that African slaves brought to the Caribbean and of those that Europeans have danced in Cuba since the 1930s. In fact, the basic steps of salsa salsa are the same as those of the Cuban son. It also has similarities with the mambo, the rumba and the danzón, since they all draw on the same influences. But although they have common basic steps, each style is danced in a particular way, adapted to its own musical rhythm. These different variations depend on the region where each style has been developed.

WILLIE COLÓN

American musician of Puerto Rican descent. Master of the trombone and of the fusion of different Caribbean, Afro-American and urban music rhythms, together with the vocalist Héctor Lavoe he formed one of the most relevant couples in Latin music of the seventies, and is considered one of the pioneers in the development of the authentic salsa movement in the late sixties and early seventies. Grandson of Puerto Rican emigrants, Willie Colón grew up in the Latino neighborhood of the Bronx, a fact that would mark a large part of his personal and artistic career, with what it implied of rebellion and transgression of established norms. After studying trumpet and clarinet, his admiration for Mon Rivera led him to opt for the trombone at the age of fourteen, and two years later, in 1966, he recorded his first album with the significant title of El Malo.

BALLET

Ballet is a performing art that can include dance, orchestral music, choir, mime, acting, scenery, costumes, and fantastic stories. It all depends on who its creator is and the time in which it was created. Many call it classical dance. Others call it academic dance. The truth is that we all recognize a ballet by the precision of the refined movements of the dancers.

Agrippina Vagánova

Important ballet teacher, founder of her own teaching method. Dancer, teacher and ballet director, Agrippina Vaganova is remembered as one of the best teachers in the history of classical dance. She laid the foundations for a new interpretive style that she coined under the name of the 'Vaganova Method'.

DISCO DANCE

Disco music emerged as an underground movement around 1975. Afro-Americans, Latinos, Italians, the LGBT community and women were the promoters of a genre that emerged from the confluence of cultures. The disco dance is one of the most recognized dances of the 70s, both for the dance itself, and for its music. It has its origins in the late 60s and initially presents different musical arrangements, based on percussion and string arrangements.

BARRY WHITE

Barry White was born on September 12, 1944 in Texas, into a poor family, but grew up in the black ghetto of the city of Los Angeles (a high-grade place on the margins of crime). During the sixties he recorded several albums under his real name and as a member of the "Upfronts", the "Atlantics" and the "Majestics". However, his greatest success came as a producer for artists like Felice Taylor and Viola Wills.

In 1969, Barry White created the trio Love Unlimited. This title would later be taken to name his accompanying group, the Love Unlimited Orchestra.

[theblackprint67]

David Jude Jolicoeur (September 21, 1968 – February 12, 2023), also known as Trugoy the Dove, Plug Two, and Dave, was an American rapper best known as one third of the hip hop group De La Soul.

Along with the other members of De La Soul, Jolicoeur was a member of the collective Native Tongues. Jolicoeur co-wrote the Gorillaz song "Feel Good Inc.", which featured De La Soul and won a Grammy Award in 2006 for Best Pop Collaboration with Vocals.

Jolicoeur was born in Brooklyn, New York City, to Haitian-American parents, but he grew up in the Long Island hamlet of East Massapequa.

In his teen years, he attended Amityville Memorial High School in the Amityville area of Long Island, where he met and became friends with Vincent Mason, Kelvin Mercer, and Paul Huston. After they had separate solo spells in local groups, Jolicoeur, Mason, and Mercer eventually decided to form a rap group themselves, reuniting under the name De La Soul; they adopted the stage names, respectively, Trugoy the Dove, Maseo, and Posdnuos. Later in his career, Jolicoeur revealed that the first part of his stage name was just a humorous take on the anadrome of the word "yogurt". Huston, best known as Prince Paul, kept working with the trio as their producer.

With their eccentric fashion styles paired with the positive messages of the group's debut effort, 3 Feet High and Rising, the image led to critics and journalists labelling the members as "the hippies of hip hop" (a title that the group was quick to refute with the release of the second album De La Soul Is Dead in 1991).

Illness and Death

In the last years of his life, Jolicoeur was diagnosed with congestive heart failure and had to wear a LifeVest defibrillator machine in order to counteract its symptoms.

He revealed his health issues publicly for the first time in November 2017, in the opening scene for the music video of "Royalty Capes", a track from De La Soul's 2016 album, And the Anonymous Nobody... At the start of the video, Jolicoeur talked about how his heart problems affected his ability to perform and tour with the group consistently, saying: "(The LifeVest defibrillator) will shock me, and hopefully bring me back from the matrix. I'm ready just to get back to the stage. I miss it. I love traveling; I love being around my guys. And I want that back."

On February 5, 2023, De La Soul took part in a special performance for the 50 Years of Hip-Hop at the 65th Annual Grammy Awards, performing their 1988 song, "Buddy"; however, Jolicoeur was not on stage with his group mates.

One week later, on February 12, 2023, his representative Tony Ferguson announced that Jolicoeur had died at age 54, with the cause of his death remaining undisclosed. Following the announcement, the late artist received tributes from several important figures in the hip hop industry.

[rufftimevinyl]

Riddle me this, my brother, can you handle it? Beastie Boys - Paul's Boutique (1989) Don't skip - ALL OF THEM Underrated track - Shadrach So 1989 was a good year for music. Several of my favorite albums came out that year. The Cure's Disintegration, De La Soul's 3ft High, Pixies' Doolittle, Pretty Hate Machine from None Inch Nails...and this, the granddaddy, the OG...Paul's Boutique. This album so sounds as fresh today as it did the day it came out. The use of samples I think hit its high point with this album. They came from everywhere...Zeppelin, Johnny Cash, Zamrock, cartoons, movies...even answering machines. They sampled everyone, including themselves. Shake Your Rump alone has 14 samples by 12 artists...on one single song...mixed to perfection with beat changes, break downs and even samples of bongs and straws. And this was before there were digital pads. No hitting a button, it was serious work using samplers that could hold only a small bit of info at a time. The Dust Brothers absolutely made perfection with the tracks. And don't think the Beasties just slacked off. Their rhymes were as dense as the tracks, and we're all over the place. They had references going from pop culture, to hippies, to political satire to biblical allusions. One of my favorites is Shadrach. It's a loose allusion to the biblical story of Sharach, Meshach and Abednego, and how they choose to be burnt by Nebuchadnezzar II rather than bowing to the king's image. They turn the parable on its head and turned it into a boast that they run their lives and choose who and what they honor. That was a bold statement coming from 3 punks who hit it as a novelty rap group. It was a statement of intent. This album just kills...and I could easily go into each song and opine ad nauseum...but I won't. Instead I'll say listen to this album and 3ft High And Rising today...to me, the most influential sample albums of all time. #samples #beastieboys #fattyvinylsession #discogs #vinyl #vinygram #vinylcommunity #audiotechnica #vinycollector #that33rpmlife #recordcollector #vinyljunkie #nowplaying #nowspinning #igvinyl #vinyladdict #instavinyl #onmyturntable #vinyllove (at Chateau Ruff N Baker City Deux) https://www.instagram.com/p/CpVZr9Ru1ug/?igshid=NGJjMDIxMWI=

[jrueships]

Top ten photos you see before you enter the gates of hell, number 1 : paul george

[tailung]

Hey youre basically my music mutual so i wanna ask if you have any album recs?? we have similar tastes and im looking for new stuff to listen to :]

oh yeah sure i’d be really glad to anon!! now im not gonna mince words, a lot of these are very surface-level hipster albums so this might be garbage 🐌🐌🐌 also im not including albums by mitski, janelle monae, lemon demon, gorillaz, brockhampton etc. bc EVERYONE on this platform knows they have made great albums (if you don’t agree you have a severe taste deficiency!) but that being said here’s a large list:

alt

Alvvays - Alvvays + Antisocialites

Antony and the Johnsons - I Am a Bird Now

Arcade Fire - Funeral + The Suburbs

Beach House - 7 + Bloom + Teen Dream

Bon Iver - 22, a Million

Car Seat Headrest - Teens of Denial + Twin Fantasy

Cocteau Twins - Heaven or Las Vegas

Courtney Barnett - Sometimes I Sit and Think, and Sometimes I Just Sit

Dead Can Dance - Spleen and Ideal

Dexys Midnight Runners - Too-Rye-Ay

Duster - Stratosphere

Imogen Heap - Speak For Yourself

Perfume Genius - Put Your Back N 2 It + No Shape

Radiohead - In Rainbows

Regina Spektor - Soviet Kitsch + Remember Us to Life

The Cranberries - Everybody Else is Doing It, So Why Can’t We?

The Go! Team - Thunder, Lightning, Strike

Sparklehorse - It’s a Wonderful Life

St. Vincent - Marry Me + Actor

Stereolab - Emperor Tomato Ketchup

Superorganism - Superorganism

Talking Heads - Talking Heads: 77 + Fear of Music + Remain in Light

Ween - The Mollusk

Xiu Xiu - Fabulous Muscles + FORGET

electronic/ambient

Arca - Mutant

Boards of Canada - Music Has the Right to Children

Björk - Homogenic + Vespertine

Brian Eno - Ambient 1: Music for Airports + Ambient 4: On Land

Burial - Untrue

The Caretaker - Everywhere at the End of Time

Cashmere Cat - 9

DJ Shadow - Endtroducing…

Fennesz - Endless Summer

Flume - Flume

Flying Lotus - You’re Dead!

GAS - Königsforst

Grouper - AIA: Alien Observer + Ruins

I Am Robot and Proud - The Electricity in Your House Wants to Sing

Iglooghost - Neo Wax Bloom

James Blake - James Blake

Jamie xx - In Colour

Kaytranada - 99.9%

Negativland - Dispepsi

Nils Frahm - Felt

Oneohtrix Point Never - R Plus Seven

Porter Robinson - Worlds

Rex the Dog - The Rex the Dog Show

Tim Hecker - Ravedeath, 1972

SOPHIE - OIL OF EVERY PEARL’S UN-INSIDES

The Avalanches - Since I Left You

The KLF - Chill Out

Toro y Moi - Causers of This

Various Artists - PC Music Volume 1

country/folk

Beck - Mutations

Bob Dylan - The Times They Are A-Changin’ + Blood on the Tracks

Emily Wurramara - Milyakburra

Fleet Foxes - Fleet Foxes + Helplessness Blues

Grizzly Bear - Yellow House

Ichiko Aoba - qp

Joanna Newsom - Ys + Have One on Me

Mac DeMarco - This Old Dog

Mark Kozelek & Jimmy LaValle - Perils From the Sea

The Microphones - The Glow Pt. 2 + Mount Eerie

Mount Eerie - A Crow Looked at Me

Natalia Lafourcade - Musas Vol. 1 / 2

Neutral Milk Hotel - In the Aeroplane Over the Sea

Nick Drake - Pink Moon

Rosalia - Los angeles

Sturgill Simpson - A Sailor’s Guide to Earth

Sufjan Stevens - Seven Swans + Carrie & Lowell

The Mountain Goats - All Hail West Texas + Tallahassee + Transcendental Youth

The Tallest Man on Earth - Shallow Grave

Tracy Chapman - Tracy Chapman

Wilco - Yankee Hotel Foxtrot

hip hop/rap

Aesop Rock - Labor Days

A Tribe Called Quest - The Low End Theory + Midnight Marauders + We got it from Here… Thank You 4 Your service

Big K.R.I.T - 4eva Is a Mighty Long Time

Brockhampton - Saturation I / II / III

Chance the Rapper - Coloring Book

Dälek - From Filthy Tongue of Gods and Griots

Death Grips - The Money Store + The Powers That B

Digable Planets - Blowout Comb

Earl Sweatshirt - Some Rap Songs

Freddie Gibbs - Piñata

GZA - Liquid Swords

Jean Grae - Jeanius

Joey Bada$$ - All-Amerikkkan Badass

JPEGMAFIA - Veteran

Kanye West - Late Registration

Kendrick Lamar - good kid, m.A.A.d city + To Pimp a Butterfly + untitled unmastered

Killer Mike - R.A.P Music

Lil B - Rain in England

Little Simz - Stillness in Wonderland + Grey Area

M.I.A - Kala + ΛΛ Λ Y Λ

Noname - Telefone + Room 25

Open Mike Eagle & Paul White - Hella Personal Film Festival

Princess Nokia - 1992 Deluxe

Rapsody - Laila’s Wisdom

Run the Jewels - Run the Jewels / 2 / 3

The Roots - Things Fall Apart

Vince Staples - Big Fish Theory

jazz

Buena Vista Social Club - Buena Vista Social Club

Charles Mingus - Blues & Roots + Let My Children Hear Music

Eartha Kitt - That Bad Eartha

Elza Soares - A bossa negra

John Coltrane - Giant Steps

Miles Davis - Blue in Green + In a Silent Way

Ornette Coleman - The Shape of Jazz to Come

Sun Ra - Space is the Place

pop

Advance Base - Animal Companionship

Animal Collective - Strawberry Jam

Björk - Post + Biophilia

CHVRCHES - Every Open Eye

Eric Taxxon - Paul

Fishmans - Long Season

Grace Jones - Nightclubbing

Helado Negro - This is How You Smile

Kate Bush - Hounds of Love

Kylie Minogue - Fever

Let’s Eat Grandma - I’m All Ears

Lorde - Melodrama

Miike Snow - Miike Snow

Shura - Nothing’s Real

Sufjan Stevens - Illinois + The Age of Adz

The Wombats - Glitterbug

Weyes Blood - Titanic Rising

punk/rock

Big Thief - Masterpiece

Blondie - Parallel Lines

Boredoms - Super æ + Vision Creation Newsun

Fleetwood Mac - Rumours

Godspeed You! Black Emperor - Lift Yr Skinny Fists Like Antennas to Heaven!

Hop Along - Painted Shut

IDLES - Brutalism + Joy as an Act of Resistance

Interpol - Antics

Modest Mouse - The Lonesome Crowded West + Good News for People Who Love Bad News

Nick Cave and the Bad Seeds - Murder Ballads

Parquet Courts - Wide Awake!

Pink Floyd - Wish You Were Here

Sigur Ros - Takk…

Sleater-Kinney - Dig Me Out + The Woods + No Cities to Love

The War on Drugs - Lost in the Dream

Tom Waits - Swordfishtrombones

rnb/soul

Anderson .Paak - Malibu

Blood Orange - Cupid Deluxe

D'Angelo - Voodoo + Black Messiah

DJDS - Big Wave More Fire

Curtis Mayfield - Curtis + Roots

FKA twigs - LP1

Frank Ocean - Channel Orange + Blonde

Jamila Woods - LEGACY! LEGACY!

Lauryn Hill - The Miseducation of Lauryn Hill

Marvin Gaye - What’s Going On

Portishead - Dummy

serpentwithfeet - soil

Solange - A Seat at the Table

SZA - CTRL

[fabulousfabstuff]

Discothèque

Rien de très intéressant par ici, juste la liste complète de la collection de synecdoques vinyles(299) qui envahissent mon appartement.

ARTISTTitle24 CARAT BLACKGhetto: Misfortune's WealthA TRIBE CALLED QUESTWe Got It From Here…thank You 4 Your ServiceABBEY LINCOLNThat's HimAL GREENLet's Stay TogetherAL GREENI'm Still In Love With YouAL GREENI Can't StopALAIN BASHUNGChattertonALAIN BASHUNGFantaisie MilitaireALAIN BASHUNGL'imprudenceAMY WINEHOUSEBack To BlackANDERSON .PAAKMalibuANDERSON .PAAKOxnardANDREYA TRIANALost Where I BelongANDREYA TRIANAGiantsARETHA FRANKLINAretha ArrivesARETHA FRANKLINLady SoulARNOHuman IncognitoART BLAKEY QUINTETA Night At Birdland, Vol.2ART BLAKEY QUINTETMoanin'ARTO LINDSAY / AMBITIOUS LOVERSEnvyAYOTicket To The WorldBANKSGoddessBARBARA LYNNHere Is Barbara LynnBENJAMIN CLEMENTINEAt Least For NowBENJAMIN CLEMENTINEI Tell A FlyBERNARD WRIGHTMr. WrightBETTY DAVISIs It Love Or DesireBETTY HARRISThe Lost Queen Of New Orleans SoulBETTYE LAVETTENearer To YouBILL EVANS TRIOSunday at The Village VanguardBILL WITHERSBill Withers' Greatest HitsBILLIE HOLIDAYLadyBILLIE HOLIDAYLover ManBILLY COBHAMCrosswindsBILLY COBHAMMagicBILLY COBHAMSpectrumBILLY COBHAMTotal EclipseBILLY OCEANTear Down These WallsBLACK SABBATHBlack SabbathBLOOD ORANGECoastal GroovesBLOOD ORANGECupid DeluxeBLOOD ORANGEFreetown SoundBLOOD ORANGENegro SwanBOBBY WOMACKThe Bravest Man In The UniverseBREAKBOTStill WatersBRIGITTE FONTAINE13 Chansons Décadentes Et FantasmagoriquesCARIBOUOur LoveCARIBOUSwimCHAKA KHANHello HappinessCHARLES BRADLEYChangesCHARLES BRADLEYVictim Of LoveCHARLES BRADLEYNo Time For DreamingCHARLOTTE GAINSBOURGRestCHET BAKERChetCHET BAKERChet Baker SingsCHET BAKERIt Could Happen To YouCHRISTIAN SCOTTStretch MusicCLAUDE LUTERClaude LuterCOMMONLike Water For ChocolateCOURTNEY PINEJourney To The Urge WithinCURTIS MAYFIELDSuperflyCURTIS MAYFIELDCurtisCYMANDECymandeD'ANGELOBrown SugarD'ANGELOVoodooD'ANGELOBlack MessiahDEPECHE MODEDelta MachineDEPECHE MODEExciterDEPECHE MODEPlaying The AngelDEPECHE MODESpiritDIANA ROSSDianaDOMINIQUE A.AuguriDOUNIAH & HIGH JOHNDream BabyEL COCODancing In ParadiseEL MICHELS AFFAIRReturn To The 37th ChamberEL MICHELS AFFAIRSounding Out The CityELLA FITZGERALDLive At The Deutschlandhalle In BerlinELLA FITZGERALD & LOUIS ARMSTRONGElla And LouisELLA MAIElla MaiERIK TRUFFAZMantisERIK TRUFFAZThe MaskERYKAH BADUBaduizmERYKAH BADUNew Amerykah: Part One (4th World War)ERYKAH BADUNew Amerykah Part Two: Return Of The AnkhERYKAH BADUWorldwide UndergroundESPERANZA SPALDINGChamber Music SocietyESPERANZA SPALDINGEmily's D+evolutionESPERANZA SPALDINGJunjoESPERANZA SPALDINGRadio Music SocietyESPERANZA SPALDING12 Little SpellsFATIMAAnd Yet It's All LoveFATIMAYellow MemoriesFEISTMetalsFEISTPleasureFEISTThe ReminderFREDDIE HUBBARDBreaking PointFUGEESThe ScoreGASPARD SOMMERAsking QuestionsGOTYEMaking MirrorsGRACE JONESIsland LifeGREGORY PORTERLiquid SpiritGREGORY PORTERTake Me To The AlleyGREGORY PORTERWaterGURUJazzmatazz, Vol.1HERBIE HANCOCKMaiden VoyageHI-TEKHi-teknologyIBEYIIbeyiIBEYIAshICE-TPowerIGGY POPPost Pop DepressionIGGY POPFreeJ DILLADonutsJACK WHITELazarettoJAINZanakaJAMES BROWNSlaughter's Big Rip-offJAMES BROWNThe PaybackJAMES BROWN & THE FAMOUS FLAMESPlease, Please, PleaseJAMES BROWN & THE J.B.'SGet Down With James Brown: Live At The Apollo Volume IVJANE BIRKINLolita Go HomeJANELLE MONÁEThe Electric LadyJAY-ZAmerican GangsterJAY-ZThe Blueprint² The Gift & The CurseJHENÉ AIKOSouled OutJIMI TENOROrder Of NothingnessJIMMY SMITHThe Sermon!JOE HENDERSONPage OneJOE SIMONGet DownJOHN COLTRANEBlue TrainJORJA SMITHLost & FoundJOSHUA REDMAN QUARTETMoodswingJOSÉ JAMESNo Beginning No EndJOSÉ JAMESWhile You Were SleepingJOSÉ JAMESYesterday I Had The Blues: The Music Of Billie HolidayJOY DIVISIONUnknown PleasuresJUSTIN TIMBERLAKEThe 20/20 ExperienceKANYE WESTMy Beautiful Dark Twisted FantasyKASHIFCondition Of The HeartKATE BUSHNever For EverKELISFoodKELLY FINNIGANThe Tales People TellKENNY DORHAM WITH CANNONBALL ADDERLEYBlue SpringKENNY DORHAM WITH SONNY ROLLINSJazz ContrastsLAURYN HILLThe Miseducation Of Lauryn HillLEE MORGANThe SidewinderLEE MORGANCornbreadLEE MOSESTime And PlaceLEON BRIDGESComing HomeLEON BRIDGESGood ThingLIANNE LA HAVASBloodLIANNE LA HAVASIs Your Love Big Enough?LYN COLLINSThink (About It)MACEO PARKERLife On Planet GrooveMADLIBShades Of Blue (Madlib Invades Blue Note)MADONNALike A VirginMADONNAThe First AlbumMADVILLAINMadvillainyMALIA, BORIS BLANKConvergenceMARLENA SHAWThe Spice Of LifeMARLENA SHAWWho Is This Bitch, Anyway?MARVA WHITNEYIt's My ThingMARVIN GAYEMidnight LoveMARVIN GAYETrouble ManMARVIN GAYEWhat's Going OnMARY WELLSBye Bye Baby, I Don't Want To Take A ChanceMARY WELLSMary Wells Sings My GuyMASSIVE ATTACKBlue LinesMASSIVE ATTACKProtectionME'SHELL NDEGÉOCELLOPour Une Âme Souveraine A Dedication To Nina SimoneMICHAEL KIWANUKAHome AgainMICHAEL KIWANUKALove & HateMICHAEL KIWANUKAOut Loud!MILES DAVISKind Of BlueMINNIE RIPERTONLes Fleurs The Minnie Riperton AnthologyMORCHEEBACharangoMORCHEEBAFragments Of FreedomMORPHINECure For PainMOUNT KIMBIELove What SurvivesMÉLISSA LAVEAUXCamphor & CopperMÉLISSA LAVEAUXDying Is A Wild NightMÉLISSA LAVEAUXRadyo SiwèlN*E*R*DNothingN.W.A.Straight Outta ComptonNASIllmaticNAS & DAMIAN MARLEYDistant RelativesNICK CAVE AND THE BAD SEEDSMurder BalladsNICK WATERHOUSENick WatherhouseNINA SIMONEPastel BluesNINE INCH NAILSHesitation MarksNIRVANANevermindNORAH JONESCome Away With MeNORAH JONESFeels Like HomeNU GUINEANuova NapoliOVERCOATSYoungOXMO PUCCINOL'arme De PaixOXMO PUCCINOLa Voix LactéeOXMO PUCCINORoi Sans CarrosseOXMO PUCCINOLa Nuit De RéveilPJ HARVEYLet England ShakePJ HARVEYTo Bring You My LovePJ HARVEYWhite ChalkPARCELSParcelsPEDERAnd He Just Pointed To The Sky...PINK FLOYDThe WallPORTISHEADPortisheadPRINCESign "O" The TimesPRINCELovesexyPRINCE1999PRINCEArt Official AgePRINCE & 3RDEYEGIRLPlectrumelectrumPUBLIC ENEMYApocalypse 91... The Enemy Strikes BlackPUBLIC ENEMYFear Of A Black PlanetR+R=NOWCollagically SpeakingRAPHAEL SAADIQThe Way I See ItRICK JAMESReflectionsRICK JAMESStreet SongsROBERT GLASPER EXPERIMENTBlack RadioROBERT GLASPER EXPERIMENTBlack Radio 2RODOLPHE BURGERGoodROLAND KIRKThe Inflated TearROY AYERSCoffyROY AYERS UBIQUITYA Tear To A SmileROY AYERS UBIQUITYEverybody Loves The SunshineRYO FUKUIMellow DreamRYO FUKUISceneryRYO FUKUIA Letter From SlowboatSADEDiamond LifeSADELove DeluxeSADELovers RockSADEPromiseSADESoldier Of LoveSADEStronger Than PrideSANTIGOLDMaster Of My Make BelieveSANTOGOLDSantogoldSERGE GAINSBOURGAux Armes Et CæteraSERGE GAINSBOURGBest Of - Gainsbourg - Comme Un BoomerangSERGE GAINSBOURGCouleur CafeSERGE GAINSBOURGL'étonnant Serge Gainsbourg (N°3)SERGE GAINSBOURGLa JavanaiseSERGE GAINSBOURGLe Poinçonneur Des LilasSERGE GAINSBOURGSerge GainsbourgSHADOWSweet Sweet DreamsSHANNONLet The Music PlaySHARON JONES & THE DAP-KINGS100 Days, 100 NightsSHARON JONES & THE DAP-KINGSDap-dippin' With...SHARON JONES & THE DAP-KINGSGive The People What They WantSHARON JONES & THE DAP-KINGSI Learned The Hard WaySHARON JONES & THE DAP-KINGSNaturallySHARON JONES & THE DAP-KINGSSoul Time!SOLANGEA Seat At The TableSOLANGEWhen I Get HomeSONNY ROLLINSVolume TwoST GERMAINTouristSTAN GETZ / JOÃO GILBERTO FEATURING ANTONIO CARLOS JOBIMGetz / GilbertoSTEVE WINWOODBack In The High LifeSTEVIE WONDERHotter Than JulySTUFF COMBEStuff Combe 5 + PercussionTAKUYA KURODARising SonTALKING HEADS77TEDDY PENDERGRASSWorkin' It BackTHE CUREPornographyTHE DAVE BRUBECK QUARTETTime Further Out (Miro Reflections)THE DAVE BRUBECK QUARTETTime OutTHE DAVE BRUBECK QUARTET FEATURING: PAUL DESMONDRecorded Live At Newport Jazz FestivalTHE DELIJazz CatTHE DOORSL.A. WomanTHE DOORSMorrison HotelTHE DOORSStrange DaysTHE DOORSThe DoorsTHE DOORSWaiting For The SunTHE ISLEY BROTHERSWinner Takes AllTHE PHARCYDEPlain RapTHE ROOTSHow I Got OverTHE S.O.S. BANDDiamonds In The RawTHE STOOGESRare PowerTHE STOOGESThe StoogesTHE YOUNG GODSData Mirage TangramTONY ALLENThe SourceTOWER OF POWERBump CityTROMBONE SHORTYFor TrueWAYNE SHORTERSpeak No EvilWENDY RENEAfter Laughter Comes Tears: Complete Stax & Volt Singles + Rarities 1964-1965WILLIE HUTCHThe MackWU-TANG CLANEnter The Wu-tang (36 Chambers)YELLOTouch YelloYOUN SUN NAHLentoOriginal Sound Track AlbumCLIFF MARTINEZ - DriveOriginal Sound Track AlbumHERBIE HANCOCK - Blow-upOriginal Sound Track AlbumISAAC HAYES - ShaftOriginal Sound Track AlbumJ.J. JOHNSON / JOE SIMON / MILLIE JACKSON - Cleopatra JonesOriginal Sound Track AlbumMILES DAVIS - Ascenseur Pour L'échafaud (Lift To The Scaffold)Original Sound Track Album Original Sound Track AlbumJackie BrownOriginal Sound Track AlbumPulp FictionOriginal Sound Track AlbumPRINCE AND THE REVOLUTION - Purple RainOriginal Sound Track AlbumVinyl: Music From The Hbo Original Series Volume 1VARIOUSThai Funk Volume OneVARIOUSWake Up You! The Rise And Fall Of Nigerian Rock 1972-1977 Vol. 2VARIOUSWe Out Here

[nathjonesey-75]

The Thirty-Year Itch

When I was a young boy, I used to think that even twenty years was a lifetime – thirty was a millennium. When I turned thirty, I had the sinister feeling that I would have to grow up, start behaving maturely and that my young, green and careless days would be naturally terminated as instantaneously as my twenties.

 As it happens, looking back for three decades – my thirties were possibly more enjoyable, along with the realisation that – as the meme suggests – “Don’t grow up, it’s a trap!” So, turning back the clock to the year of 1989; an unbelievably pivotal year, not only for its eventful happenings, good and bad; but for the long-term change for the world.

 Globally, we had the start of crumbling dictatorships and old regimes as the “Iron Curtain” began to flake. Romania’s overthrowing of its communist president, Nicolae Ceausescu and overhaul of the old communist republic, the smoother Velvet Revolution in Czechoslovakia and even more famously – the majestically powerful opening of the Berlin Wall, ending one of the biggest divisions of the twentieth century, starting the reuniting of what we now know as Germany.

 From the eyes of a naïve, small-town boy from Wales who had two passions – sport and music, this particular year was an eye-opening door to wowing, new worlds and understanding heartache in a cruel world. In the sporting sense, it should have been another year remembered for success and silverware for my teams Llanelli RFC and Liverpool FC. Tragically, the events in Sheffield on April 15th, 1989 would change the landscape of years to come for my Merseyside second home after the loss of ninety-six lives at Hillsborough. With only a month to go until the anniversary of that colossal tragedy, I’d only like to think of Liverpool as a city more solidified through its guts, grit and togetherness ever since.

 Not only did the injustice, corruption and governmental evil epitomise the darker days of Thatcherite Britain and its inappropriate old guard of politicians and so-called leaders; but the legacy of loss and undermanagement in football changed how sport was facilitated, law was conducted – and how Liverpool and a city and as a football club – was both seen and run. Solidarity and deep doggedness from the Justice for the 96 team is something which I have grown, supported and seen – and wholeheartedly admired from Anne Williams, Margaret Aspinall and Trevor Hicks and all of their league of big, fighting hearts. Finally, some justice was seen two years ago – but did not replace those lost.

 This would be something which also deeply personified but affected one of my first heroes, Sir Kenny Dalglish. As much as it makes me proud to see him acknowledged in being knighted for his compassionate work in the city’s communities as well as for the football club, his career as our manager was torn apart by this maelstrom, forcing him to resign less than two years later. Probably my most memorable flashback of the year was watching the horror unfold on my grandparents’ old television on that fateful day. If 1989 produced some vintage wines in the way of the aforementioned freedom around the world – this one was a poisonous drop.

 On a more positive sporting note, while this was the height of passion in old Welsh rugby days – pre-Hillsborough’s standing areas meaning you could fit way, way over capacity in each stadium; I remember sitting as a ball boy in the Scarlets matches on frosty, cold nights with what must have been around 20,000 people watching derby matches in a stadium which only held 10,800 people. Possibly the link of two happenings as a ball boy was being interviewed by a New Zealand TV crew, as I was wearing an All Blacks jersey on the side of the pitch one evening – as a precursor to their tour in October 1989. Meeting the squad – one of the best teams (even to this day) I have ever seen, the day after they beat Llanelli 11-0 the previous day. Sir John Kirwan, the towering winger signed his autograph in my little old book with “Go For It”, leaving me open-mouthed, as if I’d met a god.

 In culture, my most-watched movie (apart from Star Wars Episode 4: A New Hope) in cinemas was released in June 1989, among the most memorable of marketing campaigns I can remember as a child. Tim Burton’s Batman was something which I can honestly say – changed my life. I watched it four times in cinemas, then countless times when released on VHS later that year. The soundtrack by Prince, the score by Danny Elfman as well as the gothic darkness were elements with which I identified, more so than Spider-Man, after collecting tens of comics as a younger kid. It began a lifetime of slight obsession with the DC Comics character – which only petered out once Zac Snyder started making (and tarring) the Caped Crusader films with his green screen only style.

 Furthermore to the Prince soundtrack, as it was a world of far fewer musical genres back then; I was a Hip-Hop child. It was a time of mullets, soft rock and heavy metal along the mainstream music world – so discovering Hip-Hop in ’87 was something which kept me a bit one-eyed (or eared) as far as music went. 1989, it can be argued – was the best vintage year for the genre. Before the USA’s absurdly possessive copyright laws came into effect, we heard a year of sublime releases. Genre-expanding, sample-tastic albums, using the essence of Hip-Hop’s DJ styles – cutting pieces of tracks into new grooves were extending this brand of music method with new sub-genre styles. After years of Gangster Rap and politically charged messages from bands such as Ice-T, NWA and Public Enemy, a new wave of artists with alternate points to make had arrived, as did a segway from the underground to commercial hip-hop via some huge hits (Tone Loc, Neneh Cherry and so on).

 This week holds significance as the thirty-year anniversary of the release of one of my most influential albums. My copy of De La Soul’s “3 Feet High And Rising” became one of my school year’s most passed-around tapes. Along with this fresh piece of genius (which incidentally cost the band more money because of the samples used, than made them cash – and which they are currently battling with Tommy Boy Records for being finally released digitally), we were blessed with rap pearls such as Beastie Boys’ Paul’s Boutique, Young MC’s Stone Cold Rhymin’, Queen Latifah’s  All Hail The Queen, 3rd Bass’s The Cactus Album….the list goes on. London’s Mixmaster supreme DJ Yoda even agrees with me on this!

Agreed, as DJ Yoda mentioned, there would definitely be some degree of personal nostalgia, vis-à-vis the albums which saw your personal growth and happy memories, but also the longevity of these album releases, as well as significance at the time. Latifah’s giant step for women in hip-hop, music’s expansion to new land and social equality through the softer messages of new types of rapping, following the domination of ‘Gangsta Rap’ and political bravery in the previous few years.

 One massive encounter in connection with this brand of music – was seeing the DMC Technics DJ Mixing Championship for the first time, on the television. Despite it not becoming my selected style of mixing material years later, this is where it all started for me. Cutmaster Swift was the first non-American to win the title, but it was the imprint on my mind of analogue mixing brilliance which pushed me further into records – and what can be done with them.

 At the time of this all happening, a new wave of music had begun. One of which I may have seen snippets on Top Of The Pops via certain tracks – in fact one which is now on my wall, after it was number 1 in the charts that year. L’il Louis’s French Kiss sounded like an excuse for “rudies” in a song to a fourteen-year-old heathen sheltered lad. After listening to Ice-T and especially Public Enemy’s Fight The Power – rebellion at the time for me was listening to lots of wise uprising, occasionally violent lyrics with lots of swearing and lots of putting White American policies to the ethical sword. It was five years later I caught the club-bug - and discovered House Music properly. But in 1989, it was blowing up as a scene. The effects of raves in Britain and the USA, not to mention the early stages of the club DJ superstar was catching headlines, being targeted by police and the tabloid press – with a late-eighties revamp of punk’s rebellious anti-establishment stance via electronic music and the drug Ecstasy. It was such a big year on so many levels.

 Finally, in other news – let’s have a look at what quirky little differences or nuances our kids would be baffled by – or at least raising eyebrows towards. In 1989, Madonna released the highly-anticipated, then controversial “Like A Prayer” video (for depicting Jesus as a person of colour) via a Pepsi commercial when we only had four TV channels in Britain. Now, we anticipate when she will finally call it a day. It’s not as if the royalties dried up a few years ago, is it?

 Adverts were good. I rest my case (click on link).

https://www.youtube.com/watch?v=DYkrvoI_oVE

Mullets and Shell Suits. *twitches uncontrollably*  

 *twitches uncontrollably again as Australia – proudly – announces mullets are back*

 Dear Generations Y and Z, there is a reason these garments have not been worn for over twenty-five years. This is called ‘not being a chav or bogan’. I hope you can understand why it would be dangerous to revisit this abhorrent get-up.

To close – in 1989, Sir Tim Berners-Lee invented the World Wide Web, or what we now know as the Internet. You wouldn’t be reading this now without it.

 Cheers.

[musicarenagh]

Don Drago "Paradise": The Ultimate Summer Anthem Summer's just around the corner, and Don Drago's latest single, "Paradise," is the perfect soundtrack to heat things up. Featuring Bezz Believe and Nawlage 2K5, this rap-infused, dance-pop banger has all the ingredients to liven up any party or sunny day. https://open.spotify.com/track/6AwqrThQChBXLHtIi7OgFA?si=46b5275f9d1e4f92 Don Drago, a multi-talented rising star, is swiftly gaining prominence in the music industry. His unique style and catchy tunes are making a significant impact. As the temperatures rise, so do the expectations for summer anthems, and "Paradise" does not disappoint. From the moment you hit play on this tune, it transports you to a sun-soaked beach with the sand between your toes and a tropical drink in hand. The irresistible beat, infused with the heat of the dance floor, immediately sets the mood for an all-night celebration. Every verse is carefully crafted, blending the distinct styles of Don Drago, Bezz Believe, and Nawlage 2K5, giving listeners a taste of their individual contributions while maintaining a cohesive, thumping whole. As the song progresses, the interplay of rap verses with the infectious pop stylings makes for a dynamic listening experience. This catchy track emits an undeniable feel-good vibe, and you'll effortlessly join in singing along. This tune makes you want to dance carefree all summer long. Drawing comparisons to the likes of Pitbull, Flo Rida, and Sean Paul, "Paradise" unapologetically showcases an appreciation for lively party tunes. But unlike those chart-toppers, Don Drago brings a certain unique charm and warmth to the proceedings that set the song apart from other generic party tracks. It's clear that Don Drago's passion for music and eclectic influences lends to his strength as a producer, songwriter, and performer. "Paradise" is not only testament to these skills but a showcase of how much fun they can have at the same time. The song's spirit fosters a sincere bond between the artist and listeners. In short, "Paradise" by Don Drago, featuring Bezz Believe and Nawlage 2K5, is the quintessential summer anthem. It's fresh, energizing, and captures that feel-good vibe we all crave during the warmer months. With its intoxicating fusion of rap, dance, and pop, and the undeniable charisma of Don Drago, this track has all the makings of a hit that will resonate long after the season has faded. So, do yourself a favor: slip into those flip flops, pop open an umbrella beverage, and let "Paradise" be the soundtrack to your perfect summer day. Follow Don on Website, Twitter, YouTube and Instagram.

[coghive]

Nominations For 53rd Annual GMA Dove Awards Announced

The Gospel Music Association is pleased to announce nominees for the 53rd Annual GMA Dove Awards. Top nominations include songwriter and producer Jeff Pardo with nine (9) nominations, Matthew West and Maverick City Music with seven (7) nominations each, six (6) nominations for Anne Wilson, Ben Glover, FOR KING + COUNTRY, Jeff Sojka, Jonathan Smith and Phil Wickham and five (5) for Brandon Lake, CeCe Winans, Chandler Moore, Chris Brown,Jonathan Jay, and Steven Furtick. Voted on by the GMA Professional Membership, this year’s nominees were chosen from over 2,087 submitted entries. Nominees were announced in an artist-hosted livestream event featuring Jimmie Allen, Erica Campbell, Evan Craft, Sonya Isaacs, Brandon Lake, Trip Lee, Chris Tomlin, and Tye Tribbett.  The announcement premiered live on the GMA Dove Awards YouTube and Facebook pages. “Congratulations to this year’s impressive list of Dove Awards nominees,” says GMA President, Jackie Patillo. “For the past few years, we’ve chosen a theme for each show that represents our community and why we celebrate. Today we announced this year’s theme, Sound of Heaven. Although our musical styles may be different, our mission is the same. Together we lift one voice – the sound of heaven.” Voting for the final winners will run August 18th through August 25th. The GMA Dove Awards are happening live and in person in Nashville, TN, October 18th, 2022. A limited number of tickets are still available. Music City Fan Experience tickets are also available – an unforgettable, multi-day Nashville get-a-way that includes tickets to the Dove Awards. This year’s broadcast will air exclusively on TBN and the TBN app, Friday, October 21st, 2022 at 8:00p.m. ET and 10:00p.m. ET, with an encore presentation on October 28th, 2022 at 8:00p.m. ET and 10:00p.m. ET. https://youtu.be/enhAElxUzDg Below is the list of nominations announced during today’s livestream. For the complete list of nominees, visit dovewards.com. Song of the Year “Be Alright” (Writers) Sean Cook, Evan Craft, Willy Gonzalez “Believe For It” (Writers) Dwan Hill, Kyle Lee, CeCe Winans, Mitch Wong “Come What May” (Writers) Darren Mulligan, Jeff Pardo “Good God Almighty” (Writers) David Crowder, Ben Glover, Jeff Sojka “Hold On To Me” (Writers) Lauren Daigle, Paul Duncan, Paul Mabury “House Of The Lord” (Writers) Jonathan Smith, Phil Wickham “Jireh” (Writers) Chris Brown, Steven Furtick, Chandler Moore, Naomi Raine “Look What You’ve Done” (Writers) Tasha Layton, AJ Pruis, Keith Everette Smith, Matthew West “My Jesus” (Writers) Jeff Pardo, Matthew West, Anne Wilson “Promises” (Writers) Keila Alvarado, Joe L. Barnes, Dante Bowe, Phillip Carrington Gaines, Lemuel Marin, Aaron Moses “Rattle!” (Writers) Chris Brown, Steven Furtick, Brandon Lake Artist of the Year CeCe Winans FOR KING + COUNTRY Maverick City Music We The Kingdom Zach Wiliams New Artist of the Year – Presented by Cantinas Arts Anne Wilson Blessing Offor DOE Jordan St. Cyr Ryan Ellis Rap/Hip Hop Album of the Year No Church In A While – Lecrae, 1K Phew The End. – Trip Lee TWO UP TWO DOWN – Aaron Cole Unstoppable (United We Can) – Angie Rose UPPERHAND – indie tribe Pop/Contemporary Recorded Song of the Year “House of the Lord” – Phil Wickham “In Jesus Name (God Of Possible)” – Katy Nichole “My Jesus” – Anne Wilson “RELATE” – FOR KING + COUNTRY “Scars In Heaven” – Casting Crowns Pop/Contemporary Album of the Year Healer – Casting Crowns Milk & Honey – Crowder My Jesus – Anne Wilson Rise Up – CAIN What Are We Waiting For? – FOR KING + COUNTRY Bluegrass/Country/Roots Recorded Song of the Year “All Is Well” – Carrie Underwood “God Is Real” – The Sound “Grace And Goodness” – Sunday Drive “In The Sweet By And By” – Dolly Parton, ft. Larry Cordle, Carl Jackson, Jerry Salley, Bradley Walker “Mamas” – Anne Wilson, ft. Hillary Scott Southern Gospel Album of the Year 2:22 – Karen Peck & New River Just Sing! – The Collingsworth Family Keeping On – Ernie Haase & Signature Sound More To The Story – The Kingsmen Something New – Legacy Five Contemporary Gospel Recorded Song of the Year “Adulting – Live” – Jonathan McReynolds, Mali Music “Believe For It” – CeCe Winans, ft. Lauren Daigle “Gotta Believe” – Tasha Cobbs Leonard “Sunday” – Koryn Hawthorne “When I Pray” – DOE Contemporary Gospel Album of the Year Clarity – DOE Jonny X Mail: Live in LA (Stereo) – Jonathan McReynolds & Mali Music Jubilee: Juneteenth Edition – Maverick City Music Oil + Water – Travis Greene One Touch – Jabari Johnson Gospel Worship Recorded Song of the Year “Breathe” – Maverick City Music, ft. DOE, Jonathan McReynolds, Chandler Moore “Goodness of God – Live” – CeCe Winans “Jesus “ – Phil Thompson “Lazarus” – Maranda Curtis “Love Song” – Travis Greene, ft. Madison Binion Worship Recorded Song of the Year – Presented by CCLI “God, Turn It Around” – Jon Reddick “Hymn of Heaven” – Phil Wickham “I Speak Jesus” – Charity Gayle “Jireh (Radio Version)” – Maverick City Music ft. Chandler Moore, Naomi Raine “Know You Will” – Hillsong UNITED Worship Album of the Year Are We There Yet? – Hillsong UNITED Homecoming (Live) – Bethel Music Hymn of Heaven – Phil Wickham LION – Elevation Worship SEVEN (Live) – Brooke Ligertwood Spanish Language Recorded Song of the Year “A Ceigas” – Indieomar, Musiko “Color de Alegria” – Andy Alemany, TWICE, Samuel ASH “Danzando” – Gateway Worship Español, ft. Daniel Calveti, Becky Collazos, Christine D’Clario, Travy Joe, Josh Morales “Júbilo” – Maverick City Música, Miel San Marcos “Mi Salvador” – Mosaic Msc Inspirational Film/Series of the Year American Underdog Blue Miracle Redeeming Love The Chosen The Jesus Music The 53rd Annual GMA Dove Awards are produced by the Gospel Music Association. Jackie Patillo and Justin Fratt serve as showrunners and executive producers, alongside Curtis Stoneberger and Paul Wright as producers. Russell E. Hall returns as director, Michael Nolan as scriptwriter, Scott Moore and Go Live Productions as production manager. Read the full article