#on a political level yes 100% but to all effects it’s a bonus for me to have that day off

[linguenuvolose]

I kinda won having an Italian job because I’m free on Tuesday because it’s the Italian liberation day and so I’m also taking Monday off and now I just have these two (to me as a Swede) random days off.

[grailfinders]

Fate and Phantasms #62: Tamamo-no-Mae

Today on Fate and Phantasms, we’re making the Fox Priestess of Peerless Beauty, Tamamo-no-Mae! Tamamo’s a Theurgist (cleric-wizard) with a knack for being able to do a bit of everything. Fireballs, curses, magic support, splitting into multiple copies of herself.... she’s got a lot of abilities, is what I’m trying to say.

Check out the detailed breakdown below the cut, or the build summary over here!

Race and Background

We just made Tamamo Cat and we know her race, so it isn’t too surprising that you’re also a Tabaxi, giving you +2 Dexterity and +1 Charisma. You also get a bit of Darkvision. Fox’s Agility lets you double your movement speed for a turn, and recharges after spending a turn not moving. Fox’s Claws gives you a modest melee attack that you can use without weapons, and Fox’s Talent gives you bonus proficiencies in Perception and Stealth.

“Evil spirit that possesses kings” isn’t a background, but your side gig is. The Courtier background gives you Insight and Persuasion proficiencies, and helps you find your way around courtly politics.

Stats

Your highest stat is your Intelligence. That’s your casting ability, and hey look at that, you’re pretty good with magic. Second is your Charisma- that “Peerless Beauty” in your title isn’t just for show, and it will help you deal with people while saving your spells for bigger issues. Third is your Wisdom- you’re still a priestess, and most clerics are pretty wise. Your Dexterity isn’t bad, you definitely prefer getting out of the way of attacks. Your Constitution’s pretty low, but we’re not going to dump that if we can help it. What we are dumping is Strength. Let Cat handle the punching, you’ll take care of the rest.

Class Levels

1. Like I said in the opening, you’re going to be a Wizard. A lot of casters could qualify here, especially since your magic is more innate than learned, but wizards get the most variety, and we’ll need all of it. First level wizards have proficiency in Intelligence and Wisdom saving throws, as well as two wizard skills. Arcana will make you more magical than the average fox, and Religion will help with the “being a priestess” thing.

Wizards also start out with two features. You can prepare and cast Spells in your spellbook using Intelligence as your casting ability. You also have an Arcane Recovery, letting you regain a number of spell slots with a total level of half your level (rounded up) on a short rest

Wizards get a lot of spells, and you’re a caster, so you have some freedom when it comes to spells you should know. To save everyone some time, I’m just going to list off the spells I picked at each level, and note the ones that are needed for the build, either mechanically or to be in character. At this level, you get Fire Bolt, Gust, Prestidigitation, Burning Hands, Disguise Self(needed for a reason we’ll get to next level), Mage Armor, Protection from Good and Evil, Jump, and Magic Missile.

2. Second level wizards get to pick their school of magic, and the school of Theurgy from an unearthed arcana lets you blend your magical skills with the fact that you’re somewhat a minor god. When you pick this school, you also pick a Divine Inspiration, a cleric domain that will affect the rest of the build. You’re a Kitsune, so you fit nicely into the Trickery Domain. You also become an Arcane Initiate, letting you learn spells from the trickery domain spell list, and after that is exhausted, other cleric spells as well. 

Similar to the cleric, you learn how to Channel Arcana. Once per short rest, you can choose one of two options to channel your magical energy. Divine Arcana uses your bonus action to add 2 to your next spell’s attack roll or save DC, especially useful for spells that require a save every turn. You also learn the trickery domain’s Invoke Duplicity, letting you create an illusion of yourself for up to a minute with your concentration. You can use your bonus action to move the illusion around, and can cast spells from the illusion’s perspective, as long as the real you can still see the target. You can get advantage on attacks if you and your copy are within 5′ of the same creature, but that won’t come up too much. Technically these are exact copies, but if you want to make the other Tamamos I won’t tell anyone.

For spells, grab Charm Person to fill up that domain spell list, and Feather Fall.

3. Third level wizards get second level spells. Mirror Image lets you make even more copies of yourself without using concentration, and Pass without Trace is another gift you can give to members of your party. Both are also needed to fill up your domain spell list.

4. Use your first ASI to round up your Intelligence for stronger and more spells, and your Charisma for better social skills without using magic. Grab Shape Water for special water features, Magic Weapon for another neat wedding gift (we’re getting there), and Suggestion.

5. Fifth level wizards get third level spells. Yours are Blink and Dispel Magic to tick another two marks off your domain spell list. Also, nobody’s allowed to have fancier enchantments than you, or so help you Tamamo you will destroy them.

6. At sixth level, you become an Arcane Acolyte, giving you the first level benefits of being a trickster cleric (bar armor or weapon proficiencies). You can now bestow the Blessing of the Trickster as an action, giving one creature advantage of stealth checks for up to an hour. For spells, Fireball gives you some extra (literal) fire power, and Remove Curse lets you slap a talisman on a party member and stop their bad voodoo.

You can also Channel Arcana twice per short rest now.

7. Seventh level wizards get fourth level spells, and you get two more domain spells: Dimension Door and Polymorph. You’re not that into shapeshifting any more, but that doesn’t mean you can’t do it.

8. Use this ASI to bump up your Intelligence for more prepared spells with stronger DCs.

9. Ninth level wizards get fifth level spells. Dominate Person and Modify Memory are the last domain spells you need to grab; you’re now free to pick any spells you want from both cleric and wizard spell lists.

10. Tenth level theurgists become Arcane Priests, giving them the sixth level features of being a cleric of their domain. You learn a new Channel Arcana feature, the Cloak of Shadows. You can use your action to become Invisible until the end of your next turn, or until you cast a spell or attack.

For your new cantrip, grab Poison Spray because I learned Tamamo spent the last couple years of her life as a poisonous rock and I wanted an excuse to share that with you. You also get two new spells. Raise Dead and Ceremony, so you can marry people. Yes, I chose this subclass so I could get this without wasting a feat on it. No, I’m not sorry.

11. Eleventh level wizards get sixth level spells. True Seeing will keep you from being fooled by others the way you’re fooling them, and Heroes’ Feast will help you set a proper banquet for your wedding night.

12. Bump up your Constitution with this ASI for better concentration and more health. For spells, grab Mislead for another way to copy yourself and Mass Cure Wounds.

13. Thirteenth level wizards get seventh level spells, and I’ve got to say, there’s not really much here that screams Tamamo to me. Grab Mordenkainen’s Magnificent Mansion for some privacy and then go back to get Immolation.

14. You become an Arcane High Priestess, giving yourself the seventeenth level feature of your cleric domain. Improved Duplicity improves your Invoke Duplicity, letting you make up to four copies instead of one. You can control all four with a single bonus action, but their base speed and range are unchanged.

For spells, we’re going way back to grab Enhance Ability for people we like and Bestow Curse for people we don’t.

15. When you get eighth level spells, Clone is a given- how else is Tamamo Cat going to happen? Also grab Incendiary Cloud for your biggest fireball yet.

16. Max out your Intelligence for super strong spells. Grab Aura of Purity and Heal to protect the party from status effects.

17. Seventeenth level wizards learn ninth level spells. Shapechange makes your polymorph game even stronger, and Astral Projection is also a spell.

18. At this level you have Spell Mastery over a first and second level spell, letting you cast them without using spell slots. Pick Disguise Self for some free shape changing and Mirror Image for free copies of yourself. You can also channel your arcana three times per short rest now. For your spells, True Resurrection and Mass Heal should keep your party on their feet.

19. Use you last ASI to bump up your Dexterity for a better AC and sneakiness. For some extra party favors, grab Purify Food and Drink and Create Food and Water.

20. With your final level, you get two Signature Spells, third level magic that you can cast once per day without using a spell slot. A free Bestow Curse and Fireball should make you one scary fox.

For your final spells, grab Control Winds and Control Weather to set the perfect wedding day.

Pros

With a maxed out casting modifier, two spell lists to choose from, and the ability to pump up a spell when you need it, your magical abilities are massive.

You can create four copies of yourself with Invoke Duplicity, and have an extra three with Mirror Image. (This probably defeats the purpose of ID, but whatever.) This means the odds of you getting hit by an attack aimed at you is about 1 in 8. You’re hard to hit, is the point I’m making. This also means if you have TamaCat on the same team, you can have the entire Tamamo Nine running around at once.

You have plenty of illusions and charms to take control of any social situation, and your charisma isn’t half bad either, so you might not even need them.

Cons

You don’t have much HP, barely scratching past the 100 mark at level 20. Power Word Kill is going to be your worst enemy-if they can hit you.

A lot of your spells and Duplicity require your concentration, and you’re not good at that. You’re probably not going to get hit, but if it happens, it’s going to keep happening.

Despite having so many spells, you don’t have that many attacks, and even fewer damage types. Thankfully Magic Missile is a pretty good standard to fall back on if you’re forced to deal with fire elementals.

Just don’t get hit and you’ll be fine.

Next up: What’s a sling to a god?

[ifishouldvanish]

Editing tips, I guess?

Hey uhhhhh, so I've gotten lots of new followers over the past few weeks and wanted to do some kind of thank you?? Also, I have seen a fair share of "omg HOW" in the tags on my edits (which??? always make my day?? my week??? my life????)

Anyway, I thought I'd share some of my ~techniques with y'all? So here goes:

(lmao this got really fuckin long so cuuuuuut)

1. Make EVERYTHING a Smart Object

Okay, maybe not EVERYTHING, but seriously. Do it. It will save ur editing life. You ever shrink something down and then an hour later change your mind and decide you want it bigger? If you're not using a smart object, it’ll get blurry when you scale it back up and you’ll be fuCKED!

To make a layer/group a smart object, just right click on it in the layers panel and select "convert to smart object". This makes Photoshop store the layer's original data in a separate space for safe keeping (an embedded .psb file, to be exact) -- so you can shrink it and enlarge it as many times as you want without any lossiness.

As soon as I paste/place a screencap, texture, or whatever into my document, the first thing I always, ALWAYS do is convert it to a smart object!!

Why, you might ask?? Continue to item No.2 :)))

2. Harness the POWER of Smart Objects!!

The reason I am obsessed with Smart Objects is because I am obsessed with making any edits as non-destructive as possible. If you use “Image > Adjustments > Levels/Selective Color/etc” on a regular layer, that’s a destructive edit. Same goes for any Filters (such as blur/sharpen) and transforms (Warp, distort, perspective). You lose the original data that was there and the only way it can be undone is with ctrl+z. Might not seem like a huge deal at first, but if you keep chugging along for an hour and decide, “hmm, maybe i went too hard on that levels adjustment after all...” your only options are deleting the layer and starting over, or uh... hoping it’s still in your history panel.

However, it's really easy to avoid destructive edits when you use smart objects!! Because all those adjustments, filters, and transforms become “Smart Filters”. Smart Filters have all the non-destructive advantages of performing these adjustments via adjustment layers, but have the added bonus of ONLY effecting the layer they’ve been applied to, instead of cascading down and effecting all the layers beneath. (Which can be a good thing sometimes, but that’s a whole other topic)

Smart filters are attached to their ‘parent layers’, and can be hidden, deleted, or modified (by double-clicking their names) at any time:

Can I hear a wahoo???

Other cool things about Smart Objects:

You can copy a Smart Filter with all its settings to another layer by alt+click+dragging it over

You can change the order in which Smart Filters are applied by clicking and dragging them around

You can edit a smart object independently/in a sort of 'isolated' mode by double-clicking on its thumbnail!! I like to use this for edits that are specific to a given screencap-- like cutting out the background and any initial adjustments, like levels and selective coloring. Once you’re done editing the contents of the smart object, hit ctrl+s and it will automatically update in the main document!

But really, the biggest thing for me here is psychological. I know I’m much more willing to try things and experiment when I know that I can easily go back and tweaks things at any time. Otherwise, I’d stick with adjustments I don’t really like all that much simply because it would take too much time/effort to redo them.

3. Don't even THINK ABOUT using the eraser tool or I will STOMP YOU to death with my hooves!!

Use a layer mask instead. Please I am begging you. It all comes back to making your edits as non-destructive as possible. If you erase something, it's gone forever. When you mask something, you can make changes to which parts are visible/not visible as often as you want.

For the newbies or the otherwise unacquainted, a mask is a greyscale ���map’ attached to a layer (or layer group) that controls its opacity. Black areas give the layer 0% opacity, white areas will give it 100% opacity, and you can use shades of grey to achieve partial transparency. You ‘draw’ on these layers with the your trusty brush and paint bucket tools.

You can create a mask by selecting a layer and then clicking the little mask icon at the bottom of the layers panel (it’s the one with the little circle inside the box). Draw black on the parts you want to hide, and if you erase too much on accident? Just paint back over it with white!

I love masks, and sometimes i will throw an already masked layer inside a layer group and apply a second mask to said group. This way I have two masks that can be edited independently from each other. Like layer mask-ception.

So anyway, yes. Eraser tool? Don’t know her.

4. Try using channels to create masks!

This is a technique that works REALLY well for cutting out complex shapes, such as wispy hair (or feathers!) -- provided there's strong contrast between the subject and the background, and the background isn't too busy.

This is also a fantastic method for capturing alpha transparency. For example: If you have a neato paint stroke/splatter/watercolor texture you want to use as a mask, but has a solid background that’s getting in the way of things. This method will capture all the semi-opaque areas flawlessly!!

While editing your image (which you had better have made into a Smart Object!!!) do the following:

Switch from the "layers" panel to the "Channels" panel.

Toggle through the R, G, and B channels, and decide which one has the most contrast for the areas you are trying to mask.

Ctrl+Click that channel's thumbnail. This will create a selection marquee.

Switch back to the layers panel

Click on the target layer/group (the one you are trying to mask)

Click the mask icon at the bottom of the panel (the one with the circle inside a box)

Release the selection and invert the mask if necessary

If you're using this method to cut out a subject from its background, you probably won't want alpha transparency. In this case, select the mask thumbnail and use a levels adjustment on the mask itself to bump the contrast until you have more of a cutout effect!

It sounds like a lot of steps, but it’s really simple! So I made this handy GIF: (click to view from beginning)

Sometimes you won’t want to use this method for the entire image, but just a specific part. For example, if you’ve cut out a character with some other method (magic wand, manual brushwork), but are having a hard time with their hair in particular. Use this method to create the selection, but instead of converting the whole selection into a mask, use the brush tool to apply the mask only where you need it! You can invert the selection itself with shift+ctrl+i.

5. Outlining text

The font I used here is Salomé, which is actually a solid typeface with no outlined version. But you can make virtually any font into an outlined version if you so desire!

There's two possible methods here, actually:

The Easy Way:

Add a stroke layer effect to the text layer (by selecting the layer, clicking the little “fx” button at the bottom of the layers panel, and choosing “Stroke...”)

As far as settings go, aligning the stroke to the inside usually yields the best result/maintains the integrity of the letterforms.

Make the color of the text itself match the background.

If necessary, use the lighten/darken blend modes to create the illusion of transparency.

If you need true transparency (which I didn't until I decided I wanted to apply a gradient over the text), you'll have to try something else-- The Also Easy But Less Than Ideal Way:

Right click the text layer in the layers panel and select "convert to shape".

Now you can edit the fill/stroke the same way you would any other vector shape.

Again, you’ll want to set the stroke alignment to ‘inside’. For vector shapes, those settings are a little hidden. You’ll wanna open up that little dropdown in the toolbar with the line in it, and click “More Options”.

This is semi-destructive, so if you're working with a lot of text you might have to edit later, consider duplicating and hiding those text layers first so you'll have a 'backup' of it.

And while I’m on the topic of text...

6. Try breaking up your text layers!

I know a lot of people like to draw a neat little text box to put their text in, and then they center it all nice and neat and probably use a small font size to make it subtle and stuff... and that’s cool. Everyone’s got their different styles and things they like to emphasize in their edits and there’s absolutely merit to that sort of thing (case and point: the bulk of my dear @herzdieb’s work), but. Listen.

I love typography. I love a good typeface. The stroke widths, the letterforms, the ligatures, the serifs... I get like, horny on main for a good typeface. I like to make the text on my edits BIG, so that those details can shine. I also like doing interesting things with the text. Jumbling words/letters around, distorting them, deconstructing them and just...  letting the text really ~interact with the rest of the composition instead of just kinda politely floating on top of it.

I’m not saying you have to do that kinda stuff. Or that I think neat little floaty text boxes are boring, or lazy, or whatever. It’s just... personally, I get really inspired by type. Fun type treatments are one of those things I LIVE FOR, something of a ~signature of mine, and I encourage everyone to just... try it? To use text as more of an integral Design Element and less of a... idk. A caption?

So if you have a quote, or even just a word... put each word (or letter) on its own text layer. And then: make ‘em different sizes. Make the words so big they don’t fit on the canvas. Rotate each one at a fun angle. Scatter them around. Go nuts. Use masks to chop parts of the letterforms off. Make ‘em overlap. Just have at it. Or, as the kids these days are saying: go absolutely fuckin feral.

If that really just isn’t your style, or doesn’t work/make sense for the edit you’re doing, fine. Delete all the layers and just do a text box or whatever. But. I’m tellin u.

Give it a try.

At least once.

Just... a lil taste.

7. Understand the difference between lighten/darken vs screen/multiply

For a while in my photoshoppin' youth, my understanding of these blend modes basically amounted to "darken makes things darker, and multiply makes things really darker", and vice versa for lighten/screen. But there's an important difference between how these blend modes work, and if you understand them, you can use them more... strategically? I guess?

Darken and Lighten are kinda misnomers tbh, because they technically don't really darken or lighten anything. What they actually do is make it so that only the areas of the layer that are darker or lighter than the content of the layers beneath them are visible. This produces some pretty nifty layering effects that you can't achieve with screen and multiply.

Here’s an example: (if you’re reading this on a phone with the brightness dimmed down you probably won’t be able to see the differences)

Without any the texture applied, you can really see the noise/graininess of Crowley’s jacket in the screencap. You can also see the ‘seam’ where Crowley fades into the background-- the jacket is a green-ish black, while the background it’s fading into is more of a purple-black.

With the texture set to ‘Screen’, the whole image becomes lighter across the board. Crowley’s jacket gets lighter, and so does Aziraphale’s jacket and the pink cloud thing. This does little to nothing to obscure the poor image quality and disguise that ‘seam’.

But with the ‘Lighten’ blend mode, ONLY the dark parts of the image appear lightened, and not only do they appear lightened, but they get kinda equalized. Notice how the patchy jpeg artifacts on Crowley’s jacket disappear, how that color seam smooths out, and how the brightness of Aziraphale’s jacket and the pink cloud doesn’t change at all.

This isn’t to say that lighten/darken are better and that you shouldn’t use screen/multiply. They each have their uses. But most often, I find myself using lighten/darken because the way they work is honestly really helpful? And just cool af?

8. Masking individual frames on gifs

If you ever feel like torturing yourself by making a gif that has frame-by-frame masking, my advice is don't try to mask each frame from scratch. You'll get patchy/wobbly results from the masks being slightly different on each frame.

Instead, mask the first frame, then alt+click and drag that mask onto the next frame. Make any minor adjustments to the new mask as needed, and repeat for each frame. This saves time and more importantly, keeps the masking consistent on areas with little to no movement, which makes a HUGE difference in how smooth the final product will be.

If you look at the edges of the animation, they’re nice and steady and consistent. It’s only the parts that have a lot of movement (like the back of his neck) where you can see any ‘ghosting’/wobbly-ness happening.

Sometimes the mask will move when I copy it to the next frame. Like, for the whole document. It gets nudged 20 pixels down or to the left or s/t every time. I have yet to figure out why, but I’m betting it has something to do with shooting myself in the foot with the frame 1 propagation settings at some point during editing?? ANYWAY, when this happens, just unlock the mask from its layer (click the little chain icon between their thumbnails) and move it back into place.

In these cases, I also like to pick a spot with a hard edge (such as the shoulder in the above gif) as a reference point of where it needs to be moved to. It kinda sucks having to do this for every frame, but you already signed up for some suckage when u decided to mask every frame of a gif, so I mean... 👀

9. Don't be afraid/too intimidated to do manips as needed!

Manips can be tricky if you're really striving for realism. There's light sources and color grading and perspectives to reconcile!! But when you're doing an artsy Edit with a capital E, odds are those kinds of discrepancies will be thoroughly camouflaged by all the levels, black and white, etc adjustments you're doing!

Something I run into often is, "I like this screencap, but the top of their head/hair is chopped off :(" But if I go back through all the screencaps from the scene, there's usually another frame where the camera is planned/zoomed out enough that I can steal the rest of their head/limb from it! And since it's from the same scene/shot, the lighting and color grading should already be a perfect match!

A super simple example:

So I wanted to use this picture of David and Michael for this edit, but 1) They’re standing on the wrong sides for their characters, and 2) part of David’s arm is covered up by Michael’s.

Of course, the easiest course of action would be to just mirror the photo so they’re on the correct sides, but 1) mirroring faces tends to yield wonky results, and 2) that still wouldn’t give me a perfect, free-standing cutout of Crowley to place wherever I want in my composition (as opposed to being forced to awkwardly position him off the edge of the canvas to hide the fact that the other arm is missing)

Fortunately, it only took all of like, two (2) minutes to draw a crude selection around his good arm, copy and paste it into a new layer, flip it around, and add any necessary masking to get the shape right.

My point here isn’t to teach y’all how to do manips, or to pass this off as an impressive example of one. Because it’s really, REALLY not. My point here is to demonstrate that even something as tiny and simple as this can really open up your options for what you can actually do with an edit/composition.

So next time you’re feeling limited/inconvenienced by the crop of a screencap, just... you know. Consider whether or not it’s worth attempting a quick and dirty manip to fix it.

Another Example:

Sometimes you’re torn between two screencaps. You like one element from Screencap A but also want some other element from Screencap B. What to do? Just frankenstein ‘em together. Layer one on top of the other, get them lined up, and mask out the necessary parts.

It’s easy to get hung up on stuff like “Uh... should Crowley’s shoulder be doing that?” but let me assure you that like... the people looking at the final product are none the wiser to your butcherwork and will not notice. Especially if you’re going to add a bunch of contrast and color adjustments later on. (in fact, sometimes I’ll apply those adjustments first so I’m not distracted by any discrepancies that are going to come out in the wash anyway)

“I dunno... 🤔🤔 doesn’t seem anatomically correct... 🤔🤔🤔🤔” thought no one.

Point is... point is... dolphins you can get away with a LOT more than you think you can. Don’t let the desire to make these kinds of manips perfect get in the way of just... making them good enough. The bar isn’t that high, I promise.

10. Know what inspires you

What types of edits get you EXCITED? What kind of work do you see on your dash and go, "oh, I'm reblobbin' THAT!!1!"

I know for herzdieb, she's all about emotional pieces. She likes matching words/lyrics/poetry to on-screen moments and punching you in the feels with both. She hears a song, or reads a poem, and the lightbulbs go off for her, and she does her thing.

As for myself, I just live for the aesthetics of an edit. The colors, the fonts, the composition. I almost never know what text/screencaps I'm going to use when I start an edit. I just see a font I like, or a color palette, or a texture, and think, "I wanna use that!"

And once you know what inspires you, collect that inspo! I hoard textures and fonts. I have them organized into neat lil folders. When I wanna make an edit, that’s where I start. I just browse through them all until one or two start calling my name. Herzdieb collects songs and quotes and poems. Maybe your thing is color palettes, or aesthetic-y photos. Or whatever.

The point here is make the kinda stuff you like/want to see. Not the kinda stuff everyone else is making or the kinda stuff you notice gets the most notes.

11. Be able to let go of things that aren't working

I often begin an edit with a rough idea of the style, colors, or layout I'm going for. And I almost always end up doing... something totally different.

So don't get too fixated on what your initial ideas are. Be open to experimenting and just let the edit be what it wants to be. If something looks nice, do it. If it doesn't, don't try to force it just because, "well, I was inspired by this piece that did xyz and I wanna try it too".

When you see a certain effect that inspires you, just keep it in mind as a possible solution for the next time you make something-- don't make it into a benchmark, or some imaginary 'goal' you have to meet for This Edit You Are Working On Right This Moment. In fact, sometimes the elements I end up ditching are the very ones I started with, that initially sparked my inspiration. And that's okay. Inspiration can be a moving target, and if your vision for something changes, let it.

You wanna know what inspo reference I was looking at when I started that “Temptation Accomplished” edit?

Fucking this: https://search.muz.li/YTdiNjkwN2Rh

You might be thinking, “how the fUCK was that the inspiration??!! Your edit looks nothing like that at all!” ...and you would be 100% correct, and that is 100% my point. I spent a good hour or two trying to incorporate that cutout text layering effect before finally accepting the fact that it just wasn’t working for the edit I was making. And it wasn’t until then that it actually started to come together.

12. Be patient, and take the time to explore all your options!

I’m not gonna lie, y’all. I spend hours on my edits. I usually complete them over the course of 2-3 days/sittings. I rarely have a plan. 99% of the time I'm just throwing things at the wall and seeing what sticks. When I get stuck (when, not if), it helps to step away from it and come back later with a fresh perspective/set of eyes.

Every single edit I've posted, I have at some point felt like giving up on because I thought it looked like garbage (and not just because I was being self-deprecating/doubting myself, but because at those points, they simply weren't finished/something about the composition just wasn't working for me)

Work through those moments, and if necessary, take a break/sleep on it. It's always after I've exhausted my early ideas that the really good ones start to come to mind!

Here’s how the character poster edits I did progressed:

In Classic Me™ Fashion, I literally started off with just... textures I liked, and a font that I liked. Now, there were obviously a lot more ‘steps’ involved in both designs, but hopefully at the very least this gives a sense of how things get from point A to point B.

So uh... thanks 4 comin 2 my TED talk. I hope u learned at least one (1) cool new thing or maybe just feel vaguely inspired by this rambling mess?

[the-desolated-quill]

The Quill Seal Of Approval Awards - The Best of 2018

Hello and welcome, dear reader, to the greatest, most important awards ceremony in the history of entertainment. The Quill Seal Of Approval Awards. The award of recognition that everyone on Earth covets even though they don’t know it. For the Quill Seal Of Approval is a most esteemed prize for hard work and artistry. Better than the Golden Globes, more prestigious than the BAFTAs and guaranteed to be more diverse than the Academy Awards. You know your film, novel, TV show or video game has achieved legendary status when some random nobody on the internet says it’s the best in some obscure top 10 list that’s read by only a couple of people. That’s the true sign of success.

First, a few parish notices. Obviously this is my subjective opinion, so if you disagree with my choices, that’s fine. Go make your own list. (also remember that my opinion is 100% objective, scientific, factual and literal truth and anyone who disagrees is clearly a philistine and a dummy and a poopy-head whose mum smells of elderberries). Also please bear in mind that I haven’t been able to experience everything 2018 has to offer for one reason or another. In other words, please don’t be upset that A Star Is Born isn’t on this list. I’m sure it’s as amazing as everyone says it is. I just never got around to watching it.

Okay. Let us begin.

Inside No. 9 - Series 4

BBC2′s Inside No. 9, written by the League of Gentlemen’s Steve Pemberton and Reece Shearsmith, is an anthology series that’s often sadly overlooked, but it’s really worth a watch if you’re into shows like Black Mirror and The Twilight Zone, and this series in particular has been fantastic. We’ve had an episode written entirely in iambic pentameter, an episode whose chronology runs backwards, a live episode that really plays around with the format, episodes containing tragic and biting satire, and one especially twisted episode that brings out a side of Steve Pemberton we’ve never seen before. Series 4 has been a real treat from start to finish, with each episode beautifully written and expertly performed. Inside No. 9 deserves to share the same pedestal as Black Mirror, no question.

Black Panther

I’m sure everyone knows about my less than flattering views on the Marvel Cinematic Universe by now, which is what made Black Panther such a breath of fresh air for me. Stripping away all the convoluted crap, Black Panther has often been compared to The Dark Knight, and for good reason. Like The Dark Knight, this movie uses the superhero genre to tackle real social and political issues. In Black Panther’s case, exploring just what it means to be black in the modern world. Boasting an impressive cast of black actors, strong female characters, an engaging and complex antagonist, fantastic special effects and truly excellent direction from Ryan Coogler, Black Panther represents a new benchmark for Marvel, the superhero genre and the film industry in general. It proves how important and how lucrative diversity and representation in media can be, and it unintentionally shows how flawed the Marvel business model has become. The reason behind Black Panther’s success is simple. It’s because it’s bloody brilliant. And the reason it’s bloody brilliant is because Coogler was allowed to realise his own creative vision without Kevin Feige and Mickey Mouse breathing down his neck. Perhaps they should take note of that in future.

Deadpool 2

Of course Deadpool 2 is going to be on this list. Are you really surprised?

The Merc with the Mouth goes from strength to strength in the rare instance where the sequel is actually as good as, if not better than, the original. The first Deadpool was a great origin story for the character, but Deadpool 2 felt like an adventure ripped straight from the comics themselves. Crass, ultra violent and hysterically funny, Deadpool 2 is the crowning jewel of the X-Men franchise. Fan favourites such as Negasonic Teenage Warhead and Colossus return as well as new characters such as Domino, played by the exceptional Zazie Beetz, Cable, played by the astounding Josh Brolin, and Firefist, played by Julian Dennison who deserves all the success in the world because good God this kid can act!

But of course the star of the film is Deadpool himself with Ryan Reynolds once again proving beyond a shadow of a doubt that he understands this character back to front. Not only is he hysterically funny, capturing the character’s irreverent tone perfectly, he also absolutely nails the tragic underpinnings of Deadpool that make him such a wonderful character. In between the f-bombs and gore are moments of real drama and emotional pathos as the film tackles themes such as loss, discrimination, abuse and suicidal depression. All this whilst taking the piss out of 2017′s Logan. 

Oh yeah, and it also features the first openly LGBT superheroes in cinematic history. Fuck you Disney! NegaYukio and Poololosus for the win! LOL! No, but seriously, now that you have the rights to X-Men back, if you try and censor Deadpool in any way, shape or form, I will kick your arse.

God Of War (2018)

“BOY!”

Yes Kratos is back, having successfully destroyed the world of Greek mythology and now has his eyes on the Norse Gods. And he has a son now. What could possibly go wrong?

Seriously though, this new God Of War is simply exquisite. While I have long admired the God Of War franchise for its interpretation and adaptation of Greek mythology, the previous games in the series have never exactly been the most sophisticated when it comes to storytelling (and the less said about the casual sexism, the better. Yes Sony, I promise I understand the thematic reasons behind playing a minigame that allows you to have sex with Aphrodite in God Of War 3, but it still doesn’t change the fact that it’s sexist as shit). God Of War 2018 changes all that with an intelligent and engaging story that allows us understand and connect with Kratos at a more personal level than we’ve ever done before. Taking place years after God Of War 3, Kratos is older, wiser and trying to raise his son Atreus in the hopes that he won’t make the same mistakes Kratos did in his past. Not only is the story amazing, continuing the franchise’s themes of vengeance and the strained relationships between parents and their children, the gameplay is also a ton of fun with many memorable moments and boss fights.

And as an added bonus, we get two strong female characters that aren’t treated like discardable sex objects. That was nice of them.

Incredibles 2

The long awaited sequel to The Incredibles finally arrived in 2018 and it did not disappoint. Incredibles 2 was everything I could have wanted and more. Continuing on from the events of the first movie, we see Elastigirl take the spotlight as she fights the Screenslaver whilst trying to persuade the worlds’ governments to lift the ban on superheroes. Meanwhile Mr. Incredible takes a back seat as he tries to reconnect with his kids Violet, Dash and Jack-Jack and prove he can be a good, supportive dad. 

Continuing to draw inspiration from Fantastic Four, X-Men and Watchmen, Incredibles 2 is... well... incredible. Expanding the world he created, Brad Bird tells a smart, funny and compelling story that stands head and shoulders above the majority of superhero movie fodder we get nowadays. Elastigirl flourishes in the lead role this time around and the kids get a lot more development, the Screenslaver is a great villain that compliments the themes of the franchise wonderfully, and we get to see a whole bunch of new characters such as Voyd and the Deavor siblings as well as the return of old favourites like Frozone and Edna Mode. 

Honestly, the baby alone is worth the price of admission. Hopefully we won’t have to wait another fourteen years for Incredibles 3.

Marvel’s Spider-Man

Marvel’s Spider-Man is an amazing game. But of course you knew that already. It’s made by Insomniac Games, the same guys behind Ratchet & Clank. Of course it was going to be brilliant.

Simply put, this game does for Spider-Man what the Arkham games did for Batman. Not only is it a great game with brilliant combat and fun web swinging mechanics, it also has a great story worthy of the wall crawler. Unlike the movies, which seem to continuously yank Peter Parker back into high school with each new reboot as those the poor bastard were attached to the fucker on a bungee rope, this Spidey has been fighting crime for eight years. With great power comes many responsibilities as we see him struggle to juggle crime fighting, his new job as a scientist, his commitments to helping Aunt May at the F.E.A.S.T shelter and trying to win his ex Mary Jane Watson back after a six month split. It’s a brilliant story featuring many classic villains such as Shocker and Electro as well as lesser known villains like Screwball and the criminally underrated Mister Negative who finally gets to be the central antagonist in a Spider-Man adaptation. It’s fun to play, engaging, dramatic and really emotional at points. I cried real tears at the end. What a punch to the gut that was.

OOOOOH! And we might be getting to play as Miles Morales in the sequel! I sure hope so! :D

The Grinch

At this point I imagine many of you are scratching your heads. 

“Really Quill? The Grinch? Illumination’s The Grinch? This deserves the Quill Seal Of Approval? Are you sure?” Yes dear reader, I’m absolutely sure. Just hear me out.

It’s true that the majority of Dr Seuss adaptations are shit. While the live action version of the Grinch starring Jim Carrey has a cult following and is fondly remembered by some, it’s still pretty crap, and even Illumination themselves screwed up royally with their adaptation of The Lorax. But this new Grinch is truly excellent. For starters, the animation is gorgeous. This is clearly the format that works best for Seuss movies. Benedict Cumberbatch does a really good job voicing the character, giving him depth and complexity beyond just being a big old meanie. The film also has something no other Seuss film has ever had before. Subtlety. Illumination have clearly learned their lesson after The Lorax. They’re no longer bashing you over the head with a moral message. They’re not trying to over-complicate a simple story by adding pointless sub-plot after pointless sub-plot. In fact the bits they do add actually feed into the main core of the narrative, as opposed to The Lorax, which just confused things. And while there are cute Minion-esque sidekicks like there are in a lot of Illumination films, The Grinch limits it to two (Max the dog and a reindeer named Fred), they’re both legitimately funny, serve an important narrative purpose and don’t distract from the more serious and emotional moments.

In all honesty, I was debating between giving the Quill Seal of Approval to The Grinch or to Bumblebee (the first legitimately good Transformers movie), but I decided to go with The Grinch because of how it handles the character and the story’s message. A lot of people scoffed at the idea of giving the Grinch a back story (and to the film’s credit they don’t force the issue or over-explain where the Grinch came from) but it’s honestly what makes this new adaptation of The Grinch so special to me. He’s gone from being a Scrooge-like monster to an anxiety filled misanthrope who associates Christmas with being alone. It may sound like a jarring change on paper, but in practice it honestly works so well and adds a whole new dimension to the Grinch. It’s treated with absolute care and sincerity and the film really earns its emotional moments, particularly at the end when we see the Grinch sit down to have Christmas dinner with the Whos.

If you haven’t already, I highly recommend you give this new Grinch a chance. You might be pleasantly surprised :)

Doctor Who - Series 11

A woman?! In the TARDIS?! How absurd!

Jodie Whittaker made history as the first woman to play the Doctor and the new series doesn’t disappoint. Whittaker is predictably brilliant in the role, giving the character compassion, charm and wit. We also get a new bunch of companions (including the always brilliant Bradley Walsh as Graham) who all have some great moments in Series 11 and the relationships they form with each other is incredibly touching and fun to watch. But the writing, my God, the writing. Admittedly not every episode has been perfect, but it’s leagues above anything Moffat has given us during his disastrous reign. The majority of Series 11 has been well written and intelligent, tackling important and relevant social issues (something Doctor Who has always been doing and anyone who says otherwise is an idiot) and focusing on likeable and relatable characters rather than convoluted series arcs. We got to meet Rosa Parks, witness the partition of India, and ponder on the dangers of automation whilst the Doctor tries to save the world from bubble wrap. Oh, and the Daleks are scary again! I know! I couldn’t believe it either!

What makes this all the more remarkable is who the showrunner is. Chris Chibnall. A writer I’ve often criticised in the past for being derivative and shit, and yet somehow he’s managed to create some of the best Doctor Who I’ve seen in a long time. Not only has his writing improved dramatically since his Torchwood days, he’s also demonstrated a commitment to having diverse representation both in front of and behind the camera as well as in the scripts themselves. For the first time in what feels like an age, Doctor Who feels like Doctor Who again, and I’m ecstatically happy.

Spider-Man: Into The Spider-Verse

How come we don’t see many animated superhero movies in the cinema? Considering the medium from which superheroes came from, you’d think it would be a no-brainer. Presumably it’s because Disney have got such a strangle hold on the animation market, but that’s hopefully going to change thanks to Spider-Man: Into The Spider-Verse (or, Sony’s Repentance for The Emoji Movie).

Let’s get the obvious out of the way. The animation is gorgeous. It’s pretty much an animated comic book and it stands out as one of the most unique looking animated films in recent memory. Spider-Verse is essentially a love letter to the legacy of Spider-Man as we see multiple different versions of Spidey, including Spider-Gwen, Spider-Ham and Nicholas Cage as Ghost Rider cosplaying as Spider-Man Noir, demonstrating not only the sheer variety of Spider-Men we’ve had over the years, but also exploring what connects them together. With all these different interpretations across many different universes, the idea of Spider-Man comes to the same thing. An ordinary person who experiences tragedy and becomes something greater. It’s hopeful and inspirational in a way Spider-Man films hasn’t been for a while now (Spider-Man: Homecoming sucked donkey balls. Period).

But let’s not forget that while the film explores the Spider-Verse, the main focus is Miles Morales who finally makes his cinematic debut. Not only is it a very faithful adaptation of Ultimate Spider-Man’s origin story, Miles himself is such a great central character for the modern age and arguably has more relevance to today than Peter Parker does. The characters are funny and relatable and the story is expertly crafted and impactful. But then what do you expect from the writers and directors of The Lego Movie? (if only Disney hadn’t interfered with Solo: A Star Wars Story. We could have had it all).

Mowgli: Legend Of The Jungle

This one kind of snuck up on me toward the end of December, but I knew the moment I saw it I had to include it on this list.

Mowgli: Legend Of The Jungle is an adaptation of The Jungle Book with Andy Serkis making his directorial debut. Yes the same guy who did the motion capture for Gollum in Lord Of The Rings and Caesar in the rebooted Planet Of The Apes movies and who totes deserves an Oscar for Best Actor (fuck you Academy Awards!), and he brings this same motion capture technology to this film. Unlike Disney’s Jungle Book, which merely rehashes the original animated film whilst somehow stripping all the charm from it, Mowgli sticks closer to the original Rudyard Kipling book. This isn’t a cheery musical. This film is often dark and intense as we see Mowgli (played wonderfully by Rohan Chand) struggle to find his place in the world. He knows he doesn’t belong with the animals in the jungle, but he doesn’t really fit in with the world of man neither. It’s an emotional and dramatic character piece brought to life by great writing, great acting and stunning special effects. 

Andy Serkis has expressed a desire to do an adaptation of George Orwell’s Animal Farm, and after watching this movie, I would love to see that. If you haven’t already, go watch Mowgli: Legend Of The Jungle. It’s available to stream on Netflix and it’s truly amazing.

And that’s it for 2018. Congratulations to the winners of this year’s Quill Seal Of Approval Awards. Unfortunately we’re on a limited budget here on The Desolated Quill, so I can’t offer any sort of trophy or medal or anything. What I can do though is write the words ‘I’m an awesome cookie’ on a post-it note and stick it on your forehead. Will that do?

[autoirishlitdiscourses]

Discourse of Wednesday, 04 November 2020

Promising two days, then this will hurt your grade by much that you have a copy of your paper's structure would pay off even more successful than it needed substantial additional work. I'll see you tomorrow morning! One good, and he's writing about one or more people see some aspect of this is a hard line to walk, especially, of course. If not, but I don't but rather because they haven't started the reading. Overall, this is reflected here.

So you can do a good word for having this information allows them to go this week for the previous presenter had warmed the group is, in which language and ideas in a lot of things would, I think, meant to be as effective as it opens up an interpretive pathway into one of your quarter is 86% a high bar for anyone to assume that you are perfectly capable of being, as you write your first or last, or otherwise set up a document of culture rather than moving around on the Starry Plough flag: Wikipedia article on the theory that the law isn't able to leap. Mullingar. I'm not seeing at this point is that if it's necessary to try harder on the syllabus. I've been taking longer than I had properly remembered who you were to go first, second, and well-written in a productive reason, you should definitely be proud of.

If your word processor to add compliance with that requirement this late tonight, expanded and based on general claims such as background information several times during the course of the time requirement. Are Old. She had that cream gown on with the group develop its own, and died after. You might also be aggressively dropping non-passing grade is 50 9 for 5 in the play set? The joke, often lost to modern readers and viewers, is it that's interesting about the airman's motivations is to think about this the anxiety is different from male sexuality? You added the before night in section, but need to be fair to O'Casey's text, though I think you've got a really strong essay in a more prestigious edition, but rather that you're capable of even more. I. It's always OK to return to the novel as a section on Wednesday I'll give you an add code I've actually never had this problem before and known it well to the poem itself. What does it really mean it when it comes down to thanking the previous presenter s for providing an introduction to the MLA standard for citations—this has not yet made a huge number of texts and phenomena, integrating your various texts in relationship to each other would help you assess your own complex and, Godot Vladimir's speech, 33ff. I suspect are likely to see what it means for this week is 27 November is National Novel Writing Month: A traditional form of fishing boat. Fifteen yesterday. Of course, depend on what it means: are you? And what kind of maneuver—the impression I get is that you'll want to view their introductory video to see a different segment later in this way. Another way to deal with, and your grade is calculated. Behavior and/or describing it in then.

Responses below. Great! He said that was fair to Yeats, please send me email or stop by my office tomorrow after 12:30 tomorrow, even especially! Anyway, my point is not? At least, with the small late plan email penalty ½%, but how the reader or the novels there's no overlap in terms of the quarter, and reschedule would be true either for the quarter, though this is an unreasonable limitation, then this change does not provide a genuine pleasure to see just a hair's breadth away from home, possibly by style, narrative clues, etc.

If people aren't prepared, it's not necessary and if you prefer to do. This is a Fountain sung by Corp. My basic expectation is that you hadn't anticipated. Yes, you responded effectively to larger-scale concerns very effectively and provided a really excellent work here, I think, too, because this week, whether or not you, but none of these would have helped at the document from Google Docs, too, but I did do all the grading scheme, and had some important things to say is: what kinds of claims you're making photocopies of the assignment it's just that I'm hesitant to dictate ideas without being so long to get back to some extent in their key terms in your analysis, and this is certainly an acceptable news source. 8% slightly more than the syllabus. Also, before I get for going short, but I don't mean to be done, and so this is primarily and economic contract that specifies what demands each contracting party is entitled Odysseus or Myth and Enlightenment. I'll see you tomorrow! Another would involve doing a genuinely serious and unavoidable emergency family death, serious injury, natural disaster, etc.

I'm looking forward to your presentation out longer, I think you're typing it into an effective job of weaving together multiple sources to produce a historical narrative that specifies what demands each contracting party, based on it, in part because it was more lecture-based and less discussion-based and less discussion-based than I was not necessarily be captive; and any other questions, OK? Bloom's speculations about the two-minute and prevents you from attending is that you need another copy of your argument, too, and third preferences are for any reason, you fail automatically policy/, please. I think that more information about the comparative benefits of taking up time that you are willing to discuss 2 before 1, because that will make sure that I can help you to present itself in some form, and they all essentially boil down to paying more attention to how other people are exhausted by the rules. He's been a good topic what I take it; if you want to discuss with the novel well. Grading criteria The/MLA Handbook for Writers of B-77% 80% C 73% 77% C 70% 73% C-335 350 D 315 335 D 300 315 D-range paper grades is rather heavy, and you managed to do an excellent job of tracing developments in Irish politics at the end why is it that's interesting about the way that men see and understand women, and so I can't believe that I have to evolve. DON'T FORGET TO BRING A BLUE BOOK TO THE FINAL! I'll avoid responding to emails that you do will help you to be successful.

Enjoy your holiday weekend this quarter, but I'll hold you to dig in deeper; one is simply to wait longer after asking a group presenting information can be even more than a B and show that there are many possibilities that would have paid off the most up-to-memorize twelve-line poem, and not in many ways, and it showed. Just let me know if you don't email me a description of your paper receives a letter grade boost unless I explicitly say it's OK with me if this works for you, because it will replace the grade sheets are downloaded section by section all ten weeks and also a Ulysses recitation tomorrow. So one combination that would have helped to avoid automatically receiving a non-female narrators' thoughts. Have specific points in the lyrics or music the color green, for your understanding of the horror genre, so let me know what works for the midterm or final I'm assuming that you will forgive him for a long selection and gave no A grades on subsequent work by correcting the problems that I give you feedback as quickly as I can help to make up the Thanksgiving weekend, and pointers to electronic copies except in genuinely extraordinary/situation, exactly? If this is a strong job here.

Often, there is a good move on its own: I think that there's a web browser that supports your larger-scale point in smaller steps this would pay off. There were some pauses and you related your discussion to motivate to talk about outlines, and how would his readers have understood these attitudes when the Irish, or from the more appropriate lens to examine Irish, or Eavan Boland, or very very high B-for the 17 October vocabulary quiz Thurs 17 October vocabulary quiz. Here's what everyone is scheduled. But it's entirely up to your topic before you do a pretty amazing group of people in the question and/or historical documents, if you choose. Otherwise, you're right on the micro-level interpretations of the quarter, but of the paper-writer may be wise to ask what is happening when the Irish in your paper.

I think that it's fresh in your delivery showed that you are perfectly capable of being fair to each other, and American responses to it. You've done some very good job last week, whether the walkers should be adaptable in terms of the same degree that you will pick up a fair amount of evidence that you wanted to make, then I will take this into account when grading your recitation needs to be even more than 100% of the definitions of romance has or has not actually failures of nuanced perception on your grade, assuming that you give a more rigorously. OK?

You've got some good questions, OK? You picked a good job of engaging in a potentially productive ways to go for the quarter is one of the poem and get you a five-minute warning by holding up the bonus for performing in front of a set of related thematic elements. Have a good selection and delivered it in. However, if you prefer. 1:00-3 p. What you might choose, for this. My 6 p.

In any case, the Christian symbolism of the bird this touches on. All of these is that you have a copy of Ulysses and The Cook, the more poignant parts of your information and how you can take to be even more specific in your own thoughts on this. Again, you can be hard to find somewhere else to leave by 5, in case people don't jump on this one time if you describe what needs to be. I would suggest and this is potentially also a nice, too, that you need to have a thesis statement and to succeed in this case, bring me documentation from a consideration of the section, you did quite a D for the day you recite.

But you really have shown that you're capable of doing better than I expected, and this may be useful resources for scholarly research in the first three and are much quieter in section tonight. What you should try to respond to the pound was subdivided, as critic Harold Bloom phrases the relationship of the poem for Dec. Extra space at the first six minutes of your performance. This is not double-checked, and the way that mothers and motherhood are used as an emergency phone call during section that night for you. Thanks! If you miss more than three sections, and I've finally figured out the issues. Minimally acceptable in the final exam—or at your level of familiarity with the fact that they haven't started the reading or other work for you, I think that this could conceivably have paid off here. Students who read actively and who take a look at it by email within forty-eight hours of your paper. I remember correctly that you be absent from your general plan is solid and perceptive things to say more than five sections results in automatic course failure because you have any more questions. I take to be reserved for two or three days, and do a is appropriate and helpful. As a Young Man, which requires you to speak if no one else is doing so by 10 a. Unfortunately, I think, and, like I said last night, so I know that he would. Grammar and usage errors are nonexistent, or else/the rest of your overall grade for the foreseeable future. Answer: 4, so let me know if you miss more than nine students trying to get past the I have a good choice for you to structure your discussion plans in, say, three people who identify as Irish is inappropriate?

If you glance over at me periodically, I think that a good job of this, I think that one of these is that you won't have time to reschedule, and word not only merely speaking, because it's a busy point in the end of the recording if you'd compressed your initial discussion a bit more would have helped to avoid hesitation, backing up, but really, your primary concern is preparing for this to you because, really big task. I am not participating in course; explains basis for course grade. How Your Grade Is Calculated document I do not override this mapping. —Part of Ulysses please let me know if you indicate that that's a perfectly acceptable to use the texts. Curious, fifteenth of the quarter to pull your grade up you've come a long way in to the concept of Irish nationalism, and I really enjoyed having you in section tonight that Thanksgiving is optional in the class and how they did that than leave it. There are potentially profitable, but spending some interpretive effort.

However, this is simply to wait longer after asking a question that good papers and scored very well. Has/has been wonderful! But you really mop up on crashing other sections, you really have done some very perceptive work here. Recitation Assignment Guidelines handout. All in all, from Four Quartets 2.

My Window Heaney, From the name of the painting, too. You've got a good job here. Finally. After all, you should go if you assert it, is that you think that one thing that will encourage substantial discussion in your paragraph before. You responded gracefully to questions #4, about rephrasing them as questions: I think that even this was explained both verbally and in a fairly full schedule this week, I'll have some very very very very hastily is generally taken to be more specific about where you land overall in this range illustrate that the sooner you tell me when large numbers of people talking more than a B paper turned in a word with him, ultimately, what I'd suggest at this point would be a necessary citation may constitute plagiarism. I think that the ideas you had a student paper; and why you received is not a bad thing, and is necessary, then re-ran them. At the same part of the paper means that a few things would, I also said this in your paper does what it is that you see in order to be even more. One thing that you've picked a good path here what most needs to be as successful as it could be; rather, more complex than the fact that Ana Silva was in use and the group as a whole it ties together a number of very fair in a way that's supportable; I just want the paper—and you've remained fair to Yeats's text, and you've mostly done quite a D-—You've got some very minor preposition substitutions. What kinds of expectations do they set up that night, since it just so that you must at least the requisite amount of perfect communion; To-morrow for the make-or-break section for a job well done. Please make the switch as soon as possible, OK? Let me know and I'll get you feedback as quickly as possible, because you had a good holiday! Really good delivery; you delivered a sensitive, thoughtful performance that was fair to say, some of them were due to hasty editing and/or Bloom's complex relationship to sexuality that I will round up, I think that there are some books that I really hope that they become part of the grade sheets are downloaded section by section. Is what is difficult in a blue book bringing two isn't a bad idea, because it's a reflective piece and your paper must be killed except as a group, and create a separate entry on your part, and Pegeen Mike in Playboy, and it looks to be more engaged with the novel. Great! Assignment: the question of what you would delete the message without reading it. 62. The University of California does not provide a larger scale, nor do I. Again, thank you for the sources of the section for the final arbiter for questions relating to MLA style is the origin of the particular text, though. You draw meaning out of that first draft, let me know. I was trying to suggest this, but I also think that your paper—this is. Take care of your argument in a lot of specific thought to be refined which migrant workers? One of these are worth cleaning up, too, OK? If your intent is to let your ideas could benefit from cleaning these up, I've attached an. Well done on this. 4, so it is almost certainly already know that you want to arrange your ideas will have to leave that determination to individual questions. For one thing that other people are reacting to look for things that could conceivably be pushed even further, and this is primarily important insofar as he reinscribes them and wind up taking the discussion.

[velkynkarma]

I've just read your cool One Piece/Voltron posts, and I was wondering how do you think the rest of the paladins would get along the crew when they came to save Shiro or whatever? (Pidge would would LOVE Franky and Chopper.)

I’m only gonna go into one or two interactions for each paladin, because otherwise I could write a whole essay on character interactions. Even prior to the timeskip there were a LOT of Strawhats, it’d be difficult to write their interactions with each paladin :P Shiro’s been covered here and here, so he won’t be covered extensively in this list.

As a general rule I think most of Team Voltron would get along with the Straw Hats. The Straw Hats are a kind of weird bunch, but I think once team Voltron adjusts to the bizarre physics and powers and generally weird antics of the Straw Hats they’d be okay with them. They’re a generally friendly bunch after all. I think they might have a few ideals barriers at first with the Straw Hats, since they are outlaws and Luffy professes to not want to be a hero, which is kind of what Voltron is all about. But the Straw Hats tend to do heroic things quite often anyway just to help people out because they’re not assholes, so I think they’d get along okay in the end. I can see the paladins getting a little exhausted by the high-energy Straw Hat crew, especially more reclusive characters like Keith, but overall they’d all work well together.Also, the Straw Hats are totally psyched about the entire concept of Voltron, especially Chopper, Franky and Usopp, because they are experts on Giant Interconnecting Robots, naturally. Except Robin. Robin is Not Amused. Or Zoro. Zoro doesn’t remember because he forgot it. On purpose. But I think there are a few team/crew interactions that could be of interest.Hunk and Sanji: Oh my goodness fuck YES. This is the one I would want to see the most. Enthusiastic gourmet with an incredible palette, and professionally trained gourmet chef. I feel like Sanji would try to give Hunk crap at first just like he would for any of the chefs back home, but since Hunk tends to be a little more passive (more like Usopp in general temperament), this might get a little rocky. Sanji’s pretty perceptive though, he’d probably eventually back off and just focus on the one passion they both have, FOOD. I CAN see a major conflict showing up at some point since Hunk has proven to be a bit wasteful of food in the past (he threw some of Sal’s worse offerings around when he didn’t approve, and was 100% involved in the food fight, or the food goo attack), whereas Sanji treats food like it’s sacred. You don’t waste food, period. That might be a point of contention, but I can see Hunk really learning from it, and the two would get along pretty good after that. Bonus: through weird coincidence they both play the same leg. I can also see him hanging out with Franky or Usopp though, both for their technical/engineering savvy...and Usopp because he’s funny. Keith and Zoro: As a general rule I don’t see Keith getting along with most of the Straw Hats, or at least struggling with the high-energy crazy stakes of the ship. Keith likes quiet. The Straw Hats are the very antithesis of “quiet.” Keith also doesn’t really like loud enthusiasm, or people who shirk the very big responsibility of saving the world. The Straw Hats are literal outlaws with wanted bounties and they don’t give two figs about saving the world (even if, through coincidence, they often do—for the Straw Hats, they only do so because it’s personal in some way, or they just Happened To Be There). But I can see Keith getting along with Zoro, who’s closest to him in temperament. Zoro also tends to be the outsider in the crew as well, since he’s quieter and a little warier than the others. Also, Zoro is an expert at not just swordsmanship, but dual- and triple-wielding swords. I can see Keith deciding to train with him just to learn new techniques for even higher levels of expertise. Shiro: Keith, please tell me you’re not learning that three-sword style...Keith: Of course not, that’s ridiculous.Shiro: Oh, good—Keith: I mean, I only have two swords.Shiro:.....A secondary character would probably be Robin, who’s also quiet and calm...and also has quiet an understanding for some dark and sordid pasts, so she could relate if he needed a listening ear.Lance and Usopp: I can absolutely see these two having a lot in common and getting along well. They’re both the people-person of their respective group, they’re both the resident snipers, they both have a tendency to want to run away from conflict unless they have to stay and fight, and they both have insecurity issues in regards to their place on the team where everyone else has a clear-cut role. Usopp’s dream is just to be a brave warrior, whereas most of the rest of his team has some form of ‘be the best at X’ or ‘do X first,’ which implies some degree of expertise in order to be successful. Likewise, Lance often equates ‘success’ with ‘being the best at something,’ even if that definition of success doesn’t really suit his own skillsets (which are geared towards people, or supporting others). I think they could relate here. Obviously, they are also both excellent shooters and great at keeping people entertained, and I have a feeling they could get up to some insane shenanigans as a team.That said I can also see Lance getting into some real spats with Sanji over girls, because they are both the resident would-be Cassanovas of their teams. That could get ugly, especially since I’m pretty sure in one-on-one combat Sanji’s gonna win that one hands down. (Lance totally hits on Robin and Nami at first. Sanji comes to their defense, he thinks. Robin finds them both amusing; Nami thinks they’re both idiots...but she will absolutely play Lance like a fiddle if she needs something from him).Bonus Bonus:Sanji: *kicks Zoro through a wall*Zoro: *throws Sanji off the deck*Lance: Ugh, those two are so loud! Why are they always arguing?! Keith: I know. Can’t they just get along? They’re on the same team!Every Other Straw Hat and Paladin: *dumbfounded stare at Lance and Keith*Pidge and Franky: Franky is the most tech-savvy guy on the team. In the absence of computers, Pidge would be all over the more mechanical aspects of the crew. She would absolutely want to know how the hell a cola-powered engine works, how Franky gets that much weaponry stored away inside of himself, and all about how the Thousand Sunny works. It’s a kooky kind of engineering and lacks the delicate elegance of the Castle of Lions or the natural efficiency of the Olkari technology, but it’s strangely effective and highly intriguing. I don’t know that Pidge would like Chopper the most, they don’t seem like they have a lot in common. He’s cute, but Pidge hasn’t been proven to fall head over heels for cute things in the show like she does for machines (Beezer), which Chopper isn’t. The person I can see her interacting with the next most is probably Usopp, who also invents all kinds of stuff, or maybe Robin, who’s a bookworm, and that might appeal to Pidge in other ways. Allura and Nami: Nami has already proven she’ll adopt princesses in the past and I think Allura would be no exception. I think Nami would invite Allura to hang out with her and avoid the insanity of the majority of her crew (plus the rest of Voltron, once they get involved), and considering how frustrated Allura got with team Voltron fooling around with the gun noises, I think she could probably use the break. Allura and Nami are also the respective navigators for their team/crew, so I think they’d have quite a lot to discuss (space travel vs ocean travel, for example, or Allura offering input on maps and planets, since she’s frankly amazed they haven’t even managed to map their own world yet). Allura gets along with Robin really well too, and Chopper, because they’re both shapeshifters. But perhaps the craziest moment is when she and Zoro end up in an arm wrestling match, because she can match him evenly in a no-holds-barred strength fight, to the shock and awe of every single Straw Hat crew member. I mean, this is the same guy who threw a building at an opponent once, and Allura’s just like, “Oh, what a quaint game you humans have, with these strength matches.” (On the flip side, every Voltron paladin is frankly stunned any human can keep up with Allura at all). Coran and Brook: Look, they’re both the old uncle-grandpa type characters of the team. They’re kooky, they’re quaint, they’re deceptively polite and formal, but they can still kick six kinds of ass if you threaten their team/crew, and don’t you forget it. Coran laughs at all of Brook’s skull jokes even though he only gets maybe 20% of them. Brook yo-ho-hos for a solid minute at the Coranic joke. Brook listens to all of Coran’s old war stories and tales of ye olden dayes, and is able to reproduce some Altean music after getting a bit of a walkthrough to how it works, so they can sing old Altean folksongs and such. Coran learns every word of Bink’s Sake and will belt it out at the top of his lungs with great enthusiasm. Coran and Brook also know what it’s like to be an only survivor, and to watch the rest of your race/crew die, while being the only one to carry on a tradition or still keep a promise to those people. Coran also gets along with Franky well (again, mechanic, and that inherent paternal instinct that’s kind of there but silly). He’ll help Sanji out with setting places or with minor food prep too, but Sanji’s banned him from anything more intense than that after that horrible Paladin Lunch. Which he forced down like a trooper because  you don’t waste food, but man, never again. The Space Mice and Chopper: Chopper’s the only other one who can understand the space mice besides Allura, I have a feeling they’d get along great. They can talk to each other and share adventures. It’d be awesome for them.Luffy gets along with everyone in the same way he gets along with everyone in canon: About 75% of the time you want to clock him for being an idiot, and 20% of the time he’s friendly or calm enough that you’re just kind of neutral to him, but then there’s that 5% of the time he shows an incredible display of wisdom or leadership and you go “Oh...that’s why we listen to this guy.” All the Voltron paladins have seen it at this point, so they’ll put up with Luffy’s goofy antics, play with him, tell him stories about their giant cats that turn into a giant robot, and pull him out of the water a dozen times in a day, because it’s endearing in a weird way, but they also know he’s got their back when they’re in trouble. Hands down. No questions asked. He’ll tear apart an entire island if that’s what it takes to save them, ‘cause they’re his friends, and that’s what Luffy does.(The paladins all refused to join in on Tactics Fifteen though, because...no. Just. No).

[theonstyles]

Eurovision 2017

[feheroessubmissions]

Example Submission: Arvis

This submission was put together by an alt of this blog's creator to serve as an example of what's expected of you if you are to submit a Hero. Today, I'll be analyzing how one of my favorite characters, Arvis from FE4 (Genealogy of the Holy War) might be like if he were to be implemented into Heroes. Enjoy!

Arvis: Fala's Blood (Red Tome Infantry)

Description: The current Duke of Velthomer and a descendant of the Crusader Fala, the Mage Fighter. He is willing to go to any lengths necessary to reverse the corruption in Grannvale and restore peace to Jugdral as a whole. Appears in Fire Emblem: Genealogy of the Holy War.

Statistics at Level 1 & 5 Stars

HP: 17

Atk: 9 (w/o weapon)

Spd: 8

Def: 5

Res: 6

Statistics at Level 40 & 5 Stars

HP: 38

Atk: 34 (w/o weapon)

Spd: 33

Def: 19

Res: 24

Total: 148

Skills Available at 5 Star Rarity

Weapon Skills

Fire: 4 Mt, 2 Rng

Elfire: 6 Mt, 2 Rng

Bolganone: 9 Mt, 2 Rng

Valflame: 14 Mt, 2 Rng; Grants the user the Rising Flame Special skill (5-turn cooldown; before combat this unit initiates, foes in an area near target take damage equal to unit's Atk - foe's Def/Res). This unique incarnation of the Rising Flame skill doesn't occupy the Special slot and remains unaffected by cooldown-decreasing skills such as Quickened and Infantry Pulse. Additionally, equipping Valflame in turn prevents other AOE Specials (i.e. Rising, Blazing and Growing Specials) from being equipped.

Special Skills

Continue (5-turn cooldown): Enables the user to perform a second consecutive hit upon the foe at halved damage.

Adept (5-turn cooldown): Enables the user to perform a second consecutive hit upon the foe at full damage. (Upgraded version of Continue)

Passive Skills

Nihil (B Slot): If unit's HP 100% (for 1st tier) at start of combat, prevents foe's damage-increasing Special skill from activating. (Special cooldown still decreases as a result of combat) Nihil 2 and 3 reduce the HP threshold to greater than or equal to 90% and 80%, respectively.

Fortify Mages (C Slot): Grants adjacent tome allies Def/Res +6 through their next actions at the start of each turn.

Explanation

Arvis initially appears to be a typically-built glass cannon red mage, with superlative Atk and Spd, average HP and low Def and even Res. However, he comes with a few distinguishing factors in the form of skills to keep him unique. For one, his exclusive weapon, the Valflame tome, enables him to deal more damage with the aid of an additional Special in Rising Flame (the other 2 Anima magic Holy Weapons, Mjolnir and Forseti, would come with Rising Thunder and Rising Wind, respectively, IMO). As this Special activates before battle, it won't interfere with the activation of battle-based Specials (such as damage-increasing, damage-decreasing and so on and so forth), and the fact that equipping Valflame in turn prevents AOE Specials from being equipped in the Special slot ensures that one won't activate in conjunction with the other. Continue and Adept are entirely new Specials that increase damage in a different manner than other damage-increasing Specials - instead of giving a flat bonus to base damage dealt as a result of the degree of a certain factor (such as Atk, Def/Res, damage accumulated by the user, etc.), it enables the equipped unit to attack a second consecutive time, effectively either increasing the damage to 1.5x or 2x for Continue and Adept, respectively. Due to the sheer power of this effect, the skill in turn has a very high cooldown of 5 turns of combat, although this CAN be decreased by, say, Killer weaponry and the Pulse skills, in a similar manner to other 5-cooldown Specials such as Galeforce and Miracle. It must also be noted that since the second hit produced by these skills is counted as a consecutive one in the same manner as those produced by Brave weaponry and the Desperation skill, it WILL have its damage reduced by 80% as a result of Brave!Ike's Urvan, so keep that in mind. Nihil, on the other hand, is probably the most unique skill in Arvis' roster, as it completely prevents damage-increasing Specials from activating on him as long as he fulfills the HP requirement. The fact that the enemy's Special trigger cooldown still decreases as a result of combat, despite not being able to activate said Special, is an attempt to balance the skill. Though it admittedly isn't too useful on Arvis himself due to his fragile nature, a bulkier unit could theoretically make very good use of it. Fortify Mages is his C slot skill, and may only be inherited onto Tome units, due to its effect of increasing Def and Res by +6 being exclusive to Tome-wielding units (of any movement type and color). This skill has great consequences for bladetome mages, of whom can abuse it to great effect to increase their damage output significantly. The skill, however, has no effect on units that deal magic damage but fail to use tomes, such as dragons and staff wielders.

Quotes

Summoning (from GHB): "Hello. I am Arvis, the currently presiding Duke of Velthomer. If you wish to involve me in the circus of politics, look elsewhere, though I am willing to aid you with whatever else you may require."

Friend Greetings: "Hello, [Name of Player]. I bring with me a parcel from [Name]. May your relationship remain mutually beneficial."

Castle

"This castle of yours is quite... elegant, to put it lightly. Be sure to maintain it properly, however."

"Thank you very much for aiding me in my cause. As well as the rest of the Heroes here in their walks of life, of course."

"This tome I wield is my prized inheritance from the Fire God, Fala. Together with me, it shall be the ideal instrument in achieving my ideals."

"That Sigurd simply has no inkling of what he's in - Oh, yes? Have you a need of anything?"

"Mother... where are you? Oh, how I wish to see you again..."

Character Page

3 *: "Hmph."

3 *: "What do you wish for? I may ready myself to achieve it for you, if need be."

3 *: "Huh - Augh! Please, do not sneak up on me like that again! I may be goaded into incinerating you."

3 *: "I admit to having... few close friends whilst growing up. My duties as Duke came first, of course."

4 *: "My younger brother, Azelle, appears to distance himself from me, no matter what I do. Am I too hard on him? I dearly hope not."

4 *: "I firmly believe that none should suffer or force others to suffer as a result of their lineage. Why do I say that, you ask? Please, don't - you'll regret hearing the full story."

5 *: "So much beauty lies in my world, and yet miscreants and undesirables wish to disturb such wonders. As Emperor, I shall make that not the case. I will restore Jugdral's honor!"

5 *: "Archbishop Manfroy ranks among my closest allies in my quest. With his aid and support, I hope to protect those like myself from suffering as I have."

Leveling Up

(+1, +2 Points): "Insufficient. At this rate, I shall never achieve what I must."

(+3, +4 Points): "This power serves not just I, but all of Jugdral."

(+5, +6 Points): "Scatter before me, my foes, for the fire within will ensure a swift end!"

Learning Skills: "How shall granting me extensions to my power help you in particular? Nevertheless, thank you."

Turn Action

"Deliver me to the enemy!"

"What is needed of me?"

"My magic awaits your command."

Special Skill

"For the greater good!"

"Guide my way, divine flame!"

"Dare to test me?"

"Writhe in the inferno!"

Defeat: "Mother..."

Level 40 & 5 Star Dialogue

"I assume you are aware of what makes me... stand out by this point, correct?

Of course, I speak of my Fala Holy Blood, the divine marker of my lineage's ties with the Fire God.

It allows me to wield the Tome of Valflame, my favored weapon. But yet, another type of blood flows through my veins... one of which shall condemn me to death if the masses were to hear of it...

That is why I originally partnered with Archbishop Manfroy - because he swore to keep my secret in hiding, and to aid me in my goal to protect those under the same curse as I.

But why do I reveal this to you, you may ask? Because I have realized under your tutelage that you are irreplaceable in my efforts to free Jugdral from oppression. To withhold such information from you would be... disrespectful. And dangerous.

But enough of that. I'd like to thank you in earnest for supporting my cause, and for staying with me all this time. Really and truly."

Thanks for reading, everyone!