enchantedalexia

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SOMETIMES I FEEL LIKE EVERYBODY IS A SEXY BABY AND I’M A MONSTER ON THE HILL!!!!

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The only one who’s got enough of me to break my heart

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Moulin Rouge! dir. Baz Luhrmann | 2001

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taylor saying that 1989 is about moving to new york and embracing life with your friends never stops being funny. the main message of 1989 is That Early 20s Situationship Can And Will Kill You

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happy last monday stuck in an endless february to all who observe 🤍

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“Oh my gosh. I’m trying to remember. I’m really trying to remember when that first moment was right now, and I’m drawing a blank on the first moment. Like I remember the first time he said he was hanging out with her, and I remember just being like, ‘Are you kidding me? You’re hanging out with Taylor Swift, like that’s insane. That’s awesome for you, great.’ But you know, you meet a lot of people. I think this felt different, and I’m talking about Travis, and then what also felt different was just the way he talks about her, and talked about her from the moment he was with her. You could tell how much he really, really liked her, right from the get-go, and just first impressions. And I think that the level early on in that is something that was very eye opening to me.”

— Jason Kelce on The Steam Room on finding out Taylor and Travis were together (x)

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LEGALLY BLONDE ( 2001 ) dir. Robert Luketic

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she's a cold, calculating prude who takes herself too seriously and doesn't know how to take a joke. she's a loud, messy drunk who's an attention-seeker and parties too much and needs to learn to sit down and be respectful during award shows. she's a boy-crazy slut who dates a ton of guys just to write breakup songs about them. she's a frigid bitch who won't put out and her image is too squeaky clean. she doesn't take enough risks in her music and plays it too safe. this new album is too long and rambling and full of unfiltered thoughts and muses that make us uncomfortable and it's so honest it's cringe. she creates a victim narrative for herself to manipulate the public and her fans. she's a grown woman who's helpless and being controlled by her mean, money-hungry parents who see her as a meal ticket. she's an evil all-powerful billionaire. she's secretly gay but can't come out because she has no power of her own. she's too hot and skinny and perfect and she flaunts it too much. okay but who would want to lose the super bowl and then come home to clap that? oh that british guy she's been dating for years is so boring and a loser milquetoast nobody. oh they broke up? well it was obviously her fault and now she's going to use her album to spread lies and slander about him and the entire fandom must just hate him unfairly because he's an introvert. they could never make me hate you british guy! now she's dating an american football player so she ruined football. she's a raging feminist who wants to indoctrinate children and uses witchcraft. she's a do-nothing ineffectual liberal whose feminism isn't good enough actually and nothing she says or does will ever be enough to prove to us her political allegiances so we'll just have to keep periodically checking in every few months and accuse her of being a secret republican. she weaponizes her all-powerful fandom to block women from the charts because she's a jealous harpy who wants to cling to fading success. oh but the only reason her new album charted for so long is because obsessed crazy people streamed it, she doesn't have any power culturally. she's clingy and needy. she's a serial cheater. she's too powerful and overexposed and we're sick of seeing her win everything. okay but wasn't she actually such a vibe at the grammys? she knew she wasn't winning anything and was having a good time it was soooooo fun to watch!

"so tell me everything is not about me, but what if it is?"

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How to Lose a Guy in 10 Days (2003) dir. Donald Petrie

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TAYLOR SWIFT - Saturday Night Live [Season 35, 2009]

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hey (with the intention of teaching you how forever feels)

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Taylor Swift tipping the workers at the Grammys after party! (on February 2, 2025)

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“Her stadiums make my shows look like clubs. Watching her keep their attention as if she’s playing in their living room, it was like—and I told her this—Your tour enabled me to do mine.”

— Sabrina Carpenter to Vogue on opening for the Eras Tour (x)

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#REGULAR WEEKEND

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PRIDE AND PREJUDICE 2005 | dir. Joe Wright