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fourorfivemovements · 1 year ago
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Films Watched in 2023: 91. Halloween Ends (2022) - Dir. David Gordon Green
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rickchung · 11 months ago
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Bookie (prod. Chuck Lorre & Nick Bakay).
Max's gambling comedy series mines a lot of topical humour about low lives and sports betting in and around Los Angeles. Comedian Sebastian Maniscalco stars as the titular bookie who seems very much over his chosen profession, especially with the advent of legalized gambling. Each of his clients seems more unstable and comical disturbing than the last. It's a fun, simple premise with open-ended infinite possibilities while the show burns through its plot with tight efficiency.
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duranduratulsa · 1 day ago
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Up next on my Halloween 🎃 movie marathon...Halloween (2018) on amazing blu-ray! #movie #movies #horror #Halloween #halloween11 #johncarpenter #michaelmyers #theshape #lauriestrode #jamieleecurtis #andimatichak #jamesjudecourtney #dylanarnold #nickcastle #JudyGreer #WillPatton #halukbilginer #pjsoles #OmarJDorsey #jibrailnantambu #DIVATYLER #drewscheid #MichaelSmallwood #CarmelaMcNeal #milesrobbins #VirginiaGardner #rhianrees #JeffersonHall #meenopeluce #TobyHuss #vincemattis #2010s #bluray
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not1nmymovie · 1 year ago
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rookie-critic · 2 years ago
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Halloween Ends (2022, dir. David Gordon Green) - review by Rookie-Critic
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Slight Halloween Kills spoilers lie ahead:
Halloween Ends was, much like the other two entries in this massive misfire of a trilogy, greatly disappointing and underwhelming. I have never, in my life, seen a trilogy of films introduce so many neat, unique, and new ideas into a stagnant franchise just to constantly, without fail, not deliver on any of them. This cool new character is created for the second film, Halloween Kills, and literally retconned into the events of the original movie. Seems pretty important right? They wouldn't just make a character seem that integral and build them up to make a commentary about the nature of fight or flight and how important it is to face your fears only to just unceremoniously do away with them, right? RIGHT?! Wrong, this is the very nature of David Gordon Green's Halloween trilogy.
Similarly, a new character has been created for this new installment, as well. The entire opening sequence of the film revolves around this character, and it's interesting. They seemed to be building him up to do something refreshing with him and say something about Michael that, honestly, only Rob Zombie has ever dared to do. I allowed myself to believe that, finally, after three movies, this trilogy would actually try to do something interesting and unique, and yet again I was slapped across the face with the same boring, mundane slaughterfest this franchise has been plagued by since 1981's Halloween II (this, of course, excludes Halloween III: Season of the Witch, which is a massively underrated installment in the franchise that has absolutely nothing to do with Michael Myers and, really, I'm starting to wish it had gone down the anthology path as originally intended). Green and co-writer Danny McBride never hesitate to fast-pedal their way in the easiest direction, the path of least resistance. Michael shows up, Michael kills everything in sight, Michael moves on, rinse, repeat. It's just. So. Boring.
In all fairness, the cinematography and the acting are quite good (Jamie Lee Curtis never fails to impress), and John Carpenter's scores for all three films are fantastic, as always. Also, the climactic encounter at the film's end is massively entertaining, or at least it seemed that way in comparison to the rest of it. I'm just so tired of seeing this franchise fall prey to the highly unoriginal brutality porn and weak, lazy writing that we've gotten for a solid trilogy now. In response to Rob Zombie's 2007 remake of the original film, John Carpenter mentioned that the reason the remake didn't work (it did) was because Zombie tried to humanize Michael, he tried to give a reason for the madness, for the brutality. He posited that Michael (or "The Shape" as he is commonly referred to in the original film as well as Green's new trilogy) only works as an unstoppable force of nature. That explaining Michael only serves to strip him of the mystique that makes him so interesting. No offense to Mr. Carpenter, he is an incredibly talented director and one of the all-time greats, but that's bullshit. When you don't give Michael a reason for being, if he truly is just unstoppable, this whole operation crumbles under the weight of its own repetitiveness. That idea cannot sustain an entire trilogy, we just witnessed that fact. The idea that Michael is some supernatural force works for a single movie, it can add to the film's commentary about our fears of the unreasonable, the seemingly unreal, but past that it loses its appeal. The mystique dies around the twentieth time we see Michael unceremoniously stab a person that we weren't meant to care about in the first place.
All of that to say, while not nearly as wildly infuriating as Halloween Kills, Ends still manages to miss the mark and throw away the potential of something better, something more meaningful, and something worth watching. Laurie Strode deserves better, Michael Myers deserves better, and it is time for this franchise to, indeed, End.
Score: 4/10
Currently streaming on Peacock.
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movienized-com · 7 months ago
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Bookie
Bookie (Serie 2023) #SebastianManiscalco #OmarJDorsey #AndreaAnders #VanessaFerlito #JorgeGarcia #MaximSwinton Mehr auf:
Serie Jahr: 2023 (November) Genre: Comedy Hauptrollen: Sebastian Maniscalco, Omar J. Dorsey, Andrea Anders, Vanessa Ferlito, Jorge Garcia, Maxim Swinton, Bob Clendenin, C.S. Lee, Tara Holt, Christopher Bencomo, Beau Minniear, Selina Kaye, Danny Woodburn … Serienbeschreibung: Dem erfahrenen Buchmacher Danny (Sebastian Maniscalco) bereitet nicht nur die bevorstehende Legalisierung von…
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edsonjnovaes · 9 months ago
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Bookie: Charlie Sheen interpreta a si mesmo?!?
A imagem do bon vivant despreocupado que adora jogos de azar, uísque e charutos se sobrepunha à personalidade do astro na vida real. terra – 19 nov 2023 Sitcom foi incialmente estrelada por Charlie Sheen, Jon Cryer e Angus T. Jones. Warner Bros. Television A série Two and a Half Men está atualmente disponível no catálogo do HBO Max. No ar entre 2003 e 2015, a produção americana é uma criação de…
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thekylemeredith · 10 months ago
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I'll be hanging with Omar J. Dorsey on tonight's show to talk about Bookie, co-starring Sebastian Maniscalco and out now on Max.
You'll also hear Cocteau Twins, Air, The Smiths, Rage Against the Machine, Queens of the Stone Age, Matthew Sweet, Garbage, Enya, etc
6p ET on WFPK
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geekcavepodcast · 1 year ago
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Bookie Trailer
Bookie follows LA bookie Danny. As California leans towards legalizing sports gambling, Danny and his crew have to deal with their increasingly unstable clients to settle their debts, deal with his own risky bets, and adapt to a changing world.
Bookie is created, written, and produced by Chuck Lorre and Nick Bakay. The eight-episode series stars Sebastian Maniscalco, Omar J. Dorsey, Vanessa Ferlito, Jorge Garcia, Andrea Anders, and Maxim Swinton and guest stars Charlie Sheen.
Bookie premieres on Max on November 30, 2023.
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gameofthunder66 · 2 years ago
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-(finished) watchin' Season 1- 12/11/2022- 3 [1/2] stars- on Hulu (ABC)
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Big Sky (2020) - 1x04
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insanityclause · 7 months ago
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Deadline’s Contenders Television, the event where stars and showrunners talk up their shows ahead of Emmy voting, has unveiled its lineup.
The event kicks off on Saturday April 13 and runs through Sunday April 14 at the Directors Guild of America in LA. There will also be a virtual livestream of the event. Full details of the event and an RSVP link can be found here.
It will give you a sense of the hits of the last twelve months, as well as some shows that you’re about to be talking about, as the networks, studios and streamers vie for some awards love.
Stars attending include Tom Hiddleston, Nicole Kidman, Brie Larson, Kristen Wiig, Rebecca Ferguson, Lily Gladstone, David Oyelowo, Common, Jimmy Fallon, Giancarlo Esposito, Joey King, Andrea Riseborough, Sebastian Maniscalco, Bill Pullman, Kiefer Sutherland, Logan Lerman, Kelsey Grammer, Matt Bomer, Jonathan Bailey, Allison Williams, Maya Erskine, Nathan Fielder, Skeet Ulrich, Jeff Probst, Omar J. Dorsey, Harriet Dyer, Patrick Brammall, Sophia Di Martino, Sarayu Blue, Ji-young Yoo and Taylor Zakhar Perez.
Shows that will be featured across the two days include Parish, Masters of the Air, Lessons in Chemistry, The Morning Show, Silo, Palm Royale, The New Look, Survivor, Colin From Accounts, A Murder at the End of the World, True Detective: Night Country, We Were the Lucky Ones, Under the Bridge, Murdaugh Murders: The Movie, Loki, Alice & Jack, Genius: MLK/X, The Tonight Show Starring Jimmy Fallon, 3 Body Problem, Mr. Monk’s Last Case: A Monk Movie, Lawmen: Bass Reeves, Frasier, Mr. & Mrs. Smith, Fallout, Expats, Red, White & Royal Blue, Fellow Travelers, The Curse, The Caine Mutiny Court-Martial, Platonic and Bookie.
There will also be numerous top showrunners and exec producers including Chuck Lorre, David Benioff, D.B. Weiss, Alexander Woo, Benny Safdie, Graham Yost, Gary Goetzman, Lee Eisenberg, Abe Sylvia, Brit Marling, Zal Batmanglij, Gina Prince-Bythewood, Francesca Sloane, Lulu Wang, Sarah Schechter and Nicholas Stoller.
The studios, networks and streamers participating include AMC, Apple TV+, CBS, CBS Studios, FX, HBO and Max, Hulu, Lifetime, Marvel Studios and Disney+, Masterpiece on PBS, National Geographic, NBCUniversal, Netflix, Peacock, Paramount+, Prime Video, Showtime, Sony Pictures Television and Warner Bros. Television.
The event is sponsored by Apple TV+, Eyepetizer Eyewear and Final Draft + ScreenCraft in partnership with Four Seasons Resort Maui and 11 Ravens.
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Both Tom and Sophia will be there.
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rebeccalouisaferguson · 7 months ago
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Deadline’s Contenders Television, the event where stars and showrunners talk up their shows ahead of Emmy voting, has unveiled its panel lineup.
The event kicks off Saturday, April 13 and runs through Sunday, April 14 at the Directors Guild of America in Los Angeles. There will also be a virtual livestream. Full details and an RSVP link can be found here.
Contenders TV will give you a sense of the hits of the last 12 months, as well as some shows that you’re about to be talking about, as the networks, studios and streamers vie for some awards love.
tars scheduled to attend include Tom Hiddleston, Nicole Kidman, Brie Larson, Kristen Wiig, Rebecca Ferguson, Lily Gladstone, David Oyelowo, Common, Jimmy Fallon, Giancarlo Esposito, Joey King, Andrea Riseborough, Sebastian Maniscalco, Bill Pullman, Kiefer Sutherland, Logan Lerman, Kelsey Grammer, Matt Bomer, Jonathan Bailey, Allison Williams, Maya Erskine, Nathan Fielder, Skeet Ulrich, Jeff Probst, Omar J. Dorsey, Harriet Dyer, Patrick Brammall, Sophia Di Martino, Sarayu Blue, Ji-young Yoo and Taylor Zakhar Perez.
Shows that will be featured across the two days include Parish, Masters of the Air, Lessons in Chemistry, The Morning Show, Silo, Palm Royale, The New Look, Survivor, Colin From Accounts, A Murder at the End of the World, True Detective: Night Country, We Were the Lucky Ones, Under the Bridge, Murdaugh Murders: The Movie, Loki, Alice & Jack, Genius: MLK/X, The Tonight Show Starring Jimmy Fallon, 3 Body Problem, Mr. Monk’s Last Case: A Monk Movie, Lawmen: Bass Reeves, Frasier, Mr. & Mrs. Smith, Fallout, Expats, Red, White & Royal Blue, Fellow Travelers, The Curse, The Caine Mutiny Court-Martial, Platonic and Bookie.
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movies-to-add-to-your-tbw · 6 months ago
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Title: The Blind Side
Rating: PG-13
Director: John Lee Hancock
Cast: Sandra Bullock, Tim McGraw, Quinton Aaron, Jae Head, Lily Collins, Ray McKinnon, Kim Dickens, Adriane Lenox, Kathy Bates, Catherine Dyer, Andy Stahl, Tom Nowicki, Libby Whittemore, Brian Hollan, Melody Weintraub, Sharon Conley, Omar J. Dorsey
Release year: 2009
Genres: drama, history
Blurb: Homeless and traumatised Michael Oher becomes an all-American football player and first round NFL draft pick with the help of a caring woman and her family.
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duranduratulsa · 6 months ago
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Now showing on DuranDuranTulsa's Horror Show...Halloween Ends (2022) on amazing blu-ray! #movie #movies #horror #halloween #HalloweenEnds #halloween13 #johncarpenter #michaelmyers #theshape #lauriestrode #jamieleecurtis #andimatichak #jamesjudecourtney #RohanCampbell #KyleRichards #nickcastle #WillPatton #micheledawson #DIVATYLER #jaxongoldenberg #OmarJDorsey #MichaelOLeary #jibrailnantambu #bluray #2020s #durandurantulsa #durandurantulsashorrorshow
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legion1227 · 10 months ago
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72 Shows Watched in 2023: Ranked!
72. Titans (Season 4)- 2/5.
As someone who genuinely enjoyed the first two seasons, the fall-off was immensely disappointing. Season 3 was disappointing, but I'm more infuriated with season 4. I did not like the setup or payoff with Trigon, Brother Blood, and any other antagonists this season, or Superboy's character arc. A disappointing, dull slog the entire way through.
71. The Witcher (Season 3)- 2.5/5
I thought the third season started fine. Henry Cavill as Geralt will always be iconic. The rest of the cast, characters like Yennefer, Ciri, and Jaskier are compelling when onscreen but the others feel unmemorable. Episode 5, which focused on Geralt and Yen in the ballroom, was possibly the best episode of the season. But the last three episodes were forgettable enough to bring down my overall enjoyment. I shudder at how Liam Hemsworth will be next season or just how the next season will be. Period.
70. Bupkis- 2.5/5.
Bupkis is a comedy on Peacock, starring Pete Davidson as himself in a slightly more extreme version of his life. It also stars Edie Falco, notable for playing Carmella in The Sopranos and Jackie in Nurse Jackie, as his mother, and Joe Pesci, of Goodfellas and Home Alone fame, as his grandfather. The star power is grand but the jokes are light. There are some engaging stories told from episode to episode, but as a comedy, it could strive to be better. Reel back on your celebrity guests and write stronger jokes for the second season please, Pete.
69. Bel-Air- (Season 2) 3/5
Also on Peacock, the dramatized version of the classic, beloved sitcom, The Fresh Prince of Bel-Air. In comparison to season 1, I think it's a bit of a step-down. The actors chosen to portray the iconic characters and add a new spin on them are finely picked and perform solid performances. But the storylines for each character are...eh. Like, Carlton struggles with an addiction to coke for the season and it doesn't feel the most engaging. The character dynamics are enough to elevate it slightly, but it's still just an okay season.
68. Kaleidoscope- 3/5
Kaleidoscope is a Netflix show that spans over 24 years, where a crew of bandits try to steal billions. Part of the appeal of the show is that you can watch the show in any order you want. It's a neat gimmick to tell a linear story, but the story being told could be better. Giancarlo Esposito, known as Gus Fring in Breaking Bad and Better Call Saul, does well in a role that separates him from the villainous roles he's taken over the past decade. Every other actor and character could stand to be better. I'd like to see another show try this gimmick again, but...in a more intriguing manner.
67. Secret Invasion- 3/5
Personally, I don't find the show to be as horrendous as others attest, but it is easily the weakest MCU show to grace the small screen. Wondering which character may or may not be human or a Skrull was fun, the fight scenes are okay, and Samuel L Jackson is always a delight as Nick Fury. But the political drama they strived for here is uninspired. And the show downright looks ugly at times in comparison to far prettier shows like WandaVision or Loki. Rest in Peace to Maria Hill and Talos for having to die in such a mid show.
66. Bookie- 3/5
Bookie is an HBO Max original starring stand up comedian Sebastian Maniscalco as a veteran sports bookie trying to live his life and keep track of the various clients he has that make sports bets in Los Angeles. The premise itself holds some promise, and the characters are mostly likable. Its comedy is similar to Maniscalco's stand-up but still feels light on the laughter. Maniscalco and Omar Dorsey's characters carry the show enough to cross a threshold into becoming okay. It reminds me a little of Bupkis, but better.
65. Willow- 3/5
Willow is a continuation of the movie of the same name released back in 1988. The actor who played the titular Willow over 30+ years ago reprised his role once more as a powerful sorcerer who encounters a young group of heroes who embark on a dangerous quest. While the movie reminded me of The Neverending Story with its tone, the show does the same, more or less. The action scenes and cast were perfectly okay, sorta carrying itself on a cheesy, endearing vibe that you either rock with or don't. What's most egregious is how the show was wiped away Disney+ canceled and wiped from their platform, making it impossible to view via legal means.
64. Camp Lazlo- 3/5
Camp Lazlo was a show that used to air on Cartoon Network from 2005 to 2008. I used to watch it as a child then and rewatched it in its entirety for the first time in years. The series follows anthropomorphic spider monkey Lazlo and his bunkmates albino rhino Clam and elephant Raj as they look for fun times at Camp Kidney. It's a goofy, fine TV show that I think kids nowadays would get a kick out of, but there are better shows from that time to indulge in. The characters teeter from being likable to annoying from episode to episode, the character design is fine, and the comedy is lowbrow. It's not offensive in any way, but I'm a little disappointed since I liked this show a lot more as a kid than now. For me, it doesn't hold up too much.
63. The Last Kingdom (Seasons 3-5) 3/5
For 5 seasons, The Last Kingdom followed Uhtred of Bamburgh in the Medieval Age fighting mighty European armies and leading armies himself as a powerful warrior who's grown into his own. The first two seasons, viewed in the tail-end of 2022, were possibly the best seasons. Alexander Dreymon's performance as Uhtred was fine throughout, but not as gripping as I would hope. The same principle applies to every character introduced in the past three seasons after season two. A fine story is told throughout, but the best aspect has to be the action scenes. As disinterest took over towards the final season, I take solace that the movie that followed, Seven Kings Must Die, was really good and a great sendoff to Uhtred.
62. Dave (Season 3)- 3/5
Maybe Dave is the slightly better version of Bupkis than Bookie was. Dave stars David Burd, also known as Lil Dicky, as an extreme version of himself looking to boost his rap career. The latest season was a slight step down from season 2. It's always relied on gross-out humor, but it was too much this season. This season was a huge mixed bag with some good episodes and some that were average. Certain characters could use more fleshing out, like his friends, Elz, or Mike. More of that instead of flexing the cameos like Drake or Rick Ross would bring the show up a bit more. Though, to be fair, Brad Pitt in his episode was pretty entertaining.
61. Ahsoka- 3/5
Former Jedi knight Ahsoka Tano seeks to prevent the return of the Empire as she investigates and traverses the galaxy. I wanted to like this more than I did. I loved Ahsoka in the Clone Wars show and enjoyed Rosario's performance in the handful of episodes she appeared in Mandalorian and Book of Boba Fett. And while Rosario is decent as Ahsoka here, the rest of the cast fails to thrill me. Ahsoka seems like the kind of show that someone would enjoy if you watched the animated show Star Wars: Rebels because it would help make you care more about the characters. Unfortunately, I did not do that so it doesn't help. All I will really remember from this show is the appearances of Hayden Christensen's Anakin Skywalker.
60. Black Mirror (Season 6)- 3/5
The anthology show pushed out 5 episodes this season, and about 3 of them were good. Loch Henry was an uninteresting episode until the final ten minutes, and Mazey Day was the worst episode of the bunch easily. However, the performances and premises of the other three episodes were enough to bring the show as high as it did for me. If you're looking for a random standalone episode that's either entertainingly perplexing, pleasantly thought-provoking, or thrillingly cataclysmic, check out the episodes Joan is Awful, Demon 79, and Beyond the Sea.
59. Doom Patrol (Season 4)- 3/5
Originally a DC Universe Original before becoming an HBO Max original, Doom Patrol was a spinoff of the Titans show about an unlikely group of superheroes with depressing backstories saving the world. This final season really cemented itself that this particular brand of bizarreness, while engaging, was not necessarily for me. The first season was always my favorite, with Alan Tudyk as Mr. Nobody being an excellent foil to the group, but the proceeding seasons never met the same level of love for me as the first. The characters are likable, their arcs are well written, and there's a beautiful sendoff to the cast, but it has a unique sense of weirdness that, while I do admire it, doesn't resonate with me as much as it might for others.
58. AEW All Acess- 3.5/5
The second biggest professional wrestling promotion in America, AEW, showcased a reality show that gave viewers a glimpse into the backstage antics and lives of wrestlers. I'm not big on reality shows, but I love AEW and the wrestlers who work for the company as well. It was an intriguing peak behind the curtain but to an extent for a reality show such as this. Certain elements of drama feel corny as it's somewhat scripted for a "reality" show, there's only so much you can show. And with AEW battling real dramatic bits, like CM Punk fighting people backstage, it feels underwhelming what they show instead. Though, it's understandable they can't show or talk about those instances due to legal issues. Regardless, AEW All Access if a fine product for AEW and reality tv show fans, if there's a correlation.
57. Righteous Gemstones (Season 3)- 3.5/5
The HBO Max show follows the Gemstone family, a bunch of Christian televangelists running their church in the wake of the patriarch Eli's wife's death. The third and latest season is as consistent as the first two seasons. The performances and chemistry of the children, Judy, Kelvin, and Jesse, are a joy to watch. The entire cast is fun with their obscene humor leading to chuckle-inducing jokes. The Gemstones have heart that makes them so endearing.
56. Dexter (Seasons 5-7)
In a long-lasting endeavor to enjoy the original seasons before finally getting around to New Blood, the misadventures of blood-splatter analyst Dexter Morgan bled into 2023. The best seasons, 1-4, were watched in 2022, and this year, 5-7 were enjoyed. The fifth season was a step down from the first four, but the introduction of the character Lumen and Dexter's handling of his grief after losing someone dear to him made for still compelling television. The seventh season was on par with the fifth thanks to a compelling character in Isaak and Maria Laguerta's role. The sixth season is what brings the show down, as the antagonists are underwhelming against the many that came before.
55. Ned's Declassified School Survival Guide 3.5/5
Ned's Declassified was another kid's show I watched growing up that aired three seasons from 2004 to 2007. The show followed middle schooler Ned Bigby and his best friends Moze and Cookie as they tried navigating through middle school, looking to survive. I'm unsure what most kids are like these days, but I'd like to think that this would be something that kids approaching middle school would enjoy. The show became more interesting as seasons went on, the romance aspects were somewhat intriguing, and the wacky supporting characters were mostly likable. The tips and lessons could still apply to kids looking for a guide today. Kids might get a kick out of this today, but should probably stay away from the weird podcast about the show. They really don't need to hear stories about Moze's actor blowing all the other guys on set or whatever.
54. Star Wars: Visions (Season 2)- 3.5/5
The animated anthology series provided a new season with new stories to tell. The animation across the board is gorgeous. Story-wise, the most engaging episodes involve a former Sith and the one where a bunch of people are stuck in a pit they built for the empire. Not every episode is as interesting as those two, but there are neat ideas explored in each episode that one might not see in a star wars show or movie anytime soon.
53. Only Murders In The Building (Seasons 1-2)- 3.5/5
As season three of the acclaimed murder mystery dramedy released this year, I found the time to check out the first two seasons before the year ended. Watching Selena Gomez, Martin Short, and Steve Martin work off one another and try to figure out back to back murders is highly entertaining as their chemistry is off the charts. The special guest stars like Tina Fey or Nathan Lane have helped bring the show as high as it is and it should be commended.
52. Narcos (Seasons 1-2)- 3.5/5
The first two seasons that detail the rise and fall of notorious crime lord Pablo Escobar are as good as they are due in part to the powerful performance by Wagner Moura as the drug kingpin. There were some solid performances throughout the show, but no one gripped me as much as him. (Bit of a spoiler coming here...) When Pablo died at the end of season two, there was little incentive to watch season 3 for me. Others may find this more enjoyable than me, but I recognize that this is a solid, well-made show.
51. Ted Lasso (Seasons 1-3)- 3.5/5
Ted Lasso was a great show for the first two seasons before the quality of season 3 brought it down. Some character arcs with characters like Keely didn't satisfy me. The show's decision to make the episodes an hour long brought the quality down immensely. If season three didn't make such boneheaded choices in its last season, the feel-good comedy would rank higher for me.
50. South Park (Season 26)- 3.5/5
the raunchy, foul-mouthed sitcom still can push out gems, but I miss the old seasons when they were much longer. The latest season pushed out 6 episodes, and while none were bad, if there were at least a few more episodes, the latest season would've been almost great. Two standout episodes for me involve the conspiracy around Japanese toilets, and the episode written by AI like Chat GPT. Nothing as hilarious as previous iconic episodes, but the topics and creativity was sublime still.
49. Disenchantment (Season 5)- 3.5/5
Created by Matt Groening, the same genius mind behind the Simpsons and Futurama, Disenchantment is an animated fantasy series that takes place in a medieval land, following the main characters of Princess Tiabeanie, her elf companion Elfo, and demon buddy Luci. The fifth season was its last, bidding farewell to the zany cast and its colorful multitude of a supporting cast. An underrated show that deserves viewing.
48. Scrubs (Seasons 5-8)- 3.5/5
The classic sitcom about medical students turned doctors peaked with its first 5 seasons. The stories, premises, and character development would not reach the same heights in seasons 6 to 8. Some jokes are funny but don't land as hard for me as they did upon my first viewing as a preteen. Rest in Peace to Sam Lloyd, who played possibly the funniest character on the show and my favorite, Ted. He encapsulated a depressing lawyer swimmingly.
47. Bobobo-bobo-bobo- 3.5/5
Bobobo-bobo-bobo was like a fever dream that I never stopped thinking about as a kid. The bizarre anime about the man Bobobo-bobo-bobo fighting enemies with his nose hairs used to air on Cartoon Network during its Toonami block back in the 2000s. After obtaining a blu-ray disc some time ago, I finally got to watching. It's rapid pace with jokes, insane characters, and wild visual gags wormed it's way into my heart. If I were to let bias get in the way, this would be in my top ten. But not every joke in this comedy lands. I still love this show to pieces tho and wish they'd bring it back.
46. Twisted Metal- 3.5/5
This adaptation of the racing game was the most fun show Peacock produced this year that I watched. The cast is enjoyable with Anthony Mackie and Stephanie Beatriz anchoring the show for its duration, but it's AEW wrestler Samoa Joe as Sweet Tooth, while Will Arnett provides the voice of the same character, that capture a special magic. The action scenes could stand to be more thrilling, but the stories and character interactions help elevate the show to be a blast.
45. Kung Fu Panda: The Dragon Knight (Seasons 2-3)- 3.5/5
This Netflix series about the dragon warrior Po was well-made. Jack Black reprising his role as the titular panda was incredibly welcome as he's the best part of the show. Joining Po are an interesting cast of characters that accompany him on a grand journey. Everything from the action scenes and set pieces to somber character moments were perfectly solid. Another fine show for kids or fans of the Kung Fu Panda series to hold you down while waiting for Kung Fu Panda 4.
44. The Mandalorian (Season 3)- 3.5/5
The latest escapades of Din Djarin and Grogu this season were entertaining, but not as much as previous endeavors in seasons 1 or 2 clearly. The decision to have Din and Grogu separate in the season 2 finale and reunite in another show was a poor choice, robbing this show of a gripping emotional return way too soon. But, the action scenes were still decent, the cameos of the likes of Jack Black and Lizzo were cute and harmless, and Bo Katan's arc helped to make the season at least somewhat compelling.
43. I Am Groot (Season 2)- 3.5/5
Baby Groot is adorable. Five short episodes show baby Groot getting into little shenanigans. My personal favorite involves the one where The Watcher gets stressed watching Groot dick around and get into danger. If you're looking for something really cute and wholesome, I Am Groot would make for a fine 20 minute burst.
42. Whose Line Is It Anyway? (Seasons 8-10)- 3.5/5
It doesn't matter how much time passes or how old improv legends Colin Mochrie, Ryan Stiles or Wayne Brady get, they have not missed any beats. The CW version of the show is not as good as the original, due to its over reliance on repeated games or unfunny special guests, but the performers themselves are comedic geniuses that I love wholeheartedly. The latest seasons on HBO Max have had them trying different games and breaking from tradition and its for the best. One of my favorite comfort viewings.
41. Wrestlers- 3.5/5
Wrestlers is a documentary that follows former WWE wrestler Al Snow trying to keep his wrestling promotion Ohio Valley Wrestling alive. The series focuses on Al, the various wrestlers and workers that he employ as he books his shows week to week, and outside forces looking to work with OVW. Getting to know the wrestlers behind their over-the-top personal and see the struggles of a wrestling promotion nowhere near as big as WWE or AEW was fascinating.
40. Vikings: Valhalla (Season 2)- 3.5/5
Based in the Viking age, the main characters of Leif Erikson, Freydis and Harald remain the most compelling characters in their show. I wish I could say as much for other aspects. The season was a step-down from season 1, but the emotional story beats and cinematography are decent enough aspects to rate it as high as it is for me.
39. Demon Slayer (Season 3)- 3.5/5
The latest season of the hit anime Demon Slayer was fun, but like many other shows on this list, the season to come beforehand...I simply enjoyed more. Mitsuri was an intriguing Hashira to know, and Villains this season were solid. But the lack of presence of other characters like Inosuke are felt and the emotional beats don't work as well as the previous season. But the season finale was stellar enough to bring the season up quite a bit at least.
38. Insecure (Seasons 4-5)- 3.5/5
Insecure remained consistently good throughout its 5 season run. Issa Rae was a great lead for the show as she and her character were extremely likable. The humorous series had a fine cast, but her friend Kelli had to be my favorite as she was seemingly the funniest of the bunch.
37. Food Wars (Season 5)- 3.5/5
The final season to this over-the-top nontraditional battle Shonen anime was a serviceable sendoff to the endearing cast of zany teens. The cooking show anime aired on Toonami this year and as it wrapped up, I felt sad to see it go as I've enjoyed the wackiness many characters provided. But the last episode was a decent sendoff as well. Though not as good as seasons beforehand, Food Wars fifth season is still a treat.
36. Star Wars: The Bad Batch (Season 2)- 3.5/5
The sophomore season of this animated star wars show was as entertaining as its first. Shoutout to Dee Bradley Baker for voicing five different clones and bringing nuance to each character. A ragtag group of clone troopers on their adventures was exciting at times and the season finale was perhaps the best episode of the batch.
35. Total Drama- 3.5/5
Another show from my childhood thats sometimes a gem and sometimes infuriating. Its first three seasons harbored a good sense of humor and a truly sublime cast of animated characters. It was peak. Unfortunately, the following seasons failed to live up to the standards in character work and pacing, among many other issues. However, the season titled The Ridonculous Race, was great enough to bring the show back up. I haven't seen the latest season yet, but the best seasons of this show are worth checking out.
34. Harley Quinn (Season 4)- 4/5
A great season for the books even if it didn't live up the spectacle of its third season. The animation remains solid and the first half of the show was strong. With Bane still hilarious and Harley and Poison Ivy's respective character arcs that focus on their individuality being as entertaining as they were, there's still a lot to like from this season. Even if it lacks in other departments, like, not enough Clayface.
33. Big Nate (Season 2)- 4/5
Huge bias here, but I used to read the Big Nate Books as a kid and I have a huge soft spot for them which applies to this show. The animation is solid, there's a good sense of humor, and the core cast of kids are incredibly likable. If you're looking for 6th grade kid shenanigans that's bound to.make you chuckle, pleas support the show on Paramount Plus so it gets dozens of seasons.
32. My Hero Academia (Season 6)- 4/5
The latest season of teenage superheroes in training focused on two arcs for 20+ episodes. The first arc saw an all out war between numerous heroes and Villains while the second arc saw our main character, Deku, enter an Era of self-doubt and edginess after the events of the first arc. The second arc would've been better if it had more time dedicated to it, but the turns, twists, action scenes, and revelations of the first arc are enough to elevate this season to greatness.
31. Gen V- 4/5
This spinoff of The Boys was a slightly better series that focused on school kids with superpowers than My Hero. It's still got The Boys charm with its signature violence and gore with characters intriguing enough to keep you hooked. Gen V is a great addition to The Boys universe that warrants attention.
30. Avenue 5 (Season 2)- 4/5
An underrated sitcom following a space captain, his employees and crew, and hundreds of passengers on a space cruise trying to.make their way back home. The cast was stellar, the jokes were hilarious, the premise was engaging, and yet it STILL got canceled and I'll forever be mad about that.
29. Blackish (Seasons 1-3)- 4/5
The family sitcom about the Johnson family has picked up for me lately on my first viewing. The first episode and some to follow in season 1 were a bit rocky as the show was finding its footing. But with Seasons 2 and 3 so far, it's proven to be especially funny with a talented cast and thoughtful messaging.
28. Codename: Kids Next Door (Seasons 1-3)- 4/5
Yet another show from my childhood I've been in the midst of rewatching! The Kids Next Door follows children acting as secret agents that fight against teenagers and adults of all sorts. This classic cartoon would fit so well with an audience today, I'd like to think. With an endearing core cast and a truly fun rogues gallery they face off with in episode to episode, I've started realizing how much influence something like this had on me growing up, I love this show.
27. Six Feet Under (Season 1)- 4/5
One of HBO's classic shows has recently come under my radar for the first time, and while it's a bit slow at times to my liking, it's proving to be a unique watch. It's takes on the passings of every day people coupled with a talented cast and stunning cinematography are leaving me to wonder how this show will fare upon progressing into the next few seasons.
26. Wu Tang: An American Saga (Season 3)
For three seasons, Wu Tang followed the rise of Hip Hops most decorated rap group. It's final season was a superb and contemplative sendoff to some of the greatest MCs to grab a mic. Some episodes and storybits were a bit rushed or dramatized needlessly, but the allegorical episodes were incredibly creative sometimes balances out. An underrated gem of a show, in my opinion.
25. One Piece (Live Action)- 4/5
One of the most faithful adaptations of the source material I've seen and I couldn't be happier. The outrageous characters from the anime and Manga look as wild as they do in live action, the set pieces are mesmerizing, and the performances of the Strawhat crew are special. I'm eagerly awaiting season 2 to see how they adapt what comes next.
24. Archer (Season 14)- 4/5
Despite the addition of a new character to the long running sitcoms final season, they didn't stray focus from its core cast of operatives we've gotten to know and love since 2009. Despite wavering in seasons prior, the writing here was on point, the performances did not miss a beat, and the final season was a wonderful send-off to these ragtag of oddballs.
23. Eric Andre Show (Season 6)- 4/5
Hannibal Burress' lack of presence is felt, but the chaotic nature of the show never left and I love that for it. Whether insane bits on the street or at the studio, Eric Andre has still found ways to psychologically confuse and torture strangers and celebrities alike in a manner that still makes my stomach hurt from laughter and absurdities.
22. My Adventures With Superman- 4/5
This take on the beginnings of Clark Kent's journey as Superman was a fun time. Its animation is pleasing to the eye, Clark and Lois Lane's relationship is incredibly endearing and wholesome at times, and the villains introduced are decent foils to Superman.
21. Futurama (season 11)- 4/5
After being canceled and brought back for the umpteenth time, seeing the Futurama cast return again after about a decade (not including that one Simpsons crossover episode from a few years ago) was so welcome. The show tackled more modern topics like Bitcoin and the COVID pandemic to varying degrees of success. Bringing back the entire original cast and still being able to provide solid entertainment is comforting.
20. Superstore- 4/5
Indulging in the entirety of Superstore, the sitcom about employees working in a giant Walmart-esque retail building, for the first time was intriguing. The first season felt too reminiscent of The Office in characters, but as the seasons progressed it slowly started to morph into its own thing. As characters found their own personalities, the show increasingly became more and more hilarious, even with its final season filmed during peak pandemic lockdown.
19. Loki (Season 2)- 4/5
An improvement upon the first season by a margin. Adding Key Huy Quan and Rafael Casal to the cast this season was an excellent choice. The rest of the cast was equally superb, but it's Tom Hiddleston as Loki completing his transformation from a god of mischief to a selfless god was perfect. The finale to the season was bittersweet but also perhaps the best episode of a Disney MCU show so far.
18. Atlanta (Season 4)- 4/5
Donald Glover's experimental series starring himself, Zazie Beets, Brian Tyree Henry, and LaKeith Stanfield, provided possibly the best season of the show. I feel there could've been an opportunity to bring back people from the previous seasons at some point this season, but the episodes this season were pretty remarkable. The final episode leaves one to wonder about the status of our characters but not in a doom-and-gloom manner which I can rock with.
17. Baki Hanma (Season 2)- 4/5
Not since Jojo's Bizarre Adventure have I seen an action anime so ridiculous thrill me almost entirely from start to end. Baki Hanma is a well-crafted, better-written show than its previous series simply titled 'Baki.' Two arcs focus on a prehistoric caveman thawing out of the ice and the world's greatest fighters try to defeat it. While the second arc has our main character try and combat his ultra-powerful dad in a fight that's been built up for years. Both arcs were over-the-top peak that warrant viewing if you live for that nature.
16. Blindspotting (Season 2)- 4/5
The sequel series to the film of the same name is just as great as the film itself. Jasmine Cephas Jones as Ashley, who initially harbored a small role in the film, is good as the lead for the show. Her various family members and friends either helped her or overwhelmed her in ways that made for intriguing television. Combined with fun usage of cameos from rappers and riveting musical sequences, you have another show that gets canceled way to soon and pisses me OFF.
15. Rick and Morty (Season 7)- 4/5
Upon giving co-creator and creep Justin Roiland the boot, the team behind Rick and Morty managed to deliver a quality season up there with some of their best. The new voices for Rick and Morty that replaced Roiland have nestled nicely into the role, and after delivering one of the greatest episodes in the series in 'Unmortricken' any anxieties about the quality of Rick and Morty have been quelled for the future of the show.
14. Jujitsu Kaisen (Season 2)- 4/5
The first few episodes focused on the backstory of a few crucial characters years ago, and while they were sufficient, the meat of the season lies within the Shibuya Incident. As good and evil fight across the city of Shibuya and the bodies pile sky high, JJK has crafted an unforgettable second season with stakes high and memorable moments galore.
13. One Piece (Wano Arc)- 4/5
As the One Piece anime wraps up its longest story arc to date, looking back it's clear to see that the legendary scenes will pang throughout the echoes of time. Despite shit pacing, as One Piece is known to have, it gave us moments of Luffy attaining the Gear 5 form, his jaw-dropping fight with Kaido, and entertaining fights between the Strawhats and the rest of Kaido's crew. Thank god it's over though, and we can finally prepare for the next island Luffy and the Strawhats head toward.
12. Scott Pilgrim Takes Off- 4/5
I think I like this more than the movie, even though it's been years since I last saw the film. But Scott Pilgrim Takes Off took Scott's friends, Ramona's exes, and plenty of other characters with varying degrees of screen time in the movie, amplified it in the show, and made everyone INCREDIBLY likable. With awesome fight scenes and delightful characters, the show has become a must-see for animation fans.
11. The Bear (Seasons 1-2)- 4/5
Who knew how anxiety-inducing a show about a young chef running a restaurant with a hectic kitchen staff could be. The groundwork laid in season 1 elevated season 2 to excellency. The cast is fascinating, and the episodes that involve characters running around frantically, desperately trying to tie shit together have lead to the best episodes on television this year. If you watch one episode from this show, please watch the episode titled 'Fishes.'
10. Adventure Time: Fionna and Cake- 4/5
The spinoff and continuation from yet another Cartoon Network classic is at least on par with the original Adventure Time. Taking the fictional characters of Fionna and Cake and expounding upon them to make them their own fleshed-out characters is amazing. The blossoming relationship of Gary and Marshall was sweet and Simon's existential crisis was heart-wrenching. Eagerly awaiting it's next season.
9. Orange Is The New Black (Seasons 1-3)- 4/5
As I'm currently on my first viewing of this show, as of this writing, I can see how this show about women in prison put Netflix on the map for their original programming. Our leads slow descent into morally questionable behavior is as compelling as every surrounding story with her fellow inmates. The final minutes of the season three finale were powerful imagery for the inmates. And as the depressing dramedy continues forward, I cannot wait to see how the rest of the show shapes.
8. Succession (Seasons 1-4)- 4/5
After binging all four seasons this year, Succession is the closest show I've seen to poetry in motion. The inner dynamics of these deeply disturbed members of the Roy family as they backstab, connive, and try to destroy one another just to reach a comfortable seat of power made for devastating television. I only wish there was one more season to spend more time with the cast.
7. Dragon Ball Z- 4/5
This is the last show on this list that was something I watched as a kid, I promise. The iconic Shonen action show is my favorite anime of all time, but I tried not to let some of personal bias cloud some of my judgment. It's the grandfather of all action anime for a reason, and what prevents it from being my number one is that I believe some of the following shows are just a liiiiiiittle bit more tightly written.
6. The Last Of Us- 4.5/5
Pedro Pascal and Bella Ramsey managed to put on performances as stellar as the voice actors in the game, it's wild. I thought the adaptation was amazing, with sublime performances across the board, a decent pace, and an exploration of character depth unseen in the game with characters like Bill and Frank. It might've been a little light on zombies this season which I hope they rectify in the future.
5. Castlevania Nocturne- 4.5/5
As someone who adored the previous Castlevania anime series, this season had some big shoes to fill. For the first season, they knocked it out of the park. The animation is more gorgeous than ever, the new characters introduced in this spinoff are intriguing, and they laid superb groundwork for the following season.
4. It's Always Sunny In Philadelphia (Season 16)- 4.5/5
Clearly, the best season that this gang of scumbags has put out in years. The entire season saw the gang at their dumbest which lead to hilarious setups and instant classics in its legacy. While all 5 characters were at their best this season, I want to highlight Danny Devito in Frank Vs Russia and Glenn Howerton in The Gang Goes Bowling and Dennis Takes a Mental Health Day as some of the best comedic chops they've almost ever had. I died laughing so much this season.
3. Primal (Seasons 1-2)- 4.5/5
The story about a caveman and a dinosaur going on adventures and was surprisingly...peak. The storytelling despite minimal to no words being spoken is immaculate, and when the first words were dropped I almost lost my shit. The first season was great, but the second season helped elevate the entirety of the show. It's cliff hangers are jaw-dropping, the arcs in season 2 were grand in scale, and the Primal Theory was perhaps the best episode of the whole show. I wish I watched this sooner.
2. What We Do In The Shadows (Season 5)- 4.5/5
The only show to make me laugh just as much, possibly just a little bit more, than It's Always Sunny In Philadelphia is the show about Vampires in Staten Island of course. Guillermo's season long arc of vampirism came to a satisfying conclusion and the rest of the cast were on point, especially my personal favorite character: Lazlo. The cast were on point, and the comedic chops were strong, I just hope it's final season is at least as strong as this season was.
Barry (Season 4)- 5/5.
The 4th season of Barry was excellent. Barry the character and Barry the show has been immortalized with the events that transpire over this 8-episode season. The fate of the characters followed over the past few seasons has been befitting and heartbreaking but understandable in some circumstances. The way the show transitioned into something darker over the past two seasons as this hitman who tried to become an actor influenced the people around him and brought them down into the deepest trenches with him. There is no doubt in my mind that Barry was my personal favorite show viewed in 2023. Thank you for reading my list if you did.
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derechoshumanostratados · 2 years ago
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ASI NOS VEN
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CONTEXTO
es la miniserie de Netflix que expone uno de los sucesos de racismo e injusticia  más sonados en Estados Unidos. “Los 5 del Central Park”, es el caso de cuatro afroamericanos y un hispano que fueron acusados y condenados injustamente por violar a una corredora (Trisha Meili) el 19 de abril de 1989.
PERSONAJES
harrel Jerome como Korey Wise
Jovan Adepo como Antron McCray
Caleel Harris como Anton McCray joven
Chris Chalk como Yusef Salaam
Ethan Herisse como Yusef Salaam joven
Freddy Miyares como Raymond Santana
Marquis Rodriguez como Raymond Santana joven
Justin Cunningham como Kevin Richardson
Asante Blackk como Kevin Richardson joven
Michael K. Williams como Bobby McCray
Vera Farmiga como Elizabeth Lederer
John Leguizamo como Raymond Santana Sr.
Felicity Huffman como Linda Fairstein
Niecy Nash como Delores Wise
Aunjanue Ellis como Sharone Salaam
Kylie Bunbury como Angie Richardson
Marsha Stephanie Blake como Linda McCray
Storm Reid como Lisa
Joshua Jackson como Mickey Joseph
Christopher Jackson como Peter Rivera
Adepero Oduye como Nomsa Berth
Omar Dorsey como Elombre Brath
Blair Underwood
Famke Janssen como Nancy Ryan
William Sadler
Reece Noi como Matias Reyes
Aurora Perrineau
Rumi C.Jean-Louis como Ramon Santana
LUGAR: CENTRAL PARK EE.UU
RESEÑA
Terminaba la década de los 80 y Nueva York pasaba por momentos muy decadentes socialmente. La pobreza, la tasa de homicidios y las violaciones aumentaban en los barrios de la ciudad que nunca duerme. En ese contexto de violencia se desarrolló la real historia de “Así nos ven”.
La noche del 19 de abril se suscitaron varios robos y disturbios en Central Park. Y También la agresión sexual a Trisha Meili, mujer blanca, que laboraba como banquera de inversiones de Wall Street, y que hacía ejercicio luego de haber terminado su jornada laboral.
La violación de Meili se hizo rápidamente mediática. Y esto debido a cuatro condiciones que crearon un cóctel casi perfecto. El hecho de ser una mujer blanca, de estar relacionada a Wall Street, un alto clima de racismo, y evidentemente, por los altos índices de criminalidad que se venían dando en la ciudad.
La serie relata como luego de apresar a los 5 adolescentes se cometieron una serie de irregularidades. La fiscalía a través de la policía presionó fervientemente a los chicos. El objeto era que se acusaran unos a otros y se declarasen culpables a pesar de su reiterada negativa de aquello que se les acusaba.
Les prometían con irse a casa si decían lo que la policía deseaba. Además, los interrogatorios se realizaron sin presencia de abogados y sin supervisión parental.  Los interrogaron durante muchas horas y sin darles comida ni permiso para poder ir al baño.
Sin pruebas (muestras de sangre ni huellas dactilares) que conecten a los acusados con el crimen, ni siquiera las pruebas de semen que encontraron en la escena, el sistema de justicia sesgadamente los juzgó y sentenció.
“Así nos ven” toca la disfuncionalidad de las familias de los protagonistas. Madres que venden drogas, hijos de padres separados, familias aglutinadas, abandono, padres exconvictos, discriminación parental.
No obstante, no ahonda mucho en las vivencias y procesos emocionales que vivieron cada uno de los chicos dentro de las correccionales. A excepción de unas leves pesadillas de Artron McCray y los golpes, ataques e injusticias por parte de reos y guardias que recibió Korey Wise, quien cumplió sentencia en una prisión para adultos, se dice poco de la salud mental de los demás.
Y este detalle es, desde luego, muy relevante, dado que el hecho se produce en plena etapa de la adolescencia. Ergo, se infiere que es una marca emocional muy significativa que la producción decidió omitir.
Sin embargo, los efectos sociales post cárcel sí que los maneja bien la serie. Por la libertad condicional los jóvenes  tienen que reportarse en la Corte cada 90 días, guardar toque de queda a las 9pm. El hecho ser un exconvicto les obstaculiza para obtener un empleo y los ubica en mayor riesgo de caer en actos delictivos. Inclusive son discriminados por la familia política, ciertos sectores del vecindario y por las mujeres con las que quieren salir.
Hay dos contrastes que quiero señalar acerca de los intercambios interpersonales que bordean el racismo. La escena donde un policía golpea a Kevin Richardson en la cara con un casco, nos dice: “eres negro y no mereces mi respeto”. Y la escena donde uno de los guardias de la prisión le ofrece a Korey Wise libros, revistas y naipes para que se entretenga. Le dice “hijo”, lo motiva. “Yo tengo un hijo de tu edad, si mi hijo estuviera acá me gustaría que lo trataran como un ser humano”.
Hay otras frases que dicen también mucho del meollo de este caso de racismo. Mientras el abogado de  Artron McCray cuestiona a la fiscal exigiéndole una disculpa por no jugar justo y haber introducido una prueba de ADN sabiendo que no pertenecía a ninguno de los acusados, ella le dice a quemarropa: “ya no se trata de justicia, se trata de política y la política se trata de sobrevivir y no hay nada justo en sobrevivir”.
Otro abogado dice: “la evidencia es muy contradictoria, las emociones están a flor de piel y hay connotaciones raciales que hasta la dama ciega de la justicia puede ver”.
En los primeros capítulos se ve como Donald Trump, que en ese año era un millonario que iba en ascenso, y de quien siempre se sospechaba de especulación inmobiliaria, mediatizó el caso con una carta publicada en los principales diarios de  Nueva York. El documento solicitaba el regreso de la pena de muerte y que se aplicara dicha pena a los chicos acusados.
Lo político tiene que ver con la justicia, pero también con otros espacios. Cuando lo político no se erige hacia lo social, y no moviliza todo su poder en disminuir inequidades y deconstruir prejuicios y discriminaciones desde las esferas políticas, económicas, jurídicas, mediáticas y sociales suceden casos como el de “Los 5 de Central Park”.
No se puede sobrevivir aplastando al otro, al más débil, al más pobre, al más olvidado, al más esclavizado, al que no tiene medios ni recursos con qué defenderse. La política tiene que ser el arte de hacer que todos puedan vivir bajo las mismas oportunidades y el mismo rigor de justicia. Eso sería lo más cercano a la democracia.
ANALISIS DE UN TRATADO APLICABLE
El Gobierno de los Estados Unidos de América celebra la oportunidad de informar al Comité para la Eliminación de la Discriminación Racial sobre las medidas legislativas, judiciales, administrativas y de otra índole que ha adoptado para dar efecto a los compromisos contraídos en virtud de la Convención Internacional sobre la Eliminación de todas las Formas de Discriminación Racial, de conformidad con el artículo 9 de dicha Convención. El formato y el contenido de este informe se ajustan a las directrices generales aprobadas por el Comité en julio de 1993 (CERD/C/70/Rev.3).
El presente informe ha sido preparado por el Departamento de Estado de los Estados Unidos con amplia asistencia de la Casa Blanca, la División de Derechos Civiles del Departamento de Justicia, la Comisión de Igualdad de Oportunidad en el Empleo y otros departamentos, organismos y entidades del Gobierno de los Estados Unidos a los que interesan más de cerca las cuestiones de que trata la Convención. También se solicitaron y se recibieron contribuciones de los miembros interesados de las muchas organizaciones no gubernamentales y otros grupos de defensa de intereses públicos que trabajan en la esfera de los derechos y libertades civiles y de los derechos humanos en los Estados Unidos. El informe abarca la situación en los Estados Unidos hasta agosto de 2000 y constituye el informe inicial al Comité.
OPINION PERSONAL
Esta es también una reflexión sobre la justicia. Una justicia que no parece ciega, ni imparcial, sino sesgada y manipulable. ¿Qué debería ser la justicia? ¿Es igual para todos? La serie también ofrece una mirada a la familia. Es muy interesante la lealtad, apoyo y constante presencia de las familias de los chavales en todo su proceso. Sin idealizarlas, y mostrando la complejidad de las relaciones humanas.  
La dificultad para la reinserción también es otro de los temas que merece la pena considerar. La permanencia de los prejuicios. La sospecha que estigmatiza a quien ha sido acusado. La dificultad de tener que estar bajo el escrutinio constante de los otros. Cuando el verdadero culpable finalmente sale a la luz, es muy interesante ver la reacción de los principales acusadores (la fiscal Fairfield y uno de los policías que condujo los interrogatorios claramente sesgados y manipulados). La negativa a reconocer el mal causado. El empeño en seguir sosteniendo el propio error. Esto nos habla también de la dificultad para mirar cara a cara a los errores de nuestra historia.
"Este ha sido uno de los casos más importantes en el campo de la investigación y el estudio de confesiones falsas, sin lugar a dudas. Fue una de las alarmas que sonaron cuando estos hombres fueron exonerados por el ADN. Tras ello, todo ardió".
otogramas.es/series-tv-noticias/a27859505/asi-nos-ven-netflix-serie-ava-duvernay/
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