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starry-bi-sky · 7 months ago

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Childhood Friends Danny and Jason: Ch2 Remastered

-------------------------------------------------------------- late at night when the stars don't look quite right -------------------------------------------------------------- there's something burning in the empty room inside of my head fill it up with doubt let it in, let it spread

Jason nearly falls flat on his face when he sees the photo of Danny. He’s in a warehouse, finishing up with a gang selling drugs on his turf. The guys he’s got tied up are cursing up a storm at him, throwing every insult under the sun his way that he’s all heard before. His eyes drag over to them, and silently Jason adjusts his jacket to reveal the guns strapped to his thighs, his hand hovering over the handle of one.

They all fall silent, and Jason moves his hand away. His phone in his other hand, texting Oracle to alert the police. Jason hates that he has to; these guys will be out of their cells in a matter of months, and nothing will change.

But he’ll play nice.

And then his phone buzzes, and when Jason looks down he sees a banner from Tim. A message he planned on ignoring, but his eyes skim over the text on instinct, and suddenly the air is stolen right from his lungs, and his thumb is hitting the screen before he can really think it through.

[Hey Jason, your best friend just appeared in Gotham for the first time since your funeral.]

Impossible. He thinks, yanking his phone close to his nose, as if that will make it any less real or fake. Danny hasn’t been in Gotham in years, Jason checked. But then the image loads, and then he’s staring Danny Fenton in the face. And then he’s greedily tracing every minute, new detail he can find. The gang left half-forgotten in his mind.

Danny’s got an undercut, it looks self-done. It looks good. He looks taller. He’s got piercings in his ears, gold and jewels lining up the sides like a magpie’s find. He’s got an eyebrow piercing.

Something old, something new; Danny is smiling and it still looks just as Jason remembers it. Crooked, lopsided, warm like the sun and belying the mischief underneath it. He remembers to breathe in that moment, and the sound comes in sharp. Danny’s eyes are as blue as they’ve ever been.

(“I don’ get why books talk so much about peoples’ eyes.” Danny complains to him one day when he’s visiting the manor, his legs thrown over Jason’s back like an anchor tied to its ship. They’re sunk into the mattress of Jason’s bed, sunlight peering through the windows. “They’re just eyes! I don’t need t’know that they’re ‘as blue as the sky,’ or- or the ocean, or whatever blue thing in the world there is.”)

(Jason’s smile comes to him like breathing, and he twists around to lay on his back. His arms trap Danny’s legs to his stomach. “Pretty sure it’s jus’ for emphasis on how much they’re noticing the person’s face.”)

(Danny’s face scrunches up, and Jason’s smile splits into a grin, heart swelling three sizes on instinct. “I think it’s stupid, s’just some fuckin’ eyes.”)

(“Eyes are windows to the soul, Dan.” Jason retorts, barking out a laugh when Danny gives him a deadpan look. His hands creep for a pillow, one of the soft downy ones wrapped in silk, and he throws it at Danny’s face. “And besides, speak for yourself! Your eyes are the bluest thing I’ve ever seen.”)

But most importantly, Danny looks tired.

Hiding is something that comes free with the purchase of living in Gotham, and Danny’s good at hiding things, he always has, but Jason knows him like the palm of his hands. He looks tired, and Jason wants to reach through the screen and ask him why. There’s an age-worn look there, catching in the flint of his iris, where his smile doesn’t quite reach his eyes.

Jason gets the ETA from Oracle, then leaves as fast as his legs can carry him and his grappling hook can zip through the air. He needs to see Danny with his own eyes, to confirm himself that Danny was here, and that it wasn’t his mind playing tricks on him. Or that it was Tim playing a cruel joke on him — and if it was, he’ll have to rethink his whole killing thing.

Gotham’s air is warm and suffocating, but her winds bite at him as he soars through it.

It’s second nature for him to find the west end balcony, and Jason finds himself with his feet locked in place on the building beside it. Grappling hook in hand, and a balloon in his lungs, all swelled up and squishing the air out of him.

It’s just his luck —with whatever he has left— that Danny is there as well. In the same spot he’s always been, with a cigarette caught between his teeth. He’s stuck halfway, head tilting, eyes closed, with the shadows of Gotham on his back and the light of the gala at his front.

For a moment, for a fleeting, terrifying moment, Jason thinks Danny’s going to tilt himself back off the side.The thought has him blindly tilting himself forward with his heart in his throat. Hands reaching for his grappling hook, swinging down to drop down beside him.

Danny is staring at him before his feet even hit the ground, face nigh unreadable beyond the small, wary furrow of his brows. Danny’s never looked at him like that before, it feels like stumbling on the last step of the stairs.

Then, like fire to black powder something flashes and ignites in Danny’s eyes. Mouth curling, eyes burning, for a moment, just a moment, they’re kids again, getting into fights and turning soft hands punch-rough. Danny looks at Jason like he’s going to tear him to shreds.

Jason’s mouth runs dry like a desert in the summer, but his blood chills in fear cold in his veins. Why are you looking at me like that? His mouth opens, but his tongue is leaden in his throat, and no sound comes out. It’s me. Don’t you recognize me?

Danny yanks the cigarette from his mouth like it burns him, his free hand gripping onto the railing like it’s the tether to a leash, nails threatening to turn into talons. “Red Hood.” He says, voice low and timbre, smoke dripping from his lips like dragon’s breath.

Oh.

That’s right. Jason suffocates on his heart as it sinks and soars with relief. Danny doesn’t know it’s him. In his tunnel vision, he forgot that simple, easy fact. It’s not because it’s Jason that he’s angry. It still doesn’t explain, though, why Danny looks at him like he ought to sink his teeth into his throat and rip him open.

He’s half-distracted by that, and then distracted by the need to drink in the sight of Danny again. A photo is one thing; the real person is another, and with his fear subsiding, Jason rakes his eyes over his best friend and swallows him whole. His eyes are bluer in person, his memory and Tim’s photo doesn’t do them justice, and Danny inherited his dad’s height. He’s gotten so tall. They both have. They both used to be such scrawny kids.

So distracted is he, that he forgets to respond to Danny, to say anything. Not until Danny tries to dismiss himself, and Jason kickstarts into gear. White hot panic fills in his lungs, burning him up like magma. No, no, no, he’s moving without thinking, always when he’s with him, and he nearly latches onto Danny. Nearly wraps his hands around his arm to hold him in place. Don’t leave. You’re finally here; don’t go.

Danny stays, but he stares at Jason’s reaching hands like he’ll bite them off, stares at Jason with his eyes burning, watchful. Jason’s excuse is lousy and he knows it, but he wants, wants, wants to stay and figure out every new thing about Danny.

And he feels like he’s losing something. Time bleeds together beside him and Jason feels trapped behind a glass wall of his own making. Something old, something new. The distance of which Danny keeps him at is foreign to him. He hates it.

Tell me everything, he thinks, because he can’t find the words to say it. He hands Danny a cigarette instead, and hopes that it’s enough. Tell me everything and more, tell me what I’ve missed.

In the end, he still feels like he’s losing something, but he also feels like he’s missing something. Answers that are water, and that water is slipping through his fingers. Danny leaves him with more questions than answers; something that’s never happened before, and Jason watches him walk back inside with a spinning mind.

What do you mean you spoke to my ghost?

I told you that the Joker killed me?

Have I told you anything else? Have I already told you everything I’ve wanted to?

What happened while I was gone?

Is that why you’re scarred?

Because Jason isn’t blind, he’s never been. Not in Crime Alley, not as Robin, not now. And not when it comes to his best friend. He sees the silver lightning scars ripped jagged up Danny’s arm, sees that they disappear under his sleeves. He saw, faded as they were, invisible until the light hit right, as they spread like tree roots up his throat and across the side of his face.

Scars that Danny’s never had before. Scars he didn’t have when Jason was alive the first time. Scars he didn’t have the last time Jason saw him. Or — what he remembers to be the last time he saw him, because apparently he saw him as a ghost. He sees the curve of his ears and how they point more than a human’s should, he saw the glint of his canines, sharper than they should be; sharper than he remembers. Metaphorical fangs turned real.

Jason should’ve asked where he got them from, should’ve taken Danny by the front of his collar and stopped him from leaving. Who did this to you? He should have said, a fire burning in his chest and wrapping around his throat, pulling his voice into a snarl. He should have said, his guns weighing heavy on his sides; Who did it. I’ll take care of it. Just tell me who. Tell me everything.

Instead, something crawled into his mouth and died, and his tongue is glued to the roof of it. And he doesn’t say anything, because saying something means telling his best friend who he is. It means having to take off his helmet and mask. It means telling his best friend that he’s alive, that he has been. That despite being two halves of a whole, Jason spent five years letting him think he was dead.

He can’t tell him, not when he’s in too deep already. Not when Jason is so unrecognizable to who he used to be that if he told him, Danny would hate him.

And Danny is still grieving him. So plain as day mourning, still angry over his death. Angry enough that he wants the Joker dead, angry enough that he wants to hang the noose and kick the chair out himself.

Jason wishes he told him that he looks tired.

Instead he’s standing alone on the balcony, trying to get his thoughts in order as music blares muffled through the gold-light door. He’s left staring at the crushed cigarette laying on the ground, Gotham’s ambience at his back and a poem hanging in the air that he has no words for. It’s already there. Like stars on a painted ceiling.

And there are so many questions he needs answers for.

Like his ghost. His ghost.

What did Danny mean by his ghost?

Does he really want to kill the Joker himself? Was it just the grief talking? Jason knows — or thinks he knows — Danny like the palm of his hands. He’s been through everything with him, he’s seen him say something and then immediately follow through with it. He knows when he’s being serious, he knows when he’s not.

Danny wants to kill the Joker. Stealing is one thing; murder is another. And Danny wore a look on his face that looked like he meant it when he told Red Hood that he wanted to kill Joker. But saying and doing are two different things. Jason doesn’t know what to think.

Something old, something new. Danny is still the same, and yet he’s changed so much.

What did Danny mean by his ghost?

Jason doesn’t ever remember being a ghost. But Danny knows the Joker killed him. He knows how he killed him. Danny’s parents are ghost scientists, and Jason remembers the letter he got one day telling him about the portal they were building in the basement.

He remembers thinking about telling Bruce — this was something beyond the glowing green samples stored in the fridge, giving life to the food inside. This was beyond the weapons, the inventions they made that only saw the light of day when the Drs. Fenton brought them up to showcase them.

And he didn’t, because if he hadn’t told Bruce about everything before, he wasn’t going to start. He admits, it was part fear that Bruce might intervene and prevent him from seeing Danny that he didn’t.

Neither of them had expected it to work — but it sounds like it did.

(Jason has avoided Amity Park for a reason. He knows he wouldn’t be able to stop himself from going there if he didn’t. But now, he just might have to look into it. He’s missed too much.)

And Danny wants to kill the Joker, and Jason isn’t sure if he means it or not. Because the look on his face when he said it is oh-so familiar. It’s the one he wore when he needed Jason to distract the clerk while he snuck behind the counter to steal cigarettes from the shelves. It was the one he wore when an older kid cornered them near one of Gotham’s many alleys, threatening them over something Jason can no longer remember clearly.

(He remembers puffing himself up, rearing for a fight. Danny, with glass in his teeth and blood between his fingers, lands a square kick to the spot between the kid’s legs. His knees hit the ground, and Danny’s hand found Jason’s to drag them both out of there.)

It’s the look of a boy, Gotham-touched grime in his soul, soft fingers turned calloused and scarred, about to do something he’s not going to regret. It’s the look of a boy that has set his mind to something and is going to do it. Some might call it the eyes of a cornered animal, but Danny’s never been cornered, not when Jason’s been with him.

(But Jason hasn’t been with him. Not for the last five years. So can he really say it wasn’t the eyes of a cornered animal?...Yes.)

Jason gets off the balcony before he can be seen, and he shouldn’t, but he loiters. He should get back to patrol, the night is never over. Not in Gotham. But he stays, hidden atop the roof nearby.

—---------------

An hour later, Danny walks out the doors with a man Jason recognizes as Vlad Masters — another new mystery for him to uncover. The paparazzi have long since left. Gotham’s nights are dangerous and everyone knows that, not even the vultures would stick around for a scoop, not unless there was something worth seeing.

A black limousine pulls up beside them, and Masters walks around the back to reach the other side. He’s bristled like an angry cat. “I thought I told you not to embarrass me.” He hisses, eyes snake-narrowed.

Danny, for the most part, just looks unbothered, his hands shoved into his pockets without a care. But he narrows his eyes right back, an expression made of stone. “You have a pretty low bar for what you think is embarrassing.”

Masters just scowls, “I don’t understand you, I would have thought you’d spend the whole time mingling with the Waynes, badger.” He says. Danny ruffles at the nickname, lips curling into a snarl. Jason finds himself unconsciously mimicking him. “And yet, I find you sequestered away in the corner like a little fly on the wall. Were they not up to your standards?”

‘Sequestered’ Danny mouths mockingly, eyes burning like he was going to claw his hand down Masters’ face. Instead, his hands dig into his arms. “I did talk to them, that’s more than I can say for you. You couldn’t even keep Mister Wayne’s attention for more than a minute.”

Jason frowns, and Masters scoffs, puffing up like an owl with its ego bruised. “Regardless, I am not the one losing here. Or did you forget what you promised me?”

Jason’s frown deepens. Danny doesn’t promise anything. At least, he doesn’t promise with just anyone. He deals; he repays; he indebts. But he does not promise. Promises were power, with only one side benefiting. It was trust to promise someone something. Danny doesn’t trust easily, neither of them do.

Something that hasn’t changed. Danny rears up angrily, mouth twisting, teeth baring, snarling out a fury sound. A wire cut live and sparking. He grabs the door handle and yanks it open harshly. “I didn’t promise you anything, Vlad.” He hisses, Jason strains to hear him. “I offered and you agreed. Do not fucking twist my words.”

There it is. Jason should’ve known better, guilt string-plucking in his chest for his doubt. Danny doesn’t promise things; not to people like this Masters guy, at least.

Danny grabs something from the car and throws himself back. “Don’t wait up.” He snarls, a wild thing just as Jason is, and yanks on a red hoodie over his arms. It zips up, and hangs off him, smothering the vest and button-up beneath. “I’ll meet you back at the hotel.”

Then he slams the door shut, shoulders hunched and with a scowl carved into his face. They’re both made of broken glass; independence — disobedience — and rebellion cut into them from every broken beer bottle shattered on the streets.

(Jason makes a mental note to look into Vlad Masters — Danny’s never told him about him, so they must have met after he died. The man leaves a rot in Jason’s mouth, and there is a greed festering inside him that Jason knows has left him in decay.)

(He doesn’t like how close Masters acts with him, doesn’t like the affiliations between them both. Masters reminds him of Luthor and every other rich socialite with their hands in something dirty. He hates even more that Danny is making deals with him. What has he missed?)

Jason follows after Danny, partially concerned that Danny is wandering Gotham alone. Regardless of what he can do, Gotham is still dangerous. It is bone-rotting, lung-choking and unforgiving. Danny knows this, Jason knows he does. He’s partially curious to know just where he’s going, and whether or not it was important enough to visit in the dead of Gotham’s bloody nights.

Danny surprises him — slipping between alleyways, sticking close to the shadows. Someone taught him how to be stealthy — or, at least, refined what stealth Danny already had. More new things that Jason needs to learn. More things he will never get to know.

Who taught you that?

Just what, exactly, have I missed?

I want to know everything.

Five years is a long, long time to be away from someone. If a caterpillar can become a butterfly in two weeks, then what can five years do to a human? It’s a long time to change, to become something else entirely. Jason’s become someone new, and he thinks, so has Danny.

Dread pools in his ribs, into his lungs, and weighs heavy on his heartstrings. The urge to drop down in front of Danny, to grab him by the arms and ask him to tell him everything, returns with a vengeance. This is why he avoided Amity Park.

Will I still know you like I used to? Jason trails behind Danny from the rooftops, like a ghost. Do you still love the stars? Do you still take tea over coffee? Will you tell me, if I ask?

And if he doesn’t? If he doesn’t ask, like he isn’t right now?

If he doesn’t ask about his ghost — something that still boggles his mind, because it means the Fentons were right and that portal might have worked, and Danny found Jason’s ghost? If he doesn’t ask what his ghost told him, if he told him anything else? Did his ghost tell you that he was Robin, like he always wanted to?

He will just have to keep his questions to himself. He will just have to tuck them into a folder in his mind, and file it under all of his other regrets.

He feels like he’s Robin again; keeping secrets and hiding things from his best friend because it simply wasn’t safe enough for him to know. It’s maddening.

Why has nothing changed since he died? Why has nothing changed, now that he was alive?

—---------------

Danny leads him to the Gotham Cemetery. Jason freezes outside the gates. Oh, he thinks.

Oh.

He thinks back to what he thought earlier.

What could possibly be so important that he’d go to it in the dead of Gotham’s night? The cemetery. Of course. Something old, something new, something bittersweet sets over his tongue that he swallows down.

Jason forces himself to follow.

“Hey.” Danny says as Jason settles behind a tree, voice gentle in foreign familiarity. He’s standing at Jason’s grave, his hands shoved into his pockets. The light is low but it doesn’t stop Jason from seeing the starlight-soft look in Danny’s eyes and his half-tilted smile, the smile that Jason is more familiar with than the wary scowls. “Sorry I’m late.”

Guiltish misery wraps its hands around Jason’s lungs. Pin-prickingly, stabbing at his heartstrings, Jason’s mouth moves on its own; “It’s okay.” but no sound comes out. Danny doesn’t hear him, and neither does Jason himself.

Danny sits down before Jason’s tombstone, groaning low and tiredly as his legs fold beneath him. He’s older than Jason, and immediately his mind switches over to all the jokes he used to lob him with.

(“Need help crossing the street, old man?” Jason, eight years old, asks with a grin so wide and painful across his face; giggles in his chest. He hooks his elbow with Danny, and keeps him tight against his ribs. “You’ll need all the help you can get in your ancient age.”)

(“I’m not that old.” Danny says, glaring at him before they scurry across the street with the light still green. Traffic laws are a joke in Crime Alley, it’s like a game of frogger as the sound of honking horns and screeching tires follows their heels. “We’re six months apart!”)

(“Six months and four days, actually.” Jason corrects when they reach the other side, snickering as they race down the sidewalk. Drivers lean out their windows and curse them out as they get away, Danny dodges an empty soda can thrown at his head. “Can’t forget the four days.”)

“I would’ve come sooner.” Danny tells him, pulling him from child-fuzzy memories and back into reality. Jason peers around the tree to see him running a hand through his hair, head ducked down. His palm splaying against his neck. “Sorry I didn’t. I got scared.”

Scared? Jason blinks, he leans against the bark and bumps his helmet against the wood. The thunk is loud in his ears, but Danny makes no indication that he heard. Of what?

But Danny doesn’t say what, he drops his hand and glances off to the side. He sits like a man who isn’t quite sure what to do, his mouth pressed into a thin line, his eyes scrunched. Grief carves into the lines of his face like a sculptor carving into marble.

“I was gonna get you flowers on my way here.” Danny continues. His voice cracks, begins to wobble, and Jason sees Danny’s jaw tighten and his eyes close for a moment. When they open, there’s a wobbling sheen on his bottom lashes; tears threatening to bleed.

Danny flicks at the tears with the nail of his thumb, it does nothing. It just makes his breath hitch. “Um, but they- uh, didn’t have any open on the way here.” He says, giving Jason’s grave a tremulous smile. “Sorry, I’ll make sure to pick some up on my next visit.”

Next visit. Jason’s heart squeezes uncomfortably, before he reels at the words. Danny’s going to be visiting again, after five years of being out of Gotham? Next visit, why are you visiting again? Was this the reason he came to Bruce’s little charity ball with Vlad Masters? So that he could come visit Jason’s grave?

It couldn’t have been. There are other ways to get to Gotham that don’t require making deals with shady rich men. Danny’s smart, smarter than Danny himself gives him credit for. He’s brilliant. Why did he need Masters’ help to get him to Gotham?

There had to be another reason why.

God, there were so many questions that Jason wants the answers to. He’ll find them, one way or another.

But, he focuses in again. Danny is only here for the night. One night, and he doesn’t know when he’ll be back again. Jason wants to commit every detail of his best friend to memory before he leaves.

“You like zinnias, right?” Danny pets the grass at his side absently, and yes. Yes, Jason does, and Danny remembers. Even five years from his death, he remembers. Of course he does.

“Yeah, you do. You used to pick the petals up off the sidewalk from those uh, fuck — the vendors. The Victorian flower language too, I think. Got a book on that somewhere. I’ll get you red an’ yellow ones.”

Grief traps in Jason’s chest, and he barely tamps down the bitter laugh forcing itself out of the chokehold of his throat. You fucking sap, you big fuckin’ sap.

Red zinnias. Steadfast beating of the heart. The irony. It’s got double the meaning now, now that he’s alive. But Danny doesn’t know that, so the heart that’s beating could only belong to him. But even with Jason alive, he’s hiding. Between the both of them, the only one here with a beating heart is Danny.

(Between the two of them, the only heart here is one that's made between the two of them.)

Yellow zinnias. Daily remembrance. Of course. That doesn’t need any explanation, the writing is right there on the wall. Raised, so that even the blind may read it. It doesn’t need to be said what that means, Jason can hear it on the wind, in the grass, in the trees. His heart crumpling like a rag being twisted out to drain the dirty water soaking in it.

I miss you.

I’m right here. Is what Jason wants to say. It’s what he should say. He should step out from behind the tree; should speak up and say something. To announce his presence. To do something to let Danny know that he’s speaking to someone who is more than a ghost (who feels like one anyways) and a corpse in the ground.

Here I am. Here I am. HERE I AM.

His feet are gravebound to the dirt, his tongue cut out of his mouth and shoved into a jar. He feels, in some way, like he’s clawing out of his own grave again, but the dirt keeps falling and his arms are burning. His lungs are filled with more soil than air. He’s not getting out.

Shame burns cigarette smoke in the back of his throat, shriveling up what little remains of his tar-filled heart. It should be his lungs, and it’s got that too. His feet are grave-bound to the floor.

Danny’s begun to cry, much to Jason’s horror. It should be more incentive for Jason to step out. He doesn’t. His best friend sniffles and scrubs at his face, soaking tears into his hoodie’s sleeve. “I’m sorry for not visitin’ sooner,” he says, voice spiraling with grief, “I don’t have an excuse. I should’ve come sooner. I’m sorry. I’m so sorry.”

Don’t be, Jason thinks. Finds himself surprised by the truth of it. He should be upset. Five years and not a single visit. He abandoned him like everyone else. Except he didn’t.

He’s not upset, he can’t be. Not when Danny’s finally here. Not when he’s still crying over him five years after the fact. Not when he’s going to put flowers on his grave that means he thinks of him daily. Not when Danny knows who killed him and wants him dead.

Jason isn’t sure of what to think of that still. He wants Bruce to kill the Joker. More importantly he wants change in Gotham. He wants something to be done. He doesn’t know if Danny is being honest or not — and honesty doesn’t mean anything if someone doesn’t act on it.

Danny continues talking to his grave, his voice full with sorrow. He talks about the gala, about running into Bruce and talking to him again.

Jason listens in dutiful silence, soaking in Danny’s voice like a sponge. This is what he was expecting on the balcony; this easy conversation. Except it’s not a conversation, Danny is talking and not expecting a response. Jason feels like a stranger imposing on his own grave.He should slink away, let Danny have his peace on his own.

He refuses to move. He can’t bring himself to.

If he closes his eyes, he can pretend that he's sitting in front of him. He can pretend he’s thirteen again, with him and Danny crawled under the bed at the manor and trading all the stories they couldn’t fit in their letters. Danny tells him about another fight he had with Dash Baxter, eyes rolling but smug teeth flashing in a stifled smile. Then he tells him about something Sam and Tucker did; about one of Sam’s protests she led against the biology lab, and Tucker coding his PDA to play Doom. Easy, stupid middle schooler shit.

They’d sneak out to the balcony for their vices, Danny clutching a carton of cheap cigarettes in hand. Alfred always finds the ones Jason hides, so they usually share whenever Danny comes to visit. Jason tells him about Gotham Academy, about the people there and the classes. Prep school is another beast entirely, he likes seeing Danny’s reactions to the politics that goes on inside.

Or, further back, they’re eight again, climbing a rickety fire escape to the rooftop and hanging their feet over the edge to find Batman and Robin. Danny was in the lead before he left for Amity Park. Jason remembers it clearly; they’d spent all night outside on that rooftop.

Jason doesn’t close his eyes.

Jazz decided to change career goals; psychology’s become more of a hobby for her, and she’s going to go to med school instead. She’s thinking of doing an internship in Metropolis. Danny says he’s glad that it’s not Gotham, and when he told Jazz this, she laughed at him and told him that she was going to save that for later.

She’s Gotham-touched too, she knows it’s blood just as much as Danny does. She wants to help the people there, but knows what Gotham’s like. She knows what she can and cannot do. Determination doesn’t equate skill, it just means the willingness to learn.

Sam is staying in Amity Park and doing online classes for college, but Tucker got a full ride scholarship in software engineering. Danny’s thick with pride as he tells Jason’s headstone. Jason’s happy for him — they weren’t close, not like he and Danny were, but they were still friends.

Jason soaks it all in; tell him more. He wants to know everything.

"I don't know what I want to do." Danny says when he’s finally done talking about everyone else, his chin laying on his knees. “S’not like I can be an astronaut anymore, but there’s not anything I can see myself doing.”

The corner of his mouth coils, sardonic. “I’ve had five years to come up with somethin’ new, and I’ve come up with nothin’ at all.” He huffs. It’s a rough, bitter sound. Gotham has been steadily seeping back into his voice since he arrived in the graveyard, and now it comes out thick, like it never left.

Danny’s face falls slack, like a puppet losing its strings, and he sinks into himself. “I guess I…” He exhales slow. “I’ve just been distracted.” A faraway glaze eclipses his eyes, and before they close, tears begin to bleed onto his eyelids. Again, grief mars the lines of his skin, settling into the curve of his mouth and threading between his brows like second nature.

Fuck, it’d be so easy for Jason to just step out. Move. His best friend is grieving. He could save him the pain of it and tell him now. Move, move, move.

He doesn’t move.

For a while, there’s nothing but silence, just Jason hiding in his shame; a rat on the street would be bolder than him. Danny’s eyes don’t open. Eventually, his head tilts and slumps into his knees, Jason almost thinks, somehow, that he’s fallen asleep — but Danny’s hand threads into the hair on the back of his head, his finger beginning to tap an invisible beat into his skull.

It’s the perfect opportunity for him to slip away. Danny’s distracted; lost in his thoughts. He won’t notice if Jason slinks off now. He could go and hide away on a roof nearby, ensuring that Danny gets his rightful privacy without leaving him to the teeth of the streets.

Jason still doesn’t move.

Danny begins to hum. It’s a low, breathy sound, and it shakes unevenly. There’s no discernible melody, but a breeze picks it up and travels it through the air anyway, rooting Jason to his spot. His throat swells, and his back sinks into the bark behind him.

For a full minute, maybe two, Danny just hums. It’s a simple tune, but it fills the graveyard with the sound. When it goes up, he sharpens, when he goes down again, it flats, and sometimes it wobbles.

When he lifts his head, when he finally opens his eyes, he’s still humming. Soon it dies down, and the next time Danny exhales, it comes out tumultuous and slow. His hand slips heavy from his head and drops into the grass.

“Where’d you go, Jay?” Danny mutters, and despite his voice coming flat, he still sounds so tired. Danny’s eyes flick up, lifting off the grass to burn into the headstone. He’s not even looking at him, and yet Jason still freezes up, he still feels pinned under the weight of his stare. “I know you’re still out there, somewhere. I know it.”

Jason breathes in shakily, a sting deep in the back of his throat. He gives no answer; guilt is an animal with claws, and it burrows deep into Jason’s heart to make itself a home between the tendons. He’s right here.

Silence falls over them again, and this time it’s only the sound of the city around them that bleeds into the air. Danny stares at Jason’s grave, staring like he’s expecting an answer. He doesn’t get one.

Danny sighs out low, and stands. His knees tremble slightly, and he rubs his sleeve into his eyes, catching the stray tears falling from his lashes. Like breaking a spell, Jason jolts from the fog of sorrow hanging in the air.

“I’ll see you later, an’ I’ll make sure to bring you those flowers you like.” He tells him, and miraculously, a shadow of a smile flits over Danny’s mouth. “Y’better be here when I get back, alright? I’ll kick y’fucking ass if you’re not.”

Jason bites back a huff, his mouth upturning in a wobble. I will, he thinks, and watches Danny trail out of the graveyard with his hands in his pockets. He waits until he’s disappeared behind the gate before following.

Guilt is a thing with claws, and Jason leaves the cemetery with it eating his tongue. But he makes sure Danny gets back to his hotel safe before he slinks back to Crime Alley; he might not be a ghost anymore, but he can still trail behind Danny like he is.

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ayy i finally got chapter 2 of CFAU/TMWS edited/redone! It had to get rewritten because a lot of stuff became obsolete in the wake of the new chapter 1. and also it just kinda. fucking sucked imo lmao

(you can also read it here on my ao3!)

#dpxdc #dp x dc #danny fenton is not the ghost king #dp x dc crossover #cw swearing #dpxdc crossover #childhood friends au #cfau #dead on main #dp x dc fanfic #dpxdc fanfic #dpdc #banshee danny fenton #got to let jason be Slightly More Unhinged about Danny in this version which i had fun with. i love writing unhealthy attachments it just #adds a little spice ✨ im like an evil scientist marveling over their unethical creation. someone call me olivia octavia #fun fact that i learned recently: jazz also wanted to be also be an accountant or a brain surgeon! so she's getting a little break from #being the Therapist Friend. :]#jason @ danny: whose hurt you. tell me i'll kill them. talk to me tell me everything. don't leave my side please.#danny would be pr similar if he knew red hood was jason :P. uhh. after the initial shock wore off.

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editsflix · 8 months ago

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horror/bloddy icons

#carla gugino #olivia crain #bloody women #women in horror #bloody icons #evil dead #carrie white #bloody carrie #midnight mas #icons #icon #saw #jigsaw #twin peaks #laura palmer #the hunger

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theconjurervfx · 8 months ago

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Evil Dead (2013) dir. Fede Alvarez.

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dirtytransmasc · 1 year ago

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hey there, cool blog <3 I love reading your takes on things

so I wanted to ask your take on larycent and what you think we’ll see in season 2

(wrote this whole thing out and then my computer died before I could post it. my first attempt at this was much better. this is cruel and unusual punishment, this whole thing is now infused with anger. not towards you, just in general.)

I should first start off by saying, thank you, I'm so happy you like reading my stuff, second off, I'll say I may be one of the worst people to ask, cause Larys is one of those characters I hate so much, plot be damned, he could choke on one of his stupid flowers within the first 5 minutes of season 2 and I couldn't give less of a shit. I'm not typically like that with characters, I tend to try and give a character enough grace to care about their place in plot, but Larys just makes me that angry. despite this, I will try to be appropriately opinionated and give you a proper answer lol.

from a story point of view their dynamic is fascinating. here's this guy with such little standing (compared to her as queen) who wields so much power against her. it starts out when she is young and alone, he spots this weakness and befriends her, giving her information, gives her company she so longs for, slowly spinning this web around her. then as she gets older, he becomes a sort of confidant, biding his time, until he finds the right moment to strike. he bends her words, given in great trust and secrecy, most likely not the first dangerous secret they've shared, and uses it to 'justify' (he didn't need her command to do it, he just waited to do it in a way that he could hold her accountable for it) killing his father and brother. this gives him power, he can use this against her, to keep her close. he's piled up blackmail at this point, he's got her bound in his web of secrets, she can't leave.

she knows he's dangerous now, she has to keep him close, or he could hurt her, her kids, her image, the people around her.

the other thing is, he gets off on it all. he gets off on bringing her to his level, by stripping her of her agency as queen so that way they are equals.

then by some means, he gets her to give herself up in a sexual manner. he had already been doing this, in a way; I vaguely remember some sort of statement or interview from Matthew Needham about how Larys gets off on bringing her down, on filling her with shame and guilt, on making her feel dirty. so getting her to truthfully give herself up to him for whether it be to keep him satisfied (I'll come back to this point in a second) or for information, gives him the ultimate gratification.

he was like a parasite, taking and taking and taking from her until he was satisfied. she couldn't get rid of him, as he posed a threat to her and others, she couldn't ignore him because then he would act out and be a threat. he had to be kept satisfied. she had to give him a purpose, a use, an outlet to feel like he had power. like a dog, if he was left to himself, he would grow bored and unruly, she had to offer herself to keep him entertained.

both Olivia and Matthew played this dynamic out so well. Matthew played Larys so slimey and gross and just irksome, I was uncomfortable whenever he was on screen. Olivia played Alicent's discomfort and forced compliance so well, I just felt insanely bad the whole time.

it really built Larys up as this thinly veiled evil, he could be... well behaved and friendly, he could be useful, he could be an ally of sorts, all for a price, and if that price went unpaid or he felt undervalued, he could quickly become something so downright awful. he could be something downright evil if he wanted to really, that he was willing to bend words and step on toes (ironically) to get what he wanted and show off his power.

it also built up Alicent, adding onto her list of horrors in life, and putting her in this power limbo. she was queen, yet she was felled by this nobleman, brought down to his level if not lower. while some (*ahem* team black stans *cough cough*) saught to demonize her for her suffering, it really led me to sympathize with her more than before. she had suffered this mans sick and twisted game since she was a child, and he shows no signs of stopping. she's always stepping around fear, knowing the monster she let into her chambers, unable to get him out.

so, outside of the fact that I hate to see my girl suffering so horrible, I can't say I love their dynamic, but I don't hate it... its like, so horrible but so interesting, and I hate it not because it's poorly done or unnecessary, it just makes me feel gross and horrible. 10/10 characterization, 10/10 portrayal, 10/10 plot building -100/10 making me feel nice lmao.

onto predictions: I think she's going to attempt to stand up to him and fail. at the end of season 1 we see her lose Viserys (abuser number 1) and stand up to Otto (abuser number 2) finally putting him in his place after years of biting her tongue to him, acting against him (ordering Aegon be brought to her, that the crowning of aegon/treatment of Rhaenyra be under her command, etc,). I think she'll attempt to continue this pattern and stand up to Larys, who has been nothing but an aching wound in her side.

its only then that he will truly show how evil he can be. he will show his anger, his wrath, the power he holds over her head. he has years of blackmail against her, he will make this evident. it wouldn't surprise me if we get a scene paralleling Daemon and Rhaenyra and the choking scene, if even if only slightly. he will do something to make her keep him at her side. I think he will be the first to bring true horror to our girl. we have seen fear, strife, anxiety, worry, and disbelief, but we have not seen horror. truthfully, I think he's the only one I believe capable of doing that to her.

he is happy to remain sat loyally at her feet (again, the irony) so long as she respects him and lets him use her to get off when he pleases, so after his little show of power, when he instills fear into her once more, he will lie back down like a good little parasitic inside man, while she waits in fear, forever caught in his web. it brings this new air of sick and twisted to it all; his true self has been revealed, he can no longer be looked at with any level of incapacity or harmlessness (not that he really could before, but I don't really know how to describe what I'm thinking of in any other way), yet he reverts back to his normal self. he may be more assertive of his power over her, his word may have a sharper edge to them, but he will still play his role as her obedient servant, while she suffers the stresses of it all.

its this forced 'trust' Alicent is forced to reenter that will keep him at her side up until the end of it (I believe they separate when he is to smuggle Maelor out of the city, but I'm not sure if/when Maelor will be brought into the city, so we'll see how that goes) and I think that dynamic will be equally awful as it is interesting to watch play out.

#important note: I have only skimmed the book so all I really know about Larys is from the show #he's just such a vile monstrous person to me #I can barely get myself to like him form a character/plot aspect #I just hate him and want him dead #the dynamic he has with my girl destroys me #but I will concede that they are portrayed on a godly level #its so well done #props to #matthew needham #and #olivia cooke #but yeah #I think she's gonna try and stand up to him and he is not going to take it well at all #he's gonna sink his teeth deeper into her and she's not gonna be able to really do anything about it #and then he's gonna be this source of terror for her as she tries to navigate the war #knowing very intimately on multiple levels what he's capable and just having to accept that as her new reality #just like she had when he killed his father/brother #evil evil man doing evil evil things #he's gonna be scary #larys strong #alicent hightower #pro alicent hightower #pro team green #anti larys strong #house of the dragon #hotd #trying to give Larys my due diligence for analysis and discourse purposes is going to be the death of me #but I tried my best for you <3

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giveamadeuschohisownmovie · 9 months ago

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richardgrimes · 6 months ago

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since the multiverse in fringe is infinite where anything's possible that means all our fringe fanfiction is canon

#except for the ones that suck like if it's written about immoral ass stuff ykwim #fringe & the dead is canon 2 me so i need to know the back story of evil olivia from that one universe NOW!!!#also it means zombie fic is canon:)))

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ozymoron · 10 months ago

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so far none of these characters are autistic therefore none of them are very interesting to me

#⚠️#watching evil dead (2013)#god i wish i remembered her name but the black girl the one whos been actually doing something to help shes my favourite so far #besides mia #theyre mmy favourites #OLIVIA thats her name #UNREAL SHE FUCKING GOT POSSESSED

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bladesofkyber · 8 months ago

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EVIL DEAD (2013) | dir Fede Álvarez

USA Theatrical Release April 5, 2013

David Eric Mia Olivia Natalie

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goryhorroor · 7 months ago

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What are some underrated horror films? I have watched all the popular ones and need more! Thanks!

mentally prepare yourself because im ready to give a gumbo list (this has been sitting in my inbox because i had to ask all my friends and this is the list we came up with):

curse of the demon (1957) the serpent and the rainbow (1988) paranoiac (1963) the old dark house (1932) countess dracula (1971) golem (1920) haxan (1968) island of lost souls (1932) mad love (1935) mill of the stone women (1960) the walking dead (1936) the ghoul (1933) tourist trap (1979) the seventh victim (1943) ganja & hess (1973) dead of night (1945) a bay of blood (1971) let's scare jessica to death (1971) alice sweet alice (1976) the deadly spawn (1983) the brain that wouldn't die (1962) all about evil (2010) black roses (1988) the baby (1973) parents (1989) a blade in the dark (1983) blood lake (1987) solo survivor (1984) lemora: a child's tale of supernatural (1973) eyes of fire (1983) epitaph (2007) nightmare city (1980) slugs (1988) death smiles on a murderer (1973) intruder (1989) short night of glass dolls (1971) the children (2008) alone in the dark (1982) end of the line (2007) the queen of spades (1949) the housemaid (1960) tormented (1960) captain clegg (1962) the long hair of death (1964) dark age (1987) the crawling eye (1958) the kindred (1987) the gorgon (1964) wicked city (1987) baba yaga (1973) 976-evil (1988) bliss (2019) decoder (1984) amer (2009) the visitor (1979) day of the animals (1977) leptirica (1973) planet of the vampires (1965) lips of blood (1975) berberian sound studio (2012) a wounded fawn (2022) matango (1963) the mansion of madness (1973) the killing kind (1973) symptoms (1974) morgiana (1972) whispering corridors (1998) dead end (2003) infested (2023) (this just came out but im adding it) triangle (2009) the premonition (1976) you'll like my mother (1972) the mafu cage (1978) white of the eye (1987) mister designer (1987) alison's birthday (1981) the suckling (1990) graveyard shift (1987) messiah of evil (1987) out of the dark (1988) seven footprints to satan (1929) burn witch burn (1962) the damned (1962) pin (1988) horrors of malformed men (1969) mr vampire (1985) the vampire doll (1970) contracted (2013) impetigore (2019) eyeball (1975) malatestas carnival of blood (1973) the witch who came from the sea (1976) i drink your blood (1970) nothing underneath (1985) sauna (2008) seance (2000) come true (2020) the last winter (2006) night tide (1961) the brain (1988) dementia (1955) don't go to sleep (1982) otogirisou (2001) reincarnation (2005) mutant (1984) spookies (1986) shock waves (1977) bloody hell (2020) the den (2013) wer (2013) olivia (1983) enigma (1987) graverobbers (1988) manhattan baby (1982) evil in the woods (1986) death bed: the bed that eats (1977) cathy's curse (1977) creatures from the abyss (1994) the dorm that dripped blood (1982) the witching (1993) madman (1981) vampire's embrace (1991) blood beat (1983) the alien factor (1978) savage weekend (1979) blood sisters (1987) deadly love (1987) playroom (1990) die screaming marianne (1971) pledge night (1990) night train to terror (1985) the devonsville terror (1983) ghostkeeper (1981) special effects (1984) blood feast (163) the child (1977) godmonster of indian flats (1973) blood rage (1980) the unborn (1991) screamtime (1983) the outing (1987) the being (1983) silent madness (1984) lurkers (1988) forver evil (1987) squirm (1976) death screams (1982) jack-o (1995) haunts (1976) a night to dismember (1983) creaturealm: demons wake (1998) the curse (1987) daddy's deadly darling (1973) nightwing (1979) the laughing dead (1989) the severed arm (1973) the orphan (1979) not like us (1995) prime evil (1988) the monstrosity (1987) dark ride (2006) antibirth (2016) iced (1988) the soultangler (1987) twisted nightmare (1987) puffball (2007) biohazard (1985) cameron's closet (1988) beast from haunted cave (1959) the she-creature (1956)

#answered #horror #horror movies

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madame-mortician · 1 year ago

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Random Evil Dead Fun Facts!

Because I'm hyperfixated on it :P

Originally, Ash was supposed to lose an eye in Army of Darkness, but this was scrapped.

Currently Evil Dead (2013) has the most fake blood used in a film, with 50,000 gallons being used. This isn't that suprising considering that during the final 10 minutes of the film, it is raining blood non-stop.

Freddy Krueger's glove is in the workshed in Evil Dead 2. This is a reference to how in A Nightmare on Elm Street, Nancy watched The Evil Dead. Ironically, that was a nod to how Wes Craven's "The Hills have Eyes" poster was in The Evil Dead. That in turn was a nod to how in The Hills have Eyes a torn Jaws poster is seen on the walls. Very confusing easter egg.

Ironically, Ash actually does say the correct words during the Necronomicon scene in Army of Darkness, but it's hard to hear due to Bruce Campbell coughing his way through it, which sounds like something Ash would do honestly.

Speaking of that scene in Army of Darkness, it is actually established that Ash isn't good at remembering phrases, shown by the scene in The Evil Dead, where Ash tries to recite a greek quote but fucks it up.

Evil Dead Rise confirms that the original trilogy takes place in the same universe as the remake and Evil Dead Rise. For one, they confirm there are three volumes of the Necronomicon, being the ones seen in Army of Darkness. The first Necronomicon, Necronomicon Ex-Mortis, was found by Prof. Knowby and read by Ash and his friends. The second book, Naturom Demonto, is the one Mia found in her family cabin and the final one, also named Naturom Demonto, is the one locked in the bank vault in Evil Dead Rise.

Each deadite in Evil Dead Rise has different eyes referencing the older ones. Ellie has unique silver eyes, Bridget and the neighbours have golden yellow eyes (like in the 2013 film) and Danny has pupilless white eyes (like in the original trilogy.)

The character names in Evil Dead (2013) start with letters that spell the word "DEMON" (David, Eric, Mia, Olivia and Natalie.)

Similarly, the building in Evil Dead Rise, the Monde, is an anagram for Demon as well.

A reocurring theme in the Evil Dead films, is a sister getting possessed and tormenting their sibling. This is shown with Cheryl and her brother Ash, Mia and her brother David, Ellie and her sister Beth and Bridget and her siblings Danny and Kassie.

All the characters in Evil Dead Rise are named after actors from the Evil Dead films, which I elaborate on here.

Originally Army of Darkness was named "Medieval Dead."

The original ending of Army of Darkness showed Ash waking up in a post-apocolyptic future, but it was changed to the more optimistic ending. Despite both Sam Raimi and Bruce Campbell preferring the original ending, the redone ending was used to continue the story with Ash VS Evil Dead.

The original ending was also supposed to lead into Evil Dead 4, where Ash would've fought deadites in the future with robots and other futuristic tropes, but because the ending was changed this never happened. Ironically, the same thing happened to Ash VS Evil Dead, when Season 3 ended on a cliffhanger so that the next season could be in the post-apocalyptic future, but this too was cancelled.

The German version of Army of Darkness incorporates both endings. It starts with the deleted ending, where Ash incorrectly takes 7 drops instead of 6, but as he sleeps it cuts to black and says Ash began dreaming over the centuries. Then it cuts to the regular ending where Ash is in the supermarket and is hailed as a hero before cutting back to him waking up in the post-apocalyptic future. Ironically this is my favourite ending, but it's not-canon.

Evil Dead (2013) had a bunch of different endings before settling on the, supposedly, canon one. One ending had Mia simply leave and the film ends, another had her go to leave before being jumped by a demon (like in The Evil Dead's ending), another had her collapse on the road and get rescued only to reveal she was still possessed and another had her go to leave but start floating before she exploded. The canon one is likely the theatrical ending where she simply walks away, and since we never see Mia again we have nothing to confirm or deny this.

The Abomination from Evil Dead (2013) is inspired by the poster of The Evil Dead, which depicts a woman being dragged into a grave. The Abomination even does the same pose when it rises.

Speaking of The Evil Dead posters, the promo images for The Evil Dead, showed Bruce Campbell and Bridget Hoffman being attacked by a skeleton prop, and defending themselves with a chainsaw. Despite being in all the promotional images and being on the literal cover, Bridget Hoffman was not in the film, though it's likely she is supposed to be a stand-in for Linda. She also played a cameo role as a sword fighter in Army of Darkness, and the voice of the Lori doll in Ash VS Evil Dead.

In The Evil Dead originally it was written that the characters would be smoking weed whilst listening to the tapes, perhaps as a way to explain why they would willingly play the tape, and as a way to rationalise the characters dumb decisions for the rest of the film. This however, was scrapped when the actors did smoke weed for the shot, but got too high and became uncontrollable.

The opening shot of The Evil Dead was filmed by Sam Raimi who stood on a boat, whilst Bruce Campbell pushed him along.

One of the demon passages in The Evil Dead translates to "Sam and Rob are the hikers on the road" a reference to the fact that the two hitchhikers at the start of the film are literally Sam Raimi and Rob Tapert.

During The Evil Dead, a cameraman slipped and dropped his camera onto Bruce Campbell's face, which caused several of his teeth to fall out.

Apparently during filming for Evil Dead 2, after one of the slapstick scenes Bruce Campbell heard somebody making funny noises above him and thought they were making fun of his performance, only for it to turn out that guy got electrocuted. I say apparently because even though Campbell said this himself, he could've been kidding.

Originally the idea with Evil Dead (2013) was that it would get a sequel, similar to Evil Dead 2 but with Mia, and then Ash's story would get a sequel with Army of Darkness 2, and then a third sequel would be made that would have Mia and Ash's stories merge and have the two characters meet, explaining the random after-credits scene in 2013. For some reason they never made the sequel to Evil Dead (2013) and the sequel to Army of Darkness was scrapped for Ash VS Evil Dead instead. The 2013 sequel was replaced with Evil Dead Rise, and Bruce Campbell has since retired as Ash in live-action.

In Japan, Army of Darkness is called "Captain Supermarket" probably being in reference to how Ash works in retail.

So far Evil Dead Rise is the only Evil Dead film without Ash's yellow delta, though apparently the chainsaw used by Beth is the same exact colour as the delta, being a double-reference.

Speaking of the delta, Ash's car appears in Evil Dead (2013), sitting abandoned in front of the cabin. It is most likely just an easter egg and has no lore implications.

Mia and David are half-siblings with different fathers. Originally it was intended for Mia to be Ash's daughter, but this was changed by Raimi. Ironically Ash did end up getting a daughter in the TV show.

Speaking of, Mia was supposed to appear in Ash VS Evil Dead, but it’s likely she wouldn’t have fit since her movie and experience was way darker than Ash’s, and she wouldn’t fit the tone.

The canonical reason Evil Dead (2013) is so similar to The Evil Dead is because the Necronomicon can cause history to repeat itself and likely lured the 5 friends to the cabin (which could also explain why some of the randoms are even here). This is why the 5 characters play very similar roles to the original film, Eric is Scotty, Natalie is Linda, Olivia is Shelly, and David is Ash whilst Mia is Cheryl. The reason Mia survives instead of David, and becomes more like Ash in the finale is likely that when David saved Mia, which Ash failed to do with Cheryl, the Necronomicon decided David should die and Mia should take Ash's role instead. It's also possible that David took the role of Annie in the finale, with him helping before being killed last second, but this is a bit of a stretch.

Bruce Campbell has two cameos in Evil Dead Rise. First is his voice being heard on the first tape Danny plays, where he plays a priest yelling “It’s called the Book of the Dead for a reason!” The second is simply the biting noises when Ellie bites Gabriel’s eye out, being Bruce Campbell furiously biting an apple.

Lee Cronin (Writer/Director of Evil Dead Rise) stated that Bruce Campbell’s cameo was intended to actually be Ash Williams himself. His reasoning was that Ash has found himself in the wrong time period a lot, and it would make sense for a time-displaced Ash to try and get rid of the Necronomicon in the past, before shit hits the fan.

Chet Kaminski was invited by Ash to go with them to the cabin. He chose not to come because Cheryl was also going and he didn’t want Ash to find out he was dating his sister as he feared it would end their friendship. This ultimately ended up saving his life.

In the Evil Dead films, the only characters to be possessed after they died were Scotty, Eric, David, Danny and the neighbours (Evil Dead Rise).

Shelly is never mentioned ever again after The Evil Dead. Scotty is mentioned once, in Ash VS Evil Dead.

Whilst shooting the recap scenes in Evil Dead 2, originally it was intended to have The Evil Dead be more closely followed, with Scotty, Cheryl and Shelly being there with Ash and not just Linda. Sam Raimi himself was going to play Scotty, but it was scrapped in favour of it being only Linda. It’s this recap that led to many fans and viewers being confused and assuming Evil Dead 2 was a retcon or remake when it was not. They couldn’t simply use footage from The Evil Dead due to licensing issues.

#fun facts #evil dead #the evil dead #evil dead 2 #army of darkness #ash williams #mia allen #evil dead 2013 #evil dead rise #evil dead franchise #evil dead ii #bruce campbell #ash vs evil dead

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