#old timey photoshop

[romanovsonelastdance]

Alexandra Feodorovna with her daughters, 1913.

Another example of "old timey Photoshop." All the other postcard versions of this image are landscape; for some reason this one was published in portrait orientation. That meant they had to draw in the rest of Alix and Maria's skirts as well as the chair. They didn't . . . they didn't do great. The draping on Alix's especially looks very stiff and unnatural, being so straight. You can also see editing above Olga, Tatiana and Anastasia's heads where they had to fill in background that wasn't there.

[haomnyangz]

Would I be able to straighten out the errors and mistakes and save all of us? I didn't grasp the depth and weight of this question. It was true that I desperately wanted to save all of us. No one deserves to die, to despair, to be suppressed, and to be despised. On top of that, they were my friends. We might've had our flaws and scars and have been twisted up and distorted. We might've been nobodies. But we were alive. - Seokjin – 2 May Year 22 HYYH; THE NOTES

[kitrant]

One of Baba’s inspiration. I would have drawn the other one but Betty Boops head is way too hard for me to draw for some reason. I think she takes overall shape from Betty but more design characteristics with Bendy.

[mithrandirl]

i always get questions when i do a split gifset, and it's a deceptively simple process so i thought i'd try to show how i do it! i don't know if these types of gifsets have a more universally recognized name, but that's what i call them so that's what i'm going with.

i'm going to write this assuming you have a solid familiarity with photoshop and making gifs, but please feel free to send me an ask if anything is unclear. i use video timeline/smart objects so will be showing that (here's a great general tutorial on giffing with timeline). i will also be talking A LOT about gif dimensions, so first let's briefly go over the limits and theory a little bit.

a 1 column gifset can accommodate gifs 540 pixels wide

2 columns = 268 pixels each with a 4 pixel gutter between

3 columns = 177, 178, 177 pixels with 4 pixel gutters

i'm mostly going to talk about 2 column split gifs here (what i will refer to as 2x1 from now on - 2 across and 1 high), but the process is the same for 3 column (3x1) and so on (1x2, 2x2, etc).

so, why would you even want to make a gifset like this? i mean, let’s face it, generally, bigger is better for gifs on tumblr, and there are obvious incentives to 540 width gifs over 268 or 177/8 width, especially since the upload limit went to 10MB. but even 10MB isn’t much when you’re talking about high quality footage. gif making is a constant balance between quality (whatever that means to you: frame dimensions, sharpening, coloring, etc) and file size. split gifs are a cheat to that limitation >:)

i personally believe an untapped frontier of tumblr gifmaking is playing with dimensions and time. that sentence makes me sound like an old-timey sci-fi villain, but you get the idea: gifmaking is an art and there are many fun and interesting ways of exploring the medium. you can do a lot with 268 pixels! longer frame loops to gif longer scenes unbroken, bolder coloring on a wide shot you don’t want to pare down. and, a shorter x axis means the y axis’s bang goes a lot further on a buck. also just if you have a 2 column set but only 5 gifs so you need to make one take up 2 slots. there's a lot of reasons but the most important one is it's fun :) here are some examples of other split gifs i've made: x, x, x

this isn't so much a limitation, more of a shift in how you think about gifs, but it's important to remember that each gif should ideally be doing something still. when making split gifs, it’s easy to pick a wide scene without thinking about how it’ll be split down the middle, and then you’re left with a lot of something on one side and a lot of incongruous nothing on the other - or you're left with a person cut in half awkwardly in the middle. so while a split gif can still be a whole scene, you shouldn’t ignore the break and what it means to the bigger picture. now this is personal preference, but i like to play with the break and make it a part of the gifset. mirrored movement, subjects trapped on either side but still talking to each other, a bird flying from one side to the other. fun with frames! it can be another way of drawing attention to specific images/moments/feelings happening within the same shot.

SIMPLE SPLIT GIFS

to more narrowly define what i’m calling “simple split gifs,” it’s one set of frames split down the middle into two separate gifs that are meant to play concurrently, side by side.

first thing's first, crop your gif and uncheck delete cropped pixels if it is not already (very important). i'm cropping it to the 1x1 size, in this case 268x350. if you need to see how the full size will look, you can try it out with 536 first. but this one is pretty easy, this is the exact center of the frame (the left boundary of this crop is the center line) and both their heads fit within their respective 1x1 crop.

then color as you normally would. if your scene is very different one side to the other, it might be easier for you to color on a wider crop and then either crop again or copy paste your coloring to the smaller crop version. i do that with the 2x6s, but it's usually not that big a deal to color the 2x1s with just the small crop on your canvas at the time. this scene is very symmetrical, both in movement and colors, so i'm good.

now the fun part! once you've got one side how you want it, save/export as you normally would. at this point i also like to make a mental note of how many frames there are.

so i have 49 frames and it's still only ~3MB! this is just an example that i picked from my rotk fancy set, otherwise i probably would have made this gif longer.

then onto the other side, so i ctrl + z my way back to my smart object video timeline. to get to theoden i just drag and drop the smart object 268 pixels over. since this one is in the exact center of the image, it even helpfully guides me (this can get annoying if you are NOT giffing the center of the image fyi, but you can always manually go pixel by pixel too if you need to with your <- -> keyboard buttons. just always remember where you started and count accurately). i can never move around my smart object without hiding the adjustment layers on top of it, so you'll see me do that in this screen recording.

see how it corrected me when i dragged it a few pixels down by accident, and with all those pink guidelines? sometimes photoshop is good 😌

then make sure you still like the coloring, adjust whatever needs to be adjusted, but watch out! don't make any major changes because it still has to match the other side. and export again.

what we perceive as 1 series of frames chopped down the middle is just 2 separate gifs with the same frame rate. when tumblr loads the images, it will run concurrently in the post (even though it never does in the draft post 🙄). and that's it!

COMPLEX SPLIT GIFS

again i'm making up terms, but i call anything with more than 2 components a complex split gifset. i've tweaked some things in the process as i went along, but this is generally how i did the lotr series. these sets are basically just many split gifs with transitions. and here's where endurance becomes a factor :) there's a lot of prep done blind. but if set up well, it will be fairly easy to pull together by the end.

first i decide on my dimensions, using my upper bounds to determine how big i'm going to go. since lotr has very nice large file sizes, i can go pretty big without sacrificing much in quality. i decided on 3 rows of 350 pixel height gifs and it's worked well for me. that means my biggest gif will have a total height of 1050 pixels - fun! you could also do 8 rows, with two 2x2s or just a series of 2x1s that transition to 1x1s. there really is no limit to this except your imagination and source material.

i cap everything i'm going to use before i even open photoshop, then do all of them at once. uncheck delete cropped pixels, then i make my gifs! this is where i spend 90% of the time on this set. every gif should be the size of the smallest 1x1 gif (268x350 for me). i make all 10 into a fully colored, separate psd. (and then i usually go back through all of them a few times to get the colors to match better 😅) for the bigger ones (2x1: 536x350 and 2x6: 536x1050), i just crop them as if they were 1x1 but always thinking about how they will look when big. this gets tricky when i do the big one :) my lazy workaround for that is to basically make it twice: one cropped as it will be and one full size for me to color. then i copy and paste all the coloring layers onto the small one and voila, i know that the coloring in the upper right slice will also look good on the bottom left slice 1050 pixels away because i saw it on the full size version.

coloring is probably the biggest thing i'm thinking about with this kind of set. the whole idea is that these gifs are using the same colors, more or less, throughout each phase. even with the 1x1s, they're still part of a larger color concept, and they should (🤞) work with each other.

in a pinch, i like to eyedrop a color from one gif and add it as an accent to another. one of my 1x1s had a much more muted color palette originally, but i wanted it to have deeper blues and yellows to complement the 1x1 that would go next to it, so i added some gradients on lower opacity over it, color picked from other gifs i already colored.

i keep my coloring and the smart object in separate folders to help me in the final step of combining everything, and then i trim everything down to my lowest common denominator of frames. you might think you need to keep frames pretty minimal if you're doing 3 phases with transitions like this, but there's more room to work with on a small gif, in terms of file size. i usually do 30-50 frames for each phase, with the assumption that i'll be adding a transition on each side of each gif that will eat up some frames (i usually do 4-6 frame fade transitions). for the rotk set my final frame count was 129 and i never went over 8MB on a gif, so there's plenty of space play around with things :)

and then, combine! whatever order you start with, you are stuck with (unless you're getting even more complicated, but we won't go into that lol). for these sets i go small 1x1 -> medium 2x1 -> big 2x6. i like to think of it in phases from this point on. small is the first phase, then medium, then big. then i put in the fade transitions, chopping up the first phase gif so the last one will fade into it, restarting the whole cycle seamlessly. i'm just doing a quick and dirty fade here, but here's a tutorial if you want more explanation on transitions.

at this point i save this psd as its position, "top left" or whatever (usually it's a psb by this point too 🥲), just in case i need to go back to it. then i export this first gif and move on to the rest.

it's the same concept as a simple split gif: drag and drop the smart object to the new position, but now there are multiple phases to keep track of. folder organization has been key for me to keep everything straight. i move through the gifs in a backwards S, starting with the top left. but you could go any direction, just gotta stick with it and remember your counts. in my case, i'm always thinking of 268 pixels over and, for the 2x6, 350 up/down. it's a tedious process, but it goes quick (apart from waiting for photoshop to load each time you export).

i did this series as a color concept aesthetic kind of thing, so my theory was by using the same-ish colors throughout, that would save me in the end when it came time to export. there's only 256 colors max to work with on a gif, and that's usually what gets me over the 10MB limit. but as i said, i have never even gotten close to the size limit on this series. it's pretty hard to reach the limit on 268 pixels, but not impossible. (i did run into that on the emma set i did, and that was hell. but also not an impossible fix in the end.)

and that's it! if you try any of this and have trouble, i'm happy to help if i can but mostly this is a "click around and see what works for you" kind of process. and feel free to tag me on your split gifsets :) i love seeing them <3

[didgeriduwu]

Tf2 Headcanons 2 bc I have a million of these

[Please if you haven't already go and sign the petition to save this goofy ass game!]

Pyro isn't covered in burn marks. What do you think the fireproof suit is for?

Pyro has actually worn their suit since they were a literal baby, and their parents noticed them trying to crawl into the fireplace. They still have all of their past suits ranging from itty bitty baby pyro size all the way up to their current size.

Sniper's slouch hat belonged to his (adopted) dad, who wore it as part of his uniform in WW2. Even though he doesn't approve of his son's job, Snipes' dad still wanted him to have his lucky hat to keep him safe.

Scout is pro-womens rights. He's still sexist (its the 60s/70s) but his Ma was an early Second Wave feminist so he just grew up believing in women's lib by default.

Heavy's dad was one of those high-ranking soviet officers who pissed Stalin off so bad he had them old-timey photoshopped out of existence.

Miss Pauling is tatted the fuck up, but only where it's not visible while she's wearing her work attire. She's a professional, god damn it.

Christopher Lee was a spy during WW2 (Its 100% true look it up) and so was Spy, and they were friends.

Spy's (real?) name is Jean Dupont because that's the French equivalent of "John Doe" and I like the idea of there being two does on the team (no relation).

Other Headcanons!

Misc.: Part 1,

Themed: Sex, Woodstock

[kasugas]

Notable things from the EE intimate acoustic session i went to:

I know this is probably a mix of old and new information but i wanted to put everything from the set in one post so i can keep it for posterity.

Jon fucking cracked his head open on the morning of the show on an Uber boot lid while taking merch out of the boot.

Jon said the Beatles and Simon and Garfunkel were inspirations to him as a kid.

Jon got his first guitar at 13 and had a dream to make music by then.

Alex mentioned playing viola and cello as a kid and mostly knows stringed instruments. He said he wasn't good at the piano and Jon mentioned he's shit at the drums.

They both talked about how the band got together. Jon poached Alex from another band that broke up 2 weeks before they were gonna get signed for a band, by literally messaging him on old timey email or Facebook and saying "do you want to get a burrito".

Jon tried to impress him by eating the same spicy burrito as him and he was dying the entire time.

Jon also talked about how he loves it when he makes songs that give the impression that he has strong feelings on things but it's ambiguous as to what those feelings are.

Jon said man alive was a very nervous energy album, where ideas where just smashed together because these songs were the beginning of his songwriting. He mentioned photoshop handsome having conflicting messaging talking about surgery and photoshop at the same time, which he thought muddled the idea of the song.

They thought arc was more put together, and for every album they make they try and think of what makes a better sound for a live experience.

Talked about how their career is very much due to luck. They have had it very lucky with getting their songs circulated in radio space when they were such a small band starting out.

Suffragette suffragette was a single produced for a small label which very luckily got radio time

Photoshop handsome was rejected for radio because it was "too weird" but the music video gave them the success they needed. They made the music video themselves in their garage using a greenscreen, and submitted it to a competition on MySpace. The winner got played on MTV 2 for a week or two. They spoofed tons of votes with the help of their friends to win the completion.

Some big radio name (i unfortunately forget the name of) heard it on MTV 2 in a random hotel room and really liked it, so he ended up getting that song radio time.

The producer for get to heaven (Stuart Price) wasnt paid big manager money at all because he was doing it BC he was a fan. And the fact he was a "pop" producer didn't change ee's sound because they had everything written beforehand and he couldn't change their weirdness.

Apparently Jeremy's back was up when working with him until Alex and Mike met Stuart and confirmed he was chill.

Jon talked about the fact he was extremely moody on get to heavens creation. Alex said an anecdote where he tried to get Jon to do the vocals for warm healer and he did the main melody and then went "this is the worst song I've ever done" and then left the studio.

Jon talked about being the emotional heart of the team while Alex was the techy guy. Except Jons emotional heart was being a moody dickhead, in his words.

There was no cover of a song from a fever dream because it was too hard to convert one of the songs to acoustic, according to Alex.

Jon said Re-animator was the album he would change the most on and that it was the most unpolished.

Alex said he was very stressed in making mountainhead. It was the shortest amount of time they had made an album in. He was juggling home life and his work quite extremely. And by the end he was stubborn on his production choices.

With mountainhead being an exception, Alex mentioned that normally they have 5 or 6 versions of a song recorded before they choose one to go with.

Alex talked about their boiler suit troubles in the early days. Jeremy was insistent that their boiler suits be tailored which he recalled was terrible for movement.

Jon mentioned that he has had no formal vocal training. He didnt even do vocal warmups The falsetto was something he did in his early career and by the time he realised he did it he had settled into it and it had become "his thing".

He also admitted he didn't think he had a strong voice which I think is a. Fucking lie.

Alex talked about how touring is a LOT of waiting. And that they have exhausted every single avenue of conversation with each other so they end up just going to inside jokes they've had for 15 years they don't even remember why they're funny anymore.

During lockdown when the building their equipment was in burned down, they got into an argument with the owner of the building because he thought it was an insurance fraud job.

Jon still uses his guitar that got burned in lockdown in shows. Its the same body but has a new neck. Alex's also got restored but he doesn't play it because it's really difficult to play. Jon said Alex puts really heavy strings on his guitar because "it's what the jazz musicians do". But because it got burned apparently it sounds "a bit shit".

They both have talked a lot about how Spotify and streaming has decimated the music industry. Alex also talked about how songs don't even need albums anymore you can just made a compilation of singles and how he is averse to singles. Him and Jon joked about the idea that albums don't need any singles. Alex also talked about how cohesive albums are a dying breed of music made for a dying breed of fan.

[alcalavicci]

I found the context for this later on. This was from Photoplay, a film magazine. Someone wrote in to the magazine, complaining that his girlfriend found Yul Brynner hot and that any guy would look hot bald. The magazine, in response, manipulated this photo of Dean (next to Millie) so that he looked bald in response to that letter. 😂

No date given but our best guess is 1958.

[boringkate]

That Girl was a sitcom that aired from 1966 to 1971 and followed an unmarried woman moving to New York to live alone and pursue her own career (as an actress) (uncommon stuff for tv shows at the time). Every episode began with someone saying the words "That Girl" and then the camera would zoom in on her or a photo of her. I watched it all a few years ago and I still think about it, so now you all have to put up with me telling you about some of the episodes that stood out the most to me.

S01E01 "Don't Just Do Something, Stand There"

A fun introduction to Ann and her new boyfriend Don. It also establishes here in this first episode that That Girl just keeps getting sexually harassed. And not in a "wow it's wild that old timey romcoms acted like behaviour like this was charming" type of way. Dudes are just creeps and she's straight up having a bad time. This will happen in more episodes than I can remember or touch on here.

S02E22 "He and She and He"

Ann (after being told by them that she has to choose between them) dreams about marrying both of the boys who love her. Simultaneously. And their throuple works amazingly. Everyone is happy. It's utopian. Untill the rain starts. Noah (the bible guy with the ark) shows up at her door to reaffirm that she has to choose. He's played by the same actor who plays her father (a conservative old guy and constant source of generation gap based conflict).

S02E24 "Great Guy"

Ann's gal pal Pete (bit of a boy name) (played by Ruth Buzzi who was a regular on Rowan & Martin's Laugh-In and is BTW a bit of a brick) gets her first boyfriend! He's a rough and tumble guy tho and he's always boxing and jogging with Pete instead of treating her like a lady. He even repeatedly calls Pete a "great guy" (he says Ann is more of a "girl girl" and a "pussycat"). Ann (thinking there's a problem) tries to meddle and gives Pete a femme makeover, but it was totally unnecessary and unwanted. They're happy together the way that they are. The episode ends with him saying "you meet a lot of pussycats, but it's only once in your life that you meet a great guy!"

S02E25 "The Detective Story"

Ann is scared because she keeps getting obscene phone calls from an unknown man (presumably threatening to rape her). It is not a misunderstanding. I swear this is an upbeat and breezy sitcom series.

S03E08 "A Muggy Day in Central Park"

It's a crossdressing episode. The cops are crossdressing. Her boyfriend Don is crossdressing (and I think I remember her dad catching Don crossdressing). All to catch some thieves in central park. They show a clip from it (as a flashback) in the series finale too.

S05E03 "I Ain't Got No Body"

A Playboy style porno mag features Ann's face edited onto another woman's body (she never agreed to her photo being used in this way). A precursor to the celebrity photoshops that were themselves precursors to modern deepfakes. Her conservative father sees it at his barbershop (because apparently barbershops stocked porno mags back then).

S05E24 "The Elevated Woman"

At some point the series finale was planned to show Ann and Don's wedding, but Marlo Thomas (the actress who played Ann) felt that would send the wrong message (suggesting that at the end of the day getting married is all girls should aspire to), so instead the episode is about Ann bringing Don to one of her women's lib meetings to show him what the movement is all about. He spends the whole journey telling her how ridiculous she is and saying that women don't know how good they have it. When they finally arrive it turns out that the meeting was cancelled because none of the other women could even convince their boyfriends to come. No growth occurs. There is no character arc. And no better alternatives exist within the confines of heterosexuality. He's sexist and they're engaged.

[cqsuanla]

My little fucked up OCs which started as a dark nat au LMAO here’s another. Expect me to disappear again 😘

Tw: violence, hints of stockholm syndrome, cigs

“Hi.”

You rouse, blinking up at the static your punisher calls constellations.

She leans over you like an eclipse and waves a tightly bound bundle of grapes over you. “Hungry?”

You clear your throat with a nod. “Y-Yeah. Thirsty too.”

A happy hum. She conjures up a vase of water from somewhere. “Open up, honey.”

You do so, but not without a quick glance downward to the sword wedged between your rib cage. Yep. Still there.

She feeds you with an almost adorable amount of concentration. Adorable were it not for the fact that she had impaled you on some piece of shit antique and left you to rot for a day.

“Can I-” She shoves a grape between your teeth and you dutifully chew and swallow before beginning again: “Can I go home now?”

Home being anywhere but here. The big ugly house she lives in and, you suppose, also you now. Or—a pipe dream, really—home in the distant, clouded lands of your maker. Tabletops full of power tools, blue-papered designs you can’t even fathom. The smell of life and movement, and a view of spilled light, pinpricks of stars. Oh, stars.

You glare up at the static.

She winces at that, cricking her head back in an unnatural way. “Still not right? Damn. What about now?”

The sky suddenly sharpens up as if she had clicked the Smart Sharpen button in Photoshop. “Forget it. Take the fucking sword out.”

Now, she pouts.

“Sorry,” you say automatically, clenching your eyes shut. You feel like you’re made of wax. Maybe you are. Maybe she did that while you were asleep.

A cold hand cards through your hair, nails scraping pleasantly at your scalp. “Forgiven,” she sings mildly—it is quite literally music to your ears. She thinks she’s funny for things like that. “I’ll take you home in a couple more hours. How about that?”

“Hasn’t he seen enough?” And you will freely admit you’re beginning to sound desperate. You can’t even feel the sword. You’re really just going a little stir crazy. “Isn’t this punishment enough?”

She slants you a look. The whole point of this shit is that it’s never goddamn enough. She’s said this to you countless times and you never seem to get it.

“Could I have a smoke, at least?” you finally grumble out.

A long, thin line of tobacco wrapped in delicate pink paper. Blueish smoke spirals away from the tip.

“Come on,” you groan, “enough of this old timey shit.”

And you’re registering the stinging pain of it before realizing she’s slapped you across the face. Then, the agony. The searing red-white-blacking out pain of a sword jammed into your chest. You scream, sweat beading out your pores, limbs locking up in a shock.

It dies as quickly as it came and you feel a small part of you dislodge and follow that pain to the eternal nothing. You wish the whole of you could go. You wish nothing of yours would ever touch those final gates, peering up at the blank eyes above. The glassy eyes above. Something hot splashes across your cheek.

“It’s all I know,” she whispers angrily. Embarrassed. The smoke has been bent, paper jutting out smoothly and impossibly around the corner to patch it up. “It must be enough for you.”

You sigh through ragged lungs. “Okay. Just. Fuck, imagine it shorter and, like, this- this thick.” You hold apart your thumb and forefinger. “The paper is white except the filter, which is orange. No holder-thing, please.”

The cigarette transforms accordingly as you instruct it. The little piece of metal she typically uses to grip her smokes dissipates in a mist. She hands you the lit cigarette and straightens up, conjuring up her own to match.

There’s the sensation of muted horror echoing in some part of your mind as you watch her lean on the hilt of your sword. It slices further into the left side of your chest and more blood lurches out. You puff at your smoke, glaring daggers at your own predicament.

“Yum,” she says after a while. Eagerly, she produces another cigarette. “Want another?”

You give her a shaky thumbs up, spitting the butt out from the corner of your mouth.

She puts her cigarette out between your collar bones where a small, red pool has formed. You hear the sizzle, though you don’t feel it. She relights and sticks it in your mouth.

“All right, then,” she says, kissing your cheek. “I’ll see you in a bit.” And she leaves, pixels above you blurring at the edges as her mind wanders away.

[kissporsche]

Boots,

I'm wishing you the happiest of birthdays!!! 💕 💕💕💕

I hope your day is full of joy and love and laughter and this new year brings you all the things you wish for, and so much more!

I hope you feel utterly and completely loved and cherished.

Thank you for being you.

And if I knew how to use Photoshop those selkie!Pete memes would be way more fun and old-timey and mythical but I hope you'll enjoy them anyway. 😁

All the love! ❤

NATASCHAAAAAAAAAAAAAAA

I do feel loved and cherished, thank you so much 🥹🥹🥹 You have no idea how much seeing this made me smile this morning!! 💕

DGHKJDFHGJKDHF MEMES!!! MEMES FOR MY MOST SPECIAL AND WONDERFUL BOY!! TYSM I WILL CRY ABOUT IT! it's 100% true he is terrible and should be returned to the sea. until he misses his equally terrible husband too much and comes home 🥹

love you, thank you!! <3

[romanovsonelastdance]

Emperor Nicholas II on horseback.

At first glance this postcard looks fine. But on closer inspection, there's something off about Nicholas' eyes and eyebrows. I think they were probably difficult to make out on the original image because of the shadow across the face so they were drawn over, leading to the slightly off appearance.

[kurjakani]

Smth i never posted..... a mix photoshop editing/collage & digital painting assignment from school first year. Photographed the skeletons nd all the comps r like old timey comps w a filter to bring them 2gether a bit.. This is a recreation of Hugo Simbergs Kuoleman Puutarha, ill add it under the cut for comparison :]

[antigonenikk]

hbowar ask gane! m,t and x

M. fav quote has to be from The Pacific-

‘So what do you believe in?

I believe in ammunition.’

Honestly nothing from either 3 shows goes as hard.

But for BoB- liebgotts translation of the nazi commanders speech. people misinterpret this moment a lot but to me its meant to highlight the banality of evil and is also a moment of intense irony and is especially important for joe—the horror in confronting this banality

Gen Kill- “you’re asking me to speak frankly sir?” “Well yes.” “Well sir, its just that you’re incompetent sir.”!!!!!

MOTA- bucky telling gale to run was iconic thats my fav quote just “go ill catch up with you.” And u can tell he KNOWS he wont be able to.

T - naming a pet….. lmaoooo i think eugene would be a funny dog name like i love dog names that are old timey people names. shifty is also an incredible dog name for a border collie only though.

X- the only screenshot i have of this scene from ep 1 of the pacific is from my own edit lmaooo but it would be this probably:

I love the framing. It would be great edited as a poster for the show i might do a few posters now in photoshop that sounds kind of fun lolllll also these shots:

[mlobsters]

supernatural s9e4 slumber party (w. robbie thompson)

were they plugging in some vacuum tubes in this old timey flashback. also thanks for the update on kevin, show, i had lost track of him

DEAN You know, after everything that happened, I figured we could use a little break ourselves, so I picked you up season one of Game of Thrones.

funny that the game of thrones thing is canon, read a handful of things that mentioned them watching it and it was such an unexpected detail i thought it was just (not terribly in character) fanon LOL

i see you, microsoft surface product placement lol

okay i also see you, pr0n folder. very cute

laughing at the idea that this ~30s-40s era computer has files. but it is magical so *hand wave*

gettin a talk from the dads. but her sneaky distraction worked

SAM You really can't delete those from the Internet? CHARLIE Not even I can do that. Come on! DEAN Where do you even find them? CHARLIE A top-secret place I call Amazon. And someone uploaded all the unpublished works. I thought it was fanfic at first, but it was clearly Edlund's work.

i like that gentle poking fun at the show

CHARLIE So, takeout, sleepover, braid each other's hair?

CHARLIE Man, this bed is about as comfortable as a brick. Any plans on moving in anytime soon? SAM I am moved in. This is just my style.

again i shouldn't be surprised these details (sam's uncomfortable bed) are canon but yet i continue to be!

DEAN Yeah, this is his, uh, style. SAM Well, I'm sorry I haven't hung up the, uh, "Hang in there, kitty" poster yet, Dean. Feel free to redecorate. DEAN So, what, our home's not good enough for the "Hang in there, kitty" poster? SAM This isn't our home. This is where we work. DEAN What's the difference?

ouch, sam.

ps if i didn't mention it, isn't it gonna be a problem if the boop-boop magical computer detects angels and is gonna detect the one sam doesn't know is inside him right now

there's too much going on right now. the jar of goo they spilled and don't know about, the goofy flashback witch lady who's obviously related, bickering spouses, charlie hacking the gibson, angel boop-boop

and i thought i recognized this kid's face and voice, yet another person that was on the killing! those vancouver shows, lots of commingling

the killing s3e1 the jungle - andrew jenkins as cody

dorothy, wicked witch, crowley. this is just a lot.

CROWLEY Write it down so daddy can help.

--

DEAN Damn it, I just cleaned in here. SAM Really?

home? what's that?

excuse ME keep those eyeballs away from the fourth wall, mister. i know these episodes are the fannish variety but :p forced me to open premiere AND photoshop

DOROTHY I can't believe I've lived here for 75 years. How long have you called this place home? SAM My brother calls it home. Me, I, uh -- I haven't had that much luck with homes. DOROTHY Me neither. Overrated, you ask me. Yellow bricks or not, give me the open road any day.

LOL okay. thanks for clarifying this point about sam

hey now charlie gets to up her death counter. exciting. the plot machinations around ezekial are so tiresome

does Wicked break the fourth wall? why is this happening?

y'all are creepin me out

SAM Look, I never had what you had with mom and dad, okay? DEAN What are you talking about? SAM I don't have any memories of home. And whenever I've tried to make a home of my own, it really hasn't ended well. DEAN Yeah, but a lifetime of abandoned buildings and crappy motel rooms. I mean, this is about as close to home as we're gonna get, and it's ours.

this is such a mishmash of shit happening

this whole plot of the oz thing being real, her dad sanitizing it... this is very much like, a main plot of the magicians. (fantasy books kept main character man alive during depths of depression, turns out the dude who wrote them did live next door to the kids and they did actually go to the magical place but it's all very dark and disturbing)

CHARLIE Me? What about you crazy kids? You gonna be all right without me?

apparently not. dean getting attached

the very special episode where sam learns home can be Good, Actually

how big is the hole gonna get that dean's digging himself into with the angel possession situation. but i don't even really care to think about it because then i get irritated at how the show set up the situation

[vimbry]

"You probably know that I have a darkroom in the basement, which is where I get high on the fumes of something called Blix, a combination of bleach and fixer. I take pictures, I develop them and I scan the negatives and mess around with the images in Photoshop.

As you correctly assume I don't really want to make them public, partly because they would wither and crumble under scrutiny, but also it would make me self-conscious about doing it and I very much enjoy the luxury of this particular privacy.

I do like to show off my collection of oddball old-timey cameras to anyone who comes over, but I can detect something in my friends' polite smiles that tells me nobody else finds them as compelling as I do. The magnificent Univex Mercury with its one-of-a-kind rotating shutter!"

john linnell interview for "the rumpus", 2013

[heart-of-gold-outlaw]

"You want to know what I think? I think it's about damn time somebody took the fight to them railroad boys."

Made a screenshot of my Red Dead Online character look like an old-timey photograph! This took way too long because I refused to pay for Photoshop