#old since birth

[xoxo-bunnydumpling]

Did anyone else have a composer-stan phase as a child or were y'all like, normal?

This question brought to you by: I just heard Sean Hayes (love him) is playing Oscar Levant (obsessed!) in Good Night, Oscar right now (apparently not new but new to me) and I'm reminded how TURNT I got on Levant and Gershwin as a kid.

[radiance1]

Damian: [brushing his teeth]

The shadow hanging over his shoulder: [Gets its teeth dangerously close to Damian's shoulder]

Damian: [Shoves a toothbrush into said shadow move and starts brush]

The shadow: [Pauses before starting to let out a contented purr]

Damian then spits out the foam and washes out his mouth, then makes the shadow do the same and then picks out pjs.

Damian: [Currently decided if he should go with the cat, dog, or knife imprinted one]

The shadow: [Starts getting dangerously close to Damian with, toxic green spirals it calls eyes]

Damian: [Throws the dog imprinted one behind him at the shadow and takes the cat imprinted one for himself and tells the shadow to put it on]

The shadow: [Stares at the clothes before hesitantly putting them on before letting out a noise of distress]

Damian: [Turning around to find the shadow somehow stuck in the pjs, lets out a sigh, then starts to help them fit]

Damian then moves over to the bed, he points to one side and tells the shadow to go there. The shadow listens, laying down as Damian also lays down, grabbing the sheets and covering them both.

It barely took a few seconds for the shadow to fall asleep, and Damian stared at it. Damian wasn't quite sure why the shadow of his dead twin was following him, nor why it was even able to and seemed to hide itself from anyone who isn't Damian.

Nobody besides him knew about it, and Damian decided that he liked it. This could have been his younger brother, if the other had survived, and they would have probably been told to fight to the death to decide an heir.

At the very least, that won't ever happen.

Even if his brother was slightly unusual.

===

Danny did not remember much of the before, he remembered people with blurred faces and features, blurred colors. He remembered a lot of colors, then red, then white, then pain.

He doesn't like pain, he believes.

Then he remembered going to sleep, and then he woke up. It was dark and slimy and cramped when he woke up, especially when he realized someone else was in their with him.

Then he fell asleep again, then woke up to that same dark and slimy place, then fell asleep again, all in some weird cycle. Then, moving, and pain.

It hurt, and he was sluggish when it eventually stopped. Then came pain again, and he was asleep.

Then he woke up, again.

He didn't know what was happening, wasn't really aware of too. But he woke up next to the other who was in that dark and slimy with him, and decided he wanted to stay with them.

He wasn't aware enough for most of the things that happened when Damian grew up, but he still stayed regardless, and hide from everyone else.

Danny loves his brother, and he thinks his brother loves him too. Even if he was slightly unusual.

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[ruporas]

feast (ID in alt)

[rubydubydoo122]

Guys, if we make Tim South East Asian, we can have all the boy Robins be Brown. Dick's Romani, a large amount of people Hc Jason as Latino, and Damian is Arab. I'm pretty sure the current Tim hc race is half Korean, but like... I can see Tim being half Singaporean, or Indonesian. It would also be really funny because it would make Damian and Tim look really similar and just imagine a random white lady walking up to the both of them and going "Oh! is this your brother?" and Damian going "No! I'm not related to Drake!" and it happens seven times and ends in Damian begrudgingly saying, "Yes, though he is adopted"

[3gremlins]

is this the best sword in the game? idk, but it's pretty fucking good.

do i also not care and will probably wield it to the end of the game b/c ZEVRAN? yes

(my rook is rolling a poison and lightning stagger build, it's extremely fun)

[coquelicoq]

this relationship between the emperor and his favorite concubine is something else. because apparently she was his DAD'S concubine and she reminds him of his mom...he's like you're the only connection i have to my mother (presumably because she was friends with his mom, because they were concubines of the same guy, and because after his mom died she used to take care of him and make him the food his mom used to make him because she "loves children") and i'm sitting there like 😬 ok where are we going with this. then i get to the end of the show and discover they weren't going anywhere with it in particular. they were just like, we want this guy to have a mommy complex and we want you to know about it. okay. thanks i guess...

[pallaspally]

"What are you doing for your birthday?"

Well you see i am going to sit some. And i will kiss my son and daughters head at least a few times. There will be time to wallow and cry a bit, of course. Oh and to finish it off i shall run into the sea <3

[celesteange]

i am so obsessed with ava cadavra atm but ive been for my entire life actually. ever since i started playing the sims 2 ds i was obsessed. i was just hiding it. now im embracing it fully.

she always reminded me of a someone i dearly loved in my life and idk shes just my comfort character whenever im sad and i start playing and see her in the game im instantly not sad anymore. love you forever ava cadavra💜

[gelatoisland]

new valentines wip ill color 2morrow

[imjulia-andilikecats]

QUEEN NEVER CRY 🧎‍♀️

Reference: The Ki Sisters by bumbae

[chicago-geniza]

Freaked another nurse out by being able to tell in my body what is post-ictal fugue and what is head trauma due to My Whole Entire Life of experience. I don't have a concussion but I did have a worse-than-usual seizure and do need to sleep for like 24 hours. Trust me, I'm an expert. Don't bill insurance for a CT scan

[isdalinarhot]

Canonically cis without a doubt:

-Dalinar

-Evi

-Adolin

Up in the air:

-literally anyone else

[lesamis]

What are some otps/pairings you'd like to write for but haven't?

ohh fascinating question thank you 😌 for every fandom i've written for, there's been at least one ship that i was as, or even more, interested in than in the fandom's main ship, but which was badmouthed so much i didn't feel comfortable publishing any fics of it. for les mis, this was jehan/montparnasse, for tma, it was gerry/michael, and for dbd. well. is this a safe space to admit that i'm a catwin shipper first and a person second

[orangedogsquad]

[gayforminatozaki]

STOP TREATING YOUR TODDLER DAUGHTERS LIKE ACCESSORIES!!!!! THEY DONT WANNA WEAR SUNGLASSES AND HAVE MINI DESIGNER BAGS THEY WANNA RUN AROUND AND HAVE FUN!!!